Boardman Early

Attic PG neck Amphora fig 2

Protogeometric style About 575 B.C. Amphora The compass technique White ground Create the leagros group Storage Provenance: Athens, Greece The amphora was a two-handled vase used for storage and transport. They are most often ceramic, but examples in metals and other materials have been found. This amphora displays the popular circle design. These were achieved using multiple fixed brushes attached to a compass. Also typical of the style are the plain black horizontal bands Attic PG

Macmillan aryballos fig. 176

The orientalizing style Corinthian aryballos from thebes by the chigi P. London 1889 Around 650 B. C. The ranks are broken up into duels Heralded sphinxes, a lion hunt, a confrontation of men and women know as the judgement of Paris The black zones carry animal scenes and hunters in white and red White ground The aruballos is a small spherical or globular flask used in Ancient Greece. It was used to contain perfume or oil. Often depicted in the vase were paintings of a human head or a lion head as a mouth where the liquid came out from. When the upper part of the vase takes the form of a lion's head, its mouth opens to display rows of fearsome teeth and a red tongue.

Corinthian kotyle from Aegina fig. 179

The orientalizing style Black figure kotyle Has double row of rays at the base Kotyle Provenance Aegina It is a deep vessel with two handles. The decoration of the kotyle is characterized by elegant expressive lines and a sense of majesty in the way the bodies move forward in a placid and dignified manner.

Corinthian owl figure vase, fig 185

Corinthian Aryballos in the Shape of an Owl, Corinth, Greece, Circa 640 BC In the 800s and 700s BC, Corinth was very wealthy from trade and from selling their perfume in little fancy pottery jars. Corinthian potters and decorators specialized in the manufacture of small Aryballos or flasks for oil or perfume, which were easy to export. The basic shape of the owl, emblem of the Goddess Pallas Athena, was created using a mold. The stylized decoration reveals great professionalism and a sense of expression. A string can be run through the hole in the owl's foot enabling the flask to be hung up. This also allowed it to be carried around its owner's wrist at the bathhouse.

Dyplon amphora fig. 44

Geometric style 804 b. C. Creator: the dyplon painter Provenance: Athens Around 1.55 meters high with symmetrical patterning prothesis between handles with pattern friezes if grazing and reclining animals and multiple meanders. It was a grave marker in a cemetery. It was part of a gateway to Athens. It was a cremation urn that held human remains. LGIa

LG crater, Hirschfield Painter, fig. 45

Geometric style 990 b. C. Creator: the Hirschfield painter Provenance: Athens Around 1.23 meters Black figure technique Medium: Terracotta Monumental grave markers were first introduced during the Geometric period. They were large vases, often decorated with funerary representations. It was only in the Archaic period that stone sculptures were used as funerary monuments. On this magnificent krater, the main scene occupies the widest portion of the vase and shows the deceased laid upon a bier surrounded by members of his household and, at either side, mourners. Contains a dead man lays on his bier on a car for the process into the grave with mourners into tiers Andy cheerier processing for funeral games the Shroud is listed in cutaway. LG

Details of prothesis, figs. 46 and 47

Geometric style Crater New york 14.130.15 Black Figure on White ground Mourners raise hands to their heads tearing and may be seen carrying food offerings to the dead while a small figure tries to feed on him. The crater is associated with burials and is an important source for ancient Greek culture. The crater was found among other funeral objects, and its exterior depicted a funeral procession to the gravesite. Many enormous and costly kraters dedicated at temples or used in religious ceremonies to hold libations.

Canola crater fig. 76 LGV, fig. 14

Geometric style 1874-1956 Cretaor: Canola Painter Provenance: Cyprus New York giants at a tree, concentric circles, contrast of thin and think paint Compass technique Krater, also spelled crater, ancient Greek vessel used for diluting wine with water. Thus having utilitarian use. The crater is described as having a rim, neck, body, and a float which are features distinctive Craters depicted the time period. Further, the crater is used to create the landmarks used, such as the craters from Canola. The craters are large and served as storage for diluting wine with water.

Attic LG oinochoe fig. 59 1-2

Geometric style P4885 Creator: Provenance: Athens Agora It is a pouring vessel. A graceful vessel with a delicately curved handle and trefoil-shaped mouth and a handle that rises above the lip. Since it has a trefoil shaped mouth, there is no single pouring point. It is highly decorated with black figures on a white ground.

Attic LG crater fig. 67 and fig. 19

Geometric style Thebes 1899-19 Black Figure on white back ground Depicts Athena and Heracles where Athena is always by his side helping him defeat his enemies during times of war. Krater, also spelled crater, ancient Greek vessel used for diluting wine with water. It usually stood on a tripod in the dining room, where wine was mixed. Kraters were made of metal or pottery and were often painted or elaborately ornamented. Kraters are large, with a broad body and base and usually a wide mouth. They may have horizontal handles placed near the base, or vertical handles rising from the shoulder. Legends are normally depicted on both sides of the crater telling a story.

Attic PG amphora, wavy lines fig 3

Protogeometric style About 2131 B. C. Belly-handled Amphora The compass technique wavy lines from the past and semicircles made my a multiple brush fitted to a compass White ground Storage: large two-handled vase used for storage and transport. The amphora was a two-handled vase used for storage and transport. They are most often ceramic, but examples in metals and other materials have been found. Attic PG

Attic PG skyphos fig 9

Protogeometric style About 547 B. C. deep bowls with two horizontal handles Black figure on white ground This amphora displays the popular circle design. These were achieved using multiple fixed brushes attached to a compass. The skyphos is characterized as a deep, stemless drinking cup with two handles and a low foot base. The amphora was a two-handled vase used for storage and transport. They are most often ceramic, but examples in metals and other materials have been found. Attic PG

Euboean semicircle skyphos and dish fig 16-17

Protogeometric style From leftkandi eretria Contains pairs of pendants semi-circles on each side the euboean potter created what was to be the prime indicator of Greek presence in both Eastern and Western Mediterranean The cups are found in quantity in Syria and could only have come with the Greek Euboean

Attic MG pyxis with horse handle fig. 38

The Geometric Style About 1910-21 Provenance: London Attic Late Geometric Pyxis with Four Horses on the Lid. From Kerameikos. Flat pixes with a horse or horses as a handle on the Flatlands suggesting a mouse or Chariot team. A pyxis is a shape of a vessel from the classical world, usually a round box with a separate lid. Ornamental in purpose. Originally mostly used by women to hold cosmetics, trinkets or jewelry, surviving pyxides are mostly Greek pottery. Attic MG

Arrive crater, fig. 127

The Geometric Style Argos C201 Metopal in composition pattern the filling patterns has fish and geometric objects that represent carthorse yokes.Krater, also spelled crater, ancient Greek vessel used for diluting wine with water. Thus having utilitarian use. Craters depicted the time period. Further, the crater is used to create the landmarks used, such as the crater Arrive. The craters are large and served as storage for diluting wine with water and have utilitarian purposes.

Attic PG amphora detail (horse) fig 13

The Geometric Style Belly handled Amphora contains an abstract decoration with minimal figure words and a modest silhouette of a horse which wheel made decorated like vases or toy horses on wheels for a child's grave. The amphora was a two-handled vase used for storage and transport. They are most often ceramic, but examples in metals and other materials have been found.

Attic MG amphora fig 33

The Geometric Style From Eleusis Strips and narrow bands of triple lines in pattern Complexity of pattern and panel is most highly developed on the vessels to mark graves. Attic bellied amphorae decorated with circle metopes in the zone between the handles. Their assumed roles exclusively as urn of exclusively female cremations or sometimes used as grave markers makes them the few of the Geometric pottery used for burial rites. The amphora was a two-handled vase used for storage and transport. They are most often ceramic, but examples in metals and other materials have been found. This amphora displays the popular circle design. These were achieved using multiple fixed brushes attached to a compass. Also typical of the style are the plain black horizontal bands. Attic MG

Corinthian aryballoi figs. 164-66 LGV 25

The orientalizing style Contains close set parallel stripes with figure freezes added with flowers and animals; the is incision of detail with small geometric or floral devices in the background.Corinthian vase-painters used the black-figure technique. They excelled, in particular, in mastering the miniature picture frieze, where complex mythological stories were artfully rendered in great detail on the surfaces of small vessels. This aryballoi form has a wide, flat mouth, and a single small handle.It was often used to hold perfume or oil.

Ram Jug Painter, Odysseus jug fig. 206

The orientalizing style Full black and white style Odyssey's companions escaping from polyphemus' cave. A broad bodied oinochoe of East Greek type with a high neck carrying white and black diamonds from Aegina town 566 b. C. Black figureon white ground Jug typically had a spout and single handle, used for pouring liquids MPA Attic Aegina

Crater by Analatos Painter fig. 190

The orientalizing style Crater Krater, also spelled crater, ancient Greek vessel used for diluting wine with water. Thus having utilitarian use. The crater is described as having a rim, neck, body, and a float which are features distinctive Craters depicted the time period. Further, the crater is used to create the landmarks used, such as the craters from Canola. The craters are large and served as storage for diluting wine with water. Provenance: Munich, Germany Geometric chariot horses with permed manes and base Ray's grow hooks 6077 Artist/Maker: Analatos Painter Proto-attic "Krater", ca. 700 BC. Snakes' ornamentations are typical of funerary vases.

Amphora by Analatos Painter fig. 189

The orientalizing style Creator: Analatos Painter Figures more definition, women with dotted skirts, back devoted to animals and dotted florals Provenance: Louvre CA2985 Geometric Protoattic Amphora The image shows a detail of the neck of a "loutrophoros", a vased shaped as a slender amphora. The neck is decorated with overlapping bands. The upper band is decorated with black roses enclosed by a braid motif. The lower band shows a player of the aulos between two pairs of dancers, a man and a woman holding hands. The musician moves to the left while the dancers held twigs. These magnificent drawings are attributed to the so-called "Analatos Painter". His name Analatos derives from the Attic site where a hydria dating from the beginning of his career, was found. The artist, trained in a workshop of the late geometric period, marks the transition point toward the Orientalizing style that characterizes the beginning of VII century BC. The word "loutrophoros" means bath-carrier and identifies a jar used to hold water used for the ceremonial bath of the brides before marriage, for bathing the dead, and as a grave marker.

Attic crater, oresteia painters death of Agamemnon fig. 209

The orientalizing style Creator: Oresteia Painter Figured prevent problems when asked to do more than fight or march The murderer hair pulled and sword The two men are contrasted and the woman in alarm Provenance: Berlin The Oresteia depicts a trilogy of Greek tragedy.

Eretrian tankard fig. 228

The orientalizing style Euboean red and white on outline drawn women on the neck and animals on the body with incision; with a woolly snake Louvre C2365 The tankard is a type of drinkware characterized as being large, roughly cylindrical, drinking cup with a single handle.

Cycladuc oinoche,Griffin head fig. 243

The orientalizing style London A547 Found in Aegina The griffin head is a mythical creature with the body, tail, and back legs of a lion and the head and wings of an eagle. It is a majestic and powerful creature. Only the head is depicted in the oinoche. Oinochoe is wide with a tall neck and ovoid body. On the shoulder there is a wide band with figured decoration

Chigi Vase fig. 178 LGV fig. 21,22

The orientalizing style Olpe which is a oinochoe with a baggie outlined a ride for my vessel of skin With a round flaring neck that comes late in MPC near 650 or later Details of a polite battle and lion hunt Creator: Veii Medium: clay The vase contains hoplite warriors. The figure has a lifelike representation of combat, absence of horror vaccui. It is a more naturalistic depiction of people and horses. The middle frieze depicts lion hunt scene. The olple acts as a wine pitcher for a symposium for only men the subject matter reflects the idealized male life.

Arrive crater, Blinding of polyphemus fig. 216

The orientalizing style Provenance: Argos Polyphemus blinded, reclining giant beneath the rim C149 Watery pattern of Geometric The vivid nature of the Polyphemus episode made it a favorite theme of ancient Greek painted pottery, on which the scenes most often illustrated are the blinding of the Cyclops and the ruse by which Odysseus and his men escape. Krater, also spelled crater, ancient Greek vessel used for diluting wine with water. Thus having utilitarian use. The crater is described as having a rim, neck, body, and a float which are features distinctive Craters depicted the time period. Further, the crater is used to create the landmarks used, such as the craters from Canola. The craters are large and served as storage for diluting wine with water

Polyphemus painter, amphora fig. 208

The orientalizing style Provenance: Eleusis Creator: polyphemus P. Odyssey's blinds polyphemus Georgina pursue Perseus guarded by athena and the decapitated sister behind them Child's coffin Black and white on the neck odysseys has a whitened body blinding the drunk giant, body gorgons pursue Perseus, their sister is medusa Gorging heads out of cauldrons with animal promotes inspired by orientalizing network The back of the base is covered with squiggles The amphora was a two-handled vase used for storage and transport. They are most often ceramic, but examples in metals and other materials have been found. This amphora displays the popular circle design.

Malian amphora fig. 250

The orientalizing style found in Melos Big amphora with a tallneck conical Foot & Leg Large belly handled amphorae. 7th and early 6th centuries BC. Used to grave markers.

Rhodian plates figs. 290, 295, 297

The orientalizing style and Black Figure A rare figure subject a colorful plate that has a Trojan scene It was found on roads and inscribed by argive with a similar style of cylades. Generally has single large creatures and a few more elaborate and colorful ones

Willd goat style fig. 284-89, 299

The orientalizing style and Black Figure Around mid century Shoulder frieze has a central floral with grander animals flanking it Geometry died Having friezes of goats. Thus where previously an image was a silhouette, the Wild Goat Style allowed a greater representation of detail and marked a step forward in the progress towards naturalism.