ELIT Exam 2

Samuel Taylor Coleridge 'This Lime-Tree Bower My Prison'

'This Lime-Tree bower my Prison' Well, they are gone, and here must I remain, This lime-tree bower my prison! I have lost Beauties and feelings, such as would have been Most sweet to my remembrance even when age Had dimm'd mine eyes to blindness! They, meanwhile, Friends, whom I never more may meet again, On springy heath, along the hill-top edge, Wander in gladness, and wind down, perchance, To that still roaring dell, of which I told; The roaring dell, o'erwooded, narrow, deep, And only speckled by the mid-day sun; Where its slim trunk the ash from rock to rock Flings arching like a bridge;—that branchless ash, Unsunn'd and damp, whose few poor yellow leaves Ne'er tremble in the gale, yet tremble still, Fann'd by the water-fall! and there my friends Behold the dark green file of long lank weeds, That all at once (a most fantastic sight!) Still nod and drip beneath the dripping edge Of the blue clay-stone. Now, my friends emerge Beneath the wide wide Heaven—and view again The many-steepled tract magnificent Of hilly fields and meadows, and the sea, With some fair bark, perhaps, whose sails light up The slip of smooth clear blue betwixt two Isles Of purple shadow! Yes! they wander on In gladness all; but thou, methinks, most glad, My gentle-hearted Charles! for thou hast pined And hunger'd after Nature, many a year, In the great City pent, winning thy way With sad yet patient soul, through evil and pain And strange calamity! Ah! slowly sink Behind the western ridge, thou glorious Sun! Shine in the slant beams of the sinking orb, Ye purple heath-flowers! richlier burn, ye clouds! Live in the yellow light, ye distant groves! And kindle, thou blue Ocean! So my friend Struck with deep joy may stand, as I have stood, Silent with swimming sense; yea, gazing round On the wide landscape, gaze till all doth seem Less gross than bodily; and of such hues As veil the Almighty Spirit, when yet he makes Spirits perceive his presence. A delight Comes sudden on my heart, and I am glad As I myself were there! Nor in this bower, This little lime-tree bower, have I not mark'd Much that has sooth'd me. Pale beneath the blaze Hung the transparent foliage; and I watch'd Some broad and sunny leaf, and lov'd to see The shadow of the leaf and stem above Dappling its sunshine! And that walnut-tree Was richly ting'd, and a deep radiance lay Full on the ancient ivy, which usurps Those fronting elms, and now, with blackest mass Makes their dark branches gleam a lighter hue Through the late twilight: and though now the bat Wheels silent by, and not a swallow twitters, Yet still the solitary humble-bee Sings in the bean-flower! Henceforth I shall know That Nature ne'er deserts the wise and pure; No plot so narrow, be but Nature there, No waste so vacant, but may well employ Each faculty of sense, and keep the heart Awake to Love and Beauty! and sometimes 'Tis well to be bereft of promis'd good, That we may lift the soul, and contemplate With lively joy the joys we cannot share. My gentle-hearted Charles! when the last rook Beat its straight path along the dusky air Homewards, I blest it! deeming its black wing (Now a dim speck, now vanishing in light) Had cross'd the mighty Orb's dilated glory, While thou stood'st gazing; or, when all was still, Flew creeking o'er thy head, and had a charm For thee, my gentle-hearted Charles, to whom No sound is dissonant which tells of Life.

Samuel Taylor Coleridge 'Kubla Khan'

In Xanadu did Kubla Khan A stately pleasure-dome decree: Where Alph, the sacred river, ran Through caverns measureless to man Down to a sunless sea. So twice five miles of fertile ground With walls and towers were girdled round: And there were gardens bright with sinuous rills, Where blossomed many an incense-bearing tree; And here were forests ancient as the hills, Enfolding sunny spots of greenery. But oh! that deep romantic chasm which slanted Down the green hill athwart a cedarn cover! A savage place! as holy and enchanted As e'er beneath a waning moon was haunted By woman wailing for her demon-lover! And from this chasm, with ceaseless turmoil seething, As if this earth in fast thick pants were breathing, A mighty fountain momently was forced: Amid whose swift half-intermitted burst Huge fragments vaulted like rebounding hail, Or chaffy grain beneath the thresher's flail: And 'mid these dancing rocks at once and ever It flung up momently the sacred river. Five miles meandering with a mazy motion Through wood and dale the sacred river ran, Then reached the caverns measureless to man, And sank in tumult to a lifeless ocean: And 'mid this tumult Kubla heard from far Ancestral voices prophesying war! The shadow of the dome of pleasure Floated midway on the waves; Where was heard the mingled measure From the fountain and the caves. It was a miracle of rare device, A sunny pleasure-dome with caves of ice! A damsel with a dulcimer In a vision once I saw: It was an Abyssinian maid, And on her dulcimer she played, Singing of Mount Abora. Could I revive within me Her symphony and song, To such a deep delight 'twould win me That with music loud and long I would build that dome in air, That sunny dome! those caves of ice! And all who heard should see them there, And all should cry, Beware! Beware! His flashing eyes, his floating hair! Weave a circle round him thrice, And close your eyes with holy dread, For he on honey-dew hath fed And drunk the milk of Paradise.

William Blake 'The Sick Rose'

O Rose, thou art sick.. The invisible worm That flies in the night In the howling storm Has found out they bed Of crimson joy, And his dark secret love Does they life destroy.

Robert Browning 'Andrea Del Sarto'

But do not let us quarrel any more, No, my Lucrezia; bear with me for once: Sit down and all shall happen as you wish. You turn your face, but does it bring your heart? I'll work then for your friend's friend, never fear, Treat his own subject after his own way, Fix his own time, accept too his own price, And shut the money into this small hand When next it takes mine. Will it? tenderly? Oh, I'll content him,--but to-morrow, Love! I often am much wearier than you think, This evening more than usual, and it seems As if--forgive now--should you let me sit Here by the window with your hand in mine And look a half-hour forth on Fiesole, Both of one mind, as married people use, Quietly, quietly the evening through, I might get up to-morrow to my work Cheerful and fresh as ever. Let us try. To-morrow, how you shall be glad for this! Your soft hand is a woman of itself, And mine the man's bared breast she curls inside. Don't count the time lost, neither; you must serve For each of the five pictures we require: It saves a model. So! keep looking so-- My serpentining beauty, rounds on rounds! --How could you ever prick those perfect ears, Even to put the pearl there! oh, so sweet-- My face, my moon, my everybody's moon, Which everybody looks on and calls his, And, I suppose, is looked on by in turn, While she looks--no one's: very dear, no less. You smile? why, there's my picture ready made, There's what we painters call our harmony! A common greyness silvers everything,-- All in a twilight, you and I alike --You, at the point of your first pride in me (That's gone you know),--but I, at every point; My youth, my hope, my art, being all toned down To yonder sober pleasant Fiesole. There's the bell clinking from the chapel-top; That length of convent-wall across the way Holds the trees safer, huddled more inside; The last monk leaves the garden; days decrease, And autumn grows, autumn in everything. Eh? the whole seems to fall into a shape As if I saw alike my work and self And all that I was born to be and do, A twilight-piece. Love, we are in God's hand. How strange now, looks the life he makes us lead; So free we seem, so fettered fast we are! I feel he laid the fetter: let it lie! This chamber for example--turn your head-- All that's behind us! You don't understand Nor care to understand about my art, But you can hear at least when people speak: And that cartoon, the second from the door --It is the thing, Love! so such things should be-- Behold Madonna!--I am bold to say. I can do with my pencil what I know, What I see, what at bottom of my heart I wish for, if I ever wish so deep-- Do easily, too--when I say, perfectly, I do not boast, perhaps: yourself are judge, Who listened to the Legate's talk last week, And just as much they used to say in France. At any rate 'tis easy, all of it! No sketches first, no studies, that's long past: I do what many dream of, all their lives, --Dream? strive to do, and agonize to do, And fail in doing. I could count twenty such On twice your fingers, and not leave this town, Who strive--you don't know how the others strive To paint a little thing like that you smeared Carelessly passing with your robes afloat,-- Yet do much less, so much less, Someone says, (I know his name, no matter)--so much less! Well, less is more, Lucrezia: I am judged. There burns a truer light of God in them, In their vexed beating stuffed and stopped-up brain, Heart, or whate'er else, than goes on to prompt This low-pulsed forthright craftsman's hand of mine. Their works drop groundward, but themselves, I know, Reach many a time a heaven that's shut to me, Enter and take their place there sure enough, Though they come back and cannot tell the world. My works are nearer heaven, but I sit here. The sudden blood of these men! at a word-- Praise them, it boils, or blame them, it boils too. I, painting from myself and to myself, Know what I do, am unmoved by men's blame Or their praise either. Somebody remarks Morello's outline there is wrongly traced, His hue mistaken; what of that? or else, Rightly traced and well ordered; what of that? Speak as they please, what does the mountain care? Ah, but a man's reach should exceed his grasp, Or what's a heaven for? All is silver-grey, Placid and perfect with my art: the worse! I know both what I want and what might gain, And yet how profitless to know, to sigh "Had I been two, another and myself, "Our head would have o'erlooked the world!" No doubt. Yonder's a work now, of that famous youth The Urbinate who died five years ago. ('Tis copied, George Vasari sent it me.) Well, I can fancy how he did it all, Pouring his soul, with kings and popes to see, Reaching, that heaven might so replenish him, Above and through his art--for it gives way; That arm is wrongly put--and there again-- A fault to pardon in the drawing's lines, Its body, so to speak: its soul is right, He means right--that, a child may understand. Still, what an arm! and I could alter it: But all the play, the insight and the stretch-- (Out of me, out of me! And wherefore out? Had you enjoined them on me, given me soul, We might have risen to Rafael, I and you! Nay, Love, you did give all I asked, I think-- More than I merit, yes, by many times. But had you--oh, with the same perfect brow, And perfect eyes, and more than perfect mouth, And the low voice my soul hears, as a bird The fowler's pipe, and follows to the snare -- Had you, with these the same, but brought a mind! Some women do so. Had the mouth there urged "God and the glory! never care for gain. "The present by the future, what is that? "Live for fame, side by side with Agnolo! "Rafael is waiting: up to God, all three!" I might have done it for you. So it seems: Perhaps not. All is as God over-rules. Beside, incentives come from the soul's self; The rest avail not. Why do I need you? What wife had Rafael, or has Agnolo? In this world, who can do a thing, will not; And who would do it, cannot, I perceive: Yet the will's somewhat--somewhat, too, the power-- And thus we half-men struggle. At the end, God, I conclude, compensates, punishes. 'Tis safer for me, if the award be strict, That I am something underrated here, Poor this long while, despised, to speak the truth. I dared not, do you know, leave home all day, For fear of chancing on the Paris lords. The best is when they pass and look aside; But they speak sometimes; I must bear it all. Well may they speak! That Francis, that first time, And that long festal year at Fontainebleau! I surely then could sometimes leave the ground, Put on the glory, Rafael's daily wear, In that humane great monarch's golden look,-- One finger in his beard or twisted curl Over his mouth's good mark that made the smile, One arm about my shoulder, round my neck, The jingle of his gold chain in my ear, I painting proudly with his breath on me, All his court round him, seeing with his eyes, Such frank French eyes, and such a fire of souls Profuse, my hand kept plying by those hearts,-- And, best of all, this, this, this face beyond, This in the background, waiting on my work, To crown the issue with a last reward! A good time, was it not, my kingly days? And had you not grown restless... but I know-- 'Tis done and past: 'twas right, my instinct said: Too live the life grew, golden and not grey, And I'm the weak-eyed bat no sun should tempt Out of the grange whose four walls make his world. How could it end in any other way? You called me, and I came home to your heart. The triumph was--to reach and stay there; since I reached it ere the triumph, what is lost? Let my hands frame your face in your hair's gold, You beautiful Lucrezia that are mine! "Rafael did this, Andrea painted that; "The Roman's is the better when you pray, "But still the other's Virgin was his wife--" Men will excuse me. I am glad to judge Both pictures in your presence; clearer grows My better fortune, I resolve to think. For, do you know, Lucrezia, as God lives, Said one day Agnolo, his very self, To Rafael . . . I have known it all these years . . . (When the young man was flaming out his thoughts Upon a palace-wall for Rome to see, Too lifted up in heart because of it) "Friend, there's a certain sorry little scrub "Goes up and down our Florence, none cares how, "Who, were he set to plan and execute "As you are, pricked on by your popes and kings, "Would bring the sweat into that brow of yours!" To Rafael's!--And indeed the arm is wrong. I hardly dare . . . yet, only you to see, Give the chalk here--quick, thus, the line should go! Ay, but the soul! he's Rafael! rub it out! Still, all I care for, if he spoke the truth, (What he? why, who but Michel Agnolo? Do you forget already words like those?) If really there was such a chance, so lost,-- Is, whether you're--not grateful--but more pleased. Well, let me think so. And you smile indeed! This hour has been an hour! Another smile? If you would sit thus by me every night I should work better, do you comprehend? I mean that I should earn more, give you more. See, it is settled dusk now; there's a star; Morello's gone, the watch-lights show the wall, The cue-owls speak the name we call them by. Come from the window, love,--come in, at last, Inside the melancholy little house We built to be so gay with. God is just. King Francis may forgive me: oft at nights When I look up from painting, eyes tired out, The walls become illumined, brick from brick Distinct, instead of mortar, fierce bright gold, That gold of his I did cement them with! Let us but love each other. Must you go? That Cousin here again? he waits outside? Must see you--you, and not with me? Those loans? More gaming debts to pay? you smiled for that? Well, let smiles buy me! have you more to spend? While hand and eye and something of a heart Are left me, work's my ware, and what's it worth? I'll pay my fancy. Only let me sit The grey remainder of the evening out, Idle, you call it, and muse perfectly How I could paint, were I but back in France, One picture, just one more--the Virgin's face, Not yours this time! I want you at my side To hear them--that is, Michel Agnolo-- Judge all I do and tell you of its worth. Will you? To-morrow, satisfy your friend. I take the subjects for his corridor, Finish the portrait out of hand--there, there, And throw him in another thing or two If he demurs; the whole should prove enough To pay for this same Cousin's freak. Beside, What's better and what's all I care about, Get you the thirteen scudi for the ruff! Love, does that please you? Ah, but what does he, The Cousin! what does he to please you more? I am grown peaceful as old age to-night. I regret little, I would change still less. Since there my past life lies, why alter it? The very wrong to Francis!--it is true I took his coin, was tempted and complied, And built this house and sinned, and all is said. My father and my mother died of want. Well, had I riches of my own? you see How one gets rich! Let each one bear his lot. They were born poor, lived poor, and poor they died: And I have laboured somewhat in my time And not been paid profusely. Some good son Paint my two hundred pictures--let him try! No doubt, there's something strikes a balance. Yes, You loved me quite enough. it seems to-night. This must suffice me here. What would one have? In heaven, perhaps, new chances, one more chance-- Four great walls in the New Jerusalem, Meted on each side by the angel's reed, For Leonard, Rafael, Agnolo and me To cover--the three first without a wife, While I have mine! So--still they overcome Because there's still Lucrezia,--as I choose.

William Blake 'The Lamb'

Little Lamb, who made thee? Dost thou know who made thee? Gave their life & bid thee feed, By the stream & o'er the mead; Gave thee clothing of delight, Softest clothing wooly bright; Gave thee such a tender voice Making all the vales rejoice! Little Lamb who made thee? Dost thou know who made thee? Little Lamb I'll tell thee, Little Lamb I'll tell thee! He is called by they name, For he calls himself a Lamb; He is meek & he is mild, He became a little child; I a child & though a lamb, We are called by his name. Little Lamb God bless thee. Little Lamb God bless thee.

Alexander Pope 'The Rape of the Lock'

Part 1 WHAT dire Offence from am'rous Causes springs, What mighty Contests rise from trivial Things, I sing -- This Verse to C---, Muse! is due; This, ev'n Belinda may vouchfafe to view: Slight is the Subject, but not so the Praise, If She inspire, and He approve my Lays. Say what strange Motive, Goddess! cou'd compel A well-bred Lord t'assault a gentle Belle? Oh say what stranger Cause, yet unexplor'd, Cou'd make a gentle Belle reject a Lord? And dwells such Rage in softest Bosoms then? And lodge such daring Souls in Little Men? Sol thro' white Curtains shot a tim'rous Ray, And op'd those Eyes that must eclipse the Day; Now Lapdogs give themselves the rowzing Shake, And sleepless Lovers, just at Twelve, awake: Thrice rung the Bell, the Slipper knock'd the Ground, And the press'd Watch return'd a silver Sound. Belinda still her downy Pillow prest, Her Guardian Sylph prolong'd the balmy Rest. 'Twas he had summon'd to her silent Bed The Morning-Dream that hover'd o'er her Head. A Youth more glitt'ring than a Birth-night Beau, (That ev'n in Slumber caus'd her Cheek to glow) Seem'd to her Ear his winning Lips to lay, And thus in Whispers said, or seem'd to say. Fairest of Mortals, thou distinguish'd Care Of thousand bright Inhabitants of Air! If e'er one Vision touch'd thy infant Thought, Of all the Nurse and all the Priest have taught, Of airy Elves by Moonlight Shadows seen, The silver Token, and the circled Green, Or Virgins visited by Angel-Pow'rs, With Golden Crowns and Wreaths of heav'nly Flowers, Hear and believe! thy own Importance know, Nor bound thy narrow Views to Things below. Some secret Truths from Learned Pride conceal'd, To Maids alone and Children are reveal'd: What tho' no Credit doubting Wits may give? The Fair and Innocent shall still believe. Know then, unnumbered Spirits round thee fly, The light Militia of the lower Sky; These, tho' unseen, are ever on the Wing, Hang o'er the Box, and hover round the Ring. Think what an Equipage thou hast in Air, And view with scorn Two Pages and a Chair. As now your own, our Beings were of old, And once inclos'd in Woman's beauteous Mold; Thence, by a soft Transition, we repair From earthly Vehicles to these of Air. Think not, when Woman's transient Breath is fled, That all her Vanities at once are dead: Succeeding Vanities she still regards, And tho' she plays no more, o'erlooks the Cards. Her Joy in gilded Chariots, when alive, And Love of Ombre, after Death survive. For when the Fair in all their Pride expire, To their first Elements the Souls retire: The Sprights of fiery Termagants in Flame Mount up, and take a Salamander's Name. Soft yielding Minds to Water glide away, And sip with Nymphs, their Elemental Tea. The graver Prude sinks downward to a Gnome, In search of Mischief still on Earth to roam. The light Coquettes in Sylphs aloft repair, And sport and flutter in the Fields of Air. Know farther yet; Whoever fair and chaste Rejects Mankind, is by some Sylph embrac'd: For Spirits, freed from mortal Laws, with ease Assume what Sexes and what Shapes they please. What guards the Purity of melting Maids, In Courtly Balls, and Midnight Masquerades, Safe from the treach'rous Friend, and daring Spark, The Glance by Day, the Whisper in the Dark; When kind Occasion prompts their warm Desires, When Musick softens, and when Dancing fires? 'Tis but their Sylph, the wise Celestials know, Tho' Honour is the Word with Men below. Some Nymphs there are, too conscious of their Face, For Life predestin'd to the Gnomes Embrace. These swell their Prospects and exalt their Pride, When Offers are disdain'd, and Love deny'd. Then gay Ideas crowd the vacant Brain; While Peers and Dukes, and all their sweeping Train, And Garters, Stars, and Coronets appear, And in soft Sounds, Your Grace salutes their Ear. 'Tis these that early taint the Female Soul, Instruct the Eyes of young Coquettes to roll, Teach Infants Cheeks a bidden Blush to know, And little Hearts to flutter at a Beau. Oft when the World imagine Women stray, The Sylphs thro' mystick Mazes guide thier Way, Thro' all the giddy Circle they pursue, And old Impertinence expel by new. What tender Maid but must a Victim fall To one Man's Treat, but for another's Ball? When Florio speaks, what Virgin could withstand, If gentle Damon did not squeeze her Hand? With varying Vanities, from ev'ry Part, They shift the moving Toyshop of their Heart; Where Wigs with Wigs, with Sword-knots Sword-knots strive, Beaus banish Beaus, and Coaches Coaches drive. This erring Mortals Levity may call, Oh blind to Truth! the Sylphs contrive it all. Of these am I, who thy Protection claim, A watchful Sprite, and Ariel is my Name. Late, as I rang'd the Crystal Wilds of Air, In the clear Mirror of thy ruling Star I saw, alas! some dread Event impend, E're to the Main this Morning Sun descend. But Heav'n reveals not what, or how, or where: Warn'd by thy Sylph, oh Pious Maid beware! This to disclose is all thy Guardian can. Beware of all, but most beware of Man! He said; when Shock, who thought she slept too long, Leapt up, and wak'd his Mistress with his Tongue. 'Twas then Belinda, if Report say true, Thy Eyes first open'd on a Billet-doux. Wounds, Charms, and Ardors, were no sooner read, But all the Vision vanish'd from thy Head. And now, unveil'd, the Toilet stands display'd, Each Silver Vase in mystic Order laid. First, rob'd in White, the Nymph intent adores With Head uncover'd, the cosmetic Pow'rs. A heav'nly Image in the Glass appears, To that she bends, to that her Eyes she rears; Th' inferior Priestess, at her Altar's side, Trembling, begins the sacred Rites of Pride. Unnumber'd Treasures ope at once, and here The various Off'rings of the World appear; From each she nicely culls with curious Toil, And decks the Goddess with the glitt'ring Spoil. This Casket India's glowing Gems unlocks, And all Arabia breathes from yonder Box. The Tortoise here and Elephant unite, Transform'd to Combs, the speckled and the white. Here Files of Pins extend their shining Rows, Puffs, Powders, Patches, Bibles, Billet-doux. Now awful Beauty puts on all its Arms; The Fair each moment rises in her Charms, Repairs her Smiles, awakens ev'ry Grace, And calls forth all the Wonders of her Face; Sees by Degrees a purer Blush arise, And keener Lightnings quicken in her Eyes. The busy Sylphs surround their darling Care; These set the Head, and those divide the Hair, Some fold the Sleeve, while others plait the Gown; And Betty's prais'd for Labours not her own. Part 2 NOT with more Glories, in th' Etherial Plain, The Sun first rises o'er the purpled Main, Than issuing forth, the Rival of his Beams Lanch'd on the Bosom of the Silver Thames. Fair Nymphs, and well-drest Youths around her shone, But ev'ry Eye was fix'd on her alone. On her white Breast a sparkling Cross she wore, Which Jews might kiss, and Infidels adore. Her lively Looks a sprightly Mind disclose, Quick as her Eyes, and as unfix'd as those: Favours to none, to all she Smiles extends, Oft she rejects, but never once offends. Bright as the Sun, her Eyes the Gazers strike, And, like the sun, they shine on all alike. Yet graceful Ease, and Sweetness void of Pride, Might hide her Faults, if Belles had faults to hide: If to her share some Female Errors fall, Look on her Face, and you'll forget 'em all. This Nymph, to the Destruction of Mankind, Nourish'd two Locks, which graceful hung behind In equal Curls, and well conspir'd to deck With shining Ringlets her smooth Iv'ry Neck. Love in these Labyrinths his Slaves detains, And mighty Hearts are held in slender Chains. With hairy Sprindges we the Birds betray, Slight Lines of Hair surprize the Finny Prey, Fair Tresses Man's Imperial Race insnare, And Beauty draws us with a single Hair. Th' Adventrous Baron the bright Locks admir'd, He saw, he wish'd, and to the Prize aspir'd: Resolv'd to win, he meditates the way, By Force to ravish, or by Fraud betray; For when Success a Lover's Toil attends, Few ask, if Fraud or Force attain'd his Ends. For this, e're Phoebus rose, he had implor'd Propitious Heav'n, and ev'ry Pow'r ador'd, But chiefly Love--to Love an Altar built, Of twelve vast French Romances, neatly gilt. There lay three Garters, half a Pair of Gloves; And all the Trophies of his former Loves. With tender Billet-doux he lights the Pyre, And breathes three am'rous Sighs to raise the Fire. Then prostrate falls, and begs with ardent Eyes Soon to obtain, and long possess the Prize: The Pow'rs gave Ear, and granted half his Pray'r, The rest, the Winds dispers'd in empty Air. But now secure the painted Vessel glides, The Sun-beams trembling on the floating Tydes, While melting Musick steals upon the Sky, And soften'd Sounds along the Waters die. Smooth flow the Waves, the Zephyrs gently play Belinda smil'd, and all the World was gay. All but the Sylph---With careful Thoughts opprest, Th' impending Woe sate heavy on his Breast. He summons strait his Denizens of Air; The lucid Squadrons round the Sails repair: Soft o'er the Shrouds Aerial Whispers breathe, That seem'd but Zephyrs to the Train beneath. Some to the Sun their Insect-Wings unfold, Waft on the Breeze, or sink in Clouds of Gold. Transparent Forms, too fine for mortal Sight, Their fluid Bodies half dissolv'd in Light. Loose to the Wind their airy Garments flew, Thin glitt'ring Textures of the filmy Dew; Dipt in the richest Tincture of the Skies, Where Light disports in ever-mingling Dies, While ev'ry Beam new transient Colours flings, Colours that change whene'er they wave their Wings. Amid the Circle, on the gilded Mast, Superior by the Head, was Ariel plac'd; His Purple Pinions opening to the Sun, He rais'd his Azure Wand, and thus begun. Ye Sylphs and Sylphids, to your Chief give Ear, Fays, Fairies, Genii, Elves, and Daemons hear! Ye know the Spheres and various Tasks assign'd, By Laws Eternal, to th' Aerial Kind. Some in the Fields of purest AEther play, And bask and whiten in the Blaze of Day. Some guide the Course of wandring Orbs on high, Or roll the Planets thro' the boundless Sky. Some less refin'd, beneath the Moon's pale Light Hover, and catch the shooting stars by Night; Or suck the Mists in grosser Air below, Or dip their Pinions in the painted Bow, Or brew fierce Tempests on the wintry Main, Or o'er the Glebe distill the kindly Rain. Others on Earth o'er human Race preside, Watch all their Ways, and all their Actions guide: Of these the Chief the Care of Nations own, And guard with Arms Divine the British Throne. Our humbler Province is to tend the Fair, Not a less pleasing, tho' less glorious Care. To save the Powder from too rude a Gale, Nor let th' imprison'd Essences exhale, To draw fresh Colours from the vernal Flow'rs, To steal from Rainbows ere they drop in Show'rs A brighter Wash; to curl their waving Hairs, Assist their Blushes, and inspire their Airs; Nay oft, in Dreams, Invention we bestow, To change a Flounce, or add a Furbelo. This Day, black Omens threat the brightest Fair That e'er deserv'd a watchful Spirit's Care; Some dire Disaster, or by Force, or Slight, But what, or where, the Fates have wrapt in Night. Whether the Nymph shall break Diana's Law, Or some frail China Jar receive a Flaw, Or stain her Honour, or her new Brocade, Forget her Pray'rs, or miss a Masquerade, Or lose her Heart, or Necklace, at a Ball; Or whether Heav'n has doom'd that Shock must fall. Haste then ye Spirits! to your Charge repair; The flutt'ring Fan be Zephyretta's Care; The Drops to thee, Brillante, we consign; And Momentilla, let the Watch be thine; Do thou, Crispissa, tend her fav'rite Lock; Ariel himself shall be the Guard of Shock. To Fifty chosen Sylphs, of special Note, We trust th' important Charge, the Petticoat. Oft have we known that sev'nfold Fence to fail; Tho' stiff with Hoops, and arm'd with Ribs of Whale. Form a strong Line about the Silver Bound, And guard the wide Circumference around. Whatever spirit, careless of his Charge, His Post neglects, or leaves the Fair at large, Shall feel sharp Vengeance soon o'ertake his Sins, Be stopt in Vials, or transfixt with Pins. Or plung'd in Lakes of bitter Washes lie, Or wedg'd whole Ages in a Bodkin's Eye: Gums and Pomatums shall his Flight restrain, While clog'd he beats his silken Wings in vain; Or Alom-Stypticks with contracting Power Shrink his thin Essence like a rivell'd Flower. Or as Ixion fix'd, the Wretch shall feel The giddy Motion of the whirling Mill, In Fumes of burning Chocolate shall glow, And tremble at the Sea that froaths below! He spoke; the Spirits from the Sails descend; Some, Orb in Orb, around the Nymph extend, Some thrid the mazy Ringlets of her Hair, Some hang upon the Pendants of her Ear; With beating Hearts the dire Event they wait, Anxious, and trembling for the Birth of Fate. Part 3 CLOSE by those Meads for ever crown'd with Flow'rs, Where Thames with Pride surveys his rising Tow'rs, There stands a Structure of Majestick Frame, Which from the neighb'ring Hampton takes its Name. Here Britain's Statesmen oft the Fall foredoom Of Foreign Tyrants, and of Nymphs at home; Here Thou, great Anna! whom three Realms obey, Dost sometimes Counsel take--and sometimes Tea. Hither the Heroes and the Nymphs resort, To taste awhile the Pleasures of a Court; In various Talk th' instructive hours they past, Who gave the Ball, or paid the Visit last: One speaks the Glory of the British Queen, And one describes a charming Indian Screen. A third interprets Motions, Looks, and Eyes; At ev'ry Word a Reputation dies. Snuff, or the Fan, supply each Pause of Chat, With singing, laughing, ogling, and all that. Mean while declining from the Noon of Day, The Sun obliquely shoots his burning Ray; The hungry Judges soon the Sentence sign, And Wretches hang that Jury-men may Dine; The Merchant from th'exchange returns in Peace, And the long Labours of the Toilette cease ---- Belinda now, whom Thirst of Fame invites, Burns to encounter two adventrous Knights, At Ombre singly to decide their Doom; And swells her Breast with Conquests yet to come. Strait the three Bands prepare in Arms to join, Each Band the number of the Sacred Nine. Soon as she spreads her Hand, th' Aerial Guard Descend, and sit on each important Card, First Ariel perch'd upon a Matadore, Then each, according to the Rank they bore; For Sylphs, yet mindful of their ancient Race, Are, as when Women, wondrous fond of place. Behold, four Kings in Majesty rever'd, With hoary Whiskers and a forky Beard; And four fair Queens whose hands sustain a Flow'r, Th' expressive Emblem of their softer Pow'r; Four Knaves in Garbs succinct, a trusty Band, Caps on their heads, and Halberds in their hand; And Particolour'd Troops, a shining Train, Draw forth to Combat on the Velvet Plain. The skilful Nymph reviews her Force with Care; Let Spades be Trumps, she said, and Trumps they were. Now move to War her Sable Matadores, In Show like Leaders of the swarthy Moors. Spadillio first, unconquerable Lord! Led off two captive Trumps, and swept the Board. As many more Manillio forc'd to yield, And march'd a Victor from the verdant Field. Him Basto follow'd, but his Fate more hard Gain'd but one Trump and one Plebeian Card. With his broad Sabre next, a Chief in Years, The hoary Majesty of Spades appears; Puts forth one manly Leg, to sight reveal'd; The rest his many-colour'd Robe conceal'd. The Rebel-Knave, who dares his Prince engage, Proves the just Victim of his Royal Rage. Ev'n mighty Pam that Kings and Queens o'erthrow, And mow'd down Armies in the Fights of Lu, Sad Chance of War! now, destitute of Aid, Falls undistinguish'd by the Victor Spade. Thus far both Armies to Belinda yield; Now to the Baron Fate inclines the Field. His warlike Amazon her Host invades, Th' Imperial Consort of the Crown of Spades. The Club's black Tyrant first her Victim dy'd, Spite of his haughty Mien, and barb'rous Pride: What boots the Regal Circle on his Head, His Giant Limbs in State unwieldy spread? That long behind he trails his pompous Robe, And of all Monarchs only grasps the Globe? The Baron now his Diamonds pours apace; Th' embroider'd King who shows but half his Face, And his refulgent Queen, with Pow'rs combin'd, Of broken Troops an easie Conquest find. Clubs, Diamonds, Hearts, in wild Disorder seen, With Throngs promiscuous strow the level Green. Thus when dispers'd a routed Army runs, Of Asia's Troops, and Africk's Sable Sons, With like Confusion different Nations fly, In various habits and of various Dye, The pierc'd Battalions dis-united fall, In Heaps on Heaps; one Fate o'erwhelms them all. The Knave of Diamonds now tries his wily Arts, And wins (oh shameful Chance!) the Queen of Hearts. At this, the Blood the Virgin's Cheek forsook, A livid Paleness spreads o'er all her Look; She sees, and trembles at th' approaching Ill, Just in the Jaws of Ruin, and Codille. And now, (as oft in some distemper'd State) On one nice Trick depends the gen'ral Fate. An Ace of Hearts steps forth: The King unseen Lurk'd in her Hand, and mourn'd his captive Queen. He springs to Vengeance with an eager pace, And falls like Thunder on the prostrate Ace. The Nymph exulting fills with Shouts the Sky, The Walls, the Woods, and long Canals reply. Oh thoughtless Mortals! ever blind to Fate, Too soon dejected, and too soon elate! Sudden these Honours shall be snatch'd away, And curs'd for ever this Victorious Day. For lo! the Board with Cups and Spoons is crown'd, The Berries crackle, and the Mill turns round. On shining Altars of Japan they raise The silver Lamp; the fiery Spirits blaze. From silver Spouts the grateful Liquors glide, And China's Earth receives the smoking Tyde. At once they gratify their Scent and Taste, While frequent Cups prolong the rich Repast. Strait hover round the Fair her Airy Band; Some, as she sip'd, the fuming Liquor fann'd, Some o'er her Lap their careful Plumes display'd, Trembling, and conscious of the rich Brocade. Coffee, (which makes the Politician wise, And see thro' all things with his half shut Eyes) Sent up in Vapours to the Baron's Brain New Stratagems, the radiant Lock to gain. Ah cease rash Youth! desist e'er 'tis too late, Fear the just Gods, and think of Scylla's Fate! Chang'd to a Bird, and sent to flit in Air, She dearly pays for Nisus' injur'd Hair! But when to Mischief Mortals bend their Will, How soon they find fit Instruments of Ill! Just then, Clarissa drew with tempting Grace A two-edg'd Weapon from her shining Case; So Ladies in Romance assist their Knight, Present the Spear, and arm him for the Fight. He takes the Gift with rev'rence, and extends The little Engine on his Finger's Ends: This just behind Belinda's Neck he spread, As o'er the fragrant Steams she bends her Head: Swift to the Lock a thousand Sprights repair, A thousand Wings, by turns, blow back the Hair, And thrice they twitch'd the Diamond in her Ear, Thrice she look'd back, and thrice the Foe drew near. Just in that instant, anxious Ariel sought The close Recesses of the Virgin's Thought; As on the Nosegay in her Breast reclin'd, He watch'd th' Ideas rising in her Mind, Sudden he view'd, in spite of all her Art, An Earthly Lover lurking at her Heart. Amaz'd, confus'd, he found his Pow'r expir'd, Resign'd to Fate, and with a Sigh retir'd. The Peer now spreads the glitt'ring Forfex wide, T'inclose the Lock; now joins it, to divide. Ev'n then, before the fatal Engine clos'd, A wretched Sylph too fondly interpos'd; Fate urg'd the Sheers, and cut the Sylph in twain, (But Airy Substance soon unites again) The meeting Points that sacred Hair dissever From the fair Head, for ever and for ever! Then flash'd the living Lightnings from her Eyes, And Screams of Horror rend th' affrighted Skies. Not louder Shrieks to pitying Heav'n are cast, When Husbands or when Lap-dogs breath their last, Or when rich China Vessels, fal'n from high, In glittring Dust and painted Fragments lie! Let Wreaths of Triumph now my Temples twine, (The Victor cry'd) the glorious Prize is mine! While Fish in Streams, or Birds delight in Air, Or in a Coach and Six the British Fair, As long as Atalantis shall be read, Or the small Pillow grace a Lady's Bed, While Visits shall be paid on solemn Days, When numerous Wax-lights in bright Order blaze, While Nymphs take Treats, or Assignations give, So long my Honour, Name, and Praise shall live! What Time wou'd spare, from Steel receives its date, And Monuments, like Men, submit to Fate! Steel cou'd the Labour of the Gods destroy, And strike to Dust th' Imperial Tow'rs of Troy. Steel cou'd the Work

William Wordsworth 'Ode: Intimations of Immortality from Recollections of Early Childhood'

THERE was a time when meadow, grove, and stream, The earth, and every common sight, To me did seem Apparell'd in celestial light, The glory and the freshness of a dream. It is not now as it hath been of yore;— Turn wheresoe'er I may, By night or day, The things which I have seen I now can see no more. The rainbow comes and goes, And lovely is the rose; The moon doth with delight Look round her when the heavens are bare; Waters on a starry night Are beautiful and fair; The sunshine is a glorious birth; But yet I know, where'er I go, That there hath pass'd away a glory from the earth. Now, while the birds thus sing a joyous song, And while the young lambs bound As to the tabor's sound, To me alone there came a thought of grief: A timely utterance gave that thought relief, And I again am strong: The cataracts blow their trumpets from the steep; No more shall grief of mine the season wrong; I hear the echoes through the mountains throng, The winds come to me from the fields of sleep, And all the earth is gay; Land and sea Give themselves up to jollity, And with the heart of May Doth every beast keep holiday;— Thou Child of Joy, Shout round me, let me hear thy shouts, thou happy Shepherd-boy! Ye blessèd creatures, I have heard the call Ye to each other make; I see The heavens laugh with you in your jubilee; My heart is at your festival, My head hath its coronal, The fulness of your bliss, I feel—I feel it all. O evil day! if I were sullen While Earth herself is adorning, This sweet May-morning, And the children are culling On every side, In a thousand valleys far and wide, Fresh flowers; while the sun shines warm, And the babe leaps up on his mother's arm:— I hear, I hear, with joy I hear! —But there's a tree, of many, one, A single field which I have look'd upon, Both of them speak of something that is gone: The pansy at my feet Doth the same tale repeat: Whither is fled the visionary gleam? Where is it now, the glory and the dream? Our birth is but a sleep and a forgetting: The Soul that rises with us, our life's Star, Hath had elsewhere its setting, And cometh from afar: Not in entire forgetfulness, And not in utter nakedness, But trailing clouds of glory do we come From God, who is our home: Heaven lies about us in our infancy! Shades of the prison-house begin to close Upon the growing Boy, But he beholds the light, and whence it flows, He sees it in his joy; The Youth, who daily farther from the east Must travel, still is Nature's priest, And by the vision splendid Is on his way attended; At length the Man perceives it die away, And fade into the light of common day. Earth fills her lap with pleasures of her own; Yearnings she hath in her own natural kind, And, even with something of a mother's mind, And no unworthy aim, The homely nurse doth all she can To make her foster-child, her Inmate Man, Forget the glories he hath known, And that imperial palace whence he came. Behold the Child among his new-born blisses, A six years' darling of a pigmy size! See, where 'mid work of his own hand he lies, Fretted by sallies of his mother's kisses, With light upon him from his father's eyes! See, at his feet, some little plan or chart, Some fragment from his dream of human life, Shaped by himself with newly-learnèd art; A wedding or a festival, A mourning or a funeral; And this hath now his heart, And unto this he frames his song: Then will he fit his tongue To dialogues of business, love, or strife; But it will not be long Ere this be thrown aside, And with new joy and pride The little actor cons another part; Filling from time to time his 'humorous stage' With all the Persons, down to palsied Age, That Life brings with her in her equipage; As if his whole vocation Were endless imitation. Thou, whose exterior semblance doth belie Thy soul's immensity; Thou best philosopher, who yet dost keep Thy heritage, thou eye among the blind, That, deaf and silent, read'st the eternal deep, Haunted for ever by the eternal mind,— Mighty prophet! Seer blest! On whom those truths do rest, Which we are toiling all our lives to find, In darkness lost, the darkness of the grave; Thou, over whom thy Immortality Broods like the Day, a master o'er a slave, A presence which is not to be put by; To whom the grave Is but a lonely bed without the sense or sight Of day or the warm light, A place of thought where we in waiting lie; Thou little Child, yet glorious in the might Of heaven-born freedom on thy being's height, Why with such earnest pains dost thou provoke The years to bring the inevitable yoke, Thus blindly with thy blessedness at strife? Full soon thy soul shall have her earthly freight, And custom lie upon thee with a weight, Heavy as frost, and deep almost as life! O joy! that in our embers Is something that doth live, That nature yet remembers What was so fugitive! The thought of our past years in me doth breed Perpetual benediction: not indeed For that which is most worthy to be blest— Delight and liberty, the simple creed Of childhood, whether busy or at rest, With new-fledged hope still fluttering in his breast:— Not for these I raise The song of thanks and praise; But for those obstinate questionings Of sense and outward things, Fallings from us, vanishings; Blank misgivings of a Creature Moving about in worlds not realized, High instincts before which our mortal Nature Did tremble like a guilty thing surprised: But for those first affections, Those shadowy recollections, Which, be they what they may, Are yet the fountain-light of all our day, Are yet a master-light of all our seeing; Uphold us, cherish, and have power to make Our noisy years seem moments in the being Of the eternal Silence: truths that wake, To perish never: Which neither listlessness, nor mad endeavour, Nor Man nor Boy, Nor all that is at enmity with joy, Can utterly abolish or destroy! Hence in a season of calm weather Though inland far we be, Our souls have sight of that immortal sea Which brought us hither, Can in a moment travel thither, And see the children sport upon the shore, And hear the mighty waters rolling evermore. Then sing, ye birds, sing, sing a joyous song! And let the young lambs bound As to the tabor's sound! We in thought will join your throng, Ye that pipe and ye that play, Ye that through your hearts to-day Feel the gladness of the May! What though the radiance which was once so bright Be now for ever taken from my sight, Though nothing can bring back the hour Of splendour in the grass, of glory in the flower; We will grieve not, rather find Strength in what remains behind; In the primal sympathy Which having been must ever be; In the soothing thoughts that spring Out of human suffering; In the faith that looks through death, In years that bring the philosophic mind. And O ye Fountains, Meadows, Hills, and Groves, Forebode not any severing of our loves! Yet in my heart of hearts I feel your might; I only have relinquish'd one delight To live beneath your more habitual sway. I love the brooks which down their channels fret, Even more than when I tripp'd lightly as they; The innocent brightness of a new-born Day Is lovely yet; The clouds that gather round the setting sun Do take a sober colouring from an eye That hath kept watch o'er man's mortality; Another race hath been, and other palms are won. Thanks to the human heart by which we live, Thanks to its tenderness, its joys, and fears, To me the meanest flower that blows can give Thoughts that do often lie too deep for tears.

Robert Browning 'Porphyria's Lover'

The rain set earlyin tonight, The sullen wind was oon aake It tore the elm-tops down for spite And did its worst to vex the lake: I listend with heart fit to break. When glided in Porphyria; straight She shut the cold out and the storm, And kneeled and made the cheeless grate Blaze up, and ll the cottage warm; Which done, she rose, and from her form Withdrew the dripping cloak and shawl, And laid her soiled gloves by, untied Her had and let the damp hair fall, And, last, she sat down by my side And called me. When no voice replied, She put my arm about her waist And made her smooth white sholder bare And all her yellow hair displaced, And, stooping, made my cheek lie there, And spread, o'er all, her yellow hair, Murmuring how she loved me—she Too weak, for all her heart's endeavor. To set its struggling passion free From pride, and vainer ties dissever, And give herself to me forever. But passion sometimes would prevail, Nor could tonight's gay feast restrain A sudden thought of one so pale For love of her, and all in vain: So, she was come through wind and rain. Be sure I looked up at her eyes Happy and proud; at last I know Porphyria worshiped me: surprise Made my heart swell, and still it grew While I debated what to do. That moment she was mine, mine, fair, Perfectly pure and good: I found A thing to do, and all her hair In one long yellow string I would Three times her little throat around And strangled her. No pain felt she; I am quite sure she felt no pain. As a shut bud that holds a bee I warily opened her lids: again Laughed the blue eyes without a stain. And I untightened next the tress About her neck; her check once more Blushed bright beneath my burning kiss: I propped her head up as before Only, this time my shoulder bore Her head, which droops upon it still: The smiling rosy little head So glad it has its utmost will, That all it scorned at once is fled, And I, its love, and gained instead! Porphyria's love: she guessed not how Her darling one wish would be heard. And thus we sit together now, And all night long we have not stirred, And yet God has not said a word!

William Wordsworth 'We are Seven'

--------A simple Child, That lightly draws its breath, And feels its life in every limb, What should it know of death? I met a little cottage Girl: She was eight years old, she said; Her hair was thick with many a curl That clustered round her head. She had a rustic, woodland air, And she was wildly clad: Her eyes were fair, and very fair; Her beauty made me glad. "Sisters and brothers, little Maid, How many may you be?" "How many? Seven in all," she said, And wondering looked at me. "And where are they? I pray you tell." She answered, "Seven are we; And two of us at Conway dwell, And two are gone to sea. "Two of us in the church-yard lie, My sister and my brother; And, in the church-yard cottage, I Dwell near them with my mother. "you say that two at Conway dwell, and two are gone to sea, Yet ye are seven! I pray you tell, Sweet Maid, how this may be." Then did the little Maid reply, "Seven boys and girls are we; Two of us in the church-yard lie, Beneath the church-yard tree." "Your run about, my little Maid, Your limbs they are alive; If two are in the church-yard laid, Then ye are only five." "Their graves are green ,they may be seen," the little Maid replied, "Twelve steps or more from my mother's door, and they are side by side. "My stocking there I often knit, My kerchief there I hem; And there upon the ground I sit, And sing a song to them. "And often after sun-set, Sir, When it is light and fair, I take my little porringer, And eat my supper there. "The first that died was sister Jane; In bed she moaning lay, Till God released her of her pain; And then she went away. So in the church-yard she was laid; And, when the grass was dry, Together round her grave we played, My brother John and I. "And when the ground was white with snow, and I could run and slide, my brother John was forced to go, and he lies by her side." "how many are you, then," said I, "If they two are in heaven?" Quick was the little Maid's reply, "O Master! We are seven." "But they are dead; those two are dead! Their spirits are in heaven!" "Twas throwing words away; for still The little Maid would have her will, And said, "Nay, we are seven!"

William Wordsworth 'A slumber did my spirit seal'

A slumber did my spirit seal; I had no human fears She seemed a thing that could not feel The touch of earthly years. No motion has she now, no force; She neither hears nor sees; Rolled round in earth's diurnal course With rocks, and stones, and trees

William Butler Yeats 'Leda and the Swan'

A sudden blow: the great wings beating still Above the staggering girl, her thighs caressed By the dark webs, her nape caught in his bill, He holds her helpless breast upon his breast. How can those terrified vague fingers push The feathered glory from her loosening thighs? And how can body, laid in that white rush, But feel the strange heart beating where it lies? A shudder in the loins engenders there The broken wall, the burning roof and tower And Agamemnon dead. Being so caught up, So mastered by the brute blood of the air, Did she put on his knowledge with his power Before the indifferent beak could let her drop?

John Keats 'A Thing of Beauty'

A thin of beauty is a joy for ever: Its loveliness increases; it will never Pass into nothingness; and a sleep Full of sweet dreams, and health, and quite breathing. Therefore, on every morrow, are we wreathing A flowery band to bind us to the earth, Spite of despondence, of the inhuman dearth Of noble natures, of the gloomy days, Of all the unhealthy and o'er-darkened ways Made for our searching: yes, in spite of all Some shape of beauty moves away the pall From our dark spirits. Such the sun, the moon, Trees old, and young sprouting a shady boon For simple sheep; and such are daffodils With the green world they live in; and clear rills That for themselves a cooling covert make 'Gainst the hot season; the mid forest break, rich with a sprinkling of fair musk-rose blooms: and such too is the grandeur of the dooms we have imagined for the mighty dead; all lovely tales that we have heard or read: An endless fountain of immortal drink, Pouring unto us from the heaven's brink. Nor do we merely feel these essences For one short hour; no, even as the trees That whisper round a temple become soon Dear as the temple's self, so does the moon, The passion peosy, glories infinite, Haunt us till they become a cheering light Unto our souls, and bound to us so fast, That, whether there be shine, or gloom o'ercast, They always must be with us, or we die. Therefore, 'tis with full happiness that I Will trace the story of Endymion. The very music of the name has gone Into my being, and each pleasant scene Is growing fresh before me as the green Of our own vallies.

Percy Bysshe Shelley 'England in 1819'

An old, mad, blind, despised, and dying Kind; Princes, the dregs of their dull race, who flow Through public scorn,--mud from a muddy spring; Rulers who nether see nor feel nor know, But leechlike to their fainting country cling Till they drop, blind in blood, without a blow, A people starved and stabbed in th' untilled field; An army, whom liberticide and prey Makes as a two-edged sword to all who wield; Golden and sanguine laws which tempt and slay; Religion Christless, Godless—a book sealed; A senate, Time's worst statute, unrepealed— Are graves from which a glorious Phantom may Burst, to illumine our tempestuous day.

William Wordsworth 'Lines: Composed a Few Miles Above Tintern Abbey'

FIVE years have past; five summers, with the length Of five long winters! and again I hear These waters, rolling from their mountain-springs With a soft inland murmur.—Once again Do I behold these steep and lofty cliffs, That on a wild secluded scene impress Thoughts of more deep seclusion; and connect The landscape with the quiet of the sky. The day is come when I again repose Here, under this dark sycamore, and view These plots of cottage-ground, these orchard-tufts, Which at this season, with their unripe fruits, Are clad in one green hue, and lose themselves 'Mid groves and copses. Once again I see These hedge-rows, hardly hedge-rows, little lines Of sportive wood run wild: these pastoral farms, Green to the very door; and wreaths of smoke Sent up, in silence, from among the trees! With some uncertain notice, as might seem Of vagrant dwellers in the houseless woods, Or of some Hermit's cave, where by his fire The Hermit sits alone. These beauteous forms,Through a long absence, have not been to me As is a landscape to a blind man's eye: But oft, in lonely rooms, and 'mid the din Of towns and cities, I have owed to them In hours of weariness, sensations sweet, Felt in the blood, and felt along the heart; And passing even into my purer mind, With tranquil restoration:—feelings too Of unremembered pleasure: such, perhaps, As have no slight or trivial influence On that best portion of a good man's life, His little, nameless, unremembered, acts Of kindness and of love. Nor less, I trust, To them I may have owed another gift, Of aspect more sublime; that blessed mood, In which the burthen of the mystery, In which the heavy and the weary weight Of all this unintelligible world, Is lightened:—that serene and blessed mood, In which the affections gently lead us on,— Until, the breath of this corporeal frame And even the motion of our human blood Almost suspended, we are laid asleep In body, and become a living soul: While with an eye made quiet by the power Of harmony, and the deep power of joy, We see into the life of things. If thisBe but a vain belief, yet, oh! how oft, In darkness, and amid the many shapes Of joyless daylight; when the fretful stir Unprofitable, and the fever of the world, Have hung upon the beatings of my heart, How oft, in spirit, have I turned to thee, O sylvan Wye! thou wanderer thro' the woods, How often has my spirit turned to thee! And now, with gleams of half-extinguished thought, With many recognitions dim and faint, And somewhat of a sad perplexity, The picture of the mind revives again: While here I stand, not only with the sense Of present pleasure, but with pleasing thoughts That in this moment there is life and food For future years. And so I dare to hope, Though changed, no doubt, from what I was when first I came among these hills; when like a roe I bounded o'er the mountains, by the sides Of the deep rivers, and the lonely streams, Wherever nature led: more like a man Flying from something that he dreads, than one Who sought the thing he loved. For nature then (The coarser pleasures of my boyish days, And their glad animal movements all gone by) To me was all in all.—I cannot paint What then I was. The sounding cataract Haunted me like a passion: the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, nor any interest Unborrowed from the eye.—That time is past, And all its aching joys are now no more, And all its dizzy raptures. Not for this Faint I, nor mourn nor murmur; other gifts Have followed; for such loss, I would believe, Abundant recompence. For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes The still, sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue. And I have felt A presence that disturbs me with the joy Of elevated thoughts: a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man: A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows and the woods, And mountains; and of all that we behold From this green earth; of all the mighty world Of eye and ear,—both what they half create, And what perceive; well pleased to recognise In nature and the language of the sense, The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul Of all my moral being. Nor perchance,If I were not thus taught, should I the more Suffer my genial spirits to decay: For thou art with me here upon the banks Of this fair river; thou, my dearest Friend, My dear, dear Friend; and in thy voice I catch The language of my former heart, and read My former pleasures in the shooting lights Of thy wild eyes. Oh! yet a little while May I behold in thee what I was once, My dear, dear Sister! and this prayer I make Knowing that Nature never did betray The heart that loved her; 'tis her privilege Through all the years of this our life, to lead From joy to joy: for she can so inform The mind that is within us, so impress With quietness and beauty, and so feed With lofty thoughts, that neither evil tongues, Rash judgments, nor the sneers of selfish men, Nor greetings where no kindness is, nor all The dreary intercourse of daily life, Shall e'er prevail against us, or disturb Our cheerful faith, that all which we behold Is full of blessings. Therefore let the moon Shine on thee in thy solitary walk; And let the misty mountain winds be free To blow against thee: and, in after years, When these wild ecstasies shall be matured Into a sober pleasure; when thy mind Shall be a mansion for all lovely forms, Thy memory be as a dwelling-place For all sweet sounds and harmonies; oh! then, If solitude, or fear, or pain, or grief, Should be thy portion, with what healing thoughts Of tender joy wilt thou remember me, And these my exhortations! Nor, perchance— If I should be where I no more can hear Thy voice, nor catch from thy wild eyes those gleams Of past existence,—wilt thou then forget That on the banks of this delightful stream We stood together; and that I, so long A worshipper of Nature, hither came Unwearied in that service: rather say With warmer love, oh! with far deeper zeal Of holier love. Nor wilt thou then forget, That after many wanderings, many years Of absence, these steep woods and lofty cliffs, And this green pastoral landscape, were to me More dear, both for themselves and for thy sake!

Alfred, Lord Tennyson 'The Charge of the Light Brigade'

Half a league half a league, Half a league onward, All in the valley of Death Rode the six hundred: 'Forward, the Light Brigade! Charge for the guns' he said: Into the valley of Death Rode the six hundred. 'Forward, the Light Brigade!' Was there a man dismay'd ? Not tho' the soldier knew Some one had blunder'd: Theirs not to make reply, Theirs not to reason why, Theirs but to do & die, Into the valley of Death Rode the six hundred. Cannon to right of them, Cannon to left of them, Cannon in front of them Volley'd & thunder'd; Storm'd at with shot and shell, Boldly they rode and well, Into the jaws of Death, Into the mouth of Hell Rode the six hundred. Flash'd all their sabres bare, Flash'd as they turn'd in air Sabring the gunners there, Charging an army while All the world wonder'd: Plunged in the battery-smoke Right thro' the line they broke; Cossack & Russian Reel'd from the sabre-stroke, Shatter'd & sunder'd. Then they rode back, but not Not the six hundred. Cannon to right of them, Cannon to left of them, Cannon behind them Volley'd and thunder'd; Storm'd at with shot and shell, While horse & hero fell, They that had fought so well Came thro' the jaws of Death, Back from the mouth of Hell, All that was left of them, Left of six hundred. When can their glory fade? O the wild charge they made! All the world wonder'd. Honour the charge they made! Honour the Light Brigade, Noble six hundred!

Robert Browning 'Fra Lippo Lippi'

I am poor brother Lippo, by your leave! You need not clap your torches to my face. Zooks, what's to blame? you think you see a monk! What, 'tis past midnight, and you go the rounds, And here you catch me at an alley's end Where sportive ladies leave their doors ajar? The Carmine's my cloister: hunt it up, Do,—harry out, if you must show your zeal, Whatever rat, there, haps on his wrong hole, And nip each softling of a wee white mouse, Weke, weke, that's crept to keep him company! Aha, you know your betters! Then, you'll take Your hand away that's fiddling on my throat, And please to know me likewise. Who am I? Why, one, sir, who is lodging with a friend Three streets off—he's a certain . . . how d'ye call? Master—a ...Cosimo of the Medici, I' the house that caps the corner. Boh! you were best! Remember and tell me, the day you're hanged, How you affected such a gullet's-gripe! But you, sir, it concerns you that your knaves Pick up a manner nor discredit you: Zooks, are we pilchards, that they sweep the streets And count fair price what comes into their net? He's Judas to a tittle, that man is! Just such a face! Why, sir, you make amends. Lord, I'm not angry! Bid your hang-dogs go Drink out this quarter-florin to the health Of the munificent House that harbours me (And many more beside, lads! more beside!) And all's come square again. I'd like his face— His, elbowing on his comrade in the door With the pike and lantern,—for the slave that holds John Baptist's head a-dangle by the hair With one hand ("Look you, now," as who should say) And his weapon in the other, yet unwiped! It's not your chance to have a bit of chalk, A wood-coal or the like? or you should see! Yes, I'm the painter, since you style me so. What, brother Lippo's doings, up and down, You know them and they take you? like enough! I saw the proper twinkle in your eye— 'Tell you, I liked your looks at very first. Let's sit and set things straight now, hip to haunch. Here's spring come, and the nights one makes up bands To roam the town and sing out carnival, And I've been three weeks shut within my mew, A-painting for the great man, saints and saints And saints again. I could not paint all night— Ouf! I leaned out of window for fresh air. There came a hurry of feet and little feet, A sweep of lute strings, laughs, and whifts of song, — Flower o' the broom, Take away love, and our earth is a tomb! Flower o' the quince, I let Lisa go, and what good in life since? Flower o' the thyme—and so on. Round they went. Scarce had they turned the corner when a titter Like the skipping of rabbits by moonlight,—three slim shapes, And a face that looked up . . . zooks, sir, flesh and blood, That's all I'm made of! Into shreds it went, Curtain and counterpane and coverlet, All the bed-furniture—a dozen knots, There was a ladder! Down I let myself, Hands and feet, scrambling somehow, and so dropped, And after them. I came up with the fun Hard by Saint Laurence, hail fellow, well met,— Flower o' the rose, If I've been merry, what matter who knows? And so as I was stealing back again To get to bed and have a bit of sleep Ere I rise up to-morrow and go work On Jerome knocking at his poor old breast With his great round stone to subdue the flesh, You snap me of the sudden. Ah, I see! Though your eye twinkles still, you shake your head— Mine's shaved—a monk, you say—the sting 's in that! If Master Cosimo announced himself, Mum's the word naturally; but a monk! Come, what am I a beast for? tell us, now! I was a baby when my mother died And father died and left me in the street. I starved there, God knows how, a year or two On fig-skins, melon-parings, rinds and shucks, Refuse and rubbish. One fine frosty day, My stomach being empty as your hat, The wind doubled me up and down I went. Old Aunt Lapaccia trussed me with one hand, (Its fellow was a stinger as I knew) And so along the wall, over the bridge, By the straight cut to the convent. Six words there, While I stood munching my first bread that month: "So, boy, you're minded," quoth the good fat father Wiping his own mouth, 'twas refection-time,— "To quit this very miserable world? Will you renounce" . . . "the mouthful of bread?" thought I; By no means! Brief, they made a monk of me; I did renounce the world, its pride and greed, Palace, farm, villa, shop, and banking-house, Trash, such as these poor devils of Medici Have given their hearts to—all at eight years old. Well, sir, I found in time, you may be sure, 'Twas not for nothing—the good bellyful, The warm serge and the rope that goes all round, And day-long blessed idleness beside! "Let's see what the urchin's fit for"—that came next. Not overmuch their way, I must confess. Such a to-do! They tried me with their books: Lord, they'd have taught me Latin in pure waste! Flower o' the clove. All the Latin I construe is, "amo" I love! But, mind you, when a boy starves in the streets Eight years together, as my fortune was, Watching folk's faces to know who will fling The bit of half-stripped grape-bunch he desires, And who will curse or kick him for his pains,— Which gentleman processional and fine, Holding a candle to the Sacrament, Will wink and let him lift a plate and catch The droppings of the wax to sell again, Or holla for the Eight and have him whipped,— How say I?—nay, which dog bites, which lets drop His bone from the heap of offal in the street,— Why, soul and sense of him grow sharp alike, He learns the look of things, and none the less For admonition from the hunger-pinch. I had a store of such remarks, be sure, Which, after I found leisure, turned to use. I drew men's faces on my copy-books, Scrawled them within the antiphonary's marge, Joined legs and arms to the long music-notes, Found eyes and nose and chin for A's and B's, And made a string of pictures of the world Betwixt the ins and outs of verb and noun, On the wall, the bench, the door. The monks looked black. "Nay," quoth the Prior, "turn him out, d'ye say? In no wise. Lose a crow and catch a lark. What if at last we get our man of parts, We Carmelites, like those Camaldolese And Preaching Friars, to do our church up fine And put the front on it that ought to be!" And hereupon he bade me daub away. Thank you! my head being crammed, the walls a blank, Never was such prompt disemburdening. First, every sort of monk, the black and white, I drew them, fat and lean: then, folk at church, From good old gossips waiting to confess Their cribs of barrel-droppings, candle-ends,— To the breathless fellow at the altar-foot, Fresh from his murder, safe and sitting there With the little children round him in a row Of admiration, half for his beard and half For that white anger of his victim's son Shaking a fist at him with one fierce arm, Signing himself with the other because of Christ (Whose sad face on the cross sees only this After the passion of a thousand years) Till some poor girl, her apron o'er her head, (Which the intense eyes looked through) came at eve On tiptoe, said a word, dropped in a loaf, Her pair of earrings and a bunch of flowers (The brute took growling), prayed, and so was gone. I painted all, then cried "'Tis ask and have; Choose, for more's ready!"—laid the ladder flat, And showed my covered bit of cloister-wall. The monks closed in a circle and praised loud Till checked, taught what to see and not to see, Being simple bodies,—"That's the very man! Look at the boy who stoops to pat the dog! That woman's like the Prior's niece who comes To care about his asthma: it's the life!'' But there my triumph's straw-fire flared and funked; Their betters took their turn to see and say: The Prior and the learned pulled a face And stopped all that in no time. "How? what's here? Quite from the mark of painting, bless us all! Faces, arms, legs, and bodies like the true As much as pea and pea! it's devil's-game! Your business is not to catch men with show, With homage to the perishable clay, But lift them over it, ignore it all, Make them forget there's such a thing as flesh. Your business is to paint the souls of men— Man's soul, and it's a fire, smoke . . . no, it's not . . . It's vapour done up like a new-born babe— (In that shape when you die it leaves your mouth) It's . . . well, what matters talking, it's the soul! Give us no more of body than shows soul! Here's Giotto, with his Saint a-praising God, That sets us praising—why not stop with him? Why put all thoughts of praise out of our head With wonder at lines, colours, and what not? Paint the soul, never mind the legs and arms! Rub all out, try at it a second time. Oh, that white smallish female with the breasts, She's just my niece . . . Herodias, I would say,— Who went and danced and got men's heads cut off! Have it all out!" Now, is this sense, I ask? A fine way to paint soul, by painting body So ill, the eye can't stop there, must go further And can't fare worse! Thus, yellow does for white When what you put for yellow's simply black, And any sort of meaning looks intense When all beside itself means and looks nought. Why can't a painter lift each foot in turn, Left foot and right foot, go a double step, Make his flesh liker and his soul more like, Both in their order? Take the prettiest face, The Prior's niece . . . patron-saint—is it so pretty You can't discover if it means hope, fear, Sorrow or joy? won't beauty go with these? Suppose I've made her eyes all right and blue, Can't I take breath and try to add life's flash, And then add soul and heighten them three-fold? Or say there's beauty with no soul at all— (I never saw it—put the case the same—) If you get simple beauty and nought else, You get about the best thing God invents: That's somewhat: and you'll find the soul you have missed, Within yourself, when you return him thanks. "Rub all out!" Well, well, there's my life, in short, And so the thing has gone on ever since. I'm grown a man no doubt, I've broken bounds: You should not take a fellow eight years old And make him swear to never kiss the girls. I'm my own master, paint now as I please— Having a friend, you see, in the Corner-house! Lord, it's fast holding by the rings in front— Those great rings serve more purposes than just To plant a flag in, or tie up a horse! And yet the old schooling sticks, the old grave eyes Are peeping o'er my shoulder as I work, The heads shake still—"It's art's decline, my son! You're not of the true painters, great and old; Brother Angelico's the man, you'll find; Brother Lorenzo stands his single peer: Fag on at flesh, you'll never make the third!" Flower o' the pine, You keep your mistr ... manners, and I'll stick to mine! I'm not the third, then: bless us, they must know! Don't you think they're the likeliest to know, They with their Latin? So, I swallow my rage, Clench my teeth, suck my lips in tight, and paint To please them—sometimes do and sometimes don't; For, doing most, there's pretty sure to come A turn, some warm eve finds me at my saints— A laugh, a cry, the business of the world— (Flower o' the peach Death for us all, and his own life for each!) And my whole soul revolves, the cup runs over, The world and life's too big to pass for a dream, And I do these wild things in sheer despite, And play the fooleries you catch me at, In pure rage! The old mill-horse, out at grass After hard years, throws up his stiff heels so, Although the miller does not preach to him The only good of grass is to make chaff. What would men have? Do they like grass or no— May they or mayn't they? all I want's the thing Settled for ever one way. As it is, You tell too many lies and hurt yourself: You don't like what you only like too much, You do like what, if given you at your word, You find abundantly detestable. For me, I think I speak as I was taught; I always see the garden and God there A-making man's wife: and, my lesson learned, The value and significance of flesh, I can't unlearn ten minutes afterwards. You understand me: I'm a beast, I know. But see, now—why, I see as certainly As that the morning-star's about to shine, What will hap some day. We've a youngster here Comes to our convent, studies what I do, Slouches and stares and lets no atom drop: His name is Guidi—he'll not mind the monks— They call him Hulking Tom, he lets them talk— He picks my practice up—he'll paint apace. I hope so—though I never live so long, I know what's sure to follow. You be judge! You speak no Latin more than I, belike; However, you're my man, you've seen the world —The beauty and the wonder and the power, The shapes of things, their colours, lights and shades, Changes, surprises,—and God made it all! —For what? Do you feel thankful, ay or no, For this fair town's face, yonder river's line, The mountain round it and the sky above, Much more the figures of man, woman, child, These are the frame to? What's it all about? To be passed over, despised? or dwelt upon, Wondered at? oh, this last of course!—you say. But why not do as well as say,—paint these Just as they are, careless what comes of it? God's works—paint any one, and count it crime To let a truth slip. Don't object, "His works Are here already; nature is complete: Suppose you reproduce her—(which you can't) There's no advantage! you must beat her, then." For, don't you mark? we're made so that we love First when we see them painted, things we have passed Perhaps a hundred times nor cared to see; And so they are better, painted—better to us, Which is the same thing. Art was given for that; God uses us to help each other so, Lending our minds out. Have you noticed, now, Your cullion's hanging face? A bit of chalk, And trust me but you should, though! How much more, If I drew higher things with the same truth! That were to take the Prior's pulpit-place, Interpret God to all of you! Oh, oh, It makes me mad to see what men shall do And we in our graves! This world's no blot for us, Nor blank; it means intensely, and means good: To find its meaning is my meat and drink. "Ay, but you don't so instigate to prayer!" Strikes in the Prior: "when your meaning's plain It does not say to folk—remember matins, Or, mind you fast next Friday!" Why, for this What need of art at all? A skull and bones, Two bits of stick nailed crosswise, or, what's best, A bell to chime the hour with, does as well. I painted a Saint Laurence six months since At Prato, splashed the fresco in fine style: "How looks my painting, now the scaffold's down?" I ask a brother: "Hugely," he returns— "Already not one phiz of your three slaves Who turn the Deacon off his toasted side, But's scratched and prodded to our heart's content, The pious people have so eased their own With coming to say prayers there in a rage: We get on fast to see the bricks beneath. Expect another job this time next year, For pity and religion grow i' the crowd— Your painting serves its purpose!" Hang the fools! —That is—you'll not mistake an idle word Spoke in a huff by a poor monk, God wot, Tasting the air this spicy night which turns The unaccustomed head like Chianti wine! Oh, the church knows! don't misreport me, now! It's natural a poor monk out of bounds Should have his apt word to excuse himself: And hearken how I plot to make amends. I have bethought me: I shall paint a piece ... There's for you! Give me six months, then go, see Something in Sant' Ambrogio's! Bless the nuns! They want a cast o' my office. I shall paint God in the midst, Madonna and her babe, Ringed by a bowery, flowery angel-brood, Lilies and vestments and white faces, sweet As puff on puff of grated orris-root When ladies crowd to Church at midsummer. And then i' the front, of course a saint or two— Saint John' because he saves the Florentines, Saint Ambrose, who puts down in black and white The convent's friends and gives them a long day, And Job, I must have him there past mistake, The man of Uz (and Us without the z, Painters who need his patience). Well, all these Secured at their devotion, up shall come Out of a corner when you least expect, As one by a dark stair into a great light, Music and talking, who but Lippo! I!— Mazed, motionless, and moonstruck—I'm the man! Back I shrink—what is this I see and hear? I, caught up with my monk's-things by mistake, My old serge gown and rope that goes all round, I, in this presence, this pure company! Where's a hole, where's a corner for escape? Then steps a sweet angelic slip of a thing Forward, puts out a soft palm—"Not so fast!" —Addresses the celestial presence, "nay— He made you and devised you, after all, Though he's none of you! Could Saint John there draw— His camel-hair make up a painting brush? We come to brother Lippo for all that, Iste perfecit opus! So, all smile— I shuffle sideways with my blushing face Under the cover of a hundred wings Thrown like a spread of kirtles when you're gay And play hot cockles, all the doors being shut, Till, wholly unexpected, in there pops The hothead husband! Thus I scuttle off To some safe bench behind, not letting go The palm of her, the little lily thing That spoke the good word for me in the nick, Like the Prior's niece . . . Saint Lucy, I would say. And so all's saved for me, and for the church A pretty picture gained. Go, six months hence! Your hand, sir, and good-bye: no lights, no lights! The street's hushed, and I know my own way back, Don't fear me! There's the grey beginning. Zooks!

William Butler Yeats 'Easter, 1916'

I have met them at close of day Coming with vivid faces From counter or desk among grey Eighteenth-century houses. I have passed with a nod of the head Or polite meaningless words, Or have lingered awhile and said Polite meaningless words, And thought before I had done Of a mocking tale or a gibe To please a companion Around the fire at the club, Being certain that they and I But lived where motley is worn: All changed, changed utterly: A terrible beauty is born. That woman's days were spent In ignorant good-will, Her nights in argument Until her voice grew shrill. What voice more sweet than hers When, young and beautiful, She rode to harriers? This man had kept a school And rode our winged horse; This other his helper and friend Was coming into his force; He might have won fame in the end, So sensitive his nature seemed, So daring and sweet his thought. This other man I had dreamed A drunken, vainglorious lout. He had done most bitter wrong To some who are near my heart, Yet I number him in the song; He, too, has resigned his part In the casual comedy; He, too, has been changed in his turn, Transformed utterly: A terrible beauty is born. Hearts with one purpose alone Through summer and winter seem Enchanted to a stone To trouble the living stream. The horse that comes from the road. The rider, the birds that range From cloud to tumbling cloud, Minute by minute they change; A shadow of cloud on the stream Changes minute by minute; A horse-hoof slides on the brim, And a horse plashes within it; The long-legged moor-hens dive, And hens to moor-cocks call; Minute by minute they live: The stone's in the midst of all. Too long a sacrifice Can make a stone of the heart. O when may it suffice? That is Heaven's part, our part To murmur name upon name, As a mother names her child When sleep at last has come On limbs that had run wild. What is it but nightfall? No, no, not night but death; Was it needless death after all? For England may keep faith For all that is done and said. We know their dream; enough To know they dreamed and are dead; And what if excess of love Bewildered them till they died? I write it out in a verse - MacDonagh and MacBride And Connolly and Pearse Now and in time to be, Wherever green is worn, Are changed, changed utterly: A terrible beauty is born.

Percy Bysshe Shelley 'Ozymandius'

I met a traveler from an antique land, Who said—"Two vast and trunkless legs of stone Stand in the desart....Near them, on the sand, Half sunk a shattered visage lies, whose frown, And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read Which yet survive, stamped on these lifeless things The hand that mocked them, And the heart that fed; And on the pedestal, these words appear: My name is Ozymandias, Kind of Kings, Look on my Works, ye Mighty, and despair! Nothing beside remains. Round the decay Of that colossal Wreck, boundless and bare The lone and level sands stretch far away."

Yeats 'Crazy Jane Talks with the Bishop'

I met the Bishop on the road And much said he and I. 'Those breasts are flat and fallen now, Those veins must soon be dry; Live in a heavenly mansion, Not in some foul sty.' 'Fair and foul are near of kin, And fair needs foul,' I cried. 'My friends are gone, but that's a truth Nor grave nor bed denied, Learned in bodily lowliness And in the heart's pride. 'A woman can be proud and stiff When on love intent; But Love has pitched his mansion in The place of excrement; For nothing can be sole or whole That has not been rent.'

William Butler Yeats 'Among School Children'

I walk through the long schoolroom questioning; A kind old nun in a white hood replies; The children learn to cipher and to sing, To study reading-books and histories, To cut and sew, be neat in everything In the best modern way -- the children's eyes In momentary wonder stare upon A sixty-year-old smiling public man. I dream of a Ledaean body, bent Above a sinking fire. a tale that she Told of a harsh reproof, or trivial event That changed some childish day to tragedy -- Told, and it seemed that our two natures blent Into a sphere from youthful sympathy, Or else, to alter Plato's parable, Into the yolk and white of the one shell. III And thinking of that fit of grief or rage I look upon one child or t'other there And wonder if she stood so at that age -- For even daughters of the swan can share Something of every paddler's heritage -- And had that colour upon cheek or hair, And thereupon my heart is driven wild: She stands before me as a living child. Her present image floats into the mind -- Did Quattrocento finger fashion it Hollow of cheek as though it drank the wind And took a mess of shadows for its meat? And I though never of Ledaean kind Had pretty plumage once -- enough of that, Better to smile on all that smile, and show There is a comfortable kind of old scarecrow. What youthful mother, a shape upon her lap Honey of generation had betrayed, And that must sleep, shriek, struggle to escape As recollection or the drug decide, Would think her Son, did she but see that shape With sixty or more winters on its head, A compensation for the pang of his birth, Or the uncertainty of his setting forth? Plato thought nature but a spume that plays Upon a ghostly paradigm of things; Solider Aristotle played the taws Upon the bottom of a king of kings; World-famous golden-thighed Pythagoras Fingered upon a fiddle-stick or strings What a star sang and careless Muses heard: Old clothes upon old sticks to scare a bird. VII Both nuns and mothers worship images, But thos the candles light are not as those That animate a mother's reveries, But keep a marble or a bronze repose. And yet they too break hearts -- O presences That passion, piety or affection knows, And that all heavenly glory symbolise -- O self-born mockers of man's enterprise; VIII Labour is blossoming or dancing where The body is not bruised to pleasure soul. Nor beauty born out of its own despair, Nor blear-eyed wisdom out of midnight oil. O chestnut-tree, great-rooted blossomer, Are you the leaf, the blossom or the bole? O body swayed to music, O brightening glance, How can we know the dancer from the dance? 'Crazy Jane Talks with the Bishop' I met the Bishop on the road And much said he and I. 'Those breasts are flat and fallen now, Those veins must soon be dry; Live in a heavenly mansion, Not in some foul sty.' 'Fair and foul are near of kin, And fair needs foul,' I cried. 'My friends are gone, but that's a truth Nor grave nor bed denied, Learned in bodily lowliness And in the heart's pride. 'A woman can be proud and stiff When on love intent; But Love has pitched his mansion in The place of excrement; For nothing can be sole or whole That has not been rent.'

William Blake 'London'

I wander thro' each charter'd street, Near where the charter'd Thames does flow, And mark in every face I meet Marks of weakness, marks of woe. In every cry of every Man, In every Infant's cry of fear, In every voice, in every ban, The mind-forg'd manacles I hear; How the Chimney-sweeper's cry Every blackning Church appalls, And the hapless Soldiers sigh Runs in blood down Palace walls. But most thro' midnight streets I hear How the youthful Harlot's curse Blasts the new-born Infants tear, And blights with plagues the Marriage hearse.

William Blake 'A Poison Tree'

I was angry with my friend: I told my wrath, my wrath did end. I was angry with my foe: I told it not, my wrath did grow. And I watered it in fears, Night & morning with my tears; And I sunned it with smiles, And with soft deceitful wiles. And it grew both day and night, Till it bore an apple bright. And my foe beheld it shine, And he knew that it was mine, And into my garden stole, When the night had veild the pole; In the morning glad I see My foe outstretchd beneath the tree.

William Blake 'The Garden of Love'

I went to the Garden of Love, And saw what I never had seen: A Chapel was built in the midst, Where I used to play on the green. And the gates of this Chapel were shut, And "Though shalt not" writ over the door; So I turn'd to the Garden of Love, That so many sweet flowers bore, And I saw it was filled with graves, And tomb-stones where flowers should be; And Priests in black gowns were walking their rounds, And binding with briars my joys & desires.

Thomas Hardy 'The Convergence of the Twain'

In a solitude of the sea Deep from human vanity, And the Pride of Life that planned her, stilly couches she. Steel chambers, late the pyres Of her salamandrine fires, Cold currents thrid, and turn to rhythmic tidal lyres. Over the mirrors meant To glass the opulent The sea-worm crawls -- grotesque, slimed, dumb, indifferent. Jewels in joy designed To ravish the sensuous mind Lie lightless, all their sparkles bleared and black and blind. Dim moon-eyed fishes near Gaze at the gilded gear And query: 'What does this vaingloriousness down here?'... Well: while was fashioning This creature of cleaving wing, The Immanent Will that stirs and urges everything Prepared a sinister mate For her -- so gaily great -- A Shape of Ice, for the time far and dissociate. And as the smart ship grew In stature, grace, and hue, In shadowy silent distance grew the Iceberg too. Alien they seemed to be: No mortal eye could see The intimate welding of their later history, Or sign that they were bent By paths coincident On being anon twin halves of one august event, Till the Spinner of the Years Said 'Now!' And each one hears, And consummation comes, and jars two hemispheres.

Christina Rosetti 'Goblin Market'

Morning and evening Maids heard the goblins cry: "Come buy our orchard fruits, Come buy, come buy: Apples and quinces, Lemons and oranges, Plump unpecked cherries- Melons and raspberries, Bloom-down-cheeked peaches, Swart-headed mulberries, Wild free-born cranberries, Crab-apples, dewberries, Pine-apples, blackberries, Apricots, strawberries-- All ripe together In summer weather-- Morns that pass by, Fair eves that fly; Come buy, come buy; Our grapes fresh from the vine, Pomegranates full and fine, Dates and sharp bullaces, Rare pears and greengages, Damsons and bilberries, Taste them and try: Currants and gooseberries, Bright-fire-like barberries, Figs to fill your mouth, Citrons from the South, Sweet to tongue and sound to eye, Come buy, come buy." Evening by evening Among the brookside rushes, Laura bowed her head to hear, Lizzie veiled her blushes: Crouching close together In the cooling weather, With clasping arms and cautioning lips, With tingling cheeks and finger-tips. "Lie close," Laura said, Pricking up her golden head: We must not look at goblin men, We must not buy their fruits: Who knows upon what soil they fed Their hungry thirsty roots?" "Come buy," call the goblins Hobbling down the glen. "O! cried Lizzie, Laura, Laura, You should not peep at goblin men." Lizzie covered up her eyes Covered close lest they should look; Laura reared her glossy head, And whispered like the restless brook: "Look, Lizzie, look, Lizzie, Down the glen tramp little men. One hauls a basket, One bears a plate, One lugs a golden dish Of many pounds' weight. How fair the vine must grow Whose grapes are so luscious; How warm the wind must blow Through those fruit bushes." "No," said Lizzie, "no, no, no; Their offers should not charm us, Their evil gifts would harm us." She thrust a dimpled finger In each ear, shut eyes and ran: Curious Laura chose to linger Wondering at each merchant man. One had a cat's face, One whisked a tail, One tramped at a rat's pace, One crawled like a snail, One like a wombat prowled obtuse and furry, One like a ratel tumbled hurry-scurry. Lizzie heard a voice like voice of doves Cooing all together: They sounded kind and full of loves In the pleasant weather. Laura stretched her gleaming neck Like a rush-imbedded swan, Like a lily from the beck, Like a moonlit poplar branch, Like a vessel at the launch When its last restraint is gone. Backwards up the mossy glen Turned and trooped the goblin men, With their shrill repeated cry, "Come buy, come buy." When they reached where Laura was They stood stock still upon the moss, Leering at each other, Brother with queer brother; Signalling each other, Brother with sly brother. One set his basket down, One reared his plate; One began to weave a crown Of tendrils, leaves, and rough nuts brown (Men sell not such in any town); One heaved the golden weight Of dish and fruit to offer her: "Come buy, come buy," was still their cry. Laura stared but did not stir, Longed but had no money: The whisk-tailed merchant bade her taste In tones as smooth as honey, The cat-faced purr'd, The rat-paced spoke a word Of welcome, and the snail-paced even was heard; One parrot-voiced and jolly Cried "Pretty Goblin" still for "Pretty Polly"; One whistled like a bird. But sweet-tooth Laura spoke in haste: "Good folk, I have no coin; To take were to purloin: I have no copper in my purse, I have no silver either, And all my gold is on the furze That shakes in windy weather Above the rusty heather." "You have much gold upon your head," They answered altogether: "Buy from us with a golden curl." She clipped a precious golden lock, She dropped a tear more rare than pearl, Then sucked their fruit globes fair or red: Sweeter than honey from the rock, Stronger than man-rejoicing wine, Clearer than water flowed that juice; She never tasted such before, How should it cloy with length of use? She sucked and sucked and sucked the more Fruits which that unknown orchard bore, She sucked until her lips were sore; Then flung the emptied rinds away, But gathered up one kernel stone, And knew not was it night or day As she turned home alone. Lizzie met her at the gate Full of wise upbraidings: "Dear, you should not stay so late, Twilight is not good for maidens; Should not loiter in the glen In the haunts of goblin men. Do you not remember Jeanie, How she met them in the moonlight, Took their gifts both choice and many, Ate their fruits and wore their flowers Plucked from bowers Where summer ripens at all hours? But ever in the moonlight She pined and pined away; Sought them by night and day, Found them no more, but dwindled and grew gray; Then fell with the first snow, While to this day no grass will grow Where she lies low: I planted daisies there a year ago That never blow. You should not loiter so." "Nay hush," said Laura. "Nay hush, my sister: I ate and ate my fill, Yet my mouth waters still; To-morrow night I will Buy more," and kissed her. "Have done with sorrow; I'll bring you plums to-morrow Fresh on their mother twigs, Cherries worth getting; You cannot think what figs My teeth have met in, What melons, icy-cold Piled on a dish of gold Too huge for me to hold, What peaches with a velvet nap, Pellucid grapes without one seed: Odorous indeed must be the mead Whereon they grow, and pure the wave they drink, With lilies at the brink, And sugar-sweet their sap." Golden head by golden head, Like two pigeons in one nest Folded in each other's wings, They lay down, in their curtained bed: Like two blossoms on one stem, Like two flakes of new-fallen snow, Like two wands of ivory Tipped with gold for awful kings. Moon and stars beamed in at them, Wind sang to them lullaby, Lumbering owls forbore to fly, Not a bat flapped to and fro Round their rest: Cheek to cheek and breast to breast Locked together in one nest. Early in the morning When the first cock crowed his warning, Neat like bees, as sweet and busy, Laura rose with Lizzie: Fetched in honey, milked the cows, Aired and set to rights the house, Kneaded cakes of whitest wheat, Cakes for dainty mouths to eat, Next churned butter, whipped up cream, Fed their poultry, sat and sewed; Talked as modest maidens should Lizzie with an open heart, Laura in an absent dream, One content, one sick in part; One warbling for the mere bright day's delight, One longing for the night. At length slow evening came-- They went with pitchers to the reedy brook; Lizzie most placid in her look, Laura most like a leaping flame. They drew the gurgling water from its deep Lizzie plucked purple and rich golden flags, Then turning homeward said: "The sunset flushes Those furthest loftiest crags; Come, Laura, not another maiden lags, No wilful squirrel wags, The beasts and birds are fast asleep." But Laura loitered still among the rushes And said the bank was steep. And said the hour was early still, The dew not fallen, the wind not chill: Listening ever, but not catching The customary cry, "Come buy, come buy," With its iterated jingle Of sugar-baited words: Not for all her watching Once discerning even one goblin Racing, whisking, tumbling, hobbling; Let alone the herds That used to tramp along the glen, In groups or single, Of brisk fruit-merchant men. Till Lizzie urged, "O Laura, come, I hear the fruit-call, but I dare not look: You should not loiter longer at this brook: Come with me home. The stars rise, the moon bends her arc, Each glow-worm winks her spark, Let us get home before the night grows dark; For clouds may gather even Though this is summer weather, Put out the lights and drench us through; Then if we lost our way what should we do?" Laura turned cold as stone To find her sister heard that cry alone, That goblin cry, "Come buy our fruits, come buy." Must she then buy no more such dainty fruit? Must she no more such succous pasture find, Gone deaf and blind? Her tree of life drooped from the root: She said not one word in her heart's sore ache; But peering thro' the dimness, naught discerning, Trudged home, her pitcher dripping all the way; So crept to bed, and lay Silent 'til Lizzie slept; Then sat up in a passionate yearning, And gnashed her teeth for balked desire, and wept As if her heart would break. Day after day, night after night, Laura kept watch in vain, In sullen silence of exceeding pain. She never caught again the goblin cry: "Come buy, come buy," She never spied the goblin men Hawking their fruits along the glen: But when the noon waxed bright Her hair grew thin and gray; She dwindled, as the fair full moon doth turn To swift decay, and burn Her fire away. One day remembering her kernel-stone She set it by a wall that faced the south; Dewed it with tears, hoped for a root, Watched for a waxing shoot, But there came none; It never saw the sun, It never felt the trickling moisture run: While with sunk eyes and faded mouth She dreamed of melons, as a traveller sees False waves in desert drouth With shade of leaf-crowned trees, And burns the thirstier in the sandful breeze. She no more swept the house, Tended the fowls or cows, Fetched honey, kneaded cakes of wheat, Brought water from the brook: But sat down listless in the chimney-nook And would not eat. Tender Lizzie could not bear To watch her sister's cankerous care, Yet not to share. She night and morning Caught the goblins' cry: "Come buy our orchard fruits, Come buy, come buy." Beside the brook, along the glen She heard the tramp of goblin men, The voice and stir Poor Laura could not hear; Longed to buy fruit to comfort her, But feared to pay too dear, She thought of Jeanie in her grave, Who should have been a bride; But who for joys brides hope to have Fell sick and died In her gay prime, In earliest winter-time, With the first glazing rime, With the first snow-fall of crisp winter-time. Till Laura, dwindling, Seemed knocking at Death's door: Then Lizzie weighed no more Better and worse, But put a silver penny in her purse, Kissed Laura, crossed the heath with clumps of furze At twilight, halted by the brook, And for the first time in her life Began to listen and look. Laughed every goblin When they spied her peeping: Came towards her hobbling, Flying, running, leaping, Puffing and blowing, Chuckling, clapping, crowing, Clucking and gobbling, Mopping and mowing, Full of airs and graces, Pulling wry faces, Demure grimaces, Cat-like and rat-like, Ratel and wombat-like, Snail-paced in a hurry, Parrot-voiced and whistler, Helter-skelter, hurry-skurry, Chattering like magpies, Fluttering like pigeons, Gliding like fishes, -- Hugged her and kissed her; Squeezed and caressed her; Stretched up their dishes, Panniers and plates: "Look at our apples Russet and dun, Bob at our cherries Bite at our peaches, Citrons and dates, Grapes for the asking, Pears red with basking Out in the sun, Plums on their twigs; Pluck them and suck them, Pomegranates, figs." "Good folk," said Lizzie, Mindful of Jeanie, "Give me much and many"; -- Held out her apron, Tossed them her penny. "Nay, take a seat with us, Honor and eat with us," They answered grinning; "Our feast is but beginning. Night yet is early, Warm and dew-pearly, Wakeful and starry: Such fruits as these No man can carry; Half their bloom would fly, Half their dew would dry, Half their flavor would pass by. Sit down and feast with us, Be welcome guest with us, Cheer you and rest with us." "Thank you," said Lizzie; "but one waits At home alone for me: So, without further parleying, If you will not sell me any Of your fruits though much and many, Give me back my silver penny I tossed you for a fee." They began to scratch their pates, No longer wagging, purring, But visibly demurring, Grunting and snarling. One called her proud, Cross-grained, uncivil; Their tones waxed loud, Their looks were evil. Lashing their tails They trod and hustled her, Elbowed and jostled her, Clawed with their nails, Barking, mewing, hissing, mocking, Tore her gown and soiled her stocking, Twitched her hair out by the roots, Stamped upon her tender feet, Held her hands and squeezed their fruits Against her mouth to make her eat. White and golden Lizzie stood, Like a lily in a flood, Like a rock of blue-veined stone Lashed by tides obstreperously, -- Like a beacon left alone In a hoary roaring sea, Sending up a golden fire, -- Like a fruit-crowned orange-tree White with blossoms honey-sweet Sore beset by wasp and bee, -- Like a royal virgin town Topped with gilded dome and spire Close beleaguered by a fleet Mad to tear her standard down. One may lead a horse to water, Twenty cannot make him drink. Though the goblins cuffed and caught her, Coaxed and fought her, Bullied and besought her, Scratched her, pinched her black as ink, Kicked and knocked her, Mauled and mocked her, Lizzie uttered not a word; Would not open lip from lip Lest they should cram a mouthful in; But laughed in heart to feel the drip Of juice that syruped all her face, And lodged in dimples of her chin, And streaked her neck which quaked like curd. At last the evil people, Worn out by her resistance, Flung back her penny, kicked their fruit Along whichever road they took, Not leaving root or stone or shoot. Some writhed into the ground, Some dived into the brook With ring and ripple. Some scudded on the gale without a sound, Some vanished in the distance. In a smart, ache, tingle, Lizzie went her way; Knew not was it night or day; Sprang up the bank, tore through the furze, Threaded copse and dingle, And heard her penny jingle Bouncing in her purse, -- Its bounce was music to her ear. She ran and ran As if she feared some goblin man Dogged her with gibe or curse Or something worse: But not one goblin skurried after, Nor was she pricked by fear; The kind heart made her windy-paced That urged her home quite out of breath with haste And inward laughter. She cried "Laura," up the garden, "Did you miss me ? Come and kiss me. Never mind my bruises, Hug me, kiss me, suck my juices Squeezed from goblin fruits for you, Goblin pulp and goblin dew. Eat me, drink me, love me; Laura, make much of me: For your sake I have braved the glen And had to do with goblin merchant men." Laura started from her chair, Flung her arms up in the air, Clutched her hair: "Lizzie, Lizzie, have you tasted For my sake the fruit forbidden? Must your light like mine be hidden, Your young life like mine be wasted, Undone in mine undoing, And ruined in my ruin; Thirsty, cankered, goblin-ridden?" She clung about her sister, Kissed and kissed and kissed her: Tears once again Refreshed her shrunken eyes, Dropping like rain After long sultry drouth; Shaking with aguish fear, and pain, She kissed and kissed her with a hungry mouth. Her lips began to scorch, That juice was wormwood to her tongue, She loathed the feast: Writhing as one possessed she leaped and sung, Rent all her robe, and wrung Her hands in lamentable haste, And beat her breast. Her locks streamed like the torch Borne by a racer at full speed, Or like the mane of horses in their flight, Or like an eagle when she stems the light Straight toward the sun, Or like a caged thing freed, Or like a flying flag when armies run. Swift fire spread through her veins, knocked at her heart, Met the fire smouldering there And overbore its lesser flame, She gorged on bitterness without a name: Ah! fool, to choose such part Of soul-consuming care! Sense failed in the mortal strife: Like the watch-tower of a town Which an earthquake shatters down, Like a lightning-stricken mast, Like a wind-uprooted tree Spun about, Like a foam-topped water-spout Cast down headlong in the sea, She fell at last; Pleasure past and anguish past, Is it death or is it life ? Life out of death. That night long Lizzie watched by her, Counted her pulse's flagging stir, Felt for her breath, Held water to her lips, and cooled her face With tears and fanning leaves: But when the first birds chirped about their eaves, And early reapers plodded to the place Of golden sheaves, And dew-wet grass Bowed in the morning winds so brisk to pass, And new buds with new day Opened of cup-like lilies on the stream, Laura awoke as from a dream, Laughed in the innocent old way, Hugged Lizzie but not twice or thrice; Her gleaming locks showed not one thread of gray, Her breath was sweet as May, And light danced in her eyes. Days, weeks, months,years Afterwards, when both were wives With children of their own; Their mother-hearts beset with fears, Their lives bound up in tender lives; Laura would call the little ones And tell them of her early prime, Those pleasant days long gone Of not-returning time: Would talk about the haunted glen, The wicked, quaint fruit-merchant men, Their fruits like honey to the throat, But poison in the blood; (Men sell not such in any town;) Would tell them how her sister stood In deadly peril to do her good, And win the fiery antidote: Then joining hands to little hands Would bid them cling together, "For there is no friend like a sister, In calm or stormy weather, To cheer one on the tedious way, To fetch one if one goes astray, To lift one if one totters down, To strengthen whilst one stands."

John Keats 'On First Looking into Chapman's Homer'

Much have I travell'd in the realms of gold, And many goodl states and kingdoms seen; Round many western islands have I been Which bards in fealty to Apollo hold. Oft of one wide expanse had I been told That deep-brow'd Homer ruled as his demesne; Yet did I never breathe its pure serene Till I heard Chapman speak out loud and bold: Then felt I like some watcher o f the skies When a new planet swims into his ken; Or like stout Cortez when with eagle eyes He star'd at the pacific—and all his men Look'd at each other with a wild surmise— Silent, upon a peak in Darien.

John Keats 'Ode to a Nightingale'

My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: 'Tis not through envy of thy happy lot, But being too happy in thine happiness, that thou, light-winged Dryad of the trees, in some melodious plot of beechen green, and shadows numberless, singest of summer in full-throated ease. O, for a drought of vintage! That hath been Cool'd a long age in the deep-delved earth, Tasting of Flora and the country green, Dance , and Provencal song, and sunburnt mirth! O for a beaker full of the warml South Full of th true, the blushful Hippocrene, With beeded bubbles winking at the brim, And purple-stained mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim: Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the feve, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last gray hairs, Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs, Where Beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow. Away!away! for I will fly to thee, Not chaioted by Bacchus and his pards But on the viewless wings of Poesy, Though the dull brain perpleses and retards: Already with thee! Tender is the night, And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays; But ehre there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways. I cannot see what flowers are at my feet, Nor what solf incense hangs upon the boughs But, in embalmed darkeness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild; White hawthorn, and the pastoral eglantine; Fast fading violets cover'd up in leaves; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves. Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him sof names in many a mused rhyme, To take into the air my quiet breath; Now more htan ever seems it rick to die, To cease upont he midnight with no pain, While thou art pouring forth they soul abroad In such an exstasy! Still wouldst thou sing, and I have ears in vain— To they high requiem become a sod. Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that oft-times hath Charm'd magic casements, opening on the foam Of perilous seas, in faery land forlorn. Forlorn! The very word is like a bell To toll me back from thee to my sole slef! Adieu! The fancy cannot cheat so well As she is fam'd to do, deceiving elf. Adieu! Adieu! They plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:--Do I wake or sleep?

William Blake 'The Little Black Boy'

My mother bore me in the southern wild, And I am black, but O! my soul is white; White as an angel is the English child, But I am black as if berev'd of light. My mother taught me underneath a tree, And sitting down before the heat of day, She took me on her lap and kissed me, And pointed to the east, began to say: "Look on the rising sun: there God does live And gives his light, and gives his heat away; And flowers and trees and beasts and men receive Comfort in the morning, joy in the noon day. "And we are put on earth a little space, That we may learn to bear the beams of love, And these black bodies and this sun-burnt face Is but a cloud, and like a shady grove. "For when our souls have learn'd that heat to bear, The clod will vanish; we shall hear his voice, Saying: 'Come out from the grove, my love & care, And round my golden tent like lambs rejoice.;" Thus did my mother say, and kissed me; And thus I say to little English boy: When I from black and he from white cloud free, And round the tent of God like labs we joy, I'll shade him from the heat till he can bear To lean in joy upon our father's knee. And then I'll stand and stroke his silver hair, And be like him, and he will then love me.

'On Sitting Down to Read King Lear Once Again'

O golden-tongued Romance, with serene lute! Fair plumed syren, queen of far-away! Leave melodizing on this wintry day, Shut up thine olden pages, and be mute. Adieu! For, once again, the fierce dispute Betwixt damnation and impassion'd clay Must I burn through; once more humbly assay The bitter-sweet of this Shakespearean Fruit. Chief Poet! And ye clouds of Albion, Begetters of our deep eternal theme! When through the old oak forest I am gone, Let me not wander in a barren dream: But, when I am consumed in the fire, Give me new phoenix wings to fly at my desire

Percy Bysshe Shelley 'Ode To the West Wind'

O wild West Wind, though breath of Autumn's being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitude: O Thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o'er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) with living hues and odours plain and hill: Wild Spirit, which art moving everywhere; Destroyer and Preserver; hear, O hear! Thou on whose stream, 'mid the steep sky's commotion, Loose clouds like earth's decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angles of rain and lightning: there are spread On the blue surface of thine aery surge, Like the bright hair uplifted from the head Of some fierce maenad, even from the dim verge Of the horizon to the zenith's height, The locks of the approaching storm. Thou Dirge Of the dying year, to which the closing night Will be the dome of a vast sepulchre, Vaulted with all they congregated might Of vapours, from whose solid atmosphere Black rain and fire and hail will burst: O hear! Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lulled by the coil of his chrystalline streams Beside a pumice isle in Baiae's bay, And saw in sleep old palaces and towers Quivering within the wave's intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic's level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know They voice, and suddenly grow grey with fear, And tremble and despoil themselves: O hear! If I were a dead leaf though mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath they power, and share The impulse of they strength, only less free Than though, O Uncontrollable! If even I were as in my boyhood, and could be The Comrade of they wanderings over Heaven, As the, when to outsrip they skiey speed Scarce seemed a vision; I would ne'er have striven As thus with thee in prayer in my sore need. Oh! Life me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chained and bowed On too like thee: tameless, and swift, and proud. Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take form both a dee, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be though me, impetuous one! Drive my dead thoughts over the universe Like withered leaves to quicken a new birth And, by the incantation of verse, Scatter, as from an unextinguished hearth Ashes and sparks my words among mankind! Be through my lips to unawakened Earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?

Percy Bysshe Shelly 'To Wordsworth'

Poet of Nature, thou hast wept to know That things depart which never may return: Childhood and youth, friendship and love's first glow, Have fled like sweet dreams, leaving thee to mourn. These common woes I feel. One loss is mine Which though too feel'st, yet I alone deplore. Thou wert as a lone star, whose light did shine On some frail bark in winter's midnight roar: Thou hast like to a rock-built refuge stood Above the blind and battling multitude: In honoured poverty voice did weave Songs consecrate to truth and liberty, Deserting these, thou leavest me to grieve, Thus having been, that though shouldst cease to be.

John Keats 'To Autumn'

Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For summer has o'er-brimm'd their clammy cells. Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find thee sitting careless on a granary floor, They hair solf-lifted b the winnowing wind; Or on a half-reap'd furrow sound asleep, Drows'd with the fume of poppies, while they hook Spares the next swath and all its twined flowers: And sometimes like a gleaner thou dost keep Steady they laden head across a brook; Or by a cyder-press, with patient look, Thou watchest the last oozings hours by hours. Where are the songs of spring? Ay, where are they? Think not of them, though hast they music too,-- While barred clouds bloom the sof-dying day, And touch the stubble-plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The red-breast whistles from a garden-croft; And gathering swallows twitter in the skies.

William Wordsworth 'She dwelt among the untrodden ways'

She dwelt among the untrodden ways Beside the springs of Dove, A Maid whom there were none to praise And very few to love: A violet by a mossy stone Half hidden from the eye! --Fair as a star, when only one Is shining in the sky. She lived unknown, and few could know When Lucy ceased to be; But she is in her grave, and, oh, The difference to me!

Alfred, Lord Tennyson 'Crossing the Bar'

Sunset and evening star, And one clear call for me! And may there be no moaning of the bar, When I put out to sea, But such a tide as moving seems asleep, Too full for sound and foam, When that which drew from out the boundless deep Turns again home. Twilight and evening bell, And after that the dark! And may there be no sadness of farewell, When I embark; For tho' from out our bourne of Time and Place The flood may bear me far, I hope to see my Pilot face to face When I have crossed the bar.

Robert Browning 'My Last Duchess'

That's my last Duchess painted on the wall, Looking as if she were alive. I call That piece a wonder, now: Fra Pandolf's hands worked busily a day, and there she stands. Will't please you sit and look at her I said "Fra Pandolf" by design, for never read Strangers like you that pictured countenance, The depth and passion of its earnest glance, But to myself they turned (since one puts by The curtain I have drawn for you, but I) And seemed as they would ask me, if they durst, How such a glance came there; so, not the first Are you to run and ask thus. Sir, 'twas not Her husband's presence only, called that spot Of joy into the Duchess' cheek: perhaps Fra Pandolf changed to say "Her mantle laps Over y lady's wrist too much," or "Paint Must never hope to reproduce the faint Half-flush that dies along her throat": such stuff Was coutesy, she thought and cause enough For calling up that spot of joy. She had A heart—how shall I say?—too soon made glad, Too easily impressed; she liked whate'er She looked on, and her looks went everywhere. Sir, 'twas all one! My favor at her breast, The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace—all and each Would draw from her alike the approving speech, Or blush, at least. She thanked men—good! But thanked Somehow—I know not how—as if she ranked My gift of a nine-hundred-years-old name With anybody's gift. Who'd stoop to blame This sort of trifling? Even had you skill In speech—(which I have not)—to make your will Quite clear to such aan one, and say " Just this Or that in you disgusts me; here you miss, Or there exceed the mark"—and if she let Herself be lessoned so, nor plainly set Her wits to yours, forsooth, and made excuse --E'en then would be some stooping; and I choose never to stoop. Oh sir, she smiled, not doubt, When'er I passed her; but who passed without Much the same smile? This grew; I gave commands; Then all smiles stopped together. There she stands As if alive, Will't please you rise? We'll meet The company below; then. I repeat, The count your master's known munificence is ample warrant that not just pretense Of mine for dory will be disallow; Though his fair daughter's self, as I avowed at starting, is my object. Nay, we'll go Together down, sir. Notice Neptune, though, Taming a sea horse, thought a rarity, Which claus of Innsbruck cast in broze for me!

Samuel Taylor Coleridge 'Frost at Midnight'

The Frost performs its secret ministry, Unhelped by any wind. The owlet's cry Came loud—and hark, again! loud as before. The inmates of my cottage, all at rest, Have left me to that solitude, which suits Abstruser musings: save that at my side My cradled infant slumbers peacefully. 'Tis calm indeed! so calm, that it disturbs And vexes meditation with its strange And extreme silentness. Sea, hill, and wood, This populous village! Sea, and hill, and wood, With all the numberless goings-on of life, Inaudible as dreams! the thin blue flame Lies on my low-burnt fire, and quivers not; Only that film, which fluttered on the grate, Still flutters there, the sole unquiet thing. Methinks, its motion in this hush of nature Gives it dim sympathies with me who live, Making it a companionable form, Whose puny flaps and freaks the idling Spirit By its own moods interprets, every where Echo or mirror seeking of itself, And makes a toy of Thought. But O! how oft, How oft, at school, with most believing mind, Presageful, have I gazed upon the bars, To watch that fluttering stranger ! and as oft With unclosed lids, already had I dreamt Of my sweet birth-place, and the old church-tower, Whose bells, the poor man's only music, rang From morn to evening, all the hot Fair-day, So sweetly, that they stirred and haunted me With a wild pleasure, falling on mine ear Most like articulate sounds of things to come! So gazed I, till the soothing things, I dreamt, Lulled me to sleep, and sleep prolonged my dreams! And so I brooded all the following morn, Awed by the stern preceptor's face, mine eye Fixed with mock study on my swimming book: Save if the door half opened, and I snatched A hasty glance, and still my heart leaped up, For still I hoped to see the stranger's face, Townsman, or aunt, or sister more beloved, My play-mate when we both were clothed alike! Dear Babe, that sleepest cradled by my side, Whose gentle breathings, heard in this deep calm, Fill up the intersperséd vacancies And momentary pauses of the thought! My babe so beautiful! it thrills my heart With tender gladness, thus to look at thee, And think that thou shalt learn far other lore, And in far other scenes! For I was reared In the great city, pent 'mid cloisters dim, And saw nought lovely but the sky and stars. But thou, my babe! shalt wander like a breeze By lakes and sandy shores, beneath the crags Of ancient mountain, and beneath the clouds, Which image in their bulk both lakes and shores And mountain crags: so shalt thou see and hear The lovely shapes and sounds intelligible Of that eternal language, which thy God Utters, who from eternity doth teach Himself in all, and all things in himself. Great universal Teacher! he shall mould Thy spirit, and by giving make it ask. Therefore all seasons shall be sweet to thee, Whether the summer clothe the general earth With greenness, or the redbreast sit and sing Betwixt the tufts of snow on the bare branch Of mossy apple-tree, while the nigh thatch Smokes in the sun-thaw; whether the eave-drops fall Heard only in the trances of the blast, Or if the secret ministry of frost Shall hang them up in silent icicles, Quietly shining to the quiet Moon.

Thomas Gray 'Elegy Written in a country Churchyard'

The curfew tolls the knell of parting day, The lowing herd wind slowly o'er the lea, The plowman homeward plods his weary way, And leaves the world to darkness and to me. Now fades the glimmering landscape on the sight, And all the air a solemn stillness holds, Save where the beetle wheels his droning flight, And drowsy tinklings lull the distant folds; Save that from yonder ivy-mantled tower The moping owl does to the moon complain Of such, as wondering near her secret bower, Molest her ancient solitary reign. Beneath those rugged elms, that yew tree's shade, Where heaves the turf in many a moldering heap, Each in his narrow cell forever laid, The rude forefathers of the hamlet sleep The breezy call of incense-breathing Mom, The swallow twittering from the straw-built shed, The cokc's shrill clarion, or the echoing horn, No more shall rouse them from their lowly bed. For them nomore the blazing hearth shall burn, Or busy housewife ply her evening care; No children run to lisp their sire's return, Or climb his knees the envied kiss to share. Oft did the harvest to their sickle yield, Their furrow oft the stubborn glebe has broke; How jocund did they drive their team afield! How bowed the woods beneath their sturdy stroke! Let not Ambition mock their useful toil, Their homely joys, and destiny obscure; Nor Grandeur hear with a disdainful smile The short and simple annals of the poor. The boast of heraldry , the pomp of power, And all that beauty, all that wealth e'er gave, Awaits alike the inevitable hour. The paths of glory lead but to the grave. Nor you, ye proud, imput to these the fault, If Memory o'er their tomb no trophies raise, Where through the long-drawn aisle and fretted vault The pealing anthem swells the note of praise. Can storied urn or animated bust Back to its mansion call the fleeting breath? Can Hornor's voice provoke the silent dust, Or Flattery soothe the dull cold ear of Death? Perhaps in this neglected spot is laid Some heart once pregnant with celestial fire; Hands that the rod of empoire might have swayed, Or waked to ecstasy the living lyre. But Knowledge to their eyes her ampel page Rich with the spoils of time did ne'er unroll; Chill Penury repressed their noble rage, And froze the genial current of the soal. Full many a gem of purest ray serene, The dark unfathomed caves of ocean bear: Full many a flower is born to blush unseen, And waste its sweetness on the desert air. Some village Hampden, that with dauntless breats The little tyrant of his fields withstood; Some mute inglorious Milton here may rest, Some Cromwell guiltless of his country's blood. The applause of listening senates to command, The threats of pain and ruin to despise, To scatter plenty o'er a smiling land, And read their history in a nation's eyes, Their lot forbade: nor circumscribed alone Their growing virtues, but their crimes confined; Forbade to wade through slaughter to a throne, And shut the gates of mercy on mankind, The struggling pangs of conscious truth to hide, To quench the blushes of ingenuous shame, Or heapt the shrine of Luxury and Pride With incense kindled at the Muse's flame, Far from the madding crowd's ignoble strife, Their sober wishes never learned to stray; Along the cool sequestered vale of life They kept the noiseless tenor of their way. Yet even these bones from insult to protect Some frail memorial still erected nigh, With uncouth rhymes and shapeless sculpture decked, Implores the passing tribute of a sigh. Their name, their years, spelt by the unlettered Muse, The place of fame and elegy supply: And many a holdy text around she strews, That teach the rustic moralist to die. For who to dumb Forgetfulness a prey, This pleasing anxious being e'er resigned, Left the warm precincts of the cheerful day, Nor cast one longing lingering look behind? On some fond breast the parting soul relies, Some pious drops the closing eye requires: Even form the tomb the voice of Nature crise, Even in our ashes live their wonted fires. For thee, who mindful of the unhonored dead Dost in these lines their artless tale relate; If change, by lonely contemplation led, Some kindred spirit shall inquire thy fate, Haply some hoary-headed swain may say, "Oft have we seen him at the peep of dawn Brushing with hasty steps the dews away To meet the sun upon the upland lawn. "There at the foot of yonder nodding beech That wreathes its old fantastic roots so high, His listless length at noontide would he streatch, And pore upon the brook that babbles by. "Hard by yon wood, now smiling as in scorn, Muttering his wayward fancies he would rove, Nor drooping, woeful wan, like one forlorn, Or crazed with care, or crossed in homeless love. "One morn I missed him on the customed hill, Along the heath an dnewar his favorite tree; Another came; nor yet beside the rill, Nor up the lawn, nor at the wood was he; "The next with dirges due in sad array Slow through the churchway path we saw him borne. Approach and read (for though canst read) the lay, Graved on the stone beneath yon aged thorn."

Matthew Arnold 'Dover Beach'

The sea is calm tonight, The tide is full, the moon lies fair Upon the straits; on the French coast the light Gleams and is gone; the cliffs of England stand, Glimmering and vast, out in the tranquil bay. Come to the window, sweet is the night air! Only, from the long line of spray Where the sea meets the moon-blanched land, Listen! you hear the grating roar Of pebbles which the waves draw back, and fling, A t their return, up the high strand, Begin, and cease, and then again begin, With tremulous cadence slow, and bring The eternal note of sadness in. Sophocles long ago Heard it on the Agean, and it brought Into his mind the turbid ebb and flow Of human misery; we Find also in the sound a thought, Hearing it by this distant northern sea. The Sea of Faith Was once, too, at the full, and round earth's shore Lay like the folds of a bright girdle furled. But now I only hear Its melancholy, long, withdrawing roar, Retreating, to the breath Of the night wind, down the vast edges drear And naked shingles of the world. Ah, love, let us be true To one another! for the world, which seems To lie before us like a land of dreams, So various, so beautiful, so new, Hath really neither joy, nor love, nor light, Nor certitude, nor peace, nor help for pain; And we are here as on a darkling plain Swept with confused alarms of struggle and flight, Where ignorant armies clash by night.

John Keats 'Ode on a Grecian Urn'

Thou still unravish'd bride of quietness, Thou foster-child of silence and lot time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunts about hey shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but hose unheard Are sweeter; therefore, ye soft pipes, play on; Not o the sensual ear, but, more endear'd, Pipe to the spirit ditities of no tone: Fair youth, beneath the trees, thou canst not leave They song, nor ever can those trees be bare; Bold lover, never, never canst though kiss, Though winning near the goal—yet, do not grive; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! That cannot shed Your leaves, nor ever bid the spring adieu; And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! More happy, happy love! For ever warm and still to be enjoy'd For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? And, little town, they streets for evermore Will silent be; and not a soul to tell Why though art desolate, can e'er return. O Attic shape! Fair attitude! With brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom though say'st, "Beauty is truth, truth beauty,"—that is all Ye know on earth, and all ye need to know.

William Butler Yeats 'The Second Coming'

Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity. Surely some revelation is at hand; Surely the Second Coming is at hand. The Second Coming! Hardly are those words out When a vast image out of Spritus Mundi Troubles my sight: somewhere in the sands of the desert A shape with lion body and the head of a man, A gaze blank and pitiless as the sun, Is moving its slow thighs, while all about it Reel shadows of the indignant desert birds. The darkness drops again; but now I know That twenty centuries of stony sleep were vexed to nightmare by a rocking cradle, And what rough beast, its hour come round at last, Slouches towards Bethlehem to be born?

William Blake 'The Tyger'

Tyger! Tyger! Burning bright In the forests of the night, What immortal hand or eye Could frame they fearful symmetry? In what distant deeps or skies Burnt the fire of theine eyes? On what wings dare he aspire? What the hand dare seize the fire? And what shoulds, & what art, Could twist the sinews of they heart? And when they heart began to beat, What dread hand? & what dread feet? What the hammer? What the chan? In what furnace was they brain? What the anvil? What dread grasp Dare its deadly terrors clasp? When the stars threw down their spears And water'd heaven with their tears, Did he smile his work to see? Did he who made the Lamb amek thee? Tyger! Tyger! Burnging bright In the forests of the ngiht, What immortal hand or eye Dare frame thy fearful symmetry

William Butler Yeats 'When you are Old'

When you are old and grey and full of sleep, And nodding by the fire, take down this book, And slowly read, and dream of the soft look Your eyes had once, and of their shadows deep; How many loved your moments of glad grace, And loved your beauty with love false or true, But one man loved the pilgrim Soul in you, And loved the sorrows of your changing face; And bending down beside the glowing bars, Murmur, a little sadly, how Love fled And paced upon the mountains overhead And hid his face amid a crowd of stars.

Alfred, Lord Tennyson 'Mariana'

With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, 'My life is dreary, He cometh not,' she said; She said, 'I am aweary, aweary, I would that I were dead!' Her tears fell with the dews at even; Her tears fell ere the dews were dried; She could not look on the sweet heaven, Either at morn or eventide. After the flitting of the bats, When thickest dark did trance the sky, She drew her casement-curtain by, And glanced athwart the glooming flats. She only said, 'The night is dreary, He cometh not,' she said; She said, 'I am aweary, aweary, I would that I were dead!' Upon the middle of the night, Waking she heard the night-fowl crow: The cock sung out an hour ere light: From the dark fen the oxen's low Came to her: without hope of change, In sleep she seem'd to walk forlorn, Till cold winds woke the gray-eyed morn About the lonely moated grange. She only said, 'The day is dreary, He cometh not,' she said; She said, 'I am aweary, aweary, I would that I were dead!' About a stone-cast from the wall A sluice with blacken'd waters slept, And o'er it many, round and small, The cluster'd marish-mosses crept. Hard by a poplar shook alway, All silver-green with gnarled bark: For leagues no other tree did mark The level waste, the rounding gray. She only said, 'My life is dreary, He cometh not,' she said; She said, 'I am aweary, aweary, I would that I were dead!' And ever when the moon was low, And the shrill winds were up and away, In the white curtain, to and fro, She saw the gusty shadow sway. But when the moon was very low, And wild winds bound within their cell, The shadow of the poplar fell Upon her bed, across her brow. She only said, 'The night is dreary, He cometh not,' she said; She said, 'I am aweary, aweary, I would that I were dead!' All day within the dreamy house, The doors upon their hinges creak'd; The blue fly sung in the pane; the mouse Behind the mouldering wainscot shriek'd, Or from the crevice peer'd about. Old faces glimmer'd thro' the doors, Old footsteps trod the upper floors, Old voices called her from without. She only said, 'My life is dreary, He cometh not,' she said; She said, 'I am aweary, aweary, I would that I were dead!' The sparrow's chirrup on the roof, The slow clock ticking, and the sound Which to the wooing wind aloof The poplar made, did all confound Her sense; but most she loathed the hour When the thick-moted sunbeam lay Athwart the chambers, and the day Was sloping toward his western bower. Then, said she, 'I am very dreary, He will not come,' she said; She wept, 'I am aweary, aweary, Oh God, that I were dead!'

John Keats 'La Belle Dame Sans Merci: A Ballad'

o what can ail thee, knight at arms, alone and palely loitering? The sedge has wither'd from the lake, And no birds sing. O what can ail thee, knight at arms, So haggard and so woe-begone? The squirrel's granary is full, And the harvest's done. I see a lily on thy brow With anguish moist and fever dew, And on they cheeks a fading rose Fast withereth too. I met a lady in the meads, Full beautiful, a fairy's child; Her hair was long, her foot was light, And her eyes were wild. I made a garland for her head, And bracelets tooo, and fragrant zone; She look'd at me as she did love, And made sweet moan. I set her on my pacing steed, And nothing else saw all day long, For sidelong would she bend, and sing A fairy's song. She found me roots of relish sweet, And honey wild, and manna dew, And sure in language strange she said— I love the true. She took me to her elfin grot And there she wept, and sigh'd full sore, And there I shut her wild wild eyes With kisses four. And there she lulled me asleep, And there I dream'd—Ah! Woe betide! The latest dream I ever dream'd On the cold hills side. I saw pale kings, and princes too, Pale warriors, death pale were they all; They cried—"La belle dame sans merci Hath thee in thrall!" I saw their starv'd lips in the gloam With horrid warning gaped wide, And I awoke and found me here On the cold hill's side. And this is why I sojourn here, Alone and palely loitering, Though the sedge is wither'd from the lake, And no birds sing.