History of Design Midterm
Margarete Schutte-Lihotzky, "The Frankfurt Kitchen" 1927.
Not part of Bauhaus, built during the same time
Jacques-Emile Ruhlmann, Dressing Table, 1925. Oak with amaranth and mahogany veneer; ebony and ivory inlays.
Art Nouveau
René Lalique, Dragonfly woman corsage ornament, c. 1897-1898. Gold, enamel, chrysoprase, moonstones, and diamonds.
Art Nouveau
Victor Horta, Hotel Tassel, 1893. First floor landing with view towards staircase, 1893. Brussels.
Art Nouveau
Osbert Lancaster, "Modern Home," Homes Sweet Homes, 1939.
Modern
Osbert Lancaster, "Moderne Home," Homes Sweet Homes, 1939.
Modern
Peter Keler, Cradle, 1922.
Modern
Le Corbusier, Pierre Jeanneret and Charlotte Perriand, B306 Chaise Longue, c. 1928.
Modern
Le Corbusier, Pierre Jeanneret, and Charlotte Perriand, B302 Swivel Chair, 1928-1929.
Modern
Le Corbusier, Pierre Jeanneret, and Charlotte Perriand, Grand Confort, 1928.
Modern
Dragonfly Lamp, pre-1906, probably designed by Clara Driscoll, Tiffany Studios, NY, New-York Historical Society
American Aestheticism
Makume Tea Caddy with Foo Dog Finial, c. 1878-80, designed by Edward C. Moore for Tiffany & Co., New York, New-York Historical Society
American Aestheticism
Wisteria Lamp, c. 1901, designed by Clara Driscoll, Tiffany Studios, NY, New-York Historical Society
American Aestheticism
Card Table, 1817, Charles-Honore Lannunier, New York, of mahongany veneer, gilded gesso, verd antique, gilded brass, die-stamped brass boarders, one of a pair, Metropolitan Museum of Art
American Neoclassicism
Pier Table, c. 1835, Joseph Meeks and Sons, New York City, of mahogany veneer, marble, mirror glass, Metropolitan Museum of Art
American Neoclassicism
Cartier, Egyptian Sarcophagus Vanity Case, 1925. Gold, platinum, carved bone, sapphires, emeralds, diamonds, onyxes, and enamel.
Art Deco
Jacques-Emile Ruhlmann, Grand Salon in the Hotel d'un Collectionneur, at the Paris 1925 Exhibition.
Art Deco
Paul Colin, Dancing Couple, Le Tumulte Noir, Paris, 1927.
Art Deco
Paul Colin, Josephine Baker, plate from Paul Colin, Le Tumulte Noir, Paris, 1927.
Art Deco
Pierre Legrain, Stool. Lacquered Wood, horn and gold. French, 1923.
Art Deco
Rene Buthaud, Vase, c. 1926. Stoneware.
Art Deco
Alfons Mucha, Job Cigarette Papers, 1896. Color lithograph.
Art Nouveau
Emile Galle, Bat Vase, c. 1903-1904.
Art Nouveau
Hector Guimard, Banquette, c. 1897. For the Castel Beranger.
Art Nouveau
Gunta Stolzl and Marcel Breuer, "African Chair", Oak, Cherry wood, hemp, wood, cotton, and silk, 1921.
Bauhaus
Gunta Stolzl, Wall Hanging 1926.
Bauhaus
Herbert Bayer, Universal Typeface, 1925.
Bauhaus
Lyonel Feininger, Cathedral of the Future, woodcut, 1919.
Bauhaus
Marianne Brandt, Teapot, 1924.
Bauhaus
Walter Gropius, Bauhaus, 1925.
Bauhaus
Water Gropius Interior, Weissenhof Siedlung, 1927.
Bauhaus
William Wagenfeld, Table Lamp, 1924.
Bauhaus
Hall Chair, c. 1845, Alexander Jackson Davis, designer, Richard Byrne, White Plains, New York, of oak and cane, for Lyndhurst, Tarrytown, NY
Gothic Revival
Lithograph, Broadside for Joseph Meeks and Sons, 1833, New York City, Metropolitan Museum of Art
Gothic Revival
Marcel Breuer, Club Chair (Wassily Chair) (or B3), 1925.
Modern
Aleksandr Rodchenko, Design for the USSR Workers' Club, Chess Table. Black and red India ink and gouache on paper, 1925.
Modern
Gerrit Reitveld, Red and Blue Chair, 1917-1918.
Modern
Gerrit Reitveld, Red and Blue Chair, 1917-8.
Modern
Gerrit Reitveld, Schroder House Interior, 1924.
Modern
Le Corbusier and Pierre Jeanneret, Casiers Standards in Pavillon de L'Esprit Nouveau, 1925.
Modern
Le Corbusier and Pierre Jeanneret, Interior of Pavillon de L'Esprit Nouveau, 1925 Paris Exhibition.
Modern
Centripetal Spring Chair, c. 1849-58, design attributed to Thomas E. Warren, possibly manufactured by American Chair Company, Troy, New York, of cast iron, steel, birch, yellow poplar, basswood, brass, paint, Munson-Williams-Proctor Institute, Utica, NY
Rococo Revival
Etagere-Sideboard, 1853-54, Alexander Roux, New York, of black walnut, pine, poplar, Metropolitan Museum of Art
Rococo Revival
Sofa, c. 1855, attributed to John Henry Belter and Company, New York City, of rosewood with contemporary upholstery, Milwaukee Museum of Art
Rococo Revival
