Theatre 1020 Ch 9 Quiz

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When costumes are taken from inventory or rented from a costume house, this is known as rendering a costume.

false

A stitcher is a technician who patterns, pins, and drapes the fabric to fit the individual actor perfectly, whereas a draper is a technician who sews all the costumes.

false

Costume designers rarely meet the actors who will be wearing their costumes, leaving those responsibilities to the stage manager.

false

While it is often necessary for actors and actresses to make quick costume changes, this is a concern for the stage manager, not the costume designer

false

Color can be used to indicate changes in character.

true

When a costume is created in the costume shop under the supervision of the designer, this is known as building a costume.

true

Clothes have always indicated or signaled a number of things regarding the wearer, except for which of the following?

Character flaws

The objective of costumes are many. For example, costumes help establish the style of the production. Which of the following, however, is NOT one of a costumer's objectives?

Draw attention to the skill of the designer

Which of the following is NOT a collaborator of the costume designer:

Fashion or style editor

A long, white laboratory coat and a stethoscope on a character would be typical in showing which of the following categories?

Status and personality

Walking sticks and parasols are examples of

accessories

A first hand, a cutter/draper, and a stitcher are essential costume shop personnel working on the building/construction process of a costume.

false

Because costumes must stand out from the scenery in order to be seen, costumes are rarely designed to be consistent with the scenic design for a production.

false

Only something that actually attaches or pins to a costume piece is considered an accessory.

false

The most realistic makeup designs being used in the world of theatre are most often found in Japanese kabuki theatre presentations.

false

Undergarments are not a concern of the costume designer.

false

While fabric affects the silhouette, texture, and bulk of a costume, it has little symbolic value.

false

The most typical thing that characters wearing ringlets, pompadours, or bouffant hairstyles can denote for a play is

historical period

Although masks can help express a character effectively they are not likely to appear at all in a play that is completely realistic in style.

true

In addition to the costumes themselves, makeup and wigs are also part of the responsibilities of the costume designer.

true

Masks can be used to create stereotypes similar to stock characters.

true

Realistic prosthetic makeup is used both for fantastical creatures like flying monkeys and in creating believable historical characters.

true

Roman togas and soldiers' helmets on characters primarily suggest which of the following?

Historical period

Bustles or corsets affect which of the following areas?

Line, shape, and silhouette

Distinguishing major from minor characters is an analysis of which of the following?

Relationships


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