Chapter 3 Media
The Marathon Boy
330BCE; a cast bronze work made using the lost wax method. Only important artworks were used with this method as it was very expensive
monotype
A printmaking process in which only one impression results, hand rubbed or put through a press to transfer
Airbrush
A small spray gun attached to a compressed air source that atomizes liquid paint, allowing it to be sprayed onto a surface.
Medium
Actual Material Substance used to make a work of art
Albrecht Durer
Created "Knight, Death, and the Devil"(1513); Used metal engraving, had extreme detail
Monumental Heads
Freestanding sculpture from easter Island; meant to be seen from all perspectives; 15th century
glazes
Nearly transparent layers of paint that leave a hint of color on the underpainting.
Fresco Secco
Painting on dry plaster
vanitas
The impermanence of temporal life.
Printmaking
The process of making multiple artworks or impressions, usually on paper, using a printing plate, woodblock, stone, or stencil.
Oil Paint
This painting started as an opaque monochrome underpainting, then had layers of jewel-like glazes applied to the surface.
Lithography
a drawing created with an oily crayon, pencil, or liquid on either a limestone slab or a metal surface
ground
a fluid brushed onto a support to change it's surface quality
etching
a metal plate is covered with a waxy ground which is resistant to acid. The artist then scratches off the ground with a pointed etching needle where he or she wants a line to appear in the finished piece, so exposing the bare metal.
alla prima
a technique of painting, a direct style without layers
Acrylics
can be poured, glazed, or painted alla prima. They can be thinned and applied with a fine brush to produce lines; water soluble artists can also pour acrylic paint, glaze acrylics, and draw fine lines with it.
Acrylic Painting
can produce large areas of flat color, similar to the effect of latex wall paint; pigment ground with a synthetic polymer liquid binder, dries quickly into a flexible film, can be applied to almost any support.
Medians used in 3D art
carving, modeling, assembling, technology, installation
Dry Media
chalk, charcoal, graphite, pastel, silverpoint
Aerosol Cans
compressed air and quick-drying paint often used by graffiti artists.
engraving
cutting precise lines into a woodblock or polished metal plate
Medians used in 2D art
drawing, printmaking, painting, fabrics/needlework/weaving
Types of Intaglio Printing
drypoint, engraving, etching, aquatint
Oil and Acrylic Paints
known for their wide variety of colors
Media
materials used in art
Relief
non-printing areas are cut away from a smooth surface, so that areas to be printed are left higher
Tempera
pigments mixed with egg yolk, the binder
Watercolors
pigments suspended in a gum arabic, a water soluble glue binder
aquatint
process related to etching used to create flat tones or softly shifting values; parts of metal are covered with acid resistant resin
drypoint
scratches a metal plate with a thin tool known as a graver
serigraphy
screen printing; stencil is placed over tightly woven fabric stretched over a frame and then inked over
Buon Fresco
true or wet fresco; pigments are mixed with water and become chemically bound to the freshly laid lime plaster that is still wet
Materials
used by artists to best reflect the ideas that they are trying to convey; to create feelings of shock, intrigue, sadness, nolstagia, ect
Intaglio
usually cutting into metal; has fine lines a high level of detail rich, dark tones.
Gesso
very fine powdered white chalk suspended in glue or an acrylic medium (makes paper accept silverpoint better)
Gouache
watercolor with white chalk added to create an opaque paint
support
what underlies the artwork, equally important to the art itself; considered media