Chapter 12 terms
When one set of lights comes down at the same time that another set of lights come up, this is known as a
Cross-Fade
The technical rehearsal is the time to establish
All of the above
Through the use of color, shadow, and intensity, lighting can suggest
All of the above
Visibility is the most obvious function of stage lighting. Which of the following is also a primary function of lighting?
All of the above
The sound designer's primary collaborator on any theatrical production is the
Director
When sound effects are recorded and arranged in the order of their appearance in the script, the process is called
Editing
A light that is typically used to light the large cyclorama all the way upstage is
a stripe light or flood light
A harsh red light from below an actor's face can create a disturbing mood, but you would only find that kind of light in a nonrealistic production.
True
Sound effects in the theatre can be produced effectively with either advanced technology or with age-old manual theatrical mechanics, depending on the style of the production.
True
Digital sound technology will allows musical instruments to be connected through a theatrical sound system, but at this time it cannot yet interface with lighting or projection technology.
False
High-tech lights often used by rock musicians move up and down and from side to side, change colors, and change the sharpness and width of a beam of light and allow for numerous decorative or atmospheric patterns, are now used industry-wide. Such lights are called
Automated lights
A wireless microphone attached to a performer is called a ________ mike.
Body
In order to meet the aesthetic demands of a lighting design, the stage manager must
Call all cues with an understanding of the pace and rhythm integral to the production.
Lighting changes typically programmed in a computerized control system are referred to as
Cues
To this day the most common form of sound reproduction technology in the theater is reel-to-reel tape.
False
A warm golden red light from below an actor's face could establish a suggested light source of a campfire or candles on a table in a completely realistic production.
True
Sound travels more slowly than light.
True
Split cross-fades are quite difficult to make consistent on a manual lighting console, but computerized light boards make this complicated timing easy to accomplish.
True
The lighting designer can only use the following four controllable properties of light—intensity, color, distribution, and movement/change—in setting the lights for any cue in the theatre.
True
Which of the following responses places these theatrical lighting practices in the proper chronological order?
Sun, candle and oil lamps, gaslight, limelight, incandescent light, LEDs
A conventional spotlight that throws a sharp, concentrated light and allows for the shaping of the beam with shutters is called a(n)
Ellipsoidal reflector spotlight
Sound that recreates the noises of everyday life and help create the verisimilitude of a play, but are not specifically called for by the script, are called
Environmental sounds
When a beam of light is aimed at a particular area on the stage, it is said to be
Focused
A conventional spotlight that produces a soft-edged beam and allows for variable beam spread is called a(n)
Fresnel spotlight
A light plot does NOT include the
Length of light cues
Which of the following is a critical member of the lighting design team?
Master electrician
Sounds that are called for in the script are called
Motivated sounds
The amplification of sounds produced by a performer or musical instrument is called
Sound reinforcement
When light from one area falls into an adjacent area, it is said to
Spill
Fresnel lighting instruments are most often used for
Top lighting