FA Main Stock P5
* Oskar Kokoschka depicts a cat sitting under a table with three forks pointing towards a "red" version of these objects
EGGS-
* Past and Present. A man emerges from one of these objects with the continents imprinted on it in a Dalí painting
EGGS-
* Renaissance, these items were commonly mixed with pigment to form a quickly-drying medium called tempera. For 10 points, name these objects ornately decorated by the Fabergé;
EGGS-
* Velazquez painting depicts an old woman frying these objects.
EGGS-
* flower grows from one of these objects being held by a hand in Dalí's Metamorphosis of Narcissus.
EGGS-
* foodstuffs, jewel-encrusted ones of which were named after Fabergé
EGGS-
* paints a hummingbird while looking at one of these items in Rene Magritte's Clairvoyance
EGGS-
* pigments and water, one part of this material was used to make tempera
EGGS-
* Painted during its artist's trip to copy Velazquezes in the Prado, this eleven foot wide work is currently on display at the Isabella Stewart Gardner Museum in Boston
EL JALEO-
* actual version features a small orange fruit on a chair at left, below two musical instruments hanging on a wall, while at right are a woman in a white dress with a red shawl and a woman in an orange-red dress
EL JALEO-
* foreground, the central figure leans back, her right hand holding up the silver mass of her skirt as the left hand stabs out into the air
EL JALEO-
* painting of a flamenco dancer by John Singer Sargent.
EL JALEO-
* album, Smokin' at the Half Note, was recorded by Wes Montgomery
ELECTRIC GUITAR-
* alongside his wife Mary Ford on hits like "How High the Moon."
ELECTRIC GUITAR-
* deceased Jim Hall played this instrument. Lee Ritenour and Pat Metheny play this instrument, of which a special Pikasso 42 string model was produced for Metheny
ELECTRIC GUITAR-
* name this instrument whose blues players include B.B. King and Eric Clapton;
ELECTRIC GUITAR-
* American composer of a Concerto for Orchestra who died in 2012.
ELLIOTT CARTER-
* Cello Sonata coined the term "metric modulation" to describe the shifts between proportional tempos in his compositions.
ELLIOTT CARTER-
* Daniel Barenboim premiered this composer's Interventions for piano and orchestra with the Boston Symphony Orchestra at Carnegie Hall on his 100th birthda
ELLIOTT CARTER-
* Presto scorrevole movement after the second of five interludes in his twelve-movement String Quartet No. 5.
ELLIOTT CARTER-
* double concerto for harpsichord, piano, and two chamber orchestras.
ELLIOTT CARTER-
* first string quartet quotes Nancarrow's first study for player piano in its final movement, and was written in the Arizona desert
ELLIOTT CARTER-
* prolific American composer who celebrated his one hundredth birthday in 2008;
ELLIOTT CARTER-
* blond man speaks to a woman in pink holding a fan. Several cherubim fly above a group of people in the lower left, while a statue of Venus is visible on the right-hand side
EMBARKATION TO CYTHERA-
* different version of this painting shows a couple talking next to the bust of a certain goddess around which a string of flowers is wound up and next to which lay a set of arrows belonging to another god
EMBARKATION TO CYTHERA-
* famous Louvre version features a garland-wrapped statue of a goddess on the right side, behind the line of people moving towards a golden boat.
EMBARKATION TO CYTHERA-
* far left, cherubs fly around a group of people standing near a golden boat
EMBARKATION TO CYTHERA-
* fête galante painting in which a bunch of lovers prepare to either travel to or leave a Greek island, painted by Jean-Antoine Watteau.
EMBARKATION TO CYTHERA-
* house is faintly visible on a slope in the left middle ground of this painting.
EMBARKATION TO CYTHERA-
* inspired by Houdar de la Motte's opera La Ventienne.
EMBARKATION TO CYTHERA-
* ill in later life, Ricardo Vines and Maurice Ravel cheered him up at his house by playing his Three Valses Romantiques
EMMANUEL CHABRIER-
* piano works contains sections like "Idylle" and "Paysage," and some sections of that work, Pieces Pittoresques, were orchestrated in his Suite Pastorale, which proved more successful than the aforementioned opera Gwendoline
EMMANUEL CHABRIER-
* piano works like "Sous-Bois," "Melancolie," and "Idylle" appeared in a collection of ten pieces that closed with "Scherzo-Valse" and was called Pieces Pittoresques
EMMANUEL CHABRIER-
* quadrille based on favorite themes from Tristan und Isolde called Souvenirs of Munich. One of his operas contains the "Danse Slave" and "Fete Polonaise," and another centers on the love between the Danish pirate Harald and the title Saxon girl
EMMANUEL CHABRIER-
* Millet's version is an etching as is Rembrandt's
FLIGHT INTO EGYPT-
* friend Pierre-Octave Ferroud
FRANCIS POULENC-
* frequently referred to as "Il Padrone"
FRANK SINATRA-
* musical genre, often played by military bands, whose "King" is John Philip Sousa;
FUNERAL MARCH-
* musical works makes up the second movement of Beethoven's Eroica Symphony.
FUNERAL MARCH-
* played as processional music when honoring the dead.
FUNERAL MARCH-
* "Countdown" illustrates this album's lead musician's namesake "changes" based on major thirds. In addition to the tracks "Cousin Mary" and "Syeeda's Song Flute" this album's penultimate song heavily features the "sheets of sounds" effect and switches pianists from Tommy Flanagan to Wynton Kelly.
GIANT STEPS-
* , Lex Humphries played drums and Cedar Walton played piano
GIANT STEPS-
* Jimmy Cobb and Wynton Kelly replaced Art Taylor and Tommy Flanagan for a song on this album named for the leader's wife, "Naima." The song "Mr. P.C." is a tribute to bassist Paul Chambers, who played with this album's saxophonist under Miles Davis on Kind of Blue immediately prior to the recording of this album
GIANT STEPS-
* album by John Coltrane is named for its use of unusually spaced chord progressions?
GIANT STEPS-
* ballad named for the leader's wife titled "Naima" and was completed two years before My Favorite Things. For 10 points, name this 1959 jazz album by John Coltrane;
GIANT STEPS-
* third track opens with a drum solo by Art Taylor establishing a tense rhythm underlining the lack of melody for the first minutes in this song until Paul Chambers enters with the bassline.
GIANT STEPS-
* title track uses the keys of B major, G major, and E flat major to create an augmented triad and divides the octave into major thirds in an example of its leader's namesake "changes."
GIANT STEPS-
* track on this album is an attempt to describe "a very earthy, folksy, swinging person," according to the song's writer.
GIANT STEPS-
* 18th century Venetian painter who worked in Spain and Germany.
GIOVANNI TIEPOLO-
* Iphigénie en Tauride wrote the aria "Che farò senza Euridice?". For 10 points, name this composer of Orfeo ed Euridice.
GLUCK-
* Lully, he used Quinault's libretto for his own opera Armide, while Calzabigi wrote the libretto for his Paris and Helen
GLUCK-
* Semiramis wrote a work in which Cynire is asked by the title nymph to search for her lover in Echo and Narcissus, but he might be better known for writing about a priestess who is magically transported away from being sacrificed by her father in Iphigenie en Aulide and Iphigenie en Tauride
GLUCK-
* The Unexpected Encounter and The False Slave are among the comic operas of this composer, who once performed a concerto using twenty-six drinking glasses at a benefit for himself.
GLUCK-
* collaborated with the poet Calzabigi on works like Paride ed Elena and Don Juan and began his career with the opera Artaserse
GLUCK-
* composer's resistance to the Metastasian ideals of opera seria have caused his works to be characterized as "reform operas". In one of his operas, the chorus repeatedly cries "No!" in response to one of the title character's repeated pleas in (*) "Deh placatevi con me"
GLUCK-
* composing an opera based on the Song of Roland, but the discovery that Niccolo Piccini was given the same libretto to work on sparked a rivalry in the Parisian press and motivated him to compose Armide
GLUCK-
* famous for that opera, which was parodied by Offenbach and ends with Amore reuniting the two title characters even after one sends the other back to Hades by turning to look at her
GLUCK-
* name this composer of reform operas like Iphigenie en Tauride and Orfeo ed Eurydice.
GLUCK-
* Several black birds can be seen perched among the trees placed in a receding diagonal line through this painting, which also includes a mill with a frozen water wheel and a crowd of people skating in the background
HUNTERS IN THE SNOW-
* black birds are perched on barren trees at the top of this painting, which also shows a castle in the mountains in its top right.
HUNTERS IN THE SNOW-
* bottom right shows a woman pulled along on a board toward a double-arched bridge
HUNTERS IN THE SNOW-
* first in a series which also includes paintings like The Gloomy Day and The Return of the Herd
HUNTERS IN THE SNOW-
* jagged mountains pierce the overcast sky, and four birds are perched in the silhouetted trees at the left of this work while a lone swallow flies off to the right
HUNTERS IN THE SNOW-
* small fox with him, while the others trudge over a hill leading a pack of dogs. For 10 points, name this painting of rural life by Pieter Breughel the Elder;
HUNTERS IN THE SNOW-
* title group of this painting trudges back to town with their dogs and a dead fox. For 10 points, name this painting of a winter scene by Pieter Bruegel the Elder.
HUNTERS IN THE SNOW-
* Bulgarian mononymic artist who is best known for his part in wrapping the Reichstag.
JAVACHEFF-
* Bulgarian-born artist best known for wrapping various objects and designing The Gates project;
JAVACHEFF-
* Maysles documentary describes a rancher's experience sleeping beside an artwork by this man
JAVACHEFF-
* Pink polypropylene surrounded eleven islands in Florida's Biscayne Bay in a 1983 project, while in 1995 he applied his technique of "empaquetage" to the Reichstag in Berlin
JAVACHEFF-
* Running Fence and installations in Ibaraki and California consisting of blue and yellow umbrellas were co-designed by this man's wife, Jeanne-Claude
JAVACHEFF-
* Umbrellas and Running Fence requested that no flowers be sent after the death of his wife Jean-Claude, whose last completed project was a series of orange structures in Central Park.
JAVACHEFF-
* Worker Masaaki Nakamura was electrocuted (*) while trying to remove one of the 3,000 blue or yellow title objects comprising one of this artist's works, while another of his works was over 24 miles in length and was contained within two California counties
JAVACHEFF-
* artist of Central Park's The Gates who also used polypropylene to wrap the Pont Neuf and the Reichstag.
JAVACHEFF-
* associate of the photographer Wolgang Volz, he is also known for such works as the multi-colored The Wall and the sausage-shaped Air Package
JAVACHEFF-
* involves a waterway near Canon City, Colorado and is called Over the River.
JAVACHEFF-
* left approaches the top of a flight of red and orange stairs as a man smokes on a couch in his The Visit- Couple and Newcomer
KIRCHNER-
* living in a farm house in the Alps he painted such works as View of Davos. Other landscapes of this painter include The Junkerboden Under Snow, and he advocated the "modern teaching of painting" along with founding the MUIM-Institut with Max (*) Pechstein
KIRCHNER-
* "Amen fugue." An Offertorium and a Sanctus are the fourth and fifth of this piece's eight main sections. Its Confutatis (cohn-foo-TAH-tiss) movement is followed by eight bars of the Lacrimosa, at which point this piece originally broke off before being completed by Franz Süssmayr
MOZART'S REQUIEM IN D MINOR-
* trip wires to depict Sallie Gardner in an experiment commissioned by Leland Stanford
MUYBRIDGE-
* 105 masses and 250 motets also created a work that demonstrated the possibilities of music conforming to the Council of Trent's guidelines
PALESTRINA-
* 16th-century Italian composer of the Pope Marcellus Mass.
PALESTRINA-
* Annibale Zoilo in a failed attempt to restore the plainsong
PALESTRINA-
* Improperia while choirmaster at St. John Lateran, while a legend about this man was perpetuated by a Pfitzner opera.
PALESTRINA-
* Mass With N Name wrote O Magnum Mysterium and over three hundred other (*) motets
PALESTRINA-
* Pope Marcellus Mass supposedly convinced the Council of Trent not to ban polyphonic music;
PALESTRINA-
* Renaissance polyphony, which he demonstrated in his Pope Marcellus Mass
PALESTRINA-
* Roman School wrote a five-voice motet cycle about the Song of Songs and a setting of the Improperia performed every Good Friday at the Sistine Chapel.
PALESTRINA-
* Twenty-nine of this motets are based on the Song of Solomon, and his Vatican portrait shows him holding the score to his motet Accepit Jesus calicem
PALESTRINA-
* Vatican shows him holding a copy of his work Accepit Jesus calicem, and the source of his Missa Benedicta Es was only recently identified. He used excessive salary demands to avoid taking musical posts in Vienna and Mantua, and Johann Fux codified the contrapuntal rules used in a certain type of his work, which included two composed on the tune "L'homme Armé."
PALESTRINA-
* composer's body of work was the basis for Johann Fux's treatise Gradus ad Parnassum.
PALESTRINA-
* first published book of masses landed him a position as music director at the Julian Chapel, and he also served in the papal choir until he was removed for being married
PALESTRINA-
* influential ideas were that dissonances should only be on passing notes and weak beats, music should have small leaps between notes counterbalanced by stepwise movement in the opposite direction, and music should not be static
PALESTRINA-
* life was dramatized in a namesake opera by Hans Pfitzner
PALESTRINA-
* masses are mostly in groups such as the nine Mantuan ones or the "parodies," he also composed a few "free-style," including the four-voice Missa brevis
PALESTRINA-
* relegation of dissonances to weak beats, mostly stepwise melodic lines, and a focus on making the text easily intelligible, a style later composers called "prima prattica."
PALESTRINA-
* sixteenth-century Italian composer of the Pope Marcellus Mass.
PALESTRINA-
* wrote one hundred and four (*) masses, including one which apocryphally convinced the Council of Trent not to ban polyphonic church music
PALESTRINA-
* 1885 painting that portrays poor Dutch peasants consuming the title vegetables, painted by Vincent van Gogh;
POTATO EATERS-
* HP Bremmer, the closeness of four mugs in this painting demonstrates the closeness of the central family it depicts. The only source of light in this painting comes from a single lit oil lamp hanging from the ceiling.
POTATO EATERS-
* Spoons hang in the top right of this painting, and a tea kettle sits in this painting's bottom right corner
POTATO EATERS-
* deliberately chose gnarled and ugly models for the five figures it depicts, who sit around a wooden table at dinner
POTATO EATERS-
* painting's artist was inspired by Jean de La Bruyere's book The Characters of Theophraste for its depiction of hands. The sketch for this painting did not include the fifth figure on the left wearing a white bonnet
POTATO EATERS-
* peasants consuming the titular tubers, a work of van Gogh.
POTATO EATERS-
* picture frame depicting two people, one in red and another in blue, hangs in the top left of this painting, next to a clock which reads seven o'clock.
POTATO EATERS-
* timepiece reads seven o'clock in the upper left hand corner of this painting, and a teapot sits in the bottom right corner directly below a woman pouring chicory into four cups
POTATO EATERS-
* two figures on the left use forks to eat the main dish. For 10 points, name this painting that depicts five peasants around a table having a meal, a work by Vincent van Gogh.
POTATO EATERS-
* Cupid, holding some lightning bolts, watches this scene from the back of an eagle in a painting by Jacob Jordaens
RAPE OF EUROPA-
* Guido Reni depicts the title character as a big-boned woman in red clutching a creature wearing a wreath of flowers
RAPE OF EUROPA-
* Titian painting that depicts the abduction of the title female by a bovine Zeus.
RAPE OF EUROPA-
* abduction scene by Titian
RAPE OF EUROPA-
* epic four-opera "cycle" written by Richard Wagner
RING OF THE NIBELUNG-
* first part opens with 136 measures of E-flat major, and one character is known only as "the Wanderer" in its third part
RING OF THE NIBELUNG-
* forged by Alberich
RING OF THE NIBELUNG-
* main character of these works kills the dragon Fafner and loves Brunnhilde
RING OF THE NIBELUNG-
* "One should prepare oneself beforehand, and in the deepest silence" to play this man's Vexations 840 times, and this man's Furniture Musics were written to not be listened to
SATIE-
* French avant-garde musician of Gnossiennes, Desiccated Embryos, and the three Gymnopédies.
SATIE-
* French composer of Desiccated Embryos and Gymnopédies.
SATIE-
* French composer of the Gymnopédies.
SATIE-
* French experimental composer who wrote Desiccated Embryos and three Gymnopedies.
SATIE-
* French pianist who wrote the "Gymnopedies."
SATIE-
* Henry Pacory's Je Te Veux [zhay tay voo] to music while working as a cabaret pianist in Arcueil
SATIE-
* Le Picadilly and Je te veux while working as a cabaret pianist
SATIE-
* Les Six, the French composer of Gymnopedies.
SATIE-
* Muzio Clementi in his Sonatine bureaucratique, and composed Vexations.
SATIE-
* advance of John Cage, he used roulette wheels and typewriters in a ballet that he worked on with Leonide Massine, Pablo Picasso, and Jean Cocteau, Parade
SATIE-
* arches of Notre Dame inspired this man's four Ogives, which lack time signatures and bar lines
SATIE-
* ballet which depicts characters such as the Managers and the American Girl participating in the title event with a Chinese Conjuror and Acrobats
SATIE-
* co-composer of the ballets Parade and The Adventures of Mercury, he also created a word for a set of pieces without time signatures and bar lines called Six Gnossiennes, while 840 repetitions are needed for his work Vexations
SATIE-
* composed (*) Truly Flabby Preludes for a dog, as well as a piece which depicts sea cucumbers and crustaceans.
SATIE-
* composed pieces about a sea cucumber and two crustaceans, Dessicated Embryos, as well as Three Pieces in the Shape of a Pear and six gnossiennes
SATIE-
* composed the score to a ballet in which he appears in a short film played between the two acts, designed in collaboration with Francis Picabia
SATIE-
* composer of Parade created an orchestral work depicting dances in a whimsical manner, the ironically-titled Serious Fantasy
SATIE-
* composer of Vexations and the ballet Parade, composed a work based on a Greek athletic festival, which was orchestrated by Claude Debussy
SATIE-
* compositions includes instructions like "open your head", "question", and "bury the sound"
SATIE-
* features such musical oddities as 840 repeats and a complete lack of tempo and volume markings
SATIE-
* most famous compositions, a set of three piano pieces published in 1898, were orchestrated by his friend Debussy and named after an ancient Greek festival
SATIE-
* other works include his Furniture Music, a song called Je te veux, and a Bureaucratic Sonatina
SATIE-
* piano works by this composer attempts to mimic the sound of a church organ by using octave doubling; that set of pieces is called Ogives
SATIE-
* set of three piano pieces by this composer includes instructions for lighting and extinguishing a lantern
SATIE-
* slid paper between piano strings to give the instrument a more mechanical sound for The Sting of the Jellyfish in what is perhaps the first formal use of a prepared piano
SATIE-
* solo compositions closes with an "obligatory cadenza" which mostly consists of huge F major chords
SATIE-
* three movement suite Desiccated Embryos ends with a rendition of Beethoven's Eighth symphony
SATIE-
* L'honesta negli amori and Il Pompeo, Cardinal Acquaviva comissioned this man's St. Cecilia Mass and he began to use ternary form for operas such as Perro e Dimitrio, which features the arias "Ben ti sta, traditor" and "Le Violette."
SCARLATTI-
* Ralph Kirkpatrick catalogued the complete works of one composer with this last name
SCARLATTI-
* composer with this last name became famous after his death for his 555 keyboard sonatas
SCARLATTI-
* last name shared by the Baroque Italian composers Alessandro and Domenico
SCARLATTI-
* odd ascending intervals in one contrapuntal work of his have led it to be nicknamed the 'Cat Fugue.'
SCARLATTI-
* addition to The Elements and The Devil in the Church he created a self-portrait featuring grotesque fingernails and an outstretched arm.
SIQUEIROS-
* another of his paintings, a gigantic fascist (*) parrot bellows at left and gold coins spill from a jumble of machinery at center while soldiers wearing gas masks look on.
SIQUEIROS-
* artist of The March of Humanity and From Porfiriato to the Revolution, who led a renaissance in Mexican mural-painting with Diego Rivera and Jose Orozco;
SIQUEIROS-
* early painting of his shows a winged angel dominating the center with two large blotches of red on the left and right, and another of his paintings depicts a large group of people praying as a bird-like creature breaks through the roof.
SIQUEIROS-
* ends by depicting man's encounter with the cosmos. For 10 points, identify this artist of Portrait of the Bourgeoisie and The March of Humanity who, while not trying to kill Trotsky
SIQUEIROS-
* gold-skinned young boy wearing a red sash and crying and sitting in field of broken machinery is seen in his Echo of a Scream, but more renowned is a 1000-square foot mural depicting a huge robotic bird, men wearing gas-masks, and a machine that spits out gold coins
SIQUEIROS-
* painted a work in which several bodies burn as large groups of people trudge across the wall of the Parque de Lama and a series depicting the overthrow of Diaz
SIQUEIROS-
* titular building appears ready to devour a horde of faithful in this man's The Devil in the Church, while he depicted a line of doctors loading a nude woman into a claw in a work defending a "future victory" over cancer
SIQUEIROS-
* works by this man are Cain in the United States and Echo of a Scream.
SIQUEIROS-
In addition to War and The Sob, he painted a work that sees a group of figures with distorted faces hold up a bleeding, bound black man and another work in which a red-cloaked figure sits on a pile of debris as its head emerges from a disembodied gray head.
SIQUEIROS-
* 13th one tells of the massacre at Babi-Yar while another of them contains an ostinato theme taken to represent the German invasion
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* Elmira theme in its third movement. The fifth of these pieces is in D minor and concludes in D major with repeated A's in the violins
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* Soviet composer, the seventh of which is called Leningrad
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* Testimony
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* Testimony, the composer of these works called the last movement of the fifth "a parody of shrillness."
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* Wilson identified episodes such as the pursuit of Anne Frank and the mocking of Dreyfus in the first movement of one of them, which sets poems like "In the Store" and "Fears."
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* composer of these works noted the similarity of a theme in one of them to the ape call from Mahler's Das Lied von der Erde
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* dominated by a twenty-two bar "invasion" theme. For 10 point, identify this group of fifteen orchestral works including ones named "Babi Yar" and "Leningrad."
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* likened the finale of that one to being beaten with a stick and told, "Your business is rejoicing,"
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* most famous of them features a third movement once titled Our Country's Wide Spaces;
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* played twelve times by the horn, spells the name of one of the composer's students using a combination of French and German notation
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* set of fifteen orchestral works by a Soviet composer, the seventh of which is nicknamed "Leningrad."
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* solo bass and chorus recount how rulers of the world tried to kill humor
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* tenth features a nocturne with an "Elmira" theme as well as a motif based on the composer's name which also appears in his eighth string quartet in C minor
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* third movement Largo in the fourth of them begins with a funeral march inspired by the music of Mahler. The tenth of them is the first of their composer's works to feature the four-note motif D-E flat-C-B, while the programmatic eleventh one is subtitled "the Year 1905."
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* work laments the lack of any monuments in the title locale, while the tenth of these compositions uses notes to spell the name (*) "Elmira."
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* "Beethoven's tenth.";
SYMPHONIES OF JOHANNES BRAHMS-
* 6/8 andante moderato second movement as well as an allegro giocoso third movement, which is the only movement in which the piccolo and triangle play
SYMPHONIES OF JOHANNES BRAHMS-
* Bulow called that piece "Beethoven's Tenth." For 10 points, name these four works by the composer of the Academic Festival Overture.
SYMPHONIES OF JOHANNES BRAHMS-
* Columbia professor of music Walter Frisch wrote a 1996 book titled for these works.
SYMPHONIES OF JOHANNES BRAHMS-
* Hans von Bulow dubbed the first one "Beethoven's Tenth." For 10 points, name these orchestral works by the composer of A German Requiem and the Academic Festival Overture.
SYMPHONIES OF JOHANNES BRAHMS-
* chaconne in the finale of one of these works was adapted from Bach's cantata "For Thee, O Lord, I long."
SYMPHONIES OF JOHANNES BRAHMS-
* Canticum Sacrum, triplet notes in one part represent the horses and chariot of Elijah, while the first movement is dominated by the opening e minor chord which takes its name from this work
SYMPHONY OF PSALMS-
* pasted a drawing of the Crucifixion into his notebook and wrote the words "Adveniat regnum tuum."
SYMPHONY OF PSALMS-
* second section an instrumental fugue beginning on the oboes clashes with a "human fugue" of a capella singers in what the composer called "an upside down pyramid of fugues" before they unite to form a double fugue on the line, "Et immisit in os meum canticum novum."
SYMPHONY OF PSALMS-
* parade of people and several ships docking near a temple. The first work in this series shows people hunting with bows and arrows, while the last work shows a broken column among ruins and is entitled Desolation
THE COURSE OF EMPIRE-
* part of this series of works, a woman in a red cape can be seen jumping into the water to avoid the clutches of a soldier in brown
THE COURSE OF EMPIRE-
* objects in this painting were created by Hirabayashi, and one critic scornfully called this painting "four corners and a void."
THE DAUGHTERS OF EDWARD DARLEY BOIT-
* chatting couple can be seen in the corner (*) of the room,
THE NIGHT CAFE-
* Rachmaninoff arranged a symphony by this work's composer for piano duet before arranging this work for piano duet, and the third act's pas de deux for the Bluebird and another character was re-orchestrated by Stravinsky
THE SLEEPING BEAUTY-
* acts of this ballet includes an adagio for the main character, including one called the Rose Adagio
THE SLEEPING BEAUTY-
* carriage drawn by four rats
THE SLEEPING BEAUTY-
* ends with the wedding of Prince Florimund and Princess Aurora, and it is based on one of the Mother Goose Stories by Charles Perrault.
THE SLEEPING BEAUTY-
* first act sees the central character dance with four princes in the (*) Rose Adagio.
THE SLEEPING BEAUTY-
* flute, oboe, and bells perform a call-and-response with the horn in one of this ballet's pieces, whose main melody is introduced by unison strings in E-flat. That is the Garland Waltz.
THE SLEEPING BEAUTY-
* game of blind man's bluff in this work, a vision of the Lilac fairy leads another character to a castle
THE SLEEPING BEAUTY-
* prologue to this ballet, the main villain rips off the wig of the master of ceremonies, Catallabutte
THE SLEEPING BEAUTY-
* Breton accused this painting of being a forgery when it was acquired by the MoMA
THE SLEEPING GYPSY-
* depicting a reposing traveling musician that was created by Henri Rousseau;
THE SLEEPING GYPSY-
* oil painting in which a lion mystically examines a defenseless woman, a work by Henri Rousseau.
THE SLEEPING GYPSY-
* painting by Henri Rousseau that depicts a lion looking at a slumbering woman
THE SLEEPING GYPSY-
* Crucifixion by Paul Gauguin.
THE YELLOW CHRIST-
* Reddish-brown trees dot the majority of the hilly landscape behind the title figure
THE YELLOW CHRIST-
* Three blue-clothed women in white headdresses kneel with hands clasped before the title figure in this painting, whose hands and feet are fixed with nails.
THE YELLOW CHRIST-
* background of this painting contains one house set apart from three in a row, as well as a wall being climbed by a man trying to get away from the scene
THE YELLOW CHRIST-
* foreground of this painting is dominated by a figure standing with one foot over the other, with his genitals covered by a white cloth.
THE YELLOW CHRIST-
* modeled after an anonymous painting created for a chapel in Tremalo. For ten points name this painting in which the crucifixion is depicted in a certain color by Paul Gauguin;
THE YELLOW CHRIST-
* more coastal, gloomier counterpart, this painting was produced during its artist's time in Pont-Aven in the Breton countryside, two years before he decided to escape European civilization and move to Tahiti.
THE YELLOW CHRIST-
* notable bakcground scene in this painting depicts a man stepping over a short stone wall
THE YELLOW CHRIST-
* piece is depicted next to the artist's Pot in the Form of a Grotesque Head in the background of a self-portrait
THE YELLOW CHRIST-
* "I Surrender Dear" in the album Brilliant Corners
THELONIUS MONK-
* "I Surrender, Dear" and closes with "Bemsha Swing."
THELONIUS MONK-
* "In Walked Bud".
THELONIUS MONK-
* "In Walked Bud," "Epistrophy" and "Well You Needn't" appear on the first volume of his compilation album, Genius of Modern Music.
THELONIUS MONK-
* "Locomotive"; that album is titled for his standard "Straight, No Chaser."
THELONIUS MONK-
* "Rhythm-a-Ning" first appeared on an album he recorded with Gerry Mulligan titled Mulligan Meets [Him].
THELONIUS MONK-
* "Ruby, My Dear", "Well, You Needn't", and "Straight, No Chaser"
THELONIUS MONK-
* "the Abominable Snowman caged by Blue Note Records.
THELONIUS MONK-
* At Carnegie Hall is a live recording of his 1957 performance at a Thanksgiving benefit where John Coltrane temporarily joined his quartet.
THELONIUS MONK-
* Ba-Lue Bolivar Ba-Lues-Are"
THELONIUS MONK-
* Baroness Pannonica de Koenigswarter that appears on the same album as a song he co-wrote with Denzil Best called (*) "Bemsha Swing".
THELONIUS MONK-
* Blue Note include Evidence, Criss Cross, and an arrangement of Carolina Moon
THELONIUS MONK-
* Blue Note, which marketed him as the "Genius of Modern Music".
THELONIUS MONK-
* Miles Davis include an appearance on the title track in Bags' Groove,
THELONIUS MONK-
* Milt Jackson, with whom he would collaborate on "Misterioso" and Miles Davis and the Modern Giants.
THELONIUS MONK-
* Milt Jackson: Wizard of the Vibes and Genius of Modern Music while working at the label Blue Notes
THELONIUS MONK-
* Misterioso and Brilliant Corners, while his Genius of Modern Music
THELONIUS MONK-
* On the album of the same name as this song, it comes third after "Locomotive" and "I Didn't Know About You." Name this 12 bar blues standard in B flat that was originally recorded with a team of five including Art Blakey on drums and the composer on piano: "Straight, No Chaser"
THELONIUS MONK-
* horn solo to John Coltrane on the second track of a 1957 album whose cover depicts this musician seated in a red wheelbarrow.
THELONIUS MONK-
* jazz musician begins with the ascending sixteenth notes B-flat, E-flat, F, B-flat
THELONIUS MONK-
* longtime collaborator Charlie Rouse plays his most critically acclaimed solo in "Bright Mississippi" found in an album about this man's "Dream."
THELONIUS MONK-
* original score for Vadim's Les liaisons dangereuses was composed by this jazz pianist.
THELONIUS MONK-
* percussive bop pianist, who wrote the standard "'Round Midnight."
THELONIUS MONK-
* motets, the two sopranos sing the same line half a bar apart, while four of the other five voices sing the same melody, two inverted, at different tempos
THOMAS TALLIS-
* organ interludes include two Felix namques. He wrote a remarkably long antiphon adhering to the Phrygian mode, unusually for the time period
THOMAS TALLIS-
* two Lamentations of Jeremiah to a 5-part male chorus, and composed a 40-person motet, Spem in alium
THOMAS TALLIS-
* two sets of Lamentations set eight psalms and the Veni Creator in one his collections, in which he used the Phrygian mode for the piece "Why Fum'th in Fight."
THOMAS TALLIS-
* work was later made into a 5-part mass of the same name, Salve intemerata
THOMAS TALLIS-
* Gorecki's symphony of this number is the Symphony of Sorrowful Songs
THREE-
* Rachmaninov's piano concerto of this number is in D minor, and the key of (*) E-flat major has this many flats. A symphony of this number reused a theme from its composer's ballet The Creatures of Prometheus and ended up being dedicated to "the memory of a Great man", rather than to Napoleon. For 10 points, give the number of Beethoven's Eroica symphony;
THREE-
* Scriabin's piano sonata of this number is in F-sharp minor, and he once called that piece the "Gothic" but later subtitled it "States of the Soul". Arnold Schoenberg's opus 11 consists of this many pieces, which are often called his first consistently atonal works
THREE-
* music theory, this number's Roman numeral labels the mediant chord
THREE-
* Only one of the two candelabras, which are both empty and are sitting on the mantle, is reflected in the mirror and the clock between them reads 12:44
TIME TRANSFIXED-
* artist of this painting expressed a desire to see it displayed at the bottom of a staircase, so it could stab guests on their way to the ballroom, possibly with the dagger found in the double meaning of this painting's original title
TIME TRANSFIXED-
* artist said of one object in this painting that "in order for its mystery to be evoked, another immediately familiar object without mystery...was joined."
TIME TRANSFIXED-
* black clock in this painting clearly reads 12:43 and is bracketed by two gold candlesticks
TIME TRANSFIXED-
* clock is a trail of steam from a locomotive that strangely appears out of the fireplace. For 10 points, name this surrealist painting by Rene Magritte.
TIME TRANSFIXED-
* drew from its artist's earlier work Not To Be Reproduced to bring back its gigantic mirror, which sits atop a mantelpiece with two candlesticks and a clock.
TIME TRANSFIXED-
* explanation for this work, which is now part of the permanent collection at the Art Institute of Chicago, the artist describes painting the central image and then in order to evoke its mystery he chose to place it in an immediately familiar setting, a sparsely decorated and austere living room
TIME TRANSFIXED-
* "Great" C Major symphony. For 10 points, name this symphony by Franz Schubert with only two complete movements.
UNFINISHED SYMPHONY-
* 1828 work was ever intended to have more than two movements is still the subject of debate
UNFINISHED SYMPHONY-
* 3/4 allegro moderato first movement of this piece introduces one main theme early on when the clarinets and oboes enter with a compound duple melody, and the second movement in E major matches the three beat form with its 3/8 time
UNFINISHED SYMPHONY-
* Andante con moto second movement is in 3/8 time, and in its first movement, the second bassoon plays the B pedal tone against a sustained F-sharp chord on the first horn
UNFINISHED SYMPHONY-
* Anselm Huttenbrenner secretly held the score to this piece for many years, which was not released until well after its composer's death.
UNFINISHED SYMPHONY-
* August Ludwig modified this symphony by (*) adding a "Philosopher's Scherzo" and a "March of Destiny." It has been theorized that an entr'acte from the composer's incidental music to Rosamunde was intended to serve as the finale
UNFINISHED SYMPHONY-
* Graz Music Society and sent to Anselm (*) Hüttenbrenner, who didn't reveal its existence until nearly 40 years had passed
UNFINISHED SYMPHONY-
* finale to this piece may have been turned into the B-minor entr'acte in the incidental music to Rosamunde
UNFINISHED SYMPHONY-
* Adjacent to a column in the back center, a potted plant can be seen on a windowsill of this painting
VENUS OF URBINO-
* Henri Rousseau painted a work that features the main scene of this painting in a forest entitled The Dream
VENUS OF URBINO-
* Chris Marker's theory that the second half of this film mostly takes place in the mind of its protagonist partially hinges on the fact that it takes months to get reservations at Ernie's
VERTIGO-
* Jimmy Stewart as Scottie Ferguson, a detective who has to retire after a near fall from a building, FTP what is this Alfred Hitchock movie about Ferguson's experience of the titular dizzying condition?
VERTIGO-
* Midge, played by Barbara Bel Geddes in this film, is designing a brassiere based on the principles of the cantilevered bridge
VERTIGO-
* background of this painting, one can make out the tower of the "Old Church."
VIEW OF DELFT-
* shadow, though not the large New Church. The clock on the Gate Schiedam
VIEW OF DELFT-
* Elvino takes back his engagement ring in an opera by him in which the title character sings "Ah! non credea mirarti".
VINCENZO BELLINI-
* I Capuleti e i Montecchi also created a work in which Elvino refuses to believe in Amina's innocence until she crosses the dangerous mill bridge, proving she's the title character.
VINCENZO BELLINI-
* The Mother of Us All and Four Saints in Three Acts.
VIRGIL THOMSON-
* collaborations with Gertrude Stein include operas about Teresa of Avila and Susan B. Anthony.
VIRGIL THOMSON-
* concludes with a "Funeral Hymn" beginning with the words "Where is where."
VIRGIL THOMSON-
* derived his Acadian Songs and Dances from the film score to Louisiana Story, wrote the score to The Plow that Broke the Plains.
VIRGIL THOMSON-
* boys chorus quotes from the composer's earlier canticle Abraham and Isaac at the beginning of the "Offertorium"
WAR REQUIEM-
* libera me as bells punctuate the singing of a child's chorus and an adult's chorus. Organ cluster chords support children singing about God's promise to Abraham in this work's Offertorium
WAR REQUIEM-
* nine poems of Wilfred Owen as well as the Latin Mass, for 10 points, name this work by Benjamin Britten.
WAR REQUIEM-
* opening bells in this work introduce the F sharp to C tritone, which recurs often as a motif for rest.
WAR REQUIEM-
* premiered one night after the opera King Priam, and its penultimate movement features the request Dona Nobis Pacem while the tenor describes a roadside crucifix.
WAR REQUIEM-
* reconsecration of the Coventry Cathedral, for 10 points, name this choral mass featuring the poetry of Wilfred Owen, composed by Benjamin Britten;
WAR REQUIEM-
* repeated motif in this work is the tritone C and F sharp, which bells play in the background as a soprano describes "lightning from the east" and "the Chariot Throne."
WAR REQUIEM-
* second section, the cymbal, flute, and violins play quietly while the tenor whispers, "Move him into the sun"
WAR REQUIEM-
* tenor sings of escaping "down some profound dull tunnel" and addresses the baritone as a "strange friend". This work was commissioned for the reconsecration of Coventry Cathedral
WAR REQUIEM-
* written for the reconstruction of Coventry Cathedral and incorporates Latin texts and the poetry of Wilfred Owen. For 10 points, identify this piece for the dead by Benjamin Britten.
WAR REQUIEM-
* Animals that can be seen in this painting include a black dog on the far right and a white bird at the feet of a woman in the lower left corner.
WHERE DO WE COME FROM? WHERE ARE WE? WHERE ARE WE GOING?-
* Damien Hirst work showing animal skeletons in a display cabinet takes its title from this painting
WHERE DO WE COME FROM? WHERE ARE WE? WHERE ARE WE GOING?-
* Two white cats are behind a girl eating an apple in one section, and at the very center a loincloth-wearing subject reaches upwards to grab fruit from a tree.
WHERE DO WE COME FROM? WHERE ARE WE? WHERE ARE WE GOING?-
* boy picking fruit in the middle and many of the other people in it have yellow skin, a trait uncharacteristic of its artist's other works set in Tahiti
WHERE DO WE COME FROM? WHERE ARE WE? WHERE ARE WE GOING?-
* couple standing under a tree on the right side of this work are described as "recording near the tree of science their note of anguish caused by science itself".
WHERE DO WE COME FROM? WHERE ARE WE? WHERE ARE WE GOING?-
* letter to Charles Morice asserting that a bird holding a lizard in its mouth on the far left side of this painting represents the "futility of vain words".
WHERE DO WE COME FROM? WHERE ARE WE? WHERE ARE WE GOING?-
* letter to his friend Charles Morice, the artist states that two figures in this painting bring a "note of anguish" to the central scene and describes this painting as comparable to the gospels.
WHERE DO WE COME FROM? WHERE ARE WE? WHERE ARE WE GOING?-
* meant to be read from right to left, and signifies the passage of life by showing the aging of its Tahitian subjects. For 10 points identify this large panoramic work by Paul Gaughin.
WHERE DO WE COME FROM? WHERE ARE WE? WHERE ARE WE GOING?-
* meant to be read from right to left, shows a tropical paradise, and many of the people in it only wear loincloths
WHERE DO WE COME FROM? WHERE ARE WE? WHERE ARE WE GOING?-
* picking an apple from a branch at the top of the canvas, while in the background a woman stands listening to a blue Buddha idol.
WHERE DO WE COME FROM? WHERE ARE WE? WHERE ARE WE GOING?-
* progression of Tahitian women
WHERE DO WE COME FROM? WHERE ARE WE? WHERE ARE WE GOING?-
* three women with a child on the right, a youth taking fruit from a tree and two women talking about destiny in the middle, and a blue statue on the left background while an old woman approaches death;
WHERE DO WE COME FROM? WHERE ARE WE? WHERE ARE WE GOING?-
* two cats near a girl eating a piece of fruit as well as a fully clothed woman standing next to a blue religious (*) statue
WHERE DO WE COME FROM? WHERE ARE WE? WHERE ARE WE GOING?-
* two trees framed in blue can be seen in the right half of this painting, while a tree on the left looks black and foreboding and stands next to a blue statue with its arms facing palms outward
WHERE DO WE COME FROM? WHERE ARE WE? WHERE ARE WE GOING?-
* two women in red walking with their arms around each other appear to be surrounded by a black cloud.
WHERE DO WE COME FROM? WHERE ARE WE? WHERE ARE WE GOING?-
* white bird is next to an old woman with her head in her hands, while in the bottom right corner a dog lies near a baby lying on a rock.
WHERE DO WE COME FROM? WHERE ARE WE? WHERE ARE WE GOING?-
* Greenberg criticized this painting by stating that none of the paintings in its series are "fused into a complete work of art."
WHITE CRUCIFIXION-
* eleven people flail on a boat below an army holding sabers and red flags that storms into a village. On the right of this work, a man with an armband burns a synagogue.
WHITE CRUCIFIXION-
* facade of a building in this painting depicts two lions holding up a crown
WHITE CRUCIFIXION-
* light shines down from the upper right of this painting, where four figures float above the action.
WHITE CRUCIFIXION-
* painted over the phrase "ich bin Jude" and a swastika on the armband of a soldier for the final version of this painting.
WHITE CRUCIFIXION-
* pair of lions battle over a doorway in one section, and in front of that section stands a red man in a black uniform
WHITE CRUCIFIXION-
* partially-lit (*) menorah, which sits at the feet of this painting's subject. A Lithuanian flag appears above a burning synagogue in this painting, which also features a ladder protruding from the ground next to its subject, who is brightened by a ray of light.
WHITE CRUCIFIXION-
* substitution of a prayer shawl for a loincloth and the use of a head cloth instead of the crown of thorns
WHITE CRUCIFIXION-
* unusual iconography of this painting include the use of two halos
WHITE CRUCIFIXION-
* upper right of this painting, a soldier appears above an overturned chair and a torn prayer book
WHITE CRUCIFIXION-
For 10 points, name this Marc Chagall painting which depicts Jesus on the cross.
WHITE CRUCIFIXION-
* Dutch-American painter of the Woman series.
WILLEM DE KOONING-
* Rauschenberg erased one of this artist's drawings. This friend of Arshile Gorky married Elaine Fried. Between 1950 and 1953, he made a series of paintings including one which pairs its central figure with a bicycle
WILLEM DE KOONING-
* calling Orestes. Marie Marchowsky invited him to compose a backdrop for her dance performance Landscape.
WILLEM DE KOONING-
* teaching at Black Mountain College, this man painted Asheville. This painter of Excavation and Pink Angels also did a series of Abstract Urban Landscapes and Abstract Parkway Landscapes, which grew out of a series characterized by figures with oversized breasts
WILLEM DE KOONING-
* "false relation" between an F-sharp in the Superius and an F in the Bassus in the opening phrase of his setting of Ave Verum Corpus, which is in G minor and 4/2 time
WILLIAM BYRD-
* 21-year monopoly on printing polyphonic music by Elizabeth I
WILLIAM BYRD-
* English Catholic composer, who wrote My Ladye Nevells Booke and co-wrote the Cantiones Sacrae with Thomas Tallis.
WILLIAM BYRD-
* English Renaissance composer who was a student of Thomas Tallis;
WILLIAM BYRD-
* My Ladye Nevells Booke. He was perhaps the most notable composer of consort songs.
WILLIAM BYRD-
* Ten paired pavanes and galliards appear in a work by him that is, besides the Fitzwilliam Virginal Book, the most important collection of keyboard music of the English Renaissance
WILLIAM BYRD-
* eight pieces to a collection of twenty-one piano compositions honoring the marriage of Frederick V that was called Parthenia
WILLIAM BYRD-
* Christ carries a lantern and knocks on a door overgrown with weeds in his The Light of the World
WILLIAM HUNT-
* Middle East was made in order to produce accurate paintings and resulted in a work where a young boy in blue is surrounded by rabbis, The Finding of the Saviour in the Temple
WILLIAM HUNT-
* Peggoty's search for Emily in David Copperfield inspired a painting in which a dandy reclines and curls his arm around a woman about to sit in his lap
WILLIAM HUNT-
* The Light of the World
WILLIAM HUNT-
* The Scapegoat and The Awakening Conscience created another painting in which Christ, wearing a crown of thorns and holding a lantern, knocks at a door with no handle
WILLIAM HUNT-
* artist created a work where the titular animal wears a crown of red flowers and stands ankle-deep in the Dead Sea
WILLIAM HUNT-
* cat traps a bird underneath a table while a (*) "kept woman" rises from the lap of a man seated at a piano.
WILLIAM HUNT-
* depiction of Isabella shows her after Lorenzo's death, embracing the pot of basil
WILLIAM HUNT-
* trips to Jerusalem inspired paintings such as The Afterglow in Egypt and Triumph of the Innocents, while the "muscular Christianity" of Hughes and Kingsley inspired his depiction of Christ in (*) The Shadow of Death
WILLIAM HUNT-
* under a table on the left, a greedy-eyed cat plays with a dead bird.
WILLIAM HUNT-
* urved mirror in the top background shows the fireplace that a sumptously painted woman contemplates in Il Dolce Far Niente and this man's first work in his mature style was Rienzi Avowing to Avenge the Death of His Brother
WILLIAM HUNT-
* watering can stands in front of an altar upon which rests a flower-pot decorated with skulls
WILLIAM HUNT-
* wears glasses with octagonal rims in this movie is revealed to not have ever sweated in his life
12 ANGRY MEN-
* man in this film notes another character "don't even speak good English," an immigrant snappily corrects him with "he doesn't even speak good English."
13 ANGRY MEN-
* sight of a character in this film rubbing his nose prompts another character to ask him if people wear glasses while sleeping.
14 ANGRY MEN-
* long take in this film sees a man launch a bigoted tirade against people who live in slums, while others around him get up and turn away
15 ANGRY MEN-
* fictional film within this work is The Amazing Mrs. Bainbridge, which a man misremembers as The Remarkable Mrs. Bainbridge
18 ANGRY MEN-
* points out that a certain figure "is a common slob, because he don't even speak good English."
19 ANGRY MEN-
* Four people gather water in front of a watermill in one part of this series, which also shows a man assembles a large wooden cylinder in another entry;
47 VIEWS OF MOUNT FUJI-
* "Larghetto" transitions without pause into the "Rondo" in Johann Nepomuk Hummel's second piano concerto, which is in this key
A MINOR-
* Mahler's Tragic Symphony
A MINOR-
* Rhapsody on a Theme by Paganini is in this key because Paganini composed his 24th caprice in it
A MINOR-
* Telemann suite in this key for flute and strings includes a movement called Air a l'Italien and concludes with six French dances.
A MINOR-
* composer's wife, Clara, as soloist
A MINOR-
* finale based on the folk dance called a halling, and a thematic motive of a descending minor second followed by a descending minor third. On
A MINOR-
* Augustus Saint-Gaudens is in a namesake park in Chicago, while another by Daniel Chester French
ABRAHAM LINCOLN-
* Augustus St. Gaudens for Parliament Square, London.
ABRAHAM LINCOLN-
* George Barnard's statue of this person in Cincinnati was derided as "the stomach-ache statue,"
ABRAHAM LINCOLN-
* Henry (*) Bacon-designed building that has 36 Doric columns and stands near a large reflecting pool.
ABRAHAM LINCOLN-
* Volk created a notable life mask of this man, who is shown standing in front of a small chair in a work subtitled "The Man."
ABRAHAM LINCOLN-
* G minor work was attributed to (*) Tomaso Albinoni.
ADAGIO-
* Guiseppi Sarti attacked Mozart's Dissonance string quartet as "barbarous" for its opening twenty-two measures in this tempo
ADAGIO-
* Italian for "at ease," and refers to a tempo faster than largo but slower than andante.
ADAGIO-
* J.S. Bach composed a piece for organ known today as his toccata, this tempo marking, and fugue in C major
ADAGIO-
* Death on a Pale Horse;
ALBERT PINKHAM-
* opens with a descending B-flat minor scale on the bassoon that's gradually echoed and held by the strings until every note of the scale is held simultaneously.
ALPINE SYMPHONY-
* "It's a Hard Knock Life"
ANNIE-
* "Kittens would frighten him," objecting to the name Tiger
ANNIE-
* "Let's go see the stars." Rooster and Lily St. Regis feature in this musical's song (*) "Easy Street,"
ANNIE-
* "Star-to-Be" in the song "N.Y.C."
ANNIE-
* "Tomorrow" and "Hard Knock Life," for 10 points, name this musical about a redheaded orphan;
ANNIE-
* Mudges seem to know the origins of a locket in this work, they are revealed to be lying by Franklin D. Roosevelt
ANNIE-
* teacher's concept of Klangfarbenmelodie
ANTON WEBERN-
* Chirico superimposed this sculpture's head on a wall above a green ball next to a pair of orange surgical gloves in his painting The Song of Love. C
APOLLO BELVEDERE-
* Durer reversed this sculpture's pose for the figure of Adam in his Adam and Eveengraving based on a popular Marcantonio Raimondi print of this statue.
APOLLO BELVEDERE-
* copy of a Leochares sculpture depicting its figure after he kills the Python;
APOLLO BELVEDERE-
* Dissonance created by a delayed leading tone and an anticipated tonic note sounding together is termed this composer's namesake "cadence" or "clash."
ARCANGELO CORELLI-
* Edinburgh Festival commissioned a fantasia by Michael Tippett
ARCANGELO CORELLI-
* composer of the Christmas Concerto, the best known of the concerti grossi from his Opus 6.
ARCANGELO CORELLI-
* set of twelve of this composer's sonatas (*) da chiesa and da camera are based on the Spanish tune "La Folia."
ARCANGELO CORELLI-
* Richard Strauss opera set after the title woman is abandoned by Theseus
ARIADNE AUF NAXOS-
* coloratura soprano role is best known for the massive aria "Grossmachtige Prinzessin!", in which she lists men who have seduced her, to which the title character responds by withdrawing into her cave.
ARIADNE AUF NAXOS-
* four characters tries to cheer a woman up with the quartet "Lieben, hassen, hoffen, zagen" after she sings a depressing aria about the purity of the land of death, "Es gibt ein reich."
ARIADNE AUF NAXOS-
* libretto by Hugo von Hofmannsthal;
ARIADNE AUF NAXOS-
* woman re-enters and repeats the lyric "When the new god comes we surrender dumbly" from the earlier, difficult coloratura aria (*) "Grossmachtige Prinzessen!"
ARIADNE AUF NAXOS-
* several portraits of Madame Ginoux, simply titled "the woman (*) from" this place
ARLES-
* showed three tall trees on the left side of his painting of a river valley with the title mountain in the background of his Franconia Notch
ASHER DURAND-
* triangle is formed by dead logs across the ground and tall trees tilting towards each other along the sides in this painter's In the Woods
ASHER DURAND-
* Henri Toulouse-Lautrec showing a scene at a popular French cabaret.
AT THE MOULIN ROUGE-
* center depicts a woman adjusting her hair behind a group of figures, including Paul Sescau, Eduoard Dujardin, and La Macarona, who sit around a small white table
AVE MARIA-
* finished two years after the artist was commissioned to create a series of posters for the establishment depicted, and the artist also depicted several singers and dancers employed there
AVE MARIA-
* painted himself and his cousin walking behind the central group of (*) three men and two women drinking at a table. Facing the viewer is a woman in black dress with a bluish, ghastly face
AVE MARIA-
* woman in this painting wears a dress with gray rectangles outlined in red. In the right background of this painting, a woman in a purple v-back dress faces away from the viewer as she fixes her reddish hair
AVE MARIA-
* Five kings sing one of these pieces on a raft in the second act of Bernstein's opera Candide
BARCAROLLE-
* sits on a pile of clothes with a straw hat behind him, while a man in a black chapeau and brown pants lays down in front of a brown dog in the left foreground.
BATHERS AT ASNIERES-
* smoke stacks of a factory can be seen in the background of this work, which also shows two shirtless guys wearing red shorts
BATHERS AT ASNIERES-
* "at Asnieres" by Seurat.
BATHERS-
* character in this film forcibly stuffs a melon into her beloved's mouth
BLACK ORPHEUS-
* protagonist looks at his love during a Macumba ritual to revive her, forcing Eurydice's spirit to depart
BLACK ORPHEUS-
* Zambezi and The Marriage of Reason and Squalor are among the 69 paintings in a 1959 series of this name, in which uniform stripes separated by thin strips of unpainted canvas are arranged in "deductive structures"
BLACK PAINTINGS-
* drunken group of nuns and friars singing as they traverse a valley. Another one of these paintings shows some soldiers in a mountain valley about to shoot a group of people on horseback while a man and woman float overhead
BLACK PAINTINGS-
* entitled Judith and Holofernes omits Holofernes and shows a knife-holding Judith, who may be modeled after the artist's maid Leocadia
BLACK PAINTINGS-
* men trapped knee-deep in a quagmire square off in one of them, Fight with Cudgels, while a crowd of women huddle together, staring in fear at a silhouetted goat-headed man in another of them, Witches' Sabbath.
BLACK PAINTINGS-
* gilded in depicting the sacrifice of Isaac in a series of doors constructed by Ghiberti after winning a competition
BRONZE-
* sculpture created out of this material was given the name Canon by its artist as a standard for human perfection
BRONZE-
* "Great Stone Face" starred in feature films like The Navigator and Sherlock, Jr. One of his characters runs in panic after he miraculously avoids harm after a cyclone blows off the facade of a house he's standing in front of in the short, "Steamboat Bill, Jr."
BUSTER KEATON-
* "Neighbors" has him chased around the deck of a ship by a miniature cannon, and also sees him stuck running in the wheel of a steam ship
BUSTER KEATON-
* Los Angeles followed by a crowd of brides. The protagonist of another of his films saves his love, portrayed by Dorothy Sebastian, on a boat of bootleggers, after she gets slighted by her fiancee
BUSTER KEATON-
* The General.
BUSTER KEATON-
* best known roles, his seat starts moving as the title train accelerates
BUSTER KEATON-
* director of Our Hospitality has Annabelle Lee reject Johnny Gray after he fails to enlist in the Civil War
BUSTER KEATON-
* man shuffles a wet deck of cards in his The Navigator, and this director of (*) Spite Marriage made a film where a Southern gentleman refuses to let his sons kill the last member of an enemy family so long as he stays in their house.
BUSTER KEATON-
* man's movies featured an extended sequence where he stands on the shoulders of members of the Flying Escalantes to go between buildings
BUSTER KEATON-
* played a man who is reunited with his love interest, Annabelle Lee, after foiling the plot of Captain Anderson, and his debut role was in The Butcher Boy alongside Fatty Arbuckle
BUSTER KEATON-
* 1930's and 40's, the hub of this state's jazz scene was the Dunbar Hotel.
CALIFORNIA-
* Dmitri Tiomkin's American career was based in this state, whose jazz pioneers included Shelly Manne and Shorty Roger
CALIFORNIA-
* Moon and Half Dome;
CALIFORNIA-
* Norman Granz's Jazz at the Philharmonic concerts were in this state that was the center of Conrad Salinger's musical career
CALIFORNIA-
* The morning fog may chill the air. I don't care
CALIFORNIA-
* Tony Bennett says "I Left My Heart in" a city in this state. For 10 points, what state was home to the "West Coast Jazz" movement?
CALIFORNIA-
* jazz version of My Fair Lady was led by a drummer based in this state, and featured Leroy Vinnegar on bass and André Previn on piano
CALIFORNIA-
* photograph of Florence Thompson entitled Migrant Mother was taken by Dorothea Lange
CALIFORNIA-
* photograph taken in this state is of Lorrie Stirm running to hug her father, who had been a prisoner of war in Vietnam
CALIFORNIA-
* "In the Tavern," and "The Court of Love." That work begins with his adaptation of a medieval poem about luck.
CARL ORFF-
* "Schulwerk" to teach music education to children, this composer wrote the songs "Veni, veni, venias" and "In trutina" for a piece based on manuscripts from a monestary in Benedictburen
CARL ORFF-
* Cignus Ustus Cantat, which describes a roasting swan
CARL ORFF-
* German composer, whose "O Fortuna" appears in his cantata Carmina Burana.
CARL ORFF-
* Schulwerk is his method of teaching music education to children
CARL ORFF-
* Trionfo di Afrodite is part of his Trionfi trilogy
CARL ORFF-
* opera in which Satan asks for forgiveness from God entitled Play of the End of Time
CARL ORFF-
* "the quarry," its balconies were partially designed by Josep Maria Jujol i Gibert.
CASA MILA-
* Casa Batllo, this is, for 10 points, what multi-family housing structure created by Antonio Gaudi?
CASA MILA-
* Visitors can enter the meticulously preserved apartment at the top of this structure, which features hand-molded ceilings that match the undulating main façade
CASA MILA-
* apartment building in Barcelona built by Antonio Gaudi;
CASA MILA-
* artist produced a never-realized sketch for a New York hotel featuring several 200 meter high parabolic towers.
CASA MILA-
* attic is dominated by catenary arches, and its roof contains surreal chimneys nicknamed espantabruxes
CASA MILA-
* "Knockabout clowns" and "quick change comedians," they are Mungojerrie and Rumpleteaser.
CATS-
* Wain is best known for painting these animals with large eyes. A bucket of water and three of these animals fly through the air in the photograph Dali Atomicus
CATS-
* cut from its film version because Sir John Mills was too old to perform the dance moves
CATS-
* far right of Manet's Olympia, a black one of these animals stands on the bed. For 10 points,
CATS-
name these animals often depicted in Egyptian tombs.
CATS-
* small drop of blood can be seen on the left foot of the title figure, who is brought a bowl of water from a shirtless child to bathe his wound.
CHRIST IN THE HOUSE OF HIS PARENTS-
* Vasari claimed that this artist neglected his classical studies in favor of watching the Gondi Chapel being frescoed. Dante compared Oderisi Da Grubbio to this artist who once "held the field."
CIMABUE-
* depiction of St John in Pisa is part of a larger work completed twenty years after this man's death
CIMABUE-
* dramatizes Vasari's observation that this artist was "overshadowed by a greater light,"
CIMABUE-
* featured a lifelike Christ hanging on the namesake Crucifix.
CIMABUE-
* gold-tinted work by this painter features Abraham, David, Jeremiah and Isaiah under a series of arches as the Madonna points at the infant Jesus
CIMABUE-
* man in blue robes holding a blue bound box is the only work which can be definitively proven as being painted by this artist's hand
CIMABUE-
* most famous student. For ten points, name this artist who is thought to have taught Giotto;
CIMABUE-
* rise of Renaissance art is mostly extrapolated from a verse in Dante's Purgatorio
CIMABUE-
* two crowds of people flanking a crucifix; that work is now almost entirely blackened. This artist painted another crucifixion with small icons for the Basilica of Santa Croce
CIMABUE-
* Alidoro disguises himself as a beggar and is given food by its main character, who later gives its male lead one of her matching bracelets and tells him to find her
CINDERELLA-
* e house of Don Magnifico, who hopes that Prince Ramiro will marry one of his mean-spirited daughters Clorinda and Tisbe
CINDERELLA-
* ends up falling in love with the title character, Angelica. For 10 points, name this Rossini opera based on a fairy tale about an oppressed woman forced to work as a maid.
CINDERELLA-
* not as popular as it composer's other ballet Romeo and Juliet and sees the Prince find the title character's slipper
CINDERELLA-
* pompous character in this opera describes his dream about a donkey which grows feathers and flies to the top of a steeple in the aria "Miei rampolli femminini."
CINDERELLA-
* title is set at the Four Seasons department store and sees Grete dance with shirtless men in its "Dream Sequence."
CINDERELLA-
* critic Ted Gioia (JOY-uh) has written about the "The Birth and Death of" this movement, identifying its roots in the style of the cornetist Bix Beiderbecke.
COOL JAZZ-
* Franz, eventually marries the Burgomeister's daughter Swanilda. For 10 points, name this ballet with choreography by Arthur Saint-Leon, wherein a doctor creates the title mechanical doll to accompany him, all to music by Leo Delibes
COPPELIA-
* Met had the mother dance the "Prayer" variation to emphasize her anxiety before a marriage;
COPPELIA-
* Theme Slav No. 6 turned out to be composed by Stanislaw Moniuszko.
COPPELIA-
* character drops a key while chasing boys away with a stick and gives sleeping powder to a villager who blew a kiss to the title character after she dropped her book and waved to him
COPPELIA-
* character in this work dances with her friends because the advice "to listen to the wheat" disagrees with her choice of lover
COPPELIA-
* third act features dances like "L'Aurore" and "Le Discorde et la Guerre", while the first act features the first czardas used in ballet.
COPPELIA-
* Abduction of Ganymede, Leda and the Swan, and Danae receiving the "golden rain." For 10 points, identify this painter of the Assumption of the Virgin for the Cathedral of Parma, as well as the Loves of Jupiter.
CORREGGIO-
* addition to Putto with Hunting Trophy, this artist painted a now-lost Madonna of Albinea
CORREGGIO-
* addition to painting works in the previously mentioned convent of San Paolo, this artist created a fresco of the Assumption of the Virgin on the ceiling of the dome of the Cathedral of Parma
CORREGGIO-
* artist of the Loves of Jupiter series.
CORREGGIO-
* artist of the Loves of Jupiter series;
CORREGGIO-
* artist painted a work in which Mary offers her breast to a distracted baby Jesus, the Madonna del Latte
CORREGGIO-
* commissioned by the abbess Giovanna Piacenza to paint numerous frescoes for a chamber in her convent, and he painted a fresco depicting a scene from the Book of Revelation on the ceiling of the San Giovanni Evangelista
CORREGGIO-
* depicted a tense and trembling Mary Magdalene kneeling before Christ in a golden dress in his Noli Me Tangere and included a golden lion's head at the bottom of his Madonna of St. Jerome
CORREGGIO-
* four paintings depicting scenes from Ovid's Metamorphoses, such as the Abduction of Ganymede and Danae
CORREGGIO-
* greatest works were to be given as gifts to Charles V and were commissioned by Frederico Gonzaga
CORREGGIO-
* paintings appears to show a young boy looking at the viewer, holding up the decapitated head of a deer by its antlers
CORREGGIO-
* Dalí painted this event with the central figure on a hypercube, and Marc Chagall's depictions of it include ones named "Golgotha" and one labeled "White."
CRUCIFIXION OF JESUS CHRIST-
* David Rosen inexplicably replaced a dark sky with a gold one in one of the two depictions of this scene by Rogier van der Weyden, both of which include a red cloth draped behind their central figure
CRUCIFIXION OF JESUS CHRIST-
* French artist James Tissot adopted a first person, top-down perspective for his version of this scene
CRUCIFIXION OF JESUS CHRIST-
* Grand Alliance under Eugene of Savoy and the Duke of Marlborough, fought in 1709 during the War of the Spanish Succession;
CRUCIFIXION OF JESUS CHRIST-
* James Tissot painted this event from the perspective of the central figure, and Masaccio painted God the Father standing behind a depiction of this event in his Holy Trinity
CRUCIFIXION OF JESUS CHRIST-
* John William Friso, the Prince of Orange, disobeyed orders by launching an all-out assault during this battle
CRUCIFIXION OF JESUS CHRIST-
* bloodiest battle of the Eighteenth Century saw the winning commanders build on their victory the previous year at Oudenarde
CRUCIFIXION-
* name this scene that is depicted in "Yellow" by Paul Gauguin.
CRUCIFIXION-
* Caravaggio showed this character trampling a suit of armor, a compass, and other symbols of civilization in s Virgil-inspired painting of his "victorious"
CUPID-
* Folly, Time and Venus in a Bronzino painting, the god of love.
CUPID-
* Francois Boucher work, this deity is restrained with garlands by three females, making him a "captive."
CUPID-
* Rembrandt depicted this deity blowing soap bubbles.
CUPID-
* Wallace Collection holds a Francois Boucher (boo-SHAY) painting of this character held captive, and Boucher also included two swans in a painting of this character being disarmed
CUPID-
* "symphony for tenor and alto with large orchestra" sets to music translations by Hans Bethge
DAS LIED VON DER ERDE-
* Dunkel ist das Leben, ist der Tod is transposed from G minor to A-flat minor to A minor in the first movement. This work's second movement is called "The Lonely One in Autumn," and its sixth, final, and longest movement is "The Farewell."
DAS LIED VON DER ERDE-
* English horn adds a dissonant note to the final chord played by the trombones after the repetition of the word ewig, which concludes a set of lines written by the composer
DAS LIED VON DER ERDE-
* Philip Glass based his first and fourth symphonies on this musician's albums.
DAVID BOWIE-
* depicts this figure with a gleaming scythe in his hand. The most famous painting with this name shows the central figure holding up a hand to stop the titular figure and his brothers, Famine, Pestilence, and War
DEATH ON A PALE HORSE-
* identify this event portrayed by Benjamin West and Albert Pinkham Ryder;
DEATH ON A PALE HORSE-
* not the Inferno, Gustave Dore created a depiction of this subject which includes a screaming animal in the background
DEATH ON A PALE HORSE-
* figure appearing with War, Pestilence, and Famine in Four Horsemen of the Apocalypse.
DEATH-
* figure is entering through a door at the back while a man in a bed is offered a bag of gold in Hieronymus Bosch's depiction of this figure and The Miser.
DEATH-
* holds an hourglass in a work showing him along with a Knight and the Devil by Durer, who also depicted him on an emaciated horse
DEATH-
* one depiction of this figure, a muscular, shirtless man reaches up to him in a pose that mimics Adam in Michelangelo's Creation, while a child below him clutches at a gray woman whose lap contains a sprawling gray baby
DEATH-
* El Greco painting where the title figure is about be undressed.
DISROBING OF CHRIST-
* architectural elements, one of which sits prominently atop the U.S. Capitol.
DOMES-
* architectural feature seen atop the Pantheon and the Taj Mahal, which occurs on St. Basil's Cathedral in an "onion" shape;
DOMES-
* octagonal brick version of this structure was engineered for the Santa Maria del Fiore by Brunelleschi, and a famous Roman one features an Oculus
DOMES-
* Davis and McArdle reveal their true names outside the courthouse
16 ANGRY MEN-
* Sidney Lumet film in which a group of people are convinced to vote "not guilty" by Juror #8.
17 ANGRY MEN-
* director had Boris Kaufman, its director of photography, gradually increase the focal length of lenses used and lower the angles of shooting over the course of the film.
20 ANGRY MEN-
* Central points of discussion within this work include the possibility of an (*) elevated train obscuring a crime that police believe was perpetrated with a rare switchblade
21 ANGRY MEN-
* eager to go to a Yankee's game and a bigot who speaks of "those people" comprise the title group, who are all eventually swayed by the eloquence of Henry Fonda's character
22 ANGRY MEN-
* Sidney Lumet drama about the deliberations of a jury.
23 ANGRY MEN-
* doodles a drawing of Rice Pops and later plays a game of tic-tac-toe, which is promptly broken up
24 ANGRY MEN-
* he never sweats, despite it being the hottest day of the year
25 ANGRY MEN-
* baseball fan in this film has tickets to a Yankees game
26 ANGRY MEN-
* unique switchblade knife is key evidence in this film, though one man refutes it by stabbing a similar blade into the table;
27 ANGRY MEN-
* carry sacks of grain to a watermill in another of them, while their title object can be seen through a barrel near a temple in "the Eastern Capital" in others.
36 VIEWS OF MOUNT FUJI-
* series was created in ample comfort thanks to its artist's inventive self-promotion, including his winning a government commission by chasing a chicken across a painted canvas
37 VIEWS OF MOUNT FUJI-
* measure a pine tree and (*) repair the roof of a store in scenes from this series, which provided the original cover art for Debussy's La Mer
38 VIEWS OF MOUNT FUJI-
* snow-covered teahouse, Mannen Bridge, and the open sea as depicted in The Great Wave Off Kanagawa
39 VIEWS OF MOUNT FUJI-
* ukiyo-e prints by Hokusai, all of which are set in the shadow of Japan's tallest mountain.
40 VIEWS OF MOUNT FUJI-
* sees a stream of papers blowing past as a group of blue-clad travelers on a winding path struggle against a strong wind. In another of them, merchants toss things to each other on the roof of a shop below a kite reading "longevity."
41 VIEWS OF MOUNT FUJI-
* worker drawing a saw through a giant beam of wood, while another depicts a man sweeping the inside of a giant hoop
42 VIEWS OF MOUNT FUJI-
* shows two sets of blue-clad oarsmen hunkering down as their boats are tossed around by the Great Wave off Kanagawa
43 VIEWS OF MOUNT FUJI-
* series of ukiyo-e woodblock prints which all contain the titular peak, a work of Hokusai.
44 VIEWS OF MOUNT FUJI-
* Papers fly out of a man's backpack in one particularly windy entry in this series of works, while another work is titled after a circle of pine tress.
45 VIEWS OF MOUNT FUJI-
* Three men on horseback riding through a narrow pass are depicted as part of a "barrier town" in another entry, while another entry depicts two kites flying above a shop.
46 VIEWS OF MOUNT FUJI-
* key of Beethoven's Fur Elise and Grieg's Piano Concerto. For 10 points, name this relative minor of C major, whose key signature contains no sharps or flats.
A MINOR-
* key opens with a timpani roll before the entrance of the soloist. For 10 points, name this key of the piano concertos of Robert Schumann and Edvard Grieg
A MINOR-
* minor key with no sharps or flats in its key signature;
A MINOR-
* piano concerto in this key contains an andante espressivo episode in 6/4 time, in which the soloist alternates with a clarinet in playing an A-flat major version of the main theme.
A MINOR-
* piano concerto in this key has an andantino grazioso Intermezzo in F major and 2/4 time as its second movement
A MINOR-
* relative minor of C major
A MINOR-
* symphony in this key concludes its first movement by restating the "Alma theme" and includes three "hammer blows of fate" in its final movement
A MINOR-
* depicted by Gutzon Borglum as the rightmost figure on Mount Rushmore;
ABRAHAM LINCOLN-
* memory is "enshrined forever," one can see a statue of him by (*) Daniel Chester French
ABRAHAM LINCOLN-
* statue of him standing in front of a granite wall engraved with one of his speeches was sculpted by a man who collaborated with the Piccirilli Brothers on the most famous statue of this man
ABRAHAM LINCOLN-
* statue of this man is directly below two paintings by Jules Guerin, while in another statue he extends his arm above a crouching man with shackles.
ABRAHAM LINCOLN-
* Inspired by Virgil's Georgics, this work was later used in its composer's setting of his choral work Agnus Dei
ADAGIO FOR STRINGS-
* New York Times writer Olin Downes sparked controversy by praising the premiere of this piece
ADAGIO FOR STRINGS-
* Orchestrated by William Strickland for the solo organ, this work begins with the first violins playing a B flat in unison and grew out of its composer's String Quartet in B Minor, Opus 11.
ADAGIO FOR STRINGS-
* Ying Quartet gave the first public performance of a suppressed addendum to this piece
ADAGIO FOR STRINGS-
* arch form anchors this piece, which begins with a sustained B-flat line played by the violins. This piece was premiered by Arturo Toscanini, was broadcast over the radio after FDR's death, and was taken from the second movement of a string quartet;
ADAGIO FOR STRINGS-
* composer of Vanessa, Samuel Barber.
ADAGIO FOR STRINGS-
* conductor Arturo Toscanini in and was played during the announcements of the deaths of Franklin D. Roosevelt and John F. Kennedy
ADAGIO FOR STRINGS-
* described by its conductor at its premiere as "simplice e bella."
ADAGIO FOR STRINGS-
* organ was added by William (*) Strickland, was likened by its composer to a small stream that grows into a rive
ADAGIO FOR STRINGS-
* plays as the title character rearranges his pillows so as to be able to sleep normally during the closing scene of David Lynch's film The Elephant Man.
ADAGIO FOR STRINGS-
* "cantabile" movement of this name seems to quote Mozart's Piano Sonata No. 14
ADAGIO-
* After the title character of Aram Khachaturian's Spartacus escapes with his lover, a piece named this "of Spartacus and Phrygia" plays
ADAGIO-
* Mozart's only piano movement in B minor is written for this tempo, and forms the entirety of his K540
ADAGIO-
* name of the middle and most famous movement of Joaquín Rodrigo's Concierto de Aranjuez
ADAGIO-
* radio after the deaths of Franklin Roosevelt and John F. Kennedy;
ADAGIO-
* second movement of Beethoven's Sonata Pathetique
ADAGIO-
* tempo of a piece in G minor arranged by Remo Giazotto, although it is often attributed to Tomaso (*) Albinoni.
ADAGIO-
* written by Remo Giazotto, who falsely claimed he had constructed it from a fragment found in a Dresden Library.
ADAGIO-
* Alexander Calder sculpture .125 is currently located at one of these places, and another one of these places is shaped to create natural circulation with a series of large air ducts
AIRPORTS-
* Antonio Lamella and Richard Rogers recently added the T4 and T4S complexes to one of these located in Madrid
AIRPORTS-
* Eero Saarinen's TWA terminal and is named for JFK;
AIRPORTS-
* Quadracci Pavilion by Calatrava imitates his design for one of these buildings located in Bilbao and named for Sondica that contains a winged roof
AIRPORTS-
* Renzo Piano won a Pritzker Prize for designing one of these buildings on an artificial island in Osaka.
AIRPORTS-
* Tancredo Neves one was built by Niemeyer, and another one of these buildings was built fifty kilometers off the coast of Osaka by Renzo Piano, and named Kansai International.
AIRPORTS-
* building complexes, exemplified by one in New York City that includes the Saarinen-designed TWA Flight Center.
AIRPORTS-
* concrete catenary ceiling that requires no internal columns for support
AIRPORTS-
* home to the Googie-style Theme Building, which resembles a flying saucer with legs
AIRPORTS-
* partially demolished in 2008 by Gensler and added onto, creating a complex called T5, and was originally designed as a thin-shelled structure that enclosed a smaller building, which was criticized by Phillip Johnson as being like tying up a birds wing's
AIRPORTS-
* roof of one of these places in Denver has several pointy white fabric peaks that resemble mountains.
AIRPORTS-
* Ten of his paintings were included in the Armory Show, including his depiction of a dim sun off the coast in Moonlit Cove
ALBERT PINKHAM-
* paint on still wet surfaces in deep layers, most of his paintings show extensive cracking, including one in which a solitary (*) dead tree rises behind a fence. In that painting by this man, a snake looks on as a skeletal figure bearing a scythe rides the wrong way around a racetrack
ALBERT PINKHAM-
* painted a woman holding her hand on a girl's head and looking up at a man on a white horse in his painting Roadside Meeting
ALBERT PINKHAM-
* ship blends into the background sky as a boat bearing three skeletal figures approaches a giant wave in his The Flying Dutchman
ALBERT PINKHAM-
* Bartok-influenced works include the String Quartet No. 1, which uses the open strings of the guitar as a pitch sequence, while his Concert Variations include the use of the (*) malambo
ALBERTO GINASTERA-
* Estancia was inspired by the ranches of his homeland, Argentina;
ALBERTO GINASTERA-
* Opus 2 is a collection of dances for piano including ones "of the Old Herdsman" and "of the Intrepid Cowboy." He wrote three Pampeanas of which only the third is for a full orchestra, but he is better known for a suite which includes a movement based on criollo song and concludes with the Danza Final: Malambo.
ALBERTO GINASTERA-
* choral works is based upon a book of the Old Testament and is divided into O vos omnes, Ego vir videns, and Recordare, Domine
ALBERTO GINASTERA-
* composer wrote an overture for a piece in which the main character watches a performance of Faust, del Campo's The Creole Faust, and he adapted his second string quartet into a concerto for orchestra premiered by the Philadelphia Orchestra
ALBERTO GINASTERA-
* guitar sonata includes snapping the strings against the fingerboard and strumming very close to the tuning pegs
ALBERTO GINASTERA-
* later expressionist period of this composer of the Lamentations of Jeremiah includes the "Metamorfosi di un tema" movement and features the "Hymn to the Sun"; that is his Cello Concerto No. 2
ALBERTO GINASTERA-
* nationalistic works include three Pampeanas and his popular ballet Estancia. For 10 points, name this composer of Don Rodrigo, a 20th-century Argentinian composer.
ALBERTO GINASTERA-
* opera that contains the soprano aria "Ninguna ciudad del mundo" and features Nicolas' poisoning of Pier Francesco's potion of immortality called Bomarzo, while the title character of another of his operas dies in Florinda's arms after losing a battle that leads to a Moorish invasion
ALBERTO GINASTERA-
* Berlin Philharmonic under Herbert von Karajan was the first compact disc ever pressed.
ALPINE SYMPHONY-
* Hunting horns play a distant fanfare offstage just before the fourth section, "Entry into the Forest," which precedes such sections as "At the Waterfall," and "On Flowering Meadows."
ALPINE SYMPHONY-
* composer's Op. 35, this piece has the oboe and E-flat clarinet flutter-tongue to depict sheep grazing in a pasture
ALPINE SYMPHONY-
* earlier work Also Sprach Zarathustra is referenced in the section "On the Summit."
ALPINE SYMPHONY-
* first section opens with a descending B-flat minor scale in which each note is held by the strings until the entire scale is heard simultaneously
ALPINE SYMPHONY-
* hunting party using 12 offstage horns, and its score also calls for a heckelphone, a wind machine and a thunder machine
ALPINE SYMPHONY-
* last symphonic poem of Richard Strauss, which depicts the climb of and descent from a mountain;
ALPINE SYMPHONY-
* march for the lower strings with many upward leaps suggestive of climbing appears in its third section, "The Ascent."
ALPINE SYMPHONY-
* musical depiction of a day in a European mountain range, a work by Richard Strauss that despite its name is actually a tone poem.
ALPINE SYMPHONY-
* recurring theme in this work consists of rising sixteenth note-dotted eighth note pattern from a low E-flat to a G
ALPINE SYMPHONY-
* thirteenth section, an unusual passage for solo oboe slowly builds up with the return of many previous themes into a triumphant C major version of the "sun theme"
ALPINE SYMPHONY-
* unpublished diary entry about this peace, the composer wrote that Judaism, Christianity, and metaphysics were unproductive and that this piece would represent liberation from them.
ALPINE SYMPHONY-
* wind machine and a total of 20 horns, and thunder sheets are used to depict a violent storm in section 19, "The Descent."
ALPINE SYMPHONY-
* Campus Martius next a Horologium-Solarium, for 10 points, name this altar established by an emperor of Rome to commemorate his closing of the gates of the Temple of Janus;
ALTAR OF AUGUSTAN PEACE-
* Paul Rehak claimed that one scene in this work did not depict an epic hero, as Johannes Sieveking had claimed, but rather the second king of the polity which created this work
ALTAR OF AUGUSTAN PEACE-
* eastern side is an image of a woman sitting atop a pile of weapons and another panel depicting the deity Tellus or Terra Mater.
ALTAR OF AUGUSTAN PEACE-
* edifice depict the imperial family and important people like senators, invoking the Panathenaic procession on the Parthenon frieze, while the main scene is thought to be Aeneas performing a sacrifice.
ALTAR OF AUGUSTAN PEACE-
* fact that an assistant to the main action did not have two living parents in the myth, as was custom.
ALTAR OF AUGUSTAN PEACE-
* frieze on this structure shows one female riding a swan, one on a dragon, and another sitting on a throne while bulls and plants surround the foot of her throne. A
ALTAR OF AUGUSTAN PEACE-
* frieze shows the imperial family in procession with three children, advocating for increased pregnancies in the upper classes
ALTAR OF AUGUSTAN PEACE-
* hanging garlands flanked by ox skulls, while another section has a topless female surrounded by furled cloths and riding a large bird on each side of a woman about to suckle two children, whose figure assimilated features of its patron's wife
ALTAR OF AUGUSTAN PEACE-
* sits in a namesake museum designed by Richard Meier
ALTAR OF AUGUSTAN PEACE-
* this Roman monument built to honor the end of war brought about by Emperor Augustus.
ALTAR OF AUGUSTAN PEACE-
* western side is a panel showing the wolf breast-feeding Romulus and Remus. Originally built on the Campo Marzio near the via Flaminia, it was commissioned by the senate to memorialize a victorious return from campaigns abroad.
ALTAR OF AUGUSTAN PEACE-
* Metzinger created a divisionist rendition of a painting of this woman, whose artist exasperatedly replied "Black, obviously," upon being asked about her dress
AMELIE MATISSE-
* Woman with a Hat and Green Stripe;
AMELIE MATISSE-
* alternated modeling duty with her husband's daughter Marguerite
AMELIE MATISSE-
* black hair is done in a bun in a painting in which her face is bifurcated by the title feature. A portrait of this woman was singled out for attack at the 1905 Salon d'Automne by critics who likened it to a wild beast
AMELIE MATISSE-
* holds a fan in her gloved arm and sits on a blue chair in that controversial painting, which was bought by Leo and Gertrude Stein.
AMELIE MATISSE-
* Aris Kindt appears in that painting of one of these events, in which a large textbook is open in the bottom right and the title figure probes at the musculature of a dead man's arm;
ANATOMY LESSONS-
* led by a man named Deijman
ANATOMY LESSONS-
* man on the left holds a bowl-shaped object next to an extremely foreshortened man reminiscent of Mantegna's Dead Christ
ANATOMY LESSONS-
* one of these events, the title figure's head is missing because the painting was damaged in a fire
ANATOMY LESSONS-
* seven (*) observers, one of whom holds a piece of paper while turning his head towards the viewer.
ANATOMY LESSONS-
* "Credi al Destino?" in the second act after rejecting Roucher's offer of a passport because he is fascinated by a series of anonymous love letters signed with the name "Hope."
ANDREA CHENIER-
* Cyrano-esque scene in this opera, a woman admits to being the one who sent anonymous love letters to the title character
ANDREA CHENIER-
* Maddalena agrees to give herself to Gerard in order to save the title character in this opera's most famous aria, "La mamma morta."
ANDREA CHENIER-
* after Gerard reveals he signed a baseless indictment of the title character because of his jealousy over Maddalena
ANDREA CHENIER-
* aritone in this opera admits "I am still a servant / I've only changed masters" in the aria "Nemico della Patria" regetting that betrayed a former friend
ANDREA CHENIER-
* itle character sings "Un di, all'azurro spazio" offending the attendees at Countess Coigny's ball, and later compares death to a "beautiful day in May" in the famous aria "Come un bel di di maggio."
ANDREA CHENIER-
* one character watching his father move furniture, which leads him to sing "Son sessant'anni" about the suffering of servants
ANDREA CHENIER-
* s opera about a poet of the French Revolution, by Umberto Giordano.
ANDREA CHENIER-
* soprano in this opera describes how her mother was killed by a mob that burned down her childhood home in the aria "La Mamma Morta,"
ANDREA CHENIER-
* spy Incredible sees through Bersi's disguise as a revolutionary when he is following this opera's title character. In a later scene from this opera, a character regrets making false accusations against the title character, but the (*) Tribunal still imprisons him and orders him executed
ANDREA CHENIER-
* those two characters then pledge their love for each other in "Ora soave."
ANDREA CHENIER-
* titular character poet who was executed during the French Revolution, by Umberto Giordano;
ANDREA CHENIER-
* Alexander planting a tree with his son in a nine-and-a-half minute tracking shot characteristic of his later films
ANDREI TARKOVSKY-
* Russian director of Andrei Rublev and Solaris.
ANDREI TARKOVSKY-
* Soviet director who chronicled a 15th century icon painter's life in Andrei Rublyov and also directed Solaris.
ANDREI TARKOVSKY-
* The Steamroller and the Violin collaborated with the authors of Roadside Picnic for a film where the title figure agrees to guide "The Professor" and "The Writer" into "The Zone."
ANDREI TARKOVSKY-
* Theophanes the Greek invites the title character to paint the Cathedral of the Annunciation in one of his films
ANDREI TARKOVSKY-
* addition to Nostalghia and Stalker, he experimented with time in 1974's Mirror and depicted a third world war on a remote Baltic island in his final film, 1986's Sacrifice
ANDREI TARKOVSKY-
* dead wife while investigating the death of one of three men orbiting the title water planet in a film by this director based on a Stanislaw Lem novel.
ANDREI TARKOVSKY-
* diploma-winning film from VGIK contains a famous shot of a wrecking ball destroying an old building
ANDREI TARKOVSKY-
* film by this director, a horse is shown falling down a flight of stairs before being impaled on a spear
ANDREI TARKOVSKY-
* final student film was The Steamroller and the Violin. In one of his films, an author spurns his translator Eugenia and accepts the mission of an old man who'd once imprisoned his family for seven years - walking across a natural spring with a lit candle
ANDREI TARKOVSKY-
* includes a committee's examination of a man who claims to have seen the gigantic (*) face of a child in the ocean
ANDREI TARKOVSKY-
* man who also directed ►the 1972 film adaptation of Stanislaw Lem's book Solaris and was born in Russia;
ANDREI TARKOVSKY-
* newsreel footage from the Spanish Civil War is interspersed with a scene of Ignat reading a letter
ANDREI TARKOVSKY-
* shot in black-and-white, it ends with a color shot of three horses grazing in a meadow
ANDREI TARKOVSKY-
* shot of woman sitting on a table underneath a chandelier precedes close-ups of parts of Bruegel's Labors of the Months and a man and woman embracing while levitating
ANDREI TARKOVSKY-
* the Room
ANDREI TARKOVSKY-
* title Medieval artist is inspired to resume painting after seeing a bell being cast and rung. The protagonist is troubled by hallucinations of his dead wife Hari in a film by this director, ending with the reveal that Kris Kelvin is on an island in the namesake planet
ANDREI TARKOVSKY-
* title figure is a man trained by the now-dead Porcupine who guides a writer and a scientist into the Zone
ANDREI TARKOVSKY-
* Bologna-born cofounder of the painter of Domine, Quo Vadis? and The Flight into Egypt, whose Triumph of Bacchus and Ariadne is part of the Loves of the Gods series he painted for the Farnese Gallery.
ANNIBALE CARRACCI-
* The Choice of Hercules, was painted by this artist for the camerino in the building housing his best-known works
ANNIBALE CARRACCI-
* Virgin sitting on a home borne by three angels;
ANNIBALE CARRACCI-
* club-wielding central figure of one of this man's paintings sits in front of a palm as Virtue, on his right, points toward the path to glory and Pleasure, on his left, displays musical instruments and masks
ANNIBALE CARRACCI-
* depiction of St. Margaret lies in the Santa Caterina dei Funa and is the same figure he depicted as Catherine in his Madonna of St. Luke. One
ANNIBALE CARRACCI-
* famous paintings is a lunette centering on a palace in which two Biblical figures lead a donkey along a path in the foreground.
ANNIBALE CARRACCI-
* orange-and-blue-clad Saint Peter recoil in shock as Christ, carrying a cross on his shoulder, appears to him on the (*) Appian Way
ANNIBALE CARRACCI-
* "You're Never Fully Dressed Without a Smile" on the radio, the aforementioned scheme is hatched by Miss Hannigan to steal $50,000 from Daddy Warbucks
ANNIE-
* asserts "you can bet your bottom dollar the sun'll come up tomorrow."
ANNIE-
* before Franklin Roosevelt is told to "bet his bottom dollar" on the title day.
ANNIE-
* red-haired orphan.
ANNIE-
* Allied occupation of Austria, this composer was killed by an American soldier.
ANTON WEBERN-
* Concerto for (*) Nine Instruments illustrates both his use of the twelve-tone system and his noted brevity
ANTON WEBERN-
* Second Viennese school composer, a student of Schoenberg.
ANTON WEBERN-
* Variations for Piano obscure the structure of a canon in the second movement Sehr schnell and lack any crescendo and diminuendo markings. His Passacaglia features 23 variations grouped in three paragraphs over a eight-note bass line centered on the key of D-minor, and is his Opus 1.
ANTON WEBERN-
* famed for his characteristic brevity and his use of the twelve-tone technique. For 10 points, name this Austrian composer, a member of the Second Viennese School and pupil of Schoenberg;
ANTON WEBERN-
* nly symphony is a succession of musical palindromes nested within larger palindromes and contains multiple canonic forms
ANTON WEBERN-
* second cantata draws text from six poems of Hildegard Jone, and he adapted numerous poems of Stefan George into lieder
ANTON WEBERN-
* splitting the opening theme between the trombone, horn, and trumpet in orchestrating Bach's six-part ricercare from the Musical Offering
ANTON WEBERN-
* tone row's retrograde and inversion are equivalent in this composer's String Quartet, which is constructed of inversions and transpositions of the B-A-C-H motif.
ANTON WEBERN-
* two movements and approximately 9 minutes long
ANTON WEBERN-
* wrote a canon vertically centered on A4 in the brief second movement of one work
ANTON WEBERN-
* wrote his PhD thesis on the works of Heinrich Isaac, which he incorporated into his two-movement symphony dedicated to his daughter Christine, which contains nested palindromes
ANTON WEBERN-
* "Antiquarie Prospetiche Romane" claims this work was held by a Genoese cardinal at SS. Apostoli,
APOLLO BELVEDERE-
* Perseus with the Head of Medusa was originally displayed on this statue's pedestal, and was bought as a replacement aˆer Napoleon looted this sculpture for France
APOLLO BELVEDERE-
* Thomas Crawford's sculpture of Cerberus borrowed the pose of the sculptures of two Molossian dogs that sit next to this work. Giovanni Montorsoli restored part of the right arm and the left hand, and Antonio Canova created his Perseus with the Head of Medusa to replace it after Napoleon took it in 1796.
APOLLO BELVEDERE-
* classical marble sculpture showing the god of music ring an arrow.
APOLLO BELVEDERE-
* contained in a namesake (*) courtyard designed by Bramante in the Vatican Palace, and shows the subject nude but for the cloak on his back the moment after he has fired his arrow
APOLLO BELVEDERE-
* modeled on a lost original by Leochares, was owned by Julius II before he became Pope, and it shows the title figure standing with a quiver by his hip moments aˆer releasing an arrow from his leftˆ hand
APOLLO BELVEDERE-
* name derives from a courtyard designed by Bramante outside the Vatican Palace where it was originally displayed, and Johann Winckelmann famously praised it as the greatest ideal of antique art.
APOLLO BELVEDERE-
* ound in the garden of San Pietro in Vincoli.
APOLLO BELVEDERE-
* title figure of this statue is naked except for a narrow band around his hair called a "strophium" and a "chlamys" robe on his shoulder
APOLLO BELVEDERE-
* Adagio in F minor with a Vivace postscript that is combined with a Bach fugue in a Fantasia Concertante by Michael Tippett
ARCANGELO CORELLI-
* composer wrote a set of pieces that were adapted for solo piano as two series of parallel variations in a Rachmaninoff composition dedicated to Fritz Kreisler minor violin sonata, part of a collection of twelve sonata da chiesa and sonata da camera, on "La Folia." For 10 points, name Italian Baroque violinist whose concerto grossi include his Christmas Concerto;
ARCANGELO CORELLI-
* solo violin and the first tutti violins break out into rapid sixteenth-note oscillations in the Adagio movement of a work by this composer that ends with a serene 12/8 movement known as the (*) pastorale ad libitum
ARCANGELO CORELLI-
* type of dissonant violin cadence which is sometimes called his "clash" and is credited with establishing the standard four-movement form for sonatas
ARCANGELO CORELLI-
* Efforts in this opera to lift the title character's spirits include the piano-accompanied "Lieben, hassen" and a quartet sung by four men with a coloratura soprano descant.
ARIADNE AUF NAXOS-
* Major-Domo tells the Music-Master and the Composer that the scheduled opera seria and opera buffa will be performed at the same time, leading to a scene in which the commedia dell'arte character Zerbinetta encourages the title character to find a new love in Bacchus
ARIADNE AUF NAXOS-
* Zerbinetta and four commedia dell'arte characters star in the comedy that infringes upon the Composer's opera seria, creating the opera-within-an-opera that forms the body of this work
ARIADNE AUF NAXOS-
* appearance of a certain god, and the Prologue to the opera, not included in its original version, ends with the Composer singing "Musik ist eine heilige Kunst."
ARIADNE AUF NAXOS-
* "yellow house" in this location contained a sparsely-decorated bedroom inhabited by a man who later entered an asylum at Saint-Remy
ARLES-
* bell tower of St. Trophime lies beyond a canal in a painting set here, whose foreground is dominated by one of many "flowering orchards" that its painter depicted
ARLES-
* painting set in this location depicts a woman hunched over picking flowers behind a pair of somber women; that painting, Memory of the Garden at Etten, is also titled for the "Ladies of" this place
ARLES-
* vases of sunflowers and The Night Café while living here. For 10 points,
ARLES-
name this town in southern France where Paul Gauguin briefly lived with Vincent Van Gogh;
ARLES-
* "a real allegory summing up seven years of my artistic and moral life," for 10 points, name this self-portrait by Gustave Courbet.
ARTIST'S STUDIO-
* George Sand and Charles Baudelaire are among the figures looking at the painter in the center of the canvas, who works on a landscape in the title location.
ARTIST'S STUDIO-
* Gustave Courbet painting set where Courbet creates his works.
ARTIST'S STUDIO-
* Helene Toussaint argued that the figures on the left-hand side of this work, long identified only as types like "an Irishwomen" and "a Jew", were portraits of people like Achille Fould and the Duc de Persigny
ARTIST'S STUDIO-
* background of this painting consists of a large wall onto which many faint images of outside scenery can be seen, and into which a man, who is bent as if being crucified, has his right hand stuck
ARTIST'S STUDIO-
* background of this painting, a priest, grave digger, and prostitute stand together in a group the artist called "the exploiters, people who make a living from death", while the presence of a rabbi on the far left has been left unexplained
ARTIST'S STUDIO-
* black feathered hat lies next to a guitar and dagger representing the inadequacy of academic art. The central figure looks away from a semi-nude female standing next to him who represents the Platonic ideal of beauty.
ARTIST'S STUDIO-
* contorted male nude figure standing above a skull was inspired by Jusepe de Ribera.
ARTIST'S STUDIO-
* large painting by Gustave Courbet, which depicts himself at work.
ARTIST'S STUDIO-
* left side of this painting includes a white dog and a stringed instrument near figures such as an Irish beggar and a traveling salesman
ARTIST'S STUDIO-
* painting depicts several of the painter's (*) friends, including Champfleury on a stool and Baudelaire reading a book. A nude woman, a boy, and a white cat all stand next to the central figure, whose foot seems to fall into the landscape he is working on.
ARTIST'S STUDIO-
* right third of this painting contains portraits of men like Jules Champfleury and (*) Charles Baudelaire. The title figure is seated next to a model holding her clothing and is painting a landscape of Ornans in this work
ARTIST'S STUDIO-
* wooden doll posed as a crucified figure and a young boy, who stares at a landscape. A nude female model stands behind the central figure of this painting, who reaches his brush towards an easel;
ARTIST'S STUDIO-
* young boy in tattered clothes who represents "the people" looks at the title figure of this painting. To his left, a guitar and a dagger lie next to two white dogs
ARTIST'S STUDIO-
* Hudson River School exponent who painted Kindred Spirits.
ASHER DURAND-
* Kaaterskill Falls and the Clove of the Catskills as two men stand on a ledge on the left. For 10 points, name this Hudson River School painter who depicted William Cullen Bryant and Thomas Cole in his Kindred Spirits;
ASHER DURAND-
* Letters on Landscape
ASHER DURAND-
* broke with his mentor Peter Maverick after he received a commission to make an engraving of John Trumbull's The Declaration of Independence
ASHER DURAND-
* city across a harbor from a forest in his Progress (The Advance of Civilization). A Benjamin Field poem called Moonlight was the basis for this man's painting of the Hudson behind the title Trysting Tree. Early in his life, he established his reputation with the engraving for Trumbull's Declaration of Independence
ASHER DURAND-
* historical paintings include The Capture of Major Andre
ASHER DURAND-
Painting showed several broken (*) tree trunks in front of a rvine, overlooked by a promontory where one man points with a walking stick and holds a canvas, in his painting of Thomas Cole and William Cullen Bryant
ASHER DURAND-
* Montmartre cabaret by Toulouse-Lautrec;
AT THE MOULIN ROUGE-
* abstracted background of this painting shows a series of wall mirrors on reflecting hanging lights, and cutting across the bottom left corner is an empty bar
AT THE MOULIN ROUGE-
* artist of this painting also created a poster advertising the same location, which depicts a red-haired woman dancing the can-can
AT THE MOULIN ROUGE-
* background of this painting is dominated by hazy greenish light, and includes a self-portrait of the artist walking alongside his cousin Gabriel Tapie de Celeyran
AT THE MOULIN ROUGE-
* center depicts a woman adjusting her hair behind a group of figures, including Paul Sescau, Eduoard Dujardin, and La Macarona, who sit around a small white table
AT THE MOULIN ROUGE-
* finished two years after the artist was commissioned to create a series of posters for the establishment depicted, and the artist also depicted several singers and dancers employed there
AT THE MOULIN ROUGE-
* painted himself and his cousin walking behind the central group of (*) three men and two women drinking at a table. Facing the viewer is a woman in black dress with a bluish, ghastly face
AT THE MOULIN ROUGE-
* partially crops out the sharply diagonal wooden balustrade on the bottom left and a woman in black on the bottom right, creating a distorted perspective inspired by Japanese prints
AT THE MOULIN ROUGE-
* right, a dancer stares out of the frame, her face illuminated by eerie green light.
AT THE MOULIN ROUGE-
* woman in this painting wears a dress with gray rectangles outlined in red. In the right background of this painting, a woman in a purple v-back dress faces away from the viewer as she fixes her reddish hair
AT THE MOULIN ROUGE-
* Henri Toulouse-Lautrec showing a scene at a popular French cabaret.
AVE MARIA-
* Montmartre cabaret by Toulouse-Lautrec;
AVE MARIA-
* abstracted background of this painting shows a series of wall mirrors on reflecting hanging lights, and cutting across the bottom left corner is an empty bar
AVE MARIA-
* artist of this painting also created a poster advertising the same location, which depicts a red-haired woman dancing the can-can
AVE MARIA-
* background of this painting is dominated by hazy greenish light, and includes a self-portrait of the artist walking alongside his cousin Gabriel Tapie de Celeyran
AVE MARIA-
* partially crops out the sharply diagonal wooden balustrade on the bottom left and a woman in black on the bottom right, creating a distorted perspective inspired by Japanese prints
AVE MARIA-
* right, a dancer stares out of the frame, her face illuminated by eerie green light.
AVE MARIA-
* Albert (*) Lamorisse filmed a short in which his son Pascal follows a sentient one of these objects around the streets of Paris
BALLOONS-
* Brooklyn, a Banksy stencilling of one of these objects covered in Band-Aids was defaced in mere hours by "OMAR NYC."
BALLOONS-
* Charles Petillon is best known for depicting hundreds of these objects grouped together against ordinary backdrops.
BALLOONS-
* One thousand and one of these objects were created by Yves Klein to mark the opening of a Paris exhibition
BALLOONS-
* Wooden studs extend all the way from the foundation to the roof in a type of framing developed in Chicago and named for these objects.
BALLOONS-
* imitated in a series of shiny stainless steel monochrome sculptures of dogs that Jeff Koons built his career on;
BALLOONS-
* "Belle nuit, o nuit d'amour," is sung by a character to the courtesan Guiletta
BARCAROLLE-
* Chopin included lengthy double trills on A sharp and C sharp in the right hand in his 12/8-time, F-sharp major piece in this genre, which is often paired with his Berceuse
BARCAROLLE-
* Chopin wrote his only piece of this type, which is in F sharp major
BARCAROLLE-
* Fauré wrote 13 non-nocturne piano pieces in this genre. The "June" movement of Tchaikovsky's The Seasons is in this genre, which was used for the first two pieces in the "supplement" to the second year of Liszt's Years of Pilgrimage, including a transcription of one of them from Act III of Rossini's Otello
BARCAROLLE-
* Glazunov wrote one of these pieces in which the right hand plays only black keys
BARCAROLLE-
* Jacques Offenbach and opens the third act of The Tales of Hoffman;
BARCAROLLE-
* Liszt paid homage to this genre in two very late pieces titled with the adjective "Lugubre."
BARCAROLLE-
* Mendelssohn used in his three Songs Without Words labelled "Venetian Gondola Song."
BARCAROLLE-
* Schubert pieces in this genre include his last song with text by Johann Mayrhofer, and the third Heine song in Schwanengesang, which, unusually, is in a major key.
BARCAROLLE-
* Schubert's Auf dem Wasser zu singen pays homage to this genre
BARCAROLLE-
* Troisième recueil des chants ends with one of these pieces
BARCAROLLE-
* piano include the second movement of Bartok's suite Out of Doors and "June" from Tchaikovsky's The Seasons.
BARCAROLLE-
* two books of Mendelssohn's Songs Without Words both end with one of these pieces
BARCAROLLE-
* "Stuttering Song" at a bar where Marie tricks him and Kezal sings of money. In this opera, Kathinka and Krushchina seek to marry their daughter to Wenzal, who is the son of Micha.
BARTERED BRIDE-
* Act III aria in which she expresses her feelings of betrayal after finding out that her beloved, who had earlier praised love as superior to beer, accepted 300 florins
BARTERED BRIDE-
* Bedrich Smetana in which Hans tricks everyone through marriage contracts and marries Marie.
BARTERED BRIDE-
* Circus Master and the "Indian" dancer Esmeralda, and in this work Krusina is informed that the elder of (*) Micha's two sons is a vagabond
BARTERED BRIDE-
* Kecal speaks with Ludmila and Kruina at the beginning of this opera, during which it is decided that Vaek would be a good husband for Jeník's lover
BARTERED BRIDE-
* Kecal's best attempts, Micha is unable to get his son Vasek to marry Marenka, who greatly prefers Jenik;
BARTERED BRIDE-
* Muff alerts Springer that Michel is dead and a replacement must be found for Esmerelda's dancing partner, a grizzly bear, in this opera
BARTERED BRIDE-
* Two characters in this work sing the duettino "We'll make a nice little animal of you" upon finding a replacement for their dancing bear, who is currently too drunk
BARTERED BRIDE-
* character in this opera laments that he can't find the pretty girl who warned him of his fiance's deadliness in the aria "Oh, how doubt fills me!"
BARTERED BRIDE-
* character in this opera sings the aria "Gern ja will ich dir vertrauen" about her love for another character who comforts her in the duet "Mit der Mutter sank zou Grabe."
BARTERED BRIDE-
* character whose last name is Ehrentraut is presumed dead in this opera.
BARTERED BRIDE-
* chorus singing "Seht am Strauch die Knospen springen" to welcome spring
BARTERED BRIDE-
* comic opera about the rearranged marriage of Mařenka, composed by Bedřich Smetana.
BARTERED BRIDE-
* composer claimed he wrote it to spite those who accused him of being "Wagnerian" and incapable of writing anything light
BARTERED BRIDE-
* duet marked Andante amoroso beginning "I know a girl who burns for you" which follows a young tenor stuttering about his mother.
BARTERED BRIDE-
* furiant and skočná, and at the end, Mícha's eldest son is revealed to be Jeník, so the latter is able to marry Mařenka
BARTERED BRIDE-
* landmark in the development of Czech national music, this is, for 10 points, which Smetana comic opera about a guy trading his fiancée for money?
BARTERED BRIDE-
* prospective suitor in this work sings, stuttering, about how his mother told him to win the protagonist's love, and because he is attracted to Esmeralda, is later persuaded to fill in at a travelling circus, dressed in the costume of a (*) bear.
BARTERED BRIDE-
* second of three dances in this opera is a furiant in a tavern, while the third is the "Dance of the Comedians" carried out by a troupe that includes a sword-swallower.
BARTERED BRIDE-
* sings with a stutter, takes the place of a drunk circus (*) "bear" in this opera, convincing his father that his older half-brother is more mature
BARTERED BRIDE-
* song beginning "That dream of love" was added to the only aria with a libretto in iambs rather than trochees, "Oh, what pain."
BARTERED BRIDE-
* soprano is devastated to learn that a man accepted three hundred gulden in the aria, "Oh what grief!"
BARTERED BRIDE-
* Two boys in red hats and trunks can be seen in this work, one of whom has his back to the viewer while another is holding his cupped hands to his mouth, presumably drinking
BATHERS AT ASNIERES-
* background of this painting, a factory with about ten smokestacks can be seen, but only one has any smoke coming out of it. In the background on the left, a red-roofed house is hidden by a series of trees
BATHERS AT ASNIERES-
* few sailboats can be seen in the background of this work, and there are five people sitting or laying on the bank on the left.
BATHERS AT ASNIERES-
* first of Georges Seurat, depicting some people getting clean in a river;
BATHERS AT ASNIERES-
* man in a straw hat sitting on a red shirt and a man in a black hat lying down on the grass next to a small brown dog, both of whom look towards the right side
BATHERS AT ASNIERES-
* man wearing all white except for a brown hat and three people passing by on a boat.
BATHERS AT ASNIERES-
* notable conté crayon study for this painting is known as The Echo
BATHERS AT ASNIERES-
* painting of people relaxing near a river by Georges Seurat.
BATHERS AT ASNIERES-
* wears a circular red hat and holds his hands up to his mouth, while the other guy sits on the grassy shore and stares across the river at the island of la Grande Jatte
BATHERS AT ASNIERES-
* Courbet features one woman with a grossly large midsection making a hand gesture to another, possibly a maid, who lies with her socks partially off
BATHERS-
* Ernst Kirchner drew a picture of these title figures at Moritzburg and Giorgio de Chirico painted a number of "mysterious" ones
BATHERS-
* Gauguin. One of these figures is depicted sitting on a bed while wearing a turban and draping a sheet over her left arm, and that figure is notably copied into the artist's painting of many of them in a harem
BATHERS-
* Several other depictions of these figures were made by Cezanne, including one with a large triangular composition of the title figures
BATHERS-
* cups his hands in front of his mouth and wears an orange hat while one in the center sits near his shoes and a straw hat on the bank of the Seine
BATHERS-
* depiction shows several of the title figures with orange hats and hair and a skiff with a tricolour in the Seine
BATHERS-
* identify this popular painting subject, including one of them at "Asnieres" by George Seurat;
BATHERS-
* last major work of Renoir showed some of these figures with various yellow hats and other depictions of them by Renoir include one with long hair and another of several playing with a (*) crab
BATHERS-
* painting of these figures, only one of them faces the front of the painting while two others are looking over their left shoulder
BATHERS-
* two symmetrical groupings relaxing between arching trees. In addition to the "Valpincon" one painted by Ingres and the "Large" ones depicted by Cezanne
BATHERS-
* "Look! Through the port comes the moonshine astray"
BILLY BUDD-
* "king of the birds!"
BILLY BUDD-
* "the great jewel of great price" is given to one man and later in this opera, Dansker sings that "Jemmy Legs is down on you".
BILLY BUDD-
* Benjamin Britten based on a work by Herman Melville
BILLY BUDD-
* Dansker's offer of a mutiny to save one character is turned down in this work
BILLY BUDD-
* Forster wrote the libretto for this opera, and a 1960 revision cut this work from four acts to the now-standard two
BILLY BUDD-
* ends with Captain Vere [VEER] being called "Starry" by the title character, who is hung on the Indomitable;
BILLY BUDD-
* nicknamed "Baby" after he is horrified by the sight of a man that has been whipped, and before his death declares "Starry Vere, God Bless You!"
BILLY BUDD-
* opera describe their excitement for battle in "Don't like the French"
BILLY BUDD-
* opera opens and closes with a frame narrative in which a character who refused to overturn a court martial comes to peace with his failings, and that man declares that another has been "struck down by the Angel of God!"
BILLY BUDD-
* utterance of the phrase (*) "Rights o' man" is condemned because it is associated with Thomas Paine
BILLY BUDD-
* Benedicto is a boy who wishes to play the (*) guitar, while Chico is a sailor who has recently come north to see his girlfriend
BLACK ORPHEUS-
* Marcel Camus directed film which retells a Greek legend in Brazil;
BLACK ORPHEUS-
* Marcel Camus film, which adapts a Greek legend to the modern day context of Carnaval in Brazil.
BLACK ORPHEUS-
* engaged to Mira, but eventually falls for the cousin of Serafina, who is chased by a man dressed as death
BLACK ORPHEUS-
* film opens with a boy releasing a kite into the sky, noting how pretty it is. A song about the sun is sung to a woman who possesses a scarf detailing the signs of the zodiac, which is later ripped in a fit of anger by a woman dressed for her wedding day
BLACK ORPHEUS-
* janitor asks the protagonist "Do you think paper cares for anybody?" The first shot shows peaceful statues that explode to reveal people dancing on a hillside, while it ends with children insisting that their guitar playing will make the sun rise
BLACK ORPHEUS-
* killed when Mina throws a rock at him, sending him over a cliff, while earlier he accidentally killed his love interest when she was hanging from a power line in his trolley station
BLACK ORPHEUS-
* love of this film's protagonist is stalked by a man in a skeleton costume, who is apparently Death
BLACK ORPHEUS-
* lover reappears as an old lady who dies after he looks back at her in this film, which is set around the time of Carnival.
BLACK ORPHEUS-
* 14 frighteningly dark Francisco de Goya paintings.
BLACK PAINTINGS-
* Frank Stella's Die Fahne Hoch! is part of one series of this name, while another such series was declared "the last paintings one can make" by their creator, Ad Reinhardt
BLACK PAINTINGS-
* House of the Deaf, works of Francisco Goya;
BLACK PAINTINGS-
* Pilgrimage to San Isidro, Asmodea, and Fight With Cudgels are works in this series, which also shows the worship of a Satanic goat-headed man in the Witches' Sabbath
BLACK PAINTINGS-
* The Fates and Asmodea, or Fantastic Vision, they include a depiction of their artist's maid Leocadia and a version of Judith and Holofernes
BLACK PAINTINGS-
* The Procession of the Holy Office and Pilgrimage to San Isidro
BLACK PAINTINGS-
* Xavier de Sala argues that one painting in this series is an allegory of Medea sowing serpent's teeth in the ground to stir discord
BLACK PAINTINGS-
* paintings peers through a magnifying glass; those three title characters are accompanied by a possibly-male figure with bound hands
BLACK PAINTINGS-
* series including Saturn Devouring His Sons, that was painted on the walls of a house by Francisco Goya.
BLACK PAINTINGS-
* series of paintings that includes Saturn Devouring his Son and was painted by Francisco Goya.
BLACK PAINTINGS-
* soldiers take aim at a group of horsemen as a red-clad woman and a frightened man, who points back at a huge mesa, pass by overhead
BLACK PAINTINGS-
* third series of this name, a woman in a veiled dress who props her left elbow on a large rock is identified as Leocadia,
BLACK PAINTINGS-
* two crazed old men eating soup, while another consists largely of an ochre background and the barely visible head of a black dog
BLACK PAINTINGS-
* woman in a veil sits at the far right of a work showing a circle of witches and a goat devil. Including Leocadia and Saturn Devouring His Son
BLACK PAINTINGS-
while other paintings in that series depict a robed man wearing goat's horns amid a huddled mass of old witches, two men knee-deep in mud swinging wooden clubs at each other, and the bloody stump of a left arm being shoved into the mouth of a frenzied Titan
BLACK PAINTINGS-
* Art Deco sculpture by Lee Lawrie made of this material sits in front of the Rockefeller Center and depicts Atlas holding up the world.
BRONZE-
* Donatello's David is made of what alloy of copper and tin?
BRONZE-
* Polykleitos work is now known as Doryphoros, or "Spear-Bearer"
BRONZE-
* first free-standing nude since ancient times, and shows the title figure standing over the head of Goliath
BRONZE-
* material was used by Leone Leoni for his depictions of Charles V and Philip II
BRONZE-
* portraying a man struggling to stay on a rearing horse is Remington's Bronco Buster.
BRONZE-
* used in Falconet's sculpture of Peter the Great and in a depiction of Erasmo da Narni nicknamed (*) Gattamelata;
BRONZE-
* Amitabha is the principal one of these in the Pure Land sect, and is said to have been a king who renounced his throne after receiving teachings from Lokesvararaja
BUDDHAS-
* Emerald one is located in Bangkok, and the two at Bamiyan were blown up by the Taliban in 2001. FTP, give the name for anyone who has experienced Nirvana, the most famous one being Siddartha Gautama;
BUDDHAS-
* Gigantic statues of these figures carved out of sandstone in Bamiyan, Afghanistan were destroyed by the Taliban
BUDDHAS-
* Hindu writings as an avatar of Vishnu. In countries like Myanmar, there are 28 of them
BUDDHAS-
* Lao Tzu was said by some to have reincarnated into one. (*) They are usually depicted as having ushnishas, which represent their "expanded wisdom", long earlobes, and "snail shell" curls of hair
BUDDHAS-
* Mogao Caves are sometimes known as the "Caves of the Thousand" of these figures
BUDDHAS-
* Southeast Asian art, who include Maitreya, Amitabha, and Siddhartha Gautama.
BUDDHAS-
* Statues of these figures often have long ear lobes, a topknot called the ushnisha
BUDDHAS-
* Thailand and Laos, the walking one is depicted with double Abhaya mudras
BUDDHAS-
* ace the four cardinal directions at the heart of the Ananda Temple
BUDDHAS-
* hair in curls resembling snail shells
BUDDHAS-
* statue of one of these figures shows fire rising from his head as he is "at the moment of victory."
BUDDHAS-
* identify this director who starred in many of his own films, the most notable of which was The General;
BUSTER KEATON-
* leader of this state's jazz movement recorded the album Martians Come Back
CALIFORNIA-
* photograph from this state is Burst of Joy, by Sal Veder.
CALIFORNIA-
* cantata includes the movements "On the Lawn" and "In the Tavern," and begins with a piece complaining about the Roman goddess of fate;
CARL ORFF-
* magnetic tape playing pre-recorded music to accompany the singing of nine Sybils, nine Anchorites, and Lucifer in a musical play about the end of time
CARL ORFF-
* namesake percussion instruments with removable tone bars for a system of musical instruction he pioneered along with Gunild Keetman
CARL ORFF-
* singer asks a shopkeeper to give him color to redden his cheeks
CARL ORFF-
* round floor contains cavelike openings, and its biomorphic exterior features no straight lines, like its architect's previous ? Casa Battlo
CASA MILA-
* sea-colored "whirlpool" floor tiles representing marine life
CASA MILA-
* series of ventilators punctuate the tiled façade at the top of this structure, on top of which sits a bench similar to one in another of the architect's structures nearby.
CASA MILA-
* walls of this structure were notably painted by Alexis Clape
CASA MILA-
* weblike iron street entrance designed by the Badia brothers, as well as balconies covered with wrought-iron foliage sculpted by Josep Maria Jujol.
CASA MILA-
* Act One of this opera features the aria Tristes apprets, pales flambeaux, after a prologue in which Venus teams with Minerva to defeat Mars
CASTOR ET POLLUX-
* Jean-Philippe Rameau opera which ends when the Dioscuri become the constellation Gemini;
CASTOR ET POLLUX-
* chorus of Celestial Pleasures led by Hebe is called upon by Jupiter to persuade one character, and his spurned lover Phoebe takes a chorus of Spartan warriors to stop him at the gates of the underworld
CASTOR ET POLLUX-
* princess Télaire only returns the affections of one title character, who is killed fighting against king Lynceus, while his ►immortal brother remains alive
CASTOR ET POLLUX-
* "Caviar" and "Strasburg Pie" are given as examples of appropriate "tokens of esteem."
CATS-
* Damien Hurst painted of one of these animals for his hairdresser girlfriend in a painting that was deemed worthless by Sotherby's
CATS-
* Donatello equestrian statue of Erasmo of Narni is usually named for a nickname meaning a "honeyed" one of these animals
CATS-
* Jan Steen painting in which a group of them sit on a table is titled after their "family."
CATS-
* Old Deuteronomy chooses Grizabella to be reborn and sing "Memory." For 10 points, name this Andrew Lloyd Webber musical based loosely on a work by T.S. Eliot's about the title animals;
CATS-
* "Ocean" and (*) "Winter Wind."
CHOPIN'S ETUDES-
* "Winter Wind," "Tristesse," and "Revolutionary" ones, studies for the piano by a certain Polish composer.
CHOPIN'S ETUDES-
* All but three of these pieces were published twelve at a time in their composer's Op. (*) 10 and Op. 25.
CHOPIN'S ETUDES-
* Fifty-three studies on these pieces were written by Leopold Godowsky
CHOPIN'S ETUDES-
* Leopold Godowsky composed fifty-three studies based on these pieces
CHOPIN'S ETUDES-
* Schumann compared one of these pieces to "the song of a sleeping child,"
CHOPIN'S ETUDES-
* Two pieces in this genre by this composer are played simultaneously in a G-flat major piece titled "Badinage"
CHOPIN'S ETUDES-
* begins with a melody whose series of dissonant minor seconds make it seem like the pianist is playing the wrong notes.
CHOPIN'S ETUDES-
* carries the melody on the first note of each right hand sextuplet and is nicknamed "Aeolian Harp.'"
CHOPIN'S ETUDES-
* collected in the Opus 10 and Opus 25 of their composer, "three new" ones of were written for Moscheles and Fetis
CHOPIN'S ETUDES-
* collected in their composer's Opus 10 and Opus 25
CHOPIN'S ETUDES-
* eighth-note triplets are played against quarter-note triplets in a polyrhythm imitating the sound of bees
CHOPIN'S ETUDES-
* first and eighth of these pieces, the right hand plays extensive arpeggios that require the pianist to engage the shoulder and arm muscles, unlike previous works in the same genre that focused on the fingers and wrists.
CHOPIN'S ETUDES-
* first piano pieces of their type to become concert pieces rather than simple technical challenges.
CHOPIN'S ETUDES-
* most famous of these pieces by this composer, in C minor, begins with the right hand playing a single loud first-inversion G dominant seventh chord
CHOPIN'S ETUDES-
* offman suggested adding an extra four bars to introduce the melody at the beginning of the longest of these, and Leopold Godowsky made a transcription of the first of these for one hand, while the last of these were not given an opus number and are thus called the "Three New" ones.
CHOPIN'S ETUDES-
* opens with a plethora of grace notes in a vivace tempo, leading to its nickname "Wrong Note."
CHOPIN'S ETUDES-
* particularly fast one of these pieces is so-nicknamed because its melody is comprised almost entirely of sharps or flats.
CHOPIN'S ETUDES-
* pieces were the first major example of their form not to be merely didactic, and include works known as "Black Key" and "Revolutionary."
CHOPIN'S ETUDES-
* recapitulation from one work in this series features a bar marked delicatissimo pianissimo smorzando containing a D-flat eleventh chord from a D-flat grace note the octave below, before resuming rapid triplet figurations in the right hand played (*) solely on the black keys
CHOPIN'S ETUDES-
* right hand plays brilliant triplets in the fifth of these pieces, which is nicknamed because almost every note is an accidenta
CHOPIN'S ETUDES-
* right hand plays triplets exclusively on black notes in one of these pieces, while another was inspired by the November Uprising
CHOPIN'S ETUDES-
* second collection of these pieces includes Butterfly, Aeolian Harp, and Winter Wind the first collection includes Tristesse (treess-TESS), Black Key, and one written in response to the failed 1830 November Uprising and nicknamed Revolutionary. For 10 points, name these study pieces by a Polish pianist and composer.
CHOPIN'S ETUDES-
* second of these pieces, the right hand's third, fourth, and fifth fingers play rapid chromatic passages
CHOPIN'S ETUDES-
* second set of these works form the Opus twenty-five of their composer, and include pieces nicknamed the "Wrong Note," "Butterfly," and "Winter Wind."
CHOPIN'S ETUDES-
* sixteenth-note arpeggios moving in similar motion, beginning with C minor and resolving in a fermata on a half-note C major chord
CHOPIN'S ETUDES-
* stated that in all his life he had never been able to find such a beautiful melody. Besides "Winter Wind";
CHOPIN'S ETUDES-
* studies for the piano written by the composer of the "Heroic" Polonaise and the Minute Waltz.
CHOPIN'S ETUDES-
* though its rhythms and nickname evoke the title insects in flight, and in one of these the right hand plays exclusively in pentatonic except for a single F natural
CHOPIN'S ETUDES-
* twelfth of them was inspired by an 1830 uprising in their composer's home country and is nicknamed "Revolutionary."
CHOPIN'S ETUDES-
* two groups of twelve and a final group of three, and they include works nicknamed "Butterfly," "Ocean," and "Sunshine."
CHOPIN'S ETUDES-
* Jesus in Joseph's workshop, painted by John Everett Millais;
CHRIST IN THE HOUSE OF HIS PARENTS-
* critic attacked the "dislocated throat" of its kneeling Mary and called the title figure a "blubbering, red-haired boy"
CHRIST IN THE HOUSE OF HIS PARENTS-
* dove can be seen sitting on a ladder in the back of this painting, while its central figure's grandmother Anne reaches forward with a pair of pliers. In its foreground, a woman in a blue dress kneels and tends to the central figure, who has cut his palm on a nail
CHRIST IN THE HOUSE OF HIS PARENTS-
* e back right of this painting, a plate and spoon rest on the sill of a semicircular window, while in the left background, a herd of sheep can bee seen through a doorway, milling around a field behind a stone wall
CHRIST IN THE HOUSE OF HIS PARENTS-
* female figure dressed in black and white in this work was modeled by Mary Hodgkinson, who also was the model for the artist's earlier painting, Isabella
CHRIST IN THE HOUSE OF HIS PARENTS-
* originally exhibited untitled with a verse from Zechariah beginning "And one shall say unto him, What are these wounds in thine hands?"
CHRIST IN THE HOUSE OF HIS PARENTS-
* red flower and a herd of sheep can be seen through an open door in the left-hand side of this work
CHRIST IN THE HOUSE OF HIS PARENTS-
* saw and a ladder with a white dove resting on it form two thirds of a triangle in the background of this work, and several wood shards litter the floor
CHRIST IN THE HOUSE OF HIS PARENTS-
* shirtless boy carries a bowl of dark water, while just above him a man in crimson leans towards the central figures
CHRIST IN THE HOUSE OF HIS PARENTS-
* shows a floor littered with wood shavings, and its realism led to attacks from such critics as Charles Dickens
CHRIST IN THE HOUSE OF HIS PARENTS-
* work, and several wood shards litter the floor. One critic attacked the "dislocated throat" of its kneeling Mary and called the title figure a "blubbering, red-haired boy"; that critic was Charles Dickens
CHRIST IN THE HOUSE OF HIS PARENTS-
* claimed its challenge was to show the "extraordinary conquest of a life which most peo- ple would consider hopeless."
CHRISTINA'S WORLD-
* created in Cushing, Maine, and depicts a figure whom the artist stated "was limited physically but by no means spiritually."
CHRISTINA'S WORLD-
* departure in setting from its artist's usual work, which is set in the Brandywine Valley town of Chadds Ford, as well as its painter's most common subject, Helga Testorf.
CHRISTINA'S WORLD-
* person in this painting, a woman in its bottom half, is wearing a pink dress with a black belt
CHRISTINA'S WORLD-
* top half of this painting shows where the woman lived, a group of farmhouses known as the Ol- son House
CHRISTINA'S WORLD-
* top of a hill, where farm buildings await across (*) a field of grass. For 10 points, identify this 1948 painting of a pink-dressed polio victim, created by Andrew Wyeth.
CHRISTINA'S WORLD-
* woman, who suffered from polio, is crawling towards her house with her back to this painting. Name this work set in Cushing, Maine that was completed in 1948 by Andrew Wyeth;
CHRISTINA'S WORLD-
* badly damaged in the 1966 Arno flood. This artist painted a seated Madonna and Child flanked by four angels on each side, the Santa Trinita Madonna, technically surpassed by the Ognissanti Madonna, with which it now shares a room in the Uffizi
CIMABUE-
* teacher of Giotto whose Santa Trinita Maesta can be found in the Uffizi Gallery.
CIMABUE-
* female lead rejoices at her good fortune in the aria "Non piu mesta." Throughout this opera, its main character sings "Un volta c'era un re," a wistful aria about a king who marries a young girl like her
CINDERELLA-
* only ballet by Johann Strauss II, this title also adorns a work by Jules Massenet and a work which sees Don Magnifico and his two daughters try to impress Dandini, a valet who is disguised as royalty
CINDERELLA-
* opera by Rossini and a ballet by Prokofiev are based on, for 10 points, what fairy tale where the title woman is tormented by her evil stepsisters;
CINDERELLA-
* opera ends with Ramiro recognizing the bracelet of the title character, Angelina. Another work with this title was later choreographed by Fredrick Ashton and sees Skinny and Dumpy clumsily dance at a (*) ball
CINDERELLA-
* Chico Hamilton and Gerry Mulligan were part of a "pianoless quartet" devoted to playing this style
COOL JAZZ-
* Musicians from (*) California popularized the "West Coast" subgenre of this style of jazz, which titles a Miles Davis album about its supposed "Birth."
COOL JAZZ-
* music was released through Pacific Jazz Records. An album named for this style includes the John Carisi penned track "Israel" as well as a song inspired by the statue Venus de Milo
COOL JAZZ-
* not bossa nova, but Gerry Mulligan's relocation to California and the presence of Stan Getz helped establish the West Coast's reputation as home to this style's namesake "school."
COOL JAZZ-
* origin of this style to the album Crosscurrents by Lennie Tristano. "La Nevada" begins a 1960 album by the Gil Evans Orchestra titled for their departure from this style
COOL JAZZ-
* preferred by the composer of the album It Could Happen to You and namesake of "Chetty's Song," Chet Baker
COOL JAZZ-
* relaxed style of jazz music whose Birth was supposedly represented by that Davis album;
COOL JAZZ-
* showcased on a classical-music-inspired 1957 compilation album recorded by the nonet of Miles Davis
COOL JAZZ-
* tempos and an "intellectual" approach characterize, for 10 points, what style of jazz so-named since it was a reaction to the frenetic style of bebop?
COOL JAZZ-
* addition to painting works in the previously mentioned convent of San Paolo, this artist created a fresco of the Assumption of the Virgin on the ceiling of the dome of the Cathedral of Parma, as well as a series of four paintings depicting scenes from Ovid's Metamorphoses, such as the Abduction of Ganymede and Danae
CORREGGIO-
* appears to show a young boy looking at the viewer, holding up the decapitated head of a deer by its antlers. In addition to Putto with Hunting Trophy, this artist painted a now-lost Madonna of Albinea
CORREGGIO-
* frescoed ceilings and walls with scenes of the hunt were meant to recreate a bower sacred to Diana for the Abbess' salon in the Camera di San Paolo, and he painted twelve apostles sitting around the base of a dome and staring at a foreshortened Christ for the San Giovanni Evangelista
CORREGGIO-
* Caspar David Friedrich's Tetschen Altarpiece sets this scene in a (*) mountain landscape, while Salvador Dali depicted it using the net of a hypercube
CRUCIFIXION OF JESUS CHRIST-
* Raphael's depiction of this scene is named for Ludwig Mond, while Marc Chagall's is called "white". For 10 points, identify this scene whose artistic depictions typically include the acronym "INRI" above Jesus Christ.
CRUCIFIXION OF JESUS CHRIST-
* Two angels holding chalices surround the central figure in the "Mond" version of this event painted by Raphael
CRUCIFIXION OF JESUS CHRIST-
* Two flying angels hold chalices in a version of this scene once owned by chemist Ludwig Mond
CRUCIFIXION OF JESUS CHRIST-
* afternoon charge by the Earl of Orkney sealed victory in this battle, which led immediately to the fall of the fortress at Mons
CRUCIFIXION OF JESUS CHRIST-
* bloodiest battle of the Eighteenth Century saw the winning commanders build on their victory the previous year at Oudenarde
CRUCIFIXION OF JESUS CHRIST-
* depiction of this scene clothes its central figure in a prayer shawl and includes a man in green fleeing a burning synagogue to emphasize its central figure's relation to 20th-century Jews
CRUCIFIXION OF JESUS CHRIST-
* knight wearing a feathered hat looks up at this scene in a Lucas Cranach the Elder painting partly titled for a centurion
CRUCIFIXION OF JESUS CHRIST-
* losing army was led exclusively by the Duke of Boufflers after a musket ball crippled his co-commander, the Marshal Villars
CRUCIFIXION OF JESUS CHRIST-
* man climbs over a fence as three Breton peasant women pray around this scene in a Gauguin painting. For 10 points, name this scene depicted in The Yellow Christ.
CRUCIFIXION OF JESUS CHRIST-
* scene in art that depicts the method by which Jesus died.
CRUCIFIXION OF JESUS CHRIST-
* scene is depicted above a supine skeleton and in front of God the Father in Masaccio's Holy Trinity.
CRUCIFIXION OF JESUS CHRIST-
* siege that preceded this battle, the Marquis de Surville lost royal favor by minting unauthorized silver coins
CRUCIFIXION OF JESUS CHRIST-
* sun and the moon appear together at the top of a depiction of this scene in which two angels holding chalices flank its central figure
CRUCIFIXION OF JESUS CHRIST-
* two armies clashed between the Wood of Sars and the Wood of Laniere, just after the surrender of Tournai
CRUCIFIXION OF JESUS CHRIST-
* version of this event in Yellow includes a field of wheat with bright red trees and was painted by Paul Gauguin
CRUCIFIXION OF JESUS CHRIST-
* version of this scene in the style of "nuclear mysticism" is set above the bay of Port Lligat and includes the polyhedron net of a hypercube
CRUCIFIXION OF JESUS CHRIST-
* Earl of Orkney sealed victory in this battle, which led immediately to the fall of the fortress at Mons
CRUCIFIXION-
* Grand Alliance under Eugene of Savoy and the Duke of Marlborough, fought in 1709 during the War of the Spanish Succession;
CRUCIFIXION-
* John William Friso, the Prince of Orange, disobeyed orders by launching an all-out assault during this battle.
CRUCIFIXION-
* Masaccio's Holy Trinity is a depiction of this scene. Raphael's version of this scene is named after Ludwig Mond, and Chagall painted a "white" version. For 10 points, name this scene showing Christ on the cross.
CRUCIFIXION-
* Miguel de Unamuno wrote a poem about Velazquez's version of this scene, which has a stark black background.
CRUCIFIXION-
* St. Jerome and St. Christopher appear in a painting of this scene by Pintoricchio.
CRUCIFIXION-
* losing army was led exclusively by the Duke of Boufflers after a musket ball crippled his co-commander, the Marshal Villars.
CRUCIFIXION-
* one painting of this scene, a man in green with a bag over his shoulder runs toward a burning scroll in the bottom right
CRUCIFIXION-
* painting of this scene by James Tissot is notable for its unusual perspective.
CRUCIFIXION-
* painting of this scene includes a man in a black hat jumping a wall in the distance and usesshades of red and orange for the landscape behind three Breton women who surround the central figure.
CRUCIFIXION-
* paired with the Last Judgment in a diptych by Jan van Eyck. Dali used the net of a tesseract as the central object of this scene in his Corpus Hypercubus
CRUCIFIXION-
* scene is the centerpiece of the predella to the San Zeno altarpiece by Mantegna. This scene is shown between Saint Sebastian and Saint Anthony in the (*) Isenheim Altarpiece, and it often includes the letters "INRI" above the central figure.
CRUCIFIXION-
* siege that preceded this battle, the Marquis de Surville lost royal favor by minting unauthorized silver coins
CRUCIFIXION-
* soldier in pink full body armor with a pink armored horse appears in one of Cranach the Elder's
CRUCIFIXION-
* two armies clashed between the Wood of Sars and the Wood of Laniere, just after the surrender of Tournai
CRUCIFIXION-
versions of this scene, which divides the people in the scene into good and evil groups.
CRUCIFIXION-
* deity faces away from the viewer and is preparing a weapon in a painting by Parmigianino.
CUPID-
* deity that Agnolo Bronzino painted along with Venus, Folly, and Time, the Roman God of Love;
CUPID-
* deity's foot is about to crush a dove in a painting that shows him cupping the left breast of a woman holding a (*) golden apple
CUPID-
* shares an incestuous kiss with his mother in a painting where the fourth title figure pulls back a curtain to expose them
CUPID-
* statue of this character raises a finger to his lips in a sign of silence, while a man (*) looking up a lady's dress reclines against that statue, in Fragonard's The Swing.
CUPID-
* statue of this figure holds his finger to his lips as he watches the central action in The Swing. This deity revives a woman with a kiss in an Antonio Canova sculpture concerning his love for Psyche
CUPID-
* e fifth piece in this work slows the tempo of the strings to imitate the beating heart of a girl that is looking at riders who are passing by
DAS LIED VON DER ERDE-
* ends with Der Abschied and opens with lyrics that repeatedly intone "Dark is life, so is death."
DAS LIED VON DER ERDE-
* music several of Hans Bethge's translations of poems by Li Bo. For 10 points, name this unnumbered symphony by Gustav Mahler;
DAS LIED VON DER ERDE-
* name this setting of Táng Dynasty poets to music, an orchestral composition by Gustav Mahler.
DAS LIED VON DER ERDE-
* very end of the score for this piece is marked Gazlich esterbend and features a celesta and harp framing the chanting of the word "ewig."
DAS LIED VON DER ERDE-
* work's second movement opens with the marking "Ermüdet" and features hushed strings under an oboe solo to evoke winds in a certain season
DAS LIED VON DER ERDE-
* artist of The Rise And Fall of Ziggy Stardust and The Spiders From Mars and "Space Oddity";
DAVID BOWIE-
* man, who worked with Brian Eno on Heroes, included "Starman" on a concept album about an (*) alien rock star, while his first hit features a man who is asked to "take your protein pills and put your helmet on", Major Tom
DAVID BOWIE-
* second of those albums, part of his Berlin Trilogy, features a title song where a pair of doomed lovers "can be us just for one day".
DAVID BOWIE-
* Hayne's depiction of this subject shows its central figure with a crown and was done after John Hamilton Mortimer's
DEATH ON A PALE HORSE-
* William Blake watercolor with this title shows a man unfurl a scroll above the titular figure. JMW Turner's painting with this title shows a red skeletal figure with an outstretched right arm draped over another figure's back
DEATH ON A PALE HORSE-
* Yet another depiction of this scene includes a snake in the foreground as a thin figure rides around carrying a scythe and is alternatively known as The Race Track
DEATH ON A PALE HORSE-
* common title of works by Albert Pinkham Ryder and Benjamin West.
DEATH ON A PALE HORSE-
* more famous depiction of this subject shows a stormy scene and a figure holding his hand up to a titular creature; that version is alternatively called (*) The Opening of the Four Seals.
DEATH ON A PALE HORSE-
* title features a snake in the foreground and is also known as "The Race Track."
DEATH ON A PALE HORSE-
* Albert Pinkham Ryder depicted this figure in The Race Track, and Brueghel the Elder painted this figure's Triumph.
DEATH-
* depicted by Benjamin West and Albert Pinkham Ryder "on a pale horse;
DEATH-
* depiction, this figure is going the wrong way along a race track. He is the half-brother of Sleep in a Waterhouse painting, and a renaissance motif sees him sneaking up on a maiden.
DEATH-
* depiction, this figure journeys past a writing snake near a solitary dead tree in front of a wooden fence.
DEATH-
* bottom right of this painting, a man in a yellow vest bends over to operate a hand drill.
DISROBING OF CHRIST-
* clouds in the background of this work form a vertical path toward heaven, and the three Mary's at the bottom left of this work sadly look on as a man in yellow hammers a hole through a (*) plank.
DISROBING OF CHRIST-
* crowd with lances fills the top of this painting, and a man in a full suit of armor is standing on the left, for some reason. A member of the crowd angrily points his finger at the title figure of this painting as another part of the crowd fights over a purple cloth
DISROBING OF CHRIST-
* figure in a yellow hat stands to the right of a man pointing directly at the viewer. The
DISROBING OF CHRIST-
* man holding a large staff with a red knob and wearing a blue-and-yellow hat sadly looks on at the central action of this work from its left foreground in front of a soldier wielding a halberd.
DISROBING OF CHRIST-
* men above its title figure carry halberds and lances. A man in a suit of armor stands above the three Marys in this painting, which was commissioned for a room where priests changed clothes in the Toledo Cathedral
DISROBING OF CHRIST-
* painting is dressed in a flowing red cloak, which is being tugged on by the men surrounding him. For 10 points, name this painting which shows Christ moments before he is stripped of his clothes for his crucifixion, by El Greco;
DISROBING OF CHRIST-
* painting is the title figure's bright red robe, and the painter received less than a third of what he was supposed to for this painting because the Three Marys look on in horror in its lower left corner. For 10 points, name this El Greco painting in which Jesus is being tortured as a man reaches to take his clothing.
DISROBING OF CHRIST-
* painting looks up at the sky despite the chaos around and behind him. A man in yellow is drilling a hole for a nail in a piece of wood on its bottom right.
DISROBING OF CHRIST-
* performed by a man in green who holds a rope tied to the central figure's right hand.
DISROBING OF CHRIST-
* right background of this work, a man in a red hat points accusingly toward its central character
DISROBING OF CHRIST-
* rope is tied around the wrist of the central figure of this work, and the other end of that rope is held by a man dressed in green who is also extending a hand toward the central figure's shoulder.
DISROBING OF CHRIST-
tasacion awarded its artist only 317 of 900 possible ducats due to objections that a multitude of heads rose higher than its central figure
DISROBING OF CHRIST-
* Coffers and an oculus help reduce the weight of this structure at the Pantheon in Rome
DOMES-
* Islamic architecture, muqarnas often decorate these structures and the squinches supporting them
DOMES-
* Mycenaeans constructed the Treasury of Atreus as a corbled one of these. Another of these structures is supported by four buttressed pendentives in the Hagia Sophia, and the one at Florence Cathedral is topped with a cupola and was designed by Brunelleschi
DOMES-
* pendentives support this structure in Istanbul's Hagia Sophia, and nine of these structures sit atop a prominent cathedral in Moscow.
DOMES-
* royal chapel at the church of Les Invalides features one of these designed by Jules Mansart
DOMES-
* being prepared in an orange bowl by an "old woman" in a Velasquez painting. In Dali's Metamorphosis of Narcissus, a flower emerges from one of these objects sitting in a stone hand
EGGS-
* cage in Magritte's Elective Affinities
EGGS-
* man in the center of this painting throws back his head with his mouth open, rapping out the syllables of the cante jondo. In its background, two guitars hang from hooks and "Ole" is scribbled on the wall above a group of women who clap and snap along to the action
EL JALEO-
* man near center throws his head back as the other seated guitar players and women clap, and the main figure's right arm lifts up her dress slightly and rests on her hip
EL JALEO-
* orange can be seen on the only empty chair in the painting, which is located in between two figures wearing black hats
EL JALEO-
* painting of a flamenco dancer, a work of John Singer Sargent;
EL JALEO-
* primary figure wears a sky blue ribbon tied around her waist and has red roses on her shawl, though in this painting it has light blue flowers
EL JALEO-
* right edge of this painting, a red shawl provides a burst of color
EL JALEO-
* sent to the Salon along with a painting of a white flower in the hand of Charlotte Louise Burckhardt, The Lady with the Rose
EL JALEO-
* Eddie Durham is credited with being the first jazz musician to record using this instrument, which John McLaughlin played on the Miles Davis albums In a Silent Way and Bitches Brew
ELECTRIC GUITAR-
* Group released tracks like "Are You Going with Me?" and (*) "Last Train Home."
ELECTRIC GUITAR-
* Orville Gibson founded a company which mainly produced these instruments, including one nicknamed "Black Beauty."
ELECTRIC GUITAR-
* Sister Rosetta Tharpe switched to playing this instrument while performing hit gospel songs like "Up Above My Head."
ELECTRIC GUITAR-
* album named for the "genius" of this instrument features solos for it on songs such as "Seven Come Eleven" and "Solo Flight."
ELECTRIC GUITAR-
* jazz musician who plays this instrument has released albums like Earth Run and the self-titled Rit and Rit 2, and another player of this instrument frequently collaborated with Steve Rodby in his namesake Group
ELECTRIC GUITAR-
* man who played this instrument featured the tracks featured a cover of Miles Davis's "No Blues" along with the original composition "Four on Six."
ELECTRIC GUITAR-
* pickup and was pioneered by Les Paul.
ELECTRIC GUITAR-
* played by Charlie Christian and Wes Montgomery, who used his thumb instead of a plectrum
ELECTRIC GUITAR-
* "all-interval tetrachord" as the basis for such works as his first string quartet
ELLIOTT CARTER-
* A Symphony for Three Orchestras set six poems of Elizabeth Bishop in his song cycle A Mirror in Which to Dwell and used Richard Crashaw's poem "Bulla" as the basis for his Symphonia: sum fluxae pretium spei.
ELLIOTT CARTER-
* Holiday Overture, imitate the style of Aaron Copland, while his mature works, such as his five string quartets, feature his principle of "metrical modulation."
ELLIOTT CARTER-
* included "Moto perpetuo," "Saeta," and "Canaries" in a set of brief pieces experimenting with one of his signature techniques, his Eight Pieces for Four Timpani.
ELLIOTT CARTER-
* third string quartet pits a violin/cello duo against a violin/viola duo playing different rhythms
ELLIOTT CARTER-
* three ensembles play four continuously overlapping movements inspired by Hart Crane's The Bridge
ELLIOTT CARTER-
* Also on the right of this work, a child tugs on the blue dress of a woman in a pink shawl who holds a fan.
EMBARKATION TO CYTHERA-
* On the left, cherubs fly around the red and white sails of a golden boat, which people are boarding, while the far right features Cupid's quiver of arrows at the base of a statue of Venus.
EMBARKATION TO CYTHERA-
* Rococo depiction of a journey to or from the title magical land of love, a painting by Jean-Antoine Watteau.
EMBARKATION TO CYTHERA-
* aforementioned Charlottenburg Palace version shows a number of putti climbing a large pole on the left side, while both major versions of this painting include a pair of figures holding long wooden poles behind a (*) dog capering about in the lower middle
EMBARKATION TO CYTHERA-
* artistic techniques were probably taken from the artist's close study of Rubens' Garden of Love
EMBARKATION TO CYTHERA-
* began as an illustration for Florent Dancourt's play The Three Cousins
EMBARKATION TO CYTHERA-
* hree couples appear on a hill in its foreground, and people board a golden boat on a shore below them. For 10 points, name this Rococo painting depicting a party leaving for the birthplace of Venus, a painting by Antoine Watteau.
EMBARKATION TO CYTHERA-
* lower right of this painting, a staff, small bag, and red rope lie on the ground, while two figures in the center also hold staves
EMBARKATION TO CYTHERA-
* name this painting depicting a leisurely trip to an enchanted island, a fete-galante by Watteau;
EMBARKATION TO CYTHERA-
* ococo era painting by Jean-Antoine Watteau depicting couples getting ready to go to the birthplace of Aphrodite.
EMBARKATION TO CYTHERA-
* painting shows two angels draping a pink cloth around a golden bust
EMBARKATION TO CYTHERA-
* right side of this work, a red rope is tied around a satchel at the feet of a woman who kneels and grasps the hands of her companion.
EMBARKATION TO CYTHERA-
* series of Cupids circling around a large ship in appear in the left background in this Fete Galante painting
EMBARKATION TO CYTHERA-
* shiny helmet and a large shield rest against a big marble in the bottom right of this work behind a man who hold a woman dressed in a large blue robe in his lap.
EMBARKATION TO CYTHERA-
* statue wound about with flowers appears on the right. In the center, a man faces away from the viewer and holds a staff in his left hand, with his right arm around a woman in a bright gold dress, while four other couples stand under the large trees that dominate the upper right of this painting
EMBARKATION TO CYTHERA-
* suggested by the play The Three Cousins, though it was more likely inspired by Houdar de la Motte's opera ballet La Venitienne
EMBARKATION TO CYTHERA-
* version of this painting, a shiny shield and helmet are piled up alongside some books, a sword, and a lyre, and behind a recumbent woman in a blue dress in the bottom right
EMBARKATION TO CYTHERA-
At the center of this painting, a gray and white dog stands by a man in pink holding two staves on top of a hill, while at the far right, a quiver of arrows and some roses adorn a bust of Venus
EMBARKATION TO CYTHERA-
* "audacious stupidities" features a native woman in a translucent skirt dancing on stage and was inspired by a trip to New Guinea.
EMIL NOLDE-
* African woman with a baby on her back greets a man wearing a red mask in his The Missionary.
EMIL NOLDE-
* German painter and member of Die Brucke.
EMIL NOLDE-
* Thomas bends over toinspect Jesus' wounds in the bottom-left scene from a nine-panel religious work
EMIL NOLDE-
* Unpainted Pictures;
EMIL NOLDE-
* book titled On Primitive Art shortly before creating paintings like (*) South Sea Islander during his time in New Guinea
EMIL NOLDE-
* depicted a bearded man with downcast eyes in his black and white woodcut Prophet
EMIL NOLDE-
* early painting by this artist shows the four title Mountain Giants gathered around a cauldron, and two cat-like creatures grin at a Hopi doll in his Exotic Figures II.
EMIL NOLDE-
* four figures jumping in a circle with a fifth figure excluded in Wildly Dancing Children, and a barren landscape holds a red haired kid with yellow shoes in his Child and Large Bird
EMIL NOLDE-
* group of nude women gesticulate wildly in front of an idol in his painting Dance Around the Golden Calf.
EMIL NOLDE-
* name this one-time Die Brucke member who made The Life of Christ.
EMIL NOLDE-
* French composer of the operas Le Roi Malgre Lui and L'Etoile, who also composed orchestral works like Marche Joyeuse and Espana.
EMMANUEL CHABRIER-
* French romantic composer of L'Etoile and the orchestral rhapsody Espana;
EMMANUEL CHABRIER-
* composed an opera in which King Ouf is informed that he will die within 24 hours of Lazuli, as well as a work originally called Jota which started the trend of Spanish-inspired music continued by Debussy's Iberia and Ravel's Rapsodie Espagnole
EMMANUEL CHABRIER-
* famous operas features Count Laski, who owns the slave girl Minka, and that opera was the source of the Fete Polonaise
EMMANUEL CHABRIER-
* first mature work was an Impromptu in C major dedicated to Mademoiselle Eduard Manet
EMMANUEL CHABRIER-
* vocal works include settings of Ephraim Mikhael's L'Ille Heureuse, Catulle Mendes' Chanson por Jeanne, and a collaboration with a young Edmond Rostand for Ode a la Musique
EMMANUEL CHABRIER-
* "Il cornuto chi e?," which, after a double marriage, is replied in the form of "Lo scornato chi e?"
FALSTAFF-
* A mouth kissed loses no luck, but the song dies in the kiss that touches it" before another character enters with the line "Rather, it is renewed, like the moon".
FALSTAFF-
* Caius consummating with a red-nosed ruffian dressed in a white veil, while Fenton marries Nannetta after singing "Dal labbro il canto estasato vola."
FALSTAFF-
* Giuseppe Verdi opera based primarily on The Merry Wives of Windsor.
FALSTAFF-
* arias ends with the couplet
FALSTAFF-
* delivered the ironic aria "L'onore! Ladri," sung to Bardolph and Pistol. Featuring a trist at Herne's Oak and a toss out of a laundry basket, FTP name this final work of Giuseppe Verdi about the wooing of the merry wives of Windsor by the titular Shakespearean knight;
FALSTAFF-
* describes how its singer would sooner trust his beer to a German or his brandy to a Turk than perform another action
FALSTAFF-
* offering the protagonist a bag of gold to assail virtue, another character, who takes the name Fontana, sings "E sogno? o realta?"
FALSTAFF-
* sings of how he is reduced to empty space in the aria "Quando ero paggio" after following along another character's lute
FALSTAFF-
* sung at the base of an oak tree, is "Dal labbro il canto estasiato vola", and after its performance Fenton is disguised as a monk to help foil the plans of Dr. (*) Caius
FALSTAFF-
* title character attempts to seduce Alice with an aria describing his time as a page to the Duke of Norfolk, while in Act II, a character disguised as "Fontana" sings the aria "E sogno? o realta"
FALSTAFF-
* title character is tricked into dressing as Herne the Hunter after earlier being hidden in a laundry hamper and subsequently thrown out of a window and into a ditch
FALSTAFF-
* "F, B flat, F" ascending motif. It was commissioned as part of a program honoring World War II servicemen by Eugene Goosens, the conductor of the Cincinnati Symphony Orchestra
FANFARE FOR THE COMMON MAN-
* Ending on a swelling D Major chord, FTP, what is this flourish for brass and percussion written in 1942 by Aaron Copland, dedicated to the average citizen;
FANFARE FOR THE COMMON MAN-
* Eugene Goossens [GO-since], who commissioned this work, suggested that it be titled some branch of the military, and its composer had considered naming it after the Four Freedoms.
FANFARE FOR THE COMMON MAN-
* almost entirely of leaps and is usually punctuated with the percussive motif that also opens the piece, a gong crash followed by two beats of the timpani and bass drum
FANFARE FOR THE COMMON MAN-
* composition by Aaron Copland, whose title indicates that it was written for the ordinary American
FANFARE FOR THE COMMON MAN-
* main theme, later borrowed for the composer's Third Symphony, first appears in the trumpets, which are then joined by the French horns playing parallel fourths and fifths beneath them
FANFARE FOR THE COMMON MAN-
* re-used this melody in his Third Symphony, and dedicated this piece to the figure "who... was doing all the dirty work in the war and in the army."
FANFARE FOR THE COMMON MAN-
* received its ultimate name when the composer heard a radio speech by Vice-President Henry Wallace
FANFARE FOR THE COMMON MAN-
* Words for that penultimate section were written first by Waino Sola, and then rewritten two years later by V.A. (*) Koskenniemi to support the namesake nation in a war against Russia
FINLANDIA-
* early version of this piece followed another piece titled "The Great Hate"
FINLANDIA-
* final section of its composer's Music for Press Ceremony, it was often performed under titles like Finale and Impromptu to avoid Russian censors
FINLANDIA-
* final tableau adapted from its composer's melodrama The Melting of the Ice on the Ulea River.
FINLANDIA-
* first performed, it was the last of four movements, the other three of which were later published as Scenes historiques
FINLANDIA-
* foreboding brass progression, it contains repeating trumpet blasts around a third of the way through before introducing a hymnal theme adapted from an Emil Genetz song
FINLANDIA-
* namesake hymn for which words were written by V.A. Koskenniemi, for 10 points, name this patriotic tone poem by Jean Sibelius.
FINLANDIA-
* penultimate section of this work was adapted into Land of the Rising Sun, the national anthem of Biafra, and other uses for the same tune include A Prayer for Wales and We Rest on Thee
FINLANDIA-
* performed under the title Impromptu due to Russian rule, but the name by which it goes today was first suggested by Axel Carpelan, a fan of this work.
FINLANDIA-
* tone poem about the native land of composer Jean Sibelius;
FINLANDIA-
* Adam Elsheimer's version of this scene is unusually set at night, and features a starry landscape with a full moon on the right
FLIGHT INTO EGYPT-
* Caravaggio added an angel to the usual three figures and, like Poussin, portrayed them taking a rest.
FLIGHT INTO EGYPT-
* Caravaggio shows a black-winged angel playing a violin as a man holds a book of notes open for him
FLIGHT INTO EGYPT-
* Caravaggio's version of this scene, an angel with its back to the viewer plays a hymn on a violin
FLIGHT INTO EGYPT-
* Joachim Patinir, unlike in more famous versions, depicted the accompanying stories dealing with corn and statues.
FLIGHT INTO EGYPT-
* Joseph to his dream that Herod will kill the infant Christ.
FLIGHT INTO EGYPT-
* Matthew 2:13-14, this scene was painted in a semicircular canvas by Annibale Carracci
FLIGHT INTO EGYPT-
* Oil on coppered silver and an oval frame characterize Adam Elsheimer's main version
FLIGHT INTO EGYPT-
* Peter Aartsen depicted this scene in the background of his painting Meat Stall
FLIGHT INTO EGYPT-
* Tanner's 1923 version is done in blues and whites and adds a ghost-like figure with a lantern accompanying the usual group
FLIGHT INTO EGYPT-
* campfire on the left showing this scene, while Jan Breughel the Elder did one alternately called The Forest's Edge.
FLIGHT INTO EGYPT-
* central female in a pink top and blue skirt.
FLIGHT INTO EGYPT-
* depict the miracle of the corn, which occurred during it
FLIGHT INTO EGYPT-
* early 17th century lunette portraying this scene features an ideal, classical landscape in the background, and portrays the main figures walking on either side of a donkey after being ferried across a river
FLIGHT INTO EGYPT-
* famous version has the mule between the two adults and is considered the masterwork of Annibale Caracci;
FLIGHT INTO EGYPT-
* lunette by Annibale Carraci, several artists of this scene have shown the central characters resting.
FLIGHT INTO EGYPT-
* more famous example of this scene was commissioned by Cardinal Pietro Aldobrandini and is one of six lunette paintings in the Galleria Doria Pamphilj
FLIGHT INTO EGYPT-
* scene from the New Testament in which Joseph and Mary hide Jesus from Herod by going to another country.
FLIGHT INTO EGYPT-
* variation on this scene by Altdorfer
FLIGHT INTO EGYPT-
* version has a river cutting through the middle which is crossed by a man standing in a canoe. Perhaps the best known canvas of Adam Elsheimer
FLIGHT INTO EGYPT-
* young kids playing in a large fountain that occupies the entire left of the painting
FLIGHT INTO EGYPT-
* Vincent van Gogh is known for producing two series of a yellow kind of these objects, and Georgia O'Keeffe's depictions of them often represent female sexuality
FLOWERS-
* Whistler's Symphony in White No. 1, these objects also can be seen in the water in Millais's (*) Ophelia.
FLOWERS-
* man in white carries a large basket of these objects on his back in a Diego Rivera painting, while in another work some lie atop a bear-skin rug in front of the artist's girlfriend Joanna Heffernan
FLOWERS-
* not an apple, but a gigantic one of these objects occupies a room in Magritte's Tomb of the Wrestlers, while another is the focal point of his work The Great War
FLOWERS-
* objects appear near the hand of Ophelia in John Millais's depiction of her, and one figure in Chagall's I and the Village feeds one of these objects to another figure
FLOWERS-
* red bird in Beata Beatrix, and they also appear in the arms of the maid and in the hair of the titular prostitute in Manet's Olympia
FLOWERS-
* sprawled on the ground beneath two lovers embracing in Gustav Klimt's (*) The Kiss
FLOWERS-
* those on a table in Matisse's The Plum Blossoms. Name these colorful accessories of plants, many of which are seen in John Sargent's Carnation, Lily, Lily, Rose;
FLOWERS-
* Lord Protector in conversation with John Milton in Cromwell, Protector of the Vaudois, depicted The Romans Building a Fort at Mancenion in the first of his cycle of twelve murals adorning Manchester Town Hall
FORD MADOX BROWN-
* Manchester Murals is best known for those two canvases Work and The Last of England.
FORD MADOX BROWN-
* Thomas Carlyle appears on the right in a painting of his which shows a road being dug up to build underground tunnels by manual laborers, who are being observed by the leisure classes
FORD MADOX BROWN-
* Thomas Carlyle can be seen on the right of a canvas that this man spent thirteen years working on that depicts British bourgeois to the left and laborers struggling to earn a living in its center.
FORD MADOX BROWN-
* artist showed a boy laying face-down on a plank across a pond, while, in the center, John Dalton collects marsh gas for his scientific experiments
FORD MADOX BROWN-
* artist shows an emaciated woman holding a newborn baby to the viewer in his unfinished canvas Take Your Son, Sir!
FORD MADOX BROWN-
* astronomy and weaving are depicted in his works "Crabtree Watching the Transit of Venus" and "John Kay, Inventor of the Fly Shuttle."
FORD MADOX BROWN-
* departure of this artist's friend Thomas Woolner for Australia inspired his canvas depicting two stony-faced emigrants staring out at the viewer on a ship leaving the white cliffs of Dover.
FORD MADOX BROWN-
* grandson wrote The Good Soldier.
FORD MADOX BROWN-
* member of the Pre-Raphaelite Brotherhood, whose similarly-named grandson was the author of The Good Soldier;
FORD MADOX BROWN-
* painter of The Last of England and Work who was a member of the Pre-Raphaelite Brotherhood
FORD MADOX BROWN-
* umbrella is held over a woman wearing a pink ribbon in her bonnet in a circular seascape by this artist that was inspired by Thomas Woolner's emigration to Australia
FORD MADOX BROWN-
* Bernal wrote a report on its unveiling after its commission by the Pamphilj family.
FOUNTAIN OF FOUR RIVERS-
* Gian Lorenzo Bernini, FTP name this fountain in Rome representing the Rio de la Plata, the Ganges, the Nile, and the Danube.
FOUNTAIN OF FOUR RIVERS-
* Piazza Navona of Rome that was designed by Bernini and includes personifications of the Rio de la Plata and the Ganges.
FOUNTAIN OF FOUR RIVERS-
* Rome's Piazza Navona [pee-ATZ-ah nah-VOH-nah] featuring the Rio de la Plata, the Ganges, the Nile, and the Danube;
FOUNTAIN OF FOUR RIVERS-
* allegorical figures is represented by a shrouded figure indicating that its source was unknown
FOUNTAIN OF FOUR RIVERS-
* artist himself was responsible for the images at the center, which were carved in situ, and include a horse and a palm tree
FOUNTAIN OF FOUR RIVERS-
* building was highly unpopular due to the new bread tax instituted to finance its construction
FOUNTAIN OF FOUR RIVERS-
* created Apollo and Daphne, was se- lected from several competitors by Pope Innocent the Tenth
FOUNTAIN OF FOUR RIVERS-
* major portions were completed by a select group of the artist's pupils, including Antonio Raggi and Claude Poussin
FOUNTAIN OF FOUR RIVERS-
* olive branch and the dove found on it represent the Pamphili family of this work's patron, Innocent X
FOUNTAIN OF FOUR RIVERS-
* people of its city originally protested its installation because it was built during a famine at taxpayer expense and because it displaced street vendors.
FOUNTAIN OF FOUR RIVERS-
* populated by several types of animals, including a few lions and the dove at the top representing the Pamphili family of its patron, Innocent X.
FOUNTAIN OF FOUR RIVERS-
* pupil, Baratta, was responsible for the bearded black man who sits on a pile of coins and has his arm upraised, a gesture theorized to be an insult to the design of the neighboring church of Sant'Agnese by Borromini.
FOUNTAIN OF FOUR RIVERS-
* title subjects were selected as represen- tatives of the Renaissance-recognized four continents by its sculptor, Gianlorenzo Bernini.
FOUNTAIN OF FOUR RIVERS-
* travertine limestone features an obelisk from the Circus of Maxentius and sits opposite Borromini's Church of Sant'Agnese
FOUNTAIN OF FOUR RIVERS-
* Beethoven's fate motif contains this many notes that motif begins his fifth symphony
FOUR-
* John Cage's Imaginary Landscape of this number includes parts for 12 radios.
FOUR-
* Mahler's symphony of this number ends with a soprano solo, and Bruckner's is called the "Romantic".
FOUR-
* Manet's The Luncheon on the Grass and Botticelli's The Birth of Venus.
FOUR-
* Mendelssohn's symphony of this number was inspired by a journey through Europe and is nicknamed "Italian", and E (*) major has this many sharps.
FOUR-
* Milan version, there are this many people in the London version of Caravaggio's Supper at Emmaus.
FOUR-
* The Voyage of Life by Thomas Cole contains this number of paintings
FOUR-
* This many flutes respond to the trumpet in Ives' The Unanswered Question
FOUR-
* number of people is on the boat Gloucester in a Winslow Homer painting
FOUR-
* number of strings on a violin and musicians in a quartet;
FOUR-
* picnic basket is on top of some discarded female clothing in the lower left of a painting with this number of figures, the same number as found in a painting that depicts a goddess standing on a shell
FOUR-
* Fiesole who decorated the walls of his Dominican convent of San Marco, sometimes called "the blessed.;
FRA ANGELICO-
* Orvieto Cathedral, and showed golden rays emanating from the hands of God hitting the Virgin Mary in one of his versions of the Annunciation, which takes place in an open building with blue pendentives.
FRA ANGELICO-
* Prado Altarpiece features a miniature Expulsion on the extreme left of a panel which shows a ray of light on the Virgin, who is separated from an angel by a column in his Annunciation
FRA ANGELICO-
* Verses from Genesis and the Gospel of St. John are inscribed on two concentric circles in this man's Vision of Ezekiel, which is amongst his works on the Armadio degli Argenti
FRA ANGELICO-
* artist included text from the Creation as part of the outer ring, and text from the Gospel of John as part of the inner ring, in his circular painting The Vision of Ezekiel
FRA ANGELICO-
* collaborated with Luca Signorelli and his own student Benozzo Gozzoli to paint frescoes depicting the Judgment Day, in a cathedral in Umbria.
FRA ANGELICO-
* created an altarpiece with nine predella panels depicting stories of Cosmas and Damian, whose central scene is a sacra conversazione that includes numerous saints standing on an Anatolian carpet behind a pax tablet depicting the crucifixion
FRA ANGELICO-
* depiction of the life of Christ includes a mockery scene in which a disembodied hand uses a stick to brutalize a blindfolded Jesus
FRA ANGELICO-
* painter of the San Marco altarpiece was also a 15th-century Catholic priest?
FRA ANGELICO-
* pink cornice marks this man's second sacra conversazione, the Annalena Altarpiece, while Santa Croce commissioned this man's Compagnia di San Francesco Altarpiece
FRA ANGELICO-
* Concerto for Two Pianos and The Embarkation for Cythera, as well as setting the story of Babar the Elephant
FRANCIS POULENC-
* French composer and member of Les Six who wrote The Human Voice and the Breasts of Tiresias;
FRANCIS POULENC-
* cabaret is illustrated by such piano works as his Mouvements perpetuels.
FRANCIS POULENC-
* clarinet sonata opens with a similarly odd "Allegro tristamente."
FRANCIS POULENC-
* collaborator with Jean Cocteau, he composed the Discours du General, a polka, for the ballet The Marriage on the Eiffel Tower.
FRANCIS POULENC-
* composed the Concert Champetre for harpsichord and orchestra which he dedicated to his lover Richard Chanlaire
FRANCIS POULENC-
* composed the Concert champetre for harpsichord for Wanda Landowska
FRANCIS POULENC-
* entered a more religious phase marked by such works as the (*) Litanies a la Vierge Noire.
FRANCIS POULENC-
* first movement of this man's flute sonata features the slightly oxymoronic tempo marking "Allegro malinconico,"
FRANCIS POULENC-
* first rose to prominence with the music for a ballet based on the paintings of Watteau
FRANCIS POULENC-
* member of Les Six who composed Les Biches, best known for the operas The Breast of Tiresias and Dialogue of the Carmelites.
FRANCIS POULENC-
* part of Les six, who wrote the operas The Breasts of Tiresias and The Human Voice
FRANCIS POULENC-
* play about a woman who is interrupted while on a phone call with her lover, written by Jean Cocteau
FRANCIS POULENC-
* sexual games of loose young women
FRANCIS POULENC-
* tended to focus on more religious works including his Stabat Mater and Gloria after visiting the shrine of the Black Virgin of Rocamadour.
FRANCIS POULENC-
* title objects turn into balloons and float away
FRANCIS POULENC-
* work Perpetual Motion No. 1 was used in the Hitchcock film Rope
FRANCIS POULENC-
* wrote an opera in which Lacouf and Presto duel but then rise from the dead, and he wrote a harpsichord concerto for Wanda Landowska titled Concert champetre.
FRANCIS POULENC-
* wrote his setting of the Stabat Mater after the death of his friend Christian Berard,
FRANCIS POULENC-
* wrote the Pastourelle section of the ballet Jean's Fan, and the third of his Three novelettes for piano is based on a theme from Falla's Love, the Magician.
FRANCIS POULENC-
* Diderot claimed this man prostituted his own wife for works like Brown Odalisque
FRANCOIS BOUCHER-
* French rococo painter of The Toilet of Venus.
FRANCOIS BOUCHER-
* artist taught the painter of Death of Du Guesclin, Nicolas-Guy Brenet.
FRANCOIS BOUCHER-
* cherub adjusts the hair of a woman holding a white dove in his painting The ? Toilet of Venus, and a woman in green holds a book and while lying next to an open desk with a fountain pen in one of his three depictions of Madame de Pompadour
FRANCOIS BOUCHER-
* commissioned for the Chateau de Bellevue by Madame de Pompadour, and depicts a putti grabbing a necklace at the bottom left
FRANCOIS BOUCHER-
* contemporary of Fragonard;
FRANCOIS BOUCHER-
* depicted a man draped in red presenting a sword to the other title figures in one of his final paintings, Vulcan Presenting Venus with Arms for Aeneas
FRANCOIS BOUCHER-
* distinctly erotic works include his portraits of Louise O'Murphy.
FRANCOIS BOUCHER-
* fondles another's breast as a putti fondles a stick below a bed in his Hercules and Omphale
FRANCOIS BOUCHER-
* later works included depictions of the mill of Quiquengrone at Charenton, while the Wallace collection contains his companion works The Rising of the Sun and The Setting of the Sun
FRANCOIS BOUCHER-
* mythological paintings include paintings of Diana "After the Hunt" and "Resting after her Bath."
FRANCOIS BOUCHER-
* painting the bare behinds of women, such as Louise O'Murphy, in a number of Odalisque portraits
FRANCOIS BOUCHER-
* showed a girl about to put a certain fruit in a boy's mouth in Are They Thinking About the Grape
FRANCOIS BOUCHER-
* title figure sits on a red cushion and fondles a dove
FRANCOIS BOUCHER-
* young woman feeds her suitor in a pastoral scene in his painting Are They Thinking About Grape?,
FRANCOIS BOUCHER-
* "Theme from New York, New York" and "My Way.";
FRANK SINATRA-
* Gay Talese article in which he "Has A Cold".
FRANK SINATRA-
* Gennadi Gerasimov compared one of this man's songs to the Soviet Union's abandonment of the Brezhnev Doctrine
FRANK SINATRA-
* Peter Lawford and Sammy Davis, Jr. joined him in an informal group of performers named the "Rat Pack."
FRANK SINATRA-
* asks another person if he is "expecting a storm"
FRANK SINATRA-
* declares that no one be allowed into the room without a coat and tie after the other man leaves.
FRANK SINATRA-
* described as frequently using the word "Bird", including asking his friends "How's your bird?"
FRANK SINATRA-
* falling out with President Kennedy due to his relationship with the American Mafia
FRANK SINATRA-
* followed around without his consent by journalist Gay Talese for several months as Talese wrote an article for Esquire titled "[this man] Has a Cold".
FRANK SINATRA-
* man is referred to as an "uomini respetati" or "man of respect"
FRANK SINATRA-
* new Soviet diplomatic policy named for this man
FRANK SINATRA-
* organize an Inaugural Gala
FRANK SINATRA-
* re-recorded a version of the song "High Hopes"
FRANK SINATRA-
* recalls arguing with Eddie Fisher's fans outside of a recording studio and fails to procure front row seats at a boxing match for Joey Bishop and his wife
FRANK SINATRA-
* scene in which his voice cracks after he sings a song named for his daughter appears in an Esquire profile for which he refused to be interviewed
FRANK SINATRA-
* watching a documentary about himself, he receives a telegram from a man named Jilly stating "WE RULE THE WORLD"
FRANK SINATRA-
* writer of the screenplay for The Oscar, gets his boots.
FRANK SINATRA-
* Die Fahne Hoch! and The Marriage of Reason and Squalor in a group of works featuring bands of a certain dark paint separated by thin lines of unpainted canvas.
FRANK STELLA-
* Exotic Bird series
FRANK STELLA-
* Norton lectures were called Working Space,
FRANK STELLA-
* abstract American artist who created the geometry-inspired Irregular Polygons series
FRANK STELLA-
* commissioned by David Mirvish to paint a massive series of murals stretching over 10,000 square feet, which ended up covering the auditorium ceiling, lounge, lobby, and back wall of the Princess of Wales Theatre
FRANK STELLA-
* diptych juxtaposing pictorial charts of light values constituted his work Jasper's Dilemma
FRANK STELLA-
* extreme starkness of his (*) Black Paintings.
FRANK STELLA-
* famously said "What you see is what you see.";
FRANK STELLA-
* featured vertical notches at the top and bottom of his painting Newstead Abbey and created a series of 300 sculptures meant to match Scarlatti's Essercizi
FRANK STELLA-
* first came to fame with the Black Paintings
FRANK STELLA-
* fought against a dying tradition in The First Post-Cubist Collage.
FRANK STELLA-
* move on to the rainbow colored arabesques of the Exotic Bird series
FRANK STELLA-
* outlines of draˆfting tools as abstract representations of feathers in a series of aluminum reliefs, while he borrowed the proportions of Nazi banners for a work named aˆer the first line of the Nazi anthem
FRANK STELLA-
* recent efforts include some 300-odd sculptures meant to match the Essercizi of Scarlatti
FRANK STELLA-
* squares and circles superimposed on one another,
FRANK STELLA-
* study of parallel lines dominated his aluminum works, such as the Polish Village series, while the Eccentric Polygon series
FRANK STELLA-
* A Mass of Life set Whitman's "Out of the Cradle Endlessly Rocking" in his piece Sea Drift
FREDERICK DELIUS-
* Eric Fenby orchestrated his Two Aquarelles.
FREDERICK DELIUS-
* Florida Suite and On Hearing the First Cuckoo in Spring.
FREDERICK DELIUS-
* On Hearing the First Cuckoo in Spring, he also wrote a set of variations on the folk song "Brigg Fair" and the Florida Suite. For 10 points, identify this English composer who also wrote the opera A Village Romeo and Juliet;
FREDERICK DELIUS-
* Two Small Pieces for Orchestra consists of Summer Night on the River and a tone poem containing the folksong "In Ola Valley," i
FREDERICK DELIUS-
* Winter Night and Spring Morning are two of this man's Three Small Tone Poems, which were edited and premiered after his death by Thomas Beecham, while his amanuensis Eric Fenby helped him write A Song of Summer.
FREDERICK DELIUS-
* call of the title bird. Another of his works begins with the section "Daybreak-Dance,"
FREDERICK DELIUS-
* choral work by this man was originally set to a translation by John Bernhoff, but is more commonly sung in the original German and called Eine Messe des Lebens
FREDERICK DELIUS-
* features an orchestral "Walk to the Paradise Garden" and is based on a Gottfried Keller work
FREDERICK DELIUS-
* friend Thomas Beecham premiered this composer's Nietzschean A Mass of Life
FREDERICK DELIUS-
* inspired by Percy Grainger's choral arrangement to create a set of orchestral variations on the folk song "Brigg Fair," and he is also known for a suite inspired by his time working on an orange plantation, the Florida Suite
FREDERICK DELIUS-
* ontains a melody taken from the folk song "In Osa Valley" and another theme in which the title creature is evoked by an oboe and divided strings.
FREDERICK DELIUS-
* orange plantation
FREDERICK DELIUS-
* orchestral works is to be played "with easy flowing movement" and though he's not Edvard Grieg, that same piece quotes the Norwegian folk song "In Ola Valley."
FREDERICK DELIUS-
* s English composer of the On Hearing the First Cuckoo in Spring.
FREDERICK DELIUS-
* singing "O bliss, o bliss, o bliss!", and replaces text from the Liturgy with Nietzsche's Also Sprach Zarathustra
FREDERICK DELIUS-
* wrote his own libretti for his first operas, Irmelin and The Magic Fountain, and his other early works include the tone poems Over the Hills and Far Away and Hiawatha
FREDERICK DELIUS-
* American landscape architect who designed Central Park;
FREDERICK OLMSTED-
* American landscape architect who was a co- designer of Central Park.
FREDERICK OLMSTED-
* American's best-known project featured Ebert Ludovicus Viele as the engineer-in-chief.
FREDERICK OLMSTED-
* Emerald Necklace in Boston
FREDERICK OLMSTED-
* Riverside, Illinois
FREDERICK OLMSTED-
* campus of Stanford University
FREDERICK OLMSTED-
* cofounder of The Nation collaborated on the Buffalo State Hospital with his friend Henry Hobson Richardson, and was influenced by his mentor Andrew Jackson Downing
FREDERICK OLMSTED-
* described antebellum Southern poverty in his book Journeys and Explorations in the Cotton Kingdom
FREDERICK OLMSTED-
* end of his life, this man was ironically committed to McLean Hospital in Waverly, Massachusetts, whose grounds he had designed
FREDERICK OLMSTED-
* no experience in design at the time, met his English-born partner thanks to his mentor Andrew Jackson Downing
FREDERICK OLMSTED-
* partner of Calvert Vaux designed the grounds of the 1893 World's Fair in Chicago
FREDERICK OLMSTED-
* partnered with Calvert Vaux to create Prospect Park
FREDERICK OLMSTED-
* sixth chapter of Edmund Wilson's Patriotic Gore discusses this man's pre-Civil War account of his travels to the South, The Cotton Kingdom
FREDERICK OLMSTED-
* sons collaborated with the Bartholomew firm on a never-implemented plan for Los Angeles
FREDERICK OLMSTED-
* submitted the Greensward Plan for a location that contains the Bow Bridge, the Bethesda Fountain, and the Great Lawn
FREDERICK OLMSTED-
* used the Greensward Plan to create a location with such landmarks as Bethesda Fountain and the Sheep Meadow
FREDERICK OLMSTED-
* Da Vinci's modification of this technique has led to The Last Supper peeling off the wall. For 10 points, name this technique of painting on wet plaster directly on a wall.
FRESCOES-
* The School of Athens, Michelangelo's Last Judgment, and the ceiling of the Sistine Chapel
FRESCOES-
* front center of a painting made with this technique, a kneeling man in a yellow robe with his back to the viewer lifts his arms up to try to stop the title Fire in the Borgo.
FRESCOES-
* line the interior of Castelseprio and Giovanni Tiepolo produced them for the Wurzburg Residence and Royal Palace in Madrid
FRESCOES-
* method for producing them using ingredients like beeswax and resin was named after its developer, Thomas Gambier Parry.
FRESCOES-
* secco type is contrasted with the more authentic buono type, in which the intonaco layer is added on top of the arriciato layer, followed by the quick application of pigments, a method which creates incredible longevity
FRESCOES-
* style of art in which paint is applied to wet plaster, best exemplified by the ceiling of the Sistine Chapel;
FRESCOES-
* used for Parnassus, Disputation of the Holy Sacrament, and the other paintings in the (*) Stanza della Segnatura
FRESCOES-
* "The Stars and Stripes Forever" by John Philip Sousa.
FUNERAL MARCH-
* Edward Elgar's most famous compositions are a set of these titled (*) Pomp and Circumstance, and some examples of this include "King Cotton", "The Liberty Bell", and the aforementioned "Stars and Stripes Forever"
FUNERAL MARCH-
* Gounod composed a comic one about a (*) marionette.
FUNERAL MARCH-
* Grieg composed one of these pieces in homage to his friend Rikard Nordraak
FUNERAL MARCH-
* Semper Fidelis and one featuring the piccolo in its trio section
FUNERAL MARCH-
* Toward the end of Richard Strauss's Metamorphosen, the basses and cellos quote from an existing movement of this type
FUNERAL MARCH-
* began his fifth symphony with one of these pieces, and composed one based on the song "Frere Jacques" for the third movement of his first symphony.
FUNERAL MARCH-
* eighth variation in Benjamin Britten's Variations on a Theme of Frank Bridge is a piece of this type, and Beethoven's twelfth piano sonata features an A-flat minor movement of this type
FUNERAL MARCH-
* include the first movement of Mahler's fifth symphony as well as the slow movements of Chopin's second piano sonata and Beethoven's Eroica symphony
FUNERAL MARCH-
* movement of this type opens with a C-sharp minor trumpet call. The best-known example for solo piano features an interlude in D-flat major, and its B-flat minor outer sections feature steady pesante octaves in the left hand
FUNERAL MARCH-
* penultimate movement of Shostakovich's final string quartet is this type of piece
FUNERAL MARCH-
* performed one by Chopin forms the third movement of his second piano sonata, while Beethoven broke with the classical tradition and composed one of these pieces as the second movement of the Eroica symphony
FUNERAL MARCH-
* piccolo obbligato joined by low brass countermelody in the second repeat of the trio section.
FUNERAL MARCH-
* somber pieces of music composed to commemorate someone's death.
FUNERAL MARCH-
* third movement of Beethoven's twelfth piano sonata unusually includes one of these pieces.
FUNERAL MARCH-
* variation on this type of work is the Spanish pasodoble dance, which is often played during bullfights.
FUNERAL MARCH-
* work of this type is Julian Fučík's ("foo-CHEEK's") Entry of the Gladiators, which is commonly used as circus music, and Chopin wrote a funeral one of these compositions
FUNERAL MARCH-
* written in 2/4 time, these compositions' namesake bands are heavy in brass instruments and percussion
FUNERAL MARCH-
* Apollo touring the universe in his Allegory of the Planets and Continents, which decorates the main staircase at the Wurzburg Residence
GIOVANNI TIEPOLO-
* Girolamo Colonna, this painter decorated a ballroom in the Palazzo Labia with paintings of the encounters between (*) Marc Antony and Cleopatra
GIOVANNI TIEPOLO-
* Marcel Proust identified a namesake shade of pink that this painter frequently used. This man painted the best-known depiction of an incident in which a woman drops a pearl in a glass of vinegar to win a wager against her lover about who could stage the most lavish feast.
GIOVANNI TIEPOLO-
* Neptune guiding a treasure-laden galleon away from a group of dark-skinned men wearing feathered headdresses in a ceiling fresco for the throne room of the Royal Palace of Madrid
GIOVANNI TIEPOLO-
* Palazzo Labia. One of this man's later works shows Ancient Castile personified with a tower on a cliffside and Gibraltar symbolized by the Pillars of Hercules as Mercury crowns the title allegory of royalty.
GIOVANNI TIEPOLO-
* Venetian artist behind The Apotheosis of Spain and Apollo and the Continents, one of his frescos for the Wurzburg Residenz;
GIOVANNI TIEPOLO-
* another of his paintings, a fanfare of Egyptians is shown gathered at a dock to welcome Marc Antony
GIOVANNI TIEPOLO-
* artist's most famous series includes depictions of the wedding of (*) Frederick Barbarossa,
GIOVANNI TIEPOLO-
* building in which that series is housed.
GIOVANNI TIEPOLO-
* gray obelisk symbolizing eternity towers beside Glory as the title hero flies toward her in this artist's Bellerophon on Pegasus
GIOVANNI TIEPOLO-
* images of America sitting on a crocodile and Europe seated on a pedestal beside a reclining Balthasar Neumann
GIOVANNI TIEPOLO-
* many of his early paintings, this artist placed such emphasis on the shadow cast by jawbones of his subjects their heads looked discontinuous with their necks, seen most extremely in his tiny canvas Memento Mori
GIOVANNI TIEPOLO-
* "Che fero" and the ballet The (*) Dance of the Blessed Spirits
GLUCK-
* "reform" operas such as Alceste and Orfeo et Euridice;
GLUCK-
* German opera reformer and composer of Alceste and Orfeo et Eurydice.
GLUCK-
* agitated orchestral accompaniment undercuts the attempts a character to reassure himself after murdering his mother in "Le calme rentre dans man coeur"
GLUCK-
* librettist Calzabigi resulted in the composition of the ballets Semiramide and Don Juan, as well as an opera featuring the "Dance of the Blessed Spirits" and another in whose preface he declared his intent to "restrict music to its true office of serving poetry.
GLUCK-
* opera by him, a solo flute plays during part of a ballet depicting Elysium called "The Dance of the Blessed Spirits"
GLUCK-
* operas as Cleonice, Demofoonte, and Artaserse, were written with librettist Pietro Metastasio
GLUCK-
* reused music from his ballet Semiramis in an opera set to Nicolas-Francois Guillard's first libretto, which itself was an adaptation of a Euripides play
GLUCK-
* family of peasants tend a fire in the middle ground of this work, to the left of the central group. The background also features townspeople curling and ice-skating
HUNTERS IN THE SNOW-
* figure crosses a bridge carrying a bundle of sticks and two women walk near a mill in the background of this painting, and a man drives a carriage along a tree-lined path toward a church.
HUNTERS IN THE SNOW-
* followed by a pack of dogs, and villagers can be seen ice skating in the distance. For 10 points, name this work set in winter by Peter Brueghel the Elder where the title figures bring back meat they've shot.
HUNTERS IN THE SNOW-
* left of this painting shows a building with a damaged hanging sign featuring a deer, a haloed man, and the words "this is in the stag."
HUNTERS IN THE SNOW-
* men play a game with curved sticks. This work is the last entry in a series also featuring The Gloomy Day and The (*) Return of the Herd.
HUNTERS IN THE SNOW-
* sign post in this painting displays a kneeling man and a deer; that sign post hangs over a child and two adults who kindle a large fire. In its mid-ground, a figure carries a bundle of hay over a bridge with two arches.
HUNTERS IN THE SNOW-
* Cologne Harbor was the site of an early artwork by this man titled Dockside Packages
JAVACHEFF-
* man tried to gain permission from the United Arab Emirates to build the stacked- oil-barrel sculpture Mastaba
JAVACHEFF-
* responsible for the death of Lori Matthews. The Maysles Brothers made a documentary about one of his works, which features four steel cables and like all of his creations was photographed by Wolfgang Volz
JAVACHEFF-
* saffron-colored (*) nylon used in one of his works was distributed in February of 2005 as a souvenir in New York City
JAVACHEFF-
* several large, inflatable indoor installations known as Air Packages. He used saffron-colored fabric to construct 7,503 structures in Central Park in his project The Gates, which, like virtually all of his work, was performed in collaboration with his Moroccan-born French wife Jean-Claude
JAVACHEFF-
* studying sculpture in Vienna under Fritz Wotruba, this artist moved to Paris where he closed down the Rue Visconti in order to display his work Iron Curtain
JAVACHEFF-
* Cocotte in Red are discussed in Sherwin Simmons's depictions of his "Streetwalkers", otherwise known as his Gro;
KIRCHNER-
* German Expressionist painter, one of the founders of the artistic movement Die Brucke, which regularly met in his studio.
KIRCHNER-
* German artist, a member of Die Brucke who painted several Berlin "street scenes."
KIRCHNER-
* Potsdamer Platz painted a child who seems to stand alone in the title location as crowds walk along either side in his Street, Dresden
KIRCHNER-
* Red splotches cover the face of one of the two titular poor men wearing hats in this painter's Two Peasants,
KIRCHNER-
* Stafelalp in Moonlight, a woman in blue seems to be walking straight towards the viewer as a woman next to her in a similar black dress with a white collar and plumed hat walks to the left
KIRCHNER-
* created several uncharacteristic alpine landscapes during his years spent in Davos receiving treatment for a mental breakdown sparked by his service in the First World War.
KIRCHNER-
* depicted himself painting while wearing an orange and blue striped robe and being watched by a seated woman in a light blue dress in his Self-portrait with Model
KIRCHNER-
* green mountains and cottages lie under a yellow sky with a crescent moon
KIRCHNER-
* painted a nude model in his studio next to himself, with a cigarette in his mouth, clad in an artilleryman's uniform, in his Self-Portrait as a Soldier.
KIRCHNER-
* painted a woman holding a fan next to her top-hatted and mustachioed brother in a painting of his model and lover Dodo
KIRCHNER-
* painted himself in uniform with a missing hand in Self-portrait as a Solider
KIRCHNER-
* portrait by this man, a mirror reflects the bare back and buttocks of a woman who wears only a pair of pink slippers
KIRCHNER-
* sharply angled pair of (*) streetwalkers wearing black and purple coats with fur lining travel down a pink walkway in this artist's best known painting. This artist, who depicted a nude woman relaxing under a Japanese parasol, shot himself a year after the Nazis declared his work degenerate
KIRCHNER-
* "Kyrie eleison" movement. This work's Sanctus and Agnus Dei sections were written by the man who completed its "Lacrimosa", Franz Sussmayr.
MOZART'S REQUIEM IN D MINOR-
* Alternate editions of this work have been created by Duncan Druce and Franz Beyer. One
MOZART'S REQUIEM IN D MINOR-
* Composer and work required. Count von Walsegg commissioned this work, whose "Lux aeterna" [ee-turn-ah] ending and all but eight bars of the Lacrimosa section were completed by Franz Sussmayr as he edited this work
MOZART'S REQUIEM IN D MINOR-
* Franz Xaver Sussmayr after the death of its composer, who also wrote Eine Kleine Nachtmusik.
MOZART'S REQUIEM IN D MINOR-
* Handel's Dettingen Anthem formed the basis for this piece's second-movement double fugue. Musicologists such as Richard Maunder and Robert Levin have argued that the composer intended to incorporate the so-called "Amen fugue" into this piece
MOZART'S REQUIEM IN D MINOR-
* Lux aeterna ("lucks" AY-turn-uh) movement begins by playing the first two sections of its first movement in reverse order, and ends with the same double fugue as the one in this piece's second movement (*) Kyrie (KEE-ree-ay)
MOZART'S REQUIEM IN D MINOR-
* Maunder and Robert Levin have written "Amen" fugues for this work, based on a sketch not used by Franz Sussmayr, who performed the standard completion of this work
MOZART'S REQUIEM IN D MINOR-
* Robert Levin is one of several recent composers to create a version of this work, in which a bass soloist duets with a trombone at the start of "Tuba Mirum," while the four vocal soloists sing in counterpoint near the end of "Domine Jesu Christe."
MOZART'S REQUIEM IN D MINOR-
* Sanctus and Benedictus movements were likely written by Franz Sussmayer
MOZART'S REQUIEM IN D MINOR-
* Walsegg commissioned this piece and likely intended to pass it off as his own. Its "Sanctus," "Agnus Dei," and all but about nine bars of its "Lacrimosa" were the product of Franz Sussmayr, who completed this piece at the behest of its composer's wife Contanze.
MOZART'S REQUIEM IN D MINOR-
* Walsegg commissioned this work, which was completed at the behest of the wife of its composer, Constanz
MOZART'S REQUIEM IN D MINOR-
* bears compositional similarities to its composer's earlier "Sparrow" work in a similar genre, contains a movement that opens in 12/8 time with two violins exchanging notes, one playing low single quarter notes and the other playing higher eight notes
MOZART'S REQUIEM IN D MINOR-
* commissioned by Franz von Walsegg and was completed in secret by Franz Xaver Sussmayr
MOZART'S REQUIEM IN D MINOR-
* composition, which was commissioned by Franz von Walsegg, originally broke off after the first eight or nine bars of the Lacrimosa, and was completed by Franz Xaver Süssmayr
MOZART'S REQUIEM IN D MINOR-
* dead by the composer of "Eine Kleine Nachtmusik."
MOZART'S REQUIEM IN D MINOR-
* did not know the identity of its commissioner, and this composition was played at the funerals of Frederic Chopin and Franz Joseph Haydn.
MOZART'S REQUIEM IN D MINOR-
* dotted-rhythm melodic fragments in A minor imitated between tenors and basses describe the flames of hell; those figures alternate with sopranos and altos singing a C major melody beginning "voca me" in its (*) "Confutatis" movement
MOZART'S REQUIEM IN D MINOR-
* equivalent point in another one of these works, the music changes abruptly on the word "incarnatus" from a loud choral declamation in C major to an adagio by the soloists acting as a quartet, signifying the point when the congregation would kneel
MOZART'S REQUIEM IN D MINOR-
* first two movements of the most famous of these works by this composer was recycled for the concluding Lux Aeterna.
MOZART'S REQUIEM IN D MINOR-
* introit, Kyrie, and nine bars of the Lacrimosa movement were completed before its composer's death.
MOZART'S REQUIEM IN D MINOR-
* left incomplete at its composer's death, a mournful mass written by the composer of Eine Kleine Nachtmusik.
MOZART'S REQUIEM IN D MINOR-
* liturgical works including the "Coronation" and the "Great" one in C minor, as well as a "Requiem" left uninished at their composer's 1791 death.
MOZART'S REQUIEM IN D MINOR-
* movement of this piece ends by reprising the previous movement's closing G minor four-voice fugue at the point marked "Quam olim da capo."
MOZART'S REQUIEM IN D MINOR-
* movement of this work begins with a solo trombone descending from B-flat to F, ascending to D, and then arpeggiating down the chord in quarter notes, before a bass soloist sings the same phrase
MOZART'S REQUIEM IN D MINOR-
* one movement in this work, women gently singing "Voca me cum benedictis" in C major alternates with men aggressively singing imitative phrases in A minor, setting the words "Confutatis maledictis".
MOZART'S REQUIEM IN D MINOR-
* only woodwinds called for in this piece are two bassoons and two basset horns.
MOZART'S REQUIEM IN D MINOR-
* penultimate page of this piece's score was stolen at the 1958 Brussels World's Fair. The second violin plays quarter notes alternating with the first violin's eighth notes in the first two 12/8 bars before the vocalists enter in another section of this work
MOZART'S REQUIEM IN D MINOR-
* piece in 12/8 time, the first violin plays off-beat eighth notes and the second violin and viola play quarter notes.
MOZART'S REQUIEM IN D MINOR-
* premiere of one of these works by this composer featured only three of its own sections, with the remaining portions spliced in from a different one of these works. That work breaks off mid-recitation with a soprano aria that concludes "... et homo factus est".
MOZART'S REQUIEM IN D MINOR-
* second movement borrows from George Frideric Handel's Dettingen Anthem
MOZART'S REQUIEM IN D MINOR-
* setting of the mass for the dead, the unfinished final work of Wolfgang Amadeus Mozart.
MOZART'S REQUIEM IN D MINOR-
* simultaneously worked on (*) The Magic Flute and this piece, and remarked to his wife Constanze that this piece may be played at his own funeral.
MOZART'S REQUIEM IN D MINOR-
* solo quartet in its Recordare and Tuba Mirum movements, while it also contains a notable Kyrie
MOZART'S REQUIEM IN D MINOR-
* violins sighing figures of "eighth rest - eighth note - eighth note" in 12/8 time above quarter notes in the violas
MOZART'S REQUIEM IN D MINOR-
movement of this work opens with a solo trombone playing a melody consisting of a B-flat arpeggio before a bass soloist sings the same melody
MOZART'S REQUIEM IN D MINOR-
* "Canon perpetuus" and a "Fuga Canonica in Epidipente" are two of the ten canons in this collection.
MUSICAL OFFERING-
* During a trip to Potsdam in 1747, its composer was challenged by this collection's dedicatee to create two fugues on a "royal theme
MUSICAL OFFERING-
* Frederick the Great, a work by J.S. Bach;
MUSICAL OFFERING-
* Inscriptions above some of the pieces allude to "increasing fortunes" and "ascending glory" in unison with the music, and two of the pieces do not contain time signatures, leaving them ambiguous as to how they should be performed.
MUSICAL OFFERING-
* collection of pieces by Johann Sebastian Bach based on a theme composed by Frederick the Great.
MUSICAL OFFERING-
* composed by Johann Sebastian Bach for Frederick the Great.
MUSICAL OFFERING-
* composition unusually contains both a three-voice movement in two-stave keyboard notation and a six-voice movement written out in open score.
MUSICAL OFFERING-
* concludes with a four-movement "Sonata sopr'il Soggetto Reale" for transverse flute, violin, and basso continuo
MUSICAL OFFERING-
* includes a canon with the inscription "Quaerendo invenietis" and five "Canones Diversi" followed by a "Fuga Canonica in Epidiapente."
MUSICAL OFFERING-
* main theme of this work begins with an ascending C minor triad followed by a jump down from A-flat to B-natura
MUSICAL OFFERING-
* nstead of specifying a time interval, one piece within this work contains the instruction "quaerendo invenietis," or "if you seek it you will find it."
MUSICAL OFFERING-
* originated as the result of its composer's visit to the royal residence at Potsdam, where he was asked to improvise a fugue on a theme by his host.
MUSICAL OFFERING-
* phrase "sopr'il Soggetto Reale", or "above the real subject," included in its title and is notable for its difficult orchestration for the flute.
MUSICAL OFFERING-
* resulted from a visit to Potsdam, where its composer was asked to improvise a three-voice fugue on a given theme, dubbed the "Thema Regium."
MUSICAL OFFERING-
* trio sonata for violin, continuo, and flute, the last of which was played by this work's dedicatee. Anton Webern composed a chamber orchestra arrangement of the most complex piece in this collection, a ricercare in six voices
MUSICAL OFFERING-
* trio sonata, this collection also contains a piece for six voices that was later orchestrated by Anton Webern and a piece in which the second instrument plays the theme backwards, known as a "crab" canon
MUSICAL OFFERING-
* two ricercars that open this collection, which also includes ten "riddle" or "puzzle" canons.
MUSICAL OFFERING-
* Open Palm and Movement of the Hand
MUYBRIDGE-
* aforementioned self-portrait was used as evidence of his insanity in an event which became the basis for an opera by Philip Glass and David Byrne, the trial at which he was acquitted of the (*) murder of his wife's lover Major Harry Larkyns.
MUYBRIDGE-
* beating time
MUYBRIDGE-
* he is best known for was inspired by a request of Leland Stanford and required shortening the exposure time
MUYBRIDGE-
* invented the zoopraxiscope to put to rest the vexing problem of how many legs a horse had on the ground while galloping.
MUYBRIDGE-
* inventor of the zoopraxiscope and photographer of Sallie Gardner at a Gallop, whose photographs of the horse Occident showed that all its legs were off the ground simultaneously while it ran;
MUYBRIDGE-
* non-Velazquez artist inspired such Francis Bacon paintings as Paralytic Child Walking on All Fours
MUYBRIDGE-
* once took a picture of himself sitting on the edge of Yosemite's Contemplation rock, positioned to push himself off, while works by this man in his more distinctive style include Boxing
MUYBRIDGE-
* signed early works as Helios, suffered from erratic behavior that may have been brought on by brain injuries from head trauma suffered from a horrific runaway stagecoach accident
MUYBRIDGE-
* son, Florado Helios, led this person to murder Major Harry Larkyns, but he was not punished because his case marked the last time that an admitted murderer was freed on (*) "justifiable homicide" in California
MUYBRIDGE-
* hanging oil lamp provides the only source of light in this painting, in which a woman in a white bonnet pours out four cups of tea
POTATO EATERS-
* inspired by a similar work created by Jozef Israels. The artist of this work abandoned academic flesh tones to paint the main figures' skin dark ochre
POTATO EATERS-
* lamp hanging from the ceiling illuminates the central scene in this painting as five figures huddle around a table for a meal.
POTATO EATERS-
* Perseus and Andromeda. The two putti at the top are almost entirely upside down, and there is another at the bottom left
RAPE OF EUROPA-
* Phillip II commissioned the best-known version of this scene, where a putto watches the central action while grasping the fins of a dolphin
RAPE OF EUROPA-
* Tiepolo's rendition of this scene shows a thunderhead in the background,
RAPE OF EUROPA-
* animal is a bull
RAPE OF EUROPA-
* central figure of this painting assumes a pose that is derived from the artist's earlier works Miracle of the Jealous Husband and The Martyrdom of Saint Lawrence
RAPE OF EUROPA-
* depicted in all white garb with ghastly white skin
RAPE OF EUROPA-
* flapping red robe above her head as she is whisked away by a white bull.
RAPE OF EUROPA-
* grips a red robe in one hand while lying on an orange robe.
RAPE OF EUROPA-
* group of nymphs can be seen on land in front of some cliffs, and at the bottom of this work, a monstrous, brown sea creature opens its mouth at the central figure
RAPE OF EUROPA-
* horn of a white bull;
RAPE OF EUROPA-
* most famous depiction of this scene shows two cherubs wrestling above a mountainous background in the upper right, while a third cherub surfs up to the central scene riding a fish
RAPE OF EUROPA-
* most famous version of this scene is in the Isabella Stewart Gardener Museum and was rendered with gloomier colors in a copy made by Rubens on a sojourn to Spain.
RAPE OF EUROPA-
* referred to it as part of his "poesie" series, seven mythical scenes that also include The Death of Actaeon
RAPE OF EUROPA-
* title figure waves a pink cloth in her left hand and grabs onto a horn with her right. For 10 points, name this mythological scene painted by Titian where the title figure is carried away on a white bull.
RAPE OF EUROPA-
* title figure's foot is kissed in the closest of three scenes depicting this action in a Paolo Veronese painting
RAPE OF EUROPA-
* two flying putti in the top left of this work, both hold bows but only the one on the left holds arrows, and the title character looks up at those putti.
RAPE OF EUROPA-
* utto rides a fish near the tail of a white animal that appears
RAPE OF EUROPA-
* "Ride of the Valkyries." For 10 points, name this four-opera cycle about Wotan, Brünnhilde, and Siegfried, the masterwork of Richard Wagner.
RING OF THE NIBELUNG-
* , Fafner and Fasolt demand Freia as payment for the construction of Valhalla, but settle for Rhine gold taken by Wotan and Loge from its original thief, Alberich
RING OF THE NIBELUNG-
* Alberich forges the title object out of gold stolen from the three Rhinemaidens in the first part of this work, entitled Das Rheingold
RING OF THE NIBELUNG-
* Bayreuth Festival with the funding of Mad King Ludwig. The title object of these works is stolen by the dwarf Mime and is forged by Alberich
RING OF THE NIBELUNG-
* Gotterdammerung [goh-ter-DEM-mer-runk], The Rheingold, The Valkyrie, and an opera named for its main character, Siegfried
RING OF THE NIBELUNG-
* Rhine overflowing as (*) Valhalla burns down. Comprised of The Rhinegold, The Valkyries, Siegfried, and Twilight of the Gods, for 10 points, name this series of four operas by Richard Wagner (VAHG-nur).
RING OF THE NIBELUNG-
* Waltraute beg her sister Brunnhilde to return the title object. For 10 points, name this opera cycle that ends with Brunnhilde casting herself upon Siegfried's funeral pyre to cause the Twilight of the Gods, a work of Richard Wagner.
RING OF THE NIBELUNG-
* Wotan sings "Wache Wala Wala Erwach'" to waken Erda the earth goddess, and Hagen summons his vassals to Gibichung Hall with "Hoiho!"
RING OF THE NIBELUNG-
* appearance of ravens distracts one character, causing his death at the hand of Hagen, who seeks the title object
RING OF THE NIBELUNG-
* beginning of this work's final part, the Norns bemoan the destruction of a divine weapon before the Rope of Fate is broken, and the orchestra requires anvils to depict the dwarven forge in its third part
RING OF THE NIBELUNG-
* built a theater in Bayreuth [bi-ROYT] specifically to host this work, which takes 16 hours to perform over four nights
RING OF THE NIBELUNG-
* character gains the ability to understand birds from tasting dragon blood and crosses a circle of flame to wake another character from a deep sleep
RING OF THE NIBELUNG-
* character in these operas derives his power from the treaties on his spear and loses power when it is broken; that character is given a warning by the earth goddess, Erda
RING OF THE NIBELUNG-
* character lays his daughter to sleep atop a mountain encircled by flame, resulting in the Magic Fire Music
RING OF THE NIBELUNG-
* dwarf Alberich renounces love in order to gain this series' titular object, which he cursed so that anyone who owns it will be killed
RING OF THE NIBELUNG-
* ends with Brunnhilde riding into a (*) funeral pyre and the burning of the Hall of the Gods.
RING OF THE NIBELUNG-
* nicknamed "The Machine" appears in a current Metropolitan Opera production of this work, directed by Robert Lepage
RING OF THE NIBELUNG-
* series of four operas by Richard Wagner;
RING OF THE NIBELUNG-
* sword Nothung can only be forged by the slayer of Fafner, Siegfried. For 10 points, name this opera cycle by Richard Wagner about the title cursed golden object forged by Alberich.
RING OF THE NIBELUNG-
Das Rheingold [RINE-gold], Die Walküre [dee VAL-koor], Siegfried, and Götterdämmerung make up,
RING OF THE NIBELUNG-
* "ask insistently within yourself" and "arm yourself with clairvoyance." This composer wrote a work that includes a comically bad rendition of Chopin's Funeral March and ends with a parody of Beethoven's Eighth Symphony
SATIE-
* "furniture music" is best known for a set of three piano pieces, the first of which is marked "Lent et douleureux," which evoke ancient Greek dances
SATIE-
* "furniture music" to describe some of his works. This composer composed a work that has instructions for its theme to be played 840 times and he also composed several Gnosiennes
SATIE-
* 7 Gnossienes, he named another set of compositions after an ancient Greek dance. For 10 points, name this French composer of 3 Gymnopédies.
SATIE-
* Acant-dernieres pensees wrote a work for solo piano that parodies hunting and parlor songs and suggests melancholy crustaceans and sea cucumbers
SATIE-
* Danses gothiques as a novena for "the greatest calm and tranquility of [his] soul" while having an affair with Suzanne Valadon.
SATIE-
* Relache also wrote the "symphonic drama" Socrate, and a set of piano pieces in which the performer is instructed to "arm yourself with clairvoyance."
SATIE-
* The Pear Shaped Pieces and Gymnopédies
SATIE-
* abandoned measure divisions and key signatures entirely in the Three Gnossiennes, and was known as the mentor to such composers as Honneger and Milhaud
SATIE-
* composer did include bar lines in his parody of Clementi, Bureaucratic Sonatina, whose theme is supposedly a "Peruvian air."
SATIE-
* composer of Dried Up Embryos and the play Medusa's Trap composed five works of "furniture music," but he may be best remembered for a set of three piano works in 3/4 ["three-four"] time which are considered the basis for ambient music
SATIE-
* first modern composer to use barless notation helped form Nouveaux Jeunes, the forerunners of Les Six
SATIE-
* included notes in his scores which parodied the works of Debussy, such as "with much illness."
SATIE-
* instruct that one of his works be repeated 840 times and that another be played "perpetually."
SATIE-
* instructed a note should be repeated 840 times in his work Vexations
SATIE-
* last piano works were his macabre-sounding Five Nocturnes
SATIE-
* mimicked Muzio Clementi's Sonatina Op. 36 in his own Sonatine Bureaucratique, while "Waltz of the Mysterious Kiss in the Eye" and "High-Society Cancan" are numbers in his orchestral suite La belle eccentrique
SATIE-
* most famous work, also for piano, is thought to have drawn from such diverse sources as Gustave Flaubert, cubism, and Greek festivals. For 10 points, identify the French composer of Desiccated Embryos and Gymnopedies.
SATIE-
* name this composer who influenced Les Six, composer of three Gymnopedies.
SATIE-
* name this eccentric creator of the Gymnopedies and Three Pear-Shaped Pieces;
SATIE-
* name this mentor of Les Six, an eccentric Frenchman who composed the Gnossienes, Desiccated Embryos, and three Gymnopedies.
SATIE-
* notes to one of this composer's works coined the term "surrealism;" that work was the scandalous ballet Parade
SATIE-
* other two pieces in that set are titled "On a vessel" and "On a helmet."
SATIE-
* piece by this composer, whose manuscript does not indicate instrumentation or tempo marking aside from the phrase "Very slow," includes instructions for playing the theme 840 times in a row
SATIE-
* piece is called Vexations.
SATIE-
* remarks "what a nice rock!" in a work that also parodies Chopin, and typewriters accompany a ballet by this man, Parade.
SATIE-
* sea cucumber, while another piece is based on a poem by Contamine about a Greek athletic event and was mistakenly grouped by John Cage as part of his "furniture music."
SATIE-
* set of four piano pieces by this composer is written without bar lines or a time signature, called Ogives. One of his works consists of the same motif 840 times, Vexations.
SATIE-
* tempo markings as "with astonishment" and "with conviction and with a rigorous sadness", and this composer's most famous set of piano works are named for an ancient Greek war dance
SATIE-
* three contrapuntal works with movements named "Idylle," "Aubade," and "Meditations" and mocked Muzio Clementi in Sonatine (*) Bureaucratique
SATIE-
* trio of pieces about different (*) sea creatures, including of a Holothurian, an Edriophthalma, and a Podophthalma
SATIE-
* wrote three piano pieces inspired by Flaubert's Salammbo and by the festivals of ancient Greece
SATIE-
* "crux" was noted in several of his works by the man who catalogued him, Ralph (*) Kirkpatrick.
SCARLATTI-
* Baroque composer associated with the Neapolitan school of opera;
SCARLATTI-
* Italian composer of 555 sonatas, mainly for the harpsichord, the son of Alessandro.
SCARLATTI-
* Neapolitan-born composer who composed a ton of music like his father Alessandro, including 555 Keyboard Sonatas.
SCARLATTI-
* chronologically ordered catalogue of most of this composer's works was created by Ralph Kirkpatrick. For 10 points, name this composer of 555 keyboard sonatas, the son of Alessandro.
SCARLATTI-
* composer with this last name established the allegro-adagio-allegro form of the Italian overture and was a key figure in the development of Neapolitan opera
SCARLATTI-
* composer with this last name traveled to Portugal, where he became the music teacher of the future Spanish queen Maria Barbara, who inspired the creation of hundreds of single-movement binary works
SCARLATTI-
* composer's cantatas include "Son tutta duolo" and "Sento nel core" and he came to prominence with an opera about the love of the nymph sisters Lisetta and Clori for Eurillo called Gli Equivoci nel sembiante
SCARLATTI-
* composer's works was created by Giorgio Pestelli. His best known religious works include his setting of the Stabat Mater and his Salve Regina, his last known work
SCARLATTI-
* contemporary of this composer named Thomas Roseingrave helped popularize his music in England.
SCARLATTI-
* employed notes marked B sharp that ascend to a high A in the last aria of his cantata "Di Fille vendicarmi vorrei"
SCARLATTI-
* legend, the main theme of one of his works was inspired by his cat Pulcinella walking on his keyboard, hence that work's nickname, the Cat Fugue
SCARLATTI-
* musicologist argued that most of this composer's sonatas are characterized by a pivotal point in each half called the crux.
SCARLATTI-
* preceded an opera which contains the aria "Gia il sole dal Gange" and another which contains the airs "O cessate di piagarmi", and "Toglietemi la vita ancor."
SCARLATTI-
* promised an "ingenious jesting with art" when he published his 30 Essercizi, and the biography and definitive catalogue of his works were both written by Ralph Kirkpatrick
SCARLATTI-
* sacred works include the antiphon Cibavit nos Dominus for the feast of Corpus Christi, though the only sacred work dated to his last year of life is a Salve Regina for soprano, strings, and continuo.
SCARLATTI-
* taught such figures as Barbara of Portugal, a fact reflected in the Iberian influence seen in works like the Fandango in D minor
SCARLATTI-
* teacher of Maria Magdalena Barbara of Portugal reduced his use of flamboyant hand-crossing in his later works, possibly due to increasing obesity, and the repeated notes in his works are reminiscent of the castanets he heard while working at the Spanish court
SCARLATTI-
* working as maestro di capella for the viceroy of Naples, he composed Il Mitridate Eupatore, though after he moved to Rome he composed operas such as Telemaco and La Griselda, and his innovations include the use of the ritornello and the da capo aria.
SCARLATTI-
* wrote an a cappella Mass in G minor, and in another work, the right hand stretches a full octave from high D to low D, before playing a D-E-G triplet
SCARLATTI-
* "Dr. Atl" can be found at a museum designed by this man, where visitors sit on a large rotating stage surrounded by his largest work.
SIQUEIROS-
* Mexican muralist along with Rivera and Orozco.
SIQUEIROS-
* Portrait of the Bourgeoisie one year before participating in a plot to assassinate Leon Trotsky.
SIQUEIROS-
* artist depicted a huge nude with a flayed left arm contorted in pain, while in another of his works, a hooded woman buries her face in her hands.
SIQUEIROS-
* baby head cannibalizes itself in this painter's uber-creepy Echo of a Scream
SIQUEIROS-
* belonged to the "Big Three" of Mexican muralists along with Diego Rivera and Jose Orozco.
SIQUEIROS-
* decorated his Polyforum Cultural Center with a work expanding on an earlier series tracing his country's history "from Porfiriata to the Revolution"
SIQUEIROS-
* fifth of these is in D minor and was designed to restore the composer's reputation and is called "A Response to Justified Criticism."
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* fifth one was composed in response to articles such as "Chaos Instead of Music," which denounced its composer as a bourgeois formalist
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* final movement of one of these pieces includes an English horn solo following a cymbal crash that cuts off an extended march, and is punctuated by the alarms of a G minor warning bell
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* first movement likened to toys springing to life in a toy shop and quotes the William Tell Overture
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* first movement of another of these pieces features twelve iterations of the "invasion" theme
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* first movement of the last of these works depicts a toy shop and quotes from Rossini's overture to William Tell
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* last of these works opens with the chiming of a glockenspiel and solo flute, and quotes the "William Tell" overture
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* third movement nocturne in which the horn repeatedly plays a five-note motif whose pitches spell the name Elmira.
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* work in this genre by this composer has a fifth movement titled Les Attentives I and a tenth called Der Tod des Dichters, and that work begins with a setting of Garcia Lorca's De Profundis
SYMPHONIES OF DMITRI SHOSTAKOVICH-
* Allegro energico e passionato movement in the home key of E minor that steals a theme from the cantata Nacht dir, Herr for a chaconne consisting of thirty-two variations
SYMPHONIES OF JOHANNES BRAHMS-
* composer of these works also notably replaced the standard third-movement scherzo in that third work, instead writing a poco allegretto waltz in C minor featuring the work's most distinctive theme, a lilting C/D/E flat, G/F/D that is first stated in the cellos and is famously restated by solo French horn
SYMPHONIES OF JOHANNES BRAHMS-
* fourth of these works has an allegro giocoso third movement in C major marked by the use of piccolo and triangles, and famously opens with the violins playing chains of descending thirds and ascending sixths
SYMPHONIES OF JOHANNES BRAHMS-
* last movement of another piece has a section in which the measures are twice as long but played at the same tempo as part of a chaconne consisting of thrity-two variations based on Bach's cantata Nach dir, Herr, verlanget mich
SYMPHONIES OF JOHANNES BRAHMS-
* last one of these works is in E minor. In one of these works, their composer modified Joseph Joachim's F-A-E motif to demonstrate that he was both "free" and "happy
SYMPHONIES OF JOHANNES BRAHMS-
* movement in the third of these works ends quietly, and that work's first movement also introduces a C/E-flat/high-C/E motif that serves as a "motto" theme.
SYMPHONIES OF JOHANNES BRAHMS-
* pieces by this composer opens with a movement featuring one of the composer's rare uses of "espressivo" at the moment of recapitulation after the development tried to obscure any clear-cut D-major harmony
SYMPHONIES OF JOHANNES BRAHMS-
* third one of these works features a F-A-F motif representing the mantra "Free but happy,"
SYMPHONIES OF JOHANNES BRAHMS-
* works is in F major. Two of these works were premiered by Hans Richter, and the first of these works is in C minor and took over fourteen years to write
SYMPHONIES OF JOHANNES BRAHMS-
* "Alleluia", and its second movement is a setting of "Expectans expectavi Dominum, et intendit mihi" while the first opens "Exaudi orationem meam."
SYMPHONY OF PSALMS-
* Commissioned by Serge Koussevitzky for the 50th anniversary of the Boston Symphony Orchestra, for 10 points, name this choral symphony taking its Latin text from its namesake biblical book, composed by Igor Stravinsky.
SYMPHONY OF PSALMS-
* Serge Koussevitzky for the 50th anniversity of the Boston Symphony Orchestra, this symphony was written during its composer's neoclassical period, and sets three texts from the Old Testament.
SYMPHONY OF PSALMS-
* composer also claimed the 'human fugue' was illustrated by the uniting of two fugues on the words "Et immisit in os meum canticum novum",
SYMPHONY OF PSALMS-
* first movement begins with a mezzo-forte E minor chord followed by a series of sixteenth note arpeggios played by the oboes and bassoons
SYMPHONY OF PSALMS-
* memoir Dialogues and a Diary revealed the triplets for trumpets and piano in the "allegro" section of the third movement represent horses carrying a chariot up to Heaven.
SYMPHONY OF PSALMS-
* omits violas, clarinets, and violins, and its three movements were written to symbolize the hortatory virtues love, hope, and faith because the composer had just converted to the Russian Orthodox Church
SYMPHONY OF PSALMS-
* second movement consists of an instrumental fugue followed by fugue for human voices, which unite at the line "Et immisit in os meum canticum novum."
SYMPHONY OF PSALMS-
* second movement is an upside down "pyramid of fugues."
SYMPHONY OF PSALMS-
* symphony by Igor Stravinsky named for poems traditionally thought to be written by David.
SYMPHONY OF PSALMS-
* third movement includes triplets for horns and piano evoking the sound of Elijah's chariot, and begins with the chorus singing "Allelujah."
SYMPHONY OF PSALMS-
* two pianos, a harp, and timpani softly repeat the notes E flat, B flat, F before this piece ends on an unusually widely spaced C major chord
SYMPHONY OF PSALMS-
* work which sets three of the title texts and celebrates its composer's belief in Orthodox Christianity, a work of Igor Stravinsky;
SYMPHONY OF PSALMS-
* work's opening E-minor chord is oddly articulated so most of the orchestra plays G rather than E and B, the chord's root and fifth which are usually emphasized when writing a triad, which prefigures the movement's shocking end on a G-major chord
SYMPHONY OF PSALMS-
* 12 fantasias for viola da gamba are lost, but those for solo flute and violin, of which there are also 12 each, survive.
TELEMANN-
* 15 pieces meant to accompany (*) meals were created by this composer, who was the godfather of Carl Philipp Emanuel Bach
TELEMANN-
* Miriways, this composer wrote a a pair of cantatas entitled The Ode of Thunder and The Times of the Day.
TELEMANN-
* Tafelmusik, a prolific Baroque composer who worked in Hamburg.
TELEMANN-
* Two of his collections of chamber music were nicknamed for their popularity in Paris
TELEMANN-
* character Nisibi singing a 'sleep aria' entitled "Komm, sanfter Schlaf!" and also features a chorus of Persians in the aria "Ein Doppler Kranz."
TELEMANN-
* didactic collection of pieces under the title The Faithful Music Master, this composer created a series of thirty-six oratorios and serenades for an annual banquet of militia captains in Hamburg, as well as a piece featuring a G major Largo first movement in 3/2 time, now recognized as the earliest known concerto for viola
TELEMANN-
* diverse output includes the cantata Dur Schulmeister, his Twelve Fantasias for Transverse Flute Without Bass, the operas The Patient Socrates and Pimpinone, and the Darmstadt Overtures.
TELEMANN-
* famous for three sets of works which served as a collection of his instrumental compositions dubbed Tafelmusik, or Musique de Table
TELEMANN-
* godson C.P.E. Bach succeeded him as music director in Hamburg in 1767
TELEMANN-
* identify this composer best known for a set of fifteen pieces written to accompany a meal, Tafelmusik or Musique de Table.
TELEMANN-
* incredibly prolific German composer whose works are catalogued with TMV numbers;
TELEMANN-
* more well-known opera by this composer features the crafty Vespetta who attempts to marry her elderly employer in Pimpinone
TELEMANN-
* second movement allegro is often excerpted from this composer's viola concerto, the first know
TELEMANN-
* "The Savage State" opens this series, whose other entries see that state's consummation, destruction, and desolation. For 10 points, name this series of five paintings by Thomas Cole, which depicts the rise and fall of a civilization.
THE COURSE OF EMPIRE-
* another member of this series, shepherds populate a landscape with a temple in the background, from which smoke is rising
THE COURSE OF EMPIRE-
* boy in blue drawing on a stone and a man drawing symbols with a stick, while another work shows a soldier grabbing the red cape of woman.
THE COURSE OF EMPIRE-
* headless statue stands above the destruction of a city in the best known entry in this series, which shows a city from its birth to its demise. For 10 points, name this series of five paintings by Thomas Cole.
THE COURSE OF EMPIRE-
* large column in the last painting in this series, in which a pale moon can be seen. The fourth painting in this series contains a (*) headless statue holding a shield and pointing leftward, towering over men engaging in rape, pillage, and the destruction of ships
THE COURSE OF EMPIRE-
* penultimate painting is dominated by a headless statue holding a shield. Ivy climbs up a column amid ruins in the final entry, which depicts "Desolation" following the "Destruction" of a society that had arisen from "The Savage State". For 10 points, name this series showing the rise and fall of a civilization, by Thomas Cole;
THE COURSE OF EMPIRE-
* series supposedly came while its artist was occupying Claude Lorrain's old studio in Rome and it was commissioned by Luman Reed. Another painting in it shows two golden statues draped with a pink cloth as well as an elaborate black (*) fountain
THE COURSE OF EMPIRE-
* small boy in blue crosses a stone bridge while a stone temple in the background emits dark smoke. Another painting in this series shows a hunter carrying a bow on the left chasing a deer across a brook
THE COURSE OF EMPIRE-
* third entry in this series, a red-robed figure is paraded in triumph across a bridge from which purple banners have been hung.
THE COURSE OF EMPIRE-
* Act of Portrayal, he describes the poses of the figures in this painting with the letters A, R, I and J - with J being a "clitoricentric" representation within a penis-free box
THE DAUGHTERS OF EDWARD DARLEY BOIT-
* Boston's Museum of Fine Arts, where it sits in between the two huge Japanese vases shown in the canvas. The figures depicted in the canvas are named Julia, Mary Louisa, Jane, and Florence
THE DAUGHTERS OF EDWARD DARLEY BOIT-
* Erica Hirshler wrote a "biography" of this painting tracking how two of the people depicted ending up being put into an asylum
THE DAUGHTERS OF EDWARD DARLEY BOIT-
* John Singer Sargent painting of some offspring of the title guy.
THE DAUGHTERS OF EDWARD DARLEY BOIT-
* Two antiques created by Hirabayashi depicted in the painting are now displayed alongside it in the MFA.
THE DAUGHTERS OF EDWARD DARLEY BOIT-
* blue jars appear beneath a window in the hazy brown background of this painting, which depicts an oddly-angled red screen on the right.
THE DAUGHTERS OF EDWARD DARLEY BOIT-
* dark background, light from a window reflects off a mirror flanked by two small blue vases. Likely influenced by the artist's trip to see Las Meninas at the Prado, in the foreground, one title figure sits with her feet stretched outward on a blue-and-white area carpet and holds a pink doll. Behind her, another girl rests her back against a gigantic porcelain Japanese vase.
THE DAUGHTERS OF EDWARD DARLEY BOIT-
* figure in this painting stands in front of a light brown wall with her hands behind her back, while another figure looks to her right and leans on the leftmost of two large Japanese vases.
THE DAUGHTERS OF EDWARD DARLEY BOIT-
* lighting of this painting was borrowed from the artist's earlier Venetian Studies, and was also influenced by copies the artist made of Las Meninas.
THE DAUGHTERS OF EDWARD DARLEY BOIT-
* painted a relative of the title figures in this canvas seated on a gold divan wearing a pink dress with black polka dots
THE DAUGHTERS OF EDWARD DARLEY BOIT-
* shadow, and one of them leans against a giant Japanese vase, while the youngest sits on a rug and clutches a doll. Finished two years before Madame X
THE DAUGHTERS OF EDWARD DARLEY BOIT-
* siblings Florence, Jane, Mary Louisa and Julia in their family's Paris apartment, a work by John Singer Sargent.
THE DAUGHTERS OF EDWARD DARLEY BOIT-
* youngest of the title figures sits on a carpet and plays with a doll, and the two oldest figures stand in the darker background. Painted in 1882, it depicts the four title figures wearing white dresses, and was finished two years before its artist's painting;
THE DAUGHTERS OF EDWARD DARLEY BOIT-
* Four lamps, one of which does not appear to be as bright as the others, hang from the ceiling, which may have been painted green due to its artist's wishes to "express the terrible passions of humanity."
THE NIGHT CAFE-
* Groups of people sit drinking at various tables in this work. There is a pool table at the center of, for 10 points, what painting depicting an eatery late in the day by Vincent Van Gogh?
THE NIGHT CAFE-
* Joseph Ginoux
THE NIGHT CAFE-
* The Yellow House
THE NIGHT CAFE-
* artist himself summarized this piece as containing "four lemon-yellow lamps" in a letter to his brother Theo
THE NIGHT CAFE-
* back of this painting is a green door behind a brown curtain. A clock on the orange back wall reads 12:15, and below the clock in this painting is a table with many bottles of wine on it along with a large white vase with flowers
THE NIGHT CAFE-
* brother Theo, its artist described the title location as a "devil's furnace," which is evident by the red walls depicted in it
THE NIGHT CAFE-
* bunch of white flowers in a vase stands next to bottles on a yellow-green bar, and near the center stands a white-haired man wearing a cream suit.
THE NIGHT CAFE-
* clock hanging on one of the red walls places the time at a quarter past midnight, and the center is dominated by a billiard table.
THE NIGHT CAFE-
* clock in the background of this painting reads 12:15, while the center is dominated by a slanting pool table. For 10 points, name this painting of an after-hours restaurant by Vincent Van Gogh.
THE NIGHT CAFE-
* clock reading 12:15
THE NIGHT CAFE-
* counter holding a vase of flowers in the background of this work was painted in a "tender Louis XV green."
THE NIGHT CAFE-
* featuring three glowing orange lamps and a yellow floor, an Impressionist take on an eatery by Vincent van Gogh;
THE NIGHT CAFE-
* green door can be seen in a back room in this painting, and to the left a man in a white hat talks to woman in a blue dress and red shawl.
THE NIGHT CAFE-
* have their heads resting on tables
THE NIGHT CAFE-
* man in a white suit stands next to a table with a wine bottle and a glass on it, and above him is a large [*] yellow chandelier hanging from the green ceiling
THE NIGHT CAFE-
* mustachioed man in a white suit who is the proprietor of the titular location. On its right, two inconsolable-appearing men (*) stare down at a table
THE NIGHT CAFE-
* place "where one can ruin oneself, go mad, commit a crime"
THE NIGHT CAFE-
* red and white object can be seen through an opening on the right side of this painting, which also depicts a green door behind a brown curtain
THE NIGHT CAFE-
* Tchaikovsky about a princess who, after 100 years, awakens.
THE SLEEPING BEAUTY-
* aughter's sixteenth birthday party, King Florestan pardons a hag, and the gift of a spindle enacts the curse of death of the evil fairy Carabosse, which was changed by the Lilac Fairy to 100 years of slumber. For 10 points, name this Tchaikovsky ballet in which a prince awakens the title character with a kiss;
THE SLEEPING BEAUTY-
* receives a birthday present from Carabosse on which she pricks her finger and thereby fulfills a curse
THE SLEEPING BEAUTY-
* trombone plays occasional A-sharps behind a pizzicato string melody in this ballet's Breadcrumb Variation. As the first ballet she saw, this ballet inspired Anna Pavlova to become a dancer
THE SLEEPING BEAUTY-
* artist's time as a douanier contributed to the unique characteristics of this work's central figures, and it was intended as a tribute to Laval but refused by that town's mayor
THE SLEEPING GYPSY-
* brightness of the central figure's multicolored garment contrasts with the darkness of the creature above her which lurks under the moonlight
THE SLEEPING GYPSY-
* cited as an example of Primitivism, its artist used dolls as the models for the woman in a multi-colored robe and the nearby lion
THE SLEEPING GYPSY-
* dressed in striped "oriental costume" and holds a stick in one hand, while a mandolin with a bent neck sits next to her.
THE SLEEPING GYPSY-
* letter by the artist of this painting identifies a red jar in it as containing drinking water and describes how one character in it picks up the other's "scent, yet does not devour her".
THE SLEEPING GYPSY-
* mandolin appears on the desert sand next to the dark-skinned title figure of this painting, which is classified as Post- Impressionist and Primitivist
THE SLEEPING GYPSY-
* refused by the mayor of Laval, this painting was acquired by a charcoal merchant from whom it was purchased by Louis Vauxcelles
THE SLEEPING GYPSY-
* signature is seen in the extreme bottom right corner, just below a partially concealed red vase, presumably full of water, given the location
THE SLEEPING GYPSY-
* six stars appear in the sky and the central figure's left arm is hidden from the viewer but the right arm is at a ninety degree angle and holds a stick.
THE SLEEPING GYPSY-
* sky contains only six stars and a realistic moon, which hang above a line of lavender mountains
THE SLEEPING GYPSY-
* top-right of this work hangs in an otherwise clear sky over a series of low mountains in the background. One central figure stands on top of a small dune, in front of which is found a red vase carrying drinking water and a mandolin
THE SLEEPING GYPSY-
* Two trees are separated by a stone wall in the middle, and a man dressed in blue steps over that wall in the background
THE YELLOW CHRIST-
* appears in a work behind a mustachioed man in a blue sweater
THE YELLOW CHRIST-
* companion piece to this work, a woman crouches in front of a mossy statue at Le Pouldu
THE YELLOW CHRIST-
* companion similarly transposes the central scene to Brittany. A wood sculpture from the Tremalo chapel influenced this work, whose right background features three blue-roofed houses against rolling hills and red trees
THE YELLOW CHRIST-
* depicting Christ's crucifixion washed in the titular color, painted by Paul Gauguin
THE YELLOW CHRIST-
* depiction of the crucifixion of Jesus in the title color, a work by Paul Gauguin.
THE YELLOW CHRIST-
* emphasizes the pinkish-white garb of a woman who is facing away from the viewer and looking at the ground, and who is joined at the bottom-left by two similarly penitent women
THE YELLOW CHRIST-
* foreground sits a woman wearing a grey wimple, and next to her sit a woman in bright blue and another in black and white, all facing the title character
THE YELLOW CHRIST-
* later self-portrait by this painting's artist in which he is wearing a blue sweater features it in the background, though most of the people depicted in the original painting are not present
THE YELLOW CHRIST-
* man and two children can be seen climbing over a short wall that runs across this painting, and a winding path leads down to a row of four houses.
THE YELLOW CHRIST-
* mirror image of this painting forms most of the backdrop to the best-known self-portrait by its artist
THE YELLOW CHRIST-
* set of brown cliffs can be seen in background on the left, though on the right they are obscured by a large hill.
THE YELLOW CHRIST-
* signature appears on the white headdress of one of the women depicted. In the top right hand corner of this painting is a row of three houses with blue roofs, and another is obscured by some (*) red bushes
THE YELLOW CHRIST-
* work is paired with a work set near Le Pouldu, and its central figure is derived from a sculpture in the Tremalo Chapel
THE YELLOW CHRIST-
* "'Round Midnight" and "Straight No Chaser."
THELONIUS MONK-
* "'Round Midnight."
THELONIUS MONK-
* "Alone in San Francisco,"
THELONIUS MONK-
* "Bag's Groove" with Miles Davis and along with such luminaries as Dizzy Gilespie and Sonny Stitt was a member of the Giants of Jazz.
THELONIUS MONK-
* "Bemsha Swing" begins with alternating C sharp and D seventh chords
THELONIUS MONK-
* "Blue Skies" in a song tribute to the "Amazing" creator of "Tempus Fugue-It" and "Un Poco Loco."
THELONIUS MONK-
* "Crepuscule with Nellie" entitled Criss Cross
THELONIUS MONK-
* "Crepuscule with Nellie."
THELONIUS MONK-
* "Epistrophy" and "Well, You Needn't".
THELONIUS MONK-
* "Epistrophy" with the Cootie Williams Orchestra
THELONIUS MONK-
* "Fifty-Second Street Theme"
THELONIUS MONK-
* "Fly Right" and contains a section with alternating chords a half-step apart
THELONIUS MONK-
* "Flyin Hawk" and recorded the albums Plays Duke Ellington with bassist Oscar Pettiford
THELONIUS MONK-
* "Haven't got the heart to stand those memories" and "Let the angels sing / for your returning" added to it by Bernie Hanighen
THELONIUS MONK-
* "There's Danger In Your Eyes, Cherie," "You Took the Words Right Out of My Heart" and "Everything Happens to Me"
THELONIUS MONK-
* "Well, You Needn't"
THELONIUS MONK-
* "Well, You Needn't" and "Epistrophy."
THELONIUS MONK-
* "elephant on the keyboard".
THELONIUS MONK-
* Brilliant Corners and penned the standard "Straight, No Chaser."
THELONIUS MONK-
* Brilliant Corners.
THELONIUS MONK-
* Bud Powell and Charlie Christian at Minton's Playhouse
THELONIUS MONK-
* Genius of Modern Music
THELONIUS MONK-
* Japanese folk song "Moon Over Ruined Castle"
THELONIUS MONK-
* John Coltrane at Carnegie Hall that included "Nutty" and "Crepuscule with Nellie."
THELONIUS MONK-
* Kenny Clarke; that song was "Epistrophy." Trumpeter Clark Terry and saxophonist (*) Sonny Rollins were among the several performers who joined this man on the album Brilliant Corners.
THELONIUS MONK-
* Max Roach playing timpani on the song (*) "Bemsha Swing."
THELONIUS MONK-
* Sun Ra's alto player Pat Patrick and his drummer son T.S. in the 1970s, and he recorded "Pannonica"
THELONIUS MONK-
* Thanksgiving Jazz," John Coltrane played with this man's quartet at Carnegie Hall.
THELONIUS MONK-
* Underground.
THELONIUS MONK-
* Wilbur Ware was this musician's bassist during his six-month residency at the Five Spot Café in (*) 1957
THELONIUS MONK-
* alternating between the notes G and C and was first composed for an album named after his "trio."
THELONIUS MONK-
* bebop pianist collaborated with Sonny Rollins for his album Brilliant Corners
THELONIUS MONK-
* collaborative album with Gerry Mulligan titled Mulligan Meets [this artist]
THELONIUS MONK-
* covered "Ba-Lue Bolivar Ba-Lues Are"
THELONIUS MONK-
* dissonant chords; that style can be seen the song "Epistrophy"
THELONIUS MONK-
* dotted quarter note on G-flat.
THELONIUS MONK-
* piercing, angular technique he used in such standards as "Well, You Needn't" and "Epistrophy."
THELONIUS MONK-
* pilot's outfit on the cover art for a 1965 album consisting of solo pieces by this artist titled Solo
THELONIUS MONK-
* rendition of "Abide with Me," while "Green Chimneys" and "Boo-Boo's Birthday" accompanied his only waltz, "Ugly Beauty,"
THELONIUS MONK-
* song "Pannonica"
THELONIUS MONK-
* song "Rhythm-A-Ning."
THELONIUS MONK-
* title of Dolphy's song "Hat and Beard" referred to the sartorial leanings of this jazz pianist
THELONIUS MONK-
* track "Pannonica."
THELONIUS MONK-
* twenty-five incomplete takes by Orrin Keepnews of Riverside.
THELONIUS MONK-
* two four-note ascending chromatic phrases at the beginning of a 12-bar blues tune in B-flat named for him
THELONIUS MONK-
* unique style included rapid descending whole-tone scales.
THELONIUS MONK-
* Like as the Doleful Dove and O Ye Tender Babes. He set the first two lessons for Maundy Thursday in his two sets of Lamentations of Jeremiah, and the consort song Ye Sacred Muses is an elegy for him written by his countryman William Byrd
THOMAS TALLIS-
* Miserere nostri, was the last of a set of 34 motets created with a younger colleague, the Cantiones sacrae, and that colleague wrote Ye Sacred Muses to commemorate this man's death
THOMAS TALLIS-
* Renaissance English composer of Spem in alium, who wrote a theme on which Ralph Vaughan Williams composed a fantasia.
THOMAS TALLIS-
* alternate English text "Sing and glorify," is his forty-part motet Spem in alium. FTP, identify this 16th-century English composer who provided the theme for a Fantasia by Ralph Vaughan Williams;
THOMAS TALLIS-
* composer memorably used false relation in the final cadence of the piece "O Nata lux."
THOMAS TALLIS-
* culminates with forty people singing "respice humilitatem nostram."
THOMAS TALLIS-
* duration of each note in the cantus firmus is determined by the vowel on which it is sung. That piece is the Mass Puer natus est nobis, and another sacred work is the antiphon Gaude gloriosa Dei mater
THOMAS TALLIS-
* early British composer, one of whose themes was used for a fantasia by Ralph Vaughan Williams
THOMAS TALLIS-
* man and his student William Byrd were given a 21-year monopoly on the production of polyphonic music. He wrote a motet for eight different choirs for Queen Elizabeth I's fortieth birthday
THOMAS TALLIS-
* Classical-era concerto contains this many movements. Beethoven's E-flat major symphony of this number is called "Eroica." For 10 points, how many musicians would you need to play the Brahms Horn Trio?
THREE-
* Inverting this interval produces the sixth. Major and minor triads are differentiated solely by this scale degree. It is the number of flags on the stem of a thirty-second note, the number of movements in a traditional concerto, and the number of valves on a trumpet
THREE-
* Mahler's symphony of this number features the alto solo "O Mensch" and, with its six movements, is his longest
THREE-
* Mozart piece for this many musicians is called "Kegelstatt."
THREE-
* Phrygian ("FRIDGE-ian") mode scale has no sharps or flats in its key signature if it begins on this scale degree of C.
THREE-
* Wilhelmj adapted a movement of J.S. Bach's Orchestral Suite of this number into "Air on the G String".
THREE-
* bass notation, it is the bottom number of a triad in first inversion. Each major key sits this interval above its (*) relative minor key
THREE-
* flattened scale degree of this number can be added to an Italian sixth chord to produce a German sixth chord
THREE-
* interval of this number characterizes the distance between the first two notes of the blues scale
THREE-
* number of composers make up the namesake B's of classical music. For 10 points, give this number of musicians in a trio.
THREE-
* scale degree of this number is called the mediant
THREE-
* Rene Magritte depicting a locomotive coming out of a fireplace?
TIME TRANSFIXED-
* large mirror is cut off by the top of the painting, and at its bottom it shows no reflection of the candlestick on the right.
TIME TRANSFIXED-
* living room fireplace, something reminiscent of a coal-burning stove has been transformed into, for 10 points, a charging locomotive traveling on no tracks in this surrealist painting by Rene Magritte;
TIME TRANSFIXED-
* mirror also shows the reflection of a black clock which is placed between the two (*) candlesticks and reads a few minutes past 12:40.
TIME TRANSFIXED-
* mirror in this painting shows the reflection of one candle stick, but not another one which sits further away.
TIME TRANSFIXED-
* patron Edward James, it bears resemblance to the artist's earlier Not to be Reproduced.
TIME TRANSFIXED-
* setting was modeled on the dining room of art collector Edward James
TIME TRANSFIXED-
* title in French refers to the title concept "stabbed with a dagger," an expression not used in its standard two-word English translation
TIME TRANSFIXED-
* train juts out of a fireplace by Rene Magritte
TIME TRANSFIXED-
* B minor, for 10 points, identify this work with only two extant movements, the last symphony of Franz Schubert.
UNFINISHED SYMPHONY-
* B-minor symphony by Franz Schubert that was left incomplete.
UNFINISHED SYMPHONY-
* Entr'acte No. 1 to the same composer's incidental music to Rosamunde is sometimes theorized to have been intended as the finale to this piece, which has a piano score for its scherzo
UNFINISHED SYMPHONY-
* Entr'acte from its composer's incidental music for Rosamunde was supposedly the basis for this symphony's final movement. Written in B minor, for 10 points, name this eighth symphony of Franz Schubert with two complete movements.
UNFINISHED SYMPHONY-
* G-major waltz section in the first movement of this work abruptly ends in a massive sforzando c-minor chord followed by six more sforzando chords in a row. The second movement, in E major, features a c-sharp minor clarinet solo over syncopated strings and ends in a long, peaceful E-major chord
UNFINISHED SYMPHONY-
* Johann von Herbeck, who conducted its premiere. This work's first movement is written in B minor, but that movement's well-known second subject was written in the submediant key of G major
UNFINISHED SYMPHONY-
* Leopold Godowsky composed a passacaglia with 44 variations on the opening theme of this work, most later scores of which seem to be based off of the score published by Spina rather than the original monograph
UNFINISHED SYMPHONY-
* closing theme of the movement feature heavy sforzandi and is based on the continued development of the second subject. In the first movement, the second bassoon and first horn hold a tonic 'B' pedal under the dominant F# chord that evokes Beethoven's Eroica Symphony
UNFINISHED SYMPHONY-
* drafts omit the sustained B pedal in the first horn and second bassoon at bar 109 in this piece, which open in the cellos and basses before its theme is brought in by the winds.
UNFINISHED SYMPHONY-
* first movement, Allegro moderato with the violins opening softly followed by a melody played by the oboes and clarinets, but in just four measures modulates to the submediant key G minor from the initial key of B minor
UNFINISHED SYMPHONY-
* followed by the Great Symphony, a piece by Franz Schubert named for its incomplete status;
UNFINISHED SYMPHONY-
* not premiered until 1865, decades after its composer's death, this is the earliest symphony in B minor in the standard repertoire
UNFINISHED SYMPHONY-
* only two completed movements, written by a German.
UNFINISHED SYMPHONY-
* other theory states that this work was purposely broken up in order to create the entr'acte for the Rosamunde incidental music
UNFINISHED SYMPHONY-
* piece's second movement a solo clarinet introduces a pianissimo melody that is passed to the oboe, which in the recapitulation is introduced by the oboe and passed to the clarinet
UNFINISHED SYMPHONY-
* premiered by Johann Herbeck, who also added a third movement as a finale. For 10 points, name this eighth work by Schubert, so named for only containing two complete movements.
UNFINISHED SYMPHONY-
* score to this piece was given to Anselm Huttenbrenner, who didn't release it until years after its composer's death
UNFINISHED SYMPHONY-
* second movement is marked "andante con moto" and is in E major
UNFINISHED SYMPHONY-
* second movement of this piece, an Andante con moto, is in E major and features two contrasting themes. Both themes are injected with periods of counterpoint, and are repeated in variation
UNFINISHED SYMPHONY-
* second subject of this symphony's first movement is unusually stated in the submediant G major in the exposition, but in D major in the recapitulation
UNFINISHED SYMPHONY-
* sketches of the finale of this work may have become the entr'acte of the composer's incidental music to Rosamunde
UNFINISHED SYMPHONY-
* solo clarinet entrance brings in a second theme before passing to the oboes in the second movement of this work, during which its composer began composing the "Wanderer" Fantasy as well
UNFINISHED SYMPHONY-
* third scherzo movement also exists but only two pages are orchestrated. For 10 points, name this symphony by Schubert.
UNFINISHED SYMPHONY-
* three movements of this work are in the three-in-a-bar meter, with the first movement in 3/4 and the second in 3/8.
UNFINISHED SYMPHONY-
* two mainstream theories about this work notes that sketches for a scherzo part of it exist, and the ending of its slow second movement in E major clashes with the first movement in B minor
UNFINISHED SYMPHONY-
* appears upright in the right foreground in Zoffany's Tribuna of the Uffizi. A tree is partially blocked by an ionic column next to a potted plant in a window in the background of this work
VENUS OF URBINO-
* far right of this painting, a servant looks at a girl in white, peering into a chest. In the foreground, a spotted dog is curled up next to the titular figure of this painting who lies on a red couch holding a handful of flowers, fully nude
VENUS OF URBINO-
* front of that tapestry, a woman with a dress slung over her shoulder looks down at a girl searching through a chest
VENUS OF URBINO-
* gold and black tapestry hangs on the right side of this painting, which also depicts a potted plant on a ledge in the background
VENUS OF URBINO-
* painting which inspired Manet's Olympia that depicts the titular goddess; a Renaissance masterpiece by Titian;
VENUS OF URBINO-
* r Edouard Manet's (*) Olympia, this painting depicts a nude woman lying on a couch and is meant to represent the Greek goddess of love. For 10 points, name this painting by Titian
VENUS OF URBINO-
* small white dog with brown spots lies at the feet of the titular figure, who has a bracelet on her right arm and holds a posy of flowers in her right hand
VENUS OF URBINO-
* titular figure of this work lies in front of a green curtain holding a flower while a small dog sleeps at her feet
VENUS OF URBINO-
* woman in white is searching for clothes in a chest, perhaps for the nude central figure who looks directly at the viewer. For 10 points, name this painting that inspired Manet's Olympia, a depiction of a reclining nude on a bed by Titian.
VENUS OF URBINO-
* Alfred Hitchock film in which Scottie Ferguson pursues a mysterious woman but is hampered by his titular dizziness.
VERTIGO-
* Madeleine apparently commits suicide by jumping from a bell tower, but it is later revealed that the suicide was faked and that Madeleine is actually Judy Barton in disguise
VERTIGO-
* Scottie is hired as a private detective to follow Madeleine Elster
VERTIGO-
* alternate ending to this film, the protagonist's ex-fiancée listens to a radio report about a pursued criminal.
VERTIGO-
* based on a novel by Boileau-Narcejac called The Living and the Dead.
VERTIGO-
* director makes a cameo carrying a French horn case in a shipyard just before the villain, Gavin Elster, is introduced
VERTIGO-
* dolly zoom, which is used to simulate the title condition. For 10 points, name this Alfred Hitchcock film starring James Stewart and Kim Novak;
VERTIGO-
* local history expert Pop Leibel to find out about the tragic death of a woman whose portrait is found in a local art museum, Carlotta Valdes
VERTIGO-
* look-alike of Madeline
VERTIGO-
* protagonist falls in love with Elster's wife Madeleine, who is really being impersonated by Elster's mistress Judy
VERTIGO-
* spirit of Carlotta Valdez so that Madeleine's fall from the top of the bell tower at the Mission San Juan Bautista could be ruled a suicide
VERTIGO-
* uses an extensive amount of profile shots of one character whom the main character is tasked to follow by Gavin Elster
VERTIGO-
* visits the McKittrick Hotel
VERTIGO-
* Carel Fabritius made a painting with a similar title to this one, but it depicts a music instrument's seller's stall
VIEW OF DELFT-
* Marcel Proust was supposedly cured of a bout of giddiness when he saw this painting, and he described the "sunlit" patch of yellow in this painting as the manifestation of "artistic perfection."
VIEW OF DELFT-
* Old Church tower is shown much smaller than its actual size, while the New Church is twice as large as it should be
VIEW OF DELFT-
* cloudy sky dominates the upper half of this painting, which shows half a dozen peasants on a dirt foreground in the bottom left. For 10 points, name this cityscape by Jan Vermeer.
VIEW OF DELFT-
* dated to the summer of 1660 because it shows an empty bell tower, corresponding to the months when the Hemony firm took down the carillons for repair.
VIEW OF DELFT-
* depicts a city that was also shown in its artist's The Little Stree
VIEW OF DELFT-
* rooftops on the Lange Geer canal from across the river, with several boats moored, for 10 points, name this landscape showing the hometown of painter Jan Vermeer;
VIEW OF DELFT-
* time of day is 7am. The front foreground of this painting is dominated by a quay, where there are numerous ships
VIEW OF DELFT-
* "Pure Goddess" adorned in silver and is called "Casta Diva" appears in another of this man's operas
VINCENZO BELLINI-
* "Swan of Catania", this composer of The (*) Pirate also created operas in which the Royalist Arturo becomes a criminal and Amina almost walks off a mill's bridge after she falls into a trance of somnambulism
VINCENZO BELLINI-
* Act 2 of one of this composer's operas begins with a visit to Rodolfo's Castle and includes the passionate lament "Tutto e sciolto."
VINCENZO BELLINI-
* Adalgisa is entrusted with Pollione's children in that opera by him. In one opera by him, it is discovered that the village phantom is really Amina sleepwalking
VINCENZO BELLINI-
* Adalgisa's lover Pollione jump onto the title Druid priestess's funeral pyre.
VINCENZO BELLINI-
* I Puritani, La Sonnambula
VINCENZO BELLINI-
* Italian bel canto composer of La sonnambula and Norma.
VINCENZO BELLINI-
* La Sonnambula
VINCENZO BELLINI-
* Puritans and The Sleepwalker are operas by, for 10 points, what Italian composer of Norma;
VINCENZO BELLINI-
* The Stranger, he also incorporated the rivaling Guelphs and Ghibellines into his reworking of Romeo and Juliet entitled The Capulets and the Montagues
VINCENZO BELLINI-
* composer used the mourning chorus "Pace alla tua bell'amina" to interrupt the duet "Stolto! a un sol mio grido," which was about to lead to a duel between Tebaldo and Romeo
VINCENZO BELLINI-
* novel by Charles-Victor Prevost as the basis for his opera in which Arturo falls in love with the disguised-queen Alaide, while another of his operas sees Gualtiero survive a shipwreck on Sicily and find his lost love Imogene
VINCENZO BELLINI-
* opera by this composer, a character compares her rejection by her fiancée to flowers growing extinct in a day in an aria sung while crossing a rickety bridge.
VINCENZO BELLINI-
* proponent of "bel canto" opera is best known for an opera in which the Roman proconsul Pollione dies in a funeral pyre with the titular Druid priestess
VINCENZO BELLINI-
* recalls seeing his beloved at the altar of Venus in the aria "Meco all'attar di Venere"
VINCENZO BELLINI-
* required another opera's primary tenor to hit the F above high C
VINCENZO BELLINI-
* ritual cutting of a mistletoe branch is accompanied by the singing of "Casta Diva" by the title druid priestess.
VINCENZO BELLINI-
* sees Elvira go crazy after the Royalist Arturo becomes a fugitive
VINCENZO BELLINI-
* sings "Casta Diva"
VINCENZO BELLINI-
* title character Amina mourn for Elvino's loss, only for him to awaken her by putting a ring on her finger.
VINCENZO BELLINI-
* title druid immolating herself on a pyre. For 10 points, identify this composer of the bel canto style, whose operatic output includes Norma.
VINCENZO BELLINI-
* tragedia lirica which includes the proconsul Pollione as a character
VINCENZO BELLINI-
* 1940-1954 as the music critic for the New York Herald Tribune
VIRGIL THOMSON-
* Acadian Songs and Dances from the film score to Louisiana Story, wrote the score to The Plow that Broke the Plains
VIRGIL THOMSON-
* Song "The Bear Went Over the Mountain" in the ballet Filling Station and spent more than 30 years composing his Portraits for piano
VIRGIL THOMSON-
* Symphony on a Hymn Tune opens at Avila Cathedral and includes the song "Pigeons on the Grass Alas," as sung by St. Ignatius of Loyola. For 10 points, identify this American composer who collaborated with Gertrude Stein on The Mother of Us All and Four Saints in Three Acts;
VIRGIL THOMSON-
* character describes a Vision of the Holy Ghost with the words "Pigeons on the grass, alas."
VIRGIL THOMSON-
* hexatonic folk tune for English horn plays over pulsing pizzicato strings in the opening of the "Super-Sadness" movement
VIRGIL THOMSON-
* included the melodies to "Laredo" and "Git Along Little Dogies" in the "Cowboy Songs" movement of a film score that he wrote for Pare Lorentz
VIRGIL THOMSON-
* melodies to "Laredo" and "Git Along Little Dogies" in the "Cowboy Songs"movement of a film score that he wrote for Pare Lorentz
VIRGIL THOMSON-
* operas concludes with a "Funeral Hymn" beginning with the words "Where is where."
VIRGIL THOMSON-
* suite by this composer, a hexatonic folk tune for English horn plays over pulsing pizzicato strings in the opening of the "Super-Sadness" movement
VIRGIL THOMSON-
* third Symphony opens with an impressive array of gongs and cymbals into a staggered bass accompaniment. This composer of two String Quartets also created a piece for two pianos titled Synthetic Waltzes
VIRGIL THOMSON-
* volumes as The Musical Scene and he composed film scores for such works as The River and The Plow that Broke the Plain
VIRGIL THOMSON-
* alterations between excerpts from the B-minor and C-major scales, ending with the hushed chorus holding the final syllable of "sempiternam".
WAR REQUIEM-
* baritone and tenor converge to sing "let us sleep now" before all three sections of the chorus join to repeat "requiescant in pace".
WAR REQUIEM-
* baritone sings of "the blast of lightning from the east, the flourish of loud clouds" in this choral work's fourth movement, while in its third movement the composer introduces and then deconstructs a fugue, mirroring the inversion of the parable of Abraham and Isaac in the accompanying text
WAR REQUIEM-
* first movement introduces the recurring tritone between C and F-sharp
WAR REQUIEM-
* last movement, the tenor and baritone repeatedly sing "Let us sleep now" in parallel to the chorus, which concludes with "requiescat in pace"
WAR REQUIEM-
* white bird stands next to an old woman at the very left of this painting, whose very right shows a black dog running into the frame
WHERE DO WE COME FROM? WHERE ARE WE? WHERE ARE WE GOING?-
* Marc Chagall depiction of the death of Christ that pairs the sacrifice of Jesus with the suffering of the Jews;
WHITE CRUCIFIXION-
* Wandering Jew, who is dressed in a blue cap, carries a white sack, and wears green clothing
WHITE CRUCIFIXION-
* artist painted over the inscription on a placard around the neck of one figure in this painting, which shows the Lithuanian flag poking out from behind one structure
WHITE CRUCIFIXION-
* boat looking for safety, and to its top right is a burning synagogue. For 10 points, name this depiction of the death of Jesus by Marc Chagall, which is dominated by the title color.
WHITE CRUCIFIXION-
* depicted in this painting is engraved with a pair of lions above its open door
WHITE CRUCIFIXION-
* group of soldiers carrying red flags turn a series of houses upside down on the left of this work, whose upper right shows a burning synagogue.
WHITE CRUCIFIXION-
* man in a green robe carries a sack through a burst of light that emerges from a scroll. The central figure of this work wears a (*) prayer shawl instead of a loincloth and is positioned above five lit candles and one extinguished one
WHITE CRUCIFIXION-
* mob of people in black wielding shovels and swords congregate under two red flags
WHITE CRUCIFIXION-
* one can make out a mother fleeing with her child
WHITE CRUCIFIXION-
* one surrounds the central figure's head, and one surrounds the five lit and one unlit candles below him
WHITE CRUCIFIXION-
* painted over a phrase which was originally written on a placard worn by a man in the bottom left
WHITE CRUCIFIXION-
The central figure of this painting has a menorah at his feet. For 10 points, name this painting whose central image depicts Jesus wearing a Jewish prayer shawl, a work by Marc Chagall.
WHITE CRUCIFIXION-
* Black Mountain College influenced his piece Asheville and he created a series of six paintings exhibited at the Sidney Janis Gallery inspired by Mesopotamian fertility idols
WILLEM DE KOONING-
* Dutch Abstract Expressionist who painted the Woman series;
WILLEM DE KOONING-
* Dutch-born abstract expressionist painter of the Woman series.
WILLEM DE KOONING-
* Elaine Fried feature wild, exaggerated eyes, snarling mouths, and huge, pendulous breasts. For 10 points, identify this Dutch-born Abstract Expressionist who painted the Woman series.
WILLEM DE KOONING-
* Glimpses of Lake Eden and the skyline of the Blue Ridge Mountains can be found in his painting Asheville, which was inspired by his time at Black Mountain College
WILLEM DE KOONING-
* Picasso's depictions of bull testicles to a heart shape appearing on the right side of Little Attic
WILLEM DE KOONING-
* Robert Rauschenberg famously erased a drawing by this artist, whose other paintings include Black Friday, Light In August, and Interchange
WILLEM DE KOONING-
* Whose Name Was Writ in Water was held in the Tehran Museum of Contemporary Art for over 25 years, during which it was illegal to show publicly, before being traded for a partial manuscript of the Shanameh
WILLEM DE KOONING-
* ZOT is scrawled over his painting Zurich, but as he moved towards a monochromatic period he shifted his focus to pure shapes in works like Light in August.
WILLEM DE KOONING-
* artist's works has displaced body parts scattered throughout the canvas including a giant eye, gnashing teeth, a box of charred matches, and two hooves quoted from Guernica
WILLEM DE KOONING-
* championed by Thomas B. Hess, who outlined his process in the article "[this artist] Paints a Picture."
WILLEM DE KOONING-
* contrasted wavy strokes of blue and teal with larger fields of white and maroon in a painting whose name was taken from Keats's epitaph
WILLEM DE KOONING-
* created a black-and-white painting for the premiere issue of Tiger's Eye
WILLEM DE KOONING-
* inspired by the closing of Wanamaker's Department Store to paint Attic, and the color pink recurs in early pieces such as Elegy, Pink Lady, and Pink Angels
WILLEM DE KOONING-
* made sculptures such as Clamdigger and Seated Woman on a Bench
WILLEM DE KOONING-
* painted his wife in Portrait of Elaine and he used black and white enamels for works such as Black Friday, Zurich, and Light in August
WILLEM DE KOONING-
* skull lies next to a ladder and a door on the bottom right hand corner of a work that is otherwise completely abstract
WILLEM DE KOONING-
* sometimes thought to depict this artist, which probably actually depicts a Swedish carpenter, shows its subject holding a palette in his lap.
WILLEM DE KOONING-
* "The Soldiers Summons" and "The March of the Footmen" in a piece featuring some of his only use of program music called "The Battell," which was grouped in a cycle along with ten pavanes, ten galliardes, and the song "The Carman's Whistle."
WILLIAM BYRD-
* "proprium" section of the mass for each of the major feasts in the Church calendar. In addition to Gradualia and Lady Nevells' Book, this composer contributed the "Passamezzo Pavana" and "All in a Garden Grine" to the Fitzwilliam Virginal Book, which also featured the work of his contemporary John Bull
WILLIAM BYRD-
* Thomas Tallis. For 10 points, identify this Renaissance English composer of lots of virginal music.
WILLIAM BYRD-
* Ye Sacred Muses
WILLIAM BYRD-
* composer created a set of eight variations on the tune The Carman's Whistle
WILLIAM BYRD-
* death of Robert Cecil inspired a pair of dances by him titled for the "Earl of (*) Salisbury"
WILLIAM BYRD-
* elegy on the death of this composer's mentor concludes with the line "[the mentor] is dead, and Music dies"
WILLIAM BYRD-
* included variations on "Sellinger's Round" and "Carman's Whistle" in one instrumental collection
WILLIAM BYRD-
* mentor, this composer published Cantiones sacrae after they were given a monopoly on the printing and marketing of music by Elizabeth I
WILLIAM BYRD-
* offered twenty variations of the song "The leaves be green" in his work Browning that is often paired with a work titled Goodnight Ground.
WILLIAM BYRD-
* preceded John Bull and Jan Sweelinck in writing what is thought to be the earliest hexachord fantasia
WILLIAM BYRD-
* provided the complete mass Propers for the major feasts of the Roman liturgy in his 109-piece Gradualia
WILLIAM BYRD-
* early work by this artist depicts Rienzi raising his fist in the air while holding his dead brother
WILLIAM HUNT-
* man in blue smoking jacket lazes in a chair by a piano, while his mistress leaps out of his lap to abandon their love affair. For 10 points, name this Pre-Raphaelite painter of The Awakening Conscience.
WILLIAM HUNT-
* shows Jesus in a moonlit grove about to knock on a door. For 10 points, name this distinctly religious Pre-Raphaelite painter of The Awakening Conscience and The Light of the World
WILLIAM HUNT-
* solitary yellow glove lies on the rug next to a tangled, unraveling skein of yarn
WILLIAM HUNT-
* title animal has a red ribbon wrapped around its (*) horns and is dying in the skeleton-littered salt shallows of the Dead Sea in his The Scapegoat
WILLIAM HUNT-
