thea final part 3

true

first hand, a cutter, and a stitcher are essential costume shop personnel, T or F

scrim

gauze or cloth screen that when painted and lit fro the front, appears solid but when lit from behind becomes transparent

wagon

low platform on wheels which set pieces and even actors are brought onstage

true

makeup and wigs are frequently also part of the responsibility of costume designer T or F

draw attention to the skill of the designer

objective of costume are many, which is not

technical director

person responsible for seeing that the scenery, platforms and other elects are built, painted and installed onstage

true

property deign includes functional props used by actors as well as the set dressing that fills out the visual stage reality T or F

true

property deign includes functional props used by actors as well as the set dressing that fills pout the visual stage reality, T or F

historical period

roman togas and soldiers helmets on characters primarily suggest what

model

small scale three dimensional version of the set

assisting in the blocking of the production

the objectives of the scenes designer do not include

true

when costume is created in costume shop under the supervision of designer, known as building a costume T or F

false

when costumes are taken from inventory or rented from a costume house, this is know as rendering a costume T or F

reading the script and perhaps making rough sketches to develop ideas

while each scene designer works differently, the typical first step in the design process is

false

while it is often necessary for actors and actresses to make quick costume changes, this is a concern for the stage manager not costume designer T or F

when the play takes place, what kind of characters the play is about, where the play takes place

a stage set should tell the audience

important when the time and place of a play have been shifted, unifying idea carried out visually, should compliment the directorial concept

a strong design concept

line, shape, and silhouette

bustles or corset affect which area

flat

canvas stretched on wood with the side facing the audience painted to look like a solid wall

turntable

circular revolving unit is set onto floor and can turn mechanically to bring one set into view as another disappears

character flaws

clothes have always indicated or signaled a number o things regarding the wearer, expect for

true

color of costume van be used to indicate changes in character T or F

false

costume designers rarely meet the actors who will be wearing their costumes T or F

floor plan or ground plan

extremely important step in preparing for the show to begin rehearsals so the actors and director know how throw pattern of movements will be affected by placement

rendering

fairly complete sketch made by the scene designer, usually done in color