THTR 1020 Chapter 9 Quiz
The objective of costumes are many. For example, costumes help establish the style of the production. Which of the following, however, is NOT one of a costumer's objectives?
Draw attention to the skill of the designer
A stitcher is a technician who patterns, pins, and drapes the fabric to fit the individual actor perfectly, whereas a draper is a technician who sews all the costumes.
false
In addition to the costumes themselves, makeup and wigs are also part of the responsibilities of the costume designer.
true
When a costume is created in the costume shop under the supervision of the designer, this is known as building a costume.
true
Clothes have always indicated or signaled a number of things regarding the wearer, except for which of the following?
Character flaws
Which of the following is NOT a collaborator of the costume designer:
Fashion or style editor
Roman togas and soldiers' helmets on characters primarily suggest which of the following?
Historical period
Bustles or corsets affect which of the following areas?
Line, shape, and silhouette
Distinguishing major from minor characters is an analysis of which of the following?
Relationships
A long, white laboratory coat and a stethoscope on a character would be typical in showing which of the following categories?
Status and personality
Walking sticks and parasols are examples of
accessories
A first hand, a cutter/draper, and a stitcher are essential costume shop personnel working on the building/construction process of a costume.
false
Because costumes must stand out from the scenery in order to be seen, costumes are rarely designed to be consistent with the scenic design for a production.
false
Costume designers rarely meet the actors who will be wearing their costumes, leaving those responsibilities to the stage manager.
false
Only something that actually attaches or pins to a costume piece is considered an accessory.
false
The most realistic makeup designs being used in the world of theatre are most often found in Japanese kabuki theatre presentations.
false
Undergarments are not a concern of the costume designer.
false
When costumes are taken from inventory or rented from a costume house, this is known as rendering a costume.
false
While fabric affects the silhouette, texture, and bulk of a costume, it has little symbolic value.
false
While it is often necessary for actors and actresses to make quick costume changes, this is a concern for the stage manager, not the costume designer
false
The most typical thing that characters wearing ringlets, pompadours, or bouffant hairstyles can denote for a play is
historical period
Although masks can help express a character effectively they are not likely to appear at all in a play that is completely realistic in style.
true
Color can be used to indicate changes in character.
true
Masks can be used to create stereotypes similar to stock characters.
true
Realistic prosthetic makeup is used both for fantastical creatures like flying monkeys and in creating believable historical characters.
true