Test 2

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Death of Sardanapalus Eugene Delacroix Date: 1827, Oil on canvas * Sardanapalus is the last Assyrian King based on Byron's poem "Sardanapalus". Delacroix depicts not a hero but a King too lazy to fight or flee and so committed suicide along with destroying all his possessions, including the living ones. * Has Rubinesque traits of "Massacre at Chios" are intensified here. The scene is very claustrophobic and chaotic in this crammed room stuffed with the Kings worldly possessions. There is terror and horror and violence, yet the King seems irrationally unsympathetic and mentally as well as emotionally indifferent to it all.

Romantic period 1749-1848

Scenes of the Massacre at Chios Eugene Delacroix Date: 1824, Oil on canvas * Inspired by Gericault's "The Raft of the Medusa" and Gros's "Pesthouse at Jaffa" * Compendium of misery and suffering * Depicts the turkish massacre of the Greek island of Chios, Delacroix's intention is to show support for Greek independence and to express the Romantic passion for democracy and individual freedom. * Foreground shows Greeks rounded up for execution but the painting is missing any violence. Figures are also twisting and turning in resignation and a sense of hopelessness and suffering. * color rendering is influenced by Rubens * Baudelaire used the term "Romantic" and is the first the word had been applied to a visual artist.

Romantic period 1749-1848

Women of Algiers Eugene Delacroix Date: 1834, Oil on canvas * Delacroix's painting becomes more colorful yet also looser. He's asked to document duc de Mornay's trip to Morocco, Delacroix would paint him hundreds of watercolors. His brushstroke technique , use of color and style of painting would establish an early platform for impressionism. * Here he gets special permission to enter the exotic world of a harem.

Romantic period 1749-1848

Fonthill Abbey James Wyatt Location: Fonthill Gifforrd, Wiltshire, England Date: 1796-1813 * Beckford wanted to upstage Strawberry Hill and build a medieval home that had the awe and gloom of Gothic romance novels. * It resembles Gothic cathedrals * It's tower is huge compared to Strawberry hills and did inspire awe despite being so large it collapsed twice. In 1825 the tower collapsed again essentially destroying the building.

Romantic period 1749-1848 Compare

Portrait of an Insane Man (Man Suffering from Delusions of Military Rank) Theodore Gericault Date: 1822-23, Oil on Canvas * The romantic periods is fascinated with mental illness. Gericault possibly is the first to paint of such issues or best captures the subjects nervousness, fear and sternness from his delusions of importance. * This is a huge contrast to paintings of the classical era that depict beauty and elegance.

Romantic period 1749-1848 Contrast: Question, is there a possibility we will we be required to compare/contrast any prior slides with the current chapters. ? Portrait of Madame Ines Moitessier Jean-Auguste-Dominique Ingress Date: 1856, Oil on canvas * Ingres's Portrait of madame Ines Moitessier is the embodiment of perfection and poise, goddesslike. Gericault's insance man is the emblem of imperfection, a reflection than of the romantic era's interest in the darker and uglier side of the mind and emotions instead of celestial beings and beauty in classical works.

The Raft of the Medusa Theodore Gericault Date: 1818-19, Oil on canvas *Clearly seen classical statuesque nudes and baroque style lighting color and darkness very similar to Caravaggio's. Only thing missing is a religious message to make this painting Baroque, but it's not Baroque but wholly romantic. *An emotionally charged event and painting. The captain of the Medusa ship callously sets adrift 150 people on a raft, most died during those 2 weeks before sighting another ship which is the moment Gericault painted. Thus this romantic piece is about the harrowing mental and physical experience of survival against nature adrift at sea rather than accusing the captain of cruelty. * Michelangeloesque nudes which reflects his newly learned studies of classical models. Also seen in this painting is a baroque style very like Caravaggio's. The painting makes you experience the severe terror of facing starvation, thirst, suffering and a slow agonizing death. Though it seems there is a glimmer of hope with one figure waving at the sea, the ship is unseen.

Romantic period 1749-1848 Clearly seen classical statuesque nudes and baroque style lighting color and darkness very similar to Caravaggio's. Only thing missing is a religious message to make this painting Baroque, but it's not Baroque but wholly romantic.

Charging Chasseur (cavalryman) Theodore Gericault Date: 1812, Oil on canvas * Famous I think cause it's emotionally charged heroism and few were made of the Chasseur. * Made during Napoleon's Russian Campaign, it's about heroic valor. Shows raw emotion and physical tension, no classical reasoning, romantic. * Twisting Chasseur and horse embody physical and psychological forces that consume fighters in the heat of battle. * No formal training so the twisting soldier looks odd, missing the Neoclassical rules of beauty.

Romantic period 1749-1848 Famous I think cause it's emotionally charged heroism and few were made of the Chasseur.

House of Parliament Sir Charles Barry and A.W.N. Welby Pugin Location: London, Begun 1836 * Revival architects satisfy their romantic desires through historicism, exoticism, the picturesque, and other associated qualities. * Old building burned down, new building was to be built in Gothic or Elizabethan, 91 of the 97 entries were Gothic. * Building was laid out in orderly symmetrical fashion. * Designed in the Florid Perpendicular style. * Designed to be picturesque instead of sublime or grandiose.

Romantic period 1749-1848 Gothic Reival

Burial at Ornans Gustave Courbet (french realist) Date: 1849-50 Oil on canvas * At the time, Courbet was the leading artist of Realism, a type of documentation of real everyday events. * The realism here is an actual Burial in Ornans, Courbet's home town. It depicts real people and an actual burial event without any heroic story or grandeur or elegance of classicism, it even lacks any romantic emotions or idealizations. The realists painted what they saw right now and in THEIR lives, not about some event they never experienced or created some idealized illusion, the present reality was interesting enough to paint, including any unkempt hair, wrinkled faces. Everyone is of equal importance here, even the dog is as important as the priest and mayor.

The Age of Positivism: Realism, Impressionism, and the Per-Raphaelites 1848-1885 French Realist

A Bar at the Folies-Bergere Edouard Manet Date: 1881-82, Oil on canvas * Manet's last great Realist masterpiece. * Has qualities not typically found in Realism or Impressionism. * Manet paints a second floor bar, we can see the main floor below. Behind the barmaid we can see the Paris nightlife at the time. * However, Manet depicts the barmaid working at the Folies-Bargere, an expensive place for the well to do, as sad despite being surrounded by such wealth.

The Age of Positivism: Realism, Impressionism, and the Pr-Raphaelites 1848-1885

Claude Monet: The leader in impressionism, the other 2 famous for impressions are Renoir, and Pissarro who form the core of the impressionst. Together they would launch the movement that is impressionism. The Impressionists painted modern Paris and landscapes with a loose open brushstrokes, bright colors, and unconventional compositions Impressionist art is a style in which the artist captures the image of an object as someone would see it if they just caught a glimpse of it. They paint the pictures with a lot of color and most of their pictures are outdoor scenes, at the time of modern day Paris. Their pictures are very bright and vibrant. The artists like to capture their images without detail but with bold colors.

The Age of Positivism: Realism, Impressionism, and the Pr-Raphaelites 1848-1885

Edouard Manet Nadar Date: 1870s, Albumen salted paper print, mounted on Bristol board

The Age of Positivism: Realism, Impressionism, and the Pr-Raphaelites 1848-1885

Impression, Sunrise Claude Monet Date: 1872, Oil on canvas * The painting that spawned the name of the impressionist movement. It is the perfect example of this style, bold colors, painted as if he just got a glimpse of the harbor, an "impression" and it looks like he painted it quickly to get it down. So the art is letting people know what his "first" impression was, his quick and immediate impression, not his deep thoughts on the subject. Furthermore, the details are not as important as the colors and the impression. In some ways this art isn't about art, it's about a persons first thoughts, his impressions on a subject from lights and colors that he initially sees in a split second, and his thoughts that he formulates in that moment. So of course they would be criticized for the lack of a refined image, but if we propose the same approach to other areas in life, we would get a writers first thoughts, grammer imperfections and all. * Painting is of the harbor at Le Havre in the early morning. * He uses basically two colors, orange and blue

The Age of Positivism: Realism, Impressionism, and the Pr-Raphaelites 1848-1885

Luncheon of the Boating Party Auguste Renoir Date: 1881, Oil on canvas * Made shortly before Renoir abandons Impressionism. * The painting depicts a boating party, the figures are of various social classes, some of them are models for this painting which is new for him. * A popular boating area in this island restaurant, * Renoir uses the Impressionist style of painting with bright color, bold paint handing, and contemporary subjects and activities. * the painting is also cropped looking * Seen from a distance we make basically 3 colors, shades of Orange, white and black.

The Age of Positivism: Realism, Impressionism, and the Pr-Raphaelites 1848-1885

On the bank of the Seine, Bennecourt Claude Monet Date: 1868, Oil on canvas * Monet along with other impressionist painters started painting outdoors to capture the rapidly changing light that would reflect off surfaces. * After learning about the scientific studies on color,.primary and secondary, and hues on the color wheel, and the intensity of using complementary colors. * Impressionism is a type of realism and it's about painting what people saw with theirs eyes at the present moment-time and usually outdoors, not some past historic story or in a studio. * Two dimensional as with many Impressionist paintings. * Monet paints impressive villas and rural cottages along the Seine. The woman is his wife meant to represent a vacationing Parisian.

The Age of Positivism: Realism, Impressionism, and the Pr-Raphaelites 1848-1885

The Child's Bath Mary Cassatt Date: 1891-92, Oil on canvas

The Age of Positivism: Realism, Impressionism, and the Pr-Raphaelites 1848-1885

The Gare Saint-Lazare: Arrival of a Train Claude Monet Date: 1877, Oil on canvas * Impressionists like Monet wanted to capture the rapid changes of contemporary life and the light that reflected off it. * As is the style, capturing modern day paris-life at the time had a bustling of energy at the Gare Saint-Lazare train station. * The color and light quickly gives the impression or idea of a moment in the train station of Paris life.

The Age of Positivism: Realism, Impressionism, and the Pr-Raphaelites 1848-1885

The Orchestra of the Paris Opera Edgar Degas Date: 1868-69, Oil on canvas * Degas shows the musicians in the pit as if we were watching them up close. The pit is usually hidden away but Degas wanted us the viewer to see it from the angle of the musicians. Furthermore Degas cut off part of the painting at the top so we have headless ballerina to further accentuate the pit area. The space is compressed, the inspiration came from Japanese prints which has close up cropping.

The Age of Positivism: Realism, Impressionism, and the Pr-Raphaelites 1848-1885

Wheatstack (not in book, i'm doing this for fun), Thomas crown affair

The Age of Positivism: Realism, Impressionism, and the Pr-Raphaelites 1848-1885

Wheatstack, Sun in the Mist Claude Monet Date: 1891, Oil on canvas

The Age of Positivism: Realism, Impressionism, and the Pr-Raphaelites 1848-1885

Olympia Edouard Manet Date: 1863, Oil on canvas * Copies Titian's "Venus of Urbino", but uses as his subject matter the realism of a prostitute instead of a nude goddess, and furthermore instead of a dog he uses a black cat. Her gaze made the men who frequented prostitutes feel inferior to her gazing female superiority. * Manet's Olympia reveals a realism in contemporary Paris, wealthy art buyers bought art for it's eroticism, not for any classical references. Also they kept mistresses and visited prostitutes. Realist paint what is real and of interest in the present day reality.

The Age of Positivism: Realism, Impressionism, and the Pr-Raphaelites 1848-1885 Realism

The Luncheon on the Grass(Le dejeuner sur l'Herbe) Edouard Manet Date: 1863, Oil on canvas * Manet paint this as a statement against the bourgeois (middle class, people with money) and academics. He thinks art should be about the modern world. * This style of abstract painting and lacking the space of renaissance paintings strive for. Insults classical art too by depicting not a goddess, but suggests that woman is a prostitute. * The flatness in Manet's style was considered the start of Modern painting that redefined traditional space.

The Age of Positivism: Realism, Impressionism, and the Pre-Raphaelites 1848-1885 Realism

The Stone Breakers Gustave Courbet (french realist) Date:1849 Oil on canvas * Used broad application of paint, sometimes troweling it on with a palette knife. * Courbet's describes this as a "complete expression of human misery". * A message about the social injustice of the 1848 revolution. * Instead of a showing rural life as pastoral or comic, he shows it as a harsh reality.

The Age of Positivism: Realism, Impressionism, and the Pre-Raphaelites 1848-1885 Realism


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