Art History 51 Chapter 25

The influence of ______ is evident in Ruben's heroic figures and foreshortened anatomy in his Elevation of the Cross.

a. Michelangelo

Rubens has synthesized the styles of three Italian artists in his Elevation of the Cross. Which of the following are those three artists?

a. Michelangelo, Tintoretto, and Caravaggio

In the church of _____, Christopher Wren harmonized Palladian, French, and Italian Baroque features.

a. Saint Paul's, London

Rembrandt deviated from typical group portraits in his Anatomy Lesson of Dr. Tulp by portraying members of the guild:

a. clustered to one side

Rembrandt's mature works, such as the Return of the Prodigal Son, differ from the religious art of Italy and Flanders in their ______________.

a. inward-turning contemplation

In London at the age of 25, Christopher Wren was appointed to which of the following?

b. Professor of astronomy

Art historian believe that Vermeer used tools, such as the _____, to aid in his virtuoso depiction of light.

b. camera obscura

Art historians believe that Vermeer took tools, such as the ______, to aid in his virtuoso depiction of light.

b. camera obscura

Inigo Jones adopted the design principles of the Venetian architect ____ to his architecture.

c. Andrea Palladio

The creation of which of the following allowed merchant firms to hold money on account instead of carrying precious metals as a form of payment for trade goods?

c. Bank of Amsterdam

Why dud Judith Leyster appear as elegantly attired, rather than in an artist's smock as Rembrandt did, in her own Self-Portrait?

c. She wanted to indicate her social prominence

In Jan Steen's The Feast of Saint Nicolas, he alluded to _____ by using children's activities to comment on adult behavior.

c. selfishness

Poussin was responsible for establishing ____ as a key component of 17th-century French art.

d. Classical painting

In the grouping of the orders and bays, Hardouin-Mansart's Church of the Invalides in Paris is reminiscent of which of the following?

d. Italian Baroque

Which of the following artists was most closely associated with style known as classical Baroque?

d. Poussin

Poussin chose to emulate the artist ____ rather than depicting dynamic movement and intense emotions.

d. Raphael

_____ is a Dutch artist who featured as the subject of his interiors of Dutch middle-class dwellings.

d. Vermeer

Reflected in Poussin's Et in Arcadia Ego, the dominant style in France during the Baroque period was ____.

d. classicism