Music - Exam 3

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This work was commissioned for the _______ World Exposition held in ________. 1906 / Milan 1939 / New York 1958 / Brussels 1898 / Paris

1958 / Brussels

While this composer composed his first opera at age ____, his first successful opera was composed when he was ______ years of age. (1:01) 15 / 23 24 / 35 32 / 55 45 / 60

24 / 35

This work is typical in its genre as it contains ____ movements, in _______ order. (1:00) 2 / slow - fast 2 / fast - slow 3 / slow - fast - slow 3 / fast - slow - fastp

3 / fast - slow - fast

This work combines ____ characters in ____ realities. (0:57) (Erl King) 2 / 3 4 / 4 3 / 3 4 / 2

4/2

While the typical nineteenth-century symphony contained ____ movements, this work contains _____ movements. 3 / 2 5 / 4 3 / 4 4 / 5 4 / 3

4/5

This composer composed more than _____ lieder during his career. 75 150 475 600 711

600

Identify the correct order of the movements in this work. Presto agitato - Adagio sostenuto - Allegretto Allegretto - Presto agitato - Adagio sostenuto Adagio sostenuto - Allegretto - Presto agitato

Adagio sostenuto - Allegretto - Presto agitato

Which of the following composers' attention did this composer attract during childhood? Anton Salieri Christoph Willibald Gluck J. C. Bach W. A. Mozart

Anton Salieri

This composer had a famous affair with George Sand, which was a pseudonym for Armandine Aurore Lucille Dupin Mary Shelley Emily Brontë Jane Austen

Armandine Aurore Lucille Dupin

Identify the composer of this work. (0:51) (Der Mondfleck / Moonfleck" from Pierrot Lunaire) John Cage Igor Stravinsky Edgard Varèse Arnold Schoenberg

Arnold Schoenberg

Identify the composer of this work. (0:59) W. A. Mozart Frédéric Chopin Ludwig van Beethoven Joseph Haydn

BEETHOVEN

This work was dedicated to: Ludwig von Köchel Babette von Ployer Hieronymus von Colloredo Constanza Mozart

Babette von Ployer

Which of the following composers of Italian opera most influenced this composer? (0:59) (Mozart) Claudio Monteverdi Christoph Willibald Gluck George Frideric Handel Joseph Haydn

Christoph Willibald Gluck

This was composed during the ______ Era. (0:59) (Piano Sonata no. 14) Baroque Classical Romantic Modern

Classical

This work was composed by: (1:14) (Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun) John Cage Claude Debussy Edgard Varèse Igor Stravinsky

Claude Debussy

This composer was considered a musical impressionist, analogous to the artistic style originated by which artist? (1:14) (Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun) Stéphane Mallarmé Paul Verlaine Claude Monet Vincent van Gogh

Claude Monet

The first center for electronic music in the United States was founded on which university campus? MIT UCLA Columbia University USC

Columbia University

This work was based on folk dance from which country? (1:00) (Habanera from Carmen) Spain Mexico Cuba France

Cuba

This work is in binary form, with the A section in _________ and the B section in _________. (1:00) D major / D minor D minor / D major A major / D minor A major / A minor

D minor / D major

Which part of the plot does this excerpt accompany? (1:11) ((Le sacre du printemps / The Rite of Spring)) Dance of the Youths and Maidens The Adoration of the Earth The Adoration of the Chosen One Procession of the Wise Elder

Dance of the Youths and Maidens

Identify the title of this work. (0:57) Der Mondfleck / The Moonfleck Un bel di / One Fine Day Habanera Der Erlkönig / The Erl King

Der Erlkönig / The Erl King

This work quotes a medieval hymn, entitled: (1:04) (Symphonie fantastique, mvt. 5) Veni sancte spiritus Dies irae Stabat mater Vexilla regis

Dies irae

This work was composed by: (1:05) (Poeme Electronique) Arnold Schoenberg Harry Partch Edgard Varèse John Cage

Edgard Varèse

Which of the following movements was this composer most closely aligned? (0:51) (Der Mondfleck / Moonfleck" from Pierrot Lunaire Expressionism Impressionism Fauvism Cubism

Expressionism

Which of the following was first to use a baton in the 19th century? Robert Schumann Johannes Brahms Felix Mendelssohn Richard Wagner

Felix Mendelssohn

This composer's work influenced which of the following popular musicians? (1:05) (Poeme Electronique) Bob Dylan Alice Cooper Frank Zappa David Bowie

Frank Zappa

Identify the composer of this work. ( W. A. Mozart Franz Schubert Georges Bizet Frédéric Chopin Joseph Haydn Hector Berlioz

Franz Schubert

Identify the composer of this work. (1:00) (Mazurka No. 17) Frédéric Chopin Ludwig van Beethoven Claude Debussy Franz Schubert

Frédéric Chopin

Having lost his teaching position in 1933 because of the Nazi movement, this composer left Vienna and moved to: Los Angeles Paris New York London

Los Angeles

This composer emigrated to the United States, settling in which city? Chicago Los Angeles Miami New York

Los Angeles

The limits of Classical style were most stretched by which of the following composers? a. Christoph Gluck b. F. J. Haydn c. Ludwig van Beethoven d. W. A. Mozart

Ludwig van Beethoven

This is an example of a/an: (0:51) ( opera aria mazurka sonata art song

art song

This work is an example of a/an: (0:57) (Erl King) art song aria from a cantata aria from an opera aria from an oratorio

art song

Live electronic music was a staple of avant-garde compositional technique as early as 1950.

false

The ondes martenot, a revolutionary electronic musical instrument heard here, is played by two steel wands: one controls pitch while the other controls volume. (1:05)

false

This composer considered this work to be the most significant of his oeuvre.

false

In this work, this composer combined sonata form with which of the following? (0:59) (Piano Sonata no. 14) fugue fantasy theme and variations rondo

fantasy

Where do movements in sonata form typically occur within multi-movement works? a. first and/or last movements b. first and/or second movements c. second and/or third movements d. third and/or last movements

first and/or last movements

The form theme and variations developed during the Classical period from which Baroque prototype? a. concerto grosso b. gigue c. madrigal d. fugue

fugue

To what do the terms "damper," "sostenuto," and " una corda" refer? a) pedals on the piano b) performance traditions used in different types of venues in the 19th century c) different types of strings used on pianos in the 19th century d) Romantic terms for types of character pieces

pedals on the piano

What is the term for the unifying melodic device used in this work? (1:04) idée fixe leit motif motive ritornello

idée fixe

Which of the following is NOT a characteristic of Classical music? a. more rhythmic flexibility and variety b. two or more contrasting themes in each movement c. improvised harmony over a basso continuo d. instrumentation was less flexible as composers required specific instruments rather than allowing interchangeable instruments

improvised harmony over a basso continuo

This is an example of a/an: (1:00) (Chopin: Mazurka) waltz nocturne polonaise mazurka

mazurka

This was composed during the _________ Era. (01:11) (Le sacre du printemps / The Rite of Spring) Baroque Classical Romantic Modern

modern

This was composed during the _________ Era. (0:51) (Der Mondfleck / Moonfleck" from Pierrot Lunaire) Baroque Classical Romantic Modern

modern

This work was composed during the _______ Era. (1:14) (Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun)

modern

This composer continued to follow one facet of Romanticism, which was: (1:11) Le sacre du printemps / The Rite of Spring exoticism fantastic, diabolical topics nationalism interest in contemporaneous events

nationalism

This composer's experimental work, 4'33", features what sounds? a) tones from a "prepared," or mechanically altered, piano b) rigidly controlled serial tone rows c) a full orchestra, but with all instruments played by members of other sections d) no sound whatsoever: focusing on the ambient noise of the listener's surroundings

no sound whatsoever: focusing on the ambient noise of the listener's surroundings

This work was setting of a ______ by ______________. (1:01) (Dovunque al mondo / Throughout the World from Madama Butterfly) poem / Jean Cocteau play / Pierre-François Beauvallet novel / Prosper Mérimée novel / Pierre Loti

novel / Pierre Loti

This work was setting of a ______ by ______________. (1:00) (Habanera) poem / Jean Cocteau play / Pierre-François Beauvallet novel / Prosper Mérimée novel / Charles Baudelaire

novel / Prosper Mérimée

This work is based on a/an: (1:00) (Habanera from Carmen) sequence ostinato cantus firmus chaconne

ostinato

In addition to music, in what other art form was this composer actively involved? (0:51) (Der Mondfleck / Moonfleck" from Pierrot Lunaire) plays poetry painting ballet

painting

This work combines which two organizations principles to achieve its form? sonata form and ritornello ritornello and binary form ritornello and ternary form sonata form and rondo

sonata form and ritornello

This is an example of a/an _________ art song. (0:57) (Erl King) through-composed strophic

through-composed

This is an example of a/an: (1:14) (Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun) rhapsody sonata program symphony tone poem

tone poem

Classical composers often opened their orchestral music with attention-grabbing crescendos.

true

This composer began to lose his hearing in his twenties.

true

This first part of this work is more rhythmically even than the second part. (0:57) (Sonata no. 5)

true

This work is in binary form, with the A section based on a chromatic scale and the B section based on a diatonic scale. (1:00) (Habanera from Carmen)

true

Throughout his lifetime, Mozart wrote over six hundred compositions, catalogued in the 19th century by Ludwig von Köchel.

true

Unlike the thicker, often polyphonic texture of Baroque music, classical composers often set their themes against simple chords, creating a thinner texture.

true

This work explores octaves which are divided into equal steps. Identify the scale below. (1:14) (Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun) pentatonic whole tone chromatic octatonic

whole tone

This title of this work is: (0:51) (Der Mondfleck / Moonfleck" from Pierrot Lunaire) "Der Mondfleck / Moonfleck" from Pierrot Lunaire Symphonie fantastique / Fantastic Symphony Poème électronique / Electronic Poem Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun

"Der Mondfleck / Moonfleck" from Pierrot Lunaire

Joseph Haydn's total of ______ symphonies, the last ______ were composed in the city of _________. a. 48 / 4 / Vienna b. 58 / 3 / Rome c. 104 / 12 / London d. 162 / 17/ Berlin

104 / 12 / London

At what age did this composer first become a salaried musician? (0:59) (Beethoven) 6 13 21 32

13

This was composed during the ________ Era. (1:00) Renaissance Baroque Classical Romantic

Baroque

What is the principle difference between Baroque and Classical melodies? a. Baroque composers used a wide range of dynamics, while Classical composers stuck to only one in any given melody. b. Baroque composers used "motives" as building blocks for their melodies, while Classical composers kept a more improvisatory feel. c. Baroque composers crafted melodies that ran on with little or no pause, while Classical composers favored melodies in short, balanced phrases. d. Baroque composers wrote singable, tuneful melodies, while Classical composers focused on vast ranges and large intervals that demonstrated the performers' abilities.

Baroque composers crafted melodies that ran on with little or no pause, while Classical composers favored melodies in short, balanced phrases

How was the Classical era similar to the Renaissance? a. Both eras saw revived interest in ancient Roman and Greek culture in art, architecture, and philosophy. b. During neither era was instrumental music widely composed. c. Opera was a prominent genre during both time periods. d. The power of the Catholic Church in both periods was unrivaled and unquestioned in most spheres.

Both eras saw revived interest in ancient Roman and Greek culture in art, architecture, and philosophy

This work was composed by: (1:00) (Habanera from Carmen) Giacomo Puccini Georges Bizet Hector Berlioz Claude Debussy

Georges Bizet

Later symphonies, called ________, contained ____ movements. a. English / one b. Austrian / two c. Italian / three d. German / four

German / four

This work was composed by: (1:01) (Dovunque al mondo / Throughout the World from Madama Butterfly) Claude Debussy Giacomo Puccini Hector Berlioz Georges Bizet

Giacomo Puccini

Identify the title of this work. (1:00) Seguidilla from Carmen Toreador Song from Carmen Habanera from Carmen Avec la garde montante from Carmen

Habanera from Carmen

What was the basis of the relationship between Joseph Haydn and W. A. Mozart in Vienna? a. Haydn and Mozart played string quartets. b. They attended the same church and sang in a choir together. c. Mozart schemed to steal Haydn's lucrative and prestigious appointment. d. Haydn taught counterpoint and orchestration to Mozart.

Haydn and Mozart played string quartets.

Why was Stéphane Mallarme initially unenthusiastic about this work? (1:14) (Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun) He believed that his poem was musical enough. He did not like music. He did not like music by this composer. He preferred operas to orchestral music.

He believed that his poem was musical enough.

Which statement about this composer's life is NOT true? (1:00) a) He had a 10-year affair with Amantine-Lucile-Aurore Dupin. b) He pursued a career as a public concert pianist only late in life, after already living in Paris for over a decade. c) He was a favorite presence at the salons held in the residences of French aristocrat. d) His friends included artists from a variety of fields, including painters and authors.

He pursued a career as a public concert pianist only late in life, after already living in Paris for over a decade

Identify the composer of this work. (1:04) (Symphonie fantastique, mvt. 5) Claude Debussy Hector Berlioz Franz Schubert Frédéric Chopin

Hector Berlioz

This work was composed by: (1:11) (Le sacre du printemps / The Rite of Spring) Arnold Schoenberg John Cage Henry Cowell Igor Stravinsky

Igor Stravinsky

Earlier symphonies, called ________, contained ____ movements. a. English / one b. Austrian / two c. Italian / three d. German / four

Italian / three

This work was set in which country? (1:01) (Dovunque al mondo / Throughout the World from Madama Butterfly) China Italy Japan India

Japan

The composer was inspired, in part, by music from which country? (0:57) (John Cage) (Sonata no. 5) Java South Africa Japan Indonesia

Java

This work is a setting of a poem by which of the following poets? (0:57) Johann Wolfgang von Goethe Ludwig Tieck Friderich Schiller Franz von Schobert

Johann Wolfgang von Goethe

Identify the composer of this work. (0:57) (Sonata no. 5) Arnold Schoenberg Claude Debussy John Cage Edgard Varèse

John Cage

This composer invented a technique in which the notes of a melody are split among instruments in the ensemble. What is the name of this technique? Sprechstimme col legno Klangfarbenmelodie scordatura

Klangfarbenmelodie

This composer invented a technique in which the vocalist speaks words on specified notes. What is the name of this technique? (0:51) Klangfarbenmelodie col legno scordatura Sprechstimme

Klangfarbenmelodie

This composer collaborated with which of the following while creating this work? (1:05) (Poeme Electronique) Walter Gropius Le Corbusier Louis Sullivan Ludwig Mies van der Rohe

Le Corbusier

This title of this work is: (1:11) Le sacre du printemps / The Rite of Spring Symphonie fantastique / Fantastic Symphony Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun Poème électronique / Electronic Poem

Le sacre du printemps / The Rite of Spring

Identify the librettist of this work. (0:59) Pierre de Beaumarchais Pietro Metastasio Lorenzo da Ponte Emanuel Schikaneder

Lorenzo da Ponte

Identify the title of this work. (1:00) Piano Concerto no. 17 Mazurka no. 17 Piano Concerto no. 23 Piano Sonata no. 14

Mazurka no. 17

This work was composed during the ______ Era. (1:05) (Poeme Electronique) Baroque Romantic Modern Classical

Modern

This work was composed during the _______ Era. (0:57) (Sonata no. 5) Baroque Classical Romantic Modern

Modern

Identify the composer of this work. (0:59) Franz Schubert C. W. von Gluck W. A. Mozart F. J. Haydn

Mozart

Identify the composer of this work. (1:00) Christoph Willibald Gluck George Frideric Handel Joseph Haydn W. A. Mozart

Mozart

The two cities which served as centers to music of this era include: (1:14) (Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun) Vienna and Leipzig Berlin and Rome London and New York City Paris and Vienna

Paris and Vienna

his work was commissioned to showcase recent advancements in sound engineering in speakers manufactured by which company? General Electric RCA Philips Sony

Philips

Identify the title of this work (1:00) "Spring" from The Four Seasons Piano Concerto no. 17, K. 453 Piano Concerto no. 23, K. 488 Piano Sonata,no. 14, Op. 27, No. 2 ("Moonlight")

Piano Concerto no. 17, K. 453

Identify the title of this work. (0:59) Piano Sonata no. 14 Piano Concerto no. 23 Piano Sonata no. 5 Mazurka no. 17

Piano Sonata no. 14

This work was based on a play by which of the following? (0:59) Lorenzo da Ponte Emanuel Schikaneder Pietro Metastasio Pierre de Beaumarchais

Pierre de Beaumarchais

Identify the title of this work. (1:14) Der Erlkönig / The Erl King Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun Poème électronique / Electronic Poem Symphonie fantastique / Fantastic Symphony, mvt. 5

Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun

Which of the following Romantic composers complimented the composer of this work by referring to him as a poet? Franz Liszt Johannes Brahms Hector Berlioz Robert Schumann

Robert Schumann

This work was composed during the ________ Era. (1:00) (Habanera from Carmen) Baroque Classical Romantic Modern

Romantic

This work was composed during the ________ Era. (1:01) (Dovunque al mondo / Throughout the World from Madama Butterfly) Baroque Classical Romantic Modern

Romantic

Identify the title of this work. (0:59) Dido's Lament Der Erlkönig / The Erl King Se voul ballare / If You'd Like to Dance Un bel di / One Fine Day

Se voul ballare / If You'd Like to Dance

Identify the title of this work. (0:57) Nocturne, op. 22 Mazurka #17 Sonata no. 5 Piano Concerto no. 23

Sonata no. 5

This composer based this work on a work from which of the following movements? (1:14) (Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun) Aesthetic Movement Cubism Symbolism Barbizon School

Symbolism

Identify the title of this work. (1:04) Symphonie fantastique, mvt. 4 Symphonie fantastique, mvt. 5 Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun Piano Concerto no. 23, mvt. 1

Symphonie fantastique, mvt. 5

In which of his symphonies did Haydn petition Prince Esterházy to grant his orchestral musicians leave to visit their families?

Symphony no. 45

This work was loosely based on which of the following mythological characters? (1:14) (Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun) Galatea and Acis Phaedra and Hippolytus Orpheus and Euridice Syrinx and Pan

Syrinx and Pan

Which statement about Mozart's early life is NOT true?

The Archbishop of Salzburg was a significant supporter during Mozart's childhood and always believed in the prodigy's talent.

Which of the following Mozart operas espoused the principles of Freemasonry? Le clemenzo di Tito / The Mercy of Titus Le nozzi di Figaro / The Marriage of Figaro Die Entführung aus dem Serail / The Abduction from the Seraglio Die Zauberflöte / The Magic Flute

The Magic Flute

Why was this composer's op. 10 String Quartet (1908) significant? This is the piece in which he stopped using traditional forms and structures. This is the piece in which he broke decisively with tonality. This is the piece in which he admitted that he was wrong about the end of the tonal system. This is the piece in which he first used rhythms from Russian folk music.

This is the piece in which he broke decisively with tonality.

Identify the title of this work. (1:01) Habanera from Carmen Seguidilla from Carmen Dovunque al mondo / Throughout the World from Madama Butterfly Un bel di / One Fine Day from Madama Butterfly

Un bel di / One Fine Day from Madama Butterfly

Which of the following choreographed this work? (1:14) (Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun) Carlo Blasis Jules Perrot Vaclav Nijinsky August Bournonville

Vaclav Nijinsky

This composer was given a grant to study with _________, but the death of his future teacher resulted in his studying with ________ instead. G. F. Handel / Joseph Haydn Dietrich Buxtehude / J. S. Bach W. A. Mozart / Joseph Haydn Joseph Haydn / W. A. Mozart

W. A. Mozart / Joseph Haydn

While this composer was born in _______, he spent most of his professional career in _______. (1:00) Vienna / Venice Leipzig / London Warsaw / Paris Rome / St. Petersburg

Warsaw / Paris

What unusual instrumental timbre is heard at the beginning of this work? (1:11) (Le sacre du printemps / The Rite of Spring) using a piccolo trumpet fluttering tonguing in the bass clarinet using the alto flute a bassoon straining in its top register

a bassoon straining in its top register

Who gave this work its nickname? (0:59) a student, Babette von Ployer a music critic, Ludwig Rellstab a student, Giulietti Guicciardi his publisher, Bernhard Christoph Breitkopf

a music critic, Ludwig Rellstab

This work was dedicated to: (0:59) a student, Babette von Ployer a student, Carl Czerny a mentor, Count Ferdinand Waldstein a student, Giulietti Guicciardi

a student, Giulietti Guicciardi

In this excerpt, the composer is mocking: academic counterpoint as taught by the Paris Conservatory the moral dogma of Catholicism the country of England, as he uses the English national anthem in the fugue the idea of "true love"

academic counterpoint as taught by the Paris Conservatory

This composer's philosophy of music was based on the precept that chance was the central operation of nature. Musically, he referred to this approach as __________. minimalist aleatory organic improvisatory

aleatory

This work was composed to accompany which of the following? (1:05) (Poeme Electronique) a play a painting architecture a novel

architecture

This is an example of a/an: (1:00) (Habanera from Carmen) aria from a cantata aria from an opera aria from an oratorio concert aria

aria from an opera

This work is an example of an/an (0:59) aria from an opera art song from a song cycle art song recitative from an opera

aria from an opera

This is an example of a/an: (1:01) ria from a cantata aria from an opera aria from an oratorio concert aria

aria from opera

This is an example of a/an: (1:11) (Le sacre du printemps / The Rite of Spring) ballet mazurka art song opera aria

ballet

This work was initially successful as a/an: (1:14) (Prélude à L'après-midi d'un faune / Prelude to the Afternoon of a Faun) orchestral work work for string sextet work for piano for 4 hands ballet

ballet

This work is an example of ______ form. (0:57) (Sonata no. 5) binary sonata rondo rounded binary

binary

This work includes a solo, virtuoso passage near the end of the first movement, called a/an: ritornello recapitulation coda cadenza

cadenza

This work was composed during the _________ Era. (0:59) Classical Modern Baroque Romantic

classical

This work includes a passage where the violinists use the wood of the bow on the strings. This technique is called: sostenuto col legno una corda pizzicato

col legno

While the _______ writes the notes of the score, the _______ writes the words which are sung in opera. playwright / editor composer / playwright librettist / composer composer / librettist

composer / librettist

This is an example of a/an: (1:00) serenade concerto symphony sonata

concerto

Which of the following terms best describes the first few measures of this excerpt? counterpoint contrary motion inverted retrograde terraced dynamics

contrary motion

Which of the following arts did NOT accompany the premiere of this work? (1:05) (Poeme Electronique) photographs film dance lights

dance

In which section of sonata form does the composer elaborate upon established themes?

development

This work "text paints" the difference between Eastern and Western culture, as Western culture is heard in ________ and Eastern culture is heard in _________. (1:01) diatonic scales / pentatonic scales modes / chromatic scales chromatic scales / pentatonic scales pentatonic scales / diatonic scales

diatonic scales / pentatonic scales

One of this composer's orchestral innovations was to darken the sound of the orchestra. He achieved this effect by: a. emphasizing the lower brass instruments by giving them melodic material. b. emphasizing the lower string instruments by giving them melodic material. c. adding bass clarinets to the orchestra and giving them melodic material. d. doubling the number of string basses and giving them melodic material.

emphasizing the lower string instruments by giving them melodic material.

In which section of sonata form does the composer establish tension between themes often heard on the tonic and the dominant? a. exposition b. development c. recapitulation d. coda

exposition

Which section of sonata is repeated? a. exposition b. development c. recapitulation d. coda

exposition

Which of the following lists the correct order of elements in sonata form? a. recapitulation - development - coda - exposition b. development - exposition - recapitulation - coda c. exposition - development - recapitulation - coda d. coda - recapitulation - development - exposition

exposition - development - recapitulation - coda

As a youth, this composer received musical instruction from his uncle, a professor at the Paris Conservatory.

false

Identify the instrument(s) heard in this work. (0:57) (Sonata no. 5) African thumb piano xylophone and drums harpsichord prepared piano

prepared piano

This is an example of a/an: (1:04) (Symphonie fantastique, mvt. 5) concerto program symphony opera overture tone poem

program symphony

Sonata form typically ends with a/an _________. a. recapitulation b. augmentation c. accentuation d. exposition

recapitulation

Which of the following is NOT an example of a new form developed during the Classical Period? a. sonata form b. minuet and trio c. ritornello concerto d. symphony

ritornello concerto

This was composed during the ________ Era. (1:04) (Symphonie fantastique, mvt. 5) Baroque Classical Romantic Modern

romantic

This work was composed during the ______ Era. (1:00) (Mazurka no. 17) Baroque Classical Romantic Modern

romantic

This work was composed during the ________ Era. (0:57) (Erl King) Baroque Classical Romantic Modern

romantic

Which of the characters in this work is depicted with music in the higher range, piano, and in G major? (0:57) the father the son the narrator the Erl King

the Erl King

What musical idea serves as the unifying concept throughout this work? (1:05) (Poeme Electronique) the siren the grating sound the chirping sounds the ascending 3-note motive

the ascending 3-note motive

Which of the characters in this work is depicted with music in the lowest range, forte, and in G minor? (0:57) (Erl King) the father the narrator the son the Erl King

the father

What instrument began to rival the harpsichord in the 1760s and 1770s? a. the cembalo b. the fortepiano c. the clavichord d. the organ

the fortepiano

Which of the characters in this work is depicted with music in the mid range, mezzo-forte, and in G minor? (0:57) the son the father the narrator the Erl King

the narrator

Which of the characters in this work is depicted with music in the highest range, forte, and in G minor? (0:57) the Erl King the son the narrator the father

the son

Haydn's music was so popular that his compositions were widely performed in Vienna, London, and Paris, and he received commissions from France, Spain, and Italy.

true

In the hands of this composer, the art of scoring music for an orchestra gained recognition as a particular skill in its own right.

true

Mozart was active in the Freemasons, a secret male society dedicated to Enlightenment principles of tolerance, freedom, and humanitarianism.

true


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