EN-212-05 Final Quotes

Ulysses

Amor matris: subjective and objective genitive. History is a nightmare from which I am trying to awake. —What is it? says John Wyse. —A nation? says Bloom. A nation is the same people living in the same place. —By God, then, says Ned, laughing, if that's so I'm a nation for I'm living in the same place for the past five years. . . . each contemplating the other in both mirrors of the reciprocal flesh of theirhisnothis fellowfaces. . . . and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.

The Convergence of Twain

I In a solitude of the sea Deep from human vanity, And the Pride of Life that planned her, stilly couches she. II Steel chambers, late the pyres Of her salamandrine fires, Cold currents thrid, and turn to rhythmic tidal lyres. III Over the mirrors meant To glass the opulent The sea-worm crawls — grotesque, slimed, dumb, indifferent. IV Jewels in joy designed To ravish the sensuous mind Lie lightless, all their sparkles bleared and black and blind. V Dim moon-eyed fishes near Gaze at the gilded gear And query: "What does this vaingloriousness down here?" ... VI Well: while was fashioning This creature of cleaving wing, The Immanent Will that stirs and urges everything VII Prepared a sinister mate For her — so gaily great — A Shape of Ice, for the time far and dissociate. VIII And as the smart ship grew In stature, grace, and hue, In shadowy silent distance grew the Iceberg too. IX Alien they seemed to be; No mortal eye could see The intimate welding of their later history, X Or sign that they were bent By paths coincident On being anon twin halves of one august event, XI Till the Spinner of the Years Said "Now!" And each one hears, And consummation comes, and jars two hemispheres.

In Time of the Breaking of Nations

I Only a man harrowing clods In a slow silent walk With an old horse that stumbles and nods Half asleep as they stalk. II Only thin smoke without flame From the heaps of couch-grass; Yet this will go onward the same Though Dynasties pass. III Yonder a maid and her wight Come whispering by: War's annals will cloud into night Ere their story die.

The Circus Animal's Desertion

I I sought a theme and sought for it in vain, I sought it daily for six weeks or so. Maybe at last being but a broken man I must be satisfied with my heart, although Winter and summer till old age began My circus animals were all on show, Those stilted boys, that burnished chariot, Lion and woman and the Lord knows what. II What can I but enumerate old themes, First that sea-rider Oisin led by the nose Through three enchanted islands, allegorical dreams, Vain gaiety, vain battle, vain repose, Themes of the embittered heart, or so it seems, That might adorn old songs or courtly shows; But what cared I that set him on to ride, I, starved for the bosom of his fairy bride. And then a counter-truth filled out its play, `The Countess Cathleen' was the name I gave it, She, pity-crazed, had given her soul away But masterful Heaven had intervened to save it. I thought my dear must her own soul destroy So did fanaticism and hate enslave it, And this brought forth a dream and soon enough This dream itself had all my thought and love. And when the Fool and Blind Man stole the bread Cuchulain fought the ungovernable sea; Heart mysteries there, and yet when all is said It was the dream itself enchanted me: Character isolated by a deed To engross the present and dominate memory. Players and painted stage took all my love And not those things that they were emblems of. III Those masterful images because complete Grew in pure mind but out of what began? A mound of refuse or the sweepings of a street, Old kettles, old bottles, and a broken can, Old iron, old bones, old rags, that raving slut Who keeps the till. Now that my ladder's gone I must lie down where all the ladders start In the foul rag and bone shop of the heart.

Among School Children

I I walk through the long schoolroom questioning; A kind old nun in a white hood replies; The children learn to cipher and to sing, To study reading-books and history, To cut and sew, be neat in everything In the best modern way—the children's eyes In momentary wonder stare upon A sixty-year-old smiling public man. II I dream of a Ledaean body, bent Above a sinking fire, a tale that she Told of a harsh reproof, or trivial event That changed some childish day to tragedy— Told, and it seemed that our two natures blent Into a sphere from youthful sympathy, Or else, to alter Plato's parable, Into the yolk and white of the one shell. III And thinking of that fit of grief or rage I look upon one child or t'other there And wonder if she stood so at that age— For even daughters of the swan can share Something of every paddler's heritage— And had that colour upon cheek or hair, And thereupon my heart is driven wild: She stands before me as a living child. IV Her present image floats into the mind— Did Quattrocento finger fashion it Hollow of cheek as though it drank the wind And took a mess of shadows for its meat? And I though never of Ledaean kind Had pretty plumage once—enough of that, Better to smile on all that smile, and show There is a comfortable kind of old scarecrow. V What youthful mother, a shape upon her lap Honey of generation had betrayed, And that must sleep, shriek, struggle to escape As recollection or the drug decide, Would think her son, did she but see that shape With sixty or more winters on its head, A compensation for the pang of his birth, Or the uncertainty of his setting forth? VI Plato thought nature but a spume that plays Upon a ghostly paradigm of things; Solider Aristotle played the taws Upon the bottom of a king of kings; World-famous golden-thighed Pythagoras Fingered upon a fiddle-stick or strings What a star sang and careless Muses heard: Old clothes upon old sticks to scare a bird. VII Both nuns and mothers worship images, But those the candles light are not as those That animate a mother's reveries, But keep a marble or a bronze repose. And yet they too break hearts—O Presences That passion, piety or affection knows, And that all heavenly glory symbolise— O self-born mockers of man's enterprise; VIII Labour is blossoming or dancing where The body is not bruised to pleasure soul, Nor beauty born out of its own despair, Nor blear-eyed wisdom out of midnight oil. O chestnut tree, great rooted blossomer, Are you the leaf, the blossom or the bole? O body swayed to music, O brightening glance, How can we know the dancer from the dance?

Sailing to Byzantium

I That is no country for old men. The young In one another's arms, birds in the trees, —Those dying generations—at their song, The salmon-falls, the mackerel-crowded seas, Fish, flesh, or fowl, commend all summer long Whatever is begotten, born, and dies. Caught in that sensual music all neglect Monuments of unageing intellect. II An aged man is but a paltry thing, A tattered coat upon a stick, unless Soul clap its hands and sing, and louder sing For every tatter in its mortal dress, Nor is there singing school but studying Monuments of its own magnificence; And therefore I have sailed the seas and come To the holy city of Byzantium. III O sages standing in God's holy fire As in the gold mosaic of a wall, Come from the holy fire, perne in a gyre, And be the singing-masters of my soul. Consume my heart away; sick with desire And fastened to a dying animal It knows not what it is; and gather me Into the artifice of eternity. IV Once out of nature I shall never take My bodily form from any natural thing, But such a form as Grecian goldsmiths make Of hammered gold and gold enamelling To keep a drowsy Emperor awake; Or set upon a golden bough to sing To lords and ladies of Byzantium Of what is past, or passing, or to come.

White Teeth

Samad had looked at him with great sympathy, for he felt very tenderly for Archie. Their wartime friendship had been severed by thirty years and a separation of continents [...] In a fit of nostalgia, and because he was the only man Samad knew on this little island, Samad had sought Archie out, moved into the same London borough. (1.56) "It is a nice area, we have friends here." "Who are they?" She slammed her little fist on to the kitchen table, sending the salt and pepper flying, to collide spectacularly with each other in the air. "I don't know them! You fight in an old, forgotten war with some Englishman... married to a black! Whose friends are they? These are the people my child will grow up around? Their children—half blacky-white?" (3.109-110) Partly because Mrs. Jones becomes pregnant so soon after Mrs. Iqbal and partly because of a daily proximity (by this point Clara is working part-time as a supervisor for a Kilburn youth group that looks like the fifteen-man lineup of a ska and roots band—six-inch Afros, Adidas tracksuits, brown ties, Velcro, sun-tinted shades—and Alsana attends an Asian Women's Prenatal Class in Kilburn High Road round the corner), the two women begin to see more of each other. (4.79) In short, it was precisely the kind of friendship an Englishman makes on holiday, that he can make only on holiday. A friendship that crosses class and color, a friendship that takes as its basis physical proximity and survives because the Englishman assumes the physical proximity will not continue. (5.107) "Give it to me!" He reached over the counter to where Mangal Pande was hanging at a melancholy angle above the stove. "I should never have asked... it would be a dishonor, it would cast into ignominy the memory of Mangal Pande to have him placed here in this— this irreligious house of shame!" "You what?" "Give it to me!" "Now look... wait a minute—" Mickey and Archie reached out to stop him, but Samad, distressed and full of the humiliations of the decade, kept struggling to overcome Mickey's strong blocking presence. They tussled for a bit, but then Samad's body went limp and, covered in a light film of sweat, he surrendered. "Look, Samad," and here Mickey touched Samad's shoulders with such affection that Samad thought he might weep. "I didn't realize it was such a bloody big deal for you. Let's start again. We'll leave the picture up for a week and see how it goes, right?" (10.53) "But you're different," Millat Iqbal would say to the martyr Irie Jones, "you're different. We go way back. We've got history. You're a real friend. They don't really mean anything to me." Irie liked to believe that. That they had history, that she was different in a good way. (11.31-32) Irie Jones was obsessed. Occasionally her worried mother cornered her in the hallway before she slunk out of the door, picked at her elaborate corsetry, asked, "What's up with you? What in the Lord's name are you wearing? How can you breathe? Irie, my love, you're fine—you're just built like an honest-to-God Bowden—don't you know you're fine?" But Irie didn't know she was fine. There was England, a gigantic mirror, and there was Irie, without reflection. A stranger in a stranger land. (11.5-6) Naturally, there was a uniform. They each dripped gold and wore bandanas, either wrapped around their foreheads or tied at the joint of an arm or leg. The trousers were enormous, swamping things, the left leg always inexplicably rolled up to the knee; the sneakers were equally spectacular, with tongues so tall they obscured the entire ankle; baseball caps were compulsory, low slung and irremovable; and everything, everything, everything was Nike™; wherever the five of them went the impression they left behind was of one gigantic swoosh, one huge mark of corporate approval. And they walked in a very particular way, the left side of their bodies assuming a kind of loose paralysis that needed carrying along by the right side; a kind of glorified, funky limp like the slow, padding movement that Yeats imagined for his rough millennial beast. (9.185) He shuffled through the restaurant with his eyes to the ground. If aunts and uncles phoned, he deflected questions or simply lied. Millat? He is in Birmingham, working in the mosque, yes, renewing his faith. Magid? Yes, he is marrying soon, yes, a very good young man, wants a lovely Bengali girl, yes, upholder of traditions, yes. (16.34) I AM NOT A WAITER. I HAVE BEEN A STUDENT, A SCIENTIST, A SOLDIER, MY WIFE IS CALLED ALSANA, WE LIVE IN EAST LONDON BUT WE WOULD LIKE TO MOVE NORTH. I AM A MUSLIM BUT ALLAH HAS FORSAKEN ME OR I HAVE FORSAKEN ALLAH, I'M NOT SURE. I HAVE A FRIEND—ARCHIE—AND OTHERS. I AM FORTY-NINE BUT WOMEN STILL TURN IN THE STREET. SOMETIMES. (3.81) "Well, well. That's something, isn't it?" said Archie, placing his hands behind his head and lying back to look at the stars. "To have a bit of history in your blood like that. Motivates you, I'd imagine. I'm a Jones, you see. 'Slike a 'Smith.' We're nobody... My father used to say: 'We're the chaff, boy, we're the chaff.' Not that I've ever been much bothered, mind. Proud all the same, you know. Good honest English stock. But in your family you had a hero!" (5.129) "You don't stand for anything, Jones," continued Samad. "Not for a faith, not for a politics. Not even for your country. How your lot ever conquered my lot is a bloody mystery. You're a cipher, no?" "A what?" "And an idiot. What are you going to tell your children when they ask who you are, what you are? Will you know? Will you ever know?" "What are you that's so bloody fantastic?" "I'm a Muslim and a Man and a Son and a Believer. I will survive the last days." Quote #1 "You said the Iqbals are comin' to dinner. I was just thinkin'... if they're going to want me to cook dem some curry—I mean, I can cook curry—but it's my type of curry." "For God's sake, they're not those kind of Indians," said Archie irritably, offended at the suggestion. "Sam'll have a Sunday roast like the next man. He serves Indian food all the time, he doesn't want to eat it too." (3.57-58) The woman took pity, swallowed her gum, and looked Irie up and down; she felt more sympathetic as she noted Irie's cocoa complexion, the light eyes. "Jackie." "Irie." "Pale, sir! Freckles an' every ting. You Mexican?" "No." "Arab?" "Half Jamaican. Half English." "Half-caste," Jackie explained patiently. "Your mum white?" "Dad." Jackie wrinkled her nose. "Usually de udder way roun." (11.74-83) Alsana took out baltic-brain, number three of their twenty-four-volume-set Reader's Digest Encyclopedia, and read from the relevant section: The vast majority of Bangladesh's inhabitants are Bengalis, who are largely descended from Indo-Aryans who began to migrate into the country from the west thousands of years ago and who mixed within Bengal with indigenous groups of various racial stocks. Ethnic minorities include the Chakma and Mogh, Mongoloid peoples who live in the Chittagong Hill Tracts District; the Santal, mainly descended from migrants from present-day India; and the Biharis, non-Bengali Muslims who migrated from India after the partition. "Oi, mister! Indo-Aryans... it looks like I am Western after all! Maybe I should listen to Tina Turner, wear the itsy-bitsy leather skirts. Pah. It just goes to show," said Alsana, revealing her English tongue, "you go back and back and back and it's still easier to find the correct Hoover bag than to find one pure person, one pure faith, on the globe. Do you think anybody is English? Really English? It's a fairy tale!" (9.227-229) She just wanted to, well, kind of, merge with them. She wanted their Englishness. Their Chalfenishness. The purity of it. It didn't occur to her that the Chalfens were, after a fashion, immigrants too (third generation, by way of Germany and Poland, né Chalfenovsky), or that they might be as needy of her as she was of them. To Irie, the Chalfens were more English than the English. (12.110) She'd never been so close to this strange and beautiful thing, the middle class, and experienced the kind of embarrassment that is actually intrigue, fascination. (12.67) "Well, take Alsana's sisters—all their children are nothing but trouble. They won't go to mosque, they don't pray, they speak strangely, they dress strangely, they eat all kinds of rubbish, they have intercourse with God knows who. No respect for tradition. People call it assimilation when it is nothing but corruption. Corruption!" (8.86) To Samad, as to the people of Thailand, tradition was culture, and culture led to roots, and these were good, these were untainted principles. That didn't mean he could live by them, abide by them, or grow in the manner they demanded, but roots were roots and roots were good. (8.122) If religion is the opiate of the people, tradition is an even more sinister analgesic, simply because it rarely appears sinister. If religion is a tight band, a throbbing vein, and a needle, tradition is a far homelier concoction: poppy seeds ground into tea; a sweet cocoa drink laced with cocaine; the kind of thing your grandmother might have made. (8.122) The youth group of the Lambeth Kingdom Hall had been sent doorstepping on a Sunday morning, Separating the sheep from the goats (Matthew 25: 31-46), and Clara, detesting the young Witness men with their bad ties and softly spoken voices, had set off alone with her own suitcase to ring bells along Creighton Road. The first few doors she received the usual pained faces: nice women shooing her away as politely as possible, making sure they didn't get too close, scared they might catch religion like an infection. As she got into the poorer end of the street, the reaction became more aggressive; shouts came from windows or behind closed doors. "Mr. Iqbal, we have been through the matter of religious festivals quite thoroughly in the autumn review. As I am sure you are aware, the school already recognizes a great variety of religious and secular events: among them, Christmas, Ramadan, Chinese New Year, Diwali, Yom Kippur, Hanukkah, the birthday of Haile Selassie, and the death of Martin Luther King. The Harvest Festival is part of the school's ongoing commitment to religious diversity, Mr. Iqbal." "I see. And are there many pagans, Mrs. Owens, at Manor School?" "Pagan—I'm afraid I don't under—" "It is very simple. The Christian calendar has thirty-seven religious events. Thirty-seven. The Muslim calendar has nine. Only nine. And they are squeezed out by this incredible rash of Christian festivals. Now, my motion is simple. If we removed all the pagan festivals from the Christian calendar, there would be an average of—" Samad paused to look at his clipboard—" of twenty days freed up in which the children could celebrate Lailat-ul-Qadr in December, Eid-ul-Fitr in January, and Eid-ul-Adha in April, for example. And the first festival that must go, in my opinion, is this Harvest Festival business." (6.49-52) The deal was this: on January 1, 1980, like a New Year dieter who gives up cheese on the condition that he can have chocolate, Samad gave up masturbation so that he might drink. It was a deal, a business proposition, that he had made with God: Samad being the party of the first part, God being the sleeping partner. And since that day Samad had enjoyed relative spiritual peace and many a frothy Guinness with Archibald Jones; he had even developed the habit of taking his last gulp looking up at the sky like a Christian, thinking: I'm basically a good man. (6.156) So there existed fathers who dealt in the present, who didn't drag ancient history around like a ball and chain. So there were men who were not neck-deep and sinking in the quagmire of the past. (12.326) The rest is that terrible thing: history. (13.28) The rest is that terrible thing: history. (13.28)

Odour of Chrysanthemums

She seemed to be occupied by her husband. He had probably gone past his home, slunk past his own door, to drink before he came in, while his dinner spoiled and wasted in waiting. She glanced at the clock, then took the potatoes to strain them in the yard. (1.36) "No," she said, "not to me. It was chrysanthemums when I married him, and chrysanthemums when you were born, and the first time they ever brought him home drunk, he'd got brown chrysanthemums in his button-hole." (1.76) As they stumbled up the entry, Elizabeth Bates heard Rigley's wife run across the yard and open her neighbour's door. At this, suddenly all the blood in her body seemed to switch away from her heart. (2.29) "We must lay him out," the wife said. She put on the kettle, then returning knelt at the feet, and began to unfasten the knotted leather laces. (2.116) They never forgot it was death, and the touch of the man's dead body gave them strange emotions, different in each of the women; a great dread possessed them both, the mother felt the lie was given to her womb, she was denied; the wife felt the utter isolation of the human soul, the child within her was a weight apart from her. (2.122) And her soul died in her for fear: she knew she had never seen him, he had never seen her, they had met in the dark and had fought in the dark, not knowing whom they met nor whom they fought. (2.128) And now she saw, and turned silent in seeing. For she had been wrong. She had said he was something he was not; she had felt familiar with him. Whereas he was apart all the while, living as she never lived, feeling as she never felt. (2.128) And he was the father of her children. Her soul was torn from her body and stood apart. She looked at his naked body and was ashamed, as if she had denied it. After all, it was itself. It seemed awful to her. She looked at his face, and she turned her own face to the wall. For his look was other than hers, his way was not her way. She had denied him what he was—she saw it now. She had refused him as himself. —And this had been her life, and his life. (2.129) He and she were only channels through which life had flowed to issue in the children. She was a mother—but how awful she knew it now to have been a wife. And he, dead now, how awful he must have felt it to be a husband. It was finished then: it had become hopeless between them long before he died. Yet he had been her husband. But how little!— (2.130) Then she lighted a candle and went into the tiny room. The air was cold and damp, but she could not make a fire, there was no fireplace. She set down the candle and looked round. The candle-light glittered on the lustre-glasses, on the two vases that held some of the pink chrysanthemums, and on the dark mahogany. There was a cold, deathly smell of chrysanthemums in the room. When they arose, saw him lying in the naïve dignity of death, the women stood arrested in fear and respect. For a few moments they remained still, looking down, the old mother whimpering. Elizabeth felt countermanded. She saw him, how utterly inviolable he lay in himself. She had nothing to do with him. She could not accept it. (2.118) "Let me wipe him!"—and she kneeled on the other side drying slowly as Elizabeth washed, her big black bonnet sometimes brushing the dark head of her daughter. They worked thus in silence for a long time. They never forgot it was death, and the touch of the man's dead body gave them strange emotions, different in each of the women; a great dread possessed them both, the mother felt the lie was given to her womb, she was denied; the wife felt the utter isolation of the human soul, the child within her was a weight apart from her. (2.122) At last it was finished. He was a man of handsome body, and his face showed no traces of drink. He was blonde, full-fleshed, with fine limbs. But he was dead. (2.123) Elizabeth sank down again to the floor, and put her face against his neck, and trembled and shuddered. But she had to draw away again. He was dead, and her living flesh had no place against his. A great dread and weariness held her: she was so unavailing. Her life was gone like this. (2.125) Was this what it all meant—utter, intact separateness, obscured by heat of living? (2.128) She was grateful to death, which restored the truth. And she knew she was not dead. (2.129) And all the while her heart was bursting with grief and pity for him. What had he suffered? What stretch of horror for this helpless man! (2.130) At last it was finished. They covered him with a sheet and left him lying, with his face bound. And she fastened the door of the little parlour, lest the children should see what was lying there. (2.134) But from death, her ultimate master, she winced with fear and shame. (2.134) "Come, come on in," she said more gently, "it's getting dark. There's your grandfather's engine coming down the line!" (1.12) It was her father. She went in, saying she would mash. Directly, she returned. "I didn't come to see you on Sunday," began the little grey-bearded man. "I didn't expect you," said his daughter. The engine-driver winced; then, reassuming his cheery, airy manner, he said: "Oh, have you heard then? Well, and what do you think—?" "I think it is soon enough," she replied. At her brief censure the little man made an impatient gesture, and said coaxingly, yet with dangerous coldness: "Well, what's a man to do? It's no sort of life for a man of my years, to sit at my own hearth like a stranger. And if I'm going to marry again it may as well be soon as late—what does it matter to anybody?" (1.18-25) It was half-past four. They had but to await the father's coming to begin tea. As the mother watched her son's sullen little struggle with the wood, she saw herself in his silence and pertinacity; she saw the father in her child's indifference to all but himself. She seemed to be occupied by her husband. (1.36) Directly, gratefully, came quick young steps to the door. Someone hung on the latch a moment, then a little girl entered and began pulling off her outdoor things, dragging a mass of curls, just ripening from gold to brown, over her eyes with her hat. Her mother chid her for coming late from school, and said she would have to keep her at home the dark winter days. (1.38-39) Nevertheless she took a paper spill from a sheaf on the mantelpiece and proceeded to light the lamp that hung from the ceiling in the middle of the room. As she reached up, her figure displayed itself just rounding with maternity. (1.65) At a quarter to ten there were footsteps. One person! She watched for the door to open. It was an elderly woman, in a black bonnet and a black woollen shawl—his mother. She was about sixty years old, pale, with blue eyes, and her face all wrinkled and lamentable. She shut the door and turned to her daughter-in-law peevishly. (2.41) "We must lay him out," the wife said. She put on the kettle, then returning knelt at the feet, and began to unfasten the knotted leather laces. (2.116) He and she were only channels through which life had flowed to issue in the children. She was a mother—but how awful she knew it now to have been a wife. And he, dead now, how awful he must have felt it to be a husband. (2.130) Elizabeth turned without answering, though she strove to weep and behave as her mother-in-law expected. (2.132) "Goodness me!" exclaimed the woman, relieved. "One would think the house was afire." She replaced the glass and waited a moment before turning up the wick. A pale shadow was seen floating vaguely on the floor. (1.69) While for an hour or more the children played, subduedly intent, fertile of imagination, united in fear of the mother's wrath, and in dread of their father's home-coming, Mrs Bates sat in her rocking-chair making a "singlet" of thick cream-coloured flannel, which gave a dull wounded sound as she tore off the grey edge. (1.80) When Mrs Bates came down, the room was strangely empty, with a tension of expectancy. She took up her sewing and stitched for some time without raising her head. Meantime her anger was tinged with fear. (1.90) She hurried along the edge of the track, then, crossing the converging lines, came to the stile by the white gates, whence she emerged on the road. Then the fear which had led her shrank. People were walking up to New Brinsley; she saw the lights in the houses; twenty yards further on were the broad windows of the "Prince of Wales," very warm and bright, and the loud voices of men could be heard distinctly. What a fool she had been to imagine that anything had happened to him! He was merely drinking over there at the "Prince of Wales." She faltered. She had never yet been to fetch him, and she never would go. (2.2) When they arose, saw him lying in the naïve dignity of death, the women stood arrested in fear and respect. (2.118) She was afraid with a bottomless fear, so she ministered to him. (2.121) "Bless him," whispered his mother, looking always at his face, and speaking out of sheer terror. "Dear lad—bless him!" She spoke in a faint, sibilant ecstasy of fear and mother love. (2.124) Elizabeth looked up. The man's mouth was fallen back, slightly open under the cover of the moustache. The eyes, half shut, did not show glazed in the obscurity. Life with its smoky burning gone from him, had left him apart and utterly alien to her. And she knew what a stranger he was to her. In her womb was ice of fear, because of this separate stranger with whom she had been living as one flesh. (2.128) And her soul died in her for fear: she knew she had never seen him, he had never seen her, they had met in the dark and had fought in the dark, not knowing whom they met nor whom they fought. (2.128) A terrible dread gripped her all the while: that he could be so heavy and utterly inert, unresponsive, apart. The horror of the distance between them was almost too much for her—it was so infinite a gap she must look across. (2.133) You needn't 'a' brought me bread an' butter," said her father. "But a cup of tea"—he sipped appreciatively—"it's very nice." He sipped for a moment or two, then: "I hear as Walter's got another bout on," he said. "When hasn't he?" said the woman bitterly. "I heered tell of him in the 'Lord Nelson' braggin' as he was going to spend that b—afore he went: half a sovereign that was." (1.27-29) "Aye, it's a nice thing, when a man can do nothing with his money but make a beast of himself!" said the grey-whiskered man. The woman turned her head away. Her father swallowed the last of his tea and handed her the cup. (1.33) He had probably gone past his home, slunk past his own door, to drink before he came in, while his dinner spoiled and wasted in waiting. (1.36) "He'd watch that," said the mother bitterly, "he'd take care as you didn't see him. But you may depend upon it, he's seated in the 'Prince o' Wales.' He wouldn't be this late." (1.44) "It'll want mending directly," replied her mother, "and then if your father comes he'll carry on and say there never is a fire when a man comes home sweating from the pit. —A public-house is always warm enough." (1.53) "It is a scandalous thing as a man can't even come home to his dinner! If it's crozzled up to a cinder I don't see why I should care. Past his very door he goes to get to a public-house, and here I sit with his dinner waiting for him—." (1.59) "No," she said, "not to me. It was chrysanthemums when I married him, and chrysanthemums when you were born, and the first time they ever brought him home drunk, he'd got brown chrysanthemums in his button-hole." (1.76) ". . . And this is what I came here for, to this dirty hole, rats and all, for him to slink past his very door. Twice last week—he's begun now—." (1.78) Elizabeth's thoughts were busy elsewhere. If he was killed—would she be able to manage on the little pension and what she could earn? —she counted up rapidly. If he was hurt—they wouldn't take him to the hospital—how tiresome he would be to nurse! —but perhaps she'd be able to get him away from the drink and his hateful ways. She would—while he was ill. The tears offered to come to her eyes at the picture. (2.54) At last it was finished. He was a man of handsome body, and his face showed no traces of drink. He was blonde, full-fleshed, with fine limbs. But he was dead. (2.123) The kitchen was small and full of firelight; red coals piled glowing up the chimney mouth. All the life of the room seemed in the white, warm hearth and the steel fender reflecting the red fire. The cloth was laid for tea; cups glinted in the shadows. At the back, where the lowest stairs protruded into the room, the boy sat struggling with a knife and a piece of whitewood. He was almost hidden in the shadow. It was half-past four. They had but to await the father's coming to begin tea. (1.36) Her mother chid her for coming late from school, and said she would have to keep her at home the dark winter days. "Why, mother, it's hardly a bit dark yet. The lamp's not lighted, and my father's not home." ''No, he isn't. But it's a quarter to five! Did you see anything of him?" (1.39-41) She looked at the children. Their eyes and their parted lips were wondering. The mother sat rocking in silence for some time. Then she looked at the clock. "Twenty minutes to six!" In a tone of fine bitter carelessness she continued: "Eh, he'll not come now till they bring him. There he'll stick! But he needn't come rolling in here in his pit-dirt, for I won't wash him. He can lie on the floor— Eh, what a fool I've been, what a fool! And this is what I came here for, to this dirty hole, rats and all, for him to slink past his very door. Twice last week—he's begun now—." (1.77-78) While for an hour or more the children played, subduedly intent, fertile of imagination, united in fear of the mother's wrath, and in dread of their father's home-coming, Mrs Bates sat in her rocking-chair making a "singlet" of thick cream-coloured flannel, which gave a dull wounded sound as she tore off the grey edge. (1.80) The clock struck eight and she rose suddenly, dropping her sewing on her chair. She went to the stairfoot door, opened it, listening. Then she went out, locking the door behind her. (2.1) The house was quiet. Elizabeth Bates took off her hat and shawl, and rolled back the rug. When she had finished, she sat down. It was a few minutes past nine. She was startled by the rapid chuff of the winding-engine at the pit, and the sharp whirr of the brakes on the rope as it descended. Again she felt the painful sweep of her blood, and she put her hand to her side, saying aloud, "Good gracious!—it's only the nine o'clock deputy going down," rebuking herself. (2.37) At a quarter to ten there were footsteps. One person! She watched for the door to open. It was an elderly woman, in a black bonnet and a black woollen shawl—his mother. (2.41)

The Second Coming

Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity. Surely some revelation is at hand; Surely the Second Coming is at hand. The Second Coming! Hardly are those words out When a vast image out of Spiritus Mundi Troubles my sight: somewhere in sands of the desert A shape with lion body and the head of a man, A gaze blank and pitiless as the sun, Is moving its slow thighs, while all about it Reel shadows of the indignant desert birds. The darkness drops again; but now I know That twenty centuries of stony sleep Were vexed to nightmare by a rocking cradle, And what rough beast, its hour come round at last, Slouches towards Bethlehem to be born?

Neutral Tones

We stood by a pond that winter day, And the sun was white, as though chidden of God, And a few leaves lay on the starving sod; - They had fallen from an ash, and were gray. Your eyes on me were as eyes that rove Over tedious riddles of years ago; And some words played between us to and fro On which lost the more by our love. The smile on your mouth was the deadest thing Alive enough to have strength to die; And a grin of bitterness swept thereby Like an ominous bird a-wing.... Since then, keen lessons that love deceives, And wrings with wrong, have shaped to me Your face, and the God curst sun, and a tree, And a pond edged with grayish leaves.

He Never Expected Much

Well, World, you have kept faith with me, Kept faith with me; Upon the whole you have proved to be Much as you said you were. Since as a child I used to lie Upon the leaze and watch the sky, Never, I own, expected I That life would all be fair. 'Twas then you said, and since have said, Times since have said, In that mysterious voice you shed From clouds and hills around: "Many have loved me desperately, Many with smooth serenity, While some have shown contempt of me Till they dropped underground. "I do not promise overmuch, Child; overmuch; Just neutral-tinted haps and such," You said to minds like mine. Wise warning for your credit's sake! Which I for one failed not to take, And hence could stem such strain and ache As each year might assign.

Anthem for Doomed Youth

What passing-bells for these who die as cattle? — Only the monstrous anger of the guns. Only the stuttering rifles' rapid rattle Can patter out their hasty orisons. No mockeries now for them; no prayers nor bells; Nor any voice of mourning save the choirs,— The shrill, demented choirs of wailing shells; And bugles calling for them from sad shires. What candles may be held to speed them all? Not in the hands of boys, but in their eyes Shall shine the holy glimmers of goodbyes. The pallor of girls' brows shall be their pall; Their flowers the tenderness of patient minds, And each slow dusk a drawing-down of blinds.

When I was One-and-Twenty

When I was one-and-twenty I heard a wise man say, "Give crowns and pounds and guineas But not your heart away; Give pearls away and rubies But keep your fancy free." But I was one-and-twenty, No use to talk to me. When I was one-and-twenty I heard him say again, "The heart out of the bosom Was never given in vain; 'Tis paid with sighs a plenty And sold for endless rue." And I am two-and-twenty, And oh, 'tis true, 'tis true.

Ah, Are You Digging on my Grave?

"Ah, are you digging on my grave, My loved one? — planting rue?" — "No: yesterday he went to wed One of the brightest wealth has bred. 'It cannot hurt her now,' he said, 'That I should not be true.'" "Then who is digging on my grave, My nearest dearest kin?" — "Ah, no: they sit and think, 'What use! What good will planting flowers produce? No tendance of her mound can loose Her spirit from Death's gin.'" "But someone digs upon my grave? My enemy? — prodding sly?" — "Nay: when she heard you had passed the Gate That shuts on all flesh soon or late, She thought you no more worth her hate, And cares not where you lie. "Then, who is digging on my grave? Say — since I have not guessed!" — "O it is I, my mistress dear, Your little dog , who still lives near, And much I hope my movements here Have not disturbed your rest?" "Ah yes! You dig upon my grave... Why flashed it not to me That one true heart was left behind! What feeling do we ever find To equal among human kind A dog's fidelity!" "Mistress, I dug upon your grave To bury a bone, in case I should be hungry near this spot When passing on my daily trot. I am sorry, but I quite forgot It was your resting place."

The Ruined Maid

"O 'Melia, my dear, this does everything crown! Who could have supposed I should meet you in Town? And whence such fair garments, such prosperi-ty?" — "O didn't you know I'd been ruined?" said she. — "You left us in tatters, without shoes or socks, Tired of digging potatoes, and spudding up docks; And now you've gay bracelets and bright feathers three!" — "Yes: that's how we dress when we're ruined," said she. — "At home in the barton you said thee' and thou,' And thik oon,' and theäs oon,' and t'other'; but now Your talking quite fits 'ee for high compa-ny!" — "Some polish is gained with one's ruin," said she. — "Your hands were like paws then, your face blue and bleak But now I'm bewitched by your delicate cheek, And your little gloves fit as on any la-dy!" — "We never do work when we're ruined," said she. — "You used to call home-life a hag-ridden dream, And you'd sigh, and you'd sock; but at present you seem To know not of megrims or melancho-ly!" — "True. One's pretty lively when ruined," said she. — "I wish I had feathers, a fine sweeping gown, And a delicate face, and could strut about Town!" — "My dear — a raw country girl, such as you be, Cannot quite expect that. You ain't ruined," said she.

Under the Waterfall

"Whenever I plunge my arm, like this, In a basin of water, I never miss The sweet sharp sense of a fugitive day Fetched back from the thickening shroud of grey. Hence the only prime And real love-rhyme That I know by heart And that leaves no smart, Is the purl of a little valley fall About three spans wide and two spans tall Over a table of solid rock And into a scoop of the self-same block; The purl of a runlet that never ceases In stir of kingdoms, in wars, in peaces; With a hollow, boiling voice it speaks And has spoken since hills were turfless peaks." "And why gives this the only prime Idea to you of a real love-rhyme? And why does plunging your arm in a bowl Full of spring water, bring throbs to your soul?" "Well, under the fall, in a crease of the stone, Though where precisely none ever has known, Jammed darkly, nothing to show how prized, And by now with its smoothness opalised, Is a drinking-glass: For, down that pass, My love and I Walked under a sky Of blue with a leaf-wove awning of green, In the burn of August, to paint the scene, And we placed our basket of fruit and wine By the runlet's rim, where we sat to dine; And when we had drunk from the glass together, Arched by the oak-copse from the weather, I held the vessel to rinse in the fall, Where it slipped, and sank, and was past recall, Though we stooped and plumbed the little abyss With long bared arms. There the glass still is. And, as said, if I thrust my arm below Cold water in basin or bowl, a throe From the past awakens a sense of that time, And the glass we used, and the cascade's rhyme. The basin seems the pool, and its edge The hard smooth face of the brook-side ledge, And the leafy pattern of china-ware The hanging plants that were bathing there. "By night, by day, when it shines or lours, There lies intact that chalice of ours, And its presence adds to the rhyme of love Persistently sung by the fall above. No lip has touched it since his and mine In turn therefrom sipped lovers' wine."

Terence, This is Stupid Stuff

'TERENCE, this is stupid stuff: You eat your victuals fast enough; There can't be much amiss, 'tis clear, To see the rate you drink your beer. But oh, good Lord, the verse you make, It gives a chap the belly-ache. The cow, the old cow, she is dead; It sleeps well, the horned head: We poor lads, 'tis our turn now To hear such tunes as killed the cow. Pretty friendship 'tis to rhyme Your friends to death before their time Moping melancholy mad: Come, pipe a tune to dance to, lad.' Why, if 'tis dancing you would be, There's brisker pipes than poetry. Say, for what were hop-yards meant, Or why was Burton built on Trent? Oh many a peer of England brews Livelier liquor than the Muse, And malt does more than Milton can To justify God's ways to man. Ale, man, ale's the stuff to drink For fellows whom it hurts to think: Look into the pewter pot To see the world as the world's not. And faith, 'tis pleasant till 'tis past: The mischief is that 'twill not last. Oh I have been to Ludlow fair And left my necktie God knows where, And carried half way home, or near, Pints and quarts of Ludlow beer: Then the world seemed none so bad, And I myself a sterling lad; And down in lovely muck I've lain, Happy till I woke again. Then I saw the morning sky: Heigho, the tale was all a lie; The world, it was the old world yet, I was I, my things were wet, And nothing now remained to do But begin the game anew. Therefore, since the world has still Much good, but much less good than ill, And while the sun and moon endure Luck's a chance, but trouble's sure, I'd face it as a wise man would, And train for ill and not for good. 'Tis true, the stuff I bring for sale Is not so brisk a brew as ale: Out of a stem that scored the hand I wrung it in a weary land. But take it: if the smack is sour, The better for the embittered hour; It should do good to heart and head When your soul is in my soul's stead; And I will friend you, if I may, In the dark and cloudy day. There was a king reigned in the East: There, when kings will sit to feast, They get their fill before they think With poisoned meat and poisoned drink. He gathered all that springs to birth From the many-venomed earth; First a little, thence to more, He sampled all her killing store; And easy, smiling, seasoned sound, Sate the king when healths went round. They put arsenic in his meat And stared aghast to watch him eat; They poured strychnine in his cup And shook to see him drink it up: They shook, they stared as white's their shirt: Them it was their poison hurt. —I tell the tale that I heard told. Mithridates, he died old.

Dulce Et Decorum Est

Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs, And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots, But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of gas-shells dropping softly behind. Gas! GAS! Quick, boys!—An ecstasy of fumbling Fitting the clumsy helmets just in time, But someone still was yelling out and stumbling And flound'ring like a man in fire or lime.— Dim through the misty panes and thick green light, As under a green sea, I saw him drowning. In all my dreams before my helpless sight, He plunges at me, guttering, choking, drowning. If in some smothering dreams, you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil's sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues,— My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie: Dulce et decorum est Pro patria mori.

A Trampwoman's Tragedy

From Wynyard's Gap the livelong day, The livelong day, We beat afoot the northward way We had travelled times before. The sun-blaze burning on our backs, Our shoulders sticking to our packs, By fosseway1, fields, and turnpike tracks We skirted sad Sedge-Moor. Full twenty miles we jaunted on, We jaunted on, — My fancy-man2, and jeering John, And Mother Lee, and I. And, as the sun drew down to west, We climbed the toilsome Polden crest, And saw, of landskip3 sights the best, The inn that beamed thereby. Ay, side by side Through the Great Forest, Blackmoor4 wide, And where the Parret ran. We'd faced the gusts on Mendip ridge, Had crossed the Yeo unhelped by bridge, Been stung by every Marshwood midge5, I and my fancy-man. Lone inns we loved, my man and I, My man and I; 'King's Stag', 'Windwhistle' high and dry, 'The Horse' on Hintock Green, The cosy house at Wynyard's Gap, 'The Hut', renowned on Bredy Knap, And many another wayside tap Where folk might sit unseen. O deadly day, O deadly day! — I teased my fancy man in play And wanton idleness. I walked alongside jeering John, I laid his hand my waist upon; I would not bend my glances on My lover's dark distress. Thus Poldon top at last we won, At last we won, And gained the inn at sink of sun Far-famed as 'Marshal's Elm'. Beneath us figured tor and lea,6 From Mendip to the western sea — I doubt if any finer sight there be Within this royal realm. Inside the settle7 all a-row — All four a-row We sat, I next to John, to show That he had wooed and won. And then he took me on his knee, And swore it was his turn to be My favoured mate, and Mother Lee Passed to my former one. Then in a voice I had never heard, I had never heard, My only love to me: 'One word, My lady, if you please! Whose is the child you are like8 to bear? — His? After all my months o' care?' Gods knows 'twas not! But, O despair! I nodded — still to tease. Then he sprung, and with his knife — And with his knife, He let out jeering Johnny's life, Yes; there at set of sun. The slant ray through the window nigh Gilded John's blood and glazing eye, Ere scarcely Mother Lee and I Knew that the deed was done. The taverns tell the gloomy tale, The gloomy tale, How that at Ivel-Chester jail My love, my sweetheart swung; Though stained till now by no misdeed Save one horse ta'en in time of need; (Blue Jimmy stole right many a steed Ere his last fling he flung.) Thereaft I walked the world alone Alone, alone! On his death-day I gave my groan And dropt his dead-born child. 'Twas nigh the jail, beneath a tree, None tending me; for Mother Lee Had died at Glaston,9 leaving me Unfriended on the wild. And in the night as I lay weak, As I lay weak, The leaves a-falling on my cheek, The red moon low declined — The ghost of him I'd die to kiss Rose up and said: 'Ah, tell me this! Was the child mine, or was it his? Speak, that I my rest may find!' O doubt but I told him then, I told him then, That I had kept me from all men Since we joined lips and swore. Whereat he smiled, and thinned away As the wind stirred to call up day . . . — 'Tis past! And here alone I stray Haunting the Western Moor.

Easter, 1916

I have met them at close of day Coming with vivid faces From counter or desk among grey Eighteenth-century houses. I have passed with a nod of the head Or polite meaningless words, Or have lingered awhile and said Polite meaningless words, And thought before I had done Of a mocking tale or a gibe To please a companion Around the fire at the club, Being certain that they and I But lived where motley is worn: All changed, changed utterly: A terrible beauty is born. That woman's days were spent In ignorant good-will, Her nights in argument Until her voice grew shrill. What voice more sweet than hers When, young and beautiful, She rode to harriers? This man had kept a school And rode our wingèd horse; This other his helper and friend Was coming into his force; He might have won fame in the end, So sensitive his nature seemed, So daring and sweet his thought. This other man I had dreamed A drunken, vainglorious lout. He had done most bitter wrong To some who are near my heart, Yet I number him in the song; He, too, has resigned his part In the casual comedy; He, too, has been changed in his turn, Transformed utterly: A terrible beauty is born. Hearts with one purpose alone Through summer and winter seem Enchanted to a stone To trouble the living stream. The horse that comes from the road, The rider, the birds that range From cloud to tumbling cloud, Minute by minute they change; A shadow of cloud on the stream Changes minute by minute; A horse-hoof slides on the brim, And a horse plashes within it; The long-legged moor-hens dive, And hens to moor-cocks call; Minute by minute they live: The stone's in the midst of all. Too long a sacrifice Can make a stone of the heart. O when may it suffice? That is Heaven's part, our part To murmur name upon name, As a mother names her child When sleep at last has come On limbs that had run wild. What is it but nightfall? No, no, not night but death; Was it needless death after all? For England may keep faith For all that is done and said. We know their dream; enough To know they dreamed and are dead; And what if excess of love Bewildered them till they died? I write it out in a verse— MacDonagh and MacBride And Connolly and Pearse Now and in time to be, Wherever green is worn, Are changed, changed utterly: A terrible beauty is born.

The Darkling Thrush

I leant upon a coppice gate When Frost was spectre-grey, And Winter's dregs made desolate The weakening eye of day. The tangled bine-stems scored the sky Like strings of broken lyres, And all mankind that haunted nigh Had sought their household fires. The land's sharp features seemed to be The Century's corpse outleant, His crypt the cloudy canopy, The wind his death-lament. The ancient pulse of germ and birth Was shrunken hard and dry, And every spirit upon earth Seemed fervourless as I. At once a voice arose among The bleak twigs overhead In a full-hearted evensong Of joy illimited; An aged thrush, frail, gaunt, and small, In blast-beruffled plume, Had chosen thus to fling his soul Upon the growing gloom. So little cause for carolings Of such ecstatic sound Was written on terrestrial things Afar or nigh around, That I could think there trembled through His happy good-night air Some blessed Hope, whereof he knew And I was unaware.

Apologid Pro Poemate Meo

I, too, saw God through mud— The mud that cracked on cheeks when wretches smiled. War brought more glory to their eyes than blood, And gave their laughs more glee than shakes a child. Merry it was to laugh there— Where death becomes absurd and life absurder. For power was on us as we slashed bones bare Not to feel sickness or remorse of murder. I, too, have dropped off fear— Behind the barrage, dead as my platoon, And sailed my spirit surging, light and clear, Past the entanglement where hopes lie strewn; And witnessed exhultation— Faces that used to curse me, scowl for scowl, Shine and lift up with passion of oblation, Seraphic for an hour, though they were foul. I have made fellowships— Untold of happy lovers in old song. For love is not the binding of fair lips With the soft silk of eyes that look and long. By joy, whose ribbon slips,— But wound with war's hard wire whose stakes are strong; Bound with the bandage of the arm that drips; Knit in the welding of the rifle-thong. I have perceived much beauty In the hoarse oaths that kept our courage straight; Heard music in the silentness of duty; Found peace where shell-storms spouted reddest spate. Nevertheless, except you share With them in hell the sorrowful dark of hell, Whose world is but a trembling of a flare And heaven but a highway for a shell, You shall not hear their mirth: You shall not come to think them well content By any jest of mine. These men are worth Your tears: You are not worth their merriment.

The Soldier

If I should die, think only this of me: That there's some corner of a foreign field That is for ever England. There shall be In that rich earth a richer dust concealed; A dust whom England bore, shaped, made aware, Gave, once, her flowers to love, her ways to roam, A body of England's, breathing English air, Washed by the rivers, blest by suns of home. And think, this heart, all evil shed away, A pulse in the eternal mind, no less Gives somewhere back the thoughts by England given; Her sights and sounds; dreams happy as her day; And laughter, learnt of friends; and gentleness, In hearts at peace, under an English heaven.

Hap

If but some vengeful god would call to me From up the sky, and laugh: "Thou suffering thing, Know that thy sorrow is my ecstasy, That thy love's loss is my hate's profiting!" Then would I bear it, clench myself, and die, Steeled by the sense of ire unmerited; Half-eased in that a Powerfuller than I Had willed and meted me the tears I shed. But not so. How arrives it joy lies slain, And why unblooms the best hope ever sown? —Crass Casualty obstructs the sun and rain, And dicing Time for gladness casts a moan. . . . These purblind Doomsters had as readily strown Blisses about my pilgrimage as pain.

The Waiter's Wife

In the spring of 1975, Samad and Alsana Iqbal left Bangladesh and came to live in Whitechapel, London, the other side of town from Archie and Clara Jones. Samad and Archie had a friendship datin back to the Second World War, back to the hot and claustrophobic Churchill tank in which they sat side by side for three months, close enough to smell each other and to recognize those scents thirty years later when Samad emerged rom Gate 12 Heathrow, with a young wife and a paisley patterned luggage set in tow. Long time no see, Archie had said, reaching out to grasp his old friend palm, but Samad converted the handshake into a hug almost immediatley Archibald Jones Long time no bloody smell. Just as he reaches the far gate, Sol Jozefowicz turns round to wave, and the three women wave back. And Clara feels a little theatrical, flying the park keeper's cream handkerchief above her head. As if she is seeing someone off on a train journey which crosses the border of two countries.

The Dead

LILY, the caretaker's daughter, was literally run off her feet. Hardly had she brought one gentleman into the little pantry behind the office on the ground floor and helped him off with his overcoat than the wheezy hall-door bell clanged again and she had to scamper along the bare hallway to let in another guest. It was well for her she had not to attend to the ladies also. But Miss Kate and Miss Julia had thought of that and had converted the bathroom upstairs into a ladies' dressing-room. Miss Kate and Miss Julia were there, gossiping and laughing and fussing, walking after each other to the head of the stairs, peering down over the banisters and calling down to Lily to ask her who had come. Generous tears filled Gabriel's eyes. He had never felt like that himself towards any woman, but he knew that such a feeling must be love. The tears gathered more thickly in his eyes and in the partial darkness he imagined he saw the form of a young man standing under a dripping tree. Other forms were near. His soul had approached that region where dwell the vast hosts of the dead. He was conscious of, but could not apprehend, their wayward and flickering existence. His own identity was fading out into a grey impalpable world: the solid world itself, which these dead had one time reared and lived in, was dissolving and dwindling. A few light taps upon the pane made him turn to the window. It had begun to snow again. He watched sleepily the flakes, silver and dark, falling obliquely against the lamplight. The time had come for him to set out on his journey westward. Yes, the newspapers were right: snow was general all over Ireland. It was falling on every part of the dark central plain, on the treeless hills, falling softly upon the Bog of Allen and, farther westward, softly falling into the dark mutinous Shannon waves. It was falling, too, upon every part of the lonely churchyard on the hill where Michael Furey lay buried. It lay thickly drifted on the crooked crosses and headstones, on the spears of the little gate, on the barren thorns. His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.

The Love Song of Prufrock

Let us go then, you and I, When the evening is spread out against the sky Like a patient etherized upon a table; Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels And sawdust restaurants with oyster-shells: Streets that follow like a tedious argument Of insidious intent To lead you to an overwhelming question ... Oh, do not ask, "What is it?" Let us go and make our visit. The yellow fog that rubs its back upon the window-panes, The yellow smoke that rubs its muzzle on the window-panes, Licked its tongue into the corners of the evening, Lingered upon the pools that stand in drains, Let fall upon its back the soot that falls from chimneys, Slipped by the terrace, made a sudden leap, And seeing that it was a soft October night, Curled once about the house, and fell asleep. I grow old ... I grow old ... I shall wear the bottoms of my trousers rolled. Shall I part my hair behind? Do I dare to eat a peach? I shall wear white flannel trousers, and walk upon the beach. I have heard the mermaids singing, each to each. I do not think that they will sing to me. I have seen them riding seaward on the waves Combing the white hair of the waves blown back When the wind blows the water white and black. We have lingered in the chambers of the sea By sea-girls wreathed with seaweed red and brown Till human voices wake us, and we drown.

The Day They Burned the Books

My friend Eddie was a small, thin boy. You could see the blue veins in his wrists and temples. People said that he had consumption and wasn't long for this world. I loved, but sometimes despised him.

One We Knew

She told how they used to form for the country dances - "The Triumph," "The New-rigged Ship" - To the light of the guttering wax in the panelled manses, And in cots to the blink of a dip. She spoke of the wild "poussetting" and "allemanding" On carpet, on oak, and on sod; And the two long rows of ladies and gentlemen standing, And the figures the couples trod. She showed us the spot where the maypole was yearly planted, And where the bandsmen stood While breeched and kerchiefed partners whirled, and panted To choose each other for good. She told of that far-back day when they learnt astounded Of the death of the King of France: Of the Terror; and then of Bonaparte's unbounded Ambition and arrogance. Of how his threats woke warlike preparations Along the southern strand, And how each night brought tremors and trepidations Lest morning should see him land. She said she had often heard the gibbet creaking As it swayed in the lightning flash, Had caught from the neighbouring town a small child's shrieking At the cart-tail under the lash . . . With cap-framed face and long gaze into the embers - We seated around her knees - She would dwell on such dead themes, not as one who remembers, But rather as one who sees. She seemed one left behind of a band gone distant So far that no tongue could hail: Past things retold were to her as things existent, Things present but as a tale.

They

The Bishop tells us: 'When the boys come back 'They will not be the same; for they'll have fought 'In a just cause: they lead the last attack 'On Anti-Christ; their comrades' blood has bought 'New right to breed an honourable race, 'They have challenged Death and dared him face to face.' 'We're none of us the same!' the boys reply. 'For George lost both his legs; and Bill's stone blind; 'Poor Jim's shot through the lungs and like to die; 'And Bert's gone syphilitic: you'll not find 'A chap who's served that hasn't found some change. ' And the Bishop said: 'The ways of God are strange!'

Channel Firing

That night your great guns, unawares, Shook all our coffins as we lay, And broke the chancel window-squares, We thought it was the Judgment-day And sat upright. While drearisome Arose the howl of wakened hounds: The mouse let fall the altar-crumb, The worms drew back into the mounds, The glebe cow drooled. Till God called, "No; It's gunnery practice out at sea Just as before you went below; The world is as it used to be: "All nations striving strong to make Red war yet redder. Mad as hatters They do no more for Christés sake Than you who are helpless in such matters. "That this is not the judgment-hour For some of them's a blessed thing, For if it were they'd have to scour Hell's floor for so much threatening.... "Ha, ha. It will be warmer when I blow the trumpet (if indeed I ever do; for you are men, And rest eternal sorely need)." So down we lay again. "I wonder, Will the world ever saner be," Said one, "than when He sent us under In our indifferent century!" And many a skeleton shook his head. "Instead of preaching forty year," My neighbour Parson Thirdly said, "I wish I had stuck to pipes and beer." Again the guns disturbed the hour, Roaring their readiness to avenge, As far inland as Stourton Tower, And Camelot, and starlit Stonehenge.

On the Western Circuit

The man who played the disturbing part in the two quiet lives hereafter depicted no great man, in any sense, by the way first had knowledge of them on an October evening, in the city of Melchester. He had been standing in the Close, vainly endeavouring to gain amid the darkness a glimpse of the most homogeneous pile of mediaeval architecture in England, which towered and tapered from the damp and level sward in front of him. While he stood the presence of the Cathedral walls was revealed rather by the ear than by the eyes; he could not see them, but they reflected sharply a roar of sound which entered the Close by a street leading from the city square, and, falling upon the building, was flung back upon him. As he stood smiling there in the motley crowd, with his pipe in his hand, and clad in the rough pea-jacket and wideawake that he had put on for his stroll, who would have supposed him to be Charles Bradford Raye, Esquire, stuff-gownsman, educated at Wintoncester, called to the Bar at Lincoln's-Inn, now going the Western Circuit, merely detained in Melchester by a small arbitration after his brethren had moved on to the next county-town? The square was overlooked from its remoter corner by the house of which the young girl had spoken, a dignified residence of considerable size, having several windows on each floor. Inside one of these, on the first floor, the apartment being a large drawing- room, sat a lady, in appearance from twenty-eight to thirty years of age. The blinds were still undrawn, and the lady was absently surveying the weird scene without, her cheek resting on her hand. The room was unlit from within, but enough of the glare from the market-place entered it to reveal the lady's face. She was what is called an interesting creature rather than a handsome woman; dark- eyed, thoughtful, and with sensitive lips. He did not particularly heed her; but Mrs. Harnham was continually occupying her eyes with him, and wondered more than ever what had attracted him in her unfledged maid-servant. The mistress was almost as unaccustomed as the maiden herself to the end-of-the-age young man, or she might have wondered less. Raye, having looked about him awhile, left abruptly, without regard to the service that was proceeding; and Mrs. Harnham lonely, impressionable creature that she was took no further interest in praising the Lord. She wished she had married a London man who knew the subtleties of love-making as they were evidently known to him who had mistakenly caressed her hand. The calendar at Melchester had been light, occupying the court only a few hours; and the assizes at Casterbridge, the next county-town on the Western Circuit, having no business for Raye, he had not gone thither. At the next town after that they did not open till the following Monday, trials to begin on Tuesday morning. In the natural order of things Raye would have arrived at the latter place on Monday afternoon; but it was not till the middle of Wednesday that his gown and grey wig, curled in tiers, in the best fashion of Assyrian bas- reliefs, were seen blowing and bobbing behind him as he hastily walked up the High Street from his lodgings. But though he entered the assize building there was nothing for him to do, and sitting at the blue baize table in the well of the court, he mended pens with a mind far away from the case in progress. Thoughts of unpremeditated conduct, of which a week earlier he would not have believed himself capable, threw him into a mood of dissatisfied depression. To write again and develop a correspondence was the last thing Raye would have preconceived as his conduct in such a situation; yet he did send a short, encouraging line or two, signed with his pseudonym, in which he asked for another letter, and cheeringly promised that he would try to see her again on some near day, and would never forget how much they had been to each other during their short acquaintance. To return now to the moment at which Anna, at Melchester, had received Raye's letter. It had been put into her own hand by the postman on his morning rounds. She flushed down to her neck on receipt of it, and turned it over and over. 'It is mine?' she said. 'Because of its effect upon me.' 'But it can't have any!' 'Why, child?' 'Because you are married already!' said Anna with lucid simplicity. 'Of course it can't,' said her mistress hastily; yet glad, despite her conscience, that two or three outpourings still remained to her. 'But you must concentrate your attention on writing your name as I write it here.' Soon Raye wrote about the wedding. Having decided to make the best of what he feared was a piece of romantic folly, he had acquired more zest for the grand experiment. He wished the ceremony to be in London, for greater privacy. Edith Harnham would have preferred it at Melchester; Anna was passive. His reasoning prevailed, and Mrs. Harnham threw herself with mournful zeal into the preparations for Anna's departure. In a last desperate feeling that she must at every hazard be in at the death of her dream, and see once again the man who by a species of telepathy had exercised such an influence on her, she offered to go up with Anna and be with her through the ceremony 'to see the end of her,' as her mistress put it with forced gaiety; an offer which the girl gratefully accepted; for she had no other friend capable of playing the part of companion and witness, in the presence of a gentlemanly bridegroom, in such a way as not to hasten an opinion that he had made an irremediable social blunder. Simultaneously with Edith's journey home Anna and her husband were sitting at the opposite windows of a second-class carriage which sped along to Knollsea. In his hand was a pocket-book full of creased sheets closely written over. Unfolding them one after another he read them in silence, and sighed. 'What are you doing, dear Charles?' she said timidly from the other window, and drew nearer to him as if he were a god. 'Reading over all those sweet letters to me signed "Anna,"' he replied with dreary resignation.

During Wind and Rain

They sing their dearest songs— He, she, all of them—yea, Treble and tenor and bass, And one to play; With the candles mooning each face. . . . Ah, no; the years O! How the sick leaves reel down in throngs! They clear the creeping moss— Elders and juniors—aye, Making the pathways neat And the garden gay; And they build a shady seat. . . . Ah, no; the years, the years, See, the white storm-birds wing across. They are blithely breakfasting all— Men and maidens—yea, Under the summer tree, With a glimpse of the bay, While pet fowl come to the knee. . . . Ah, no; the years O! And the rotten rose is ript from the wall. They change to a high new house, He, she, all of them—aye, Clocks and carpets and chairs On the lawn all day, And brightest things that are theirs. . . . Ah, no; the years, the years; Down their carved names the rain-drop ploughs.

Drummer Hodge

They throw in Drummer Hodge, to rest Uncoffined -- just as found: His landmark is a kopje-crest That breaks the veldt around: And foreign constellations west Each night above his mound. Young Hodge the drummer never knew -- Fresh from his Wessex home -- The meaning of the broad Karoo, The Bush, the dusty loam, And why uprose to nightly view Strange stars amid the gloam. Yet portion of that unknown plain Will Hodge for ever be; His homely Northern breast and brain Grow to some Southern tree, And strange-eyed constellations reign His stars eternally.

The Voice

Woman much missed, how you call to me, call to me, Saying that now you are not as you were When you had changed from the one who was all to me, But as at first, when our day was fair. Can it be you that I hear? Let me view you, then, Standing as when I drew near to the town Where you would wait for me: yes, as I knew you then, Even to the original air-blue gown! Or is it only the breeze, in its listlessness Travelling across the wet mead to me here, You being ever dissolved to wan wistlessness, Heard no more again far or near? Thus I; faltering forward, Leaves around me falling, Wind oozing thin through the thorn from norward, And the woman calling.

The Walk

You did not walk with me Of late to the hill-top tree By the gated ways, As in earlier days; You were weak and lame, So you never came, And I went alone, and I did not mind, Not thinking of you as left behind. I walked up there to-day Just in the former way; Surveyed around The familiar ground By myself again: What difference, then? Only that underlying sense Of the look of a room on returning thence.

The Glory of Women

You love us when we're heroes, home on leave, Or wounded in a mentionable place. You worship decorations; you believe That chivalry redeems the war's disgrace. You make us shells. You listen with delight, By tales of dirt and danger fondly thrilled. You crown our distant ardours while we fight, And mourn our laurelled memories when we're killed. You can't believe that British troops "retire" When hell's last horror breaks them, and they run, Trampling the terrible corpses—blind with blood. O German mother dreaming by the fire, While you are knitting socks to send your son His face is trodden deeper in the mud.