Brit Lit Final

England in 1819 Percy Bysshe Shelley 19th century

An old, mad, blind, despised, and dying King; Princes, the dregs of their dull race, who flow Through public scorn,—mud from a muddy spring; Rulers who neither see nor feel nor know, But leechlike to their fainting country cling Till they drop, blind in blood, without a blow. A people starved and stabbed in th' untilled field; An army, whom liberticide and prey Makes as a two-edged sword to all who wield; Golden and sanguine laws which tempt and slay; Religion Christless, Godless—a book sealed; A senate, Time's worst statute, unrepealed— Are graves from which a glorious Phantom may Burst, to illumine our tempestuous day.

Elizabeth Barrett Browning 19th Century

Aurora Leigh

Lord Byron 19th Century

Chile Harolde's Pilgrimage

Locksley Hall Lord Tennyson 19th Century

Comrades, leave me here a little, while as yet 't is early morn: Leave me here, and when you want me, sound upon the bugle-horn. 'T is the place, and all around it, as of old, the curlews call, Dreary gleams about the moorland flying over Locksley Hall; Locksley Hall, that in the distance overlooks the sandy tracts, And the hollow ocean-ridges roaring into cataracts. Many a night from yonder ivied casement, ere I went to rest, Did I look on great Orion sloping slowly to the West. Many a night I saw the Pleiads, rising thro' the mellow shade, Glitter like a swarm of fire-flies tangled in a silver braid. Here about the beach I wander'd, nourishing a youth sublime With the fairy tales of science, and the long result of Time; When the centuries behind me like a fruitful land reposed; When I clung to all the present for the promise that it closed: When I dipt into the future far as human eye could see; Saw the Vision of the world and all the wonder that would be.— In the Spring a fuller crimson comes upon the robin's breast; In the Spring the wanton lapwing gets himself another crest; In the Spring a livelier iris changes on the burnish'd dove; In the Spring a young man's fancy lightly turns to thoughts of love. Then her cheek was pale and thinner than should be for one so young, And her eyes on all my motions with a mute observance hung. And I said, "My cousin Amy, speak, and speak the truth to me, Trust me, cousin, all the current of my being sets to thee." On her pallid cheek and forehead came a colour and a light, As I have seen the rosy red flushing in the northern night. And she turn'd—her bosom shaken with a sudden storm of sighs— All the spirit deeply dawning in the dark of hazel eyes— Saying, "I have hid my feelings, fearing they should do me wrong"; Saying, "Dost thou love me, cousin?" weeping, "I have loved thee long." Love took up the glass of Time, and turn'd it in his glowing hands; Every moment, lightly shaken, ran itself in golden sands. Love took up the harp of Life, and smote on all the chords with might; Smote the chord of Self, that, trembling, pass'd in music out of sight. Many a morning on the moorland did we hear the copses ring, And her whisper throng'd my pulses with the fulness of the Spring. Many an evening by the waters did we watch the stately ships, And our spirits rush'd together at the touching of the lips. O my cousin, shallow-hearted! O my Amy, mine no more! O the dreary, dreary moorland! O the barren, barren shore! Falser than all fancy fathoms, falser than all songs have sung, Puppet to a father's threat, and servile to a shrewish tongue! Is it well to wish thee happy?—having known me—to decline On a range of lower feelings and a narrower heart than mine! Yet it shall be; thou shalt lower to his level day by day, What is fine within thee growing coarse to sympathize with clay. As the husband is, the wife is: thou art mated with a clown, And the grossness of his nature will have weight to drag thee down. He will hold thee, when his passion shall have spent its novel force, Something better than his dog, a little dearer than his horse. What is this? his eyes are heavy; think not they are glazed with wine. Go to him, it is thy duty, kiss him, take his hand in thine. It may be my lord is weary, that his brain is overwrought: Soothe him with thy finer fancies, touch him with thy lighter thought. He will answer to the purpose, easy things to understand— Better thou wert dead before me, tho' I slew thee with my hand! Better thou and I were lying, hidden from the heart's disgrace, Roll'd in one another's arms, and silent in a last embrace. Cursed be the social wants that sin against the strength of youth! Cursed be the social lies that warp us from the living truth! Cursed be the sickly forms that err from honest Nature's rule! Cursed be the gold that gilds the straiten'd forehead of the fool! Well—'t is well that I should bluster!—Hadst thou less unworthy proved— Would to God—for I had loved thee more than ever wife was loved. Am I mad, that I should cherish that which bears but bitter fruit? I will pluck it from my bosom, tho' my heart be at the root. Never, tho' my mortal summers to such length of years should come As the many-winter'd crow that leads the clanging rookery home. Where is comfort? in division of the records of the mind? Can I part her from herself, and love her, as I knew her, kind? I remember one that perish'd; sweetly did she speak and move; Such a one do I remember, whom to look at was to love. Can I think of her as dead, and love her for the love she bore? No—she never loved me truly; love is love for evermore. Comfort? comfort scorn'd of devils! this is truth the poet sings, That a sorrow's crown of sorrow is remembering happier things. Drug thy memories, lest thou learn it, lest thy heart be put to proof, In the dead unhappy night, and when the rain is on the roof. Like a dog, he hunts in dreams, and thou art staring at the wall, Where the dying night-lamp flickers, and the shadows rise and fall. Then a hand shall pass before thee, pointing to his drunken sleep, To thy widow'd marriage-pillows, to the tears that thou wilt weep. Thou shalt hear the "Never, never," whisper'd by the phantom years, And a song from out the distance in the ringing of thine ears; And an eye shall vex thee, looking ancient kindness on thy pain. Turn thee, turn thee on thy pillow; get thee to thy rest again. Nay, but Nature brings thee solace; for a tender voice will cry. 'T is a purer life than thine, a lip to drain thy trouble dry. Baby lips will laugh me down; my latest rival brings thee rest. Baby fingers, waxen touches, press me from the mother's breast. O, the child too clothes the father with a dearness not his due. Half is thine and half is his: it will be worthy of the two. O, I see thee old and formal, fitted to thy petty part, With a little hoard of maxims preaching down a daughter's heart. "They were dangerous guides the feelings—she herself was not exempt— Truly, she herself had suffer'd"—Perish in thy self-contempt! Overlive it—lower yet—be happy! wherefore should I care? I myself must mix with action, lest I wither by despair. What is that which I should turn to, lighting upon days like these? Every door is barr'd with gold, and opens but to golden keys. Every gate is throng'd with suitors, all the markets overflow. I have but an angry fancy; what is that which I should do? I had been content to perish, falling on the foeman's ground, When the ranks are roll'd in vapour, and the winds are laid with sound. But the jingling of the guinea helps the hurt that Honour feels, And the nations do but murmur, snarling at each other's heels. Can I but relive in sadness? I will turn that earlier page. Hide me from my deep emotion, O thou wondrous Mother-Age! Make me feel the wild pulsation that I felt before the strife, When I heard my days before me, and the tumult of my life; Yearning for the large excitement that the coming years would yield, Eager-hearted as a boy when first he leaves his father's field, And at night along the dusky highway near and nearer drawn, Sees in heaven the light of London flaring like a dreary dawn; And his spirit leaps within him to be gone before him then, Underneath the light he looks at, in among the throngs of men: Men, my brothers, men the workers, ever reaping something new: That which they have done but earnest of the things that they shall do: For I dipt into the future, far as human eye could see, Saw the Vision of the world, and all the wonder that would be; Saw the heavens fill with commerce, argosies of magic sails, Pilots of the purple twilight dropping down with costly bales; Heard the heavens fill with shouting, and there rain'd a ghastly dew From the nations' airy navies grappling in the central blue; Far along the world-wide whisper of the south-wind rushing warm, With the standards of the peoples plunging thro' the thunder-storm; Till the war-drum throbb'd no longer, and the battle-flags were furl'd In the Parliament of man, the Federation of the world. There the common sense of most shall hold a fretful realm in awe, And the kindly earth shall slumber, lapt in universal law. So I triumph'd ere my passion sweeping thro' me left me dry, Left me with the palsied heart, and left me with the jaundiced eye; Eye, to which all order festers, all things here are out of joint: Science moves, but slowly, slowly, creeping on from point to point: Slowly comes a hungry people, as a lion, creeping nigher, Glares at one that nods and winks behind a slowly-dying fire. Yet I doubt not thro' the ages one increasing purpose runs, And the thoughts of men are widen'd with the process of the suns. What is that to him that reaps not harvest of his youthful joys, Tho' the deep heart of existence beat for ever like a boy's? Knowledge comes, but wisdom lingers, and I linger on the shore, And the individual withers, and the world is more and more. Knowledge comes, but wisdom lingers, and he bears a laden breast, Full of sad experience, moving toward the stillness of his rest. Hark, my merry comrades call me, sounding on the bugle-horn, They to whom my foolish passion were a target for their scorn: Shall it not be scorn to me to harp on such a moulder'd string? I am shamed thro' all my nature to have loved so slight a thing. Weakness to be wroth with weakness! woman's pleasure, woman's pain— Nature made them blinder motions bounded in a shallower brain: Woman is the lesser man, and all thy passions, match'd with mine, Are as moonlight unto sunlight, and as water unto wine— Here at least, where nature sickens, nothing. Ah, for some retreat Deep in yonder shining Orient, where my life began to beat; Where in wild Mahratta-battle fell my father evil-starr'd,— I was left a trampled orphan, and a selfish uncle's ward. Or to burst all links of habit—there to wander far away, On from island unto island at the gateways of the day. Larger constellations burning, mellow moons and happy skies, Breadths of tropic shade and palms in cluster, knots of Paradise. Never comes the trader, never floats an European flag, Slides the bird o'er lustrous woodland, swings the trailer from the crag; Droops the heavy-blossom'd bower, hangs the heavy-fruited tree— Summer isles of Eden lying in dark-purple spheres of sea. There methinks would be enjoyment more than in this march of mind, In the steamship, in the railway, in the thoughts that shake mankind. There the passions cramp'd no longer shall have scope and breathing space; I will take some savage woman, she shall rear my dusky race. Iron-jointed, supple-sinew'd, they shall dive, and they shall run, Catch the wild goat by the hair, and hurl their lances in the sun; Whistle back the parrot's call, and leap the rainbows of the brooks, Not with blinded eyesight poring over miserable books— Fool, again the dream, the fancy! but I know my words are wild, But I count the gray barbarian lower than the Christian child. I, to herd with narrow foreheads, vacant of our glorious gains, Like a beast with lower pleasures, like a beast with lower pains! Mated with a squalid savage—what to me were sun or clime? I the heir of all the ages, in the foremost files of time— I that rather held it better men should perish one by one, Than that earth should stand at gaze like Joshua's moon in Ajalon! Not in vain the distance beacons. Forward, forward let us range, Let the great world spin for ever down the ringing grooves of change. Thro' the shadow of the globe we sweep into the younger day; Better fifty years of Europe than a cycle of Cathay. Mother-Age (for mine I knew not) help me as when life begun: Rift the hills, and roll the waters, flash the lightnings, weigh the Sun. O, I see the crescent promise of my spirit hath not set. Ancient founts of inspiration well thro' all my fancy yet. Howsoever these things be, a long farewell to Locksley Hall! Now for me the woods may wither, now for me the roof-tree fall. Comes a vapour from the margin, blackening over heath and holt, Cramming all the blast before it, in its breast a thunderbolt. Let it fall on Locksley Hall, with rain or hail, or fire or snow; For the mighty wind arises, roaring seaward, and I go.

The Cry of the Children Elizabeth Barrett Browning 19th Century

Do ye hear the children weeping, O my brothers, Ere the sorrow comes with years ? They are leaning their young heads against their mothers, — And that cannot stop their tears. The young lambs are bleating in the meadows ; The young birds are chirping in the nest ; The young fawns are playing with the shadows ; The young flowers are blowing toward the west— But the young, young children, O my brothers, They are weeping bitterly ! They are weeping in the playtime of the others, In the country of the free. Do you question the young children in the sorrow, Why their tears are falling so ? The old man may weep for his to-morrow Which is lost in Long Ago — The old tree is leafless in the forest — The old year is ending in the frost — The old wound, if stricken, is the sorest — The old hope is hardest to be lost : But the young, young children, O my brothers, Do you ask them why they stand Weeping sore before the bosoms of their mothers, In our happy Fatherland ? They look up with their pale and sunken faces, And their looks are sad to see, For the man's grief abhorrent, draws and presses Down the cheeks of infancy — "Your old earth," they say, "is very dreary;" "Our young feet," they say, "are very weak !" Few paces have we taken, yet are weary— Our grave-rest is very far to seek ! Ask the old why they weep, and not the children, For the outside earth is cold — And we young ones stand without, in our bewildering, And the graves are for the old !" "True," say the children, "it may happen That we die before our time ! Little Alice died last year her grave is shapen Like a snowball, in the rime. We looked into the pit prepared to take her — Was no room for any work in the close clay : From the sleep wherein she lieth none will wake her, Crying, 'Get up, little Alice ! it is day.' If you listen by that grave, in sun and shower, With your ear down, little Alice never cries ; Could we see her face, be sure we should not know her, For the smile has time for growing in her eyes ,— And merry go her moments, lulled and stilled in The shroud, by the kirk-chime ! It is good when it happens," say the children, "That we die before our time !" Alas, the wretched children ! they are seeking Death in life, as best to have ! They are binding up their hearts away from breaking, With a cerement from the grave. Go out, children, from the mine and from the city — Sing out, children, as the little thrushes do — Pluck you handfuls of the meadow-cowslips pretty Laugh aloud, to feel your fingers let them through ! But they answer, " Are your cowslips of the meadows Like our weeds anear the mine ? Leave us quiet in the dark of the coal-shadows, From your pleasures fair and fine! "For oh," say the children, "we are weary, And we cannot run or leap — If we cared for any meadows, it were merely To drop down in them and sleep. Our knees tremble sorely in the stooping — We fall upon our faces, trying to go ; And, underneath our heavy eyelids drooping, The reddest flower would look as pale as snow. For, all day, we drag our burden tiring, Through the coal-dark, underground — Or, all day, we drive the wheels of iron In the factories, round and round. "For all day, the wheels are droning, turning, — Their wind comes in our faces, — Till our hearts turn, — our heads, with pulses burning, And the walls turn in their places Turns the sky in the high window blank and reeling — Turns the long light that droppeth down the wall, — Turn the black flies that crawl along the ceiling — All are turning, all the day, and we with all ! — And all day, the iron wheels are droning ; And sometimes we could pray, 'O ye wheels,' (breaking out in a mad moaning) 'Stop ! be silent for to-day ! ' " Ay ! be silent ! Let them hear each other breathing For a moment, mouth to mouth — Let them touch each other's hands, in a fresh wreathing Of their tender human youth ! Let them feel that this cold metallic motion Is not all the life God fashions or reveals — Let them prove their inward souls against the notion That they live in you, or under you, O wheels ! — Still, all day, the iron wheels go onward, As if Fate in each were stark ; And the children's souls, which God is calling sunward, Spin on blindly in the dark. Now tell the poor young children, O my brothers, To look up to Him and pray — So the blessed One, who blesseth all the others, Will bless them another day. They answer, " Who is God that He should hear us, While the rushing of the iron wheels is stirred ? When we sob aloud, the human creatures near us Pass by, hearing not, or answer not a word ! And we hear not (for the wheels in their resounding) Strangers speaking at the door : Is it likely God, with angels singing round Him, Hears our weeping any more ? " Two words, indeed, of praying we remember ; And at midnight's hour of harm, — 'Our Father,' looking upward in the chamber, We say softly for a charm. We know no other words, except 'Our Father,' And we think that, in some pause of angels' song, God may pluck them with the silence sweet to gather, And hold both within His right hand which is strong. 'Our Father !' If He heard us, He would surely (For they call Him good and mild) Answer, smiling down the steep world very purely, 'Come and rest with me, my child.' "But, no !" say the children, weeping faster, " He is speechless as a stone ; And they tell us, of His image is the master Who commands us to work on. Go to ! " say the children,—"up in Heaven, Dark, wheel-like, turning clouds are all we find ! Do not mock us ; grief has made us unbelieving — We look up for God, but tears have made us blind." Do ye hear the children weeping and disproving, O my brothers, what ye preach ? For God's possible is taught by His world's loving — And the children doubt of each. And well may the children weep before you ; They are weary ere they run ; They have never seen the sunshine, nor the glory Which is brighter than the sun : They know the grief of man, without its wisdom ; They sink in the despair, without its calm — Are slaves, without the liberty in Christdom, — Are martyrs, by the pang without the palm, — Are worn, as if with age, yet unretrievingly No dear remembrance keep,— Are orphans of the earthly love and heavenly : Let them weep ! let them weep ! They look up, with their pale and sunken faces, And their look is dread to see, For they think you see their angels in their places, With eyes meant for Deity ;— "How long," they say, "how long, O cruel nation, Will you stand, to move the world, on a child's heart, — Stifle down with a mailed heel its palpitation, And tread onward to your throne amid the mart ? Our blood splashes upward, O our tyrants, And your purple shews your path ; But the child's sob curseth deeper in the silence Than the strong man in his wrath !"

Lord Byron 19th Century

Don Juan

Tintern Abbey William Wordsworth 18th Century

Five years have past; five summers, with the length Of five long winters! and again I hear These waters, rolling from their mountain-springs With a soft inland murmur.—Once again Do I behold these steep and lofty cliffs, That on a wild secluded scene impress Thoughts of more deep seclusion; and connect The landscape with the quiet of the sky. The day is come when I again repose Here, under this dark sycamore, and view These plots of cottage-ground, these orchard-tufts, Which at this season, with their unripe fruits, Are clad in one green hue, and lose themselves 'Mid groves and copses. Once again I see These hedge-rows, hardly hedge-rows, little lines Of sportive wood run wild: these pastoral farms, Green to the very door; and wreaths of smoke Sent up, in silence, from among the trees! With some uncertain notice, as might seem Of vagrant dwellers in the houseless woods, Or of some Hermit's cave, where by his fire The Hermit sits alone. These beauteous forms, Through a long absence, have not been to me As is a landscape to a blind man's eye: But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them, In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind With tranquil restoration:—feelings too Of unremembered pleasure: such, perhaps, As have no slight or trivial influence On that best portion of a good man's life, His little, nameless, unremembered, acts Of kindness and of love. Nor less, I trust, To them I may have owed another gift, Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight Of all this unintelligible world, Is lightened:—that serene and blessed mood, In which the affections gently lead us on,— Until, the breath of this corporeal frame And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul: While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the life of things. If this Be but a vain belief, yet, oh! how oft— In darkness and amid the many shapes Of joyless daylight; when the fretful stir Unprofitable, and the fever of the world, Have hung upon the beatings of my heart— How oft, in spirit, have I turned to thee, O sylvan Wye! thou wanderer thro' the woods, How often has my spirit turned to thee! And now, with gleams of half-extinguished thought, With many recognitions dim and faint, And somewhat of a sad perplexity, The picture of the mind revives again: While here I stand, not only with the sense Of present pleasure, but with pleasing thoughts That in this moment there is life and food For future years. And so I dare to hope, Though changed, no doubt, from what I was when first I came among these hills; when like a roe I bounded o'er the mountains, by the sides Of the deep rivers, and the lonely streams, Wherever nature led: more like a man Flying from something that he dreads, than one Who sought the thing he loved. For nature then (The coarser pleasures of my boyish days And their glad animal movements all gone by) To me was all in all.—I cannot paint What then I was. The sounding cataract Haunted me like a passion: the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, not any interest Unborrowed from the eye.—That time is past, And all its aching joys are now no more, And all its dizzy raptures. Not for this Faint I, nor mourn nor murmur; other gifts Have followed; for such loss, I would believe, Abundant recompense. For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes The still sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue.—And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man: A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows and the woods And mountains; and of all that we behold From this green earth; of all the mighty world Of eye, and ear,—both what they half create, And what perceive; well pleased to recognise In nature and the language of the sense The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul Of all my moral being. Nor perchance, If I were not thus taught, should I the more Suffer my genial spirits to decay: For thou art with me here upon the banks Of this fair river; thou my dearest Friend, My dear, dear Friend; and in thy voice I catch The language of my former heart, and read My former pleasures in the shooting lights Of thy wild eyes. Oh! yet a little while May I behold in thee what I was once, My dear, dear Sister! and this prayer I make, Knowing that Nature never did betray The heart that loved her; 'tis her privilege, Through all the years of this our life, to lead From joy to joy: for she can so inform The mind that is within us, so impress With quietness and beauty, and so feed With lofty thoughts, that neither evil tongues, Rash judgments, nor the sneers of selfish men, Nor greetings where no kindness is, nor all The dreary intercourse of daily life, Shall e'er prevail against us, or disturb Our cheerful faith, that all which we behold Is full of blessings. Therefore let the moon Shine on thee in thy solitary walk; And let the misty mountain-winds be free To blow against thee: and, in after years, When these wild ecstasies shall be matured Into a sober pleasure; when thy mind Shall be a mansion for all lovely forms, Thy memory be as a dwelling-place For all sweet sounds and harmonies; oh! then, If solitude, or fear, or pain, or grief, Should be thy portion, with what healing thoughts Of tender joy wilt thou remember me, And these my exhortations! Nor, perchance— If I should be where I no more can hear Thy voice, nor catch from thy wild eyes these gleams Of past existence—wilt thou then forget That on the banks of this delightful stream We stood together; and that I, so long A worshipper of Nature, hither came Unwearied in that service: rather say With warmer love—oh! with far deeper zeal Of holier love. Nor wilt thou then forget, That after many wanderings, many years Of absence, these steep woods and lofty cliffs, And this green pastoral landscape, were to me More dear, both for themselves and for thy sake!

The Scholar Gypsy Matthew Arnold 19th Century

Go, for they call you, shepherd, from the hill; Go, shepherd, and untie the wattled cotes! No longer leave thy wistful flock unfed, Nor let thy bawling fellows rack their throats, Nor the cropp'd herbage shoot another head. But when the fields are still, And the tired men and dogs all gone to rest, And only the white sheep are sometimes seen Cross and recross the strips of moon-blanch'd green. Come, shepherd, and again begin the quest! Here, where the reaper was at work of late— In this high field's dark corner, where he leaves His coat, his basket, and his earthen cruse, And in the sun all morning binds the sheaves, Then here, at noon, comes back his stores to use— Here will I sit and wait, While to my ear from uplands far away The bleating of the folded flocks is borne, With distant cries of reapers in the corn— All the live murmur of a summer's day. Screen'd is this nook o'er the high, half-reap'd field, And here till sun-down, shepherd! will I be. Through the thick corn the scarlet poppies peep, And round green roots and yellowing stalks I see Pale pink convolvulus in tendrils creep; And air-swept lindens yield Their scent, and rustle down their perfumed showers Of bloom on the bent grass where I am laid, And bower me from the August sun with shade; And the eye travels down to Oxford's towers. And near me on the grass lies Glanvil's book— Come, let me read the oft-read tale again! The story of the Oxford scholar poor, Of pregnant parts and quick inventive brain, Who, tired of knocking at preferment's door, One summer-morn forsook His friends, and went to learn the gipsy-lore, And roam'd the world with that wild brotherhood, And came, as most men deem'd, to little good, But came to Oxford and his friends no more. But once, years after, in the country-lanes, Two scholars, whom at college erst he knew, Met him, and of his way of life enquired; Whereat he answer'd, that the gipsy-crew, His mates, had arts to rule as they desired The workings of men's brains, And they can bind them to what thoughts they will. "And I," he said, "the secret of their art, When fully learn'd, will to the world impart; But it needs heaven-sent moments for this skill." This said, he left them, and return'd no more.— But rumours hung about the country-side, That the lost Scholar long was seen to stray, Seen by rare glimpses, pensive and tongue-tied, In hat of antique shape, and cloak of grey, The same the gipsies wore. Shepherds had met him on the Hurst in spring; At some lone alehouse in the Berkshire moors, On the warm ingle-bench, the smock-frock'd boors Had found him seated at their entering, But, 'mid their drink and clatter, he would fly. And I myself seem half to know thy looks, And put the shepherds, wanderer! on thy trace; And boys who in lone wheatfields scare the rooks I ask if thou hast pass'd their quiet place; Or in my boat I lie Moor'd to the cool bank in the summer-heats, 'Mid wide grass meadows which the sunshine fills, And watch the warm, green-muffled Cumner hills, And wonder if thou haunt'st their shy retreats. For most, I know, thou lov'st retired ground! Thee at the ferry Oxford riders blithe, Returning home on summer-nights, have met Crossing the stripling Thames at Bab-lock-hithe, Trailing in the cool stream thy fingers wet, As the punt's rope chops round; And leaning backward in a pensive dream, And fostering in thy lap a heap of flowers Pluck'd in shy fields and distant Wychwood bowers, And thine eyes resting on the moonlit stream. And then they land, and thou art seen no more!— Maidens, who from the distant hamlets come To dance around the Fyfield elm in May, Oft through the darkening fields have seen thee roam, Or cross a stile into the public way. Oft thou hast given them store Of flowers—the frail-leaf'd, white anemony, Dark bluebells drench'd with dews of summer eves, And purple orchises with spotted leaves— But none hath words she can report of thee. And, above Godstow Bridge, when hay-time's here In June, and many a scythe in sunshine flames, Men who through those wide fields of breezy grass Where black-wing'd swallows haunt the glittering Thames, To bathe in the abandon'd lasher pass, Have often pass'd thee near Sitting upon the river bank o'ergrown; Mark'd thine outlandish garb, thy figure spare, Thy dark vague eyes, and soft abstracted air— But, when they came from bathing, thou wast gone! At some lone homestead in the Cumner hills, Where at her open door the housewife darns, Thou hast been seen, or hanging on a gate To watch the threshers in the mossy barns. Children, who early range these slopes and late For cresses from the rills, Have known thee eyeing, all an April-day, The springing pasture and the feeding kine; And mark'd thee, when the stars come out and shine, Through the long dewy grass move slow away. In autumn, on the skirts of Bagley Wood— Where most the gipsies by the turf-edged way Pitch their smoked tents, and every bush you see With scarlet patches tagg'd and shreds of grey, Above the forest-ground called Thessaly— The blackbird, picking food, Sees thee, nor stops his meal, nor fears at all; So often has he known thee past him stray, Rapt, twirling in thy hand a wither'd spray, And waiting for the spark from heaven to fall. And once, in winter, on the causeway chill Where home through flooded fields foot-travellers go, Have I not pass'd thee on the wooden bridge, Wrapt in thy cloak and battling with the snow, Thy face tow'rd Hinksey and its wintry ridge? And thou has climb'd the hill, And gain'd the white brow of the Cumner range; Turn'd once to watch, while thick the snowflakes fall, The line of festal light in Christ-Church hall— Then sought thy straw in some sequester'd grange. But what—I dream! Two hundred years are flown Since first thy story ran through Oxford halls, And the grave Glanvil did the tale inscribe That thou wert wander'd from the studious walls To learn strange arts, and join a gipsy-tribe; And thou from earth art gone Long since, and in some quiet churchyard laid— Some country-nook, where o'er thy unknown grave Tall grasses and white flowering nettles wave, Under a dark, red-fruited yew-tree's shade. —No, no, thou hast not felt the lapse of hours! For what wears out the life of mortal men? 'Tis that from change to change their being rolls; 'Tis that repeated shocks, again, again, Exhaust the energy of strongest souls And numb the elastic powers. Till having used our nerves with bliss and teen, And tired upon a thousand schemes our wit, To the just-pausing Genius we remit Our worn-out life, and are—what we have been. Thou hast not lived, why should'st thou perish, so? Thou hadst one aim, one business, one desire; Else wert thou long since number'd with the dead! Else hadst thou spent, like other men, thy fire! The generations of thy peers are fled, And we ourselves shall go; But thou possessest an immortal lot, And we imagine thee exempt from age And living as thou liv'st on Glanvil's page, Because thou hadst—what we, alas! have not. For early didst thou leave the world, with powers Fresh, undiverted to the world without, Firm to their mark, not spent on other things; Free from the sick fatigue, the languid doubt, Which much to have tried, in much been baffled, brings. O life unlike to ours! Who fluctuate idly without term or scope, Of whom each strives, nor knows for what he strives, And each half lives a hundred different lives; Who wait like thee, but not, like thee, in hope. Thou waitest for the spark from heaven! and we, Light half-believers of our casual creeds, Who never deeply felt, nor clearly will'd, Whose insight never has borne fruit in deeds, Whose vague resolves never have been fulfill'd; For whom each year we see Breeds new beginnings, disappointments new; Who hesitate and falter life away, And lose to-morrow the ground won to-day— Ah! do not we, wanderer! await it too? Yes, we await it!—but it still delays, And then we suffer! and amongst us one, Who most has suffer'd, takes dejectedly His seat upon the intellectual throne; And all his store of sad experience he Lays bare of wretched days; Tells us his misery's birth and growth and signs, And how the dying spark of hope was fed, And how the breast was soothed, and how the head, And all his hourly varied anodynes. This for our wisest! and we others pine, And wish the long unhappy dream would end, And waive all claim to bliss, and try to bear; With close-lipp'd patience for our only friend, Sad patience, too near neighbour to despair— But none has hope like thine! Thou through the fields and through the woods dost stray, Roaming the country-side, a truant boy, Nursing thy project in unclouded joy, And every doubt long blown by time away. O born in days when wits were fresh and clear, And life ran gaily as the sparkling Thames; Before this strange disease of modern life, With its sick hurry, its divided aims, Its heads o'ertax'd, its palsied hearts, was rife— Fly hence, our contact fear! Still fly, plunge deeper in the bowering wood! Averse, as Dido did with gesture stern From her false friend's approach in Hades turn, Wave us away, and keep thy solitude! Still nursing the unconquerable hope, Still clutching the inviolable shade, With a free, onward impulse brushing through, By night, the silver'd branches of the glade— Far on the forest-skirts, where none pursue, On some mild pastoral slope Emerge, and resting on the moonlit pales Freshen thy flowers as in former years With dew, or listen with enchanted ears, From the dark tingles, to the nightingales! But fly our paths, our feverish contact fly! For strong the infection of our mental strife, Which, though it gives no bliss, yet spoils for rest; And we should win thee from thy own fair life, Like us distracted, and like us unblest. Soon, soon thy cheer would die, Thy hopes grow timorous, and unfix'd thy powers, And thy clear aims be cross and shifting made; And then thy glad perennial youth would fade, Fade and grow old at last, and die like ours. Then fly our greetings, fly our speech and smiles! —As some grave Tyrian trader, from the sea, Descried at sunrise an emerging prow Lifting the cool-hair'd creepers stealthily, The fringes of a southward-facing brow Among the Ægæan Isles; And saw the merry Grecian coaster come, Freighted with amber grapes, and Chian wine, Green, bursting figs, and tunnies steep'd in brine— And knew the intruders on his ancient home, The young light-hearted masters of the waves— And snatch'd his rudder, and shook out more sail; And day and night held on indignantly O'er the blue Midland waters with the gale, Betwixt the Syrtes and soft Sicily, To where the Atlantic raves Outside the western straits; and unbent sails There, where down cloudy cliffs, through sheets of foam, Shy traffickers, the dark Iberians come; And on the beach undid his corded bales.

Darkness Lord Byron 19th Century

I had a dream, which was not all a dream. The bright sun was extinguish'd, and the stars Did wander darkling in the eternal space, Rayless, and pathless, and the icy earth Swung blind and blackening in the moonless air; Morn came and went—and came, and brought no day, And men forgot their passions in the dread Of this their desolation; and all hearts Were chill'd into a selfish prayer for light: And they did live by watchfires—and the thrones, The palaces of crowned kings—the huts, The habitations of all things which dwell, Were burnt for beacons; cities were consum'd, And men were gather'd round their blazing homes To look once more into each other's face; Happy were those who dwelt within the eye Of the volcanos, and their mountain-torch: A fearful hope was all the world contain'd; Forests were set on fire—but hour by hour They fell and faded—and the crackling trunks Extinguish'd with a crash—and all was black. The brows of men by the despairing light Wore an unearthly aspect, as by fits The flashes fell upon them; some lay down And hid their eyes and wept; and some did rest Their chins upon their clenched hands, and smil'd; And others hurried to and fro, and fed Their funeral piles with fuel, and look'd up With mad disquietude on the dull sky, The pall of a past world; and then again With curses cast them down upon the dust, And gnash'd their teeth and howl'd: the wild birds shriek'd And, terrified, did flutter on the ground, And flap their useless wings; the wildest brutes Came tame and tremulous; and vipers crawl'd And twin'd themselves among the multitude, Hissing, but stingless—they were slain for food. And War, which for a moment was no more, Did glut himself again: a meal was bought With blood, and each sate sullenly apart Gorging himself in gloom: no love was left; All earth was but one thought—and that was death Immediate and inglorious; and the pang Of famine fed upon all entrails—men Died, and their bones were tombless as their flesh; The meagre by the meagre were devour'd, Even dogs assail'd their masters, all save one, And he was faithful to a corse, and kept The birds and beasts and famish'd men at bay, Till hunger clung them, or the dropping dead Lur'd their lank jaws; himself sought out no food, But with a piteous and perpetual moan, And a quick desolate cry, licking the hand Which answer'd not with a caress—he died. The crowd was famish'd by degrees; but two Of an enormous city did survive, And they were enemies: they met beside The dying embers of an altar-place Where had been heap'd a mass of holy things For an unholy usage; they rak'd up, And shivering scrap'd with their cold skeleton hands The feeble ashes, and their feeble breath Blew for a little life, and made a flame Which was a mockery; then they lifted up Their eyes as it grew lighter, and beheld Each other's aspects—saw, and shriek'd, and died— Even of their mutual hideousness they died, Unknowing who he was upon whose brow Famine had written Fiend. The world was void, The populous and the powerful was a lump, Seasonless, herbless, treeless, manless, lifeless— A lump of death—a chaos of hard clay. The rivers, lakes and ocean all stood still, And nothing stirr'd within their silent depths; Ships sailorless lay rotting on the sea, And their masts fell down piecemeal: as they dropp'd They slept on the abyss without a surge— The waves were dead; the tides were in their grave, The moon, their mistress, had expir'd before; The winds were wither'd in the stagnant air, And the clouds perish'd; Darkness had no need Of aid from them—She was the Universe.

Letter to George and Thomas Keats John Keats 19th Century

I must crave your pardon for not having written ere this [ . . . ] [T]he excellence of every Art is its intensity, capable of making all disagreeables evaporate, from their being in close relationship with Beauty & Truth—Examine King Lear & you will find this exemplified throughout; but in this picture we have unpleasantness without any momentous depth of speculation excited, in which to bury its repulsiveness—The picture is larger than Christ rejected—I dined with Haydon the sunday after you left, & had a very pleasant day, I dined too (for I have been out too much lately) with Horace Smith & met his two brothers with Hill & Kingston & one Du Bois, they only served to convince me, how superior humour is to wit in respect to enjoyment—These men say things which make one start, without making one feel, they are all alike; their manners are alike; they all know fashionables; they have a mannerism in their very eating & drinking, in their mere handling a Decanter—They talked of Kean & his low company—Would I were with that company instead of yours said I to myself! I know such like acquaintance will never do for me & yet I am going to Reynolds, on wednesday—Brown & Dilke walked with me & back from the Christmas pantomime. I had not a dispute but a disquisition with Dilke, on various subjects; several things dovetailed in my mind, & at once it struck me, what quality went to form a Man of Achievement especially in Literature & which Shakespeare possessed so enormously—I mean Negative Capability, that is when man is capable of being in uncertainties, Mysteries, doubts, without any irritable reaching after fact & reason—Coleridge, for instance, would let go by a fine isolated verisimilitude caught from the Penetralium of mystery, from being incapable of remaining content with half knowledge. This pursued through Volumes would perhaps take us no further than this, that with a great poet the sense of Beauty overcomes every other consideration, or rather obliterates all consideration.

Lord Tennyson 19th Century

In Memoriam of A.H.H

Kubla Khan Samuel Coleridge 19th Century

In Xanadu did Kubla Khan A stately pleasure-dome decree: Where Alph, the sacred river, ran Through caverns measureless to man Down to a sunless sea. So twice five miles of fertile ground With walls and towers were girdled round; And there were gardens bright with sinuous rills, Where blossomed many an incense-bearing tree; And here were forests ancient as the hills, Enfolding sunny spots of greenery. But oh! that deep romantic chasm which slanted Down the green hill athwart a cedarn cover! A savage place! as holy and enchanted As e'er beneath a waning moon was haunted By woman wailing for her demon-lover! And from this chasm, with ceaseless turmoil seething, As if this earth in fast thick pants were breathing, A mighty fountain momently was forced: Amid whose swift half-intermitted burst Huge fragments vaulted like rebounding hail, Or chaffy grain beneath the thresher's flail: And mid these dancing rocks at once and ever It flung up momently the sacred river. Five miles meandering with a mazy motion Through wood and dale the sacred river ran, Then reached the caverns measureless to man, And sank in tumult to a lifeless ocean; And 'mid this tumult Kubla heard from far Ancestral voices prophesying war! The shadow of the dome of pleasure Floated midway on the waves; Where was heard the mingled measure From the fountain and the caves. It was a miracle of rare device, A sunny pleasure-dome with caves of ice! A damsel with a dulcimer In a vision once I saw: It was an Abyssinian maid And on her dulcimer she played, Singing of Mount Abora. Could I revive within me Her symphony and song, To such a deep delight 'twould win me, That with music loud and long, I would build that dome in air, That sunny dome! those caves of ice! And all who heard should see them there, And all should cry, Beware! Beware! His flashing eyes, his floating hair! Weave a circle round him thrice, And close your eyes with holy dread For he on honey-dew hath fed, And drunk the milk of Paradise.

Ulysses Lord Tennyson 19th Century

It little profits that an idle king, By this still hearth, among these barren crags, Match'd with an aged wife, I mete and dole Unequal laws unto a savage race, That hoard, and sleep, and feed, and know not me. I cannot rest from travel: I will drink Life to the lees: All times I have enjoy'd Greatly, have suffer'd greatly, both with those That loved me, and alone, on shore, and when Thro' scudding drifts the rainy Hyades Vext the dim sea: I am become a name; For always roaming with a hungry heart Much have I seen and known; cities of men And manners, climates, councils, governments, Myself not least, but honour'd of them all; And drunk delight of battle with my peers, Far on the ringing plains of windy Troy. I am a part of all that I have met; Yet all experience is an arch wherethro' Gleams that untravell'd world whose margin fades For ever and forever when I move. How dull it is to pause, to make an end, To rust unburnish'd, not to shine in use! As tho' to breathe were life! Life piled on life Were all too little, and of one to me Little remains: but every hour is saved From that eternal silence, something more, A bringer of new things; and vile it were For some three suns to store and hoard myself, And this gray spirit yearning in desire To follow knowledge like a sinking star, Beyond the utmost bound of human thought. This is my son, mine own Telemachus, To whom I leave the sceptre and the isle,— Well-loved of me, discerning to fulfil This labour, by slow prudence to make mild A rugged people, and thro' soft degrees Subdue them to the useful and the good. Most blameless is he, centred in the sphere Of common duties, decent not to fail In offices of tenderness, and pay Meet adoration to my household gods, When I am gone. He works his work, I mine. There lies the port; the vessel puffs her sail: There gloom the dark, broad seas. My mariners, Souls that have toil'd, and wrought, and thought with me— That ever with a frolic welcome took The thunder and the sunshine, and opposed Free hearts, free foreheads—you and I are old; Old age hath yet his honour and his toil; Death closes all: but something ere the end, Some work of noble note, may yet be done, Not unbecoming men that strove with Gods. The lights begin to twinkle from the rocks: The long day wanes: the slow moon climbs: the deep Moans round with many voices. Come, my friends, 'T is not too late to seek a newer world. Push off, and sitting well in order smite The sounding furrows; for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. It may be that the gulfs will wash us down: It may be we shall touch the Happy Isles, And see the great Achilles, whom we knew. Tho' much is taken, much abides; and tho' We are not now that strength which in old days Moved earth and heaven, that which we are, we are; One equal temper of heroic hearts, Made weak by time and fate, but strong in will To strive, to seek, to find, and not to yield.

The Lamb William Blake 18th Century

Little Lamb who made thee Dost thou know who made thee Gave thee life & bid thee feed. By the stream & o'er the mead; Gave thee clothing of delight, Softest clothing wooly bright; Gave thee such a tender voice, Making all the vales rejoice! Little Lamb who made thee Dost thou know who made thee Little Lamb I'll tell thee, Little Lamb I'll tell thee! He is called by thy name, For he calls himself a Lamb: He is meek & he is mild, He became a little child: I a child & thou a lamb, We are called by his name. Little Lamb God bless thee. Little Lamb God bless thee.

Childe Roland to the Dark Tower Came Robert Browning 19th Century

MY 1 first thought was, he lied in every word, That hoary cripple, with malicious eye Askance to watch the working of his lie On mine, and mouth scarce able to afford Suppression of the glee, that purs'd and scor'd 5 Its edge, at one more victim gain'd thereby. What else should he be set for, with his staff? What, save to waylay with his lies, ensnare All travellers who might find him posted there, And ask the road? I guess'd what skull-like laugh 10 Would break, what crutch 'gin write my epitaph For pastime in the dusty thoroughfare, If at his counsel I should turn aside Into that ominous tract which, all agree, Hides the Dark Tower. Yet acquiescingly 15 I did turn as he pointed: neither pride Nor hope rekindling at the end descried, So much as gladness that some end might be. For, what with my whole world-wide wandering, What with my search drawn out thro' years, my hope 20 Dwindled into a ghost not fit to cope With that obstreperous joy success would bring,— I hardly tried now to rebuke the spring My heart made, finding failure in its scope. As when a sick man very near to death 25 Seems dead indeed, and feels begin and end The tears and takes the farewell of each friend, And hears one bid the other go, draw breath Freelier outside, ("since all is o'er," he saith, "And the blow fallen no grieving can amend;") 30 While some discuss if near the other graves Be room enough for this, and when a day Suits best for carrying the corpse away, With care about the banners, scarves and staves, And still the man hears all, and only craves 35 He may not shame such tender love and stay. Thus, I had so long suffer'd, in this quest, Heard failure prophesied so oft, been writ So many times among "The Band"—to wit, The knights who to the Dark Tower's search address'd 40 Their steps—that just to fail as they, seem'd best. And all the doubt was now—should I be fit? So, quiet as despair, I turn'd from him, That hateful cripple, out of his highway Into the path the pointed. All the day 45 Had been a dreary one at best, and dim Was settling to its close, yet shot one grim Red leer to see the plain catch its estray. For mark! no sooner was I fairly found Pledged to the plain, after a pace or two, 50 Than, pausing to throw backward a last view O'er the safe road, 't was gone; gray plain all round: Nothing but plain to the horizon's bound. I might go on; nought else remain'd to do. So, on I went. I think I never saw 55 Such starv'd ignoble nature; nothing throve: For flowers—as well expect a cedar grove! But cockle, spurge, according to their law Might propagate their kind, with none to awe, You 'd think; a burr had been a treasure trove. 60 No! penury, inertness and grimace, In the strange sort, were the land's portion. "See Or shut your eyes," said Nature peevishly, "It nothing skills: I cannot help my case: 'T is the Last Judgment's fire must cure this place, 65 Calcine its clods and set my prisoners free." If there push'd any ragged thistle=stalk Above its mates, the head was chopp'd; the bents Were jealous else. What made those holes and rents In the dock's harsh swarth leaves, bruis'd as to baulk 70 All hope of greenness? 'T is a brute must walk Pashing their life out, with a brute's intents. As for the grass, it grew as scant as hair In leprosy; thin dry blades prick'd the mud Which underneath look'd kneaded up with blood. 75 One stiff blind horse, his every bone a-stare, Stood stupefied, however he came there: Thrust out past service from the devil's stud! Alive? he might be dead for aught I know, With that red, gaunt and collop'd neck a-strain, 80 And shut eyes underneath the rusty mane; Seldom went such grotesqueness with such woe; I never saw a brute I hated so; He must be wicked to deserve such pain. I shut my eyes and turn'd them on my heart. 85 As a man calls for wine before he fights, I ask'd one draught of earlier, happier sights, Ere fitly I could hope to play my part. Think first, fight afterwards—the soldier's art: One taste of the old time sets all to rights. 90 Not it! I fancied Cuthbert's reddening face Beneath its garniture of curly gold, Dear fellow, till I almost felt him fold An arm in mine to fix me to the place, That way he us'd. Alas, one night's disgrace! 95 Out went my heart's new fire and left it cold. Giles then, the soul of honor—there he stands Frank as ten years ago when knighted first. What honest man should dare (he said) he durst. Good—but the scene shifts—faugh! what hangman hands 100 Pin to his breast a parchment? His own bands Read it. Poor traitor, spit upon and curst! Better this present than a past like that; Back therefore to my darkening path again! No sound, no sight as far as eye could strain. 105 Will the night send a howlet of a bat? I asked: when something on the dismal flat Came to arrest my thoughts and change their train. A sudden little river cross'd my path As unexpected as a serpent comes. 110 No sluggish tide congenial to the glooms; This, as it froth'd by, might have been a bath For the fiend's glowing hoof—to see the wrath Of its black eddy bespate with flakes and spumes. So petty yet so spiteful All along, 115 Low scrubby alders kneel'd down over it; Drench'd willows flung them headlong in a fit Of mute despair, a suicidal throng: The river which had done them all the wrong, Whate'er that was, roll'd by, deterr'd no whit. 120 Which, while I forded,—good saints, how I fear'd To set my foot upon a dead man's cheek, Each step, or feel the spear I thrust to seek For hollows, tangled in his hair or beard! —It may have been a water-rat I spear'd, 125 But, ugh! it sounded like a baby's shriek. Glad was I when I reach'd the other bank. Now for a better country. Vain presage! Who were the strugglers, what war did they wage Whose savage trample thus could pad the dank 130 Soil to a plash? Toads in a poison'd tank, Or wild cats in a red-hot iron cage— The fight must so have seem'd in that fell cirque. What penn'd them there, with all the plain to choose? No foot-print leading to that horrid mews, 135 None out of it. Mad brewage set to work Their brains, no doubt, like galley-slaves the Turk Pits for his pastime, Christians against Jews. And more than that—a furlong on—why, there! What bad use was that engine for, that wheel, 140 Or brake, not wheel—that harrow fit to reel Men's bodies out like silk? with all the air Of Tophet's tool, on earth left unaware, Or brought to sharpen its rusty teeth of steel. Then came a bit of stubb'd ground, once a wood, 145 Next a marsh, it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood— Bog, clay, and rubble, sand and stark black dearth. 150 Now blotches rankling, color'd gay and grim, Now patches where some leanness of the soil's Broke into moss or substances like thus; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim 155 Gaping at death, and dies while it recoils. And just as far as ever from the end, Nought in the distance but the evening, nought To point my footstep further! At the thought, A great black bird, Apollyon's bosom-friend, 160 Sail'd past, nor beat his wide wing dragon-penn'd That brush'd my cap—perchance the guide I sought. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains—with such name to grace 165 Mere ugly heights and heaps now stolen in view. How thus they had surpris'd me,—solve it, you! How to get from them was no clearer case. Yet half I seem'd to recognize some trick Of mischief happen'd to me, God knows when— 170 In a bad perhaps. Here ended, then, Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts—you 're inside the den. Burningly it came on me all at once, 175 This was the place! those two hills on the right, Couch'd like two bulls lock'd horn in horn in fight, While, to the left, a tall scalp'd mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! 180 What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counter-part In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf 185 He strikes on, only when the timbers start. Not see? because of night perhaps?—Why, day Came back again for that! before it left, The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, 190 Chin upon hand, to see the game at bay,— "Now stab and end the creature—to the heft!" Not hear? when noise was everywhere! it toll'd Increasing like a bell. Names in my ears Of all the lost adventurers my peers,— 195 How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knell'd the woe of years. There they stood, ranged along the hill-sides, met To view the last of me, a living frame 200 For one more picture! in a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew "Childe Roland to the Dark Tower came."

Goblin Market Christina Rossetti 19th Century

Morning and evening Maids heard the goblins cry: "Come buy our orchard fruits, Come buy, come buy: Apples and quinces, Lemons and oranges, Plump unpeck'd cherries, Melons and raspberries, Bloom-down-cheek'd peaches, Swart-headed mulberries, Wild free-born cranberries, Crab-apples, dewberries, Pine-apples, blackberries, Apricots, strawberries;— All ripe together In summer weather,— Morns that pass by, Fair eves that fly; Come buy, come buy: Our grapes fresh from the vine, Pomegranates full and fine, Dates and sharp bullaces, Rare pears and greengages, Damsons and bilberries, Taste them and try: Currants and gooseberries, Bright-fire-like barberries, Figs to fill your mouth, Citrons from the South, Sweet to tongue and sound to eye; Come buy, come buy." Evening by evening Among the brookside rushes, Laura bow'd her head to hear, Lizzie veil'd her blushes: Crouching close together In the cooling weather, With clasping arms and cautioning lips, With tingling cheeks and finger tips. "Lie close," Laura said, Pricking up her golden head: "We must not look at goblin men, We must not buy their fruits: Who knows upon what soil they fed Their hungry thirsty roots?" "Come buy," call the goblins Hobbling down the glen. "Oh," cried Lizzie, "Laura, Laura, You should not peep at goblin men." Lizzie cover'd up her eyes, Cover'd close lest they should look; Laura rear'd her glossy head, And whisper'd like the restless brook: "Look, Lizzie, look, Lizzie, Down the glen tramp little men. One hauls a basket, One bears a plate, One lugs a golden dish Of many pounds weight. How fair the vine must grow Whose grapes are so luscious; How warm the wind must blow Through those fruit bushes." "No," said Lizzie, "No, no, no; Their offers should not charm us, Their evil gifts would harm us." She thrust a dimpled finger In each ear, shut eyes and ran: Curious Laura chose to linger Wondering at each merchant man. One had a cat's face, One whisk'd a tail, One tramp'd at a rat's pace, One crawl'd like a snail, One like a wombat prowl'd obtuse and furry, One like a ratel tumbled hurry skurry. She heard a voice like voice of doves Cooing all together: They sounded kind and full of loves In the pleasant weather. Laura stretch'd her gleaming neck Like a rush-imbedded swan, Like a lily from the beck, Like a moonlit poplar branch, Like a vessel at the launch When its last restraint is gone. Backwards up the mossy glen Turn'd and troop'd the goblin men, With their shrill repeated cry, "Come buy, come buy." When they reach'd where Laura was They stood stock still upon the moss, Leering at each other, Brother with queer brother; Signalling each other, Brother with sly brother. One set his basket down, One rear'd his plate; One began to weave a crown Of tendrils, leaves, and rough nuts brown (Men sell not such in any town); One heav'd the golden weight Of dish and fruit to offer her: "Come buy, come buy," was still their cry. Laura stared but did not stir, Long'd but had no money: The whisk-tail'd merchant bade her taste In tones as smooth as honey, The cat-faced purr'd, The rat-faced spoke a word Of welcome, and the snail-paced even was heard; One parrot-voiced and jolly Cried "Pretty Goblin" still for "Pretty Polly;"— One whistled like a bird. But sweet-tooth Laura spoke in haste: "Good folk, I have no coin; To take were to purloin: I have no copper in my purse, I have no silver either, And all my gold is on the furze That shakes in windy weather Above the rusty heather." "You have much gold upon your head," They answer'd all together: "Buy from us with a golden curl." She clipp'd a precious golden lock, She dropp'd a tear more rare than pearl, Then suck'd their fruit globes fair or red: Sweeter than honey from the rock, Stronger than man-rejoicing wine, Clearer than water flow'd that juice; She never tasted such before, How should it cloy with length of use? She suck'd and suck'd and suck'd the more Fruits which that unknown orchard bore; She suck'd until her lips were sore; Then flung the emptied rinds away But gather'd up one kernel stone, And knew not was it night or day As she turn'd home alone. Lizzie met her at the gate Full of wise upbraidings: "Dear, you should not stay so late, Twilight is not good for maidens; Should not loiter in the glen In the haunts of goblin men. Do you not remember Jeanie, How she met them in the moonlight, Took their gifts both choice and many, Ate their fruits and wore their flowers Pluck'd from bowers Where summer ripens at all hours? But ever in the noonlight She pined and pined away; Sought them by night and day, Found them no more, but dwindled and grew grey; Then fell with the first snow, While to this day no grass will grow Where she lies low: I planted daisies there a year ago That never blow. You should not loiter so." "Nay, hush," said Laura: "Nay, hush, my sister: I ate and ate my fill, Yet my mouth waters still; To-morrow night I will Buy more;" and kiss'd her: "Have done with sorrow; I'll bring you plums to-morrow Fresh on their mother twigs, Cherries worth getting; You cannot think what figs My teeth have met in, What melons icy-cold Piled on a dish of gold Too huge for me to hold, What peaches with a velvet nap, Pellucid grapes without one seed: Odorous indeed must be the mead Whereon they grow, and pure the wave they drink With lilies at the brink, And sugar-sweet their sap." Golden head by golden head, Like two pigeons in one nest Folded in each other's wings, They lay down in their curtain'd bed: Like two blossoms on one stem, Like two flakes of new-fall'n snow, Like two wands of ivory Tipp'd with gold for awful kings. Moon and stars gaz'd in at them, Wind sang to them lullaby, Lumbering owls forbore to fly, Not a bat flapp'd to and fro Round their rest: Cheek to cheek and breast to breast Lock'd together in one nest. Early in the morning When the first cock crow'd his warning, Neat like bees, as sweet and busy, Laura rose with Lizzie: Fetch'd in honey, milk'd the cows, Air'd and set to rights the house, Kneaded cakes of whitest wheat, Cakes for dainty mouths to eat, Next churn'd butter, whipp'd up cream, Fed their poultry, sat and sew'd; Talk'd as modest maidens should: Lizzie with an open heart, Laura in an absent dream, One content, one sick in part; One warbling for the mere bright day's delight, One longing for the night. At length slow evening came: They went with pitchers to the reedy brook; Lizzie most placid in her look, Laura most like a leaping flame. They drew the gurgling water from its deep; Lizzie pluck'd purple and rich golden flags, Then turning homeward said: "The sunset flushes Those furthest loftiest crags; Come, Laura, not another maiden lags. No wilful squirrel wags, The beasts and birds are fast asleep." But Laura loiter'd still among the rushes And said the bank was steep. And said the hour was early still The dew not fall'n, the wind not chill; Listening ever, but not catching The customary cry, "Come buy, come buy," With its iterated jingle Of sugar-baited words: Not for all her watching Once discerning even one goblin Racing, whisking, tumbling, hobbling; Let alone the herds That used to tramp along the glen, In groups or single, Of brisk fruit-merchant men. Till Lizzie urged, "O Laura, come; I hear the fruit-call but I dare not look: You should not loiter longer at this brook: Come with me home. The stars rise, the moon bends her arc, Each glowworm winks her spark, Let us get home before the night grows dark: For clouds may gather Though this is summer weather, Put out the lights and drench us through; Then if we lost our way what should we do?" Laura turn'd cold as stone To find her sister heard that cry alone, That goblin cry, "Come buy our fruits, come buy." Must she then buy no more such dainty fruit? Must she no more such succous pasture find, Gone deaf and blind? Her tree of life droop'd from the root: She said not one word in her heart's sore ache; But peering thro' the dimness, nought discerning, Trudg'd home, her pitcher dripping all the way; So crept to bed, and lay Silent till Lizzie slept; Then sat up in a passionate yearning, And gnash'd her teeth for baulk'd desire, and wept As if her heart would break. Day after day, night after night, Laura kept watch in vain In sullen silence of exceeding pain. She never caught again the goblin cry: "Come buy, come buy;"— She never spied the goblin men Hawking their fruits along the glen: But when the noon wax'd bright Her hair grew thin and grey; She dwindled, as the fair full moon doth turn To swift decay and burn Her fire away. One day remembering her kernel-stone She set it by a wall that faced the south; Dew'd it with tears, hoped for a root, Watch'd for a waxing shoot, But there came none; It never saw the sun, It never felt the trickling moisture run: While with sunk eyes and faded mouth She dream'd of melons, as a traveller sees False waves in desert drouth With shade of leaf-crown'd trees, And burns the thirstier in the sandful breeze. She no more swept the house, Tended the fowls or cows, Fetch'd honey, kneaded cakes of wheat, Brought water from the brook: But sat down listless in the chimney-nook And would not eat. Tender Lizzie could not bear To watch her sister's cankerous care Yet not to share. She night and morning Caught the goblins' cry: "Come buy our orchard fruits, Come buy, come buy;"— Beside the brook, along the glen, She heard the tramp of goblin men, The yoke and stir Poor Laura could not hear; Long'd to buy fruit to comfort her, But fear'd to pay too dear. She thought of Jeanie in her grave, Who should have been a bride; But who for joys brides hope to have Fell sick and died In her gay prime, In earliest winter time With the first glazing rime, With the first snow-fall of crisp winter time. Till Laura dwindling Seem'd knocking at Death's door: Then Lizzie weigh'd no more Better and worse; But put a silver penny in her purse, Kiss'd Laura, cross'd the heath with clumps of furze At twilight, halted by the brook: And for the first time in her life Began to listen and look. Laugh'd every goblin When they spied her peeping: Came towards her hobbling, Flying, running, leaping, Puffing and blowing, Chuckling, clapping, crowing, Clucking and gobbling, Mopping and mowing, Full of airs and graces, Pulling wry faces, Demure grimaces, Cat-like and rat-like, Ratel- and wombat-like, Snail-paced in a hurry, Parrot-voiced and whistler, Helter skelter, hurry skurry, Chattering like magpies, Fluttering like pigeons, Gliding like fishes,— Hugg'd her and kiss'd her: Squeez'd and caress'd her: Stretch'd up their dishes, Panniers, and plates: "Look at our apples Russet and dun, Bob at our cherries, Bite at our peaches, Citrons and dates, Grapes for the asking, Pears red with basking Out in the sun, Plums on their twigs; Pluck them and suck them, Pomegranates, figs."— "Good folk," said Lizzie, Mindful of Jeanie: "Give me much and many: — Held out her apron, Toss'd them her penny. "Nay, take a seat with us, Honour and eat with us," They answer'd grinning: "Our feast is but beginning. Night yet is early, Warm and dew-pearly, Wakeful and starry: Such fruits as these No man can carry: Half their bloom would fly, Half their dew would dry, Half their flavour would pass by. Sit down and feast with us, Be welcome guest with us, Cheer you and rest with us."— "Thank you," said Lizzie: "But one waits At home alone for me: So without further parleying, If you will not sell me any Of your fruits though much and many, Give me back my silver penny I toss'd you for a fee."— They began to scratch their pates, No longer wagging, purring, But visibly demurring, Grunting and snarling. One call'd her proud, Cross-grain'd, uncivil; Their tones wax'd loud, Their looks were evil. Lashing their tails They trod and hustled her, Elbow'd and jostled her, Claw'd with their nails, Barking, mewing, hissing, mocking, Tore her gown and soil'd her stocking, Twitch'd her hair out by the roots, Stamp'd upon her tender feet, Held her hands and squeez'd their fruits Against her mouth to make her eat. White and golden Lizzie stood, Like a lily in a flood,— Like a rock of blue-vein'd stone Lash'd by tides obstreperously,— Like a beacon left alone In a hoary roaring sea, Sending up a golden fire,— Like a fruit-crown'd orange-tree White with blossoms honey-sweet Sore beset by wasp and bee,— Like a royal virgin town Topp'd with gilded dome and spire Close beleaguer'd by a fleet Mad to tug her standard down. One may lead a horse to water, Twenty cannot make him drink. Though the goblins cuff'd and caught her, Coax'd and fought her, Bullied and besought her, Scratch'd her, pinch'd her black as ink, Kick'd and knock'd her, Maul'd and mock'd her, Lizzie utter'd not a word; Would not open lip from lip Lest they should cram a mouthful in: But laugh'd in heart to feel the drip Of juice that syrupp'd all her face, And lodg'd in dimples of her chin, And streak'd her neck which quaked like curd. At last the evil people, Worn out by her resistance, Flung back her penny, kick'd their fruit Along whichever road they took, Not leaving root or stone or shoot; Some writh'd into the ground, Some div'd into the brook With ring and ripple, Some scudded on the gale without a sound, Some vanish'd in the distance. In a smart, ache, tingle, Lizzie went her way; Knew not was it night or day; Sprang up the bank, tore thro' the furze, Threaded copse and dingle, And heard her penny jingle Bouncing in her purse,— Its bounce was music to her ear. She ran and ran As if she fear'd some goblin man Dogg'd her with gibe or curse Or something worse: But not one goblin scurried after, Nor was she prick'd by fear; The kind heart made her windy-paced That urged her home quite out of breath with haste And inward laughter. She cried, "Laura," up the garden, "Did you miss me? Come and kiss me. Never mind my bruises, Hug me, kiss me, suck my juices Squeez'd from goblin fruits for you, Goblin pulp and goblin dew. Eat me, drink me, love me; Laura, make much of me; For your sake I have braved the glen And had to do with goblin merchant men." Laura started from her chair, Flung her arms up in the air, Clutch'd her hair: "Lizzie, Lizzie, have you tasted For my sake the fruit forbidden? Must your light like mine be hidden, Your young life like mine be wasted, Undone in mine undoing, And ruin'd in my ruin, Thirsty, canker'd, goblin-ridden?"— She clung about her sister, Kiss'd and kiss'd and kiss'd her: Tears once again Refresh'd her shrunken eyes, Dropping like rain After long sultry drouth; Shaking with aguish fear, and pain, She kiss'd and kiss'd her with a hungry mouth. Her lips began to scorch, That juice was wormwood to her tongue, She loath'd the feast: Writhing as one possess'd she leap'd and sung, Rent all her robe, and wrung Her hands in lamentable haste, And beat her breast. Her locks stream'd like the torch Borne by a racer at full speed, Or like the mane of horses in their flight, Or like an eagle when she stems the light Straight toward the sun, Or like a caged thing freed, Or like a flying flag when armies run. Swift fire spread through her veins, knock'd at her heart, Met the fire smouldering there And overbore its lesser flame; She gorged on bitterness without a name: Ah! fool, to choose such part Of soul-consuming care! Sense fail'd in the mortal strife: Like the watch-tower of a town Which an earthquake shatters down, Like a lightning-stricken mast, Like a wind-uprooted tree Spun about, Like a foam-topp'd waterspout Cast down headlong in the sea, She fell at last; Pleasure past and anguish past, Is it death or is it life? Life out of death. That night long Lizzie watch'd by her, Counted her pulse's flagging stir, Felt for her breath, Held water to her lips, and cool'd her face With tears and fanning leaves: But when the first birds chirp'd about their eaves, And early reapers plodded to the place Of golden sheaves, And dew-wet grass Bow'd in the morning winds so brisk to pass, And new buds with new day Open'd of cup-like lilies on the stream, Laura awoke as from a dream, Laugh'd in the innocent old way, Hugg'd Lizzie but not twice or thrice; Her gleaming locks show'd not one thread of grey, Her breath was sweet as May And light danced in her eyes. Days, weeks, months, years Afterwards, when both were wives With children of their own; Their mother-hearts beset with fears, Their lives bound up in tender lives; Laura would call the little ones And tell them of her early prime, Those pleasant days long gone Of not-returning time: Would talk about the haunted glen, The wicked, quaint fruit-merchant men, Their fruits like honey to the throat But poison in the blood; (Men sell not such in any town): Would tell them how her sister stood In deadly peril to do her good, And win the fiery antidote: Then joining hands to little hands Would bid them cling together, "For there is no friend like a sister In calm or stormy weather; To cheer one on the tedious way, To fetch one if one goes astray, To lift one if one totters down, To strengthen whilst one stands."

Ode to a Nightingale John Keats 19th Century

My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: 'Tis not through envy of thy happy lot, But being too happy in thine happiness,— That thou, light-winged Dryad of the trees In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease. O, for a draught of vintage! that hath been Cool'd a long age in the deep-delved earth, Tasting of Flora and the country green, Dance, and Provençal song, and sunburnt mirth! O for a beaker full of the warm South, Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stained mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim: Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last gray hairs, Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs, Where Beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow. Away! away! for I will fly to thee, Not charioted by Bacchus and his pards, But on the viewless wings of Poesy, Though the dull brain perplexes and retards: Already with thee! tender is the night, And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays; But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways. I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalmed darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild; White hawthorn, and the pastoral eglantine; Fast fading violets cover'd up in leaves; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves. Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a mused rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad In such an ecstasy! Still wouldst thou sing, and I have ears in vain— To thy high requiem become a sod. Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that oft-times hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn. Forlorn! the very word is like a bell To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well As she is fam'd to do, deceiving elf. Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:—Do I wake or sleep?

The Eolian Harp Samuel Coleridge

My pensive Sara! thy soft cheek reclined Thus on mine arm, most soothing sweet it is To sit beside our Cot, our Cot o'ergrown With white-flowered Jasmin, and the broad-leaved Myrtle, (Meet emblems they of Innocence and Love!) And watch the clouds, that late were rich with light, Slow saddening round, and mark the star of eve Serenely brilliant (such would Wisdom be) Shine opposite! How exquisite the scents Snatched from yon bean-field! and the world so hushed! The stilly murmur of the distant Sea Tells us of silence. And that simplest Lute, Placed length-ways in the clasping casement, hark! How by the desultory breeze caressed, Like some coy maid half yielding to her lover, It pours such sweet upbraiding, as must needs Tempt to repeat the wrong! And now, its strings Boldlier swept, the long sequacious notes Over delicious surges sink and rise, Such a soft floating witchery of sound As twilight Elfins make, when they at eve Voyage on gentle gales from Fairy-Land, Where Melodies round honey-dropping flowers, Footless and wild, like birds of Paradise, Nor pause, nor perch, hovering on untamed wing! O! the one Life within us and abroad, Which meets all motion and becomes its soul, A light in sound, a sound-like power in light, Rhythm in all thought, and joyance everywhere— Methinks, it should have been impossible Not to love all things in a world so filled; Where the breeze warbles, and the mute still air Is Music slumbering on her instrument. And thus, my Love! as on the midway slope Of yonder hill I stretch my limbs at noon, Whilst through my half-closed eyelids I behold The sunbeams dance, like diamonds, on the main, And tranquil muse upon tranquility: Full many a thought uncalled and undetained, And many idle flitting phantasies, Traverse my indolent and passive brain, As wild and various as the random gales That swell and flutter on this subject Lute! And what if all of animated nature Be but organic Harps diversely framed, That tremble into thought, as o'er them sweeps Plastic and vast, one intellectual breeze, At once the Soul of each, and God of all? But thy more serious eye a mild reproof Darts, O beloved Woman! nor such thoughts Dim and unhallowed dost thou not reject, And biddest me walk humbly with my God. Meek Daughter in the family of Christ! Well hast thou said and holily dispraised These shapings of the unregenerate mind; Bubbles that glitter as they rise and break On vain Philosophy's aye-babbling spring. For never guiltless may I speak of him, The Incomprehensible! save when with awe I praise him, and with Faith that inly feels; Who with his saving mercies healèd me, A sinful and most miserable man, Wildered and dark, and gave me to possess Peace, and this Cot, and thee, heart-honored Maid!

Ode to Psyche John Keats 19th century

O Goddess! hear these tuneless numbers, wrung By sweet enforcement and remembrance dear, And pardon that thy secrets should be sung Even into thine own soft-conched ear: Surely I dreamt to-day, or did I see The winged Psyche with awaken'd eyes? I wander'd in a forest thoughtlessly, And, on the sudden, fainting with surprise, Saw two fair creatures, couched side by side In deepest grass, beneath the whisp'ring roof Of leaves and trembled blossoms, where there ran A brooklet, scarce espied: Mid hush'd, cool-rooted flowers, fragrant-eyed, Blue, silver-white, and budded Tyrian, They lay calm-breathing, on the bedded grass; Their arms embraced, and their pinions too; Their lips touch'd not, but had not bade adieu, As if disjoined by soft-handed slumber, And ready still past kisses to outnumber At tender eye-dawn of aurorean love: The winged boy I knew; But who wast thou, O happy, happy dove? His Psyche true! O latest born and loveliest vision far Of all Olympus' faded hierarchy! Fairer than Phoebe's sapphire-region'd star, Or Vesper, amorous glow-worm of the sky; Fairer than these, though temple thou hast none, Nor altar heap'd with flowers; Nor virgin-choir to make delicious moan Upon the midnight hours; No voice, no lute, no pipe, no incense sweet From chain-swung censer teeming; No shrine, no grove, no oracle, no heat Of pale-mouth'd prophet dreaming. O brightest! though too late for antique vows, Too, too late for the fond believing lyre, When holy were the haunted forest boughs, Holy the air, the water, and the fire; Yet even in these days so far retir'd From happy pieties, thy lucent fans, Fluttering among the faint Olympians, I see, and sing, by my own eyes inspir'd. So let me be thy choir, and make a moan Upon the midnight hours; Thy voice, thy lute, thy pipe, thy incense sweet From swinged censer teeming; Thy shrine, thy grove, thy oracle, thy heat Of pale-mouth'd prophet dreaming. Yes, I will be thy priest, and build a fane In some untrodden region of my mind, Where branched thoughts, new grown with pleasant pain, Instead of pines shall murmur in the wind: Far, far around shall those dark-cluster'd trees Fledge the wild-ridged mountains steep by steep; And there by zephyrs, streams, and birds, and bees, The moss-lain Dryads shall be lull'd to sleep; And in the midst of this wide quietness A rosy sanctuary will I dress With the wreath'd trellis of a working brain, With buds, and bells, and stars without a name, With all the gardener Fancy e'er could feign, Who breeding flowers, will never breed the same: And there shall be for thee all soft delight That shadowy thought can win, A bright torch, and a casement ope at night, To let the warm Love in!

WIlliam Wordsworth 18th Century

The Prelude, The 14th Conclusion

My Last Duchess Robert Browning 19th Century

That's my last Duchess painted on the wall, Looking as if she were alive. I call That piece a wonder, now; Fra Pandolf's hands Worked busily a day, and there she stands. Will't please you sit and look at her? I said "Fra Pandolf" by design, for never read Strangers like you that pictured countenance, The depth and passion of its earnest glance, But to myself they turned (since none puts by The curtain I have drawn for you, but I) And seemed as they would ask me, if they durst, How such a glance came there; so, not the first Are you to turn and ask thus. Sir, 'twas not Her husband's presence only, called that spot Of joy into the Duchess' cheek; perhaps Fra Pandolf chanced to say, "Her mantle laps Over my lady's wrist too much," or "Paint Must never hope to reproduce the faint Half-flush that dies along her throat." Such stuff Was courtesy, she thought, and cause enough For calling up that spot of joy. She had A heart—how shall I say?— too soon made glad, Too easily impressed; she liked whate'er She looked on, and her looks went everywhere. Sir, 'twas all one! My favour at her breast, The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace—all and each Would draw from her alike the approving speech, Or blush, at least. She thanked men—good! but thanked Somehow—I know not how—as if she ranked My gift of a nine-hundred-years-old name With anybody's gift. Who'd stoop to blame This sort of trifling? Even had you skill In speech—which I have not—to make your will Quite clear to such an one, and say, "Just this Or that in you disgusts me; here you miss, Or there exceed the mark"—and if she let Herself be lessoned so, nor plainly set Her wits to yours, forsooth, and made excuse— E'en then would be some stooping; and I choose Never to stoop. Oh, sir, she smiled, no doubt, Whene'er I passed her; but who passed without Much the same smile? This grew; I gave commands; Then all smiles stopped together. There she stands As if alive. Will't please you rise? We'll meet The company below, then. I repeat, The Count your master's known munificence Is ample warrant that no just pretense Of mine for dowry will be disallowed; Though his fair daughter's self, as I avowed At starting, is my object. Nay, we'll go Together down, sir. Notice Neptune, though, Taming a sea-horse, thought a rarity, Which Claus of Innsbruck cast in bronze for me!

The marriage between heaven and hell William Blake 18th Century

The Argument Rintrah roars, and shakes his fires in the burden'd air; Hungry clouds swag on the deep. Once meek, and in a perilous path, The just man kept his course along The vale of death. Roses are planted where thorns grow, And on the barren heath Sing the honey bees. Then the perilous path was planted, And a river and a spring On every cliff and tomb, And on the bleachèd bones Red clay brought forth; Till the villain left the paths of ease, To walk in perilous paths, and drive The just man into barren climes. Now the sneaking serpent walks In mild humility, And the just man rages in the wilds Where lions roam. Rintrah roars, and shakes his fires in the burden'd air; Hungry clouds swag on the deep. AS a new heaven is begun, and it is now thirty-three years since its advent, the Eternal Hell revives. And Io! Swedenborg is the Angel sitting at the tomb: his writings are the linen clothes folded up. Now is the dominion of Edom, and the return of Adam into Paradise. See Isaiah xxxiv and xxxv chap. 1 Without Contraries is no progression. Attraction and Repulsion, Reason and Energy, Love and Hate, are necessary to Human existence. 2 From these contraries spring what the religious call Good and Evil. Good is the passive that obeys Reason. Evil is the active springing from Energy. 3 Good is Heaven. Evil is Hell. 4 The Voice of the Devil All Bibles or sacred codes have been the causes of the following Errors:— 5 1. That Man has two real existing principles, viz. a Body and a Soul. 6 2. That Energy, call'd Evil, is alone from the Body; and that Reason, call'd Good, is alone from the Soul. 7 3. That God will torment Man in Eternity for following his Energies. 8 But the following Contraries to these are True:— 9 1. Man has no Body distinct from his Soul; for that call'd Body is a portion of Soul discern'd by the five Senses, the chief inlets of Soul in this age. 10 2. Energy is the only life, and is from the Body; and Reason is the bound or outward circumference of Energy. 11 3. Energy is Eternal Delight. 12 Those who restrain Desire, do so because theirs is weak enough to be restrained; and the restrainer or Reason usurps its place and governs the unwilling. 13 And being restrained, it by degrees becomes passive, till it is only the shadow of Desire. 14 The history of this is written in Paradise Lost, and the Governor or Reason is call'd Messiah. 15 And the original Archangel, or possessor of the command of the Heavenly Host, is call'd the Devil or Satan, and his children are call'd Sin and Death. 16 But in the Book of Job, Milton's Messiah is called Satan. 17 For this history has been adopted by both parties. 18 It indeed appear'd to Reason as if Desire was cast out; but the Devil's account is, that the Messiah fell, and formed a Heaven of what he stole from the Abyss. 19 This is shown in the Gospel, where he prays to the Father to send the Comforter, or Desire, that Reason may have Ideas to build on; the Jehovah of the Bible being no other than he who dwells in flaming fire. 20 Know that after Christ's death, he became Jehovah. 21 But in Milton, the Father is Destiny, the Son a Ratio of the five senses, and the Holy-ghost Vacuum! 22 Note. The reason Milton wrote in fetters when he wrote of Angels and God, and at liberty when of Devils and Hell, is because he was a true Poet, and of the Devil's party without knowing it. 23 A Memorable Fancy As I was walking among the fires of Hell, delighted with the enjoyments of Genius, which to Angels look like torment and insanity, I collected some of their Proverbs; thinking that as the sayings used in a nation mark its character, so the Proverbs of Hell show the nature of Infernal wisdom better than any description of buildings or garments. 24 When I came home, on the abyss of the five senses, where a flat-sided steep frowns over the present world, I saw a mighty Devil, folded in black clouds, hovering on the sides of the rock: with corroding fires he wrote the following sentence now perceived by the minds of men, and read by them on earth:— How do you know but ev'ry Bird that cuts the airy way, Is an immense World of Delight, clos'd by your senses five? 25 Proverbs of Hell In seed time learn, in harvest teach, in winter enjoy. 26 Drive your cart and your plough over the bones of the dead. 27 The road of excess leads to the palace of wisdom. 28 Prudence is a rich, ugly old maid courted by Incapacity. 29 He who desires but acts not, breeds pestilence. 30 The cut worm forgives the plough. 31 Dip him in the river who loves water. 32 A fool sees not the same tree that a wise man sees. 33 He whose face gives no light, shall never become a star. 34 Eternity is in love with the productions of time. 35 The busy bee has no time for sorrow. 36 The hours of folly are measur'd by the clock; but of wisdom, no clock can measure. 37 All wholesome food is caught without a net or a trap. 38 Bring out number, weight, and measure in a year of dearth. 39 No bird soars too high, if he soars with his own wings. 40 A dead body revenges not injuries. 41 The most sublime act is to set another before you. 42 If the fool would persist in his folly he would become wise. 43 Folly is the cloak of knavery. 44 Shame is Pride's cloak. 45 Prisons are built with stones of Law, brothels with bricks of Religion. 46 The pride of the peacock is the glory of God. 47 The lust of the goat is the bounty of God. 48 The wrath of the lion is the wisdom of God. 49 The nakedness of woman is the work of God. 50 Excess of sorrow laughs. Excess of joy weeps. 51 The roaring of lions, the howling of wolves, the raging of the stormy sea, and the destructive sword are portions of eternity too great for the eye of man. 52 The fox condemns the trap, not himself. 53 Joys impregnate. Sorrows bring forth. 54 Let man wear the fell of the lion, woman the fleece of the sheep. 55 The bird a nest, the spider a web, man friendship. 56 The selfish, smiling fool, and the sullen, frowning fool shall be both thought wise, that they may be a rod. 57 What is now proved was once only imagin'd. 58 The rat, the mouse, the fox, the rabbit watch the roots; the lion, the tiger, the horse, the elephant watch the fruits. 59 The cistern contains: the fountain overflows. 60 One thought fills immensity. 61 Always be ready to speak your mind, and a base man will avoid you. 62 Everything possible to be believ'd is an image of truth. 63 The eagle never lost so much time as when he submitted to learn of the crow. 64 The fox provides for himself; but God provides for the lion. 65 Think in the morning. Act in the noon. Eat in the evening. Sleep in the night. 66 He who has suffer'd you to impose on him, knows you. 67 As the plough follows words, so God rewards prayers. 68 The tigers of wrath are wiser than the horses of instruction. 69 Expect poison from the standing water. 70 You never know what is enough unless you know what is more than enough. 71 Listen to the fool's reproach! it is a kingly title! 72 The eyes of fire, the nostrils of air, the mouth of water, the beard of earth. 73 The weak in courage is strong in cunning. 74 The apple tree never asks the beech how he shall grow; nor the lion, the horse, how he shall take his prey. 75 The thankful receiver bears a plentiful harvest. 76 If others had not been foolish, we should be so. 77 The soul of sweet delight can never be defil'd. 78 When thou seest an eagle, thou seest a portion of Genius; lift up thy head! 79 As the caterpillar chooses the fairest leaves to lay her eggs on, so the priest lays his curse on the fairest joys. 80 To create a little flower is the labour of ages. 81 Damn braces. Bless relaxes. 82 The best wine is the oldest, the best water the newest. 83 Prayers plough not! Praises reap not! 84 Joys laugh not! Sorrows weep not! 85 The head Sublime, the heart Pathos, the genitals Beauty, the hands and feet Proportion. 86 As the air to a bird or the sea to a fish, so is contempt to the contemptible. 87 The crow wish'd everything was black, the owl that everything was white. 88 Exuberance is Beauty. 89 If the lion was advised by the fox, he would be cunning. 90 Improvement makes straight roads; but the crooked roads without improvement are roads of Genius. 91 Sooner murder an infant in its cradle than nurse unacted desires. 92 Where man is not, nature is barren. 93 Truth can never be told so as to be understood, and not be believ'd. 94 Enough! or Too much. 95 The ancient Poets animated all sensible objects with Gods or Geniuses, calling them by the names and adorning them with the properties of woods, rivers, mountains, lakes, cities, nations, and whatever their enlarged and numerous senses could perceive. 96 And particularly they studied the Genius of each city and country, placing it under its Mental Deity; 97 Till a System was formed, which some took advantage of, and enslav'd the vulgar by attempting to realise or abstract the Mental Deities from their objects—thus began Priesthood; 98 Choosing forms of worship from poetic tales. 99 And at length they pronounc'd that the Gods had order'd such things. 100 Thus men forgot that All Deities reside in the Human breast. 101 A Memorable Fancy The Prophets Isaiah and Ezekiel dined with me, and I asked them how they dared so roundly to assert that God spoke to them; and whether they did not think at the time that they would be misunderstood, and so be the cause of imposition. 102 Isaiah answer'd: 'I saw no God, nor heard any, in a finite organical perception; but my senses discover'd the infinite in everything, and as I was then persuaded, and remain confirm'd, that the voice of honest indignation is the voice of God, I cared not for consequences, but wrote.' 103 Then I asked: 'Does a firm persuasion that a thing is so, make it so?' 104 He replied: 'All Poets believe that it does, and in ages of imagination this firm persuasion removed mountains; but many are not capable of a firm persuasion of anything.' 105 Then Ezekiel said: 'The philosophy of the East taught the first principles of human perception. Some nations held one principle for the origin, and some another: we of Israel taught that the Poetic Genius (as you now call it) was the first principle and all the others merely derivative, which was the cause of our despising the Priests and Philosophers of other countries, and prophesying that all Gods would at last be proved to originate in ours and to be the tributaries of the Poetic Genius. It was this that our great poet, King David, desired so fervently and invokes so pathetically, saying by this he conquers enemies and governs kingdoms; and we so loved our God, that we cursed in his name all the Deities of surrounding nations, and asserted that they had rebelled. From these opinions the vulgar came to think that all nations would at last be subject to the Jews.' 106 'This,' said he, 'like all firm persuasions, is come to pass; for all nations believe the Jews' code and worship the Jews' god, and what greater subjection can be?' 107 I heard this with some wonder, and must confess my own conviction. After dinner I ask'd Isaiah to favour the world with his lost works; he said none of equal value was lost. Ezekiel said the same of his. 108 I also asked Isaiah what made him go naked and barefoot three years. He answer'd: 'The same that made our friend Diogenes, the Grecian.' 109 I then asked Ezekiel why he ate dung, and lay so long on his right and left side. He answer'd, 'The desire of raising other men into a perception of the infinite: this the North American tribes practise, and is he honest who resists his genius or conscience only for the sake of present ease or gratification?' 110 The ancient tradition that the world will be consumed in fire at the end of six thousand years is true, as I have heard from Hell. 111 For the cherub with his flaming sword is hereby commanded to leave his guard at tree of life; and when he does, the whole creation will be consumed and appear infinite and holy, whereas it now appears finite and corrupt. 112 This will come to pass by an improvement of sensual enjoyment. 113 But first the notion that man has a body distinct from his soul is to be expunged; this I shall do by printing in the infernal method, by corrosives, which in Hell are salutary and medicinal, melting apparent surfaces away, and displaying the infinite which was hid. 114 If the doors of perception were cleansed everything would appear to man as it is, infinite. 115 For man has closed himself up till he sees all things thro' narrow chinks of his cavern. 116 A Memorable Fancy I was in a Printing-house in Hell, and saw the method in which knowledge is transmitted from generation to generation. 117 In the first chamber was a Dragon-Man, clearing away the rubbish from a cave's mouth; within, a number of Dragons were hollowing the cave. 118 In the second chamber was a Viper folding round the rock and the cave, and others adorning it with gold, silver, and precious stones. 119 In the third chamber was an Eagle with wings and feathers of air: he caused the inside of the cave to be infinite. Around were numbers of Eagle-like men who built palaces in the immense cliffs. 120 In the fourth chamber were Lions of flaming fire, raging around and melting the metals into living fluids. 121 In the fifth chamber were Unnamed forms, which cast the metals into the expanse. 122 There they were received by Men who occupied the sixth chamber, and took the forms of books and were arranged in libraries. 123 The Giants who formed this world into its sensual existence, and now seem to live in it in chains, are in truth the causes of its life and the sources of all activity; but the chains are the cunning of weak and tame minds which have power to resist energy. According to the proverb, the weak in courage is strong in cunning. 124 Thus one portion of being is the Prolific, the other the Devouring. To the Devourer it seems as if the producer was in his chains; but it is not so, he only takes portions of existence and fancies that the whole. 125 But the Prolific would cease to be Prolific unless the Devourer, as a sea, received the excess of his delights. 126 Some will say: 'Is not God alone the Prolific? I answer: 'God only Acts and Is, in existing beings or Men.' 127 These two classes of men are always upon earth, and they should be enemies: whoever tries to reconcile them seeks to destroy existence. 128 Religion is an endeavour to reconcile the two. 129 Note. Jesus Christ did not wish to unite, but to separate them, as in the Parable of sheep and goats! And He says: 'I came not to send Peace, but a Sword.' 130 Messiah or Satan or Tempter was formerly thought to be one of the Antediluvians who are our Energies. 131 A Memorable Fancy An Angel came to me and said: 'O pitiable, foolish young man! O horrible! O dreadful state! Consider the hot, burning dungeon thou art preparing for thyself to all Eternity, to which thou art going in such career.' 132 I said: 'Perhaps you will be willing to show me my eternal lot, and we will contemplate together upon it, and see whether your lot or mine is most desirable.' 133 So he took me thro' a stable, and thro' a church, and down into the church vault, at the end of which was a mill. Thro' the mill we went, and came to a cave. Down the winding cavern we groped our tedious way, till a void boundless as a nether sky appear'd beneath us, and we held by the roots of trees, and hung over this immensity. But I said: 'If you please, we will commit ourselves to this void, and see whether Providence is here also. If you will not, I will.' But he answer'd: 'Do not presume, O young man, but as we here remain, behold thy lot which will soon appear when the darkness passes away.' 134 So I remain'd with him, sitting in the twisted root of an oak. He was suspended in a fungus, which hung with the head downward into the deep. 135 By degrees we beheld the infinite Abyss, fiery as the smoke of a burning city; beneath us, at an immense distance, was the sun, black but shining; round it were fiery tracks on which revolv'd vast spiders, crawling after their prey, which flew, or rather swum, in the infinite deep, in the most terrific shapes of animals sprung from corruption; and the air was full of them, and seem'd composed of them—these are Devils, and are called Powers of the Air. I now asked my companion which was my eternal lot? He said: 'Between the black and white spiders.' 136 But now, from between the black and white spiders, a cloud and fire burst and rolled thro' the deep, blackening all beneath; so that the nether deep grew black as a sea, and rolled with a terrible noise. Beneath us was nothing now to be seen but a black tempest, till looking East between the clouds and the waves we saw a cataract of blood mixed with fire, and not many stones' throw from us appear'd and sunk again the scaly fold of a monstrous serpent. At last, to the East, distant about three degrees, appear'd a fiery crest above the waves. Slowly it reared like a ridge of golden rocks, till we discover'd two globes of crimson fire, from which the sea fled away in clouds of smoke; and now we saw it was the head of Leviathan. His forehead was divided into streaks of green and purple like those on a tiger's forehead. Soon we saw his mouth and red gills hang just above the raging foam, tinging the black deep with beams of blood, advancing toward us with all the fury of a Spiritual Existence. 137 My friend the Angel climb'd up from his station into the mill: I remain'd alone, and then this appearance was no more; but I found myself sitting on a pleasant bank beside a river, by moonlight, hearing a harper, who sung to the harp; and his theme was: 'The man who never alters his opinion is like standing water, and breeds reptiles of the mind.' 138 But I arose and sought for the mill, and there I found my Angel, who, surprised, asked me how I escaped. 139 I answer'd: 'All that we saw was owing to your metaphysics; for when you ran away, I found myself on a bank by moonlight hearing a harper. But now we have seen my eternal lot, shall I show you yours?' He laugh'd at my proposal; but I, by force, suddenly caught him in my arms, and flew westerly thro' the night, till we were elevated above the earth's shadow; then I flung myself with him directly into the body of the sun. Here I clothed myself in white, and taking in my hand Swedenborg's volumes, sunk from the glorious clime, and passed all the planets till we came to Saturn. Here I stay'd to rest, and then leap'd into the void between Saturn and the fixed stars. 140 'Here,' said I, 'is your lot, in this space—if space it may be call'd.' Soon we saw the stable and the church, and I took him to the altar and open'd the Bible, and lo! it was a deep pit, into which I descended, driving the Angel before me. Soon we saw seven houses of brick. One we enter'd; in it were a number of monkeys, baboons, and all of that species, chain'd by the middle, grinning and snatching at one another, but withheld by the shortness of their chains. However, I saw that they sometimes grew numerous, and then the weak were caught by the strong, and with a grinning aspect, first coupled with, and then devour'd, by plucking off first one limb and then another, till the body was left a helpless trunk. This, after grinning and kissing it with seeming fondness, they devour'd too; and here and there I saw one savourily picking the flesh off of his own tail. As the stench terribly annoy'd us both, we went into the mill, and I in my hand brought the skeleton of a body, which in the mill was Aristotle's Analytics. 141 So the Angel said: 'Thy phantasy has imposed upon me, and thou oughtest to be ashamed.' 142 I answer'd: 'We impose on one another, and it is but lost time to converse with you whose works are only Analytics.' 143 I have always found that Angels have the vanity to speak of themselves as the Only Wise. This they do with a confident insolence sprouting from systematic reasoning. 144 Thus Swedenborg boasts that what he writes is new; tho' it is only the Contents or Index of already publish'd books. 145 A man carried a monkey about for a show, and because he was a little wiser than the monkey, grew vain, and conceiv'd himself as much wiser than seven men. It is so with Swedenborg: he shows the folly of churches, and exposes hypocrites, till he imagines that all are religious, and himself the single one on earth that ever broke a net. 146 Now hear a plain fact: Swedenborg has not written one new truth. Now hear another: he has written all the old falsehoods. 147 And now hear the reason. He conversed with Angels who are all religious, and conversed not with Devils who all hate religion, for he was incapable thro' his conceited notions. 148 Thus Swedenborg's writings are a recapitulation of all superficial opinions, and an analysis of the more sublime—but no further. 149 Have now another plain fact. Any man of mechanical talents may, from the writings of Paracelsus or Jacob Behmen, produce ten thousand volumes of equal value with Swedenborg's, and from those of Dante or Shakespear an infinite number. 150 But when he has done this, let him not say that he knows better than his master, for he only holds a candle in sunshine. 151 A Memorable Fancy Once I saw a Devil in a flame of fire, who arose before an Angel that sat on a cloud, and the Devil utter'd these words:— 152 'The worship of God is: Honouring his gifts in other men, each according to his genius, and loving the greatest men best: those who envy or calumniate great men hate God; for there is no other God.' 153 The Angel hearing this became almost blue; but mastering himself he grew yellow, and at last white, pink, and smiling, and then replied:— 154 'Thou Idolater! is not God One? and is not he visible in Jesus Christ? and has not Jesus Christ given his sanction to the law of ten commandments? and are not all other men fools, sinners, and nothings?' 155 The Devil answer'd: 'Bray a fool in a mortar with wheat, yet shall not his folly be beaten out of him. If Jesus Christ is the greatest man, you ought to love Him in the greatest degree. Now hear how He has given His sanction to the law of ten commandments. Did He not mock at the sabbath, and so mock the sabbath's God; murder those who were murder'd because of Him; turn away the law from the woman taken in adultery; steal the labour of others to support Him; bear false witness when He omitted making a defence before Pilate; covet when He pray'd for His disciples, and when He bid them shake off the dust of their feet against such as refused to lodge them? I tell you, no virtue can exist without breaking these ten commandments. Jesus was all virtue, and acted from impulse, not from rules.' 156 When he had so spoken, I beheld the Angel, who stretched out his arms, embracing the flame of fire, and he was consumed, and arose as Elijah. 157 Note.—This Angel, who is now become a Devil, is my particular friend. We often read the Bible together in its infernal or diabolical sense, which the world shall have if they behave well. 158 I have also The Bible of Hell, which the world shall have whether they will or no. 159 One Law for the Lion and Ox is Oppression. 160

Frost at Midnight Samuel Coleridge

The Frost performs its secret ministry, Unhelped by any wind. The owlet's cry Came loud—and hark, again! loud as before. The inmates of my cottage, all at rest, Have left me to that solitude, which suits Abstruser musings: save that at my side My cradled infant slumbers peacefully. 'Tis calm indeed! so calm, that it disturbs And vexes meditation with its strange And extreme silentness. Sea, hill, and wood, This populous village! Sea, and hill, and wood, With all the numberless goings-on of life, Inaudible as dreams! the thin blue flame Lies on my low-burnt fire, and quivers not; Only that film, which fluttered on the grate, Still flutters there, the sole unquiet thing. Methinks, its motion in this hush of nature Gives it dim sympathies with me who live, Making it a companionable form, Whose puny flaps and freaks the idling Spirit By its own moods interprets, every where Echo or mirror seeking of itself, And makes a toy of Thought. But O! how oft, How oft, at school, with most believing mind, Presageful, have I gazed upon the bars, To watch that fluttering stranger ! and as oft With unclosed lids, already had I dreamt Of my sweet birth-place, and the old church-tower, Whose bells, the poor man's only music, rang From morn to evening, all the hot Fair-day, So sweetly, that they stirred and haunted me With a wild pleasure, falling on mine ear Most like articulate sounds of things to come! So gazed I, till the soothing things, I dreamt, Lulled me to sleep, and sleep prolonged my dreams! And so I brooded all the following morn, Awed by the stern preceptor's face, mine eye Fixed with mock study on my swimming book: Save if the door half opened, and I snatched A hasty glance, and still my heart leaped up, For still I hoped to see the stranger's face, Townsman, or aunt, or sister more beloved, My play-mate when we both were clothed alike! Dear Babe, that sleepest cradled by my side, Whose gentle breathings, heard in this deep calm, Fill up the intersperséd vacancies And momentary pauses of the thought! My babe so beautiful! it thrills my heart With tender gladness, thus to look at thee, And think that thou shalt learn far other lore, And in far other scenes! For I was reared In the great city, pent 'mid cloisters dim, And saw nought lovely but the sky and stars. But thou, my babe! shalt wander like a breeze By lakes and sandy shores, beneath the crags Of ancient mountain, and beneath the clouds, Which image in their bulk both lakes and shores And mountain crags: so shalt thou see and hear The lovely shapes and sounds intelligible Of that eternal language, which thy God Utters, who from eternity doth teach Himself in all, and all things in himself. Great universal Teacher! he shall mould Thy spirit, and by giving make it ask. Therefore all seasons shall be sweet to thee, Whether the summer clothe the general earth With greenness, or the redbreast sit and sing Betwixt the tufts of snow on the bare branch Of mossy apple-tree, while the night-thatch Smokes in the sun-thaw; whether the eave-drops fall Heard only in the trances of the blast, Or if the secret ministry of frost Shall hang them up in silent icicles, Quietly shining to the quiet Moon.

Ode on Indolence John Keats 19th Century

One morn before me were three figures seen, With bowèd necks, and joinèd hands, side-faced; And one behind the other stepp'd serene, In placid sandals, and in white robes graced; They pass'd, like figures on a marble urn, When shifted round to see the other side; They came again; as when the urn once more Is shifted round, the first seen shades return; And they were strange to me, as may betide With vases, to one deep in Phidian lore. How is it, Shadows! that I knew ye not? How came ye muffled in so hush a mask? Was it a silent deep-disguisèd plot To steal away, and leave without a task My idle days? Ripe was the drowsy hour; The blissful cloud of summer-indolence Benumb'd my eyes; my pulse grew less and less; Pain had no sting, and pleasure's wreath no flower: O, why did ye not melt, and leave my sense Unhaunted quite of all but—nothingness? A third time pass'd they by, and, passing, turn'd Each one the face a moment whiles to me; Then faded, and to follow them I burn'd And ached for wings, because I knew the three; The first was a fair Maid, and Love her name; The second was Ambition, pale of cheek, And ever watchful with fatiguèd eye; The last, whom I love more, the more of blame Is heap'd upon her, maiden most unmeek,— I knew to be my demon Poesy. They faded, and, forsooth! I wanted wings: O folly! What is Love? and where is it? And for that poor Ambition! it springs From a man's little heart's short fever-fit; For Poesy!—no,—she has not a joy,— At least for me,—so sweet as drowsy noons, And evenings steep'd in honey'd indolence; O, for an age so shelter'd from annoy, That I may never know how change the moons, Or hear the voice of busy common-sense! And once more came they by:—alas! wherefore? My sleep had been embroider'd with dim dreams; My soul had been a lawn besprinkled o'er With flowers, and stirring shades, and baffled beams: The morn was clouded, but no shower fell, Tho' in her lids hung the sweet tears of May; The open casement press'd a new-leaved vine, Let in the budding warmth and throstle's lay; O Shadows! 'twas a time to bid farewell! Upon your skirts had fallen no tears of mine. So, ye three Ghosts, adieu! Ye cannot raise My head cool-bedded in the flowery grass; For I would not be dieted with praise, A pet-lamb in a sentimental farce! Fade softly from my eyes, and be once more In masque-like figures on the dreamy urn; Farewell! I yet have visions for the night, And for the day faint visions there is store; Vanish, ye Phantoms! from my idle spright, Into the clouds, and never more return!

Percy Bysshe Shelley 19th Century

Queen Mab

Ode to a Grecian Urn John Keats 19th century

Thou still unravish'd bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy'd, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e'er return. O Attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, "Beauty is truth, truth beauty,—that is all Ye know on earth, and all ye need to know."

The Lotos Eaters Lord Tennyson 19th Century

"Courage!" he said, and pointed toward the land, "This mounting wave will roll us shoreward soon." In the afternoon they came unto a land In which it seemed always afternoon. All round the coast the languid air did swoon, Breathing like one that hath a weary dream. Full-faced above the valley stood the moon; And like a downward smoke, the slender stream Along the cliff to fall and pause and fall did seem. A land of streams! some, like a downward smoke, Slow-dropping veils of thinnest lawn, did go; And some thro' wavering lights and shadows broke, Rolling a slumbrous sheet of foam below. They saw the gleaming river seaward flow From the inner land: far off, three mountain-tops, Three silent pinnacles of aged snow, Stood sunset-flush'd: and, dew'd with showery drops, Up-clomb the shadowy pine above the woven copse. The charmed sunset linger'd low adown In the red West: thro' mountain clefts the dale Was seen far inland, and the yellow down Border'd with palm, and many a winding vale And meadow, set with slender galingale; A land where all things always seem'd the same! And round about the keel with faces pale, Dark faces pale against that rosy flame, The mild-eyed melancholy Lotos-eaters came. Branches they bore of that enchanted stem, Laden with flower and fruit, whereof they gave To each, but whoso did receive of them, And taste, to him the gushing of the wave Far far away did seem to mourn and rave On alien shores; and if his fellow spake, His voice was thin, as voices from the grave; And deep-asleep he seem'd, yet all awake, And music in his ears his beating heart did make. They sat them down upon the yellow sand, Between the sun and moon upon the shore; And sweet it was to dream of Fatherland, Of child, and wife, and slave; but evermore Most weary seem'd the sea, weary the oar, Weary the wandering fields of barren foam. Then some one said, "We will return no more"; And all at once they sang, "Our island home Is far beyond the wave; we will no longer roam." CHORIC SONG I There is sweet music here that softer falls Than petals from blown roses on the grass, Or night-dews on still waters between walls Of shadowy granite, in a gleaming pass; Music that gentlier on the spirit lies, Than tir'd eyelids upon tir'd eyes; Music that brings sweet sleep down from the blissful skies. Here are cool mosses deep, And thro' the moss the ivies creep, And in the stream the long-leaved flowers weep, And from the craggy ledge the poppy hangs in sleep." II Why are we weigh'd upon with heaviness, And utterly consumed with sharp distress, While all things else have rest from weariness? All things have rest: why should we toil alone, We only toil, who are the first of things, And make perpetual moan, Still from one sorrow to another thrown: Nor ever fold our wings, And cease from wanderings, Nor steep our brows in slumber's holy balm; Nor harken what the inner spirit sings, "There is no joy but calm!" Why should we only toil, the roof and crown of things? III Lo! in the middle of the wood, The folded leaf is woo'd from out the bud With winds upon the branch, and there Grows green and broad, and takes no care, Sun-steep'd at noon, and in the moon Nightly dew-fed; and turning yellow Falls, and floats adown the air. Lo! sweeten'd with the summer light, The full-juiced apple, waxing over-mellow, Drops in a silent autumn night. All its allotted length of days The flower ripens in its place, Ripens and fades, and falls, and hath no toil, Fast-rooted in the fruitful soil. IV Hateful is the dark-blue sky, Vaulted o'er the dark-blue sea. Death is the end of life; ah, why Should life all labour be? Let us alone. Time driveth onward fast, And in a little while our lips are dumb. Let us alone. What is it that will last? All things are taken from us, and become Portions and parcels of the dreadful past. Let us alone. What pleasure can we have To war with evil? Is there any peace In ever climbing up the climbing wave? All things have rest, and ripen toward the grave In silence; ripen, fall and cease: Give us long rest or death, dark death, or dreamful ease. V How sweet it were, hearing the downward stream, With half-shut eyes ever to seem Falling asleep in a half-dream! To dream and dream, like yonder amber light, Which will not leave the myrrh-bush on the height; To hear each other's whisper'd speech; Eating the Lotos day by day, To watch the crisping ripples on the beach, And tender curving lines of creamy spray; To lend our hearts and spirits wholly To the influence of mild-minded melancholy; To muse and brood and live again in memory, With those old faces of our infancy Heap'd over with a mound of grass, Two handfuls of white dust, shut in an urn of brass! VI Dear is the memory of our wedded lives, And dear the last embraces of our wives And their warm tears: but all hath suffer'd change: For surely now our household hearths are cold, Our sons inherit us: our looks are strange: And we should come like ghosts to trouble joy. Or else the island princes over-bold Have eat our substance, and the minstrel sings Before them of the ten years' war in Troy, And our great deeds, as half-forgotten things. Is there confusion in the little isle? Let what is broken so remain. The Gods are hard to reconcile: 'Tis hard to settle order once again. There is confusion worse than death, Trouble on trouble, pain on pain, Long labour unto aged breath, Sore task to hearts worn out by many wars And eyes grown dim with gazing on the pilot-stars. VII But, propt on beds of amaranth and moly, How sweet (while warm airs lull us, blowing lowly) With half-dropt eyelid still, Beneath a heaven dark and holy, To watch the long bright river drawing slowly His waters from the purple hill— To hear the dewy echoes calling From cave to cave thro' the thick-twined vine— To watch the emerald-colour'd water falling Thro' many a wov'n acanthus-wreath divine! Only to hear and see the far-off sparkling brine, Only to hear were sweet, stretch'd out beneath the pine. VIII The Lotos blooms below the barren peak: The Lotos blows by every winding creek: All day the wind breathes low with mellower tone: Thro' every hollow cave and alley lone Round and round the spicy downs the yellow Lotos-dust is blown. We have had enough of action, and of motion we, Roll'd to starboard, roll'd to larboard, when the surge was seething free, Where the wallowing monster spouted his foam-fountains in the sea. Let us swear an oath, and keep it with an equal mind, In the hollow Lotos-land to live and lie reclined On the hills like Gods together, careless of mankind. For they lie beside their nectar, and the bolts are hurl'd Far below them in the valleys, and the clouds are lightly curl'd Round their golden houses, girdled with the gleaming world: Where they smile in secret, looking over wasted lands, Blight and famine, plague and earthquake, roaring deeps and fiery sands, Clanging fights, and flaming towns, and sinking ships, and praying hands. But they smile, they find a music centred in a doleful song Steaming up, a lamentation and an ancient tale of wrong, Like a tale of little meaning tho' the words are strong; Chanted from an ill-used race of men that cleave the soil, Sow the seed, and reap the harvest with enduring toil, Storing yearly little dues of wheat, and wine and oil; Till they perish and they suffer—some, 'tis whisper'd—down in hell Suffer endless anguish, others in Elysian valleys dwell, Resting weary limbs at last on beds of asphodel. Surely, surely, slumber is more sweet than toil, the shore Than labour in the deep mid-ocean, wind and wave and oar; O, rest ye, brother mariners, we will not wander more.

Sonnet To Night Charlotte Smith 18th century

love thee, mournful, sober-suited Night! When the faint moon, yet lingering in her wane. And veil'd in clouds, with pale uncertain light Hangs o'er the waters of the restless main. In deep depression sunk, the enfeebled mind Will to the deaf cold elements complain, And tell the embosom'd grief, however vain, To sullen surges and the viewless wind. Tho' no repose on that dark breast I find, I still enjoy thee—cheerless as thou art; For in thy quiet gloom the exhausted heart Is calm, tho' wretched; hopeless, yet resign'd. While to the winds and waves its sorrows given, May reach—tho' lost on earth—the ear of Heaven!

A Summer Evening's Meditation Anna Letitia Barbauld 18th Century

'TIS past! The sultry tyrant of the south Has spent his short-liv'd rage; more grateful hours Move silent on; the skies no more repel The dazzled sight, but with mild maiden beams Of temper'd light, invite the cherish'd eye To wander o'er their sphere; where hung aloft DIAN's bright crescent, like a silver bow New strung in heaven, lifts high its beamy horns Impatient for the night, and seems to push Her brother down the sky. Fair VENUS shines Even in the eye of day; with sweetest beam Propitious shines, and shakes a trembling flood Of soften'd radiance from her dewy locks. The shadows spread apace; while meeken'd Eve Her cheek yet warm with blushes, slow retires Thro' the Hesperian gardens of the west, And shuts the gates of day. 'Tis now the hour When Contemplation, from her sunless haunts, The cool damp grotto, or the lonely depth Of unpierc'd woods, where wrapt in solid shade She mused away the gaudy hours of noon, And fed on thoughts unripen'd by the sun, Moves forward; and with radiant finger points To yon blue concave swell'd by breath divine, Where, one by one, the living eyes of heaven Awake, quick kindling o'er the face of ether One boundless blaze; ten thousand trembling fires, And dancing lustres, where th' unsteady eye Restless, and dazzled wanders unconfin'd O'er all this field of glories: spacious field! And worthy of the master: he, whose hand With hieroglyphics older than the Nile, Inscrib'd the mystic tablet; hung on high To public gaze, and said, adore, O man! The finger of thy GOD. From what pure wells Of milky light, what soft o'erflowing urn, Are all these lamps so fill'd? these friendly lamps, For ever streaming o'er the azure deep To point our path, and light us to our home. How soft they slide along their lucid spheres! And silent as the foot of time, fulfil Their destin'd courses: Nature's self is hush'd, And, but a scatter'd leaf, which rustles thro' The thick-wove foliage, not a sound is heard To break the midnight air; tho' the rais'd ear, Intensely listening, drinks in every breath. How deep the silence, yet how loud the praise! But are they silent all? or is there not A tongue in every star that talks with man, And wooes him to be wise; nor wooes in vain: This dead of midnight is the noon of thought, And wisdom mounts her zenith with the stars. At this still hour the self-collected soul Turns inward, and beholds a stranger there Of high descent, and more than mortal rank; An embryo GOD; a spark of fire divine, Which must burn on for ages, when the sun, (Fair transitory creature of a day!) Has clos'd his golden eye, and wrapt in shades Forgets his wonted journey thro' the east. Ye citadels of light, and seats of GODS! Perhaps my future home, from whence the soul Revolving periods past, may oft look back With recollected tenderness, on all The various busy scenes she left below, Its deep laid projects and its strange events, As on some fond and doating tale that sooth'd Her infant hours; O be it lawful now To tread the hallow'd circles of your courts, And with mute wonder and delighted awe Approach your burning confines. Seiz'd in thought On fancy's wild and roving wing I sail, From the green borders of the peopled earth, And the pale moon, her duteous fair attendant; From solitary Mars; from the vast orb Of Jupiter, whose huge gigantic bulk Dances in ether like the lightest leaf; To the dim verge, the suburbs of the system, Where chearless Saturn 'midst her watry moons Girt with a lucid zone, majestic sits In gloomy grandeur; like an exil'd queen Amongst her weeping handmaids: fearless thence I launch into the trackless deeps of space, Where, burning round, ten thousand suns appear, Of elder beam; which ask no leave to shine Of our terrestrial star, nor borrow light From the proud regent of our scanty day; Sons of the morning, first born of creation, And only less than him who marks their track, And guides their fiery wheels. Here must I stop, Or is there aught beyond? What hand unseen Impels me onward thro' the glowing orbs Of inhabitable nature; far remote, To the dread confines of eternal night, To solitudes of vast unpeopled space, The desarts of creation, wide and wild; Where embryo systems and unkindled suns Sleep in the womb of chaos; fancy droops, And thought astonish'd stops her bold career. But oh thou mighty mind! whose powerful word Said, thus let all things be, and thus they were, Where shall I seek thy presence? how unblam'd Invoke thy dread perfection? Have the broad eye-lids of the morn beheld thee? Or does the beamy shoulder of Orion Support thy throne? O look with pity down On erring guilty man; not in thy names Of terrour clad; not with those thunders arm'd That conscious Sinai felt, when fear appall'd The scatter'd tribes; thou hast a gentler voice, That whispers comfort to the swelling heart, Abash'd, yet longing to behold her Maker. But now my soul unus'd tostretch her powers In flight so daring, drops her weary wing, And seeks again the known accustom'd spot, Drest up with sun, and shade, and lawns, and streams, A mansion fair and spacious for its guest, And full replete with wonders. Let me here Content and grateful, wait th' appointed time And ripen for the skies: the hour will come When all these splendours bursting on my sight Shall stand unveil'd, and to my ravished sense Unlock the glories of the world unknown.

Ode to the West Wind Percy Bysshe Shelley 19th Century

I O wild West Wind, thou breath of Autumn's being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o'er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill: Wild Spirit, which art moving everywhere; Destroyer and preserver; hear, oh hear! II Thou on whose stream, mid the steep sky's commotion, Loose clouds like earth's decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning: there are spread On the blue surface of thine aëry surge, Like the bright hair uplifted from the head Of some fierce Maenad, even from the dim verge Of the horizon to the zenith's height, The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst: oh hear! III Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lull'd by the coil of his crystalline streams, Beside a pumice isle in Baiae's bay, And saw in sleep old palaces and towers Quivering within the wave's intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic's level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow gray with fear, And tremble and despoil themselves: oh hear! IV If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than thou, O uncontrollable! If even I were as in my boyhood, and could be The comrade of thy wanderings over Heaven, As then, when to outstrip thy skiey speed Scarce seem'd a vision; I would ne'er have striven As thus with thee in prayer in my sore need. Oh, lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chain'd and bow'd One too like thee: tameless, and swift, and proud. V Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like wither'd leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguish'd hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken'd earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?

Fra Lippo Lippi Robert Browning 19th Century

I am poor brother Lippo, by your leave! You need not clap your torches to my face. Zooks, what's to blame? you think you see a monk! What, 'tis past midnight, and you go the rounds, And here you catch me at an alley's end Where sportive ladies leave their doors ajar? The Carmine's my cloister: hunt it up, Do,—harry out, if you must show your zeal, Whatever rat, there, haps on his wrong hole, And nip each softling of a wee white mouse, Weke, weke, that's crept to keep him company! Aha, you know your betters! Then, you'll take Your hand away that's fiddling on my throat, And please to know me likewise. Who am I? Why, one, sir, who is lodging with a friend Three streets off—he's a certain . . . how d'ye call? Master—a ...Cosimo of the Medici, I' the house that caps the corner. Boh! you were best! Remember and tell me, the day you're hanged, How you affected such a gullet's-gripe! But you, sir, it concerns you that your knaves Pick up a manner nor discredit you: Zooks, are we pilchards, that they sweep the streets And count fair price what comes into their net? He's Judas to a tittle, that man is! Just such a face! Why, sir, you make amends. Lord, I'm not angry! Bid your hang-dogs go Drink out this quarter-florin to the health Of the munificent House that harbours me (And many more beside, lads! more beside!) And all's come square again. I'd like his face— His, elbowing on his comrade in the door With the pike and lantern,—for the slave that holds John Baptist's head a-dangle by the hair With one hand ("Look you, now," as who should say) And his weapon in the other, yet unwiped! It's not your chance to have a bit of chalk, A wood-coal or the like? or you should see! Yes, I'm the painter, since you style me so. What, brother Lippo's doings, up and down, You know them and they take you? like enough! I saw the proper twinkle in your eye— 'Tell you, I liked your looks at very first. Let's sit and set things straight now, hip to haunch. Here's spring come, and the nights one makes up bands To roam the town and sing out carnival, And I've been three weeks shut within my mew, A-painting for the great man, saints and saints And saints again. I could not paint all night— Ouf! I leaned out of window for fresh air. There came a hurry of feet and little feet, A sweep of lute strings, laughs, and whifts of song, — Flower o' the broom, Take away love, and our earth is a tomb! Flower o' the quince, I let Lisa go, and what good in life since? Flower o' the thyme—and so on. Round they went. Scarce had they turned the corner when a titter Like the skipping of rabbits by moonlight,—three slim shapes, And a face that looked up . . . zooks, sir, flesh and blood, That's all I'm made of! Into shreds it went, Curtain and counterpane and coverlet, All the bed-furniture—a dozen knots, There was a ladder! Down I let myself, Hands and feet, scrambling somehow, and so dropped, And after them. I came up with the fun Hard by Saint Laurence, hail fellow, well met,— Flower o' the rose, If I've been merry, what matter who knows? And so as I was stealing back again To get to bed and have a bit of sleep Ere I rise up to-morrow and go work On Jerome knocking at his poor old breast With his great round stone to subdue the flesh, You snap me of the sudden. Ah, I see! Though your eye twinkles still, you shake your head— Mine's shaved—a monk, you say—the sting 's in that! If Master Cosimo announced himself, Mum's the word naturally; but a monk! Come, what am I a beast for? tell us, now! I was a baby when my mother died And father died and left me in the street. I starved there, God knows how, a year or two On fig-skins, melon-parings, rinds and shucks, Refuse and rubbish. One fine frosty day, My stomach being empty as your hat, The wind doubled me up and down I went. Old Aunt Lapaccia trussed me with one hand, (Its fellow was a stinger as I knew) And so along the wall, over the bridge, By the straight cut to the convent. Six words there, While I stood munching my first bread that month: "So, boy, you're minded," quoth the good fat father Wiping his own mouth, 'twas refection-time,— "To quit this very miserable world? Will you renounce" . . . "the mouthful of bread?" thought I; By no means! Brief, they made a monk of me; I did renounce the world, its pride and greed, Palace, farm, villa, shop, and banking-house, Trash, such as these poor devils of Medici Have given their hearts to—all at eight years old. Well, sir, I found in time, you may be sure, 'Twas not for nothing—the good bellyful, The warm serge and the rope that goes all round, And day-long blessed idleness beside! "Let's see what the urchin's fit for"—that came next. Not overmuch their way, I must confess. Such a to-do! They tried me with their books: Lord, they'd have taught me Latin in pure waste! Flower o' the clove. All the Latin I construe is, "amo" I love! But, mind you, when a boy starves in the streets Eight years together, as my fortune was, Watching folk's faces to know who will fling The bit of half-stripped grape-bunch he desires, And who will curse or kick him for his pains,— Which gentleman processional and fine, Holding a candle to the Sacrament, Will wink and let him lift a plate and catch The droppings of the wax to sell again, Or holla for the Eight and have him whipped,— How say I?—nay, which dog bites, which lets drop His bone from the heap of offal in the street,— Why, soul and sense of him grow sharp alike, He learns the look of things, and none the less For admonition from the hunger-pinch. I had a store of such remarks, be sure, Which, after I found leisure, turned to use. I drew men's faces on my copy-books, Scrawled them within the antiphonary's marge, Joined legs and arms to the long music-notes, Found eyes and nose and chin for A's and B's, And made a string of pictures of the world Betwixt the ins and outs of verb and noun, On the wall, the bench, the door. The monks looked black. "Nay," quoth the Prior, "turn him out, d'ye say? In no wise. Lose a crow and catch a lark. What if at last we get our man of parts, We Carmelites, like those Camaldolese And Preaching Friars, to do our church up fine And put the front on it that ought to be!" And hereupon he bade me daub away. Thank you! my head being crammed, the walls a blank, Never was such prompt disemburdening. First, every sort of monk, the black and white, I drew them, fat and lean: then, folk at church, From good old gossips waiting to confess Their cribs of barrel-droppings, candle-ends,— To the breathless fellow at the altar-foot, Fresh from his murder, safe and sitting there With the little children round him in a row Of admiration, half for his beard and half For that white anger of his victim's son Shaking a fist at him with one fierce arm, Signing himself with the other because of Christ (Whose sad face on the cross sees only this After the passion of a thousand years) Till some poor girl, her apron o'er her head, (Which the intense eyes looked through) came at eve On tiptoe, said a word, dropped in a loaf, Her pair of earrings and a bunch of flowers (The brute took growling), prayed, and so was gone. I painted all, then cried "'Tis ask and have; Choose, for more's ready!"—laid the ladder flat, And showed my covered bit of cloister-wall. The monks closed in a circle and praised loud Till checked, taught what to see and not to see, Being simple bodies,—"That's the very man! Look at the boy who stoops to pat the dog! That woman's like the Prior's niece who comes To care about his asthma: it's the life!'' But there my triumph's straw-fire flared and funked; Their betters took their turn to see and say: The Prior and the learned pulled a face And stopped all that in no time. "How? what's here? Quite from the mark of painting, bless us all! Faces, arms, legs, and bodies like the true As much as pea and pea! it's devil's-game! Your business is not to catch men with show, With homage to the perishable clay, But lift them over it, ignore it all, Make them forget there's such a thing as flesh. Your business is to paint the souls of men— Man's soul, and it's a fire, smoke . . . no, it's not . . . It's vapour done up like a new-born babe— (In that shape when you die it leaves your mouth) It's . . . well, what matters talking, it's the soul! Give us no more of body than shows soul! Here's Giotto, with his Saint a-praising God, That sets us praising—why not stop with him? Why put all thoughts of praise out of our head With wonder at lines, colours, and what not? Paint the soul, never mind the legs and arms! Rub all out, try at it a second time. Oh, that white smallish female with the breasts, She's just my niece . . . Herodias, I would say,— Who went and danced and got men's heads cut off! Have it all out!" Now, is this sense, I ask? A fine way to paint soul, by painting body So ill, the eye can't stop there, must go further And can't fare worse! Thus, yellow does for white When what you put for yellow's simply black, And any sort of meaning looks intense When all beside itself means and looks nought. Why can't a painter lift each foot in turn, Left foot and right foot, go a double step, Make his flesh liker and his soul more like, Both in their order? Take the prettiest face, The Prior's niece . . . patron-saint—is it so pretty You can't discover if it means hope, fear, Sorrow or joy? won't beauty go with these? Suppose I've made her eyes all right and blue, Can't I take breath and try to add life's flash, And then add soul and heighten them three-fold? Or say there's beauty with no soul at all— (I never saw it—put the case the same—) If you get simple beauty and nought else, You get about the best thing God invents: That's somewhat: and you'll find the soul you have missed, Within yourself, when you return him thanks. "Rub all out!" Well, well, there's my life, in short, And so the thing has gone on ever since. I'm grown a man no doubt, I've broken bounds: You should not take a fellow eight years old And make him swear to never kiss the girls. I'm my own master, paint now as I please— Having a friend, you see, in the Corner-house! Lord, it's fast holding by the rings in front— Those great rings serve more purposes than just To plant a flag in, or tie up a horse! And yet the old schooling sticks, the old grave eyes Are peeping o'er my shoulder as I work, The heads shake still—"It's art's decline, my son! You're not of the true painters, great and old; Brother Angelico's the man, you'll find; Brother Lorenzo stands his single peer: Fag on at flesh, you'll never make the third!" Flower o' the pine, You keep your mistr ... manners, and I'll stick to mine! I'm not the third, then: bless us, they must know! Don't you think they're the likeliest to know, They with their Latin? So, I swallow my rage, Clench my teeth, suck my lips in tight, and paint To please them—sometimes do and sometimes don't; For, doing most, there's pretty sure to come A turn, some warm eve finds me at my saints— A laugh, a cry, the business of the world— (Flower o' the peach Death for us all, and his own life for each!) And my whole soul revolves, the cup runs over, The world and life's too big to pass for a dream, And I do these wild things in sheer despite, And play the fooleries you catch me at, In pure rage! The old mill-horse, out at grass After hard years, throws up his stiff heels so, Although the miller does not preach to him The only good of grass is to make chaff. What would men have? Do they like grass or no— May they or mayn't they? all I want's the thing Settled for ever one way. As it is, You tell too many lies and hurt yourself: You don't like what you only like too much, You do like what, if given you at your word, You find abundantly detestable. For me, I think I speak as I was taught; I always see the garden and God there A-making man's wife: and, my lesson learned, The value and significance of flesh, I can't unlearn ten minutes afterwards. You understand me: I'm a beast, I know. But see, now—why, I see as certainly As that the morning-star's about to shine, What will hap some day. We've a youngster here Comes to our convent, studies what I do, Slouches and stares and lets no atom drop: His name is Guidi—he'll not mind the monks— They call him Hulking Tom, he lets them talk— He picks my practice up—he'll paint apace. I hope so—though I never live so long, I know what's sure to follow. You be judge! You speak no Latin more than I, belike; However, you're my man, you've seen the world —The beauty and the wonder and the power, The shapes of things, their colours, lights and shades, Changes, surprises,—and God made it all! —For what? Do you feel thankful, ay or no, For this fair town's face, yonder river's line, The mountain round it and the sky above, Much more the figures of man, woman, child, These are the frame to? What's it all about? To be passed over, despised? or dwelt upon, Wondered at? oh, this last of course!—you say. But why not do as well as say,—paint these Just as they are, careless what comes of it? God's works—paint any one, and count it crime To let a truth slip. Don't object, "His works Are here already; nature is complete: Suppose you reproduce her—(which you can't) There's no advantage! you must beat her, then." For, don't you mark? we're made so that we love First when we see them painted, things we have passed Perhaps a hundred times nor cared to see; And so they are better, painted—better to us, Which is the same thing. Art was given for that; God uses us to help each other so, Lending our minds out. Have you noticed, now, Your cullion's hanging face? A bit of chalk, And trust me but you should, though! How much more, If I drew higher things with the same truth! That were to take the Prior's pulpit-place, Interpret God to all of you! Oh, oh, It makes me mad to see what men shall do And we in our graves! This world's no blot for us, Nor blank; it means intensely, and means good: To find its meaning is my meat and drink. "Ay, but you don't so instigate to prayer!" Strikes in the Prior: "when your meaning's plain It does not say to folk—remember matins, Or, mind you fast next Friday!" Why, for this What need of art at all? A skull and bones, Two bits of stick nailed crosswise, or, what's best, A bell to chime the hour with, does as well. I painted a Saint Laurence six months since At Prato, splashed the fresco in fine style: "How looks my painting, now the scaffold's down?" I ask a brother: "Hugely," he returns— "Already not one phiz of your three slaves Who turn the Deacon off his toasted side, But's scratched and prodded to our heart's content, The pious people have so eased their own With coming to say prayers there in a rage: We get on fast to see the bricks beneath. Expect another job this time next year, For pity and religion grow i' the crowd— Your painting serves its purpose!" Hang the fools! —That is—you'll not mistake an idle word Spoke in a huff by a poor monk, God wot, Tasting the air this spicy night which turns The unaccustomed head like Chianti wine! Oh, the church knows! don't misreport me, now! It's natural a poor monk out of bounds Should have his apt word to excuse himself: And hearken how I plot to make amends. I have bethought me: I shall paint a piece ... There's for you! Give me six months, then go, see Something in Sant' Ambrogio's! Bless the nuns! They want a cast o' my office. I shall paint God in the midst, Madonna and her babe, Ringed by a bowery, flowery angel-brood, Lilies and vestments and white faces, sweet As puff on puff of grated orris-root When ladies crowd to Church at midsummer. And then i' the front, of course a saint or two— Saint John' because he saves the Florentines, Saint Ambrose, who puts down in black and white The convent's friends and gives them a long day, And Job, I must have him there past mistake, The man of Uz (and Us without the z, Painters who need his patience). Well, all these Secured at their devotion, up shall come Out of a corner when you least expect, As one by a dark stair into a great light, Music and talking, who but Lippo! I!— Mazed, motionless, and moonstruck—I'm the man! Back I shrink—what is this I see and hear? I, caught up with my monk's-things by mistake, My old serge gown and rope that goes all round, I, in this presence, this pure company! Where's a hole, where's a corner for escape? Then steps a sweet angelic slip of a thing Forward, puts out a soft palm—"Not so fast!" —Addresses the celestial presence, "nay— He made you and devised you, after all, Though he's none of you! Could Saint John there draw— His camel-hair make up a painting brush? We come to brother Lippo for all that, Iste perfecit opus! So, all smile— I shuffle sideways with my blushing face Under the cover of a hundred wings Thrown like a spread of kirtles when you're gay And play hot cockles, all the doors being shut, Till, wholly unexpected, in there pops The hothead husband! Thus I scuttle off To some safe bench behind, not letting go The palm of her, the little lily thing That spoke the good word for me in the nick, Like the Prior's niece . . . Saint Lucy, I would say. And so all's saved for me, and for the church A pretty picture gained. Go, six months hence! Your hand, sir, and good-bye: no lights, no lights! The street's hushed, and I know my own way back, Don't fear me! There's the grey beginning. Zooks!

Caliban Upon Setebos Robert Browning 19th Century

['Will sprawl, now that the heat of day is best, Flat on his belly in the pit's much mire, With elbows wide, fists clenched to prop his chin. And, while he kicks both feet in the cool slush, And feels about his spine small eft-things course, Run in and out each arm, and make him laugh: And while above his head a pompion-plant, Coating the cave-top as a brow its eye, Creeps down to touch and tickle hair and beard, And now a flower drops with a bee inside, And now a fruit to snap at, catch and crunch,— He looks out o'er yon sea which sunbeams cross And recross till they weave a spider-web (Meshes of fire, some great fish breaks at times) And talks to his own self, howe'er he please, Touching that other, whom his dam called God. Because to talk about Him, vexes—ha, Could He but know! and time to vex is now, When talk is safer than in winter-time. Moreover Prosper and Miranda sleep In confidence he drudges at their task, And it is good to cheat the pair, and gibe, Letting the rank tongue blossom into speech.] Setebos, Setebos, and Setebos! 'Thinketh, He dwelleth i' the cold o' the moon. 'Thinketh He made it, with the sun to match, But not the stars; the stars came otherwise; Only made clouds, winds, meteors, such as that: Also this isle, what lives and grows thereon, And snaky sea which rounds and ends the same. 'Thinketh, it came of being ill at ease: He hated that He cannot change His cold, Nor cure its ache. 'Hath spied an icy fish That longed to 'scape the rock-stream where she lived, And thaw herself within the lukewarm brine O' the lazy sea her stream thrusts far amid, A crystal spike 'twixt two warm walls of wave; Only, she ever sickened, found repulse At the other kind of water, not her life, (Green-dense and dim-delicious, bred o' the sun) Flounced back from bliss she was not born to breathe, And in her old bounds buried her despair, Hating and loving warmth alike: so He. 'Thinketh, He made thereat the sun, this isle, Trees and the fowls here, beast and creeping thing. Yon otter, sleek-wet, black, lithe as a leech; Yon auk, one fire-eye in a ball of foam, That floats and feeds; a certain badger brown He hath watched hunt with that slant white-wedge eye By moonlight; and the pie with the long tongue That pricks deep into oak warts for a worm, And says a plain word when she finds her prize, But will not eat the ants; the ants themselves That build a wall of seeds and settled stalks About their hole—He made all these and more, Made all we see, and us, in spite: how else? He could not, Himself, make a second self To be His mate; as well have made Himself: He would not make what He mislikes or slights, An eyesore to Him, or not worth His pains: But did, in envy, listlessness or sport, Make what Himself would fain, in a manner, be— Weaker in most points, stronger in a few, Worthy, and yet mere playthings all the while, Things He admires and mocks too,—that is it. Because, so brave, so better though they be, It nothing skills if He begin to plague. Look, now, I melt a gourd-fruit into mash, Add honeycomb and pods, I have perceived, Which bite like finches when they bill and kiss,— Then, when froth rises bladdery, drink up all, Quick, quick, till maggots scamper through my brain; Last, throw me on my back i' the seeded thyme, And wanton, wishing I were born a bird. Put case, unable to be what I wish, I yet could make a live bird out of clay: Would not I take clay, pinch my Caliban Able to fly?—for, there, see, he hath wings, And great comb like the hoopoe's to admire, And there, a sting to do his foes offence, There, and I will that he begin to live, Fly to yon rock-top, nip me off the horns Of grigs high up that make the merry din, Saucy through their veined wings, and mind me not. In which feat, if his leg snapped, brittle clay, And he lay stupid-like,—why, I should laugh; And if he, spying me, should fall to weep, Beseech me to be good, repair his wrong, Bid his poor leg smart less or grow again,— Well, as the chance were, this might take or else Not take my fancy: I might hear his cry, And give the mankin three sound legs for one, Or pluck the other off, leave him like an egg And lessoned he was mine and merely clay. Were this no pleasure, lying in the thyme, Drinking the mash, with brain become alive, Making and marring clay at will? So He. 'Thinketh, such shows nor right nor wrong in Him, Nor kind, nor cruel: He is strong and Lord. 'Am strong myself compared to yonder crabs That march now from the mountain to the sea; 'Let twenty pass, and stone the twenty-first, Loving not, hating not, just choosing so. 'Say, the first straggler that boasts purple spots Shall join the file, one pincer twisted off; 'Say, this bruised fellow shall receive a worm, And two worms he whose nippers end in red; As it likes me each time, I do: so He. Well then, 'supposeth He is good i' the main, Placable if His mind and ways were guessed, But rougher than His handiwork, be sure! Oh, He hath made things worthier than Himself, And envieth that, so helped, such things do more Than He who made them! What consoles but this? That they, unless through Him, do nought at all, And must submit: what other use in things? 'Hath cut a pipe of pithless elder-joint That, blown through, gives exact the scream o' the jay When from her wing you twitch the feathers blue: Sound this, and little birds that hate the jay Flock within stone's throw, glad their foe is hurt: Put case such pipe could prattle and boast forsooth "I catch the birds, I am the crafty thing, I make the cry my maker cannot make With his great round mouth; he must blow through mine!' Would not I smash it with my foot? So He. But wherefore rough, why cold and ill at ease? Aha, that is a question! Ask, for that, What knows,—the something over Setebos That made Him, or He, may be, found and fought, Worsted, drove off and did to nothing, perchance. There may be something quiet o'er His head, Out of His reach, that feels nor joy nor grief, Since both derive from weakness in some way. I joy because the quails come; would not joy Could I bring quails here when I have a mind: This Quiet, all it hath a mind to, doth. 'Esteemeth stars the outposts of its couch, But never spends much thought nor care that way. It may look up, work up,—the worse for those It works on! 'Careth but for Setebos The many-handed as a cuttle-fish, Who, making Himself feared through what He does, Looks up, first, and perceives he cannot soar To what is quiet and hath happy life; Next looks down here, and out of very spite Makes this a bauble-world to ape yon real, These good things to match those as hips do grapes. 'Tis solace making baubles, ay, and sport. Himself peeped late, eyed Prosper at his books Careless and lofty, lord now of the isle: Vexed, 'stitched a book of broad leaves, arrow-shaped, Wrote thereon, he knows what, prodigious words; Has peeled a wand and called it by a name; Weareth at whiles for an enchanter's robe The eyed skin of a supple oncelot; And hath an ounce sleeker than youngling mole, A four-legged serpent he makes cower and couch, Now snarl, now hold its breath and mind his eye, And saith she is Miranda and my wife: 'Keeps for his Ariel a tall pouch-bill crane He bids go wade for fish and straight disgorge; Also a sea-beast, lumpish, which he snared, Blinded the eyes of, and brought somewhat tame, And split its toe-webs, and now pens the drudge In a hole o' the rock and calls him Caliban; A bitter heart that bides its time and bites. 'Plays thus at being Prosper in a way, Taketh his mirth with make-believes: so He. His dam held that the Quiet made all things Which Setebos vexed only: 'holds not so. Who made them weak, meant weakness He might vex. Had He meant other, while His hand was in, Why not make horny eyes no thorn could prick, Or plate my scalp with bone against the snow, Or overscale my flesh 'neath joint and joint Like an orc's armour? Ay,—so spoil His sport! He is the One now: only He doth all. 'Saith, He may like, perchance, what profits Him. Ay, himself loves what does him good; but why? 'Gets good no otherwise. This blinded beast Loves whoso places flesh-meat on his nose, But, had he eyes, would want no help, but hate Or love, just as it liked him: He hath eyes. Also it pleaseth Setebos to work, Use all His hands, and exercise much craft, By no means for the love of what is worked. 'Tasteth, himself, no finer good i' the world When all goes right, in this safe summer-time, And he wants little, hungers, aches not much, Than trying what to do with wit and strength. 'Falls to make something: 'piled yon pile of turfs, And squared and stuck there squares of soft white chalk, And, with a fish-tooth, scratched a moon on each, And set up endwise certain spikes of tree, And crowned the whole with a sloth's skull a-top, Found dead i' the woods, too hard for one to kill. No use at all i' the work, for work's sole sake; 'Shall some day knock it down again: so He. 'Saith He is terrible: watch His feats in proof! One hurricane will spoil six good months' hope. He hath a spite against me, that I know, Just as He favours Prosper, who knows why? So it is, all the same, as well I find. 'Wove wattles half the winter, fenced them firm With stone and stake to stop she-tortoises Crawling to lay their eggs here: well, one wave, Feeling the foot of Him upon its neck, Gaped as a snake does, lolled out its large tongue, And licked the whole labour flat: so much for spite. 'Saw a ball flame down late (yonder it lies) Where, half an hour before, I slept i' the shade: Often they scatter sparkles: there is force! 'Dug up a newt He may have envied once And turned to stone, shut up Inside a stone. Please Him and hinder this?—What Prosper does? Aha, if He would tell me how! Not He! There is the sport: discover how or die! All need not die, for of the things o' the isle Some flee afar, some dive, some run up trees; Those at His mercy,—why, they please Him most When . . . when . . . well, never try the same way twice! Repeat what act has pleased, He may grow wroth. You must not know His ways, and play Him off, Sure of the issue. 'Doth the like himself: 'Spareth a squirrel that it nothing fears But steals the nut from underneath my thumb, And when I threat, bites stoutly in defence: 'Spareth an urchin that contrariwise, Curls up into a ball, pretending death For fright at my approach: the two ways please. But what would move my choler more than this, That either creature counted on its life To-morrow and next day and all days to come, Saying, forsooth, in the inmost of its heart, "Because he did so yesterday with me, And otherwise with such another brute, So must he do henceforth and always."—Ay? Would teach the reasoning couple what "must" means! 'Doth as he likes, or wherefore Lord? So He. 'Conceiveth all things will continue thus, And we shall have to live in fear of Him So long as He lives, keeps His strength: no change, If He have done His best, make no new world To please Him more, so leave off watching this,— If He surprise not even the Quiet's self Some strange day,—or, suppose, grow into it As grubs grow butterflies: else, here are we, And there is He, and nowhere help at all. 'Believeth with the life, the pain shall stop. His dam held different, that after death He both plagued enemies and feasted friends: Idly! He doth His worst in this our life, Giving just respite lest we die through pain, Saving last pain for worst,—with which, an end. Meanwhile, the best way to escape His ire Is, not to seem too happy. 'Sees, himself, Yonder two flies, with purple films and pink, Bask on the pompion-bell above: kills both. 'Sees two black painful beetles roll their ball On head and tail as if to save their lives: Moves them the stick away they strive to clear. Even so, 'would have Him misconceive, suppose This Caliban strives hard and ails no less, And always, above all else, envies Him; Wherefore he mainly dances on dark nights, Moans in the sun, gets under holes to laugh, And never speaks his mind save housed as now: Outside, 'groans, curses. If He caught me here, O'erheard this speech, and asked "What chucklest at?" 'Would, to appease Him, cut a finger off, Or of my three kid yearlings burn the best, Or let the toothsome apples rot on tree, Or push my tame beast for the orc to taste: While myself lit a fire, and made a song And sung it, "What I hate, be consecrate To celebrate Thee and Thy state, no mate For Thee; what see for envy in poor me?" Hoping the while, since evils sometimes mend, Warts rub away and sores are cured with slime, That some strange day, will either the Quiet catch And conquer Setebos, or likelier He Decrepit may doze, doze, as good as die. [What, what? A curtain o'er the world at once! Crickets stop hissing: not a bird—or, yes, There scuds His raven that has told Him all! It was fool's play, this prattling! Ha! The wind Shoulders the pillared dust, death's house o' the move, And fast invading fires begin! White blaze— A tree's head snaps—and there, there, there, there, there, His thunder follows! Fool to gibe at Him! Lo! 'Lieth flat and loveth Setebos! 'Maketh his teeth meet through his upper lip, Will let those quails fly, will not eat this month One little mess of whelks, so he may 'scape!]

This Lime-tree Bower my Prison Related Poem SAMUEL TAYLOR COLERIDGE 19th Century

[Addressed to Charles Lamb, of the India House, London] Well, they are gone, and here must I remain, This lime-tree bower my prison! I have lost Beauties and feelings, such as would have been Most sweet to my remembrance even when age Had dimm'd mine eyes to blindness! They, meanwhile, Friends, whom I never more may meet again, On springy heath, along the hill-top edge, Wander in gladness, and wind down, perchance, To that still roaring dell, of which I told; The roaring dell, o'erwooded, narrow, deep, And only speckled by the mid-day sun; Where its slim trunk the ash from rock to rock Flings arching like a bridge;—that branchless ash, Unsunn'd and damp, whose few poor yellow leaves Ne'er tremble in the gale, yet tremble still, Fann'd by the water-fall! and there my friends Behold the dark green file of long lank weeds, That all at once (a most fantastic sight!) Still nod and drip beneath the dripping edge Of the blue clay-stone. Now, my friends emerge Beneath the wide wide Heaven—and view again The many-steepled tract magnificent Of hilly fields and meadows, and the sea, With some fair bark, perhaps, whose sails light up The slip of smooth clear blue betwixt two Isles Of purple shadow! Yes! they wander on In gladness all; but thou, methinks, most glad, My gentle-hearted Charles! for thou hast pined And hunger'd after Nature, many a year, In the great City pent, winning thy way With sad yet patient soul, through evil and pain And strange calamity! Ah! slowly sink Behind the western ridge, thou glorious Sun! Shine in the slant beams of the sinking orb, Ye purple heath-flowers! richlier burn, ye clouds! Live in the yellow light, ye distant groves! And kindle, thou blue Ocean! So my friend Struck with deep joy may stand, as I have stood, Silent with swimming sense; yea, gazing round On the wide landscape, gaze till all doth seem Less gross than bodily; and of such hues As veil the Almighty Spirit, when yet he makes Spirits perceive his presence. A delight Comes sudden on my heart, and I am glad As I myself were there! Nor in this bower, This little lime-tree bower, have I not mark'd Much that has sooth'd me. Pale beneath the blaze Hung the transparent foliage; and I watch'd Some broad and sunny leaf, and lov'd to see The shadow of the leaf and stem above Dappling its sunshine! And that walnut-tree Was richly ting'd, and a deep radiance lay Full on the ancient ivy, which usurps Those fronting elms, and now, with blackest mass Makes their dark branches gleam a lighter hue Through the late twilight: and though now the bat Wheels silent by, and not a swallow twitters, Yet still the solitary humble-bee Sings in the bean-flower! Henceforth I shall know That Nature ne'er deserts the wise and pure; No plot so narrow, be but Nature there, No waste so vacant, but may well employ Each faculty of sense, and keep the heart Awake to Love and Beauty! and sometimes 'Tis well to be bereft of promis'd good, That we may lift the soul, and contemplate With lively joy the joys we cannot share. My gentle-hearted Charles! when the last rook Beat its straight path along the dusky air Homewards, I blest it! deeming its black wing (Now a dim speck, now vanishing in light) Had cross'd the mighty Orb's dilated glory, While thou stood'st gazing; or, when all was still, Flew creeking o'er thy head, and had a charm For thee, my gentle-hearted Charles, to whom No sound is dissonant which tells of Life.

Lord Tennyson 19th Century

Maud

The Sick Rose William Blake 18th Century

O Rose thou art sick. The invisible worm, That flies in the night In the howling storm: Has found out thy bed Of crimson joy: And his dark secret love Does thy life destroy.

The Lady of Shallot Lord Tennyson 19th Century

Part I On either side the river lie Long fields of barley and of rye, That clothe the wold and meet the sky; And thro' the field the road runs by To many-tower'd Camelot; The yellow-leaved waterlily The green-sheathed daffodilly Tremble in the water chilly Round about Shalott. Willows whiten, aspens shiver. The sunbeam showers break and quiver In the stream that runneth ever By the island in the river Flowing down to Camelot. Four gray walls, and four gray towers Overlook a space of flowers, And the silent isle imbowers The Lady of Shalott. Underneath the bearded barley, The reaper, reaping late and early, Hears her ever chanting cheerly, Like an angel, singing clearly, O'er the stream of Camelot. Piling the sheaves in furrows airy, Beneath the moon, the reaper weary Listening whispers, ' 'Tis the fairy, Lady of Shalott.' The little isle is all inrail'd With a rose-fence, and overtrail'd With roses: by the marge unhail'd The shallop flitteth silken sail'd, Skimming down to Camelot. A pearl garland winds her head: She leaneth on a velvet bed, Full royally apparelled, The Lady of Shalott. Part II No time hath she to sport and play: A charmed web she weaves alway. A curse is on her, if she stay Her weaving, either night or day, To look down to Camelot. She knows not what the curse may be; Therefore she weaveth steadily, Therefore no other care hath she, The Lady of Shalott. She lives with little joy or fear. Over the water, running near, The sheepbell tinkles in her ear. Before her hangs a mirror clear, Reflecting tower'd Camelot. And as the mazy web she whirls, She sees the surly village churls, And the red cloaks of market girls Pass onward from Shalott. Sometimes a troop of damsels glad, An abbot on an ambling pad, Sometimes a curly shepherd lad, Or long-hair'd page in crimson clad, Goes by to tower'd Camelot: And sometimes thro' the mirror blue The knights come riding two and two: She hath no loyal knight and true, The Lady of Shalott. But in her web she still delights To weave the mirror's magic sights, For often thro' the silent nights A funeral, with plumes and lights And music, came from Camelot: Or when the moon was overhead Came two young lovers lately wed; 'I am half sick of shadows,' said The Lady of Shalott. Part III A bow-shot from her bower-eaves, He rode between the barley-sheaves, The sun came dazzling thro' the leaves, And flam'd upon the brazen greaves Of bold Sir Lancelot. A red-cross knight for ever kneel'd To a lady in his shield, That sparkled on the yellow field, Beside remote Shalott. The gemmy bridle glitter'd free, Like to some branch of stars we see Hung in the golden Galaxy. The bridle bells rang merrily As he rode down from Camelot: And from his blazon'd baldric slung A mighty silver bugle hung, And as he rode his armour rung, Beside remote Shalott. All in the blue unclouded weather Thick-jewell'd shone the saddle-leather, The helmet and the helmet-feather Burn'd like one burning flame together, As he rode down from Camelot. As often thro' the purple night, Below the starry clusters bright, Some bearded meteor, trailing light, Moves over green Shalott. His broad clear brow in sunlight glow'd; On burnish'd hooves his war-horse trode; From underneath his helmet flow'd His coal-black curls as on he rode, As he rode down from Camelot. From the bank and from the river He flash'd into the crystal mirror, 'Tirra lirra, tirra lirra:' Sang Sir Lancelot. She left the web, she left the loom She made three paces thro' the room She saw the water-flower bloom, She saw the helmet and the plume, She look'd down to Camelot. Out flew the web and floated wide; The mirror crack'd from side to side; 'The curse is come upon me,' cried The Lady of Shalott. Part IV In the stormy east-wind straining, The pale yellow woods were waning, The broad stream in his banks complaining, Heavily the low sky raining Over tower'd Camelot; Outside the isle a shallow boat Beneath a willow lay afloat, Below the carven stern she wrote, The Lady of Shalott. A cloudwhite crown of pearl she dight, All raimented in snowy white That loosely flew (her zone in sight Clasp'd with one blinding diamond bright) Her wide eyes fix'd on Camelot, Though the squally east-wind keenly Blew, with folded arms serenely By the water stood the queenly Lady of Shalott. With a steady stony glance— Like some bold seer in a trance, Beholding all his own mischance, Mute, with a glassy countenance— She look'd down to Camelot. It was the closing of the day: She loos'd the chain, and down she lay; The broad stream bore her far away, The Lady of Shalott. As when to sailors while they roam, By creeks and outfalls far from home, Rising and dropping with the foam, From dying swans wild warblings come, Blown shoreward; so to Camelot Still as the boathead wound along The willowy hills and fields among, They heard her chanting her deathsong, The Lady of Shalott. A longdrawn carol, mournful, holy, She chanted loudly, chanted lowly, Till her eyes were darken'd wholly, And her smooth face sharpen'd slowly, Turn'd to tower'd Camelot: For ere she reach'd upon the tide The first house by the water-side, Singing in her song she died, The Lady of Shalott. Under tower and balcony, By garden wall and gallery, A pale, pale corpse she floated by, Deadcold, between the houses high, Dead into tower'd Camelot. Knight and burgher, lord and dame, To the planked wharfage came: Below the stern they read her name, The Lady of Shalott. They cross'd themselves, their stars they blest, Knight, minstrel, abbot, squire, and guest. There lay a parchment on her breast, That puzzled more than all the rest, The wellfed wits at Camelot. 'The web was woven curiously, The charm is broken utterly, Draw near and fear not,—this is I, The Lady of Shalott.'

Hymn to Intellectual Beauty Percy Bysshe Shelley 19th Century

The awful shadow of some unseen Power Floats though unseen among us; visiting This various world with as inconstant wing As summer winds that creep from flower to flower; Like moonbeams that behind some piny mountain shower, It visits with inconstant glance Each human heart and countenance; Like hues and harmonies of evening, Like clouds in starlight widely spread, Like memory of music fled, Like aught that for its grace may be Dear, and yet dearer for its mystery. Spirit of BEAUTY, that dost consecrate With thine own hues all thou dost shine upon Of human thought or form, where art thou gone? Why dost thou pass away and leave our state, This dim vast vale of tears, vacant and desolate? Ask why the sunlight not for ever Weaves rainbows o'er yon mountain-river, Why aught should fail and fade that once is shown, Why fear and dream and death and birth Cast on the daylight of this earth Such gloom, why man has such a scope For love and hate, despondency and hope? No voice from some sublimer world hath ever To sage or poet these responses given: Therefore the names of Demon, Ghost, and Heaven, Remain the records of their vain endeavour: Frail spells whose utter'd charm might not avail to sever, From all we hear and all we see, Doubt, chance and mutability. Thy light alone like mist o'er mountains driven, Or music by the night-wind sent Through strings of some still instrument, Or moonlight on a midnight stream, Gives grace and truth to life's unquiet dream. Love, Hope, and Self-esteem, like clouds depart And come, for some uncertain moments lent. Man were immortal and omnipotent, Didst thou, unknown and awful as thou art, Keep with thy glorious train firm state within his heart. Thou messenger of sympathies, That wax and wane in lovers' eyes; Thou, that to human thought art nourishment, Like darkness to a dying flame! Depart not as thy shadow came, Depart not—lest the grave should be, Like life and fear, a dark reality. While yet a boy I sought for ghosts, and sped Through many a listening chamber, cave and ruin, And starlight wood, with fearful steps pursuing Hopes of high talk with the departed dead. I call'd on poisonous names with which our youth is fed; I was not heard; I saw them not; When musing deeply on the lot Of life, at that sweet time when winds are wooing All vital things that wake to bring News of birds and blossoming, Sudden, thy shadow fell on me; I shriek'd, and clasp'd my hands in ecstasy! I vow'd that I would dedicate my powers To thee and thine: have I not kept the vow? With beating heart and streaming eyes, even now I call the phantoms of a thousand hours Each from his voiceless grave: they have in vision'd bowers Of studious zeal or love's delight Outwatch'd with me the envious night: They know that never joy illum'd my brow Unlink'd with hope that thou wouldst free This world from its dark slavery, That thou, O awful LOVELINESS, Wouldst give whate'er these words cannot express. The day becomes more solemn and serene When noon is past; there is a harmony In autumn, and a lustre in its sky, Which through the summer is not heard or seen, As if it could not be, as if it had not been! Thus let thy power, which like the truth Of nature on my passive youth Descended, to my onward life supply Its calm, to one who worships thee, And every form containing thee, Whom, SPIRIT fair, thy spells did bind To fear himself, and love all human kind.

The Chimney Sweeper William Blake 18th century

A little black thing among the snow, Crying "weep! 'weep!" in notes of woe! "Where are thy father and mother? say?" "They are both gone up to the church to pray. Because I was happy upon the heath, And smil'd among the winter's snow, They clothed me in the clothes of death, And taught me to sing the notes of woe. And because I am happy and dance and sing, They think they have done me no injury, And are gone to praise God and his Priest and King, Who make up a heaven of our misery."

As Kingfishers catch fire Gerard Manley Hopkins 19th Century

As kingfishers catch fire, dragonflies draw flame; As tumbled over rim in roundy wells Stones ring; like each tucked string tells, each hung bell's Bow swung finds tongue to fling out broad its name; Each mortal thing does one thing and the same: Deals out that being indoors each one dwells; Selves — goes itself; myself it speaks and spells, Crying Whát I dó is me: for that I came. I say móre: the just man justices; Keeps grace: thát keeps all his goings graces; Acts in God's eye what in God's eye he is — Chríst — for Christ plays in ten thousand places, Lovely in limbs, and lovely in eyes not his To the Father through the features of men's faces.

Sonnet To Sleep Charlotte Smith 18th Century

COME, balmy Sleep! tired nature's soft resort! On these sad temples all thy poppies shed; And bid gay dreams, from Morpheus' airy court, Float in light vision round my aching head! Secure of all thy blessings, partial Power! On his hard bed the peasant throws him down; And the poor sea-boy, in the rudest hour, Enjoys thee more than he who wears a crown. Clasp'd in her faithful shepherd's guardian arms, Well may the village girl sweet slumbers prove; And they, O gentle Sleep! still taste thy charms, Who wake to labour, liberty, and love. But still thy opiate aid dost thou deny To calm the anxious breast; to close the streaming eye.

To a Skylark Percy Bysshe Shelley 19th Century

Hail to thee, blithe Spirit! Bird thou never wert, That from Heaven, or near it, Pourest thy full heart In profuse strains of unpremeditated art. Higher still and higher From the earth thou springest Like a cloud of fire; The blue deep thou wingest, And singing still dost soar, and soaring ever singest. In the golden lightning Of the sunken sun, O'er which clouds are bright'ning, Thou dost float and run; Like an unbodied joy whose race is just begun. The pale purple even Melts around thy flight; Like a star of Heaven, In the broad day-light Thou art unseen, but yet I hear thy shrill delight, Keen as are the arrows Of that silver sphere, Whose intense lamp narrows In the white dawn clear Until we hardly see, we feel that it is there. All the earth and air With thy voice is loud, As, when night is bare, From one lonely cloud The moon rains out her beams, and Heaven is overflow'd. What thou art we know not; What is most like thee? From rainbow clouds there flow not Drops so bright to see As from thy presence showers a rain of melody. Like a Poet hidden In the light of thought, Singing hymns unbidden, Till the world is wrought To sympathy with hopes and fears it heeded not: Like a high-born maiden In a palace-tower, Soothing her love-laden Soul in secret hour With music sweet as love, which overflows her bower: Like a glow-worm golden In a dell of dew, Scattering unbeholden Its a{:e}real hue Among the flowers and grass, which screen it from the view: Like a rose embower'd In its own green leaves, By warm winds deflower'd, Till the scent it gives Makes faint with too much sweet those heavy-winged thieves: Sound of vernal showers On the twinkling grass, Rain-awaken'd flowers, All that ever was Joyous, and clear, and fresh, thy music doth surpass. Teach us, Sprite or Bird, What sweet thoughts are thine: I have never heard Praise of love or wine That panted forth a flood of rapture so divine. Chorus Hymeneal, Or triumphal chant, Match'd with thine would be all But an empty vaunt, A thing wherein we feel there is some hidden want. What objects are the fountains Of thy happy strain? What fields, or waves, or mountains? What shapes of sky or plain? What love of thine own kind? what ignorance of pain? With thy clear keen joyance Languor cannot be: Shadow of annoyance Never came near thee: Thou lovest: but ne'er knew love's sad satiety. Waking or asleep, Thou of death must deem Things more true and deep Than we mortals dream, Or how could thy notes flow in such a crystal stream? We look before and after, And pine for what is not: Our sincerest laughter With some pain is fraught; Our sweetest songs are those that tell of saddest thought. Yet if we could scorn Hate, and pride, and fear; If we were things born Not to shed a tear, I know not how thy joy we ever should come near. Better than all measures Of delightful sound, Better than all treasures That in books are found, Thy skill to poet were, thou scorner of the ground! Teach me half the gladness That thy brain must know, Such harmonious madness From my lips would flow The world should listen then, as I am listening now.

The Windhover Gerard Manley Hopkins 19th Century

I caught this morning morning's minion, king- dom of daylight's dauphin, dapple-dawn-drawn Falcon, in his riding Of the rolling level underneath him steady air, and striding High there, how he rung upon the rein of a wimpling wing In his ecstasy! then off, off forth on swing, As a skate's heel sweeps smooth on a bow-bend: the hurl and gliding Rebuffed the big wind. My heart in hiding Stirred for a bird, - the achieve of, the mastery of the thing! Brute beauty and valour and act, oh, air, pride, plume, here Buckle! AND the fire that breaks from thee then, a billion Times told lovelier, more dangerous, O my chevalier! No wonder of it: shéer plód makes plough down sillion Shine, and blue-bleak embers, ah my dear, Fall, gall themselves, and gash gold-vermilion.

Infant Joy William Blake 18th Century

I have no name I am but two days old.— What shall I call thee? I happy am Joy is my name,— Sweet joy befall thee! Pretty joy! Sweet joy but two days old, Sweet joy I call thee; Thou dost smile. I sing the while Sweet joy befall thee.

Ozymandias Percy Bysshe Shelley 19th century

I met a traveller from an antique land, Who said—"Two vast and trunkless legs of stone Stand in the desert. . . . Near them, on the sand, Half sunk a shattered visage lies, whose frown, And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read Which yet survive, stamped on these lifeless things, The hand that mocked them, and the heart that fed; And on the pedestal, these words appear: My name is Ozymandias, King of Kings; Look on my Works, ye Mighty, and despair! Nothing beside remains. Round the decay Of that colossal Wreck, boundless and bare The lone and level sands stretch far away."

Binsey Poplars Gerard Manley Hopkins 19th Century

My aspens dear, whose airy cages quelled, Quelled or quenched in leaves the leaping sun, All felled, felled, are all felled; Of a fresh and following folded rank Not spared, not one That dandled a sandalled Shadow that swam or sank On meadow & river & wind-wandering weed-winding bank. O if we but knew what we do When we delve or hew — Hack and rack the growing green! Since country is so tender To touch, her being só slender, That, like this sleek and seeing ball But a prick will make no eye at all, Where we, even where we mean To mend her we end her, When we hew or delve: After-comers cannot guess the beauty been. Ten or twelve, only ten or twelve Strokes of havoc unselve The sweet especial scene, Rural scene, a rural scene, Sweet especial rural scene.

The Little Black Boy William Blake 19th Century

My mother bore me in the southern wild, And I am black, but O! my soul is white; White as an angel is the English child: But I am black as if bereav'd of light. My mother taught me underneath a tree And sitting down before the heat of day, She took me on her lap and kissed me, And pointing to the east began to say. Look on the rising sun: there God does live And gives his light, and gives his heat away. And flowers and trees and beasts and men receive Comfort in morning joy in the noonday. And we are put on earth a little space, That we may learn to bear the beams of love, And these black bodies and this sun-burnt face Is but a cloud, and like a shady grove. For when our souls have learn'd the heat to bear The cloud will vanish we shall hear his voice. Saying: come out from the grove my love & care, And round my golden tent like lambs rejoice. Thus did my mother say and kissed me, And thus I say to little English boy. When I from black and he from white cloud free, And round the tent of God like lambs we joy: Ill shade him from the heat till he can bear, To lean in joy upon our fathers knee. And then I'll stand and stroke his silver hair, And be like him and he will then love me.

Infant Sorrow William Blake 18th Century

My mother groand! my father wept. Into the dangerous world I leapt: Helpless, naked, piping loud; Like a fiend hid in a cloud. Struggling in my fathers hands: Striving against my swaddling bands: Bound and weary I thought best To sulk upon my mothers breast.

On seeing the Elgin Marbles John Keats 19th Century

My spirit is too weak—mortality Weighs heavily on me like unwilling sleep, And each imagined pinnacle and steep Of godlike hardship tells me I must die Like a sick eagle looking at the sky. Yet 'tis a gentle luxury to weep That I have not the cloudy winds to keep Fresh for the opening of the morning's eye. Such dim-conceived glories of the brain Bring round the heart an undescribable feud; So do these wonders a most dizzy pain, That mingles Grecian grandeur with the rude Wasting of old time—with a billowy main— A sun—a shadow of a magnitude.

Ode on Melancholy John Keats 19th Century

No, no, go not to Lethe, neither twist Wolf's-bane, tight-rooted, for its poisonous wine; Nor suffer thy pale forehead to be kiss'd By nightshade, ruby grape of Proserpine; Make not your rosary of yew-berries, Nor let the beetle, nor the death-moth be Your mournful Psyche, nor the downy owl A partner in your sorrow's mysteries; For shade to shade will come too drowsily, And drown the wakeful anguish of the soul. But when the melancholy fit shall fall Sudden from heaven like a weeping cloud, That fosters the droop-headed flowers all, And hides the green hill in an April shroud; Then glut thy sorrow on a morning rose, Or on the rainbow of the salt sand-wave, Or on the wealth of globed peonies; Or if thy mistress some rich anger shows, Emprison her soft hand, and let her rave, And feed deep, deep upon her peerless eyes. She dwells with Beauty—Beauty that must die; And Joy, whose hand is ever at his lips Bidding adieu; and aching Pleasure nigh, Turning to poison while the bee-mouth sips: Ay, in the very temple of Delight Veil'd Melancholy has her sovran shrine, Though seen of none save him whose strenuous tongue Can burst Joy's grape against his palate fine; His soul shalt taste the sadness of her might, And be among her cloudy trophies hung.

On sitting down to Read King Lear Once Again John Keats 19th Century

O golden-tongued Romance with serene lute! Fair plumed Syren! Queen of far away! Leave melodizing on this wintry day, Shut up thine olden pages, and be mute: Adieu! for once again the fierce dispute, Betwixt damnation and impassion'd clay Must I burn through; once more humbly assay The bitter-sweet of this Shakespearian fruit. Chief Poet! and ye clouds of Albion, Begetters of our deep eternal theme, When through the old oak forest I am gone, Let me not wander in a barren dream, But when I am consumed in the fire, Give me new Phoenix wings to fly at my desire.

The Mouse's Petition Anna Letitia Barbauld 18th Century

OH ! hear a pensive captive's prayer, For liberty that sighs; And never let thine heart be shut Against the prisoner's cries. For here forlorn and sad I sit, Within the wiry grate; And tremble at th' approaching morn, Which brings impending fate. If e'er thy breast with freedom glow'd, And spurn'd a tyrant's chain, Let not thy strong oppressive force A free-born mouse detain. Oh ! do not stain with guiltless blood Thy hospitable hearth; Nor triumph that thy wiles betray'd A prize so little worth. The scatter'd gleanings of a feast My scanty meals supply; But if thine unrelenting heart That slender boon deny, The chearful light, the vital air, Are blessings widely given; Let nature's commoners enjoy The common gifts of heaven. The well taught philosophic mind To all compassion gives; Casts round the world an equal eye, And feels for all that lives. If mind, as ancient sages taught, A never dying flame, Still shifts thro' matter's varying forms, In every form the same, Beware, lest in the worm you crush A brother's soul you find; And tremble lest thy luckless hand Dislodge a kindred mind. Or, if this transient gleam of day Be all of life we share, Let pity plead within thy breast, That little all to spare. So may thy hospitable board With health and peace be crown'd; And every charm of heartfelt ease Beneath thy roof be found. So when unseen destruction lurks, Which men like mice may share, May some kind angel clear thy path, And break the hidden snare.

Christabel Samuel Coleridge 19th Century

PART I 'Tis the middle of night by the castle clock, And the owls have awakened the crowing cock; Tu—whit! Tu—whoo! And hark, again! the crowing cock, How drowsily it crew. Sir Leoline, the Baron rich, Hath a toothless mastiff bitch; From her kennel beneath the rock She maketh answer to the clock, Four for the quarters, and twelve for the hour; Ever and aye, by shine and shower, Sixteen short howls, not over loud; Some say, she sees my lady's shroud. Is the night chilly and dark? The night is chilly, but not dark. The thin gray cloud is spread on high, It covers but not hides the sky. The moon is behind, and at the full; And yet she looks both small and dull. The night is chill, the cloud is gray: 'Tis a month before the month of May, And the Spring comes slowly up this way. The lovely lady, Christabel, Whom her father loves so well, What makes her in the wood so late, A furlong from the castle gate? She had dreams all yesternight Of her own betrothèd knight; And she in the midnight wood will pray For the weal of her lover that's far away. She stole along, she nothing spoke, The sighs she heaved were soft and low, And naught was green upon the oak But moss and rarest misletoe: She kneels beneath the huge oak tree, And in silence prayeth she. The lady sprang up suddenly, The lovely lady Christabel! It moaned as near, as near can be, But what it is she cannot tell.— On the other side it seems to be, Of the huge, broad-breasted, old oak tree. The night is chill; the forest bare; Is it the wind that moaneth bleak? There is not wind enough in the air To move away the ringlet curl From the lovely lady's cheek— There is not wind enough to twirl The one red leaf, the last of its clan, That dances as often as dance it can, Hanging so light, and hanging so high, On the topmost twig that looks up at the sky. Hush, beating heart of Christabel! Jesu, Maria, shield her well! She folded her arms beneath her cloak, And stole to the other side of the oak. What sees she there? There she sees a damsel bright, Drest in a silken robe of white, That shadowy in the moonlight shone: The neck that made that white robe wan, Her stately neck, and arms were bare; Her blue-veined feet unsandl'd were, And wildly glittered here and there The gems entangled in her hair. I guess, 'twas frightful there to see A lady so richly clad as she— Beautiful exceedingly! Mary mother, save me now! (Said Christabel) And who art thou? The lady strange made answer meet, And her voice was faint and sweet:— Have pity on my sore distress, I scarce can speak for weariness: Stretch forth thy hand, and have no fear! Said Christabel, How camest thou here? And the lady, whose voice was faint and sweet, Did thus pursue her answer meet:— My sire is of a noble line, And my name is Geraldine: Five warriors seized me yestermorn, Me, even me, a maid forlorn: They choked my cries with force and fright, And tied me on a palfrey white. The palfrey was as fleet as wind, And they rode furiously behind. They spurred amain, their steeds were white: And once we crossed the shade of night. As sure as Heaven shall rescue me, I have no thought what men they be; Nor do I know how long it is (For I have lain entranced I wis) Since one, the tallest of the five, Took me from the palfrey's back, A weary woman, scarce alive. Some muttered words his comrades spoke: He placed me underneath this oak; He swore they would return with haste; Whither they went I cannot tell— I thought I heard, some minutes past, Sounds as of a castle bell. Stretch forth thy hand (thus ended she). And help a wretched maid to flee. Then Christabel stretched forth her hand, And comforted fair Geraldine: O well, bright dame! may you command The service of Sir Leoline; And gladly our stout chivalry Will he send forth and friends withal To guide and guard you safe and free Home to your noble father's hall. She rose: and forth with steps they passed That strove to be, and were not, fast. Her gracious stars the lady blest, And thus spake on sweet Christabel: All our household are at rest, The hall as silent as the cell; Sir Leoline is weak in health, And may not well awakened be, But we will move as if in stealth, And I beseech your courtesy, This night, to share your couch with me. They crossed the moat, and Christabel Took the key that fitted well; A little door she opened straight, All in the middle of the gate; The gate that was ironed within and without, Where an army in battle array had marched out. The lady sank, belike through pain, And Christabel with might and main Lifted her up, a weary weight, Over the threshold of the gate: Then the lady rose again, And moved, as she were not in pain. So free from danger, free from fear, They crossed the court: right glad they were. And Christabel devoutly cried To the lady by her side, Praise we the Virgin all divine Who hath rescued thee from thy distress! Alas, alas! said Geraldine, I cannot speak for weariness. So free from danger, free from fear, They crossed the court: right glad they were. Outside her kennel, the mastiff old Lay fast asleep, in moonshine cold. The mastiff old did not awake, Yet she an angry moan did make! And what can ail the mastiff bitch? Never till now she uttered yell Beneath the eye of Christabel. Perhaps it is the owlet's scritch: For what can ail the mastiff bitch? They passed the hall, that echoes still, Pass as lightly as you will! The brands were flat, the brands were dying, Amid their own white ashes lying; But when the lady passed, there came A tongue of light, a fit of flame; And Christabel saw the lady's eye, And nothing else saw she thereby, Save the boss of the shield of Sir Leoline tall, Which hung in a murky old niche in the wall. O softly tread, said Christabel, My father seldom sleepeth well. Sweet Christabel her feet doth bare, And jealous of the listening air They steal their way from stair to stair, Now in glimmer, and now in gloom, And now they pass the Baron's room, As still as death, with stifled breath! And now have reached her chamber door; And now doth Geraldine press down The rushes of the chamber floor. The moon shines dim in the open air, And not a moonbeam enters here. But they without its light can see The chamber carved so curiously, Carved with figures strange and sweet, All made out of the carver's brain, For a lady's chamber meet: The lamp with twofold silver chain Is fastened to an angel's feet. The silver lamp burns dead and dim; But Christabel the lamp will trim. She trimmed the lamp, and made it bright, And left it swinging to and fro, While Geraldine, in wretched plight, Sank down upon the floor below. O weary lady, Geraldine, I pray you, drink this cordial wine! It is a wine of virtuous powers; My mother made it of wild flowers. And will your mother pity me, Who am a maiden most forlorn? Christabel answered—Woe is me! She died the hour that I was born. I have heard the grey-haired friar tell How on her death-bed she did say, That she should hear the castle-bell Strike twelve upon my wedding-day. O mother dear! that thou wert here! I would, said Geraldine, she were! But soon with altered voice, said she— 'Off, wandering mother! Peak and pine! I have power to bid thee flee.' Alas! what ails poor Geraldine? Why stares she with unsettled eye? Can she the bodiless dead espy? And why with hollow voice cries she, 'Off, woman, off! this hour is mine— Though thou her guardian spirit be, Off, woman, off! 'tis given to me.' Then Christabel knelt by the lady's side, And raised to heaven her eyes so blue— Alas! said she, this ghastly ride— Dear lady! it hath wildered you! The lady wiped her moist cold brow, And faintly said, ' 'tis over now!' Again the wild-flower wine she drank: Her fair large eyes 'gan glitter bright, And from the floor whereon she sank, The lofty lady stood upright: She was most beautiful to see, Like a lady of a far countrèe. And thus the lofty lady spake— 'All they who live in the upper sky, Do love you, holy Christabel! And you love them, and for their sake And for the good which me befel, Even I in my degree will try, Fair maiden, to requite you well. But now unrobe yourself; for I Must pray, ere yet in bed I lie.' Quoth Christabel, So let it be! And as the lady bade, did she. Her gentle limbs did she undress, And lay down in her loveliness. But through her brain of weal and woe So many thoughts moved to and fro, That vain it were her lids to close; So half-way from the bed she rose, And on her elbow did recline To look at the lady Geraldine. Beneath the lamp the lady bowed, And slowly rolled her eyes around; Then drawing in her breath aloud, Like one that shuddered, she unbound The cincture from beneath her breast: Her silken robe, and inner vest, Dropt to her feet, and full in view, Behold! her bosom and half her side— A sight to dream of, not to tell! O shield her! shield sweet Christabel! Yet Geraldine nor speaks nor stirs; Ah! what a stricken look was hers! Deep from within she seems half-way To lift some weight with sick assay, And eyes the maid and seeks delay; Then suddenly, as one defied, Collects herself in scorn and pride, And lay down by the Maiden's side!— And in her arms the maid she took, Ah wel-a-day! And with low voice and doleful look These words did say: 'In the touch of this bosom there worketh a spell, Which is lord of thy utterance, Christabel! Thou knowest to-night, and wilt know to-morrow, This mark of my shame, this seal of my sorrow; But vainly thou warrest, For this is alone in Thy power to declare, That in the dim forest Thou heard'st a low moaning, And found'st a bright lady, surpassingly fair; And didst bring her home with thee in love and in charity, To shield her and shelter her from the damp air.' THE CONCLUSION TO PART I It was a lovely sight to see The lady Christabel, when she Was praying at the old oak tree. Amid the jaggèd shadows Of mossy leafless boughs, Kneeling in the moonlight, To make her gentle vows; Her slender palms together prest, Heaving sometimes on her breast; Her face resigned to bliss or bale— Her face, oh call it fair not pale, And both blue eyes more bright than clear, Each about to have a tear. With open eyes (ah woe is me!) Asleep, and dreaming fearfully, Fearfully dreaming, yet, I wis, Dreaming that alone, which is— O sorrow and shame! Can this be she, The lady, who knelt at the old oak tree? And lo! the worker of these harms, That holds the maiden in her arms, Seems to slumber still and mild, As a mother with her child. A star hath set, a star hath risen, O Geraldine! since arms of thine Have been the lovely lady's prison. O Geraldine! one hour was thine— Thou'st had thy will! By tairn and rill, The night-birds all that hour were still. But now they are jubilant anew, From cliffand tower, tu—whoo! tu—whoo! Tu—whoo! tu—whoo! from wood and fell! And see! the lady Christabel Gathers herself from out her trance; Her limbs relax, her countenance Grows sad and soft; the smooth thin lids Close o'er her eyes; and tears she sheds— Large tears that leave the lashes bright! And oft the while she seems to smile As infants at a sudden light! Yea, she doth smile, and she doth weep, Like a youthful hermitess, Beauteous in a wilderness, Who, praying always, prays in sleep. And, if she move unquietly, Perchance, 'tis but the blood so free Comes back and tingles in her feet. No doubt, she hath a vision sweet. What if her guardian spirit 'twere, What if she knew her mother near? But this she knows, in joys and woes, That saints will aid if men will call: For the blue sky bends over all! PART II Each matin bell, the Baron saith, Knells us back to a world of death. These words Sir Leoline first said, When he rose and found his lady dead: These words Sir Leoline will say Many a morn to his dying day! And hence the custom and law began That still at dawn the sacristan, Who duly pulls the heavy bell, Five and forty beads must tell Between each stroke—a warning knell, Which not a soul can choose but hear From Bratha Head to Wyndermere. Saith Bracy the bard, So let it knell! And let the drowsy sacristan Still count as slowly as he can! There is no lack of such, I ween, As well fill up the space between. In Langdale Pike and Witch's Lair, And Dungeon-ghyll so foully rent, With ropes of rock and bells of air Three sinful sextons' ghosts are pent, Who all give back, one after t'other, The death-note to their living brother; And oft too, by the knell offended, Just as their one! two! three! is ended, The devil mocks the doleful tale With a merry peal from Borodale. The air is still! through mist and cloud That merry peal comes ringing loud; And Geraldine shakes off her dread, And rises lightly from the bed; Puts on her silken vestments white, And tricks her hair in lovely plight, And nothing doubting of her spell Awakens the lady Christabel. 'Sleep you, sweet lady Christabel? I trust that you have rested well.' And Christabel awoke and spied The same who lay down by her side— O rather say, the same whom she Raised up beneath the old oak tree! Nay, fairer yet! and yet more fair! For she belike hath drunken deep Of all the blessedness of sleep! And while she spake, her looks, her air Such gentle thankfulness declare, That (so it seemed) her girded vests Grew tight beneath her heaving breasts. 'Sure I have sinn'd!' said Christabel, 'Now heaven be praised if all be well!' And in low faltering tones, yet sweet, Did she the lofty lady greet With such perplexity of mind As dreams too lively leave behind. So quickly she rose, and quickly arrayed Her maiden limbs, and having prayed That He, who on the cross did groan, Might wash away her sins unknown, She forthwith led fair Geraldine To meet her sire, Sir Leoline. The lovely maid and the lady tall Are pacing both into the hall, And pacing on through page and groom, Enter the Baron's presence-room. The Baron rose, and while he prest His gentle daughter to his breast, With cheerful wonder in his eyes The lady Geraldine espies, And gave such welcome to the same, As might beseem so bright a dame! But when he heard the lady's tale, And when she told her father's name, Why waxed Sir Leoline so pale, Murmuring o'er the name again, Lord Roland de Vaux of Tryermaine? Alas! they had been friends in youth; But whispering tongues can poison truth; And constancy lives in realms above; And life is thorny; and youth is vain; And to be wroth with one we love Doth work like madness in the brain. And thus it chanced, as I divine, With Roland and Sir Leoline. Each spake words of high disdain And insult to his heart's best brother: They parted—ne'er to meet again! But never either found another To free the hollow heart from paining— They stood aloof, the scars remaining, Like cliffs which had been rent asunder; A dreary sea now flows between;— But neither heat, nor frost, nor thunder, Shall wholly do away, I ween, The marks of that which once hath been. Sir Leoline, a moment's space, Stood gazing on the damsel's face: And the youthful Lord of Tryermaine Came back upon his heart again. O then the Baron forgot his age, His noble heart swelled high with rage; He swore by the wounds in Jesu's side He would proclaim it far and wide, With trump and solemn heraldry, That they, who thus had wronged the dame, Were base as spotted infamy! 'And if they dare deny the same, My herald shall appoint a week, And let the recreant traitors seek My tourney court—that there and then I may dislodge their reptile souls From the bodies and forms of men!' He spake: his eye in lightning rolls! For the lady was ruthlessly seized; and he kenned In the beautiful lady the child of his friend! And now the tears were on his face, And fondly in his arms he took Fair Geraldine, who met the embrace, Prolonging it with joyous look. Which when she viewed, a vision fell Upon the soul of Christabel, The vision of fear, the touch and pain! She shrunk and shuddered, and saw again— (Ah, woe is me! Was it for thee, Thou gentle maid! such sights to see?) Again she saw that bosom old, Again she felt that bosom cold, And drew in her breath with a hissing sound: Whereat the Knight turned wildly round, And nothing saw, but his own sweet maid With eyes upraised, as one that prayed. The touch, the sight, had passed away, And in its stead that vision blest, Which comforted her after-rest While in the lady's arms she lay, Had put a rapture in her breast, And on her lips and o'er her eyes Spread smiles like light! With new surprise, 'What ails then my belovèd child? The Baron said—His daughter mild Made answer, 'All will yet be well!' I ween, she had no power to tell Aught else: so mighty was the spell. Yet he, who saw this Geraldine, Had deemed her sure a thing divine: Such sorrow with such grace she blended, As if she feared she had offended Sweet Christabel, that gentle maid! And with such lowly tones she prayed She might be sent without delay Home to her father's mansion. 'Nay! Nay, by my soul!' said Leoline. 'Ho! Bracy the bard, the charge be thine! Go thou, with sweet music and loud, And take two steeds with trappings proud, And take the youth whom thou lov'st best To bear thy harp, and learn thy song, And clothe you both in solemn vest, And over the mountains haste along, Lest wandering folk, that are abroad, Detain you on the valley road. 'And when he has crossed the Irthing flood, My merry bard! he hastes, he hastes Up Knorren Moor, through Halegarth Wood, And reaches soon that castle good Which stands and threatens Scotland's wastes. 'Bard Bracy! bard Bracy! your horses are fleet, Ye must ride up the hall, your music so sweet, More loud than your horses' echoing feet! And loud and loud to Lord Roland call, Thy daughter is safe in Langdale hall! Thy beautiful daughter is safe and free— Sir Leoline greets thee thus through me! He bids thee come without delay With all thy numerous array And take thy lovely daughter home: And he will meet thee on the way With all his numerous array White with their panting palfreys' foam: And, by mine honour! I will say, That I repent me of the day When I spake words of fierce disdain To Roland de Vaux of Tryermaine!— —For since that evil hour hath flown, Many a summer's sun hath shone; Yet ne'er found I a friend again Like Roland de Vaux of Tryermaine. The lady fell, and clasped his knees, Her face upraised, her eyes o'erflowing; And Bracy replied, with faltering voice, His gracious Hail on all bestowing!— 'Thy words, thou sire of Christabel, Are sweeter than my harp can tell; Yet might I gain a boon of thee, This day my journey should not be, So strange a dream hath come to me, That I had vowed with music loud To clear yon wood from thing unblest. Warned by a vision in my rest! For in my sleep I saw that dove, That gentle bird, whom thou dost love, And call'st by thy own daughter's name— Sir Leoline! I saw the same Fluttering, and uttering fearful moan, Among the green herbs in the forest alone. Which when I saw and when I heard, I wonder'd what might ail the bird; For nothing near it could I see Save the grass and green herbs underneath the old tree. 'And in my dream methought I went To search out what might there be found; And what the sweet bird's trouble meant, That thus lay fluttering on the ground. I went and peered, and could descry No cause for her distressful cry; But yet for her dear lady's sake I stooped, methought, the dove to take, When lo! I saw a bright green snake Coiled around its wings and neck. Green as the herbs on which it couched, Close by the dove's its head it crouched; And with the dove it heaves and stirs, Swelling its neck as she swelled hers! I woke; it was the midnight hour, The clock was echoing in the tower; But though my slumber was gone by, This dream it would not pass away— It seems to live upon my eye! And thence I vowed this self-same day With music strong and saintly song To wander through the forest bare, Lest aught unholy loiter there.' Thus Bracy said: the Baron, the while, Half-listening heard him with a smile; Then turned to Lady Geraldine, His eyes made up of wonder and love; And said in courtly accents fine, 'Sweet maid, Lord Roland's beauteous dove, With arms more strong than harp or song, Thy sire and I will crush the snake!' He kissed her forehead as he spake, And Geraldine in maiden wise Casting down her large bright eyes, With blushing cheek and courtesy fine She turned her from Sir Leoline; Softly gathering up her train, That o'er her right arm fell again; And folded her arms across her chest, And couched her head upon her breast, And looked askance at Christabel Jesu, Maria, shield her well! A snake's small eye blinks dull and shy; And the lady's eyes they shrunk in her head, Each shrunk up to a serpent's eye And with somewhat of malice, and more of dread, At Christabel she looked askance!— One moment—and the sight was fled! But Christabel in dizzy trance Stumbling on the unsteady ground Shuddered aloud, with a hissing sound; And Geraldine again turned round, And like a thing, that sought relief, Full of wonder and full of grief, She rolled her large bright eyes divine Wildly on Sir Leoline. The maid, alas! her thoughts are gone, She nothing sees—no sight but one! The maid, devoid of guile and sin, I know not how, in fearful wise, So deeply she had drunken in That look, those shrunken serpent eyes, That all her features were resigned To this sole image in her mind: And passively did imitate That look of dull and treacherous hate! And thus she stood, in dizzy trance; Still picturing that look askance With forced unconscious sympathy Full before her father's view— As far as such a look could be In eyes so innocent and blue! And when the trance was o'er, the maid Paused awhile, and inly prayed: Then falling at the Baron's feet, 'By my mother's soul do I entreat That thou this woman send away!' She said: and more she could not say: For what she knew she could not tell, O'er-mastered by the mighty spell. Why is thy cheek so wan and wild, Sir Leoline? Thy only child Lies at thy feet, thy joy, thy pride, So fair, so innocent, so mild; The same, for whom thy lady died! O by the pangs of her dear mother Think thou no evil of thy child! For her, and thee, and for no other, She prayed the moment ere she died: Prayed that the babe for whom she died, Might prove her dear lord's joy and pride! That prayer her deadly pangs beguiled, Sir Leoline! And wouldst thou wrong thy only child, Her child and thine? Within the Baron's heart and brain If thoughts, like these, had any share, They only swelled his rage and pain, And did but work confusion there. His heart was cleft with pain and rage, His cheeks they quivered, his eyes were wild, Dishonoured thus in his old age; Dishonoured by his only child, And all his hospitality To the wronged daughter of his friend By more than woman's jealousy Brought thus to a disgraceful end— He rolled his eye with stern regard Upon the gentle minstrel bard, And said in tones abrupt, austere— 'Why, Bracy! dost thou loiter here? I bade thee hence!' The bard obeyed; And turning from his own sweet maid, The agèd knight, Sir Leoline, Led forth the lady Geraldine! THE CONCLUSION TO PART II A little child, a limber elf, Singing, dancing to itself, A fairy thing with red round cheeks, That always finds, and never seeks, Makes such a vision to the sight As fills a father's eyes with light; And pleasures flow in so thick and fast Upon his heart, that he at last Must needs express his love's excess With words of unmeant bitterness. Perhaps 'tis pretty to force together Thoughts so all unlike each other; To mutter and mock a broken charm, To dally with wrong that does no harm. Perhaps 'tis tender too and pretty At each wild word to feel within A sweet recoil of love and pity. And what, if in a world of sin (O sorrow and shame should this be true!) Such giddiness of heart and brain Comes seldom save from rage and pain, So talks as it 's most used to do.

Sonnet Written in the Churchyard at Middleton in Sussex Charlotte Smith 18th Century

PRESSED by the Moon, mute arbitress of tides, While the loud equinox its power combines, The sea no more its swelling surge confines, But o'er the shrinking land sublimely rides. The wild blast, rising from the western cave, Drives the huge billows from their heaving bed; Tears from their grassy tombs the village dead, And breaks the silent sabbath of the grave! With shells and sea-weed mingled, on the shore, Lo! their bones whiten in the frequent wave; But vain to them the winds and waters rave; They hear the warring elements no more: While I am doomed, by life's long storm oppressed, To gaze with envy on their gloomy rest.

She Walks in Beauty Lord Byron 19th century

She walks in beauty, like the night Of cloudless climes and starry skies; And all that's best of dark and bright Meet in her aspect and her eyes; Thus mellowed to that tender light Which heaven to gaudy day denies. One shade the more, one ray the less, Had half impaired the nameless grace Which waves in every raven tress, Or softly lightens o'er her face; Where thoughts serenely sweet express, How pure, how dear their dwelling-place. And on that cheek, and o'er that brow, So soft, so calm, yet eloquent, The smiles that win, the tints that glow, But tell of days in goodness spent, A mind at peace with all below, A heart whose love is innocent!

Elizabeth Barrett Browning 19th Century

Songs from the Portugese

Sonnet Written at the Close of Spring Charlotte Smith 18th century

THE GARLANDS fade that Spring so lately wove, Each simple flower which she has nurs'd in dew, Anemones, that spangled every grove, The primrose wan, and harebell mildly blue. No more shall violets linger in the dell, Or purple orchis variegate the plain, Till Spring again shall call forth every bell And dress with hurried hands her wreaths again. Ah, poor humanity! so frail, so fair, And the fond visions of thy early day, Till tyrant passion and corrosive care Bid all thy fairy colours flee away! Another May new birds and flowers shall bring; Ah! why has happiness no second spring?

Porphyria's Lover Robert Browning 19th Century

The rain set early in to-night, The sullen wind was soon awake, It tore the elm-tops down for spite, And did its worst to vex the lake: I listened with heart fit to break. When glided in Porphyria; straight She shut the cold out and the storm, And kneeled and made the cheerless grate Blaze up, and all the cottage warm; Which done, she rose, and from her form Withdrew the dripping cloak and shawl, And laid her soiled gloves by, untied Her hat and let the damp hair fall, And, last, she sat down by my side And called me. When no voice replied, She put my arm about her waist, And made her smooth white shoulder bare, And all her yellow hair displaced, And, stooping, made my cheek lie there, And spread, o'er all, her yellow hair, Murmuring how she loved me — she Too weak, for all her heart's endeavour, To set its struggling passion free From pride, and vainer ties dissever, And give herself to me for ever. But passion sometimes would prevail, Nor could to-night's gay feast restrain A sudden thought of one so pale For love of her, and all in vain: So, she was come through wind and rain. Be sure I looked up at her eyes Happy and proud; at last I knew Porphyria worshipped me; surprise Made my heart swell, and still it grew While I debated what to do. That moment she was mine, mine, fair, Perfectly pure and good: I found A thing to do, and all her hair In one long yellow string I wound Three times her little throat around, And strangled her. No pain felt she; I am quite sure she felt no pain. As a shut bud that holds a bee, I warily oped her lids: again Laughed the blue eyes without a stain. And I untightened next the tress About her neck; her cheek once more Blushed bright beneath my burning kiss: I propped her head up as before, Only, this time my shoulder bore Her head, which droops upon it still: The smiling rosy little head, So glad it has its utmost will, That all it scorned at once is fled, And I, its love, am gained instead! Porphyria's love: she guessed not how Her darling one wish would be heard. And thus we sit together now, And all night long we have not stirred, And yet God has not said a word!

Dover Beach Matthew Arnold 19th Century

The sea is calm tonight. The tide is full, the moon lies fair Upon the straits; on the French coast the light Gleams and is gone; the cliffs of England stand, Glimmering and vast, out in the tranquil bay. Come to the window, sweet is the night-air! Only, from the long line of spray Where the sea meets the moon-blanched land, Listen! you hear the grating roar Of pebbles which the waves draw back, and fling, At their return, up the high strand, Begin, and cease, and then again begin, With tremulous cadence slow, and bring The eternal note of sadness in. Sophocles long ago Heard it on the Ægean, and it brought Into his mind the turbid ebb and flow Of human misery; we Find also in the sound a thought, Hearing it by this distant northern sea. The Sea of Faith Was once, too, at the full, and round earth's shore Lay like the folds of a bright girdle furled. But now I only hear Its melancholy, long, withdrawing roar, Retreating, to the breath Of the night-wind, down the vast edges drear And naked shingles of the world. Ah, love, let us be true To one another! for the world, which seems To lie before us like a land of dreams, So various, so beautiful, so new, Hath really neither joy, nor love, nor light, Nor certitude, nor peace, nor help for pain; And we are here as on a darkling plain Swept with confused alarms of struggle and flight, Where ignorant armies clash by night.

God's Grandeur Gerard Manley Hopkins 19th century

The world is charged with the grandeur of God. It will flame out, like shining from shook foil; It gathers to a greatness, like the ooze of oil Crushed. Why do men then now not reck his rod? Generations have trod, have trod, have trod; And all is seared with trade; bleared, smeared with toil; And wears man's smudge and shares man's smell: the soil Is bare now, nor can foot feel, being shod. And for all this, nature is never spent; There lives the dearest freshness deep down things; And though the last lights off the black West went Oh, morning, at the brown brink eastward, springs — Because the Holy Ghost over the bent World broods with warm breast and with ah! bright wings.

The Tyger William Blake 18th Century

Tyger Tyger, burning bright, In the forests of the night; What immortal hand or eye, Could frame thy fearful symmetry? In what distant deeps or skies. Burnt the fire of thine eyes? On what wings dare he aspire? What the hand, dare seize the fire? And what shoulder, & what art, Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand? & what dread feet? What the hammer? what the chain, In what furnace was thy brain? What the anvil? what dread grasp, Dare its deadly terrors clasp! When the stars threw down their spears And water'd heaven with their tears: Did he smile his work to see? Did he who made the Lamb make thee? Tyger Tyger burning bright, In the forests of the night: What immortal hand or eye, Dare frame thy fearful symmetry?

Mariana Lord Tennyson 19th Century

With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Her tears fell with the dews at even; Her tears fell ere the dews were dried; She could not look on the sweet heaven, Either at morn or eventide. After the flitting of the bats, When thickest dark did trance the sky, She drew her casement-curtain by, And glanced athwart the glooming flats. She only said, "The night is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" Upon the middle of the night, Waking she heard the night-fowl crow: The cock sung out an hour ere light: From the dark fen the oxen's low Came to her: without hope of change, In sleep she seem'd to walk forlorn, Till cold winds woke the gray-eyed morn About the lonely moated grange. She only said, "The day is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" About a stone-cast from the wall A sluice with blacken'd waters slept, And o'er it many, round and small, The cluster'd marish-mosses crept. Hard by a poplar shook alway, All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray. She only said, "My life is dreary, He cometh not," she said; She said "I am aweary, aweary I would that I were dead!" And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro, She saw the gusty shadow sway. But when the moon was very low And wild winds bound within their cell, The shadow of the poplar fell Upon her bed, across her brow. She only said, "The night is dreary, He cometh not," she said; She said "I am aweary, aweary, I would that I were dead!" All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the mouse Behind the mouldering wainscot shriek'd, Or from the crevice peer'd about. Old faces glimmer'd thro' the doors Old footsteps trod the upper floors, Old voices called her from without. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!" The sparrow's chirrup on the roof, The slow clock ticking, and the sound Which to the wooing wind aloof The poplar made, did all confound Her sense; but most she loathed the hour When the thick-moted sunbeam lay Athwart the chambers, and the day Was sloping toward his western bower. Then said she, "I am very dreary, He will not come," she said; She wept, "I am aweary, aweary, Oh God, that I were dead!"

The Rights Of Women Anna Letitia Barbauld 18th Century

Yes, injured Woman! rise, assert thy right! Woman! too long degraded, scorned, opprest; O born to rule in partial Law's despite, Resume thy native empire o'er the breast! Go forth arrayed in panoply divine; That angel pureness which admits no stain; Go, bid proud Man his boasted rule resign, And kiss the golden sceptre of thy reign. Go, gird thyself with grace; collect thy store Of bright artillery glancing from afar; Soft melting tones thy thundering cannon's roar, Blushes and fears thy magazine of war. Thy rights are empire: urge no meaner claim,— Felt, not defined, and if debated, lost; Like sacred mysteries, which withheld from fame, Shunning discussion, are revered the most. Try all that wit and art suggest to bend Of thy imperial foe the stubborn knee; Make treacherous Man thy subject, not thy friend; Thou mayst command, but never canst be free. Awe the licentious, and restrain the rude; Soften the sullen, clear the cloudy brow: Be, more than princes' gifts, thy favours sued;— She hazards all, who will the least allow. But hope not, courted idol of mankind, On this proud eminence secure to stay; Subduing and subdued, thou soon shalt find Thy coldness soften, and thy pride give way. Then, then, abandon each ambitious thought, Conquest or rule thy heart shall feebly move, In Nature's school, by her soft maxims taught, That separate rights are lost in mutual love.

The Divine Image William Blake 18th Century

o Mercy, Pity, Peace, and Love All pray in their distress; And to these virtues of delight Return their thankfulness. For Mercy, Pity, Peace, and Love Is God, our father dear, And Mercy, Pity, Peace, and Love Is Man, his child and care. For Mercy has a human heart, Pity a human face, And Love, the human form divine, And Peace, the human dress. Then every man, of every clime, That prays in his distress, Prays to the human form divine, Love, Mercy, Pity, Peace. And all must love the human form, In heathen, Turk, or Jew; Where Mercy, Love, and Pity dwell There God is dwelling too.