AP Art History Semester 1 Final Review

B. A dome

Both San Vitale and the Pantheon have which of the following architectural features? A. Pendentives B. A dome C. An oculus D. An ambulatory

D. Roman emperor

Both buildings are closely associated with a A. Greek patriarch B. Visigoth king C. Catholic pope D. Roman emperor

B. Athens' domination of the eastern Mediterranean

Both buildings are part of a complex built to celebrate A. the conquests of Alexander the Great B. Athens' domination of the eastern Mediterranean C. the deification of the Roman emperor D. the end of the Trojan War

D. Roman residential architecture

Both interiors are examples of A. Egyptian funerary complexes B. Greek religious buildings C. Etruscan temples D. Roman residential architecture

D. Donatello

Both of the sculptures were made by A. Verrocchio B. Bernini C. Ghiberti D. Donatello

D. thirteenth century

Both of these structures were begun in the late A. tenth century B. eleventh century C. twelfth century D. thirteenth century

D. grave markers

Both of these works served as A. garden ornaments B. athletic prizes C. victory commemorations D. grave markers

C. Bernini

Both of these works were created by A. Michelangelo B. Borromini C. Bernini D. Donatello

A. Greece

Both of these works were created in A. Greece B. Rome C. Mesopotamia D. Egypt

B. central

Both plans are best characterized as A. axial B. central C. basilican D. directional

D. Gothic

Both sculptures are from which art-historical period? A. Early Christian B. Carolingian C. Romanesque D. Gothic

A. Marian devotion

Both sculptures reveal the influence of A. Marian devotion B. Classical mythology C. Neoplatonic philosophy D. Reformation theology

B. Florence

Both sculptures were created in A. Rome B. Florence C. Avignon D. Venice

D. Pompeii

Both wall paintings are from A. Ravenna B. Tarquinia C. Paestum D. Pompeii

B. theatrical illusion

Both works allude to the artist's interest in A. Neoplatonic ideals B. theatrical illusion C. Franciscan spirituality D. Galileo's theories

A. Apse

Both works are found in which part of a church? A. Apse B. Narthex C. Transept D. Baptistery

B. Renaissance

Both works come from which art-historical period? A. Baroque B. Renaissance C. Rococo D. Classical

D. multiple vanishing points

Both works have all of the following EXCEPT A. chiaroscuro to create volume B. placement within a larger program or cycle of paintings C. the same painting medium D. multiple vanishing points

A. victory

Both works personify A. victory B. wrath C. death D. sainthood

C. biblical hero

Both works represent a A. gladiator B. discus thrower C. biblical hero D. deity

B. Transfiguration

Both works represent the A. Ascension B. Transfiguration C. Resurrection D. Crucifixion

A. Hellenistic Greek sculpture

Both works show an interest in A. Hellenistic Greek sculpture B. Roman Republican portraiture C. Neoclassical sculpture D. Archaic Greek sculpture

B. movement

Both works show an understanding of A. foreshortening B. movement C. symmetry D. perspective

B. mosaic

Both works were created using A. fresco B. mosaic C. oil paint D. egg tempera

A. Baroque

Both works were painted in which period? A. Baroque B. Renaissance C. Rococo D. Neoclassical

A. Primavera

Botticelli, the artist of the work on the left, also painted which of the following? A. Primavera B. Sacred and Profane Love C. Hercules and Antaeus D. Wedding Portrait (Giovanni Arnolfini and His Bride)

A. timber roofs

Church interiors from this time period typically were covered with A. timber roofs B. quadripartite vaults C. pendentive domes D. masonry barrel vaults

A. Administrative buildings

Churches like the one shown were based on the design of which ancient structures? A. Administrative buildings B. Private residences C. Mausoleums D. Temples

B. Romanesque

During which art historical period were most large pilgrimage churches built? A. Early Christian B. Romanesque C. Carolingian D. Gothic

A. funeral procession

Figurative depictions on the vase on the left represent a A. funeral procession B. childbirth C. banqueting scene D. mythological scene

D. abstract intertwined animal forms

Hiberno-Saxon manuscripts such as the Book of Kells often included A. naturalistic landscapes B. representations of the Last Judgment C. donor portraits D. abstract intertwined animal forms

C. registers

In Egypt and Mesopotamia, relief figures were often carved in A. terra-cotta B. the black-figure style C. registers D. caldaria

C. rubbing them with abrasive sand

In Neolithic China, artisans shaped jade congs by A. incising them with metal tools B. using cast molds C. rubbing them with abrasive sand D. firing liquefied clay

A. Doric

In a Greek temple, the absence of a base on the columns identifies the architectural order as A. Doric B. Ionic C. Corinthian D. Composite

B. a specific moment

In contrast to the work on the left, the work on the right presents A. an eternal ideal B. a specific moment C. a divine figure D. political concerns

C. respect for the laws recorded on the stele by suggesting their divine origin

In its original context, the interaction between the god Shamash and Hammurabi on the Code of Hammurabi was intended to cause in viewers a sense of A. fear of punishment by showing them the results of unlawful actions B. empathy with their ruler by showing him as a mere mortal opposite a god C. respect for the laws recorded on the stele by suggesting their divine origin D. loyalty for their ruler by showing him making personal sacrifices for his people

A. pendentives

In order to achieve great height and plentiful light, Byzantine churches often used a dome raised from a larger hemisphere by triangular sections called A. pendentives B. groin vaults C. apses D. corbels

D. Exaggerated proportions that place an emphasis on truncated arms and expansive hips

In the Tlatilco figurine shown, the artist created an effect of stylization through which of the following visual characteristics? A. Monochromatic coloration to give a smooth, even tone to the work B. A static pose to create a sense of balance and harmony C. Hierarchical scale to demonstrate the central importance of the figure D. Exaggerated proportions that place an emphasis on truncated arms and expansive hips

C. pediment

In the building on the left, the triangular area that had been formed by the roof and the cornice is the A. volute B. capital C. pediment D. lintel

C. diagonal lines

In the painting of the running horned woman from Tassili n'Ajjer, Algeria, the impression of movement is conveyed primarily through the use of A. value contrast B. radial balance C. diagonal lines D. organic shapes

A. lessen its overall weight

The coffers in the dome were intended to A. lessen its overall weight B. enhance its acoustics C. reflect light from above D. contrast with the building's floor

B. a peristyle

The colonnade around the perimeter of the temple is best described as A. an arcade B. a peristyle C. a prostyle D. an amphiprostyle

A. fifteenth-century Flemish paintings

The combination of a new level of realism with a complex system of symbolism is characteristic of A. fifteenth-century Flemish paintings B. Ottonian manuscripts C. red-figure vase painting D. twentieth-century Analytic Cubism

B. Diagonal

The composition of the painting can best be described as which of the following? A. Frontal B. Diagonal C. Tripartite D. Symmetrical

C. barrel vaulting

The construction technique typically used to cover the nave in early Romanesque cathedrals is called A. a dome B. a colonnade C. barrel vaulting D. coffering

B. head and upper body of an animal, conforming to the shape of a handle

The creator of the work shown, which is from Neolithic Papua New Guinea, carved the top into an elongated, rounded shape most likely to suggest the A. curved top of a threshing flail whose handle ends in a scepter B. head and upper body of an animal, conforming to the shape of a handle C. upright posture of a standing human, reflecting the vertical form of a stele D. shape of a blossom whose stem forms a palette used for mixing pigments

A. the relative equality of women

The culture in which the work was produced is known for A. the relative equality of women B. the centralization of political authority C. its emphasis on military victories D. human sacrifices

B. composed of groups of mobile hunters and gatherers

The culture that created the work can be characterized as A. defined by social rank and a specialization of labor B. composed of groups of mobile hunters and gatherers C. organized into an early farming community with domesticated animals D. engaged in trade with small seafaring communities on other continents

B. Egyptian

The culture that produced this work was A. Persian B. Egyptian C. Minoan D. Peloponnesian

B. incorporates calligraphic inscriptions

The decoration of the Pyxis of al-Mughira draws on Islamic artistic traditions in that it A. includes only aniconic imagery B. incorporates calligraphic inscriptions C. was created through the process of repoussé D. is accentuated by richly polychromed surfaces

B. the Late Roman Empire

The decoration on portals of this period represents the widespread reemergence of European monumental stone sculpture not seen since A. Classical Greece B. the Late Roman Empire C. the Carolingian revival D. the Gothic period

B. pilgrimage

The design of churches such as this was most likely a practical response to the medieval phenomenon of A. the Inquisition B. pilgrimage C. feudalism D. the papacy

C. iconoclasm

The destruction of images for political or religious reasons is known as A. symbolism B. syncretism C. iconoclasm D. iconography

C. The staggered arrangement of the animals, so that some animals are placed behind others

The detail shown of a painting from the Chauvet-Pont d'Arc Cave demonstrates an early interest in naturalism through which of the following visual characteristics? A. The presentation of the animals using twisted perspective B. The inclusion of heavy outlines to define the full form of each animal C. The staggered arrangement of the animals, so that some animals are placed behind others D. The stylized patterning, which is used to evoke the animals' distinctive characteristics

C. Baroque

The diagonal composition of the work on the right is indicative of which style? A. Early Renaissance B. High Renaissance C. Baroque D. Rococo

B. several workshops were involved

The differences in style between the two pairs of figures confirm the fact that A. the works were carved in different centuries B. several workshops were involved C. different materials were used D. works were imported from other countries

B. personal piety

The distortions and the anguish seen in the sculpture on the right are intended to inspire A. civic pride B. personal piety C. iconoclastic action D. humanistic ideals

A. concrete

The dome of the building is primarily constructed of A. concrete B. marble C. wood D. bronze

D. lantern

The dome on the structure on the left is crowned by a A. predella B. raking cornice C. triforium D. lantern

D. Brunelleschi

The dome on the structure on the left was designed by A. Alberti B. Bramante C. Bernini D. Brunelleschi

A. barrel-vaulted roofing

The double-tiered columns allowed for all of the following EXCEPT A. barrel-vaulted roofing B. decorative rhythm and repetition C. a higher roof to make up for the short columns D. the entrance of light and air into the hall

C. tenebrism

The drama in the painting is reinforced by the use of A. complex symbolism B. linear perspective C. tenebrism D. sfumato

A. Emphasizes the body

The drapery in both works does which of the following? A. Emphasizes the body B. Establishes social status C. Suggests Etruscan influence D. Renders the figures static

A. Medici

The family name of the patrons of this work was A. Medici B. Habsburg C. Gonzaga D. Buonarroti

C. Venus

The figure in the center of the illustration represents A. Mary Magdalene B. Aurora C. Venus D. Eve

D. Medieval

The figure is most commonly associated with which of the following periods? A. Classical B. Rococo C. Renaissance D. Medieval

D. balanced and solid

The figures in both paintings can be characterized as A. outlined and flat B. active and spontaneous C. writhing and elongated D. balanced and solid

A. an arcade

The first story of this church interior is A. an arcade B. a narthex C. a clerestory D. a peristyle

C. stele

The form of the Code of Hammurabi is shaped as a A. palette B. pyxis C. stele D. frieze

B. Profile so that distinctive aspects of the animal are clearly recognizable

The form of the animal is represented using which of the following techniques? A. Composite pose to show the figure from multiple angles B. Profile so that distinctive aspects of the animal are clearly recognizable C. Foreshortening to create the illusion that the animal is in motion D. Overlapping extremities that convey a sense of spatial depth

A. dense clusters of papyrus reeds on the Nile

The form of the columns in the hypostyle hall was intended to recall the A. dense clusters of papyrus reeds on the Nile B. statuesque figures of the pharaoh and his family C. palm trees that grow near desert oases D. celestial rays that emanate from the crown of Amun-Re

A. Early Byzantine icon because of the heavily contoured figures in a shallow space

The formal qualities of the work shown identify it as an example of an A. Early Byzantine icon because of the heavily contoured figures in a shallow space B. Early Byzantine icon because of the inclusion of aerial perspective C. Early Christian manuscript because of the use of gold leaf and saturated colors D. Early Christian manuscript because of the flattened, frontal figures

B. mystical vision

The golden background of the work on the left conveys a sense of A. spatial recession B. mystical vision C. observed naturalism D. site specificity

C. frieze

The horizontal band above the columns in both works is known as the A. cella B. pilaster C. frieze D. peristyle

B. the New Testament

The iconography relates to A. the Old Testament B. the New Testament C. Dante's The Divine Comedy D. Ovid's Metamorphoses

C. marbleized panels

The illusion of depth in both paintings is created by all of the following EXCEPT A. highlights B. overlapping figures C. marbleized panels D. modeling

A. architectural structures

The illusion of depth is achieved primarily through the use of A. architectural structures B. warm and cool colors C. cast shadows D. reclining figures

B. laws governing crime and punishment

The inscribed text outlines A. rituals in preparation for the afterlife B. laws governing crime and punishment C. historical accounts of military triumphs D. ceremonial prayers to the gods

B. ornamented with marble

The interior of the building is A. illuminated by an oculus B. ornamented with marble C. furnished with calligraphic panels D. covered with low-relief carvings

A. a cella

The interior of the temple contains A. a cella B. a tholos C. a narthex D. an ambulatory

B. an atrium

The interior on the left is called A. a podium B. an atrium C. an amphitheater D. a cella

C. gallery

The interior shows a two-story elevation consisting of a nave arcade and a A. clerestory B. triforium C. gallery D. crypt

A. donors

The kneeling figures at the lower left and the lower right of the painting represent A. donors B. prophets C. sibyls D. saints

A. tympanum

The lunette-shaped space above the doors is called a A. tympanum B. pediment C. jamb D. frieze

B. marble

The material of both works is A. painted terracotta B. marble C. ivory D. plaster

D. Late Antique Egyptian funerary portraiture

The materials and art-making process used to create the work demonstrate the influence of A. ancient Roman wall paintings B. New Kingdom papyrus illustration C. ancient Greek red-figure vase painting D. Late Antique Egyptian funerary portraiture

B. crossing square

The mathematical unit that organizes the plan is derived from the A. radiating chapels B. crossing square C. towers D. apse

B. polychromed wood

The medium of the sculpture on the right is A. multicolored marble B. polychromed wood C. glazed terracotta D. painted gesso

A. terracotta

The medium of the work is A. terracotta B. marble C. bronze D. wood

D. oil

The medium of the work on the right is A. watercolor B. encaustic C. tempera D. oil

C. egg yolk

The medium of the work on the right is tempera, which is pigment mixed with A. animal fat B. linseed oil C. egg yolk D. wax

C. oil

The medium used in the work is A. fresco B. intaglio C. oil D. tempera

B. in the qibla wall

The mihrab of the structure is located A. inside a minaret B. in the qibla wall C. in the center of the prayer hall D. at the entrance to the mosque

A. Spain

The mosque shown is located in A. Spain B. Syria C. Turkey D. Egypt

C. first century C.E.

The most likely time period for both interiors is A. 10,000 B.C.E. B. 500 B.C.E. C. first century C.E. D. fourth century C.E.

A. manuscript illumination

The narrative imagery in Gothic stained-glass windows is most comparable to that of A. manuscript illumination B. tomb sculpture C. catacomb painting D. jamb sculptures

A. gestures

The narrative moment is expressed through the A. gestures B. textual gloss C. color palette D. lighting

B. a barrel vault

The nave of the church is covered by A. a coffered ceiling B. a barrel vault C. groined vaults D. domical vaults

A. Classical antiquity

The nudity of the sculpture on the left is a reference to A. Classical antiquity B. International Gothic Style C. ideas of original sin D. athletic prowess

B. a reliquary

The object functioned as A. a salt cellar B. a reliquary C. an altarpiece D. a donor portrait

A. Sainte Foy

The object represents A. Sainte Foy B. the Virgin Mary C. Charlemagne D. Justinian

C. pilgrimage church

The object was originally located in a A. mausoleum B. town hall C. pilgrimage church D. private residence

D. literacy

The objects held by the figures in the slide on the right refer to A. religion B. music C. astrology D. literacy

A. the transience of life

The objects in the work on the right contain references to A. the transience of life B. ancient Roman ritual C. table manners D. paganism

C. mosaics

The original interior decoration primarily featured A. bas-relief sculpture B. painted retables C. mosaics D. frescoes

C. an emperor

The original patron of the building was A. a pope B. a merchant C. an emperor D. a caliph

A. Doric

The outer frieze of the temple is A. Doric B. Ionic C. Corinthian D. Composite

B. Michelangelo

The outstretched hand of the figure on the far right is a visual homage to a famous painting by A. Giotto B. Michelangelo C. Leonardo D. Raphael

A. Old Kingdom Egypt

The painted, low-relief sculpture is representative of the culture of A. Old Kingdom Egypt B. the Aegean Bronze Age C. ancient Mesopotamia D. early Mesoamerica

C. New Testament

The painting depicts a subject recorded in the A. Decameron B. Divine Comedy C. New Testament D. Old Testament

A. religious symbolism

The painting incorporates A. religious symbolism B. political propaganda C. musical metaphors D. Classical mythology

C. Caravaggio

The painting is by A. Velázquez B. Vermeer C. Caravaggio D. Rembrandt

C. graceful linearity

The painting is noteworthy for its A. one-point perspective B. scientific content C. graceful linearity D. geometric patterns

A. exaggeration of space and color

The painting style is characterized by A. exaggeration of space and color B. naturalistic anatomical proportions C. clear narrative representation D. compositional symmetry

A. chapel in a church

The painting was commissioned for a A. chapel in a church B. town hall C. monastic cell D. guildhall

B. chapel

The painting was created as part of a larger decorative program for a A. tavern B. chapel C. palace D. prison

C. Italy

The painting was created in A. France B. Spain C. Italy D. Flanders

C. Marie de' Medici

The patron for the work on the left was A. Elizabeth I B. Louis XIV C. Marie de' Medici D. Marie Antoinette

B. Justinian

The patron of the building was A. Abd al-Malik B. Justinian C. Charlemagne D. Shah Jahan

D. Federico Cornaro

The patron of the work was A. Pope Julius II B. Pope Urban VIII C. Lorenzo de' Medici D. Federico Cornaro

B. It must have held special value for its owners, because creating it would have been extremely time consuming.

The physical properties of the Ambum Stone have led scholars to propose which of the following theories about the work? A. It must have been transported via a long distance trade network, because the specific type of stone it was made from is not quarried locally. B. It must have held special value for its owners, because creating it would have been extremely time consuming. C. It must have been heavily used in its original context, because some areas of the work show significant wear from repeated grinding action. D. It most likely formed part of a larger sculptural program from a temple excavated nearby

D. a triptych

The piece is called A. a lintel B. an altar C. a frieze D. a triptych

C. the Aula Palatina in Trier

The plain brick exterior wall of this church resembles the walls of A. Saint-Maclou in Rouen B. the Colosseum in Rome C. the Aula Palatina in Trier D. the Parthenon in Athens

C. pilgrimage church

The plan demonstrates that the church is a A. baptistery B. private chapel C. pilgrimage church D. central-plan church

D. basilican

The plan for this church is best described as A. Greek cross B. open C. octagonal D. basilican

B. narthex

The plan of San Vitale differs from that of the Pantheon by the inclusion of a A. crypt B. narthex C. transept D. westwork

C. Hagia Sophia

The plan of San Vitale is most similar to which of the following? A. Sant'Apollinare in Classe B. Old Saint Peter's C. Hagia Sophia D. The Basilica of Constantine

C. gables

The portals on the structure on the right include triangular A. lintels B. jambs C. gables D. lancets

B. his triumph over death

The portrayal of Christ primarily emphasizes A. transubstantiation B. his triumph over death C. his preaching and parables D. his intense suffering

A. a Classical statue

The pose of the figure in the center is derived from A. a Classical statue B. an Early Christian sarcophagus C. a Byzantine icon D. a Baroque ceiling

B. banqueting

The pose of the figures suggests that they are A. sleeping B. banqueting C. praying D. grieving

D. Mecca

The qibla wall in the mosque indicates the direction of prayer toward A. Rome B. Constantinople C. Jerusalem D. Mecca

C. Repoussé

The raised figures were created using which of the following metalworking methods? A. Cloisonné B. Niello C. Repoussé D. Cire perdue

D. document a specific event

The relief served all of the following purposes EXCEPT to A. suggest status and power B. decorate a tomb C. provide for the ka D. document a specific event

B. spolia

The reused columns in this building are examples of A. piers B. spolia C. pediments D. spires

B. The figure is represented in composite pose.

The running horned woman from Tassili n'Ajjer, Algeria, is presented using which of the following visual characteristics? A. The figure is placed on a clear ground line. B. The figure is represented in composite pose. C. The facial features are unique and individualized. D. The musculature is clearly defined.

A. high rank

The scale of the central figure indicates A. high rank B. intelligence C. subservience D. divinity

B. Michelangelo

The sculptor of the work on the left was A. Ghiberti B. Michelangelo C. Canova D. Donatello

B. Bernini

The sculptor of the work on the right was A. Cellini B. Bernini C. Verrocchio D. Giambologna

C. Bernini

The sculptor of the work was A. Cellini B. Donatello C. Bernini D. Michelangelo

C. Michelangelo

The sculptor whose work was most influenced by the work shown was A. Claus Sluter B. Ghiberti C. Michelangelo D. Donatello

B. sarcophagus

The sculptural work originally functioned as a A. reliquary B. sarcophagus C. ciborium D. cassone

B. Classical Greece

The sculpture is a product of which of the following cultures? A. Archaic Greece B. Classical Greece C. Hellenistic Greece D. Imperial Rome

C. hollow-cast bronze

The sculpture is made principally of A. painted marble B. painted limestone C. hollow-cast bronze D. terra-cotta

A. David

The sculpture on the left represents A. David B. Isaac C. Trajan D. Apollo

D. Pietà

The sculpture on the right depicts a A. holy family group B. sacra conversazione C. Pantokrator D. Pietà

B. guild

The sculpture on the right was commissioned by a A. pope B. guild C. banking family D. monastic order

A. Akhenaten

The sculpture shown is most closely associated with images of A. Akhenaten B. Hammurabi C. Pericles D. Julius Caesar

C. mixture of perspective models

The spatial system followed in the overall decoration shown on the right (house of vettii frescoes) is best characterized by its A. one-point perspective B. atmospheric perspective C. mixture of perspective models D. wide vista effects

C. composite

The specific pose of the largest figure can be best described as A. naturalistic B. contrapposto C. composite D. foreshortened

A. encouraging a personal connection with holy figures

The steady gazes and frontal poses of the foreground figures likely affected the original audience by A. encouraging a personal connection with holy figures B. modeling appropriate manners at court C. monitoring the viewer's moral conduct D. demonstrating reverence for community elders

A. flying buttresses and ribbed vaulting

The structural elements of French Gothic architecture can best be illustrated by the relationship between A. flying buttresses and ribbed vaulting B. spherical domes and compound piers C. tunnel vaults and pier buttresses D. stained glass and jamb sculptures

A. west façade

The structure on the right most closely reflects the French Gothic style in the design of its A. west façade B. bell tower C. crossing dome D. marble incrustation

C. hall church

The structure shown here is an example of a A. cloister B. baptistery C. hall church D. palace chapel

B. Florence

The structure shown in the slide on the left is located in A. Rome B. Florence C. Venice D. Ravenna

C. Mannerist

The style of the painting is A. Early Renaissance B. High Renaissance C. Mannerist D. Baroque

C. Geometric

The style of the work on the left is A. Orientalizing B. calligraphic C. Geometric D. Classical

A. Eighth

The style of the work on the left relates it to which century B.C.E.? A. Eighth B. Seventh C. Sixth D. Fifth

D. Fifth

The style of the work on the right relates it to which century B.C.E.? A. Eighth B. Seventh C. Sixth D. Fifth

B. Renaissance

The stylistic period of the work is A. Late Gothic B. Renaissance C. Mannerism D. Baroque

C. Annunciation

The subject of both works centers on the A. Nativity B. Lamentation C. Annunciation D. Crucifixion

D. a mystical experience of Saint Teresa

The subject of the work is A. the Annunciation to the Virgin Mary B. the martyrdom of Saint Catherine C. a miracle of Saint Ursula D. a mystical experience of Saint Teresa

B. Donatello

The subject of the work on the right was also sculpted by A. Degas B. Donatello C. Phidias D. Luca Della Robbia

C. Parthenon in Athens

The temple shown is the A. Pantheon in Rome B. Temple of Athena Nike in Athens C. Parthenon in Athens D. Temple of Portunus in Rome

B. an oculus

The term for the central opening in the dome is A. a lantern B. an oculus C. an impluvium D. a clerestory

C. a married couple

The two figures in the slide on the right are A. the mythological founders of Rome B. a sibyl and a scribe C. a married couple D. a teacher and student

C. Roman

The two figures on the right reflect the influence of which of the following earlier styles? A. Archaic Greek B. Islamic C. Roman D. Byzantine

C. god and a king

The two figures portray a A. king and his chief priest B. pharaoh and his scribe C. god and a king D. high priest and a warrior

A. conversion

The use of light symbolizes a moment of A. conversion B. coronation C. damnation D. betrothal

D. engaged columns

The view of the nave shows A. a triforium B. pointed arches C. pendentives D. engaged columns

A. a mystery cult

The wall painting on the left is probably related to A. a mystery cult B. ancient Roman history C. ancestor worship D. an epic narrative

B. home

The wall painting on the right was located in a A. catacomb B. home C. temple D. basilica

A. paintings

The walls of the interior shown on the right (house of vettii frescoes) are decorated with A. paintings B. tapestries C. mosaics D. sculptural reliefs

B. Medieval

The work comes from which of the following periods or cultures? A. Persian B. Medieval C. Renaissance D. Chinese

B. fifteenth century

The work dates from the end of the A. twelfth century B. fifteenth century C. sixteenth century D. nineteenth century

C. husband and wife

The work depicts a A. king and queen B. god and goddess C. husband and wife D. master and slave

C. Alexander the Great overthrew King Darius III

The work depicts a battle in which A. Anglo-Saxons were defeated by Duke William at Hastings B. the Greeks won a naval war against the Persians at Salamis C. Alexander the Great overthrew King Darius III D. Rome was sacked by the invading Visigoths

B. Last Supper

The work depicts the A. Feast in the House of Levi B. Last Supper C. Marriage at Cana D. Supper at Emmaus

B. a book cover

The work functioned as A. an icon B. a book cover C. an altarpiece D. a purse lid

C. coronation

The work has been interpreted as a visual document of all of the following EXCEPT A. marriage B. betrothal C. coronation D. legal contract

B. linear perspective

The work incorporates A. hierarchical scale B. linear perspective C. elongated proportions D. strident colors

D. hieroglyphics

The work incorporates text in A. Coptic B. Kufic C. cuneiform D. hieroglyphics

B. Babylonian

The work is A. Sumerian B. Babylonian C. Akkadian D. Assyrian

C. part of an illuminated manuscript

The work is A. a comic book illustration B. a tapestry C. part of an illuminated manuscript D. a silk-screen print

D. a sarcophagus

The work is A. a krater B. an acroterion C. a stele D. a sarcophagus

A. a mosaic

The work is A. a mosaic B. a fresco C. an encaustic D. an oil

D. mosaic

The work is a A. fresco B. wall painting C. limestone relief D. mosaic

A. wall painting

The work is a A. wall painting B. panel painting C. manuscript illumination D. tapestry

C. Leonardo da Vinci

The work is by A. Masaccio B. Michelangelo C. Leonardo da Vinci D. Andrea del Castagno

C. Etruscan

The work is from which culture? A. Sumerian B. Mycenaean C. Etruscan D. Minoan

C. Rome

The work is located in A. Florence B. Padua C. Rome D. Venice

C. monastic refectory

The work is located in a A. ducal palace B. papal chapel C. monastic refectory D. city hall

B. provide for the afterlife

The work is part of a larger program intended to A. illustrate a historical narrative B. provide for the afterlife C. demonstrate the power of the ruler D. teach hunting techniques

C. Baroque

The work of this artist dates to which of the following periods? A. Renaissance B. Mannerism C. Baroque D. Rococo

C. a fresco

The work on the left (left in pic on quizlet too) can best be characterized as A. encaustic B. tempera on wood C. a fresco D. a screen print

D. Hellenistic Greek painting

The work on the left (left in pic on quizlet too) was most likely influenced by A. Gothic manuscripts B. Attic vase painting C. Baroque ceiling frescoes D. Hellenistic Greek painting

A. civic freedom

The work on the left became a symbol of A. civic freedom B. religions intolerance C. monastic dynasty D. athletic games

C. part of a series

The work on the left can best be described as A. a genre scene B. part of an altarpiece C. part of a series D. an illuminated manuscript

A. the banning or destruction of religious figurative images

The work on the left is a rare icon that survived iconoclasm, which was A. the banning or destruction of religious figurative images B. a guild regulation about artists' qualifications C. a law restricting and confiscating luxury materials D. an edict prohibiting the observance of religious ritual

B. Hellenistic Greece

The work on the left is from A. Classical Greece B. Hellenistic Greece C. Imperial Rome D. Baroque Italy

A. Florence

The work on the left is located n A. Florence B. Rome C. Siena D. Venice

C. alighting on the prow of a boat

The work on the left represents a figure A. witnessing a sacred event B. showing loyalty to an emperor C. alighting on the prow of a boat D. experiencing spiritual enlightenment

A. sixth century B.C.E.

The work on the left was created during the A. sixth century B.C.E. B. fifth century B.C.E. C. third century B.C.E. D. first century B.C.E.

C. grave marker

The work on the left was originally used as a A. columnar support B. frieze decoration C. grave marker D. jamb figure

B. sixth or seventh century C.E.

The work on the left was painted during the A. first or second century C.E. B. sixth or seventh century C.E. C. tenth or eleventh century C.E. D. fourteenth or fifteenth century C.E.

A. an interest in individual expression

The work on the right demonstrates all of the following EXCEPT A. an interest in individual expression B. a dependence on Classical prototypes C. a limited use of shading and volume D. a strong linear sense

B. Depicts a domestic event.

The work on the right does which of the following? A. Depicts a legislative event. B. Depicts a domestic event. C. Uses realistic scale. D. Expresses intense emotion.

C. triptych

The work on the right is a A. diptych B. predella C. triptych D. polyptych

C. Baroque Holland

The work on the right is a typical example of a still life from A. Renaissance Germany B. Renaissance Italy C. Baroque Holland D. Neoclassical France

A. Classical Greece

The work on the right is from A. Classical Greece B. Hellenistic Greece C. Imperial Rome D. Baroque Italy

A. Temple of Athena Nike on the Acropolis

The work on the right is from the A. Temple of Athena Nike on the Acropolis B. Bernini Fountain of Four Rivers in Rome C. Altar of Zeus in Pergamon D. Arch of Titus in Rome

C. a boxer

The work on the right presents A. a ruler B. an orator C. a boxer D. a priest

B. aligning the Old Testament and the New Testament through typology

The work on the right reflects an interest in A. accurately copying figures and subject matter from nature B. aligning the Old Testament and the New Testament through typology C. emphasizing the role of the saints in the church D. asserting imperial authority over the church

D. Hellenistic

The work on the right was created during which of the following periods? A. Early Classical B. Late Classical C. Archaic D. Hellenistic

A. Perugino

The work on the right was painted by A. Perugino B. Masaccio C. Bellini D. Raphael

D. fifteenth century C.E.

The work on the right was painted during the A. fourth century C.E. B. sixth century C.E. C. twelfth century C.E. D. fifteenth century C.E.

D. Greece

The work primarily reveals the influence of ancient A. Crete B. Rome C. Assyria D. Greece

A. Counter-Reformation

The work promoted ideas associated with the A. Counter-Reformation B. Protestant Reformation C. Age of Enlightenment D. Scholastic movement

B. theatrical stage design

The work reveals the sculptor's interest in A. scientific research B. theatrical stage design C. genre painting D. political ideologies

B. king's right to rule

The work serves to legitimize the A. invasion of neighboring city-states B. king's right to rule C. institution of monotheism D. authority of the priests

A. the Apollo 11 stones from Namibia, created c. 25,500-25,300 B.C.E.

The work shown can be identified as A. the Apollo 11 stones from Namibia, created c. 25,500-25,300 B.C.E. B. a section of the Great Hall of the Bulls at Lascaux, created 15,000-13,000 B.C.E. C. the Ambum Stone from Papua New Guinea, created c. 1500 B.C.E. D. a Lapita terra cotta fragment from the Solomon Islands, created 1000 B.C.E

B. anthropomorphic stele from the Arabian Peninsula, created in the fourth millennium B.C.E.

The work shown can be identified as the A. camelid sacrum in the shape of a canine from central Mexico, created 14,000-7000 B.C.E. B. anthropomorphic stele from the Arabian Peninsula, created in the fourth millennium B.C.E. C. Ambum Stone from Papua New Guinea, created c. 1500 B.C.E. D. Tlatilco female figurine from central Mexico, created 1200-900 B.C.E.

D. geometric

The work shown from Susa, Iran, includes patterns that can best be described as A. organic B. naturalistic C. elongated D. geometric

C. Tlatilco culture between 1200 and 900 B.C.E.

The work shown was created by the A. SusTlatilco culture between 1200 and 900 B.C.E. B. Liangzhu culture between 3300 and 2200 B.C.E. C. Tlatilco culture between 1200 and 900 B.C.E. D. Lapita culture in 1000 B.C.E.

B. Carolingian

The work shown was created during which of the following art-historical periods? A. Hiberno-Saxon B. Carolingian C. Gothic D. Renaissance

B. Botticelli

The work shown was painted by A. Bellini B. Botticelli C. Masaccio D. Michelangelo

D. Baroque

The work was created during which art-historical period? A. Renaissance B. Rococo C. Gothic D. Baroque

A. fresco

The work was created using A. fresco B. faience C. encaustic D. tempera

B. hand-shaped clay and a sharp instrument to incise details

The work was created using A. standardized molds for uniform appearance and size B. hand-shaped clay and a sharp instrument to incise details C. early forging and casting techniques D. found stones that seemed to suggest bodily forms

C. tomb

The work was found in a A. temple B. palace C. tomb D. library

C. Located in a rock shelter in the mountains

The work was found in which of the following contexts? A. Painted on the wall of a cave B. Buried with other grave goods C. Located in a rock shelter in the mountains D. Embedded in the ruins of an ancient temple

A. Egypt

The work was made in A. Egypt B. Assyria C. Persia D. Mycenae

C. Van Eyck

The work was painted by A. Vermeer B. Rembrandt C. Van Eyck D. Memling

B. Fifteenth

The work was painted in which century? A. Thirteenth B. Fifteenth C. Seventeenth D. Nineteenth

B. fifth-century B.C.E.

These buildings (there's one more image) date to the A. sixth-century B.C.E. B. fifth-century B.C.E. C. fourth-century B.C.E. D. third-century B.C.E.

C. Gothic

These sculptures are from which of the following art historical periods? A. Early Christian B. Romanesque C. Gothic D. Baroque

A. rival city-states

These two structures were built in two different locales that can best be described as A. rival city-states B. feudal estates C. seats of royal power D. monastic communities

A. cathedral

They are part of the decoration of a A. cathedral B. city hall C. theater D. palace

A. an icon

This kind of painted panel depicting a religious subject is called A. an icon B. a predella C. a tympanum D. an anamorphic image

B. Ravenna

This work was made in the fifth century C.E. in A. Rome B. Ravenna C. Pompeii D. Reims

A. the connection between the mortal and the spiritual realms

Two commonly accepted interpretations of the paintings in the Great Hall of the Bulls at Lascaux are that they depict images related to hunting and that they depict A. the connection between the mortal and the spiritual realms B. the symbolic representation of a battle against enemy forces C. maps of conquered territories with their distinctive features D. records of ancestral lineage written through the use of pictographs

B. Hagia Sophia and San Vitale

Two structures associated with Emperor Justinian are A. Santa Costanza and Saint Peter's B. Hagia Sophia and San Vitale C. San Marco and the Doges' Palace D. Saint-Denis and Chartres

C. Annunciation

What is the subject of the two figures on the left? A. Lamentation B. Flight into Egypt C. Annunciation D. Adoration

B. During eighteenth-century archaeological excavations

When did the wall painting on the left come to public attention? A. In the aftermath of bombings of the Second World War B. During eighteenth-century archaeological excavations C. After the sack of Rome in 1527 D. During the Visigoth invasion of Italy

B. caryatids

When sculptural figures take the place of columns in similar architectural structures, they are called A. flutes B. caryatids C. jamb figures D. triglyphs

C. The use of flying buttresses

Which characteristic typically differentiates a Gothic church from a Romanesque church? A. The use of a basilican plan B. The inclusion of a clerestory C. The use of flying buttresses D. The presence of a nave arcade

C. Ambulatory

Which of the following architectural features of Romanesque churches developed in connection with their use as pilgrimage centers? A. Clerestory B. Nave C. Ambulatory D. Vaulting

A. Patron family members

Which of the following are depicted in carved balconies on each side of the work? A. Patron family members B. Allegorical figures C. Classical mythological deities D. Martyred saints

D. Romanesque

Which of the following art historical periods did NOT influence San Vitale? A. Roman B. Byzantine C. Early Christian D. Romanesque

B. The pharaoh possessed divinely granted power to maintain order on earth.

Which of the following aspects of ancient Egyptian beliefs is reflected in the program of relief carvings and hieroglyphics that cover the interior and exterior surfaces of the temple complex? A. The temple priests were the sole intercessors between gods and humans. B. The pharaoh possessed divinely granted power to maintain order on earth. C. Egyptian gods were in constant conflict with foreign deities. D. Ordinary humans could reign as gods in the afterlife.

A. Etruscan

Which of the following cultures produced this sarcophogus? A. Etruscan B. Greek C. Roman D. Egyptian

A. The Pantheon in Rome

Which of the following employed concrete as a building material? A. The Pantheon in Rome B. Notre-Dame Cathedral in Paris C. The Church of St. Michael in Hildesheim D. The funerary temple of Queen Hatshepsut

D. Compound piers and transverse arches

Which of the following help to articulate the three-dimensional modules of the nave? A. Pendentives and squinches B. Colonnades and architraves C. Posts and lintels D. Compound piers and transverse arches

B. The use of luxury materials acquired from other cultures

Which of the following is a feature of the Standard of Ur that provides evidence of a vast trade network with foreign lands? A. Inscriptions written in different languages B. The use of luxury materials acquired from other cultures C. The depiction of foreign dignitaries bringing tribute D. Imagery of a ruler's travels to exotic lands

D. They are nearly freestanding.

Which of the following is an innovative feature of these four figures? A. They are part of a decorative program. B. They represent biblical characters. C. They portray French royalty. D. They are nearly freestanding.

D. Church patronage encouraged religious art.

Which of the following is true of the Gothic period? A. Artists were educated in academies. B. Private patronage encouraged much still-life painting. C. The greatest architectural innovations were made in domestic structures. D. Church patronage encouraged religious art.

C. Concrete poured in molds

Which of the following techniques or materials allowed Roman architects to enclose large unobstructed interior spaces? A. The post-and-lintel system B. Corbeled stone vaults C. Concrete poured in molds D. Dried-brick pylon construction

C. Sacra conversazione

Which of the following terms best describes the content of the painting? A. Deposition B. Lamentation C. Sacra conversazione D. Piéta

A. The Selimiye Mosque in Edirne

Which of the following was designed by the architect Sinan? A. The Selimiye Mosque in Edirne B. The Great Mosque of Córdoba C. The Taj Mahal in Agra D. The Dome of the Rock in Jerusalem

B. Stylized naturalism

Which phrase best applies to the sculpture shown and to others of the period? A. Rigid formality B. Stylized naturalism C. Classical portraiture D. Dramatic expressiveness

C. Monotheistic

Which term best describes the religious beliefs of the period during which this work was produced? A. Polytheistic B. Atheistic C. Monotheistic D. Agnostic

C. tempted the faithful to worship them as idols

While some Christian worshipers at the time of the work's creation saw such works as necessary to their devotions, others objected because they believed that the works A. encouraged the commercialization of religion B. were too expensive for most Christian congregations to own C. tempted the faithful to worship them as idols D. failed to depict the human form naturalistically

A. Fra Girolamo Savonarola

Works like this were denounced by A. Fra Girolamo Savonarola B. Pope Julius II C. Teresa of Avila D. Fra Filippo Lippi

B. a necropolis

Works such as the one shown were typically placed in A. an atrium B. a necropolis C. a treasury D. a temple

C. monastic workshops

Works such as this were created in A. guildhalls B. early universities C. monastic workshops D. national academies

B. spaces that were increasingly dark and mysterious, leading to the inner sanctum housing the cult statue

A pharaoh progressing through the temple complex was intended to encounter A. spaces arranged at oblique angles, which culminated in a majestic, light-filled foyer B. spaces that were increasingly dark and mysterious, leading to the inner sanctum housing the cult statue C. a series of open courtyards and halls illuminated with clerestory windows that led to the pharaoh's throne room D. narrow, serpentine walkways that mimicked the flow of the Nile River, terminating at a sacred pool

B. St. Peter

A primary figure found in both works is A. Lorenzo de' Medici B. St. Peter C. Pope Julius II D. the artist

C. a hypostyle hall

A principal feature of the interior shown is A. a basilica plan B. a central staircase C. a hypostyle hall D. ogival arches

B. chapels

According to the plan, the church's ambulatory allowed access to its A. atrium B. chapels C. sacristy D. narthex

A. bas relief narratives

All of the following are part of the structure's decoration EXCEPT A. bas relief narratives B. calligraphic inscriptions C. reused Roman columns and capitals D. arabesque patterns

C. groin vault

All of the following features are typically found in an Early Christian basilica EXCEPT a A. wooden roof B. longitudinal nave C. groin vault D. large clerestory

B. political ambitions

Allegorical content in the work on the left alludes to the patron's A. religious beliefs B. political ambitions C. literary talents D. scientific achievements

C. ritual activity, perhaps to ensure successful hunting of the animals depicted on the cave walls

Although many theories exist to explain the overlapping forms of the animals in the Great Hall of the Bulls at Lascaux, some scholars have interpreted the repeated images as evidence of A. continuous narration, with the forms being repeated to show an ongoing sequence of events B. physical challenges, because the artists were painting in total darkness before the invention of oil lamps C. ritual activity, perhaps to ensure successful hunting of the animals depicted on the cave walls D. funerary practices, since each animal appears to mark the grave of a different individual

D. a center for pilgrimage and healing of the sick

Although the function of Stonehenge has been debated by scholars, newer archaeological evidence suggests that it may have acted as A. a platform for displaying important ancestral sculptures B. an early amphitheater for watching fights between warriors C. a royal estate for housing rulers and the elite D. a center for pilgrimage and healing of the sick

A. pendentives

An important structural innovation of the building is the use of A. pendentives B. corbelled galleries C. groin vaults D. concrete construction

A. In an ongoing settlement that included places with ritual significance

Archaeological evidence from the site where the work was found has led scholars to suggest that the original audience lived in which of the following locations? A. In an ongoing settlement that included places with ritual significance B. Near a series of caves containing wall paintings of constellations and maps C. On an extensive group of islands that were linked by a network of canals D. On a processional route to a royal burial complex

B. an imposing mythical creature that was meant to safeguard the entrance to a royal complex

In the work shown, features of different animals were combined for the purpose of creating A. a symbolic representation of a kingdom that was made through uniting separate realms B. an imposing mythical creature that was meant to safeguard the entrance to a royal complex C. the personification of a multifaceted deity to be placed inside the shrine of a temple complex D. the symbolic portrait of a king as protector and defender of stability in the realm

B. horseshoe arches

Incorporated into the building's design are voussoirs, which are used to form the A. bases of the columns B. horseshoe arches C. impost blocks D. mosaic decorations

A. oil paint

Jan van Eyck is known for his early use of A. oil paint B. egg tempera paint C. chiaroscuro D. gouache

A. an apse

Like most churches from this period, the eastern end of the building terminates in A. an apse B. a tholos C. a colonnade D. an ambulatory

C. Christianity

One factor contributing to the difference between these structures is the rise of A. Islam B. paganism C. Christianity D. Russian Orthodoxy

D. Neoplatonism

One leading interpretation of the painting is that it reflects the ideas of A. scholasticism B. the Counter-Reformation C. empiricism D. Neoplatonism

C. convey economic and cultural superiority

One of the major reasons for the grand size of these two structures was to A. accommodate large numbers of pilgrims traveling to Santiago de Compostela B. challenge the authority of the Pope in Rome C. convey economic and cultural superiority D. honor a line of royal kings buried there

C. Egyptian

Precedents for works such as the one on the left have been found primarily in which of the following cultures? A. Minoan B. Assyrian C. Egyptian D. Mycenaean

B. private devotion

Religious objects such as this one were produced primarily for A. court ritual B. private devotion C. architectural decoration D. burial purposes

B. unidealized realism

Roman Republican portraiture is characterized primarily by its A. rejection of Etruscan portrait conventions B. unidealized realism C. use of bronze D. use of polychrome finishes

C. Ravenna

San Vitale is located in A. Pisa B. Rome C. Ravenna D. Constantinople

D. As an offering made to accompany the deceased in burial

Scholars believe that the work was used for which of the following purposes? A. For elite religious rituals held in underground temples B. For prophetic acts to divine the future and understand the past C. As a family portrait of powerful ruling siblings D. As an offering made to accompany the deceased in burial

B. a society of early farmers who lived in nearby agricultural settlements

Stonehenge was initially created by a Neolithic culture that can best be described as A. a society of loosely connected groups of migratory hunter-gatherers B. a society of early farmers who lived in nearby agricultural settlements C. an urbanized society concentrated in fortified towns along an important trade route D. a stratified society arranged around administrative centers inhabited by the elite

D. Italian Baroque

Stylistic aspects of the painting identify it as being from the A. Italian Renaissance B. Northern Renaissance C. Dutch Baroque D. Italian Baroque

B. Hellenistic

Stylistically, the sculpture is an example of which of the following art historical periods? A. Etruscan B. Hellenistic C. Gothic D. Renaissance

D. appear in the guise of everyday objects

The Merode Altarpiece by the Master of Flémalle (Robert Campin?) includes symbols that A. indicate that it is a marriage portrait B. identify each figure as a specific saint or prophet C. indicate that it was commissioned by the Portinari family D. appear in the guise of everyday objects

B. first century C.E.

The approximate date of the work on the left (left in pic on quizlet too) is A. fourth century B.C.E. B. first century C.E. C. eleventh century C.E. D. eighteenth century C.E.

D. mathematicians

The architects of the structure were also A. sultans B. generals C. knights D. mathematicians

C. transept

The architectural feature perpendicular to the nave is known as a A. radiating chapel B. chevet C. transept D. choir screen

B. Byzantine

The architectural forms and decoration of the structure identify it as A. Gothic B. Byzantine C. Early Christian D. Romanesque

A. Doric

The architectural order shown on the left is A. Doric B. Ionic C. Tuscan D. Corinthian

B. Ionic

The architectural order shown on the right is A. Doric B. Ionic C. Tuscan D. Corinthian

C. Romanesque

The architectural style of this portal is A. Classical Roman B. Early Christian C. Romanesque D. Islamic

A. Byzantine

The art historical period of both works is A. Byzantine B. Ottonian C. Romanesque D. Gothic

D. radical stylistic change

The art produced during this period involved A. the construction of monuments to numerous deities B. the reestablishment of past traditions C. major architectural innovations D. radical stylistic change

C. materials

The artist experimented with the work's A. placement B. iconography C. materials D. size

A. applying a red slip made of diluted clay with added mineral pigment before firing

The artist from the Neolithic Lapita culture who created these terra cotta fragments decorated the surface of the ceramic by A. applying a red slip made of diluted clay with added mineral pigment before firing B. painting linear designs onto the finished pot with white tempera using a brush C. arranging tiny stone squares into angular patterns by pressing them into wet clay D. using a three-phase firing process to cause different surface areas to take on different colors

B. written text

The artist includes himself in the painting in the form of A. animal representation B. written text C. symbolic representation D. narrative elements

D. Pontormo

The artist is A. Rosso Fiorentino B. Mantegna C. Caravaggio D. Pontormo

D. Impressionism

The artist of the painting on the left is primarily associated with A. Romanticism B. Neoclassicism C. Post-Impressionism D. Impressionism

C. Venice

The artist of the work dominated painting in which of the following cities? A. Florence B. Rome C. Venice D. Parma

A. Rubens

The artist of the work on the left is A. Rubens B. Rigaud C. Holbein D. Poussin

C. Titian

The artist of the work shown is A. Parmigianino B. Raphael C. Titian D. Giotto

D. Bruges

The artist who created the painting worked primarily in A. Paris B. Antwerp C. London D. Bruges

D. members of the church hierarchy

The artist's principal patrons were A. Spanish royalty B. Tuscan monks C. members of the merchant class D. members of the church hierarchy

A. natural shape of the animal bone into which it was carved

The basic form of the camelid sacrum in the shape of a canine from prehistoric Mexico was most likely determined by the A. natural shape of the animal bone into which it was carved B. sacred status given to canine animals in ancient Mesoamerica C. desired function of the object as a ceremonial headdress D. influence of imagery found in other examples of ancient Mesoamerican art

A. bays

The builders organized the nave of the church in three-dimensional modules called A. bays B. cells C. niches D. apsidioles

A. a basilican plan with a central plan

The building combines A. a basilican plan with a central plan B. a double transept with a dome C. a hypostyle hall and an atrium D. an ambulatory and radiating chapels

D. Hagia Sophia in Istanbul

The building is A. the Great Friday Mosque in Isfahan B. the Dome of the Rock in Jerusalem C. San Marco in Venice D. Hagia Sophia in Istanbul

C. Rome

The building is located in A. Athens B. Florence C. Rome D. Istanbul

D. Temple of Athena Nike

The building on the right is the A. Temple of Fortuna Virilis B. Erechtheion C. Ara Pacis D. Temple of Athena Nike

A. sixth century

The building was constructed in the A. sixth century B. seventh century C. twelfth century D. fourteenth century

B. church

The building was converted into a A. theater B. church C. residence D. mosque

C. temple

The building was originally used as a A. marketplace B. tomb C. temple D. bathhouse

A. mandorla

The central figure in the work on the left is set within a A. mandorla B. tympanum C. voussoir D. portal

B. nudity

The central figure was innovative in its time because of its A. proportions B. nudity C. contrapposto D. color

B. Christ

The central symbolic image of this work refers to A. Apollo B. Christ C. a patron saint D. Dionysus

A. a lack of attention to the hands and feet

The ceramic figurine shown from Tlatilco, Central Mexico, is characterized by A. a lack of attention to the hands and feet B. molded patterns on the hair and skirt C. static gestures and an indifferent expression D. a composite pose that shows multiple angles

B. Romanesque

The church is constructed in the architectural style known as A. Byzantine B. Romanesque C. Gothic D. Renaissance

A. Toulouse, France

The church is located in A. Toulouse, France B. Milan, Italy C. Florence, Italy D. Durham, England

A. contains radiating chapels for the veneration of relics

The church of Sainte-Foy at Conques is similar to other Romanesque pilgrimage churches in that it A. contains radiating chapels for the veneration of relics B. rejects the use of the axial plan exemplified by the basilica C. provides separate spaces allowing dignitaries to view the Mass privately D. was constructed in accord with the liturgical requirements of the Council of Trent

A. Early Christian

The church shown is A. Early Christian B. Carolingian C. Ottonian D. Romanesque