Eng 228 Final Passages

She cried, "Laura," up the garden, "Did you miss me? Come and kiss me. Never mind my bruises, Hug me, kiss me, suck my juices Squeez'd from goblin fruits for you, Goblin pulp and goblin dew. Eat me, drink me, love me; Laura, make much of me; For your sake I have braved the glen And had to do with goblin merchant men."

Goblin Market

'Do you deny, then, madam, that you left your son to—to be brought up in the gutter?' 'Josiah in the gutter!' exclaimed Mrs. Pegler. 'No such a thing, sir. Never! For shame on you! My dear boy knows, and will give you to know, that though he come of humble parents, he come of parents that loved him as dear as the best could, and never thought it hardship on themselves to pinch a bit that he might write and cipher beautiful, and I've his books at home to show it! Aye, have I!' said Mrs. Pegler, with indignant pride. 'And my dear boy knows, and will give you to know, sir, that after his beloved father died, when he was eight years old, his mother, too, could pinch a bit, as it was her duty and her pleasure and her pride to do it, to help him out in life, and put him 'prentice. And a steady lad he was, and a kind master he had to lend him a hand, and well he worked his own way forward to be rich and thriving. And I'll give you to know, sir—for this my dear boy won't—that though his mother kept but a little village shop, he never forgot her, but pensioned me on thirty pound a year—more than I want, for I put by out of it—only making the condition that I was to keep down in my own part, and make no boasts about him, and not trouble him. And I never have, except with looking at him once a year, when he has never knowed it. And it's right,' said poor old Mrs. Pegler, in affectionate championship, 'that I should keep down in my own part, and I have no doubts that if I was here I should do a many unbefitting things, and I am well contented, and I can keep my pride in my Josiah to myself, and I can love for love's own sake! And I am ashamed of you, sir,' said Mrs. Pegler, lastly, 'for your slanders and suspicions. And I never stood here before, nor never wanted to stand here when my dear son said no. And I shouldn't be here now, if it hadn't been for being brought here. And for shame upon you, Oh, for shame, to accuse me of being a bad mother to my son, with my son standing here to tell you so different!'

Hard Times

It was a town of red brick, or of brick that would have been red if the smoke and ashes had allowed it; but as matters stood, it was a town of unnatural red and black like the painted face of a savage. It was a town of machinery and tall chimneys, out of which interminable serpents of smoke trailed themselves for ever and ever, and never got uncoiled. It had a black canal in it, and a river that ran purple with ill-smelling dye, and vast piles of building full of windows where there was a rattling and a trembling all day long, and where the piston of the steam-engine worked monotonously up and down, like the head of an elephant in a state of melancholy madness. It contained several large streets all very like one another, and many small streets still more like one another, inhabited by people equally like one another, who all went in and out at the same hours, with the same sound upon the same pavements, to do the same work, and to whom every day was the same as yesterday and to-morrow, and every year the counterpart of the last and the next.

Hard Times

There had been so little communication between these two—both because life at Stone Lodge went monotonously round like a piece of machinery which discouraged human interference, and because of the prohibition relative to Sissy's past career—that they were still almost strangers. Sissy, with her dark eyes wonderingly directed to Louisa's face, was uncertain whether to say more or to remain silent.

Hard Times

As her father held her in his arms, she put her other hand upon his other shoulder, and still looking fixedly in his face, went on. 'When I was irrevocably married, there rose up into rebellion against the tie, the old strife, made fiercer by all those causes of disparity which arise out of our two individual natures, and which no general laws shall ever rule or state for me, father, until they shall be able to direct the anatomist where to strike his knife into the secrets of my soul.' 'Louisa!' he said, and said imploringly; for he well remembered what had passed between them in their former interview. 'I do not reproach you, father, I make no complaint. I am here with another object.' 'What can I do, child? Ask me what you will.' 'I am coming to it. Father, chance then threw into my way a new acquaintance; a man such as I had had no experience of; used to the world; light, polished, easy; making no pretences; avowing the low estimate of everything, that I was half afraid to form in secret; conveying to me almost immediately, though I don't know how or by what degrees, that he understood me, and read my thoughts. I could not find that he was worse than I. There seemed to be a near affinity between us. I only wondered it should be worth his while, who cared for nothing else, to care so much for me.' 'For you, Louisa!' Her father might instinctively have loosened his hold, but that he felt her strength departing from her, and saw a wild dilating fire in the eyes steadfastly regarding him. 'I say nothing of his plea for claiming my confidence. It matters very little how he gained it. Father, he did gain it. What you know of the story of my marriage, he soon knew, just as well.' Her father's face was ashy white, and he held her in both his arms. 'I have done no worse, I have not disgraced you. But if you ask me whether I have loved him, or do love him, I tell you plainly, father, that it may be so. I don't know.' She took her hands suddenly from his shoulders, and pressed them both upon her side; while in her face, not like itself—and in her figure, drawn up, resolute to finish by a last effort what she had to say—the feelings long suppressed broke loose. 'This night, my husband being away, he has been with me, declaring himself my lover. This minute he expects me, for I could release myself of his presence by no other means. I do not know that I am sorry, I do not know that I am ashamed, I do not know that I am degraded in my own esteem. All that I know is, your philosophy and your teaching will not save me. Now, father, you have brought me to this. Save me by some other means!' He tightened his hold in time to prevent her sinking on the floor, but she cried out in a terrible voice, 'I shall die if you hold me! Let me fall upon the ground!' And he laid her down there, and saw the pride of his heart and the triumph of his system, lying, an insensible heap, at his feet.

Hard Times Know that the second paragraph is Louisa.

This simply because I had a notion it somehow would be of help to that Kurtz whom at the time I did not see—you understand. He was just a word for me. I did not see the man in the name any more than you do. Do you see him? Do you see the story? Do you see anything? It seems to me I am trying to tell you a dream—making a vain attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is of the very essence of dreams...." He was silent for a while. "... No, it is impossible; it is impossible to convey the life-sensation of any given epoch of one's existence—that which makes its truth, its meaning—its subtle and penetrating essence. It is impossible. We live, as we dream—alone...."

Heart of Darkness

We penetrated deeper and deeper into the heart of darkness. It was very quiet there. At night sometimes the roll of drums behind the curtain of trees would run up the river and remain sustained faintly, as if hovering in the air high over our heads, till the first break of day. Whether it meant war, peace, or prayer we could not tell. The dawns were heralded by the descent of a chill stillness; the wood-cutters slept, their fires burned low; the snapping of a twig would make you start. We were wanderers on a prehistoric earth, on an earth that wore the aspect of an unknown planet. We could have fancied ourselves the first of men taking possession of an accursed inheritance, to be subdued at the cost of profound anguish and of excessive toil. But suddenly, as we struggled round a bend, there would be a glimpse of rush walls, of peaked grass-roofs, a burst of yells, a whirl of black limbs, a mass of hands clapping of feet stamping, of bodies swaying, of eyes rolling, under the droop of heavy and motionless foliage. The steamer toiled along slowly on the edge of a black and incomprehensible frenzy. The prehistoric man was cursing us, praying to us, welcoming us—who could tell? We were cut off from the comprehension of our surroundings; we glided past like phantoms, wondering and secretly appalled, as sane men would be before an enthusiastic outbreak in a madhouse. We could not understand because we were too far and could not remember because we were travelling in the night of first ages, of those ages that are gone, leaving hardly a sign—and no memories. "The earth seemed unearthly. We are accustomed to look upon the shackled form of a conquered monster, but there—there you could look at a thing monstrous and free. It was unearthly, and the men were—No, they were not inhuman. Well, you know, that was the worst of it—this suspicion of their not being inhuman. It would come slowly to one. They howled and leaped, and spun, and made horrid faces; but what thrilled you was just the thought of their humanity—like yours—the thought of your remote kinship with this wild and passionate uproar. Ugly. Yes, it was ugly enough; but if you were man enough you would admit to yourself that there was in you just the faintest trace of a response to the terrible frankness of that noise, a dim suspicion of there being a meaning in it which you—you so remote from the night of first ages—could comprehend. And why not? The mind of man is capable of anything—because everything is in it, all the past as well as all the future. What was there after all? Joy, fear, sorrow, devotion, valour, rage—who can tell?—but truth—truth stripped of its cloak of time. Let the fool gape and shudder—the man knows, and can look on without a wink. But he must at least be as much of a man as these on the shore. He must meet that truth with his own true stuff—with his own inborn strength.

Heart of Darkness

A damsel with a dulcimer In a vision once I saw: It was an Abyssinian maid, And on her dulcimer she played, Singing of Mount Abora. Could I revive within me Her symphony and song, To such a deep delight `twould win me, That with music loud and long, I would build that dome in air, That sunny dome! those caves of ice! And all who heard should see them there, And all should cry, Beware! Beware! His flashing eyes, his floating hair! Weave a circle round him thrice, And close your eyes with holy dread, For he on honeydew hath fed, And drunk the milk of Paradise.

Kubla Khan

In Xanadu did KubIa Khan A stately pleasure dome decree: Where Alph, the sacred river, ran Through caverns measureless to man Down to a sunless sea. So twice five miles of fertile ground With walls and towers were girdled round: And there were gardens bright with sinuous rills, Where blossomed many an incense-bearing tree; And here were forests ancient as the hills, Enfolding sunny spots of greenery.

Kubla Khan

Conversation between Vivie and Praid

Mrs. Warren's Profession.

O Attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, "Beauty is truth, truth beauty,—that is all Ye know on earth, and all ye need to know."

Ode on a Grecian Urn

Thou still unravish'd bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy?

Ode on a Grecian Urn

Porphyria's Lover

She read the entire thing in class

They sat them down upon the yellow sand, Between the sun and moon upon the shore; And sweet it was to dream of Fatherland, Of child, and wife, and slave; but evermore Most weary seem'd the sea, weary the oar, Weary the wandering fields of barren foam. Then some one said, "We will return no more"; And all at once they sang, "Our island home Is far beyond the wave; we will no longer roam.

The Lotos Eaters

One evening (surely I was led by her) I went alone into a Shepherd's Boat, A Skiff that to a Willow tree was tied Within a rocky Cave, its usual home. 'Twas by the shores of Patterdale, a Vale Wherein I was a Stranger, thither come A School-boy Traveller, at the Holidays. Forth rambled from the Village Inn alone No sooner had I sight of this small Skiff, Discover'd thus by unexpected chance, Than I unloos'd her tether and embark'd. The moon was up, the Lake was shining clear Among the hoary mountains; from the Shore I push'd, and struck the oars and struck again In cadence, and my little Boat mov'd on Even like a Man who walks with stately step Though bent on speed. It was an act of stealth And troubled pleasure; not without the voice Of mountain-echoes did my Boat move on, Leaving behind her still on either side Small circles glittering idly in the moon, Until they melted all into one track Of sparkling light. A rocky Steep uprose Above the Cavern of the Willow tree And now, as suited one who proudly row'd With his best skill, I fix'd a steady view Upon the top of that same craggy ridge, The bound of the horizon, for behind Was nothing but the stars and the grey sky. She was an elfin Pinnace; lustily I dipp'd my oars into the silent Lake, And, as I rose upon the stroke, my Boat Went heaving through the water, like a Swan; When from behind that craggy Steep, till then The bound of the horizon, a huge Cliff, As if with voluntary power instinct, Uprear'd its head. I struck, and struck again And, growing still in stature, the huge Cliff Rose up between me and the stars, and still, With measur'd motion, like a living thing, Strode after me. With trembling hands I turn'd, And through the silent water stole my way Back to the Cavern of the Willow tree. There, in her mooring-place, I left my Bark, And, through the meadows homeward went, with grave And serious thoughts; and after I had seen 420 That spectacle, for many days, my brain Work'd with a dim and undetermin'd sense Of unknown modes of being; in my thoughts There was a darkness, call it solitude, Or blank desertion, no familiar shapes Of hourly objects, images of trees, Of sea or sky, no colours of green fields; But huge and mighty Forms that do not live Like living men mov'd slowly through the mind By day and were the trouble of my dreams.

The Prelude

To strive, to seek, to find, and not to yield.

Ulysses

Take up the White Man's burden-- Send forth the best ye breed-- Go bind your sons to exile To serve your captives' need; To wait in heavy harness, On fluttered folk and wild-- Your new-caught, sullen peoples, Half-devil and half-child. Take up the White Man's burden-- In patience to abide, To veil the threat of terror And check the show of pride; By open speech and simple, An hundred times made plain To seek another's profit,

White Man's Burden

Early in the morning When the first cock crow'd his warning, Neat like bees, as sweet and busy, Laura rose with Lizzie: Fetch'd in honey, milk'd the cows, Air'd and set to rights the house, Kneaded cakes of whitest wheat, Cakes for dainty mouths to eat, Next churn'd butter, whipp'd up cream, Fed their poultry, sat and sew'd; Talk'd as modest maidens should: Lizzie with an open heart, Laura in an absent dream, One content, one sick in part; One warbling for the mere bright day's delight, One longing for the night.

Goblin Market

Morning and evening Maids heard the goblins cry: "Come buy our orchard fruits, Come buy, come buy: Apples and quinces, Lemons and oranges, Plump unpeck'd cherries, Melons and raspberries, Bloom-down-cheek'd peaches, Swart-headed mulberries, Wild free-born cranberries, Crab-apples, dewberries, Pine-apples, blackberries, Apricots, strawberries;— All ripe together In summer weather,— Morns that pass by

Goblin Market

Then joining hands to little hands Would bid them cling together, "For there is no friend like a sister In calm or stormy weather; To cheer one on the tedious way, To fetch one if one goes astray, To lift one if one totters down, To strengthen whilst one stands."

Goblin Market

They began to scratch their pates, No longer wagging, purring, But visibly demurring, Grunting and snarling. One call'd her proud, Cross-grain'd, uncivil; Their tones wax'd loud, Their looks were evil. Lashing their tails They trod and hustled her, Elbow'd and jostled her, Claw'd with their nails, Barking, mewing, hissing, mocking, Tore her gown and soil'd her stocking, Twitch'd her hair out by the roots, Stamp'd upon her tender feet, Held her hands and squeez'd their fruits Against her mouth to make her eat. White and golden Lizzie stood, Like a lily in a flood,— Like a rock of blue-vein'd stone Lash'd by tides obstreperously,— Like a beacon left alone In a hoary roaring sea, Sending up a golden fire,— Like a fruit-crown'd orange-tree White with blossoms honey-sweet Sore beset by wasp and bee,— Like a royal virgin town Topp'd with gilded dome and spire Close beleaguer'd by a fleet Mad to tug her standard down. One may lead a horse to water, Twenty cannot make him drink. Though the goblins cuff'd and caught her, Coax'd and fought her, Bullied and besought her, Scratch'd her, pinch'd her black as ink, Kick'd and knock'd her, Maul'd and mock'd her, Lizzie utter'd not a word; Would not open lip from lip Lest they should cram a mouthful in:

Goblin Market

'Bitzer,' said Mr. Gradgrind, stretching out his hands as though he would have said, See how miserable I am! 'Bitzer, I have but one chance left to soften you. You were many years at my school. If, in remembrance of the pains bestowed upon you there, you can persuade yourself in any degree to disregard your present interest and release my son, I entreat and pray you to give him the benefit of that remembrance.' 'I really wonder, sir,' rejoined the old pupil in an argumentative manner, 'to find you taking a position so untenable. My schooling was paid for; it was a bargain; and when I came away, the bargain ended.' It was a fundamental principle of the Gradgrind philosophy that everything was to be paid for. Nobody was ever on any account to give anybody anything, or render anybody help without purchase. Gratitude was to be abolished, and the virtues springing from it were not to be. Every inch of the existence of mankind, from birth to death, was to be a bargain across a counter. And if we didn't get to Heaven that way, it was not a politico-economical place, and we had no business there.

Hard Times

'I am almost ashamed,' said Sissy, with reluctance. 'But to-day, for instance, Mr. M'Choakumchild was explaining to us about Natural Prosperity.' 'National, I think it must have been,' observed Louisa. 'Yes, it was.—But isn't it the same?' she timidly asked. 'You had better say, National, as he said so,' returned Louisa, with her dry reserve. 'National Prosperity. And he said, Now, this schoolroom is a Nation. And in this nation, there are fifty millions of money. Isn't this a prosperous nation? Girl number twenty, isn't this a prosperous nation, and a'n't you in a thriving state?' 'What did you say?' asked Louisa. 'Miss Louisa, I said I didn't know. I thought I couldn't know whether it was a prosperous nation or not, and whether I was in a thriving state or not, unless I knew who had got the money, and whether any of it was mine. But that had nothing to do with it. It was not in the figures at all,' said Sissy, wiping her eyes. 'That was a great mistake of yours,' observed Louisa. 'Yes, Miss Louisa, I know it was, now. Then Mr. M'Choakumchild said he would try me again. And he said, This schoolroom is an immense town, and in it there are a million of inhabitants, and only five-and-twenty are starved to death in the streets, in the course of a year. What is your remark on that proportion? And my remark was—for I couldn't think of a better one—that I thought it must be just as hard upon those who were starved, whether the others were a million, or a million million. And that was wrong, too.' 'Of course it was.' 'Then Mr. M'Choakumchild said he would try me once more. And he said, Here are the stutterings—' 'Statistics,' said Louisa. 'Yes, Miss Louisa—they always remind me of stutterings, and that's another of my mistakes—of accidents upon the sea. And I find (Mr. M'Choakumchild said) that in a given time a hundred thousand persons went to sea on long voyages, and only five hundred of them were drowned or burnt to death. What is the percentage? And I said, Miss;' here Sissy fairly sobbed as confessing with extreme contrition to her greatest error; 'I said it was nothing.' 'Nothing, Sissy?' 'Nothing, Miss—to the relations and friends of the people who were killed. I shall never learn,' said Sissy. 'And the worst of all is, that although my poor father wished me so much to learn, and although I am so anxious to learn, because he wished me to, I am afraid I don't like it.'

Hard Times

'Mrs. Gradgrind,' said her husband, who had waited for the achievement of this feat with some impatience, 'allow me to present to you Mrs. Bounderby.' 'Oh!' said Mrs. Gradgrind, 'so you have settled it! Well, I'm sure I hope your health may be good, Louisa; for if your head begins to split as soon as you are married, which was the case with mine, I cannot consider that you are to be envied, though I have no doubt you think you are, as all girls do. However, I give you p. 79joy, my dear—and I hope you may now turn all your ological studies to good account, I am sure I do! I must give you a kiss of congratulation, Louisa; but don't touch my right shoulder, for there's something running down it all day long. And now you see,' whimpered Mrs. Gradgrind, adjusting her shawls after the affectionate ceremony, 'I shall be worrying myself, morning, noon, and night, to know what I am to call him!' 'Mrs. Gradgrind,' said her husband, solemnly, 'what do you mean?' 'Whatever I am to call him, Mr. Gradgrind, when he is married to Louisa! I must call him something. It's impossible,' said Mrs. Gradgrind, with a mingled sense of politeness and injury, 'to be constantly addressing him and never giving him a name. I cannot call him Josiah, for the name is insupportable to me. You yourself wouldn't hear of Joe, you very well know. Am I to call my own son-in-law, Mister! Not, I believe, unless the time has arrived when, as an invalid, I am to be trampled upon by my relations. Then, what am I to call him!' Nobody present having any suggestion to offer in the remarkable emergency, Mrs. Gradgrind departed this life for the time being, after delivering the following codicil to her remarks already executed: 'As to the wedding, all I ask, Louisa, is,—and I ask it with a fluttering in my chest, which actually extends to the soles of my feet,—that it may take place soon. Otherwise, I know it is one of those subjects I shall never hear the last of.' When Mr. Gradgrind had presented Mrs. Bounderby, Sissy had suddenly turned her head, and looked, in wonder, in pity, in sorrow, in doubt, in a multitude of emotions, towards Louisa. Louisa had known it, and seen it, without looking at her. From that moment she was impassive, proud and cold—held Sissy at a distance—changed to her altogether.

Hard Times

So, I mun be ridden o' this woman, and I want t' know how?' 'No how,' returned Mr. Bounderby. 'If I do her any hurt, sir, there's a law to punish me?' 'Of course there is.' 'If I flee from her, there's a law to punish me?' 'Of course there is.' 'If I marry t'oother dear lass, there's a law to punish me?' 'Of course there is.' 'If I was to live wi' her an' not marry her—saying such a thing could be, which it never could or would, an' her so good—there's a law to punish me, in every innocent child belonging to me?' 'Of course there is.' 'Now, a' God's name,' said Stephen Blackpool, 'show me the law to help me!' 'Hem! There's a sanctity in this relation of life,' said Mr. Bounderby, 'and—and—it must be kept up.' 'No no, dunnot say that, sir. 'Tan't kep' up that way. Not that way. 'Tis kep' down that way. I'm a weaver, I were in a fact'ry when a chilt, but I ha' gotten een to see wi' and eern to year wi'. I read in th' papers every 'Sizes, every Sessions—and you read too—I know it!—with dismay—how th' supposed unpossibility o' ever getting unchained from one another, at any price, on any terms, brings blood upon this land, and brings many common married fok to battle, murder, and sudden death. Let us ha' this, right understood. Mine's a grievous case, an' I want—if yo will be so good—t' know the law that helps me.' 'Now, I tell you what!' said Mr. Bounderby, putting his hands in his pockets. 'There is such a law.' Stephen, subsiding into his quiet manner, and never wandering in his attention, gave a nod. 'But it's not for you at all. It costs money. It costs a mint of money.' 'How much might that be?' Stephen calmly asked. 'Why, you'd have to go to Doctors' Commons with a suit, and you'd have to go to a court of Common Law with a suit, and you'd have to go to the House of Lords with a suit, and you'd have to get an Act of Parliament to enable you to marry again, and it would cost you (if it was a case of very plain sailing), I suppose from a thousand to fifteen hundred pound,' said Mr. Bounderby. 'Perhaps twice the money.' 'There's no other law?' 'Certainly not.' 'Why then, sir,' said Stephen, turning white, and motioning with that right hand of his, as if he gave everything to the four winds, ''tis a muddle. 'Tis just a muddle a'toogether, an' the sooner I am dead, the better.'

Hard Times

Thomas Gradgrind, sir. A man of realities. A man of facts and calculations. A man who proceeds upon the principle that two and two are four, and nothing over, and who is not to be talked into allowing for anything over. Thomas Gradgrind, sir—peremptorily Thomas—Thomas Gradgrind. With a rule and a pair of scales, and the multiplication table always in his pocket, sir, ready to weigh and measure any parcel of human nature, and tell you exactly what it comes to. It is a mere question of figures, a case of simple arithmetic. You might hope to get some other nonsensical belief into the head of George Gradgrind, or Augustus Gradgrind, or John Gradgrind, or Joseph Gradgrind (all supposititious, non-existent persons), but into the head of Thomas Gradgrind—no, sir! In such terms Mr. Gradgrind always mentally introduced himself, whether to his private circle of acquaintance, or to the public in general. In such terms, no doubt, substituting the words 'boys and girls,' for 'sir,' Thomas Gradgrind now presented Thomas Gradgrind to the little pitchers before him, who were to be filled so full of facts. Indeed, as he eagerly sparkled at them from the cellarage before mentioned, he seemed a kind of cannon loaded to the muzzle with facts, and prepared to blow them clean out of the regions of childhood at one discharge. He seemed a galvanizing apparatus, too, charged with a grim mechanical substitute for the tender young imaginations that were to be stormed away.

Hard Times

I am going to take young Mr. Tom back to Coketown, in order to deliver him over to Mr. Bounderby. Sir, I have no doubt whatever that Mr. Bounderby will then promote me to young Mr. Tom's situation. And I wish to have his situation, sir, for it will be a rise to me, and will do me good.' "whole social system is a question of self-interest. What you must always appeal to, is a person's self-interest. It's your only hold. We are so constituted. I was brought up in that catechism when I was very young, sir, as you are aware.'

Hard Times BLITZER SAYS THIS Okay, they aren't gonna give me entire passages- likely just the beginning. They won't outright freaking say who said it.

'I was to pull through it, I suppose, Mrs. Gradgrind. Whether I was to do it or not, ma'am, I did it. I pulled through it, though nobody threw me out a rope. Vagabond, errand-boy, vagabond, labourer, porter, clerk, chief manager, small partner, Josiah Bounderby of Coketown. Those are the antecedents, and the culmination. Josiah Bounderby of Coketown learnt his letters from the outsides of the shops, Mrs. Gradgrind, and was first able to tell the time upon a dial-plate, from studying the steeple clock of St. Giles's Church, London, under the direction of a drunken cripple, who was a convicted thief, and an incorrigible vagrant. Tell Josiah Bounderby of Coketown, of your district schools and your model schools, and your training schools, and your whole kettle-of-fish of schools; and Josiah Bounderby of Coketown, tells you plainly, all right, all correct—he hadn't such advantages—but let us have hard-headed, solid-fisted people—the education that made him won't do for everybody, he knows well—such and such his education was, however, and you may force him to swallow boiling fat, but you shall never force him to suppress the facts of his life.'

Hard Times BOUNDERBY

'Why, father,' she pursued, 'what a strange question to ask me! The baby-preference that even I have heard of as common among children, has never had its innocent resting-place in my breast. You have been so careful of me, that I never had a child's heart. You have trained me so well, that I never dreamed a child's dream. You have dealt so wisely with me, father, from my cradle to this hour, that I never had a child's belief or a child's fear.'

Hard Times LOUISA SAID THIS

""I was thinking of very old times, when the Romans first came here, nineteen hundred years ago—the other day .... Light came out of this river since—you say Knights? Yes; but it is like a running blaze on a plain, like a flash of lightning in the clouds. We live in the flicker—may it last as long as the old earth keeps rolling! But darkness was here yesterday. Imagine the feelings of a commander of a fine—what d'ye call 'em?—trireme in the Mediterranean, ordered suddenly to the north; run overland across the Gauls in a hurry; put in charge of one of these craft the legionaries—a wonderful lot of handy men they must have been, too—used to build, apparently by the hundred, in a month or two, if we may believe what we read. Imagine him here—the very end of the world, a sea the colour of lead, a sky the colour of smoke, a kind of ship about as rigid as a concertina—and going up this river with stores, or orders, or what you like. Sand-banks, marshes, forests, savages,—precious little to eat fit for a civilized man, nothing but Thames water to drink. No Falernian wine here, no going ashore. Here and there a military camp lost in a wilderness, like a needle in a bundle of hay—cold, fog, tempests, disease, exile, and death—death skulking in the air, in the water, in the bush. They must have been dying like flies here.

Heart of Darkness MARLOW SAYS THIS

They approached again, just as the manager was saying, 'No one, as far as I know, unless a species of wandering trader—a pestilential fellow, snapping ivory from the natives.' Who was it they were talking about now? I gathered in snatches that this was some man supposed to be in Kurtz's district, and of whom the manager did not approve. 'We will not be free from unfair competition till one of these fellows is hanged for an example,' he said. 'Certainly,' grunted the other; 'get him hanged! Why not? Anything—anything can be done in this country. That's what I say; nobody here, you understand, here, can endanger your position. And why? You stand the climate—you outlast them all. The danger is in Europe; but there before I left I took care to—' They moved off and whispered, then their voices rose again. 'The extraordinary series of delays is not my fault. I did my best.' The fat man sighed. 'Very sad.' 'And the pestiferous absurdity of his talk,' continued the other; 'he bothered me enough when he was here. "Each station should be like a beacon on the road towards better things, a centre for trade of course, but also for humanizing, improving, instructing." Conceive you—that ass! And he wants to be manager! No, it's—' Here he got choked by excessive indignation

Heart of Darkness Marlow

"The admirer of Mr. Kurtz was a bit crestfallen. In a hurried, indistinct voice he began to assure me he had not dared to take these—say, symbols—down. He was not afraid of the natives; they would not stir till Mr. Kurtz gave the word. His ascendancy was extraordinary. The camps of these people surrounded the place, and the chiefs came every day to see him. They would crawl.... 'I don't want to know anything of the ceremonies used when approaching Mr. Kurtz,' I shouted. Curious, this feeling that came over me that such details would be more intolerable than those heads drying on the stakes under Mr. Kurtz's windows. After all, that was only a savage sight, while I seemed at one bound to have been transported into some lightless region of subtle horrors, where pure, uncomplicated savagery was a positive relief, being something that had a right to exist—obviously—in the sunshine. The young man looked at me with surprise. I suppose it did not occur to him that Mr. Kurtz was no idol of mine. He forgot I hadn't heard any of these splendid monologues on, what was it? on love, justice, conduct of life—or what not. If it had come to crawling before Mr. Kurtz, he crawled as much as the veriest savage of them all. I had no idea of the conditions, he said: these heads were the heads of rebels. I shocked him excessively by laughing. Rebels! What would be the next definition I was to hear? There had been enemies, criminals, workers—and these were rebels. Those rebellious heads looked very subdued to me on their sticks.

Heart of Darkness This is page 1044 in the book. I have "On their sticks" written down, but don't know where the passage began, unfortunately. So I just chose the beginning of the paragraph.

Dark house, by which once more I stand Here in the long unlovely street, Doors, where my heart was used to beat So quickly, waiting for a hand, A hand that can be claspt no more Behold roe, for I cannot sleep, And like a guilty thing I creep At earliest morning to the door. He is not here ; but far away The noise of life begins again, And ghastly thro' the drizzling rain On the bald street breaks the blank day.

In Memoriam A.H.H.

O somewhere, meek, unconscious dove, That sittest ranging golden hair ; And glad to find thyself so fair, Poor child, that waitest for thy love ! For flow her father's chimney glows In expectation of a guest ; And thinking ' this will please him best/ She takes a riband or a rose ; For he* will see them on to-night ; And with the thought her color burns ; Aud, having left the glass, she turns Once more to set a ringlet right ; And, even when she turn'd, the curse Had fallen, and her future lord Was drown'd in passing thro' the ford, Or kill'd in falling from his horse. O what to her shall be the end ? And what to me remains of good ? To'her perpetual maidenhood, And unto me no second friend.

In Memoriam A.H.H.

But oh! that deep romantic chasm which slanted Down the green hill athwart a cedarn cover! A savage place! as holy and enchanted As e'er beneath a waning moon was haunted By woman wailing for her demon lover! And from this chasm, with ceaseless turmoil seething, As if this earth in fast thick pants were breathing, A mighty fountain momently was forced: Amid whose swift half-intermitted burst Huge fragments vaulted like rebounding hail, Or chafly grain beneath the thresher's flail: And `mid these dancing rocks at once and ever It flung up momently the sacred river.

Kubla Khan

In the summer of the year 1797, the author, then in ill health, had retired to a lonely farmhouse between Porlock and Linton, on the Exmoor confines of Somerset and Devonshire. In consequence of a slight indisposition, an anodyne had been prescribed, from the effects of which he fell asleep in his chair at the moment that he was reading the following sentence, or words of the same substance, in Purchas's Pilgrimage: "Here the Khan Kubla commanded a palace to be built, and a stately garden thereunto. And thus ten miles of fertile ground were inclosed with a wall." The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper, instantly and eagerly wrote down the lines that are here preserved. At this moment he was unforunately called out by a person on business from Porlock, and detained by him above an hour, and on his return to his room, found, to his no small surprise and mortification, that though he still retained some vague and dim recollection of the general purport of the vision, yet, with the exception of some eight or ten scattered lines and images, all the rest had passed away like the images on the surface of a stream into which a stone has been cast, but, alas! without the after restoration of the latter!

Kubla Khan

With blackest moss the flower-plots Were thickly crusted, one and all: The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, "My life is dreary, He cometh not," she said; She said, "I am aweary, aweary, I would that I were dead!"

Mariana

By this he knew she wept with waking eyes: That, at his hand's light quiver by her head, The strange low sobs that shook their common bed Were called into her with a sharp surprise, And strangled mute, like little gasping snakes, Dreadfully venomous to him. She lay Stone-still, and the long darkness flowed away With muffled pulses. Then, as midnight makes Her giant heart of Memory and Tears Drink the pale drug of silence, and so beat Sleep's heavy measure, they from head to feet Were moveless, looking through their dead black years, By vain regret scrawled over the blank wall. Like sculptured effigies they might be seen Upon their marriage-tomb, the sword between; Each wishing for the sword that severs all.

Modern Love

It chanced his lips did meet her forehead cool. She had no blush, but slanted down her eye. Shamed nature, then, confesses love can die: And most she punishes the tender fool Who will believe what honours her the most! Dead! is it dead? She has a pulse, and flow Of tears, the price of blood-drops, as I know, For whom the midnight sobs around Love's ghost, Since then I heard her, and so will sob on. The love is here; it has but changed its aim. O bitter barren woman! what's the name? The name, the name, the new name thou hast won? Behold me striking the world's coward stroke! That will I not do, thought the sting is dire. -- Beneath the surface this, while by the fire They sat, she laughing at a quiet joke.

Modern Love

What are we first? First, animals; and next Intelligences at a leap; on whom Pale lies the distant shadow of the tomb, And all that draweth on the tomb for text. Into which state comes Love, the crowning sun: Beneath whose light the shadow loses form. We are the lords of life, and life is warm. Intelligence and instinct now are one. But nature says: 'My children most they seem When they least know me: therefore I decree That they shall suffer.' Swift doth young Love flee, And we stand wakened, shivering from our dream. Then if we study Nature we are wise. Thus do the few who live but with the day: The scientific animals are they. -- Lady, this is my sonnet to your eyes.

Modern love

MRS WARREN. Yes, Heaven forgive me, it's true; and you are the only one that ever turned on me. Oh, the injustice of it! the injustice! the injustice! I always wanted to be a good woman. I tried honest work; and I was slave-driven until I cursed the day I ever heard of honest work. I was a good mother; and because I made my daughter a good woman she turns me out as if I were a leper. Oh, if I only had my life to live over again! I'd talk to that lying clergyman in the school. From this time forth, so help me Heaven in my last hour, I'll do wrong and nothing but wrong. And I'll prosper on it. VIVIE. Yes: it's better to choose your line and go through with it. If I had been you, mother, I might have done as you did; but I should not have lived one life and believed in another. You are a conventional woman at heart. That is why I am bidding you goodbye now. I am right, am I not?

Mrs. Warren's Profession

REV. S. [piteously] Frank, my boy,: when I wrote those letters I put myself into that woman's power. When I told you about them I put myself, to some extent, I am sorry to say, in your power. She refused my money with these words, which I shall never forget. "Knowledge is power" she said; "and I never sell power." Thats more than twenty years ago; and she has never made use of her power or caused me a moment's uneasiness. You are behaving worse to me than she did, Frank. FRANK. Oh yes I dare say! Did you ever preach at her the way you preach at me every day? REV. S. [wounded almost to tears] I leave you, sir. You are incorrigible. [He turns to- wards the gate]. FRANK [utterly unmoved] Tell them I shant be home to tea, will you, gov'nor, like a good fellow? [He moves towards the cottage door and is met by Praed and Vivie coming out]. VIVIE [to Frank] Is that your father, Frank? I do so want to meet him. FRANK. Certainly. [Calling after his fa- ther] Gov'nor. Youre wanted. [The parson turns at the gate, fumbling nervously at his hat. Praed crosses the garden to the opposite side, beaming in anticipation of civilities]. My father: Miss Warren. VIVIE [going to the clergyman and shaking his hand] Very glad to see you here, Mr Gard- ner. [Calling to the cottage] Mother: come along: youre wanted. [Mrs Warren appears on the threshold, and is immediately transfixed, recognizing the cler- gyman.] VIVIE [continuing] Let me introduce— MRS WARREN [swooping on the Reverend Samuel] Why it's Sam Gardner, gone into the Church! Well, I never! Dont you know us, Sam? This is George Crofts, as large as life and twice as natural. Dont you remember me? REV. S. [very red] I really—er— MRS WARREN. Of course you do. Why, I have a whole album of your letters still: I came across them only the other day.

Mrs. Warren's Profession

VIVIE. Will you come indoors; or would you rather sit out here and talk? PRAED. It will be nicer out here, dont you think? VIVIE. Then I'll go and get you a chair. [She goes to the porch for a garden chair]. PRAED [following her] Oh, pray, pray! Al- low me. [He lays hands on the chair]. VIVIE [letting him take it] Take care of your fingers; theyre rather dodgy things, those chairs. [She goes across to the chair with the books on it; pitches them into the ham- mock; and brings the chair forward with one swing]. PRAED [who has just unfolded his chair] Oh, now do let me take that hard chair. I like hard chairs. VIVIE. So do I. Sit down, Mr Praed. [This invitation she gives with a genial peremptori- ness, his anxiety to please her clearly striking her as a sign of weakness of character on his part. But he does not immediately obey]. PRAED. By the way, though, hadnt we bet- ter go to the station to meet your mother? VIVIE [coolly] Why? She knows the way.

Mrs. Warren's Profession

Vivie: It would not matter if you did: you would not succeed. [Mrs Warren winces, deeply hurt by the implied indifference to- wards her affectionate intention. Vivie, nei- ther understanding this nor concerning herself about it, goes on calmly] Mother: you dont at all know the sort of person I am. I dont ob- ject to Crofts more than to any other coarsely built man of his class. To tell you the truth, I rather admire him for being strongminded enough to enjoy himself in his own way and make plenty of money instead of living the usual shooting, hunting, dining-out, tailoring, loafing life of his set merely because all the rest do it. And I'm perfectly aware that if I'd been in the same circumstances as my aunt Liz, I'd have done exactly what she did. I dont think I'm more prejudiced or straitlaced than you: I think I'm less. I'm certain I'm less sen- timental. I know very well that fashionable morality is all a pretence, and that if I took your money and devoted the rest of my life to spending it fashionably, I might be as worth- less and vicious as the silliest woman could possibly be without having a word said to me about it. But I dont want to be worthless. I shouldnt enjoy trotting about the park to ad- vertize my dressmaker and carriage builder, or being bored at the opera to shew off a shop- windowful of diamonds.

Mrs. Warren's Profession

[Summer afternoon in a cottage garden on the eastern slope of a hill a little south of Hasle- mere in Surrey. Looking up the hill, the cot- tage is seen in the left hand corner of the gar- den, with its thatched roof and porch, and a large latticed window to the left of the porch. A paling completely shuts in the garden, ex- cept for a gate on the right. The common rises uphill beyond the paling to the sky line. Some folded canvas garden chairs are leaning against the side bench in the porch. A lady's bicycle is propped against the wall, under the window. A little to the right of the porch a hammock is slung from two posts. A big can- vas umbrella, stuck in the ground, keeps the sun off the hammock, in which a young lady is reading and making notes, her head towards the cottage and her feet towards the gate. In front of the hammock, and within reach of her hand, is a common kitchen chair, with a pile of serious-looking books and a supply of writing.....

Mrs. Warren's Profession Was supposed to end "has your mother arrived"... problem is that line isn't until page 50....

Vivie: Dont think for a moment I set myself above you in any way. You attacked me with the con- ventional authority of a mother: I defended myself with the conventional superiority of a respectable woman. Frankly, I am not going to stand any of your nonsense; and when you drop it I shall not expect you to stand any of mine. I shall always respect your right to your own opinions and your own way of life. MRS WARREN. My own opinions and my own way of life! Listen to her talking! Do you think I was brought up like you? able to pick and choose my own way of life? Do you think I did what I did because I liked it, or thought it right, or wouldnt rather have gone to college and been a lady if I'd had the chance? VIVIE. Everybody has some choice, mother. The poorest girl alive may not be able to choose between being Queen of Eng- land or Principal of Newnham; but she can choose between ragpicking and flowerselling, according to her taste. People are always blaming circumstances for what they are. I dont believe in circumstances. The people who get on in this world are the people who get up and look for the circumstances they want, and, if they cant find them, make them. MRS WARREN. Oh, it's easy to talk, isnt it? Here! would you like to know what my cir- cumstances were? VIVIE. Yes: you had better tell me. Wont you sit down? MRS WARREN. Oh, I'll sit down: dont you be afraid. [She plants her chair farther for- ward with brazen energy, and sits down. Vivie is impressed in spite of herself]. D'you know what your gran'mother was? VIVIE. No. MRS WARREN. No, you dont. I do. She called herself a widow and had a fried-fish shop down by the Mint, and kept herself and four daughters out of it. Two of us were sisters: that was me and Liz; and we were both good-looking and well made. I suppose our father was a well-fed man: mother pre- tended he was a gentleman; but I dont know. The other two were only half sisters: under- sized, ugly, starved looking, hard working, honest poor creatures: Liz and I would have half-murdered them if mother hadnt half- murdered us to keep our hands off them. They were the respectable ones. Well, what did they get by their respectability? I'll tell you. One of them worked in a whitelead factory twelve hours a day for nine shillings a week until she died of lead poisoning. She only expected to get her hands a little paralyzed; but she died. The other was always held up to us as a model because she married a Government laborer in the Deptford victualling yard, and kept his room and the three children neat and tidy on eighteen shillings a week—until he took to drink. That was worth being respectable for, wasnt it? VIVIE [now thoughtfully attentive] Did you and your sister think so?

Mrs. Warren's profession

It is an ancient Mariner, And he stoppeth one of three. `By thy long beard and glittering eye, Now wherefore stopp'st thou me ? The Bridegroom's doors are opened wide, And I am next of kin ; The guests are met, the feast is set : May'st hear the merry din.' He holds him with his skinny hand, `There was a ship,' quoth he. `Hold off ! unhand me, grey-beard loon !' Eftsoons his hand dropt he. The Wedding-Guest is spell-bound by the eye of the old seafaring man, and constrained to hear his tale. He holds him with his glittering eye-- The Wedding-Guest stood still, And listens like a three years' child : The Mariner hath his will. The Wedding-Guest sat on a stone : He cannot choose but hear ; And thus spake on that ancient man, The bright-eyed Mariner.

Rime of the Ancient Mariner

"For all day, the wheels are droning, turning, — Their wind comes in our faces, — Till our hearts turn, — our heads, with pulses burning, And the walls turn in their places Turns the sky in the high window blank and reeling — Turns the long light that droppeth down the wall, — Turn the black flies that crawl along the ceiling — All are turning, all the day, and we with all ! — And all day, the iron wheels are droning ; And sometimes we could pray, 'O ye wheels,' (breaking out in a mad moaning) 'Stop ! be silent for to-day ! ' "

The Cry of the Children

But the young, young children, O my brothers, They are weeping bitterly ! They are weeping in the playtime of the others, In the country of the free.

The Cry of the Children

Do ye hear the children weeping, O my brothers, Ere the sorrow comes with years ? They are leaning their young heads against their mothers, — And that cannot stop their tears. The young lambs are bleating in the meadows ; The young birds are chirping in the nest ; The young fawns are playing with the shadows ; The young flowers are blowing toward the west— But the young, young children, O my brothers, They are weeping bitterly ! They are weeping in the playtime of the others, In the country of the free. Do you question the young children in the sorrow, Why their tears are falling so ? The old man may weep for his to-morrow Which is lost in Long Ago — The old tree is leafless in the forest — The old year is ending in the frost — The old wound, if stricken, is the sorest — The old hope is hardest to be lost : But the young, young children, O my brothers, Do you ask them why they stand Weeping sore before the bosoms of their mothers, In our happy Fatherland ?

The Cry of the Children

Cecily. I can't understand how you are here at all. Uncle Jack won't be back till Monday afternoon. Algernon. That is a great disappointment. I am obliged to go up by the first train on Monday morning. I have a business appointment that I am anxious . . . to miss? Cecily. Couldn't you miss it anywhere but in London? Algernon. No: the appointment is in London. Cecily. Well, I know, of course, how important it is not to keep a business engagement, if one wants to retain any sense of the beauty of life, but still I think you had better wait till Uncle Jack arrives. I know he wants to speak to you about your emigrating. Algernon. About my what? Cecily. Your emigrating. He has gone up to buy your outfit.

The Importance of Being Earnest

Jack. Well, if you want to know, Cecily happens to be my aunt. Algernon. Your aunt! Jack. Yes. Charming old lady she is, too. Lives at Tunbridge Wells. Just give it back to me, Algy. Algernon. [Retreating to back of sofa.] But why does she call herself little Cecily if she is your aunt and lives at Tunbridge Wells? [Reading.] 'From little Cecily with her fondest love.' Jack. [Moving to sofa and kneeling upon it.] My dear fellow, what on earth is there in that? Some aunts are tall, some aunts are not tall. That is a matter that surely an aunt may be allowed to decide for herself. You seem to think that every aunt should be exactly like your aunt! That is absurd! For Heaven's sake give me back my cigarette case. [Follows Algernon round the room.] Algernon. Yes. But why does your aunt call you her uncle? 'From little Cecily, with her fondest love to her dear Uncle Jack.' There is no objection, I admit, to an aunt being a small aunt, but why an aunt, no matter what her size may be, should call her own nephew her uncle, I can't quite make out. Besides, your name isn't Jack at all; it is Ernest. Jack. It isn't Ernest; it's Jack. Algernon. You have always told me it was Ernest. I have introduced you to every one as Ernest. You answer to the name of Ernest. You look as if your name was Ernest. You are the most earnest-looking person I ever saw in my life. It is perfectly absurd your saying that your name isn't Ernest. It's on your cards. Here is one of them. [Taking it from case.] 'Mr. Ernest Worthing, B. 4, The Albany.' I'll keep this as a proof that your name is Ernest if ever you attempt to deny it to me, or to Gwendolen, or to any one else. [Puts the card in his pocket.]

The Importance of Being Earnest

Lady Bracknell. I'm sorry if we are a little late, Algernon, but I was obliged to call on dear Lady Harbury. I hadn't been there since her poor husband's death. I never saw a woman so altered; she looks quite twenty years younger. And now I'll have a cup of tea, and one of those nice cucumber sandwiches you promised me. Algernon. Certainly, Aunt Augusta. [Goes over to tea-table.] Lady Bracknell. Won't you come and sit here, Gwendolen? Gwendolen. Thanks, mamma, I'm quite comfortable where I am. Algernon. [Picking up empty plate in horror.] Good heavens! Lane! Why are there no cucumber sandwiches? I ordered them specially. Lane. [Gravely.] There were no cucumbers in the market this morning, sir. I went down twice. Algernon. No cucumbers! Lane. No, sir. Not even for ready money. Algernon. That will do, Lane, thank you. Lane. Thank you, sir. [Goes out.] Algernon. I am greatly distressed, Aunt Augusta, about there being no cucumbers, not even for ready money. Lady Bracknell. It really makes no matter, Algernon. I had some crumpets with Lady Harbury, who seems to me to be living entirely for pleasure now. Algernon. I hear her hair has turned quite gold from grief. Lady Bracknell. It certainly has changed its colour. From what cause I, of course, cannot say. [Algernon crosses and hands tea.] Thank you. I've quite a treat for you to-night, Algernon. I am going to send you down with Mary Farquhar. She is such a nice woman, and so attentive to her husband. It's delightful to watch them.

The Importance of Being Earnest

Morning-room in Algernon's flat in Half-Moon Street. The room is luxuriously and artistically furnished. The sound of a piano is heard in the adjoining room. [Lane is arranging afternoon tea on the table, and after the music has ceased, Algernon enters.] Algernon. Did you hear what I was playing, Lane? Lane. I didn't think it polite to listen, sir. Algernon. I'm sorry for that, for your sake. I don't play accurately—any one can play accurately—but I play with wonderful expression. As far as the piano is concerned, sentiment is my forte. I keep science for Life. Lane. Yes, sir. Algernon. And, speaking of the science of Life, have you got the cucumber sandwiches cut for Lady Bracknell? Lane. Yes, sir. [Hands them on a salver.] Algernon. [Inspects them, takes two, and sits down on the sofa.] Oh! . . . by the way, Lane, I see from your book that on Thursday night, when Lord Shoreman and Mr. Worthing were dining with me, eight bottles of champagne are entered as having been consumed. Lane. Yes, sir; eight bottles and a pint. Algernon. Why is it that at a bachelor's establishment the servants invariably drink the champagne? I ask merely for information. Lane. I attribute it to the superior quality of the wine, sir. I have often observed that in married households the champagne is rarely of a first-rate brand. Algernon. Good heavens! Is marriage so demoralising as that? Lane. I believe it is a very pleasant state, sir. I have had very little experience of it myself up to the present. I have only been married once. That was in consequence of a misunderstanding between myself and a young person. Algernon. [Languidly.] I don't know that I am much interested in your family life, Lane. Lane. No, sir; it is not a very interesting subject. I never think of it myself. Algernon. Very natural, I am sure. That will do, Lane, thank you. Lane. Thank you, sir. [Lane goes out.] Algernon. Lane's views on marriage seem somewhat lax. Really, if the lower orders don't set us a good example, what on earth is the use of them? They seem, as a class, to have absolutely no sense of moral responsibility.

The Importance of Being Earnest

Dear is the memory of our wedded lives, And dear the last embraces of our wives And their warm tears: but all hath suffer'd change: For surely now our household hearths are cold, Our sons inherit us: our looks are strange: And we should come like ghosts to trouble joy. Or else the island princes over-bold Have eat our substance, and the minstrel sings Before them of the ten years' war in Troy, And our great deeds, as half-forgotten things. Is there confusion in the little isle? Let what is broken so remain. The Gods are hard to reconcile: 'Tis hard to settle order once again. There is confusion worse than death, Trouble on trouble, pain on pain, Long labour unto aged breath, Sore task to hearts worn out by many wars And eyes grown dim with gazing on the pilot-stars.

The Lotos Eaters

For I, methought, while the sweet breath of heaven

The Prelude

I spare to speak, my friend of what ensued-the life In common things—the endless store of things, Rare, or at least so seeming, every day Found all about me in one neighbourhood The self-congratulation, the complete Composure, and the happiness entire.

The Prelude

Meanwhile, my hope has been that I might fetch Invigorating thoughts from former years, Might fix the wavering balance of my wind, And haply meet reproaches, too, whose power May spur me on, in manhood now mature, To honorable toil. Yet should these hopes Be vain, and thus should neither I be taught To understand myself, nor thou to know With better knowledge how the heart was fram'd Of him thou lovest, need I dread from thee Harsh judgments, if I am so loth to quit Those recollected hours that have the charm Of visionary things, and lovely forms And sweet sensations that throw back our life And almost make our Infancy itself A visible scene, on which the sun is shining? One end hereby at least hath been attain'd, My mind hath been revived, and if this mood Desert me not, I will forthwith bring down, Through later years, the story of my life. The road lies plain before me; 'tis a theme Single and of determined bounds; and hence I chuse it rather at this time, than work Of ampler or more varied argument, Where I might be discomforted and lost, And certain hopes are with me that to thee This labour will be welcome, honored friend.

The Prelude

Oh there is blessing in this gentle breeze, A visitant that while it fans my cheek Doth seem half-conscious of the joy it brings From the green fields, and from yon azure sky. Whate'er its mission, the soft breeze can come To none more grateful than to me; escaped From the vast city, where I long had pined A discontented sojourner: now free, Free as a bird to settle where I will. What dwelling shall receive me? in what vale Shall be my harbour? underneath what grove Shall I take up my home? and what clear stream Shall with its murmur lull me into rest? The earth is all before me. With a heart Joyous, nor scared at its own liberty, I look about; and should the chosen guide Be nothing better than a wandering cloud, I cannot miss my way. I breathe again! Trances of thought and mountings of the mind Come fast upon me: it is shaken off, That burthen of my own unnatural self, The heavy weight of many a weary day Not mine, and such as were not made for me. Long months of peace (if such bold word accord With any promises of human life), Long months of ease and undisturbed delight Are mine in prospect; whither shall I turn, By road or pathway, or through trackless field, Up hill or down, or shall some floating thing Upon the river point me out my course?

The Prelude

All feeling of conviction, and, in fine, Sick, wearied out with contrarieties, Yielded up moral questions in despair, And for my future studies, as the sole Employment of the inquiring faculty, Turned towards mathematics, and their clear And solid evidence.

The Prelude Book the Tenth

Dragging all passions, notions, shapes of faith, Like culprits of the bar, suspiciously Calling the mind to establish in plain day Her titles and her honours, now believing, Now disbelieving, endlessly perplexed With impulse, motive, right and wrong, the ground Of moral obligation—what the rule, And what the sanction—till, demanding proof, And seeking it in every thing, I lost

The Prelude Book the Tenth

Maintained for me a saving intercourse With my true self (for, though impaired, and changed Much, as it seemed, I was no further changed Than as a clouded, not a waning moon); She, in the midst of all, preserved me still A poet, made me seek beneath that name My office upon earth, and nowhere else.

The Prelude Book the Tenth

O pleasant exercise of hope and joy, For great were the auxiliars which then stood Upon our side, we who were strong in love. Bliss was it in that dawn to be alive, But to be young was very heaven! O times, In which the meagre, stale, forbidding ways Of custom, law, and statute took at once The attraction of a country in romance— When Reason seemed the most to assert her rights When most intent on making of herself A prime enchanter to assist the work Which then was going forwards in her name.

The Prelude Book the Tenth

Take up the White Man's burden-- Send forth the best ye breed-- Go bind your sons to exile To serve your captives' need; To wait in heavy harness, On fluttered folk and wild-- Your new-caught, sullen peoples, Half-devil and half-child. Take up the White Man's burden-- In patience to abide, To veil the threat of terror And check the show of pride; By open speech and simple, An hundred times made plain To seek another's profit, And work another's gain.

The White Man's Burden

It little profits that an idle king, By this still hearth, among these barren crags, Match'd with an agèd wife, I mete and dole Unequal laws unto a savage race, That hoard, and sleep, and feed, and know not me. I cannot rest from travel: I will drink Life to the lees: All times I have enjoy'd Greatly, have suffer'd greatly, both with those That loved me, and alone, on shore, and when Thro' scudding drifts the rainy Hyades Vexed the dim sea: I am become a name; For always roaming with a hungry heart Much have I seen and known; cities of men And manners, climates, councils, governments, Myself not least, but honour'd of them all; And drunk delight of battle with my peers, Far on the ringing plains of windy Troy. I am a part of all that I have met; Yet all experience is an arch wherethro' Gleams that untravell'd world whose margin fades For ever and forever when I move. How dull it is to pause, to make an end, To rust unburnish'd, not to shine in use! As tho' to breathe were life! Life piled on life Were all too little, and of one to me Little remains: but every hour is saved From that eternal silence, something more, A bringer of new things; and vile it were For some three suns to store and hoard myself, And this gray spirit yearning in desire To follow knowledge like a sinking star, Beyond the utmost bound of human thought. This is my son, mine own Telemachus, To whom I leave the sceptre and the isle, - Well-loved of me, discerning to fulfil This labour, by slow prudence to make mild A rugged people, and thro' soft degrees Subdue them to the useful and the good. Most blameless is he, centred in the sphere Of common duties, decent not to fail In offices of tenderness, and pay Meet adoration to my household gods, When I am gone. He works his work, I mine.

Ulysses