Williams Literary Terms
flashback
"an interruption of the chronological sequence (as of a film or literary work) of an event of earlier occurrence" (Merriam, 288). A flashback is a narrative technique that allows a writer to present past events during current events, in order to provide background for the current narration. By giving material that occurred prior to the present event, the writer provides the reader with insight into a character's motivation and or background to a conflict. This is done by various methods, narration, dream sequences, and memories (Holman et al, 197). For example, in the Book of Matthew, a flashback is used when Joseph is the governor of Egypt. Upon seeing his brothers after many years, Joseph "remembered his dreams" of his brothers and how they previously sold him into slavery (NIV, 69).
personification
A figure of speech where animals, ideas or inorganic objects are given human characteristics. One example of this is James Stephens's poem "The Wind" in which wind preforms several actions. In the poem Stephens writes, "The wind stood up and gave a shout. He whistled on his two fingers." Of course the wind did not actually "stand up," but this image of the wind creates a vivid picture of the wind's wild actions. Another example of personification in this poem is "Kicked the withered leaves about....And thumped the branches with his hand."
protagonist
A protagonist is considered to be the main character or lead figure in a novel, play, story, or poem. It may also be referred to as the "hero" of a work. Over a period of time the meaning of the term protagonist has changed. The word protagonist originated in ancient Greek drama and referred to the leader of a chorus. Soon the definition was changed to represent the first actor onstage. In some literature today it may be difficult to decide who is playing the role of the protagonist. For instance, in Othello,we could say that Iago is the protagonist because he was at the center of all of the play's controversy.
ballad
a narrative folk song. The ballad is traced back to the Middle Ages. Ballads were usually created by common people and passed orally due to the illiteracy of the time. Subjects for ballads include killings, feuds, important historical events, and rebellion. For example, in the international ballad "Lord Randall," the young man is poisoned by his sweetheart, and in "Edward," the son commits patricide. A common stylistic element of the ballad is repetition. "Lord Randall" illustrates this well with the phrase at the end of each verse: "...mother, mak my bed soon, for I'm sick at the heart and I fain wad lie down." A Handbook to Literature notes the ballad occurs in very early literature in nearly every nation. Therefore, in addition to being entertaining, ballads can help us to understand a given culture by showing us what values or norms that culture deemed important.
allegory
a narrative that serves as an extended metaphor. Allegories are written in the form of fables, parables, poems, stories, and almost any other style or genre. The main purpose of an allegory is to tell a story that has characters, a setting, as well as other types of symbols, that have both literal and figurative meanings. The difference between an allegory and a symbol is that an allegory is a complete narrative that conveys abstract ideas to get a point across, while a symbol is a representation of an idea or concept that can have a different meaning throughout a literary work (A Handbook to Literature).
alliteration
a pattern of sound that includes the repetition of consonant sounds. The repetition can be located at the beginning of successive words or inside the words. Poets often use alliteration to audibly represent the action that is taking place. For instance, in the Inferno, Dante states: "I saw it there, but I saw nothing in it, except the rising of the boiling bubbles" (261). The repetition of the "b" sounds represents the sounds of bubbling, or the bursting action of the boiling pitch.
elegy
a type of literature defined as a song or poem, written in elegiac couplets, that expresses sorrow or lamentation, usually for one who has died. This type of work stemmed out of a Greek work known as a "elegus," a song of mourning or lamentation that is accompanied by the flute. Beginning in the 16th century, elegies took the form we know today. Two famous elegies include Thomas Gray's "Elegy Written in a Country Churchyard" and Walt Whitman's "When Lilacs Last in the Dooryard Bloom'd". Gray's elegy is notable in that it mourned the loss of a way of life rather than the loss of an individual.
genre
a type of literature. We say a poem, novel, story, or other literary work belongs to a particular genre if it shares at least a few conventions, or standard characteristics, with other works in that genre. For example, works in the Gothic genre often feature supernatural elements, attempts to horrify the reader, and dark, foreboding settings, particularly very old castles or mansions. Edgar Allan Poe's short story "The Fall of the House of Usher" belongs to the Gothic genre because it takes place in a gloomy mansion that seems to exert supernatural control over a man who lives in it. Furthermore, Poe attempts to horrify the reader by describing the man's ghastly face, the burial of his sister, eerie sounds in the house, and ultimately the reappearance of the sister's bloody body at the end of the story. Other genres include the pastoral poem, epic poem, elegy, tragic drama, and bildungsroman.
point of view
a way the events of a story are conveyed to the reader, it is the "vantage point" from which the narrative is passed from author to the reader. The point of view can vary from work to work. For example, in the Book of Genesis the objective third person point of view is presented, where a "nonparticipant" serves as the narrator and has no insight into the characters' minds. The narrator presents the events using the pronouns he, it, they, and reveals no inner thoughts of the characters. In Edgar Allan Poe's short story "The Cask of Amontillado" the first person point of view is exhibited. In this instance the main character conveys the incidents he encounters, as well as giving the reader insight into himself as he reveals his thoughts, feelings, and intentions. Many other points of view exist, such as omniscient (or "all knowing") in which the narrator "moves from one character to another as necessary" to provide those character's respective motivations and emotions.
allusion
allusion (a-LOO-zhuhn): a reference in a literary work to a person, place, or thing in history or another work of literature. Allusions are often indirect or brief references to well-known characters or events. Specific examples of allusions can be found throughout Dante's Inferno. In a passage, Dante alludes to the Greek mythological figures, Phaethon and Icarus, to express his fear as he descends from the air into the eighth circle of hell. He states: I doubt if Phaethon feared more - that time he dropped the sun-reins of his father's chariot and burned the streak of sky we see today - or if poor Icarus did - feeling his sides unfeathering as the wax began to melt, his father shouting: "Wrong, your course is wrong" (Canto XVII: 106-111).
aside
an actor's speech, directed to the audience, that is not supposed to be heard by other actors on stage. An aside is usually used to let the audience know what a character is about to do or what he or she is thinking. For example, in Othello, Iago gives several asides, informing the audience of his plans and how he will try to achieve his goals. Asides are important because they increase an audience's involvement in a play by giving them vital information pertaining what is happening, both inside of a character's mind and in the plot of the play.
connotation
an association that comes along with a particular word. Connotations relate not to a word's actual meaning, or denotation, but rather to the ideas or qualities that are implied by that word. A good example is the word "gold." The denotation of gold is a malleable, ductile, yellow element. The connotations, however, are the ideas associated with gold, such as greed, luxury, or avarice. Another example occurs in the Book of Genesis. Jacob says: "Dan will be a serpent by the roadside, a viper along the path, that bites the horse's heels so that its rider tumbles backward" (Gen 49:17). In this passage, Dan is not literally going to become a snake. However, describing Dan as a "snake" and "viper" forces the reader to associate him with the negative qualities that are commonly associated with reptiles, such as slyness, danger, and evil. Dan becomes like a snake, sly and dangerous to the riders. Writers use connotation to make their writing more vivid and interesting to read.
hyperbole
an extravagant exaggeration. From the Greek for "overcasting," hyperbole is a figure of speech that is a grossly exaggerated description or statement. In literature, such exaggeration is used for emphasis or vivid descriptions. In drama, hyperbole is quite common, especially in heroic drama. Hyperbole is a fundamental part of both burlesque writing and the "tall tales" from Western America. The conscious overstatements of these tales are forms of hyperbole. Many other examples of hyperbole can be found in the romance fiction and comedy genres. Hyperbole is even a part of our day-to-day speech: 'You've grown like a bean sprout' or 'I'm older than the hills.' Hyperbole is used to increase the effect of a description, whether it is metaphoric or comic. In poetry, hyperbole can emphasize or dramatize a person's opinions or emotions. Skilled poets use hyperbole to describe intense emotions and mental states.
myth
any story that attempts to explain how the world was created or why the world is the way that it is. Myths are stories that are passed on from generation to generation and normally involve religion. M.H. Abram refers to myths as a "religion in which we no longer believe." Most myths were first spread by oral tradition and then were written down in some literary form. Many ancient literary works are, in fact, myths as myths appear in every ancient culture of the planet. For example you can find them in ethnological tales, fairy tales as well as epics. A good example of a myth is The Book of Genesis, which recounts tales of the creation of the universe, the Earth and mankind.
persona
In literature, the persona is the narrator, or the storyteller, of a literary work created by the author. As Literature: An Introduction to Fiction, Poetry, and Drama puts it, the persona is not the author, but the author's creation--the voice "through which the author speaks." It could be a character in the work, or a fabricated onlooker, relaying the sequence of events in a narrative. Such an example of persona exists in the poem "Robin Hood and Allin a Dale," in which an anonymous character, perhaps one of Robin's "merry men," recounts the events of the meeting and adventures of Robin Hood and Allin a Dale. After telling of their initial introduction in the forest, the persona continues to elaborate on their quest to recover Allin's true love from the man she is about to marry.
dialogue
The conversation between characters in a drama or narrative. A dialouge occurs in most works of literature. For example, many ballads demonstrate a ocnversation between two or more characters. In the anonymous ballad, "Sir Patrick Spens", we are able to observe the dialogue between Sir Patrick Spens and his mirry men. In the verses 21-24, "Mak hast, mak haste, my mirry men all, Our guid schip sails the morne: O say na sae, my master deir, for I feir a deadline storme," dialogue can be seen. According to A Handbook of Literature, dialogue serves several functions in literature. It moves the action along in a work and it also helps to characterize the personality of the speakers, which vary depending on their nationalities, jobs, social classes, and educations. It also gives literature a more natural, conversational flow, which makes it more readable and enjoyable. By showcasing human interaction, dialogue prevents literature from being nothing more than a list of descriptions and actions. Dialogue varies in structure and tone depending on the people participating in the conversation and the mood that the author is trying to maintain in his or her writing.
parable
a brief and often simple narrative that illustrates a moral or religious lesson. Some of the best-known parables are in the Bible, where Jesus uses them to teach his disciples. For example, in "The Parable of the Good Seed," a farmer plants a garden. As the farmer sleeps, someone sows weeds in his field to destroy the farmer's crops. However, when he learns of his misfortune, he does not demolish his entire garden just to remove the weeds. The farmer waits patiently until harvest time and gathers his wheat after the weeds have first been collected and destroyed. The lesson to be learned in this parable is to not be quick to annihilate evil; it will in deserving time receive its punishment.
antagonist
a character in a story or poem who deceives, frustrates, or works again the main character, or protagonist, in some way. The antagonist doesn't necessarily have to be an person. It could be death, the devil, an illness, or any challenge that prevents the main character from living "happily ever after." In fact, the antagonist could be a character of virtue in a literary work where the protagonist represents evil. An antagonist in the story of Genesis is the serpent. He convinces Eve to disobey God, setting off a chain of events.that leads to Adam and Eve being banished from paradise.
narrative
a collection of events that tells a story, which may be true or not, placed in a particular order and recounted through either telling or writing. One example is Edgar Allen Poe's "The Tell-Tale Heart." In this story a madman resolves to kill his landlord because he fears the man's horrible eye. One night he suffocates the landlord and hides the body beneath the floorboards of the bedroom. While fielding questions from the police in the bedroom where the body is hidden, the madman thinks he hears the heart of the victim beating beneath the floorboards. Scared that the police hear the heartbeat too, the madman confesses. This is a narrative because of two things, it has a sequence in which the events are told, beginning with murder and ending with the confession, and it has a narrator, who is the madman, telling the story. By understanding the term "narrative," one begins to understand that most literary works have a simple outline: the story, the plot, and the storyteller. By studying more closely, most novels and short stories are placed into the categories of first-person and third-person narratives, which are based on who is telling the story and from what perspective. Other important terms that relate to the term "narrative," are "narrative poetry," poetry that tells a story, and "narrative technique" which means how one tells a story.
theme
a common thread or repeated idea that is incorporated throughout a literary work. A theme is a thought or idea the author presents to the reader that may be deep, difficult to understand, or even moralistic. Generally, a theme has to be extracted as the reader explores the passages of a work. The author utilizes the characters, plot, and other literary devices to assist the reader in this endeavor. One theme that may be extracted by the reader of Mark Musa's interpretation of Dante's The Divine Comedy Volume I: Inferno is the need to take account of one's own behavior now, for it affects one's condition in the afterlife. One example of this theme can be found in Canto V - "...when the evil soul appears before him, it confesses all, and he [Minos], who is the expert judge of sins, knows to what place in Hell the soul belongs: the times he wraps his tail around himself tells just how far the sinner must go down" (7-12).
metonymy
a figure of speech which substitutes one term with another that is being associated with the that term. A name transfer takes place to demonstrate an association of a whole to a part or how two things are associated in some way. This allows a reader to recognize similarities or common features among terms. It may provide a more common meaning to a word. However, it may be a parallel shift that provides basically the same meaning; it is just said another way. For example, in the book of Genesis 3:19, it refers to Adam by saying that "by the sweat of your brow, you will eat your food." Sweat represents the hard labor that Adam will have to endure to produce the food that will sustain his life.
dramatic monologue
a literary device that is used when a character reveals his or her innermost thoughts and feelings, those that are hidden throughout the course of the story line, through a poem or a speech. This speech, where only one character speaks, is recited while other characters are present onstage. This monologue often comes during a climactic moment in a work and often reveals hidden truths about a character, their history and their relationships. Also it can further develop a character's personality and also be used to create irony. The most famous examples of this special type of monologue can be found within the poems of Robert Browning, poem such as "My Last Duchess," "The Bishop Orders his Tomb," and "Andrea Del Santo". Browning's use of dramatic monologue has a special effect on his works. The revelations of his characters not only develop themselves, but they also create settings within the monologues with their use of vivid imagery.
gothic
a literary style popular during the end of the 18th century and the beginning of the 19th. This style usually portrayed fantastic tales dealing with horror, despair, the grotesque and other "dark" subjects. Gothic literature was named for the apparent influence of the dark gothic architecture of the period on the genre. Also, many of these Gothic tales took places in such "gothic" surroundings. Other times, this story of darkness may occur in a more everyday setting, such as the quaint house where the man goes mad from the "beating" of his guilt in Edgar Allan Poe's "The Tell-Tale Heart." In essence, these stories were romances, largely due to their love of the imaginary over the logical, and were told from many different points of view. This literature gave birth to many other forms, such as suspense, ghost stories, horror, mystery, and also Poe's detective stories.
irony
a literary term referring to how a person, situation, statement, or circumstance is not as it would actually seem. Many times it is the exact opposite of what it appears to be. There are many types of irony, the three most common being verbal irony, dramatic irony, and cosmic irony. Verbal irony occurs when either the speaker means something totally different than what he is saying or the audience realizes, because of their knowledge of the particular situation to which the speaker is referring, that the opposite of what a character is saying is true. Verbal irony also occurs when a character says something in jest that, in actuality, is true. In Julius Caesar, Marc Antony's reference to Brutus being an honorable man is an example of verbal irony. Marc Antony notes all of the good deeds Julius Caesar did for his people while, more than once, he asks the rhetorical question, "Did this in Caesar seem ambitious?" Antony uses this rhetorical question to try to convince his audience that Caesar is not ambitious, presenting Brutus as a dishonorable man because of his claim that Caesar was ambitious. Dramatic irony occurs when facts are not known to the characters in a work of literature but are known by the audience. In The Gospel According to St. John, the Pharisees say of Jesus, "Can any good thing come out of Nazareth?" This is dramatic irony for the reader already knows, according to the author, that Jesus is the Savior of the world and has already done much good for the people by forgiving their sins and healing the sick and oppressed. The Pharisees are too blinded to see what good actually has come out of Nazareth. Cosmic irony suggests that some unknown force brings about dire and dreadful events.
lyric
a lyric is a song-like poem written mainly to express the feelings of emotions or thought from a particular person, thus separating it from narrative poems. These poems are generally short, averaging roughly twelve to thirty lines, and rarely go beyond sixty lines. These poems express vivid imagination as well as emotion and all flow fairly concisely. Because of this aspect, as well as their steady rhythm, they were often used in song. In fact, most people still see a "lyric" as anything that is sung along to a musical instrument. It is believed that the lyric began in its earliest stage in Ancient Egypt around 2600 BC in the forms of elegies, odes, or hymns generated out of religious ceremonies.
character
a person who is responsible for the thoughts and actions within a story, poem, or other literature. Characters are extremely important because they are the medium through which a reader interacts with a piece of literature. Every character has his or her own personality, which a creative author uses to assist in forming the plot of a story or creating a mood. The different attitudes, mannerisms, and even appearances of characters can greatly influence the other major elements in a literary work, such as theme, setting, and tone. With this understanding of the character, a reader can become more aware of other aspects of literature, such as symbolism, giving the reader a more complete understanding of the work. The character is one of the most important tools available to the author. In the ballad "Edward," for instance, the character himself sets the tone of the ballad within the first stanza. After reading the first few stanzas, one learns that Edward has murdered his father and is very distraught. His attitude changes to disgust and finally to despair when he realizes the consequences he must face for his actions.
narrative poem
a poem that tells a story. A narrative poem can come in many forms and styles, both complex and simple, short or long, as long as it tells a story. A few examples of a narrative poem are epics, ballads, and metrical romances. In western literature, narrative poetry dates back to the Babylonian epic of Gilgamesh and Homer's epics the Iliad and the Odyssey. In England and Scotland, storytelling poems have long been popular; in the late Middle Ages, ballads-or storytelling songs-circulated widely. The art of narrative poetry is difficult in that it requires the author to possess the skills of a writer of fiction, the ability to draw characters and settings briefly, to engage attention, and to shape a plot, while calling for all the skills of a poet besides
short story
a prose narrative that is brief in nature. The short story also has many of the same characteristics of a novel including characters, setting and plot. However, due to length constraints, these characteristics and devices generally may not be as fully developed or as complex as those developed for a full-length novel. There are many authors well known for the short story including Edgar Allan Poe, Sherwood Anderson and Ernest Hemingway. According to the book Literary Terms by Karl Becksonand Arthur Ganz, "American writers since Poe, who first theorized on the structure and purpose of the short story, have paid considerable attention to the form" (257).
motif
a recurring object, concept, or structure in a work of literature. A motif may also be two contrasting elements in a work, such as good and evil. In the Book of Genesis, we see the motif of separation again and again throughout the story. In the very first chapter, God separates the light from the darkness. Abraham and his descendants are separated from the rest of the nation as God's chosen people. Joseph is separated from his brothers in order that life might be preserved. Another motif is water, seen in Genesis as a means of destroying the wicked and in Matthew as a means of remitting sins by the employment of baptism. Other motifs in Genesis and Matthew include blood sacrifices, fire, lambs, and goats. A motif is important because it allows one to see main points and themes that the author is trying to express, in order that one might be able to interpret the work more accurately.
epigram
a short poem or verse that seeks to ridicule a thought or event, usually with witticism or sarcasm. These literary works were very popular during the Renaissance in Europe in the late 14th century and the Neoclassical period, which began after the Restoration in 1660. They were most commonly found in classic Latin literature, European and English literature. In Ancient Greek, an epigram originally meant a short inscription, but its meaning was later broadened to include any very short poems. Poems that are meditative or satiric all fall into this category. These short poems formulated from the light verse species, which concentrated on the tone of voice and the attitude of the lyric or narrative speaker toward the subject. With a relaxed manner, lyricists would recite poems to their subjects that were comical or whimsical.
simile
a simile is a type of figurative language, language that does not mean exactly what it says, that makes a comparison between two otherwise unalike objects or ideas by connecting them with the words "like" or "as." The reader can see a similar connection with the verbs resemble, compare and liken. Similes allow an author to emphasize a certain characteristic of an object by comparing that object to an unrelated object that is an example of that characteristic.
symbol
a symbol is a word or object that stands for another word or object. The object or word can be seen with the eye or not visible. For example a dove stands for Peace. The dove can be seen and peace cannot. The word is from the Greek word symbolom. All language is symbolizing one thing or another. However when we read the book of Genesis it talked about a few symbols. In the story of Adam and Eve when Eve ate the apple, the apple stood for sin. Another reading Cain and Able. The two brothers stood for good and evil, humility and pride. Cain pulled Able to the fields and killed him. In this it is a hidden symbol. It is showing that Cain stands for the bad and Able stands for the good.
metaphor
a type of figurative language in which a statement is made that says that one thing is something else but, literally, it is not. In connecting one object, event, or place, to another, a metaphor can uncover new and intriguing qualities of the original thing that we may not normally notice or even consider important. Metaphoric language is used in order to realize a new and different meaning. As an effect, a metaphor functions primarily to increase stylistic colorfulness and variety. Metaphor is a great contributor to poetry when the reader understands a likeness between two essentially different things. In his Poetics, Aristotle claims that for one to master the use of metaphor is "...a sign of genius, since a good metaphor implies an intuitive perception of the similarity in dissimilars" (The Poet's Dictionary). A metaphor may be found in a simple comparison or largely as the image of an entire poem.
figurative language
a type of language that varies from the norms of literal language, in which words mean exactly what they say. Also known as the "ornaments of language," figurative language does not mean exactly what it says, but instead forces the reader to make an imaginative leap in order to comprehend an author's point. It usually involves a comparison between two things that may not, at first, seem to relate to one another. In a simile, for example, an author may compare a person to an animal: "He ran like a hare down the street" is the figurative way to describe the man running and "He ran very quickly down the street" is the literal way to describe him. Figurative language facilitates understanding because it relates something unfamiliar to something familiar.
couplet
couplet (KUP-let): a style of poetry defined as a complete thought written in two lines with rhyming ends. The most popular of the couplets is the heroic couplet. The heroic couplet consists of two rhyming lines of iambic pentameter usually having a pause in the middle of each line. One of William Shakespeare's trademarks was to end a sonnet with a couplet, as in the poem "Shall I Compare Thee to a Summer's Day": So long as men can breathe or eyes can see, So long as lives this, and this gives life to thee.
setting
he time, place, physical details, and circumstances in which a situation occurs. Settings include the background, atmosphere or environment in which characters live and move, and usually include physical characteristics of the surroundings. Settings enables the reader to better envision how a story unfolds by relating necessary physical details of a piece of literature. A setting may be simple or elaborate, used to create ambiance, lend credibility or realism, emphasize or accentuate, organize, or even distract the reader. Settings in the Bible are simplistic. In the book of Genesis, we read about the creation of the universe and the lives of the descendants of Adam. Great detail is taken in documenting the lineage, actions, and ages of the characters at milestones in their lives, yet remarkably little detail is given about physical characteristics of the landscape and surroundings in which events occurred. In Genesis 20, we learn that because of her beauty, Sarah's identity is concealed to prevent the death of her husband, Abraham. Yet, we have no description of Sarah or Abraham's hair, eye or skin color, height, weight, physical appearance, or surroundings. Detailed settings that were infrequent in some ancient writings like the Bible are common in today's literature.
slant rhyme
is also known as near rhyme, half rhyme, off rhyme, imperfect rhyme, oblique rhyme, or pararhyme. A distinctive system or pattern of metrical structure and verse composition in which two words have only their final consonant sounds and no preceding vowel or consonant sounds in common. Instead of perfect or identical sounds or rhyme, it is the repetition of near or similar sounds or the pairing of accented and unaccented sounds that if both were accented would be perfect rhymes (stopped and wept, parable and shell). Alliteration, assonance, and consonance are accepted as slant rhyme due to their usage of sound combinations (spilled and spoiled, chitter and chatter). By not allowing the reader to predict or expect what is coming slant rhyme allows the poet to express things in different or certain ways. Slant rhyme was most common in the Irish, Welsh and Icelandic verse and prose long before Henry Vaughn used it in English. Not until William Butler Yeats and Gerald Manley Hopkins began to use slant rhyme did it become regularly used in English.Wilfred Owen was one of the first poets to realize the impact of rhyming consonants in a consistent pattern.
denouement
literally meaning the action of untying, a denouement is the final outcome of the main complication in a play or story. Usually the climax (the turning point or "crisis") of the work has already occurred by the time the denouement occurs. It is sometimes referred to as the explanation or outcome of a drama that reveals all the secrets and misunderstandings connected to the plot. In the drama Othello, there is a plot to deceive Othello into believing that his wife, Desdemona, has been unfaithful to him. As a result of this plot, Othello kills his wife out of jealousy, the climax of the play. The denounement occurs soon after, when Emilia, who was Desdemona's mistress, proves to Othello that his wife was in fact honest, true, and faithful to him. Emilia reveals to Othello that her husband, Iago, had plotted against Desdemona and tricked Othello into believing that she had been unfaithful. Iago kills Emilia in front of Othello, and she dies telling Othello his wife was innocent. As a result of being mad with grief, Othello plunges a dagger into his own heart. Understanding the denouement helps the reader to see how the final end of a story unfolds, and how the structure of stories works to affect our emotions.
unreliable narrator
one who gives his or her own understanding of a story, instead of the explanation and interpretation the author wishes the audience to obtain. This type of action tends to alter the audience's opinion of the conclusion. An author quite famous for using unreliable narrators is Henry James. James is said to make himself an inconsistent and distorting "center of consciousness" in his work, because of his frequent usage of deluding or deranged narrators. They are very noticeable in his novella The Turn of the Screw, and also in his short story, "The Aspern Papers." The Turn of the Screw is a story based solely on the consistency of the Governess's description of the events that happen. Being aware of unreliable narrators are essential, especially when you have to describe the characters and their actions to others, since the narrator, unreliable as they are, abandons you without the important guidance to make trustworthy judgments.
narrator
one who tells a story, the speaker or the "voice" of an oral or written work. Although it can be, the narrator is not usually the same person as the author. The narrator is one of three types of characters in a given work, (1) participant (protagonist or participant in any action that may take place in the story), (2) observer (someone who is indirectly involved in the action of a story), or (3) non participant (one who is not at all involved in any action of the story). The narrator is the direct window into a piece of work. Depending on the part of the character of the narrator plays in the story, the narrator may demonstrate bias when presenting a piece of work.
didactic
refers to literature or other types of art that are instructional or informative. In this sense The Bible is didactic because it offers guidance in moral, religious, and ethical matters. It tells stories of the lives of people that followed Christian teachings, and stories of people that decided to go against God and the consequences that they faced. The term "didactic" also refers to texts that are overburdened with instructive and factual information, sometimes to the detriment of a reader's enjoyment. The opposite of "didactic" is "nondidactic." If a writer is more concerned with artistic qualities and techniques than with conveying a message, then that piece of work is considered to be nondidactic, even if it is instructive.
rhyme
repetition of an identical or similarly accented sound or sounds in a work. Lyricists may find multiple ways to rhyme within a verse. End rhymes have words that rhyme at the end of a verse-line. Internal rhymes have words that rhyme within it. Algernon C. Swinburne (1837-1909), a rebel and English poet, used internal rhymes in many of his Victorian poems such as "sister, my sister, O fleet sweet swallow." There are cross rhymes in which the rhyme occurs at the end of one line and in the middle of the next; and random rhymes, in which the rhymes seem to occur accidentally in no specific combination, often mixed with unrhymed lines. These sort of rhymes try to bring a creative edge to verses that usually have perfect rhymes in a sequential order. Historically, rhyme came into poetry late, showing in the Western world around AD 200 in the Church Latin of North Africa. Its popularity grew in Medieval Latin poetry.
sonnet
sonnet (sonn-IT): a sonnet is a distinctive poetic style that uses system or pattern of metrical structure and verse composition usually consisting of fourteen lines, arranged in a set rhyme scheme or pattern. There are two main styles of sonnet, the Italian sonnet and the English sonnet. The Italian or Petrarchan sonnet, named after Petrarch (1304-1374) a fourteenth century writer and the best known poet to use this form, was developed by the Italian poet Guittone of Arezzo (1230-1294) in the thirteenth century. Usually written in iambic pentameter, it consists first of an octave, or eight lines, which asks a question or states a problem or proposition and follows the rhyme scheme a-b-b-a, a-b-b-a. The sestet, or last six lines, offers an answer, or a resolution to the proposed problem, and follows the rhyme scheme c-d-e-c-d-e.
denotation
the exact meaning of a word, without the feelings or suggestions that the word may imply. It is the opposite of "connotation" in that it is the "dictionary" meaning of a word, without attached feelings or associations. Some examples of denotations are: 1. heart: an organ that circulates blood throughout the body. Here the word "heart" denotes the actual organ, while in another context, the word "heart" may connote feelings of love or heartache. 2. sweater: a knitted garment for the upper body. The word "sweater" may denote pullover sweaters or cardigans, while "sweater" may also connote feelings of warmness or security.
rhyme scheme
the pattern of rhyme used in a poem, generally indicated by matching lowercase letters to show which lines rhyme. The letter "a" notes the first line, and all other lines rhyming with the first line. The first line that does not rhyme with the first, or "a" line, and all others that rhyme with this line, is noted by the letter "b", and so on. The rhyme scheme may follow a fixed pattern (as in a sonnet) or may be arranged freely according to the poet's requirements. The use of a scheme, or pattern, came about before poems were written down; when they were passed along in song or oral poetry. Since many of these poems were long, telling of great heroes, battles, and other important cultural events, the rhyme scheme helped with memorization. A rhyme scheme also helps give a verse movement, providing a break before changing thoughts. The four-line stanza, or quatrain, is usually written with the first line rhyming with the third line, and the second line rhyming with the fourth line, abab. The English sonnet generally has three quatrains and a couplet, such as abab, cdcd, efef, gg. The Italian sonnet has two quatrains and a sestet, or six-line stanza, such as abba, abba, cde, cde.
