Art History Final

The artist's response to shape and form is most similar to which of the following twentieth-century movement

A) Abstract expressionism

Both works were painted in which period

A) Baroque

The work on the right (Nike Adjusting Her Sandle) is from

A) Classical Greece

The treatment of the figures recalls works of art from

A) Classical Greece + Rome

The Church shown is

A) Early Christian

The drapery in both works does which of the following?

A) Emphasizes the body

Works likes this were denounced by

A) Fra Girolamo Savonarola

All of the following are true EXCEPT:

A) It uses the Doric order

Which of the following is true

A) It was intended as moral example

The family name of the patrons

A) Medici

Interiors of this type are found in buildings which of the following cities

A) Pompeii

The subject is

A) Roman history

The artist of the work is

A) Rubens

The painting proved most directly influential for the creation of which of the following works?

A) Rude's La Marseillaise

Located in

A) Spain

The work on the right is from the

A) Temple of Athena Nike on the Acropolis

Church interiors from this time period typically were covered with

A) Timber roofs

The work is a

A) Wall painting

The post of the figure in the center is derived from

A) a Classical statue

The building combines

A) a basilican plan with a central plan

Churches like the one shown were based on the design of which ancient structures?

A) administrative buildings

The painting was inspired by

A) an actual event

Like most churches from this period, the eastern end of the building terminates in

A) an apse

The first story of this church interior is

A) an arcade

The double-tiered columns allowed for all of the following EXCEPT

A) barrel-vaulted roofing

All of the following are part of the structure's decoration EXCEPT

A) bas relief narratives

The was painting was commissioned for a

A) chapel in a church

The dome of the building is primarily constructed of

A) concrete

tHE USE OF LIGHT SYMBOLIZES A MOMENT OF

A) conversion

The painting style is characterized by

A) exagerration of space and color

The narrative moment is expressed through the

A) gestures

The work employs

A) hierarchical scale

The work is most notable for its attention to

A) highly naturalistic detail

The coffers in the dome were intended to

A) lessen its overall weight

The walls of the interior shown on the right are decorated with

A) paintings

An important structural innovation of the building is the use of

A) pendentives

The painting incorporates

A) religious symbolism

The building was constructed in the

A) sixth century

The medium is

A) terracotta

The work is a rare icon that survived iconoclasm, which was

A) the banning or destruction of religious figurative images

The culture in which the work was produced is known for

A) the relative equality of women

Both works personify

A) victory

The painting was created between

B) 1501 and 1550

The work dates from the end of the

B) 15th century

The date

B) 1840

The work is

B) Babylonian

Birth of Venus was painted by

B) Botticelli

The work was painted in which century?

B) Fifteenth

The work on the left (Nike of Samothrace) is from

B) Hellenistic Greece

Although the figure on the right is now housed in a museum, it was originally placed

B) In a town square

A contemporary and fellow countryman of the artist was

B) John Constable

The patron of the building was

B) Justinian

The work serves to legitimize the

B) King's right to rule

The work depicts the

B) Last Supper

The work incorporates

B) Linear perspective

The outstretchd hand of the figure on the far right is a visual homage to a famous painting by

B) Michelangelo

Both works show an understanding of

B) Movement

The artist was a leading representative of

B) Neoclassicism

The central figure was innovative in its time because of its

B) Nudity

The artist included in the painting a recognizable landmark located in

B) Paris

Comes from what period

B) Renaissance

The artist included figures wearing black top hats to indicate

B) Social class

Works such as the one shown were typically placed in

B) a necropolic

The interior on the left is called

B) an atrium

The term for the central opening in the dome is

B) an oculus

The pose of the figures suggests that they are

B) banqueting

The painting was created as part of a larger decorative program for a

B) chapel

The building was converted to

B) church

Incorporated into the building's design are voussois which are used to form the

B) horseshoe arches

The mihrab of the structure is located

B) in the qibla wall

The inscribed text oulines

B) laws governing crime & punishment

An innovative aspect of the work is the artist's

B) manipulation of freely applied pigments

The interior of the building is

B) ornamented with marble

Allegorical content in the work on the left alludes to the patron's

B) political ambitions

Painted during the

B) sixth or seventh century CE

The reused columns in this building are examples of

B) spoila

The type of work is called a

B) stele

The medium of the work is

B) stone

The iconography relates to

B) the New Testament

The artist includes himseld in the painting in the form of

B) written text

The subject centers on

C) Annunciation

Painted by

C) Caravaggio

The painting is by

C) Delacroix

The work is from which culture?

C) Etruscan

The most likely time period for both interiors is

C) First century CE

The painting is noteworthy for

C) Graceful linearity

The painting was created in

C) Italy

Oath of the Horatii was painted by

C) Jacques Louis David

Painted by

C) Leo da Vinci

The style of the painting is

C) Mannerist

The patron for the work on the left was

C) Marie d' Medici

The artist experimented with the work's

C) Materials

The spatial system followed in the overall decoration shown on the right is best characterized by its

C) Mixture of perspective models

Located in a

C) Monastic refectory

The subject matter of the painting reflects all of the following EXCEPT

C) Neoclassical treatment of the subject

The painting depicts a subject recorded in the

C) New Testament

The painting is most closely associated with which of the following historical art periods?

C) Romanticism

The building is located in

C) Rome

The painiting exhibits ALL of the following formal equalities EXCEPT

C) Spatially flat composition

The plain brick exterior wall of this church resembles the walls of

C) The Aula Palatina in Trier

The painter of the work is

C) Turner

The work was painted by

C) Van Eyck

Figure in the center of the illustration represents

C) Venus

A principal feature of the interior shown is

C) a hypostyle hall

The work on the left represents a figure

C) alighting on the prow of a boat

The original patron of the building was a

C) an emperor

The work has been interpreted as a visual document of all of the following EXCEPT:

C) coronation

tHE TWO FIGURES PORTRAY

C) god + king

The work depicts a

C) husband and wife

The original interior decoration primarily featured

C) mosaics

The building was originally used as a

C) temple

The drama in the painting is reinforced by the use of

C) tenebrism

The artist worked primarily in

D) Bruges

Both works were produced in

D) Florence

It reveals the influence of ancient

D) Greece

Stylistic aspects of the painting identify it as being from the

D) Italian Baroque

The qibla wall in the mosque indicates the direction of prayer toward

D) Mecca

One leading interpretation of the painting is that it reflects the ideas of

D) Neoplatonism

The artist is

D) Pontormo

Atrium House + Ixiom room Both interiors are examples of

D) Roman residential architecture

The subject matter of the painting includes all of the following EXCEPT

D) a biblical parade

The work is

D) a stele

The plan for this church is best described as

D) basilican

The architects of the structure were also

D) mathematicians

The medium of the work is encaustic, which is pigment mixed with

D) wax

Entombment of Christ

Potormo