CH 25 ART
The preeminent French art patron of the 17th century was ________ .
. Louis XIV
________ became court portraitist to Charles I of England.
Anthony Van Dyck
The establishment of the ________ in 1609 eventually became the center of European transfer banking.
Bank of Amsterdam
The fundamental conflicts underlying the Thirty Years' War was ongoing friction between the between the ________ .
Catholics and Protestants
________ harmonized Palladian, French, and Italian Baroque architectural styles in his design of Saint Paul's Cathedral.
Christopher Wren
________ was a leading portrait painter in Haarlem and is known for his lively, relaxed portraits.
Frans Hals
Aside from his work as an artist, ________ was also an innkeeper and art dealer.
Jan Vermeer
________ was one of Frans Hals's pupils who went on to a successful, independent painting career.
Judith Leyster
Who is credited with ultimately being responsible for establishing classical painting as an important ingredient of 17th-century French art?
Nicolas Poussin
Marie de' Medici commissioned ________ to memorialize and glorify her career.
Peter Paul Rubens
________ combined the contributions of the Italian Renaissance and Baroque masters to formulate the first pan-European painting style.
Peter Paul Rubens
________ was a leading practitioner of floral painting in the Dutch Republic.
Rachel Ruysch
The spiritual stillness of the religious art of ________ shows inward-turning contemplation.
Rembrandt van Rijn
The Thirty Years' War concluded in 1648 with the ________ .
Treaty of Westphalia
Which graphic media was more manageable than engraving?
etching
Aside from genre paintings and portraits, ________ scenes were extremely popular in 17th-century Dutch art?
landscape
By the 17th century, European societies began to coordinate their ________ more systematically.
long-distance trade
In the Protestant Dutch Republic, art was mainly commissioned by ________ .
merchant patrons
The Treaty of Westphalia in 1648 marked the abandonment of the idea of a united Christian Europe and accepted the practical realities of ________ .
secular political systems
A painting of inanimate objects such as flowers and fruit is called a ________ .
still-life