BJU Art History - Chapter 5 Greek Art

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Reed Painter

White ground face painting white clay not red

Dying trumpeter

enemy that died nobly

Rice Warrior A

he's too real

Caryatid

female figures used as columns

Aphrodite of Knidos

first nude female sculpture

Acroteria

freestanding sculptures that stand upon and at the edges of temples

Nike(putting on a shoe??)

from Balustrade Temple of Athena

Kouros from Anavysos

has an archaic smile

New York Kouros

ideals of physical perfection open space between the arms and body

Siphnian Treasury

located in Delphi treasuries often resembled mini temples

Ionic Pillar

metope (empty space) triplyph (upper smaller column) "eye ball"

Temple of Apollo, at didyma

theater and showy worship

Theater at Epidauros

theater style still used today

Zues

throwing a spear bronze

OLDER FIGURES Pediments of the Temple of Aphaia

unrealistic expression

Corinthian column

used inside at first

Three Goddesses

was in parthenon wet fabric

Nike of samothrace

Goddess of victory supposed to be on the prow of a ship

Hellenistic Period

Age of alenxader the great

Dipylon Vase

Amphora Large funerary markers Meander Pattern Neck amphora (male) Belly handled amphora (female)

Temple of Artemis - Corfu

Medusa, mistress of animals symbolized the power over nature the animals are at peace, showing trust in Medusa small figures in the corners are a part of the synoptic narrative possibly inspired by the lioness gate

Kritios Boy

Naturalistic because of shifted weight chiastic pose

Eos and Memnon by doris

Red figure technique inside a wine cup shows raw emotion

Grave Stele of Hegeso

Standard funerary marker for woman

Pediments of the Temple of Aphaia

allegorical figures

Griffen-headed Protome

attached to and decorated the Bronze Tripod Cauldron

Achilles and Ajax Playing Dice by Exekias

black figure technique: black silhouette on red clay, which would would then be scratched off to reveal the red surface underneath

Great altar of zues

caotic composition figures join you on the stairs

archaic art

city comes to represent community and identity architects designed monumental buildings temples have same build

Pergamon city

city planning path through city was planned

The Parthenon

doric largest & most lavished temple of the time

Niobid painter

red figured

Bronze Tripod Cauldron

reflects the influence of Egyptian art hybrid creatures

NEWER FIGURES Pediments of the Temple of Aphaia

shows more realistic expression

Kore

still stylized, so the women are usually clothed

Doric Pillar

"dorky"

Late Classical Period

2 notable changes in architecture

Doryphorus

By POLYKLEITOS (spear bearer)

Hermes, Artist?

By Praxiteles

Temple of Hera II

Doric temple

Man and Centaur, bronze

Hercules shows human interation

Apoxyomenos

oil scraper

Battle of Gods and Giants

on the Siphnian Treasury


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