Music 101 Chapter 3 Terms
Upbeat
Beat that precedes a downbeat; named for the upward lift of the conductor's hand; also known as anacrusis
Sixteenth Rest
A silence represented by image; equal in duration to sixteenth note
Sixteenth Note
A stemmed filled note head with two equal flags or beams; two sixteenth notes equal an eighth note
Anacrusis
Beat that precedes a downbeat, sometimes shown in an incomplete measure. Also called an upbeat or pickup.
Dynamic Level
Degree of loudness in performance. Extends from ppp (very soft) to fff (very loud).
Beat Unit
Duration assigned to the basic pulse
Rhythm
Duration of pitch and silence (notes and rests) used in a piece.
Rest
Duration of silence
Metrical Accent
Emphasis on a note resulting from its placement on a strong beat
Downbeat
First beat in a measure, which has the strongest accent or emphasis; named for he downward motion of the conductor's hand
Meter
Grouping and division of beats in regular recurring patterns.
Tempo
How fast or slow music is played
Beam
Line that connects two or more note stems within a beat unit
Beat
Primary pulse in a musical meter. Normally represents an even and regular division of musical time.
Note
Representation of a musical sound with a note head on the staff. Position of note head indicates pitch; whether the note head is filled or hollow and the presence of a stem, beam, or flag indicates the duration.
Dot
Rhythm notation that adds half of a note's own value to its duration
Beat Division
Secondary pulse in musical meter; beats may be divided into two parts (simple meter) or three parts (compound meter).
Conducting Pattern
Specific pattern, one for each meter, that conductors outline by moving their arms in the air to help keep performers playing together in time.
Whole Note
Stemless hollow note head; its duration is equivalent to two half notes
Quarter Note
Stemmed filled note head; equivalent to two eighth notes
Eighth Note
Stemmed filled note with flag or beam; equivalent to two sixteenth notes
Half Note
Stemmed hollow note head; equivalent to two quarter notes
Accent
Stress given to a note or some other musical element that brings it to the listener's attention. Accents can be created by playing louder or softer, using a different timbre or articulation, speeding up or slowing down, or slightly changing rhythmic durations
Rhythm Clef
Two short, thick, vertical lines at the beginning of a single-line staff; used to notate unpitched percussion parts
Measure
Unit of grouped beats; beginning and ending with bar lines.
Simple Meter
Meter where the beat divides into twos and subdivides into fours. Top number of simple meter signatures is 2, 3 or 4 (Eg: 3/4 and 4/4)
Quadruple Meter
Meter with four beats in each measure
Triple Meter
Meter with three beats in each measure
Duple Meter
Meter with two beats in each measure
Flag
Short arc attached to the right side of a note stem, at the opposite end from the note head; each flag divides the duration of a note in half (one flag equals eighth, two equals sixteenth and etc..)
Meter Signature
Sign that appears at the beginning of a piece, after the clef and key signature, that indicates the meter type (duple,triple, quadruple) and beat division (simple, compound); also called a time signature.
Half Rest
Silence represented by image, above third staff line; equal in duration of half note
Whole Rest
Silence represented by image, below the fourth staff line; equal in duration of whole note
Eighth Rest
Silence represented by image; equal in duration of eighth note
Quarter Rest
Silence represented by image; equal in duration of quarter note