SI 320 Quiz
Achromatic
"Colorless" - black/white/gray
The Rule of Thirds
- A compositional guideline that proposes an image should be divided into 9 parts by 2 equally spaced vertical and horizontal lines - Important elements should be placed along these lines or their intersection - Other elements should not distract from the main points of emphasis
Grid
- A number of lines that make up a structure (framework) of a layout - Organizational element of design - Guide for image + text alignment - Guide for page alignment - Can be used both for print and web design Used for: 1. clarity 2. efficiency 3. economy 4. consistency
DPI
- Dots per inch (PPI - pixels per inch) - "density" of an image - Images may have the same vertical and horizontal size, but different ___ Both image size and ___ may influence file size
image file characteristics
- File Size - Size of computer file
visual identity assets
- The Symbol / Mark - Logotype - Logo: Versions - Safe Area - Primary Palette - Secondary Palette - Primary Typography - Secondary Typography - Grids, free space - Different Backgrounds - Incorrect Use - Stationery - Communications - Additional Applications
negative space
- relies on the space that surrounds the subject to provide shape and meaning - works for various backgrounds, and for color and grayscale solutions
structural elements
1. informational components 2. input controls 3. navigational components 4. containers
visual elements of brand identity
1. logo 2. typography 3. colors 4. photos 5. additional graphic elements (borders, patterns, special use elements, etc.)
interaction elements
1. motion 2. space 3. time 4. appearance variables 5. sound
typography hierarchy
1. typeface selection (size, weight, style, color, position, type, contrast) 2. alignment 3. free space ...and all possible combinations of them additional elements and principles to consider: depth, borders, direction, animation
Shade
A color + black
Tone
A color + gray
Tint
A color + white
layout grid
A graphic design in which a designer establishes the arrangement, proportions, and relationship between the individual elements on the page to be designed, that is: the images, body copy, headings, captions, and other graphic elements
Shot
A single take made by a camera without cuts and/or editing. In terms of camera distance vs. the object within the shot
Hue, saturation, lightness
Any color can be described with three attributes: ___ ___ ___
Analogous Harmony
Blend well (adjacent to each other); may include 2-4 unique hues
Primary Colors
Cannot be made by mixing other colors (red, blue, yellow)
CMY(K)
Cyan, Magenta, Yellow + (K=black)
Basic types of shots (zoom)
Extreme close-up Close-up Medium close-up Medium shot Medium long shot Long shot Extreme long shot (panoramic)
hexadecimal notation (HEX)
HTML colors are defined using a ___ for the combination of RGB values
gestalt in graphic design
Human perception groups/organizes/transforms visual signs into (various) unitary forms 1. proximity 2. similarity 3. figure-ground 4. symmetry 5. continuity 6. closure
Alignment
Lining up the top, bottom, sides, or middle of text or graphic elements on a page
Tertiary Colors
Made by mixing a primary and secondary color Unique hues
Secondary Colors
Made by mixing two primary colors
CSS
Pixels (px) and points (pt) are fixed, whereas em and percents(%) are relative unit sizes. For digital layouts we use pixels or points, while developers can also use ems
Resolution
Pixels / Inch Web - 72 dpi or more (depends on the target screen resolution) Print - 300 dpi
RGB
Red, Green, Blue Web & devices (what our monitors display)
RYB
Red, Yellow, Blue Traditional model craft, design (physical objects)
Typeface
Set of characters, e.g., letters, numbers, punctuation marks of the same design and style (weight, condensation, italicization, ornamentation)
closure
When the brain processes an incomplete shape, it fills in the missing information to create a whole, so that an image with missing pieces will then appear complete
User Interface for Web
___ brings together concepts from interaction design, visual design, and information architecture and interaction elements - comprised of structural and interaction elements
Gestalt
a configuration, pattern, or organized field having specific properties that cannot be derived from the summation of its component parts; a unified whole; Gestalt, an organized whole that is perceived as more than the sum of its parts
widow (line)
a paragraph-ending line that falls at the beginning of the following page/column, thus separated from the remainder of the text
verbal identity
a short, memorable phrase that captures a brand essence 1. name 2. domain name(s) 3. slogan, tagline 4. units/departments names
orphan
a word, part of a word, or very short line that appears by itself at the end of a paragraph
Containers
accordion, slider, carousel
static (vertical)
alert, balance, serenity
principles of composition
balance (equilibrium) rhythm (repetition) emphasis (attention control) direction & movement unity (harmonious agreement)
baseline grid
based on "flow lines" (horizontal guides); also is built on body copy font size
column grid
based on proportion btw, page, and # of columns
Navigational Components
breadcrumb slider, search field, pagination, slider, tags, icons
Input Controls
buttons, text fields, checkboxes, radio buttons, dropdown lists, list boxes, toggles, date field
circular
closure, security, embracing
visual elements
color, typography, point, line, plane, shapes
alternate-complementary
complementary + split analogous
complementary harmony
creates contrast (opposite on wheel)
hierarchical grid
developed and based on the info that needs to be conveyed (informational hierarchy, or/and semantics)
Font
different sizes
a great logo is
distinctive, practical, graphically effective, simple in form, one message, based on one or several gestalt principles, appropriate
Triad harmony
evenly spaced on the wheel; triad complementary
modular grid
for complex projects, and for layout of tabular information (charts, graphs, forms)
tetradic (compound)
four colors arranged into complementary pairs with more distinction
HIS
hue, saturation, intensity (for web and devices)
HSL
hue, saturation, lightness
HSV
hue, saturation, value
identity
identity is the effective sum of the facts that can be used, in the minds of various audiences, to distinguish a given entity from all others
split-complementary
in addition to base color, it uses the two colors adjacent to its complement
direction & composition leading lines
lead to the main subject of the image and direct viewers' attention
graphic designer's typography concerns
legibility (typeface), readability (text), appropriateness for the audience and the message, reproducibility, practicality
leading
line-spacing
dynamic (diagonal)
motion, movement
manuscript grid
oldest and simplest grid designed for continuous text content
tracking
overall letter-spacing
static (horizontal)
rest, stability, calmness
kerning
selective letter-spacing that adjusts the space between individual letter forms
glyphs
single character or symbol in a typeface that conveys certain meaning
white space
space in between of lines of text, images, geometric elements, any objects; also, gutters, columns, and modules within grid systems
Split-analogous harmony
split by one color on the wheel
Color Hue
the degree to which a stimulus can be described as similar to or different from stimuli that are described as red, green, blue, and yellow (the unique hues)
Informational Components
tooltips, icons, progress bar, notifications, message boxes, modal windows
double complementary
two colors + their complements
ligature
two or more (characters) are joined as a single glyph
font family
typeface variants
Typographic Elements
typeface, font, font family, glyphs, ligature
Logo and style guidelines
unify communications and help to make a clear and strong impression Safety area
image size
vertical and horizontal dimensions
passive white space
white space as a constituent of graphic design assets: space in typography, grid, UI elements, logos
active white space
you make efforts to add it for creating a balanced structure