American Lit II

"The Golden Shovel" by: Terrance Hayes

I. 1981 When I am so small Da's sock covers my arm, we cruise at twilight until we find the place the real men lean, bloodshot and translucent with cool. His smile is a gold-plated incantation as we drift by women on bar stools, with nothing left in them but approachlessness. This is a school I do not know yet. But the cue sticks mean we are rubbed by light, smooth as wood, the lurk of smoke thinned to song. We won't be out late. Standing in the middle of the street last night we watched the moonlit lawns and a neighbor strike his son in the face. A shadow knocked straight Da promised to leave me everything: the shovel we used to bury the dog, the words he loved to sing his rusted pistol, his squeaky Bible, his sin. The boy's sneakers were light on the road. We watched him run to us looking wounded and thin. He'd been caught lying or drinking his father's gin. He'd been defending his ma, trying to be a man. We stood in the road, and my father talked about jazz, how sometimes a tune is born of outrage. By June the boy would be locked upstate. That night we got down on our knees in my room. If I should die before I wake. Da said to me, it will be too soon. II. 1991 Into the tented city we go, we- akened by the fire's ethereal afterglow. Born lost and cool- er than heartache. What we know is what we know. The left hand severed and school- ed by cleverness. A plate of we- ekdays cooking. The hour lurk- ing in the afterglow. A late- night chant. Into the city we go. Close your eyes and strike a blow. Light can be straight- ened by its shadow. What we break is what we hold. A sing- ular blue note. An outcry sin- ged exiting the throat. We push until we thin, thin- king we won't creep back again. While God licks his kin, we sing until our blood is jazz, we swing from June to June. We sweat to keep from we- eping. Groomed on a die- t of hunger, we end too soon.

"A&P" By: John Updike

In walks these three girls in nothing but bathing suits. I'm in the third check-out slot, with my back to the door, so I don't see them until they're over by the bread. The one that caught my eye first was the one in the plaid green two-piece. She was a chunky kid, with a good tan and a sweet broad soft-looking can with those two crescents of white just under it, where the sun never seems to hit, at the top of the backs of her legs. I stood there with my hand on a box of HiHo crackers trying to remember if I rang it up or not. I ring it up again and the customer starts giving me hell. She's one of these cash-register-watchers, a witch about fifty with rouge on her cheekbones and no eyebrows, and I knowit made her day to trip me up. She'd been watching cash registers forty years and probably never seen a mistake before. By the time I got her feathers smoothed and her goodies into a bag -- she gives me alittle snort in passing, if she'd been born at the right time they would have burned her over in Salem -- by the time I get her on her way the girls had circled around the bread and were coming back, without a pushcart, back my way along the counters, in the aisle between the check-outs and the Special bins. They didn't even have shoes on. There was this chunky one, with the two-piece -- it was bright green and the seams on the bra were still sharp and her belly was still pretty pale so I guessed she just got it (the suit) -- there was this one, with one of those chubby berry-faces, the lips all bunched together under her nose, this one, and a tall one, with black hair that hadn't quite frizzed right, and one of these sunburns right across under the eyes, and a chin that was too long -- you know, the kind of girl other girls think is very "striking" and "attractive" but never quite makes it, as they very well know, which is why they like her so much -- and then the third one, that wasn't quite so tall. She was the queen. She kind of led them, the other two peeking around and making their shoulders round. She didn't look around, not this queen, she just walked straight on slowly, on these long white prima donna legs. She came down a little hard on her heels, as if she didn't walk in her bare feet that much, putting down her heels and then letting the weight move along to her toes as if she was testing the floor with every step, putting a little deliberate extra action into it. You never know for sure how girls' minds work (do you really think it's a mind in there or just a little buzz like a bee in a glassjar?) but you got the idea she had talked the other two into coming in here with her, and now she was showing them how to do it, walk slow and hold yourself straight. She had on a kind of dirty-pink - - beige maybe, I don't know -- bathing suit with a little nubble all over it and, what got me, the straps were down. They were off her shoulders looped loose around the cool tops of her arms, and I guess as a result the suit had slipped a little on her, so all around the top of the cloth there was this shining rim. If it hadn't been there you wouldn't have known there could have been anything whiter than those shoulders. With the straps pushed off, there was nothing between the top of the suit and the top of her head except just her, this clean bare plane of the top of her chest down from the shoulder bones like a dented sheet of metal tilted in the light. I mean, it was more than pretty. She had sort of oaky hair that the sun and salt had bleached, done up in a bun that was unravelling, and a kind of prim face. Walking into the A & P with your straps down, I suppose it's the only kind of face you can have. She held her head so high her neck, coming up out o fthose Readings A & P V white shoulders, looked kind of stretched, but I didn't mind. The longer her neck was, the more of her there was. She must have felt in the corner of her eye me and over my shoulder Stokesie in the second slot watching, but she didn't tip. Not this queen. She kept her eyes moving across the racks, and stopped, and turned so slow it made my stomach rub the inside of my apron, and buzzed to the other two, who kind of huddled against her for relief, and they all three of them went up the catand-dog-food-breakfast-cereal-macaroni-ri ce-raisins-seasonings-spreads-spaghetti-soft drinks- rackersand- cookies aisle. From the third slot I look straight up this aisle to the meat counter, and I watched them all the way. The fat one with the tan sort of fumbled with the cookies, but on second thought she put the packages back. The sheep pushing their carts down the aisle -- the girls were walking against the usual traffic (not that we have one-way signs or anything) -- were pretty hilarious. You could see them, when Queenie's white shoulders dawned on them, kind of jerk, or hop, or hiccup, but their eyes snapped back to their own baskets and on they pushed. I bet you could set off dynamite in an A & P and the people would by and large keep reaching and checking oatmeal off their lists and muttering "Let me see, there was a third thing, began with A, asparagus, no, ah, yes, applesauce!" or whatever it is they do mutter. But there was no doubt, this jiggled them. A few house-slaves in pin curlers even looked around after pushing their carts past to make sure what they had seen was correct. You know, it's one thing to have a girl in a bathing suit down on the beach, where what with the glare nobody can look at each other much anyway, and another thing in the cool of the A & P, under the fluorescent lights, against all those stacked packages, with her feet paddling along naked over our checkerboard green-and-cream rubber-tile floor. "Oh Daddy," Stokesie said beside me. "I feel so faint." "Darling," I said. "Hold me tight." Stokesie's married, with two babies chalked up on his fuselage already, but as far as I can tell that's the only difference. He's twenty-two, and I was nineteen this April. "Is it done?" he asks, the responsible married man finding his voice. I forgot to say he thinks he's going to be manager some sunny day, maybe in 1990 when it's called the Great Alexandrov and Petrooshki Tea Company or something. What he meant was, our town is five miles from a beach, with a big summer colony out on the Point, but we're right in the middle of town, and the women generally put on a shirt or shorts or something before they get out of the car into the street. And anyway these are usually women with six children and varicose veins mapping their legs and nobody, including them, could care less. As I say, we're right in the middle of town, and if you stand at our front doors you can see two banks and the Congregational church and the newspaper store and three real-estate offices and about twenty-seven old free-loaders tearing up Central Street because the sewer broke again. It's not as if we're on the Cape; we're north of Boston and there's people in this town haven't seen the ocean for twenty years. The girls had reached the meat counter and were asking McMahon something. He pointed, they pointed, and they shuffled out of sight behind a pyramid of Diet Delight peaches. All that was left Readings A & P W for us to see was old McMahon patting his mouth and looking after them sizing up their joints. Poor kids, I began to feel sorry for them, they couldn't help it. Now here comes the sad part of the story, at:least my family says it's sad but I don't think it's sad myself. The store's pretty empty, it being Thursday afternoon, so there was nothing much to do except lean on the register and wait for the girls to show up again. The whole store was like a pinball machine and I didn't know which tunnel they'd come out of. After a while they come around out of the far aisle, around the light bulbs, records at discount of the Caribbean Six or Tony Martin Sings or some such gunk you wonder they waste the wax on, sixpacks of candy bars, and plastic toys done up in cellophane that faIl apart when a kid looks at them anyway. Around they come, Queenie still leading the way, and holding a little gray jar in her hand. Slots Three through Seven are unmanned and I could see her wondering between Stokes and me, but Stokesie with his usual luck draws an old party in baggy gray pants who stumbles up with four giant cans of pineapple juice (what do these bums do with all that pineapple juice' I've often asked myself) so the girls come to me. Queenie puts down the jar and I take it into my fingers icy cold. Kingfish Fancy Herring Snacks in Pure Sour Cream: 49¢. Now her hands are empty, not a ring or a bracelet, bare as God made them, and I wonder where the money's coming from. Still with that prim look she lifts a folded dollar bill out of the hollow at the center of her nubbled pink top. The jar went heavy in my hand. Really, I thought that was so cute. Then everybody's luck begins to run out. Lengel comes in from haggling with a truck full of cabbages on the lot and is about to scuttle into that door marked MANAGER behind which he hides all day when the girls touch his eye. Lengel's pretty dreary, teaches Sunday school and the rest, but he doesn't miss that much. He comes over and says, "Girls, this isn't the beach." Queenie blushes, though maybe it's just a brush of sunburn I was noticing for the first time, now that she was so close. "My mother asked me to pick up a jar of herring snacks." Her voice kind of startled me, the way voices do when you see the people first, coming out so flat and dumb yet kind of tony, too, the way it ticked over "pick up" and "snacks." All of a sudden I slid right down her voice into her living room. Her father and the other men were standing around in ice-cream coats and bow ties and the women were in sandals picking up herring snacks on toothpicks off a big plate and they were all holding drinks the color of water with olives and sprigs of mint in them. When my parents have somebody over they get lemonade and if it's a real racy affair Schlitz in tall glasses with "They'll Do It Every Time" cartoons stencilled on. "That's all right," Lengel said. "But this isn't the beach." His repeating this struck me as funny, as if it hadjust occurred to him, and he had been thinking all these years the A & P was a great big dune and he was the head lifeguard. He didn't like my smiling -- -as I say he doesn't miss much -- but he concentrates on giving the girls that sad Sunday- school-superintendent stare. Queenie's blush is no sunburn now, and the plump one in plaid, that I liked better from the back -- a really sweet can -- pipes up, "We weren't doing any shopping. We just came in for the one thing." "That makes no difference," Lengel tells her, and I could see from the way his eyes went that he hadn't noticed she was wearing a two-piece before. "We want you decently dressed when you come in here." Readings A & P X "We are decent," Queenie says suddenly, her lower lip pushing, getting sore now that she remembers her place, a place from which the crowd that runs the A & P must look pretty crummy. Fancy Herring Snacks flashed in her very blue eyes. "Girls, I don't want to argue with you. After this come in here with your shoulders covered. It's our policy." He turns his back. That's policy for you. Policy is what the kingpins want. What the others want is juvenile delinquency. All this while, the customers had been showing up with their carts but, you know, sheep, seeing a scene, they had all bunched up on Stokesie, who shook open a paper bag as gently as peeling a peach, not wanting to miss a word. I could feel in the silence everybody getting nervous, most of all Lengel, who asks me, "Sammy, have you rung up this purchase?" I thought and said "No" but it wasn't about that I was thinking. I go through the punches, 4, 9, GROC, TOT -- it's more complicated than you think, and after you do it often enough, it begins to make a lttle song, that you hear words to, in my case "Hello (bing) there, you (gung) hap-py pee-pul (splat)"-the splat being the drawer flying out. I uncrease the bill, tenderly as you may imagine, it just having come from between the two smoothest scoops of vanilla I had ever known were there, and pass a half and a penny into her narrow pink palm, and nestle the herrings in a bag and twist its neck and hand it over, all the time thinking. The girls, and who'd blame them, are in a hurry to get out, so I say "I quit" to Lengel quick enough for them to hear, hoping they'll stop and watch me, their unsuspected hero. They keep right on going, into the electric eye; the door flies open and they flicker across the lot to their car, Queenie and Plaid and Big Tall Goony-Goony (not that as raw material she was so bad), leaving me with Lengel and a kink in his eyebrow. "Did you say something, Sammy?" "I said I quit." "I thought you did." "You didn't have to embarrass them." "It was they who were embarrassing us." I started to say something that came out "Fiddle-de-doo." It's a saying of my grand- mother's, and I know she would have been pleased. "I don't think you know what you're saying," Lengel said. "I know you don't," I said. "But I do." I pull the bow at the back of my apron and start shrugging it off my shoulders. A couple customers that had been heading for my slot begin to knock against each other, like scared pigs in a chute. Readings A & P Y Lengel sighs and begins to look very patient and old and gray. He's been a friend of my parents for years. "Sammy, you don't want to do this to your Mom and Dad," he tells me. It's true, I don't. But it seems to me that once you begin a gesture it's fatal not to go through with it. I fold the apron, "Sammy" stitched in red on the pocket, and put it on the counter, and drop the bow tie on top of it. The bow tie is theirs, if you've ever wondered. "You'll feel this for the rest of your life," Lengel says, and I know that's true, too, but remembering how he made that pretty girl blush makes me so scrunchy inside I punch the No Sale tab and the machine whirs "pee-pul" and the drawer splats out. One advantage to this scene taking place in summer, I can follow this up with a clean exit, there's no fumbling around getting your coat and galoshes, I just saunter into the electric eye in my white shirt that my mother ironed the night before, and the door heaves itself open, and outside the sunshine is skating around on the asphalt. I look around for my girls, but they're gone, of course. There wasn't anybody but some young married screaming with her children about some candy they didn't get by the door of a powderblue Falcon station wagon. Looking back in the big windows, over the bags of peat moss and aluminum lawn furniture stacked on the pavement, I could see Lengel in my place in the slot, checking the sheep through. His face was dark gray and his back stiff, as if he'd just had an injection of iron, and my stomach kind of fell as I felt how hard the world was going to be to me hereafter.

"The Day Lady Died" By: Frank O'Hara

It is 12:20 in New York a Friday three days after Bastille day, yes it is 1959 and I go get a shoeshine because I will get off the 4:19 in Easthampton at 7:15 and then go straight to dinner and I don't know the people who will feed me I walk up the muggy street beginning to sun and have a hamburger and a malted and buy an ugly NEW WORLD WRITING to see what the poets in Ghana are doing these days I go on to the bank and Miss Stillwagon (first name Linda I once heard) doesn't even look up my balance for once in her life and in the GOLDEN GRIFFIN I get a little Verlaine for Patsy with drawings by Bonnard although I do think of Hesiod, trans. Richmond Lattimore or Brendan Behan's new play or Le Balcon or Les Nègres of Genet, but I don't, I stick with Verlaine after practically going to sleep with quandariness and for Mike I just stroll into the PARK LANE Liquor Store and ask for a bottle of Strega and then I go back where I came from to 6th Avenue and the tobacconist in the Ziegfeld Theatre and casually ask for a carton of Gauloises and a carton of Picayunes, and a NEW YORK POST with her face on it and I am sweating a lot by now and thinking of leaning on the john door in the 5 SPOT while she whispered a song along the keyboard to Mal Waldron and everyone and I stopped breathing

"A Sweatshop Romance" By: Abraham Cahan

LEIZER Lipman was one of those contract tailors who are classed by their hands under the head of "cockroaches," which--translating the term into lay English--means that he ran a very small shop, giving employment to a single team of one sewing-machine operator, one baster, one finisher, and one presser. The shop was one of a suite of three rooms on the third floor of a rickety old tenement house on Essex Street, and did the additional duty of the family's kitchen and dining room. It faced a dingy little courtyard, and was connected by a windowless bedroom with the parlor, which commanded the very heart of the Jewish markets. Bundles of cloth, cut to be made into coats, littered the floor, lay in chaotic piles by one of the walls, cumbered Mrs. Lipman's kitchen table and one or two chairs, and formed, in a corner, an improvised bed upon which a dirty two-year-old boy, Leizer's heir apparent, was enjoying his siesta. Dangling against the door or scattered among the bundles, there were cooking utensils, dirty linen, Lipman's velvet skull-cap, hats, shoes, shears, cotton-spools, and whatnot. A red-hot kitchen stove and a blazing grate full of glowing flatirons combined to keep up the overpowering temperature of the room, and helped to justify its nickname of sweatshop in the literal sense of the epithet. Work was rather scarce, but the designer of the Broadway clothing firm, of whose army of contractors Lipman was a member, was a second cousin to the latter's wife, and he saw to it that his relative's husband was kept busy. And so operations in Leizer's shop were in full swing. Heyman, the operator, with his bared brawny arms, pushed away at an unfinished coat, over which his head, presenting to view a wealth of curly brown hair, hung like an eagle bent on his prey. He swayed in unison to the rhythmic whirr of his machine, whose music, supported by the energetic thumps of Meyer's press iron, formed an orchestral accompaniment to the sonorous and plaintive strains of a vocal duet performed by Beile, the finisher girl, and David, the baster. Leizer was gone to the Broadway firm's offices, while Zlate, his wife, was out on a prolonged haggling expedition among the tradeswomen of Hester Street. This circumstance gave the hands a respite from the restrictions usually placed on their liberties by the presence of the "boss" and the "Missis," and they freely beguiled the tedium and fatigue of their work, now by singing, now by a bantering match at the expense of their employer and his wife, or of each other. "Well, I suppose you might as well quit," said Meyer, a chubby, red-haired, freckled fellow of forty, emphasizing his remark by an angry stroke of his iron. "You have been over that song now fifty times without taking breath. You make me tired." "Don't you like it? Stuff up your ears, then," Beile retorted, without lifting her head from the coat in her lap. "Why, I do like it, first-rate and a half," Meyer returned, "but when you keep your mouth shut I like it better still, see?" The silvery tinkle of Beile's voice, as she was singing, thrilled Heyman with delicious melancholy, gave him fresh relish for his work, and infused additional activity into his limbs; and as her singing was interrupted by the presser's gibe, he involuntarily stopped his machine with that annoying feeling which is experienced by dancers when brought to an unexpected standstill by an abrupt pause of the music. "And you?"--he addressed himself to Meyer, facing about on his chair with an irritated countenance. "It's all right enough when you speak, but it is much better when you hold your tongue. Don't mind him, Beile. Sing away!" he then said to the girl, his dazzlingly fair face relaxing and his little eyes shutting into a sweet smile of self-confident gallantry. "You had better stick to your work, Heyman. Why, you might have made half a cent the while," Meyer fired back, with an ironical look, which had reference to the operator's reputation of being a niggardly fellow, who overworked himself, denied himself every pleasure, and grew fat by feasting his eyes on his savings-bank book. A sharp altercation ensued, which drifted to the subject of Heyman's servile conduct toward his employer. "It was you, wasn't it," Meyer said, "who started that collection for a birthday present for the boss? Of course, we couldn't help chipping in. Why is David independent?" "Did I compel you?" Heyman rejoined. "And am I to blame that it was to me that the boss threw out the hint about that present? It is so slack everywhere, and you ought to thank God for the steady job you have here," he concluded, pouncing down upon the coat on his machine. David, who had also cut short his singing, kept silently plying his needle upon pieces of stuff which lay stretched on his master's dining table. Presently he paused to adjust his disheveled jet-black hair, with his fingers for a comb, and to wipe the perspiration from his swarthy, beardless and typically Israelitic face with his shirtsleeve. While this was in progress, his languid hazel eyes were fixed on the finisher girl. She instinctively became conscious of his gaze, and raised her head from the needle. Her fresh buxom face, flushed with the heat of the room and with exertion, shone full upon the young baster. Their eyes met. David colored, and, to conceal his embarrassment, he asked: "Well, is he going to raise your wages?" Beile nodded affirmatively, and again plunged her head into her work. "He is? So you will now get five dollars a week. I am afraid you will be putting on airs now, won't you?" "Do you begrudge me? Then I am willing to swap wages with you. I'll let you have my five dollars, and I'll take your twelve dollars every week." Lipman's was a task shop, and, according to the signification which the term has in the political economy of the sweating world, his operator, baster, and finisher, while nominally engaged at so much a week, were in reality paid by the piece, the economical week being determined by a stipulated quantity of made-up coats rather than by a fixed number of the earth's revolutions around its axis; for the sweatshop day will not coincide with the solar day unless a given amount of work be accomplished in its course. As to the presser, he is invariably a pieceworker, pure and simple. For a more lucid account of the task system in the tailoring branch, I beg to refer the reader to David, although his exposition happens to be presented rather in the form of a satire on the subject. Indeed, David, while rather inclined to taciturnity, was an inveterate jester, and what few remarks he indulged in during his work would often cause boisterous merriment among his shopmates, although he delivered them with a nonchalant manner and with the same look of good-humored irony, mingled in strange harmony with a general expression of gruffness, which his face usually wore. "My twelve dollars every week?" David echoed. "Oh, I see; you mean a week of twelve days!" And his needle resumed its duck-like sport in the cloth. "How do you make it out?" Meyer demanded, in order to elicit a joke from the witty young man by his side. "Of course, you don't know how to make that out. But ask Heyman or Beile. The three of us do." "Tell him, then, and he will know too," Beile urged, laughing in advance at the expected fun. A request coming from the finisher was--yet unknown to herself--resistless with David, and in the present instance it loosened his tongue. "Well, I get twelve dollars a week, and Heyman fourteen. Now a working week has six days, but--hem--that 'but' gets stuck in my throat--but a day is neither a Sunday nor a Monday nor anything unless we make twelve coats. The calendars are a lot of liars." "What do you mean?" "They say a day has twenty-four hours. That's a bluff. A day has twelve coats." Beile's rapturous chuckle whetted his appetite for persiflage, and he went on: "They read the Tuesday Psalm in the synagogue this morning, but I should have read the Monday one." "Why?" "You see, Meyer's wife will soon come up with his dinner, and here I have still two coats to make of the twelve that I got yesterday. So it's still Monday with me. My Tuesday won't begin before about two o'clock this afternoon." "How much will you make this week?" Meyer questioned. "I don't expect to finish more than four days' work by the end of the week, and will only get eight dollars on Friday--that is, provided the Missis has not spent our wages by that time. So when it's Friday I'll call it Wednesday, see?" "When I am married," he added, after a pause, "and the old woman asks me for Sabbath expenses, I'll tell her it is only Wednesday--it isn't yet Friday--and I have no money to give her." David relapsed into silence, but mutely continued his burlesque, hopping from subject to subject. David thought himself a very queer fellow. He often wondered at the pranks which his own imagination was in the habit of playing, and at the grotesque combinations it frequently evolved. As he now stood, leaning forward over his work, he was striving to make out how it was that Meyer reminded him of the figure "7." "What nonsense!" he inwardly exclaimed, branding himself for a crank. "And what does Heyman look like?" his mind queried, as though for spite. He contemplated the operator askance, and ran over all the digits of the Arabic system, and even the whole Hebrew alphabet, in quest of a counterpart to the young man, but failed to find anything suitable. "His face would much better become a girl," he at last decided, and mentally proceeded to envelop Heyman's head in Beile's shawl. But the proceeding somehow stung him, and he went on to meditate upon the operator's chunky nose. "No, that nose is too ugly for a girl. It wants a little planing. It's an unfinished job, as it were. But for that nose Heyman would really be the nice fellow they say he is. His snow-white skin--his elegant heavy mustache--yes, if he did not have that nose he would be all right," he maliciously joked in his heart. "And I, too, would be all right if Heyman were noseless," he added, transferring his thoughts to Beile, and wondering why she looked so sweet. "Why, her nose is not much of a beauty, either. Entirely too straight, and too--too foolish. Her eyes look old and as if constantly on the point of bursting into tears. Ah, but then her lips--that kindly smile of theirs, coming out of one corner of her mouth!" And a strong impulse seized him to throw himself on those lips and to kiss them, which he did mentally, and which shot an electric current through his whole frame. And at this Beile's old-looking eyes both charmed and pierced him to the heart, and her nose, far from looking foolish, seemed to contemplate him contemptuously, triumphantly, and knowingly, as if it had read his thoughts. While this was going on in David's brain and heart, Beile was taken up with Heyman and with their mutual relations. His attentions to her were an open secret. He did not go out of his way to conceal them. On the contrary, he regularly escorted her home after work, and took her out to balls and picnics--a thing involving great sacrifices to a fellow who trembled over every cent he spent, and who was sure to make up for these losses to his pocketbook by foregoing his meals. While alone with her in the hallway of her mother's residence, his voice would become so tender, so tremulous, and on several occasions he even addressed her by the endearing form of Beilinke. And yet all this had been going on now for over three months, and he had not as much as alluded to marriage, nor even bought her the most trifling present. Her mother made life a burden to her, and urged the point-blank declaration of the alternative between a formal engagement and an arrest for breach of promise. Beile would have died rather than make herself the heroine of such a sensation; and, besides, the idea of Heyman handcuffed to a police detective was too terrible to entertain even for a moment. She loved him. She liked his blooming face, his gentleman-like mustache, the quaint jerk of his head, as he walked; she was fond of his company; she was sure she was in love with him: her confidant, her fellow country girl and playmate, who had recently married Meyer, the presser, had told her so. But somehow she felt disappointed. She had imagined love to be a much sweeter thing. She had thought that a girl in love admired everything in the object of her affections, and was blind to all his faults. She had heard that love was something like a perpetual blissful fluttering of the heart. "I feel as if something was melting here," a girl friend who was about to be married once confided to her, pointing to her heart. "You see, it aches and yet it is so sweet at the same time." And here she never feels anything melting, nor can she help disliking some things about Heyman. His smile sometimes appears to her fulsome. Ah, if he did not shut his eyes as he does when smiling! That he is so slow to spend money is rather one of the things she likes in him. If he ever marries her she will be sure to get every cent of his wages. But then when they are together at a ball he never goes up to the bar to treat her to a glass of soda, as the other fellows do to their girls, and all he offers her is an apple or a pear, which he generally stops to buy on the street on their way to the dancing hall. Is she in love at all? Maybe she is mistaken? But no! he is after all so dear to her. She must have herself to blame. It is not in vain that her mother calls her a whimpering, nagging thing, who gives no peace to herself nor to anybody around her. But why does he not come out with his declaration? Is it because he is too stingy to wish to support a wife? Has he been making a fool of her? What does he take her for, then? In fairness to Heyman, it must be stated that on the point of his intentions, at least, her judgment of him was without foundation, and her misgivings gratuitous. Pecuniary considerations had nothing to do with his slowness in proposing to her. And if she could have watched him and penetrated his mind at the moments when he examined his bankbook--which he did quite often--she would have ascertained that little images of herself kept hovering before his eyes between the figures of its credit columns, and that the sum total conjured up to him a picture of prospective felicity with her for a central figure. Poor thing; she did not know that when he lingeringly fondled her hand, on taking his leave in the hallway, the proposal lay on the tip of his tongue, and that lacking the strength to relieve himself of its burden he every time left her, consoling himself that the moment was inopportune, and that "tomorrow he would surely settle it." She did not know that only two days ago the idea had occurred to him to have recourse to the aid of a messenger in the form of a lady's watch, and that while she now sat worrying lest she was being made a fool of, the golden emissary lay in Heyman's vest pocket, throbbing in company with his heart with impatient expectation of the evening hour, which had been fixed for the delivery of its message. "I shall let mother speak to him," Beile resolved, in her musings over her needle. She went on to picture the scene, but at this point her meditations were suddenly broken by something clutching and pulling at her hair. It was her employer's boy. He had just got up from his after-dinner nap, and, for want of any other occupation, he passed his dirty little hand into her raven locks. "He is practicing to be a boss," observed David, whose attention was attracted to the spectacle by the finisher's shriek. Beile's voice brought Heyman to his feet, and disentangling the little fellow's fingers from the girl's hair, he fell to "plastering his nasty cheeks for him," as he put it. At this juncture the door opened to admit the little culprit's father. Heyman skulked away to his seat, and, burying his head in his work, he proceeded to drown, in the whir-r, whir-r of his machine, the screams of the boy, who would have struck a much higher key had his mamma happened on the spot. Lipman took off his coat, substituted his greasy velvet skull-cap for his derby, and lighting a cigar with an air of good-natured businesslike importance, he advanced to Meyer's corner and fell to examining a coat. "And what does he look like?" David asked himself, scrutinizing his task-master. "Like a broom with its stick downward," he concluded to his own satisfaction. "And his snuff box?"--meaning Lipman's huge nose--" A perfect fiddle!--And his mouth? Deaf-mutes usually have such mouths. And his beard? He has entirely too much of it, and it's too pretty for his face. It must have got there by mistake." Presently the door again flew open, and Mrs. Lipman, heavily loaded with parcels and panting for breath, came waddling in with an elderly couple in tow. "Greenhorns," Meyer remarked. "Must be fellow townspeople of hers--lately arrived." "She looks like a teakettle, and she is puffing like one, too, David thought, after an indifferent gaze at the newcomers, looking askance at his stout, dowdyish little "Missis." "No," he then corrected himself, "she rather resembles a broom with its stick out. That's it! And wouldn't it be a treat to tie a stick to her head and to sweep the floor with the horrid thing! And her mouth? Why, it makes me think she does nothing but sneeze." "Here is Leizer! Leizer, look at the guests I have brought you!" Zlate exclaimed, as she threw down her bundles. "Be seated, Reb Avrom; be seated, Basse. This is our factory," she went on, with a smile of mixed welcome and triumph, after the demonstrative greetings were over. "It is rather too small, isn't it? but we are going to move into larger and better quarters." Meyer was not mistaken. Zlate's visitors had recently arrived from her birthplace, a poor town in Western Russia, where they had occupied a much higher social position than their present hostess, and Mrs. Lipman, coming upon them on Hester Street, lost no time in inviting them to her house, in order to overwhelm them with her American achievements. "Come, I want to show you my parlor," Mrs. Lipman said, beckoning to her country people, and before they were given an opportunity to avail themselves of the chairs which she had offered them, they were towed into the front room. When the procession returned, Leizer, in obedience to an order from his wife, took Reb Avrom in charge and proceeded to initiate him into the secrets of the "American style of tailoring." "Oh, my!" Zlate suddenly ejaculated, with a smile. "I came near forgetting to treat. Beilke!" she then addressed herself to the finisher girl in a tone of imperious nonchalance, "here is a nickel. Fetch two bottles of soda from the grocery." "Don't go, Beile!" David whispered across his table, perceiving the girl's reluctance. It was not unusual for Beile to go on an errand for the wife of her employer, though she always did it unwillingly, and merely for fear of losing her place; but then Zlate generally exacted these services as a favor. In the present instance, however, Beile felt mortally offended by her commanding tone, and the idea of being paraded before the strangers as a domestic cut her to the quick, as a stream of color rushing into her face indicated. Nevertheless the prospect of having to look for a job again persuaded her to avoid trouble with Zlate, and she was about to reach out her hand for the coin, when David's exhortation piqued her sense of self-esteem, and she went on with her sewing. Heyman, who, being interrupted in his work by the visitor's inspection, was a witness of the scene, at this point turned his face from it, and cringing by his machine, he made a pretense of busying himself with the shuttle. His heart shrank with the awkwardness of his situation, and he nervously grated his teeth and shut his eyes, awaiting still more painful developments. His veins tingled with pity for his sweetheart and with deadly hatred for David. What could he do? he apologized to himself. Isn't it foolish to risk losing a steady job at this slack season on account of such a trifle as fetching up a bottle of soda? What business has David to interfere? "You are not deaf, are you? I say go and bring some soda, quick!" Mrs. Lipman screamed, fearing lest she was going too far. "Don't budge, Beile!" the baster prompted, with fire in his eyes. Beile did not. "I say go!" Zlate thundered, reddening like a beet, to use a phrase in vogue with herself. "Never mind, Zlate," Basse interposed, to relieve the embarrassing situation. "We just had tea." "Never mind. It is not worth the trouble," Avrom chimed in. But this only served to lash Zlate into a greater fury, and unmindful of consequences, she strode up to the cause of her predicament, and tearing the coat out of her hands, she squeaked out: "Either fetch the soda, or leave my shop at once!" Heyman was about to say, to do something, he knew not exactly what, but his tongue seemed seized with palsy, the blood turned chill in his veins, and he could neither speak nor stir. Leizer, who was of a quiet, peaceful disposition, and very much under the thumb of his wife, stood nervously smiling and toying with his beard. David grew ashen pale, and trembling with rage he said aloud and in deliberate accents: "Don't mind her, Beile, and never worry. Come along. I'll find you a better job. This racket won't work, Missis. Your friends see through it, anyhow, don't you?" he addressed himself to the newcomers. "She wanted to brag to you. That's what she troubled you for. She showed off her parlor carpet to you, didn't she? But did she tell you that it had been bought on the installment plan, and that the custom peddler threatened to take it away unless she paid more regularly?" "Leizer! are you--are you drunk?" Mrs. Lipman gasped, her face distorted with rage and desperation. "Get out of here!" Leizer said, in a tone which would have been better suited to a cordial invitation. The command was unnecessary, however, for by this time David was buttoning up his overcoat, and had his hat on. Involuntarily following his example, Beile also dressed to go. And as she stood in her new beaver cloak and freshly trimmed large old hat by the side of her discomfited commander, Basse reflected that it was the finisher girl who looked like a lady, with Zlate for her servant, rather than the reverse. "See that you have our wages ready for Friday, and all the arrears, too!" was David's parting shot as the two left the room with a defiant slam of the door. "That's like America!" Zlate remarked, with an attempt at a scornful smile. "The meanest beggar girl will put on airs." "Why should one be ordered about like that? She is no servant, is she?" Heyman murmured, addressing the corner of the room, and fell to at his machine to smother his misery. When his day's work was over, Heyman's heart failed him to face Beile, and although he was panting to see her, he did not call at her house. On the following morning he awoke with a headache, and this he used as a pretext to himself for going to bed right after supper. On the next evening he did betake himself to the Division Street tenement house, where his sweetheart lived with her mother on the top floor, but on coming in front of the building his courage melted away. Added to his cowardly part in the memorable scene of two days before, there now was his apparent indifference to the finisher, as manifested by his two evenings' absence at such a critical time. He armed himself with a fib to explain his conduct. But all in vain; he could not nerve himself up to the terrible meeting. And so day after day passed, each day increasing the barrier to the coveted visit. At last, one evening, about a fortnight after the date of Mrs. Lipman's fiasco, Heyman, forgetting to lose courage, as it were, briskly mounted the four flights of stairs of the Division Street tenement. As he was about to rap for admission he was greeted by a sharp noise within of something, like a china plate or a bowl, being dashed to pieces against the very door which he was going to open. The noise was followed by merry voices: "Good luck! Good luck!" and there was no mistaking its meaning. There was evidently an engagement party inside. The Rabbi had just read the writ of betrothment, and it was the mutual pledges of the contracting parties which were emphasized by the "breaking of the plate." Presently Heyman heard exclamations which dissipated his every doubt as to the identity of the chief actors in the ceremony which had just been completed within. "Good luck to you, David! Good luck to you, Beile! May you live to a happy old age together!" "Feige, why don't you take some cake? Don't be so bashful!" "Here is luck!" came through the door, piercing a muffled hum inside. Heyman was dumbfounded, and with his head swimming, he made a hasty retreat. Ever since the tragi-comical incident at Lipman's shop, Heyman was not present to Beile's thoughts except in the pitiful, cowering attitude in which he had sat through that awful scene by his machine. She was sure she hated him now. And yet her heart was, during the first few days, constantly throbbing with the expectation of his visit; and as she settled in her mind that even if he came she would have nothing to do with him, her deeper consciousness seemed to say, with a smile of conviction: "Oh no, you know you would not refuse him. You wouldn't risk to remain an old maid, would you?" The idea of his jilting her harrowed her day and night. Did he avail himself of her leaving Lipman's shop to back out of the proposal which was naturally expected of him, but which he never perhaps contemplated? Did he make game of her? When a week had elapsed without Heyman's putting in an appearance, she determined to let her mother see a lawyer about breach-of-promise proceedings. But an image, whose outlines had kept defining themselves in her heart for several days past, overruled this decision. It was the image of a pluckier fellow than Heyman--of one with whom there was more protection in store for a wife, who inspired her with more respect and confidence, and, what is more, who seemed on the point of proposing to her. It was the image of David. The young baster pursued his courtship with a quiet persistency and a suppressed fervor which was not long in winning the girl's heart. He found work for her and for himself in the same shop; saw her home every evening; regularly came after supper to take her out for a walk, in the course of which he would treat her to candy and invite her to a coffee saloon--a thing which Heyman had never done;--kept her chuckling over his jokes; and at the end often days, while sitting by her side in Central Park, one night, he said, in reply to her remark that it was so dark that she knew not where she was: "I'll tell you where you are--guess." "Where?" "Here, in my heart, and keeping me awake nights, too. Say, Beile, what have I ever done to you to have my rest disturbed by you in that manner?" Her heart was beating like a sledge hammer. She tried to laugh, as she returned: "I don't know---- You can never stop making fun, can you? "Fun? Do you want me to cry? I will, gladly, if I only know that you will agree to have an engagement party," he rejoined, deeply blushing under cover of the darkness. "When?" she questioned, the word crossing her lips before she knew it. "On my part, tomorrow."

"Indian Camp" By: Ernest Heminingway

briancroxall.pbworks.com/f/Hemingway%2C+Indian+Camp.pdf

"That Evening Sun" By: William Faulkner

https://duq.blackboard.com/bbcswebdav/pid-3457462-dt-content-rid-22434798_1/courses/AR-ENGL-320-01-202010/Faulkner%20289%20309.pdf

"Sea Oak" By: George Saunders

https://duq.blackboard.com/bbcswebdav/pid-3457513-dt-content-rid-22435027_1/courses/AR-ENGL-320-01-202010/Saunders%20Sea%20Oak.pdf

"Shiloh" By: Bobbie Ann Mason

https://duq.blackboard.com/bbcswebdav/pid-3457514-dt-content-rid-22435028_1/courses/AR-ENGL-320-01-202010/Mason%2C%20%2522Shiloh%2522.pdf

"I Hear America Singing" By: Walt Whitman

https://poets.org/poem/i-hear-america-singing

"Second Inaugural Address" By: Abraham Lincoln

https://www.bartleby.com/124/pres32.html