Music final
When V7 resolves to I, which two scale degrees of the dominant seventh chord are tendency tones that should resolve? 2 and 4 4 and 7 6 and 7 3 and 4
4 and 7
Which figure represents a root-position triad?
53
Which figure represents a second-inversion chord?
6/4
T or F: It is acceptable for a melody to skip down to a chordal seventh.
False
True or false: A V7 chord has only one tendency tone that requires resolution.
False
A V42 typically resolves to a:
I6 (or i6)
Which inversion of a dominant seventh chord creates the strongest harmonic progression?
root position
A V65 typically resolves to a:
root position I (or i)
In a perfect authentic cadence, it is sometimes possible to ignore the tendency for 7 to resolve to the tonic, and allow it to skip downward to a 5.
true
In common-practice composition, a V42 must resolve to a I6.
true
In figured bass notation, a slash through a number means that the pitch associated with that number should be raised by a half step.
true
It is rare to see a root-position triad built on the supertonic in minor keys
true
Predominant harmonies lead to the dominant harmony within the basic phrase.
true
Suspensions are indicated in figured bass notation.
true
Which of the following is not a triad with a predominant function? ii (or ii°) IV (or iv) ii6 (or ii°6) vii°6
vii°6
In figured bass, figures show diatonic intervals above the bass.
True
Why must a V42 chord resolve to a I6?
Because the chordal seventh is in the bass in a V42 , which must resolve down.
Which of the following is an acceptable interval progression in similar motion? P5-P5 d5-d5 P5-d5 d5-P5
P5-d5
When are direct or "hidden" fifths objectionable?
When both outer voices move by leap.
A direct or "hidden" fifth occurs when a perfect fifth is approached by contrary motion.
false
A transferred resolution happens when the leading tone resolves to something other then 1
false
In a figured bass, melodic embellishing tones are included in the figures.
false
In figured bass notation, an accidental by itself indicates that the third of the chord should be raised or lowered.
false
True or false: The seventh of a dominant seventh chord tends to resolve up by step.
false
Which member of a dominant seventh chord can be omitted?
fifth
