Music - Exam 3
This work was commissioned for the _______ World Exposition held in ________. 1906 / Milan 1939 / New York 1958 / Brussels 1898 / Paris
1958 / Brussels
While this composer composed his first opera at age ____, his first successful opera was composed when he was ______ years of age. (1:01) 15 / 23 24 / 35 32 / 55 45 / 60
24 / 35
This work is typical in its genre as it contains ____ movements, in _______ order. (1:00) 2 / slow - fast 2 / fast - slow 3 / slow - fast - slow 3 / fast - slow - fastp
3 / fast - slow - fast
This work combines ____ characters in ____ realities. (0:57) (Erl King) 2 / 3 4 / 4 3 / 3 4 / 2
4/2
While the typical nineteenth-century symphony contained ____ movements, this work contains _____ movements. 3 / 2 5 / 4 3 / 4 4 / 5 4 / 3
4/5
This composer composed more than _____ lieder during his career. 75 150 475 600 711
600
Identify the correct order of the movements in this work. Presto agitato - Adagio sostenuto - Allegretto Allegretto - Presto agitato - Adagio sostenuto Adagio sostenuto - Allegretto - Presto agitato
Adagio sostenuto - Allegretto - Presto agitato
Which of the following composers' attention did this composer attract during childhood? Anton Salieri Christoph Willibald Gluck J. C. Bach W. A. Mozart
Anton Salieri
This composer had a famous affair with George Sand, which was a pseudonym for Armandine Aurore Lucille Dupin Mary Shelley Emily Brontë Jane Austen
Armandine Aurore Lucille Dupin
Identify the composer of this work. (0:51) (Der Mondfleck / Moonfleck" from Pierrot Lunaire) John Cage Igor Stravinsky Edgard Varèse Arnold Schoenberg
Arnold Schoenberg
Identify the composer of this work. (0:59) W. A. Mozart Frédéric Chopin Ludwig van Beethoven Joseph Haydn
BEETHOVEN
This work was dedicated to: Ludwig von Köchel Babette von Ployer Hieronymus von Colloredo Constanza Mozart
Babette von Ployer
Which of the following composers of Italian opera most influenced this composer? (0:59) (Mozart) Claudio Monteverdi Christoph Willibald Gluck George Frideric Handel Joseph Haydn
Christoph Willibald Gluck
This was composed during the ______ Era. (0:59) (Piano Sonata no. 14) Baroque Classical Romantic Modern
Classical
This work was composed by: (1:14) (Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun) John Cage Claude Debussy Edgard Varèse Igor Stravinsky
Claude Debussy
This composer was considered a musical impressionist, analogous to the artistic style originated by which artist? (1:14) (Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun) Stéphane Mallarmé Paul Verlaine Claude Monet Vincent van Gogh
Claude Monet
The first center for electronic music in the United States was founded on which university campus? MIT UCLA Columbia University USC
Columbia University
This work was based on folk dance from which country? (1:00) (Habanera from Carmen) Spain Mexico Cuba France
Cuba
This work is in binary form, with the A section in _________ and the B section in _________. (1:00) D major / D minor D minor / D major A major / D minor A major / A minor
D minor / D major
Which part of the plot does this excerpt accompany? (1:11) ((Le sacre du printemps / The Rite of Spring)) Dance of the Youths and Maidens The Adoration of the Earth The Adoration of the Chosen One Procession of the Wise Elder
Dance of the Youths and Maidens
Identify the title of this work. (0:57) Der Mondfleck / The Moonfleck Un bel di / One Fine Day Habanera Der Erlkönig / The Erl King
Der Erlkönig / The Erl King
This work quotes a medieval hymn, entitled: (1:04) (Symphonie fantastique, mvt. 5) Veni sancte spiritus Dies irae Stabat mater Vexilla regis
Dies irae
This work was composed by: (1:05) (Poeme Electronique) Arnold Schoenberg Harry Partch Edgard Varèse John Cage
Edgard Varèse
Which of the following movements was this composer most closely aligned? (0:51) (Der Mondfleck / Moonfleck" from Pierrot Lunaire Expressionism Impressionism Fauvism Cubism
Expressionism
Which of the following was first to use a baton in the 19th century? Robert Schumann Johannes Brahms Felix Mendelssohn Richard Wagner
Felix Mendelssohn
This composer's work influenced which of the following popular musicians? (1:05) (Poeme Electronique) Bob Dylan Alice Cooper Frank Zappa David Bowie
Frank Zappa
Identify the composer of this work. ( W. A. Mozart Franz Schubert Georges Bizet Frédéric Chopin Joseph Haydn Hector Berlioz
Franz Schubert
Identify the composer of this work. (1:00) (Mazurka No. 17) Frédéric Chopin Ludwig van Beethoven Claude Debussy Franz Schubert
Frédéric Chopin
Having lost his teaching position in 1933 because of the Nazi movement, this composer left Vienna and moved to: Los Angeles Paris New York London
Los Angeles
This composer emigrated to the United States, settling in which city? Chicago Los Angeles Miami New York
Los Angeles
The limits of Classical style were most stretched by which of the following composers? a. Christoph Gluck b. F. J. Haydn c. Ludwig van Beethoven d. W. A. Mozart
Ludwig van Beethoven
This is an example of a/an: (0:51) ( opera aria mazurka sonata art song
art song
This work is an example of a/an: (0:57) (Erl King) art song aria from a cantata aria from an opera aria from an oratorio
art song
Live electronic music was a staple of avant-garde compositional technique as early as 1950.
false
The ondes martenot, a revolutionary electronic musical instrument heard here, is played by two steel wands: one controls pitch while the other controls volume. (1:05)
false
This composer considered this work to be the most significant of his oeuvre.
false
In this work, this composer combined sonata form with which of the following? (0:59) (Piano Sonata no. 14) fugue fantasy theme and variations rondo
fantasy
Where do movements in sonata form typically occur within multi-movement works? a. first and/or last movements b. first and/or second movements c. second and/or third movements d. third and/or last movements
first and/or last movements
The form theme and variations developed during the Classical period from which Baroque prototype? a. concerto grosso b. gigue c. madrigal d. fugue
fugue
To what do the terms "damper," "sostenuto," and " una corda" refer? a) pedals on the piano b) performance traditions used in different types of venues in the 19th century c) different types of strings used on pianos in the 19th century d) Romantic terms for types of character pieces
pedals on the piano
What is the term for the unifying melodic device used in this work? (1:04) idée fixe leit motif motive ritornello
idée fixe
Which of the following is NOT a characteristic of Classical music? a. more rhythmic flexibility and variety b. two or more contrasting themes in each movement c. improvised harmony over a basso continuo d. instrumentation was less flexible as composers required specific instruments rather than allowing interchangeable instruments
improvised harmony over a basso continuo
This is an example of a/an: (1:00) (Chopin: Mazurka) waltz nocturne polonaise mazurka
mazurka
This was composed during the _________ Era. (01:11) (Le sacre du printemps / The Rite of Spring) Baroque Classical Romantic Modern
modern
This was composed during the _________ Era. (0:51) (Der Mondfleck / Moonfleck" from Pierrot Lunaire) Baroque Classical Romantic Modern
modern
This work was composed during the _______ Era. (1:14) (Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun)
modern
This composer continued to follow one facet of Romanticism, which was: (1:11) Le sacre du printemps / The Rite of Spring exoticism fantastic, diabolical topics nationalism interest in contemporaneous events
nationalism
This composer's experimental work, 4'33", features what sounds? a) tones from a "prepared," or mechanically altered, piano b) rigidly controlled serial tone rows c) a full orchestra, but with all instruments played by members of other sections d) no sound whatsoever: focusing on the ambient noise of the listener's surroundings
no sound whatsoever: focusing on the ambient noise of the listener's surroundings
This work was setting of a ______ by ______________. (1:01) (Dovunque al mondo / Throughout the World from Madama Butterfly) poem / Jean Cocteau play / Pierre-François Beauvallet novel / Prosper Mérimée novel / Pierre Loti
novel / Pierre Loti
This work was setting of a ______ by ______________. (1:00) (Habanera) poem / Jean Cocteau play / Pierre-François Beauvallet novel / Prosper Mérimée novel / Charles Baudelaire
novel / Prosper Mérimée
This work is based on a/an: (1:00) (Habanera from Carmen) sequence ostinato cantus firmus chaconne
ostinato
In addition to music, in what other art form was this composer actively involved? (0:51) (Der Mondfleck / Moonfleck" from Pierrot Lunaire) plays poetry painting ballet
painting
This work combines which two organizations principles to achieve its form? sonata form and ritornello ritornello and binary form ritornello and ternary form sonata form and rondo
sonata form and ritornello
This is an example of a/an _________ art song. (0:57) (Erl King) through-composed strophic
through-composed
This is an example of a/an: (1:14) (Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun) rhapsody sonata program symphony tone poem
tone poem
Classical composers often opened their orchestral music with attention-grabbing crescendos.
true
This composer began to lose his hearing in his twenties.
true
This first part of this work is more rhythmically even than the second part. (0:57) (Sonata no. 5)
true
This work is in binary form, with the A section based on a chromatic scale and the B section based on a diatonic scale. (1:00) (Habanera from Carmen)
true
Throughout his lifetime, Mozart wrote over six hundred compositions, catalogued in the 19th century by Ludwig von Köchel.
true
Unlike the thicker, often polyphonic texture of Baroque music, classical composers often set their themes against simple chords, creating a thinner texture.
true
This work explores octaves which are divided into equal steps. Identify the scale below. (1:14) (Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun) pentatonic whole tone chromatic octatonic
whole tone
This title of this work is: (0:51) (Der Mondfleck / Moonfleck" from Pierrot Lunaire) "Der Mondfleck / Moonfleck" from Pierrot Lunaire Symphonie fantastique / Fantastic Symphony Poème électronique / Electronic Poem Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun
"Der Mondfleck / Moonfleck" from Pierrot Lunaire
Joseph Haydn's total of ______ symphonies, the last ______ were composed in the city of _________. a. 48 / 4 / Vienna b. 58 / 3 / Rome c. 104 / 12 / London d. 162 / 17/ Berlin
104 / 12 / London
At what age did this composer first become a salaried musician? (0:59) (Beethoven) 6 13 21 32
13
This was composed during the ________ Era. (1:00) Renaissance Baroque Classical Romantic
Baroque
What is the principle difference between Baroque and Classical melodies? a. Baroque composers used a wide range of dynamics, while Classical composers stuck to only one in any given melody. b. Baroque composers used "motives" as building blocks for their melodies, while Classical composers kept a more improvisatory feel. c. Baroque composers crafted melodies that ran on with little or no pause, while Classical composers favored melodies in short, balanced phrases. d. Baroque composers wrote singable, tuneful melodies, while Classical composers focused on vast ranges and large intervals that demonstrated the performers' abilities.
Baroque composers crafted melodies that ran on with little or no pause, while Classical composers favored melodies in short, balanced phrases
How was the Classical era similar to the Renaissance? a. Both eras saw revived interest in ancient Roman and Greek culture in art, architecture, and philosophy. b. During neither era was instrumental music widely composed. c. Opera was a prominent genre during both time periods. d. The power of the Catholic Church in both periods was unrivaled and unquestioned in most spheres.
Both eras saw revived interest in ancient Roman and Greek culture in art, architecture, and philosophy
This work was composed by: (1:00) (Habanera from Carmen) Giacomo Puccini Georges Bizet Hector Berlioz Claude Debussy
Georges Bizet
Later symphonies, called ________, contained ____ movements. a. English / one b. Austrian / two c. Italian / three d. German / four
German / four
This work was composed by: (1:01) (Dovunque al mondo / Throughout the World from Madama Butterfly) Claude Debussy Giacomo Puccini Hector Berlioz Georges Bizet
Giacomo Puccini
Identify the title of this work. (1:00) Seguidilla from Carmen Toreador Song from Carmen Habanera from Carmen Avec la garde montante from Carmen
Habanera from Carmen
What was the basis of the relationship between Joseph Haydn and W. A. Mozart in Vienna? a. Haydn and Mozart played string quartets. b. They attended the same church and sang in a choir together. c. Mozart schemed to steal Haydn's lucrative and prestigious appointment. d. Haydn taught counterpoint and orchestration to Mozart.
Haydn and Mozart played string quartets.
Why was Stéphane Mallarme initially unenthusiastic about this work? (1:14) (Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun) He believed that his poem was musical enough. He did not like music. He did not like music by this composer. He preferred operas to orchestral music.
He believed that his poem was musical enough.
Which statement about this composer's life is NOT true? (1:00) a) He had a 10-year affair with Amantine-Lucile-Aurore Dupin. b) He pursued a career as a public concert pianist only late in life, after already living in Paris for over a decade. c) He was a favorite presence at the salons held in the residences of French aristocrat. d) His friends included artists from a variety of fields, including painters and authors.
He pursued a career as a public concert pianist only late in life, after already living in Paris for over a decade
Identify the composer of this work. (1:04) (Symphonie fantastique, mvt. 5) Claude Debussy Hector Berlioz Franz Schubert Frédéric Chopin
Hector Berlioz
This work was composed by: (1:11) (Le sacre du printemps / The Rite of Spring) Arnold Schoenberg John Cage Henry Cowell Igor Stravinsky
Igor Stravinsky
Earlier symphonies, called ________, contained ____ movements. a. English / one b. Austrian / two c. Italian / three d. German / four
Italian / three
This work was set in which country? (1:01) (Dovunque al mondo / Throughout the World from Madama Butterfly) China Italy Japan India
Japan
The composer was inspired, in part, by music from which country? (0:57) (John Cage) (Sonata no. 5) Java South Africa Japan Indonesia
Java
This work is a setting of a poem by which of the following poets? (0:57) Johann Wolfgang von Goethe Ludwig Tieck Friderich Schiller Franz von Schobert
Johann Wolfgang von Goethe
Identify the composer of this work. (0:57) (Sonata no. 5) Arnold Schoenberg Claude Debussy John Cage Edgard Varèse
John Cage
This composer invented a technique in which the notes of a melody are split among instruments in the ensemble. What is the name of this technique? Sprechstimme col legno Klangfarbenmelodie scordatura
Klangfarbenmelodie
This composer invented a technique in which the vocalist speaks words on specified notes. What is the name of this technique? (0:51) Klangfarbenmelodie col legno scordatura Sprechstimme
Klangfarbenmelodie
This composer collaborated with which of the following while creating this work? (1:05) (Poeme Electronique) Walter Gropius Le Corbusier Louis Sullivan Ludwig Mies van der Rohe
Le Corbusier
This title of this work is: (1:11) Le sacre du printemps / The Rite of Spring Symphonie fantastique / Fantastic Symphony Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun Poème électronique / Electronic Poem
Le sacre du printemps / The Rite of Spring
Identify the librettist of this work. (0:59) Pierre de Beaumarchais Pietro Metastasio Lorenzo da Ponte Emanuel Schikaneder
Lorenzo da Ponte
Identify the title of this work. (1:00) Piano Concerto no. 17 Mazurka no. 17 Piano Concerto no. 23 Piano Sonata no. 14
Mazurka no. 17
This work was composed during the ______ Era. (1:05) (Poeme Electronique) Baroque Romantic Modern Classical
Modern
This work was composed during the _______ Era. (0:57) (Sonata no. 5) Baroque Classical Romantic Modern
Modern
Identify the composer of this work. (0:59) Franz Schubert C. W. von Gluck W. A. Mozart F. J. Haydn
Mozart
Identify the composer of this work. (1:00) Christoph Willibald Gluck George Frideric Handel Joseph Haydn W. A. Mozart
Mozart
The two cities which served as centers to music of this era include: (1:14) (Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun) Vienna and Leipzig Berlin and Rome London and New York City Paris and Vienna
Paris and Vienna
his work was commissioned to showcase recent advancements in sound engineering in speakers manufactured by which company? General Electric RCA Philips Sony
Philips
Identify the title of this work (1:00) "Spring" from The Four Seasons Piano Concerto no. 17, K. 453 Piano Concerto no. 23, K. 488 Piano Sonata,no. 14, Op. 27, No. 2 ("Moonlight")
Piano Concerto no. 17, K. 453
Identify the title of this work. (0:59) Piano Sonata no. 14 Piano Concerto no. 23 Piano Sonata no. 5 Mazurka no. 17
Piano Sonata no. 14
This work was based on a play by which of the following? (0:59) Lorenzo da Ponte Emanuel Schikaneder Pietro Metastasio Pierre de Beaumarchais
Pierre de Beaumarchais
Identify the title of this work. (1:14) Der Erlkönig / The Erl King Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun Poème électronique / Electronic Poem Symphonie fantastique / Fantastic Symphony, mvt. 5
Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun
Which of the following Romantic composers complimented the composer of this work by referring to him as a poet? Franz Liszt Johannes Brahms Hector Berlioz Robert Schumann
Robert Schumann
This work was composed during the ________ Era. (1:00) (Habanera from Carmen) Baroque Classical Romantic Modern
Romantic
This work was composed during the ________ Era. (1:01) (Dovunque al mondo / Throughout the World from Madama Butterfly) Baroque Classical Romantic Modern
Romantic
Identify the title of this work. (0:59) Dido's Lament Der Erlkönig / The Erl King Se voul ballare / If You'd Like to Dance Un bel di / One Fine Day
Se voul ballare / If You'd Like to Dance
Identify the title of this work. (0:57) Nocturne, op. 22 Mazurka #17 Sonata no. 5 Piano Concerto no. 23
Sonata no. 5
This composer based this work on a work from which of the following movements? (1:14) (Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun) Aesthetic Movement Cubism Symbolism Barbizon School
Symbolism
Identify the title of this work. (1:04) Symphonie fantastique, mvt. 4 Symphonie fantastique, mvt. 5 Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun Piano Concerto no. 23, mvt. 1
Symphonie fantastique, mvt. 5
In which of his symphonies did Haydn petition Prince Esterházy to grant his orchestral musicians leave to visit their families?
Symphony no. 45
This work was loosely based on which of the following mythological characters? (1:14) (Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun) Galatea and Acis Phaedra and Hippolytus Orpheus and Euridice Syrinx and Pan
Syrinx and Pan
Which statement about Mozart's early life is NOT true?
The Archbishop of Salzburg was a significant supporter during Mozart's childhood and always believed in the prodigy's talent.
Which of the following Mozart operas espoused the principles of Freemasonry? Le clemenzo di Tito / The Mercy of Titus Le nozzi di Figaro / The Marriage of Figaro Die Entführung aus dem Serail / The Abduction from the Seraglio Die Zauberflöte / The Magic Flute
The Magic Flute
Why was this composer's op. 10 String Quartet (1908) significant? This is the piece in which he stopped using traditional forms and structures. This is the piece in which he broke decisively with tonality. This is the piece in which he admitted that he was wrong about the end of the tonal system. This is the piece in which he first used rhythms from Russian folk music.
This is the piece in which he broke decisively with tonality.
Identify the title of this work. (1:01) Habanera from Carmen Seguidilla from Carmen Dovunque al mondo / Throughout the World from Madama Butterfly Un bel di / One Fine Day from Madama Butterfly
Un bel di / One Fine Day from Madama Butterfly
Which of the following choreographed this work? (1:14) (Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun) Carlo Blasis Jules Perrot Vaclav Nijinsky August Bournonville
Vaclav Nijinsky
This composer was given a grant to study with _________, but the death of his future teacher resulted in his studying with ________ instead. G. F. Handel / Joseph Haydn Dietrich Buxtehude / J. S. Bach W. A. Mozart / Joseph Haydn Joseph Haydn / W. A. Mozart
W. A. Mozart / Joseph Haydn
While this composer was born in _______, he spent most of his professional career in _______. (1:00) Vienna / Venice Leipzig / London Warsaw / Paris Rome / St. Petersburg
Warsaw / Paris
What unusual instrumental timbre is heard at the beginning of this work? (1:11) (Le sacre du printemps / The Rite of Spring) using a piccolo trumpet fluttering tonguing in the bass clarinet using the alto flute a bassoon straining in its top register
a bassoon straining in its top register
Who gave this work its nickname? (0:59) a student, Babette von Ployer a music critic, Ludwig Rellstab a student, Giulietti Guicciardi his publisher, Bernhard Christoph Breitkopf
a music critic, Ludwig Rellstab
This work was dedicated to: (0:59) a student, Babette von Ployer a student, Carl Czerny a mentor, Count Ferdinand Waldstein a student, Giulietti Guicciardi
a student, Giulietti Guicciardi
In this excerpt, the composer is mocking: academic counterpoint as taught by the Paris Conservatory the moral dogma of Catholicism the country of England, as he uses the English national anthem in the fugue the idea of "true love"
academic counterpoint as taught by the Paris Conservatory
This composer's philosophy of music was based on the precept that chance was the central operation of nature. Musically, he referred to this approach as __________. minimalist aleatory organic improvisatory
aleatory
This work was composed to accompany which of the following? (1:05) (Poeme Electronique) a play a painting architecture a novel
architecture
This is an example of a/an: (1:00) (Habanera from Carmen) aria from a cantata aria from an opera aria from an oratorio concert aria
aria from an opera
This work is an example of an/an (0:59) aria from an opera art song from a song cycle art song recitative from an opera
aria from an opera
This is an example of a/an: (1:01) ria from a cantata aria from an opera aria from an oratorio concert aria
aria from opera
This is an example of a/an: (1:11) (Le sacre du printemps / The Rite of Spring) ballet mazurka art song opera aria
ballet
This work was initially successful as a/an: (1:14) (Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun) orchestral work work for string sextet work for piano for 4 hands ballet
ballet
This work is an example of ______ form. (0:57) (Sonata no. 5) binary sonata rondo rounded binary
binary
This work includes a solo, virtuoso passage near the end of the first movement, called a/an: ritornello recapitulation coda cadenza
cadenza
This work was composed during the _________ Era. (0:59) Classical Modern Baroque Romantic
classical
This work includes a passage where the violinists use the wood of the bow on the strings. This technique is called: sostenuto col legno una corda pizzicato
col legno
While the _______ writes the notes of the score, the _______ writes the words which are sung in opera. playwright / editor composer / playwright librettist / composer composer / librettist
composer / librettist
This is an example of a/an: (1:00) serenade concerto symphony sonata
concerto
Which of the following terms best describes the first few measures of this excerpt? counterpoint contrary motion inverted retrograde terraced dynamics
contrary motion
Which of the following arts did NOT accompany the premiere of this work? (1:05) (Poeme Electronique) photographs film dance lights
dance
In which section of sonata form does the composer elaborate upon established themes?
development
This work "text paints" the difference between Eastern and Western culture, as Western culture is heard in ________ and Eastern culture is heard in _________. (1:01) diatonic scales / pentatonic scales modes / chromatic scales chromatic scales / pentatonic scales pentatonic scales / diatonic scales
diatonic scales / pentatonic scales
One of this composer's orchestral innovations was to darken the sound of the orchestra. He achieved this effect by: a. emphasizing the lower brass instruments by giving them melodic material. b. emphasizing the lower string instruments by giving them melodic material. c. adding bass clarinets to the orchestra and giving them melodic material. d. doubling the number of string basses and giving them melodic material.
emphasizing the lower string instruments by giving them melodic material.
In which section of sonata form does the composer establish tension between themes often heard on the tonic and the dominant? a. exposition b. development c. recapitulation d. coda
exposition
Which section of sonata is repeated? a. exposition b. development c. recapitulation d. coda
exposition
Which of the following lists the correct order of elements in sonata form? a. recapitulation - development - coda - exposition b. development - exposition - recapitulation - coda c. exposition - development - recapitulation - coda d. coda - recapitulation - development - exposition
exposition - development - recapitulation - coda
As a youth, this composer received musical instruction from his uncle, a professor at the Paris Conservatory.
false
Identify the instrument(s) heard in this work. (0:57) (Sonata no. 5) African thumb piano xylophone and drums harpsichord prepared piano
prepared piano
This is an example of a/an: (1:04) (Symphonie fantastique, mvt. 5) concerto program symphony opera overture tone poem
program symphony
Sonata form typically ends with a/an _________. a. recapitulation b. augmentation c. accentuation d. exposition
recapitulation
Which of the following is NOT an example of a new form developed during the Classical Period? a. sonata form b. minuet and trio c. ritornello concerto d. symphony
ritornello concerto
This was composed during the ________ Era. (1:04) (Symphonie fantastique, mvt. 5) Baroque Classical Romantic Modern
romantic
This work was composed during the ______ Era. (1:00) (Mazurka no. 17) Baroque Classical Romantic Modern
romantic
This work was composed during the ________ Era. (0:57) (Erl King) Baroque Classical Romantic Modern
romantic
Which of the characters in this work is depicted with music in the higher range, piano, and in G major? (0:57) the father the son the narrator the Erl King
the Erl King
What musical idea serves as the unifying concept throughout this work? (1:05) (Poeme Electronique) the siren the grating sound the chirping sounds the ascending 3-note motive
the ascending 3-note motive
Which of the characters in this work is depicted with music in the lowest range, forte, and in G minor? (0:57) (Erl King) the father the narrator the son the Erl King
the father
What instrument began to rival the harpsichord in the 1760s and 1770s? a. the cembalo b. the fortepiano c. the clavichord d. the organ
the fortepiano
Which of the characters in this work is depicted with music in the mid range, mezzo-forte, and in G minor? (0:57) the son the father the narrator the Erl King
the narrator
Which of the characters in this work is depicted with music in the highest range, forte, and in G minor? (0:57) the Erl King the son the narrator the father
the son
Haydn's music was so popular that his compositions were widely performed in Vienna, London, and Paris, and he received commissions from France, Spain, and Italy.
true
In the hands of this composer, the art of scoring music for an orchestra gained recognition as a particular skill in its own right.
true
Mozart was active in the Freemasons, a secret male society dedicated to Enlightenment principles of tolerance, freedom, and humanitarianism.
true
