BRITLIT 2 Final - Passage IDs

"Early in the morning When the first cock crow'd his warning, Neat like bees, as sweet and busy, Laura rose with Lizzie: Fetch'd in honey, milk'd the cows, Air'd and set to rights the house, Kneaded cakes of whitest wheat, Cakes for dainty mouths to eat, Next churn'd butter, whipp'd up cream, Fed their poultry, sat and sew'd; Talk'd as modest maidens should: Lizzie with an open heart, Laura in an absent dream, One content, one sick in part; One warbling for the mere bright day's delight, One longing for the night."

"The Goblin Market" - Rossetti

" 'Be calm! I entreat you to hear me, before you give vent to your hatred on my devoted head. Have I not suffered enough, that you seek to increase my misery? Life, although it may only be an accumulation of anguish, is dear to me, and I will defend it. Remember, thou hast made me more powerful than thyself; my height is superior to thine; my joints more supple. But I will not be tempted to set myself in opposition to thee. I am thy creature, and I will be even mild and docile to my natural lord and king, if thou wilt also perform thy part, the which thou owest me. Oh, Frankenstein, be not equitable to every other, and trample upon me alone, to whom thy justice, and even thy clemency and affection, is most due. Remember, that I am thy creature: I ought to be thy Adam; but I am rather the fallen angel, whom thou drivest from joy for no misdeed. Every where I see bliss, from which I alone am irrevocably excluded. I was benevolent and good; misery made me a fiend. Make me happy, and I shall again be virtuous.' 'Begone! I will not hear you. There can be no community between you and me; we are enemies. Begone, or let us try our strength in a fight, in which one must fall.' "

Frankenstein - Shelley

"Even if they were to leave Europe, and inhabit the deserts of the new world, yet one of the first results of those sympathies for which the dæmon thirsted would be children, and a race of devils would be propagated upon the earth, who might make the very existence of the species of man a condition precarious and full of terror. Had I a right, for my own benefit, to inflict this curse upon everlasting generations? I had before been moved by the sophisms1 of the being I had created; I had been struck senseless by his fiendish threats: but now, for the first time, the wickedness of my promise burst upon me; I shuddered to think that future ages might curse me as their pest, whose selfishness had not hesitated to buy its own peace at the price perhaps of the existence of the whole human race."

Frankenstein - Shelley

"Do you deny, then, madam, that you left your son to—to be brought up in the gutter?" "Josiah in the gutter!" exclaimed Mrs. Pegler. "No such a thing, Sir. Never! For shame on you! My dear boy knows, and will give you to know, that though he come of humble parents, he come of parents that loved him as dear as the best could, and never thought it hardship on themselves to pinch a bit that he might write and cipher beautiful, and I've his books at home to show it! Aye, have I!" said Mrs. Pegler, with indignant pride. "And my dear boy knows, and will give you to know, Sir, that after his beloved father died, when he was eight years old, his mother, too, could pinch a bit, as it was her duty and her pleasure and her pride to do it, to help him out in life, and put him 'prentice. And a steady lad he was, and a kind master he had to lend him a hand, and well he worked his own way forward to be rich and thriving."

Hard Times - Dickens

"Girl number twenty," said Mr. Gradgrind, squarely pointing with his square forefinger, "I don't know that girl. Who is that girl?" "Sissy Jupe, Sir," explained number twenty, blushing, standing up, and curtseying. "Sissy is not a name," said Mr. Gradgrind. "Don't call yourself Sissy. Call yourself Cecilia." "It's father as calls me Sissy, Sir," returned the young girl in a trembling voice, and with another curtsey. "Then he had no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, Sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, Sir, when they can get any to break, they do break horses in the ring, Sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, Sir." "Very well, then. He is a veterinary surgeon, a farrier, and a horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely whitewashed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so darkeyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His shortcropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." "

Hard Times - Dickens

"I mun be ridden o' her. I cannot bear 't nommore. I ha' lived under 't so long, for that I ha' had'n the pity and comforting words o' th' best lass living or dead. Haply, but for her, I should ha' gone hottering mad." "He wishes to be free, to marry the female of whom he speaks, I fear, Sir," observed Mrs. Sparsit in an undertone, and much dejected by the immorality of the people. "I do. The lady says what's right. I do. I were a coming to 't. I ha' read i' th' papers that great fok (fair faw 'em a'! I wishes 'em no hurt!) are not bonded together for better for worst so fast, but that they can be set free fro' their misfortnet marriages, an' marry ower agen. When they dunnot agree, for that their tempers is ill-sorted, they has rooms o' one kind an' another in their houses, above a bit, and they can live asunders. We fok ha' only one room, and we can't. When that won't do, they ha' gowd an' other cash, an' they can say 'This for yo' an' that for me,' an' they can go their separate ways. We can't. Spite o' all that, they can be set free for smaller wrongs than mine. So, I mun be ridden o' this woman, and I want t' know how?" "No how," returned Mr. Bounderby. "If I do her any hurt, Sir, there's a law to punish me?" "Of course there is." "If I flee from her, there's a law to punish me?" "Of course there is." "If I marry t'oother dear lass, there's a law to punish me?" "Of course there is." "If I was to live wi' her an' not marry her—saying such a thing could be, which it never could or would, an' her so good—there's a law to punish me, in every innocent child belonging to me?" "Of course there is." "Now, a' God's name," said Stephen Blackpool, "show me the law to help me!" "Hem! There's a sanctity in this relation of life," said Mr. Bounderby, "and—and—it must be kept up." "No no, dunnot say that, Sir. 'Tan't kep' up that way. Not that way. 'Tis kep' down that way. I'm a weaver, I were in a fact'ry when a chilt, but I ha' gotten een to see wi' and eern to year wi'. I read in th' papers every 'Sizes, every Sessions—and you read too—I know it!—with dismay—how th'supposed unpossibility o' ever getting unchained from one another, at any price, on any terms, brings blood upon this land, and brings many common married fok to battle, murder, and sudden death. Let us ha' this, right understood. Mine's a grievous case, an' I want—if yo will be so good—t' know the law that helps me." "Now, I tell you what!" said Mr. Bounderby, putting his hands in his pockets. "There is such a law." Stephen, subsiding into his quiet manner, and never wandering in his attention, gave a nod. "But it's not for you at all. It costs money. It costs a mint of money." "How much might that be?" Stephen calmly asked. "Why, you'd have to go to Doctors' Commons with a suit, and you'd have to go to a court of Common Law with a suit, and you'd have to go to the House of Lords with a suit, and you'd have to get an Act of Parliament to enable you to marry again, and it would cost you (if it was a case of very plain sailing), I suppose from a thousand to fifteen hundred pound," said Mr. Bounderby. "Perhaps twice the money." "There's no other law?" "Certainly not." "Why then, Sir," said Stephen, turning white, and motioning with that right hand of his, as if he gave everything to the four winds, "'tis a muddle. 'Tis just a muddle a'toogether, an' the sooner I am dead, the better."

Hard Times - Dickens

" 'The horror! The horror!' "

Heart of Darkness - Conrad

"'I was thinking of very old times, when the Romans first came here, nineteen hundred years ago—the other day .... Light came out of this river since—you say Knights? Yes; but it is like a running blaze on a plain, like a flash of lightning in the clouds. We live in the flicker—may it last as long as the old earth keeps rolling! But darkness was here yesterday. Imagine the feelings of a commander of a fine—what d'ye call 'em?—trireme in the Mediterranean, ordered suddenly to the north; run overland across the Gauls in a hurry; put in charge of one of these craft the legionaries—a wonderful lot of handy men they must have been, too—used to build, apparently by the hundred, in a month or two, if we may believe what we read. Imagine him here—the very end of the world, a sea the colour of lead, a sky the colour of smoke, a kind of ship about as rigid as a concertina—and going up this river with stores, or orders, or what you like. Sand-banks, marshes, forests, savages,—precious little to eat fit for a civilized man, nothing but Thames water to drink. No Falernian wine here, no going ashore. Here and there a military camp lost in a wilderness, like a needle in a bundle of hay—cold, fog, tempests, disease, exile, and death—death skulking in the air, in the water, in the bush. They must have been dying like flies here.' "

Heart of Darkness - Conrad

"We penetrated deeper and deeper into the heart of darkness. It was very quiet there. At night sometimes the roll of drums behind the curtain of trees would run up the river and remain sustained faintly, as if hovering in the air high over our heads, till the first break of day. Whether it meant war, peace, or prayer we could not tell. The dawns were heralded by the descent of a chill stillness; the wood-cutters slept, their fires burned low; the snapping of a twig would make you start. We were wanderers on a prehistoric earth, on an earth that wore the aspect of an unknown planet. We could have fancied ourselves the first of men taking possession of an accursed inheritance, to be subdued at the cost of profound anguish and of excessive toil. But suddenly, as we struggled round a bend, there would be a glimpse of rush walls, of peaked grass-roofs, a burst of yells, a whirl of black limbs, a mass of hands clapping of feet stamping, of bodies swaying, of eyes rolling, under the droop of heavy and motionless foliage. The steamer toiled along slowly on the edge of a black and incomprehensible frenzy. The prehistoric man was cursing us, praying to us, welcoming us—who could tell? We were cut off from the comprehension of our surroundings; we glided past like phantoms, wondering and secretly appalled, as sane men would be before an enthusiastic outbreak in a madhouse. We could not understand because we were too far and could not remember because we were travelling in the night of first ages, of those ages that are gone, leaving hardly a sign—and no memories. "The earth seemed unearthly. We are accustomed to look upon the shackled form of a conquered monster, but there—there you could look at a thing monstrous and free. It was unearthly, and the men were—No, they were not inhuman. Well, you know, that was the worst of it—this suspicion of their not being inhuman. It would come slowly to one. They howled and leaped, and spun, and made horrid faces; but what thrilled you was just the thought of their humanity—like yours—the thought of your remote kinship with this wild and passionate uproar. Ugly. Yes, it was ugly enough; but if you were man enough you would admit to yourself that there was in you just the faintest trace of a response to the terrible frankness of that noise, a dim suspicion of there being a meaning in it which you—you so remote from the night of first ages—could comprehend. And why not? The mind of man is capable of anything—because everything is in it, all the past as well as all the future. What was there after all? Joy, fear, sorrow, devotion, valour, rage—who can tell?—but truth—truth stripped of its cloak of time. Let the fool gape and shudder—the man knows, and can look on without a wink. But he must at least be as much of a man as these on the shore. He must meet that truth with his own true stuff—with his own inborn strength."

Heart of Darkness - Conrad

"Dark house, by which once more I stand Here in the long unlovely street, Doors, where my heart was used to beat So quickly, waiting for a hand, A hand that can be clasp'd no more— Behold me, for I cannot sleep, And like a guilty thing I creep At earliest morning to the door. He is not here; but far away The noise of life begins again, And ghastly thro' the drizzling rain On the bald street breaks the blank day. "

In Memoriam - Tennyson

"Thou still unravish'd bride of quietness, Thou foster-child of silence and slow time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fring'd legend haunts about thy shape Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearied, For ever piping songs for ever new; More happy love! more happy, happy love! For ever warm and still to be enjoy'd, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue. Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea shore, Or mountain-built with peaceful citadel, Is emptied of this folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul to tell Why thou art desolate, can e'er return. O Attic shape! Fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form, dost tease us out of thought As doth eternity: Cold Pastoral! When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, 'Beauty is truth, truth beauty,—that is all Ye know on earth, and all ye need to know.'"

Ode on a Grecian Urn - Keats

"The rain set early in to-night, The sullen wind was soon awake, It tore the elm-tops down for spite, And did its worst to vex the lake: I listened with heart fit to break. When glided in Porphyria; straight She shut the cold out and the storm, And kneeled and made the cheerless grate Blaze up, and all the cottage warm; Which done, she rose, and from her form Withdrew the dripping cloak and shawl, And laid her soiled gloves by, untied Her hat and let the damp hair fall, And, last, she sat down by my side And called me. When no voice replied, She put my arm about her waist, And made her smooth white shoulder bare, And all her yellow hair displaced, And, stooping, made my cheek lie there, And spread, o'er all, her yellow hair, Murmuring how she loved me — she Too weak, for all her heart's endeavour, To set its struggling passion free From pride, and vainer ties dissever, And give herself to me for ever. But passion sometimes would prevail, Nor could to-night's gay feast restrain A sudden thought of one so pale For love of her, and all in vain: So, she was come through wind and rain. Be sure I looked up at her eyes Happy and proud; at last I knew Porphyria worshipped me; surprise Made my heart swell, and still it grew While I debated what to do. That moment she was mine, mine, fair, Perfectly pure and good: I found A thing to do, and all her hair In one long yellow string I wound Three times her little throat around, And strangled her. No pain felt she; I am quite sure she felt no pain. As a shut bud that holds a bee, I warily oped her lids: again Laughed the blue eyes without a stain. And I untightened next the tress About her neck; her cheek once more Blushed bright beneath my burning kiss: I propped her head up as before, Only, this time my shoulder bore Her head, which droops upon it still: The smiling rosy little head, So glad it has its utmost will, That all it scorned at once is fled, And I, its love, am gained instead! Porphyria's love: she guessed not how Her darling one wish would be heard. And thus we sit together now, And all night long we have not stirred, And yet God has not said a word!"

Porphyria's Lover - Robert Browning

"They sat them down upon the yellow sand, Between the sun and moon upon the shore; And sweet it was to dream of Fatherland, Of child, and wife, and slave; but evermore Most weary seem'd the sea, weary the oar, Weary the wandering fields of barren foam. Then some one said, 'We will return no more'; And all at once they sang, "Our island home Is far beyond the wave; we will no longer roam.' "

The Lotus Eaters - Tennyson

"One evening - surely I was led by her - I went alone into a shepherd's boat, A skiff that to a willow tree was tied Within a rocky cave, its usual home. 'Twas by the shores of Patterdale, a vale Wherein I was a stranger, thither come A school-boy traveller, at the holidays. Forth rambled from the village inn alone No sooner had I sight of this small skiff, Discover'd thus by unexpected chance, Than I unloos'd her tether and embark'd. The moon was up, the lake was shining clear Among the hoary mountains; from the shore I push'd, and struck the oars and struck again In cadence, and my little boat mov'd on Even like a man who walks with stately step Though bent on speed. It was an act of stealth And troubled pleasure; not without the voice Of mountain-echoes did my boat move on, Leaving behind her still on either side Small circles glittering idly in the moon, Until they melted all into one track Of sparkling light. A rocky steep uprose Above the cavern of the willow tree And now, as suited one who proudly row'd With his best skill, I fix'd a steady view Upon the top of that same craggy ridge, The bound of the horizon - for behind Was nothing but the stars and the grey sky. She was an elfin pinnace; lustily I dipp'd my oars into the silent lake, And, as I rose upon the stroke, my boat Went heaving through the water, like a swan - When from behind that craggy steep, till then The bound of the horizon, a huge cliff, As if with voluntary power instinct, Uprear'd its head. I struck, and struck again And, growing still in stature, the huge cliff Rose up between me and the stars, and still, With measur'd motion, like a living thing, Strode after me. With trembling hands I turn'd, And through the silent water stole my way Back to the cavern of the willow tree. There, in her mooring-place, I left my bark, And, through the meadows homeward went, with grave And serious thoughts; and after I had seen That spectacle, for many days, my brain Work'd with a dim and undetermin'd sense Of unknown modes of being; in my thoughts There was a darkness, call it solitude, Or blank desertion, no familiar shapes Of hourly objects, images of trees, Of sea or sky, no colours of green fields; But huge and mighty forms that do not live Like living men mov'd slowly through the mind By day and were the trouble of my dreams."

The Prelude - Wordsworth

"And I had done a hellish thing, And it would work 'em woe: For all averred, I had killed the bird That made the breeze to blow. Ah wretch! said they, the bird to slay, That made the breeze to blow! Nor dim nor red, like God's own head, The glorious Sun uprist: Then all averred, I had killed the bird That brought the fog and mist. 'Twas right, said they, such birds to slay, That bring the fog and mist."

The Rime of the Ancient Mariner - Coleridge

"At dinner, she is hostess, I am host. Went the feast ever cheerfuller? She keeps The Topic over intellectual deeps In buoyancy afloat. They see no ghost. With sparkling surface-eyes we ply the ball: It is in truth a most contagious game: Hiding the Skeleton, shall be its name. Such play as this the devils might appal! But here's the greater wonder; in that we, Enamoured of an acting nought can tire, Each other, like true hypocrites, admire; Warm-lighted looks, Love's ephemerioe, Shoot gaily o'er the dishes and the wine. We waken envy of our happy lot. Fast, sweet, and golden, shows the marriage-knot. Dear guests, you now have seen Love's corpse-light shine."

"Modern Love" - Meredith

"But where began the change; and what's my crime? The wretch condemned, who has not been arraigned, Chafes at his sentence. Shall I, unsustained, Drag on Love's nerveless body thro' all time? I must have slept, since now I wake. Prepare, You lovers, to know Love a thing of moods: Not like hard life, of laws. In Love's deep woods, I dreamt of loyal Life: -- The offence is there! Love's jealous woods about the sun are curled; At least the sun far brighter there did beam. -- My crime is, that the puppet of a dream, I plotted to be worthy of the world. Oh, had I with my darling helped to mince The facts of life, you still had seen me go With hindward feather and with forward toe, Her much-adored delightful Fairy Prince!"

"Modern Love" - Meredith

"By this he knew she wept with waking eyes: That, at his hand's light quiver by her head, The strange low sobs that shook their common bed Were called into her with a sharp surprise, And strangled mute, like little gasping snakes, Dreadfully venomous to him. She lay Stone-still, and the long darkness flowed away With muffled pulses. Then, as midnight makes Her giant heart of Memory and Tears Drink the pale drug of silence, and so beat Sleep's heavy measure, they from head to feet Were moveless, looking through their dead black years, By vain regret scrawled over the blank wall. Like sculptured effigies they might be seen Upon their marriage-tomb, the sword between; Each wishing for the sword that severs all."

"Modern Love" - Meredith

"Morning and evening Maids heard the goblins cry: "Come buy our orchard fruits, Come buy, come buy: Apples and quinces, Lemons and oranges, Plump unpeck'd cherries, Melons and raspberries, Bloom-down-cheek'd peaches, Swart-headed mulberries, Wild free-born cranberries, Crab-apples, dewberries, Pine-apples, blackberries, Apricots, strawberries;— All ripe together In summer weather,— Morns that pass by, Fair eves that fly; Come buy, come buy: Our grapes fresh from the vine, Pomegranates full and fine, Dates and sharp bullaces, Rare pears and greengages, Damsons and bilberries, Taste them and try: Currants and gooseberries, Bright-fire-like barberries, Figs to fill your mouth, Citrons from the South, Sweet to tongue and sound to eye; Come buy, come buy." Evening by evening Among the brookside rushes, Laura bow'd her head to hear, Lizzie veil'd her blushes: Crouching close together In the cooling weather, With clasping arms and cautioning lips, With tingling cheeks and finger tips. "Lie close," Laura said, Pricking up her golden head: "We must not look at goblin men, We must not buy their fruits: Who knows upon what soil they fed Their hungry thirsty roots?" "Come buy," call the goblins Hobbling down the glen."

"The Goblin Market" - Rossetti

"She cried, 'Laura,' up the garden, 'Did you miss me? Come and kiss me. Never mind my bruises, Hug me, kiss me, suck my juices Squeez'd from goblin fruits for you, Goblin pulp and goblin dew. Eat me, drink me, love me; Laura, make much of me; For your sake I have braved the glen And had to do with goblin merchant men.' "

"The Goblin Market" - Rossetti

"Then joining hands to little hands Would bid them cling together, 'For there is no friend like a sister In calm or stormy weather; To cheer one on the tedious way, To fetch one if one goes astray, To lift one if one totters down, To strengthen whilst one stands.' "

"The Goblin Market" - Rossetti

"They began to scratch their pates, No longer wagging, purring, But visibly demurring, Grunting and snarling. One call'd her proud, Cross-grain'd, uncivil; Their tones wax'd loud, Their looks were evil. Lashing their tails They trod and hustled her, Elbow'd and jostled her, Claw'd with their nails, Barking, mewing, hissing, mocking, Tore her gown and soil'd her stocking, Twitch'd her hair out by the roots, Stamp'd upon her tender feet, Held her hands and squeez'd their fruits Against her mouth to make her eat. White and golden Lizzie stood, Like a lily in a flood,— Like a rock of blue-vein'd stone Lash'd by tides obstreperously,— Like a beacon left alone In a hoary roaring sea, Sending up a golden fire,— Like a fruit-crown'd orange-tree White with blossoms honey-sweet Sore beset by wasp and bee,— Like a royal virgin town Topp'd with gilded dome and spire Close beleaguer'd by a fleet Mad to tug her standard down. One may lead a horse to water, Twenty cannot make him drink. Though the goblins cuff'd and caught her, Coax'd and fought her, Bullied and besought her, Scratch'd her, pinch'd her black as ink, Kick'd and knock'd her, Maul'd and mock'd her, Lizzie utter'd not a word; Would not open lip from lip Lest they should cram a mouthful in"

"The Goblin Market" - Rossetti

"ALGERNON: Did you hear what I was playing, Lane? LANE: I didn't think it polite to listen, sir. ALGERNON: I'm sorry for that, for your sake. I don't play accurately--any one can play accurately--but I play with wonderful expression. As far as the piano is concerned, sentiment is my forte. I keep science for Life. LANE: Yes, sir. ALGERNON: And, speaking of the science of Life, have you got the cucumber sandwiches cut for Lady Bracknell? LANE: Yes, sir. [Hands them on a salver.] ALGERNON: [Inspects them, takes two, and sits down on the sofa.] Oh! . . . by the way, Lane, I see from your book that on Thursday night, when Lord Shoreman and Mr. Worthing were dining with me, eight bottles of champagne are entered as having been consumed. LANE: Yes, sir; eight bottles and a pint. ALGERNON: Why is it that at a bachelor's establishment the servants invariably drink the champagne? I ask merely for information. LANE: I attribute it to the superior quality of the wine, sir. I have often observed that in married households the champagne is rarely of a first-rate brand. ALGERNON: Good heavens! Is marriage so demoralising as that? LANE: I believe it is a very pleasant state, sir. I have had very little experience of it myself up to the present. I have only been married once. That was in consequence of a misunderstanding between myself and a young person. ALGERNON: [Languidly] I don't know that I am much interested in your family life, Lane. LANE: No, sir; it is not a very interesting subject. I never think of it myself. ALGERNON: Very natural, I am sure. That will do, Lane, thank you. LANE: Thank you, sir. [Lane goes out.] ALGERNON: Lane's views on marriage seem somewhat lax. Really, if the lower orders don't set us a good example, what on earth is the use of them? They seem, as a class, to have absolutely no sense of moral responsibility."

"The Importance of Being Earnest" - Wilde

"JACK: Well, if you want to know, Cecily happens to be my aunt. ALGERNON: Your aunt! JACK: Yes. Charming old lady she is, too. Lives at Tunbridge Wells. Just give it back to me, Algy. ALGERNON: [Retreating to back of sofa.] But why does she call herself little Cecily if she is your aunt and lives at Tunbridge Wells? [Reading.] 'From little Cecily with her fondest love.' JACK: [Moving to sofa and kneeling upon it.] My dear fellow, what on earth is there in that? Some aunts are tall, some aunts are not tall. That is a matter that surely an aunt may be allowed to decide for herself. You seem to think that every aunt should be exactly like your aunt! That is absurd! For Heaven's sake give me back my cigarette case. [Follows Algernon round the room.] ALGERNON: Yes. But why does your aunt call you her uncle? 'From little Cecily, with her fondest love to her dear Uncle Jack.' There is no objection, I admit, to an aunt being a small aunt, but why an aunt, no matter what her size may be, should call her own nephew her uncle, I can't quite make out. Besides, your name isn't Jack at all; it is Ernest. JACK: It isn't Ernest; it's Jack. ALGERNON: You have always told me it was Ernest. I have introduced you to every one as Ernest. You answer to the name of Ernest. You look as if your name was Ernest. You are the most earnest-looking person I ever saw in my life. It is perfectly absurd your saying that your name isn't Ernest. It's on your cards. Here is one of them. [Taking it from case.] 'Mr. Ernest Worthing, B. 4, The Albany.' I'll keep this as a proof that your name is Ernest if ever you attempt to deny it to me, or to Gwendolen, or to any one else."

"The Importance of Being Earnest" - Wilde

"LADY BRACKNELL: I'm sorry if we are a little late, Algernon, but I was obliged to call on dear Lady Harbury. I hadn't been there since her poor husband's death. I never saw a woman so altered; she looks quite twenty years younger. And now I'll have a cup of tea, and one of those nice cucumber sandwiches you promised me. ALGERNON: Certainly, Aunt Augusta. [Goes over to tea-table.] LADY BRACKNELL: Won't you come and sit here, Gwendolen? GWENDOLEN: Thanks, mamma, I'm quite comfortable where I am. ALGERNON: [Picking up empty plate in horror.] Good heavens! Lane! Why are there no cucumber sandwiches? I ordered them specially. LANE: [Gravely.] There were no cucumbers in the market this morning, sir. I went down twice. ALGERNON: No cucumbers! LANE: No, sir. Not even for ready money. ALGERNON: That will do, Lane, thank you. LANE: Thank you, sir. [Goes out.] ALGERNON: I am greatly distressed, Aunt Augusta, about there being no cucumbers, not even for ready money. LADY BRACKNELL: It really makes no matter, Algernon. I had some crumpets with Lady Harbury, who seems to me to be living entirely for pleasure now. ALGERNON: I hear her hair has turned quite gold from grief."

"The Importance of Being Earnest" - Wilde

" 'That he should live to be an instrument of mischief disturbs me; in other respects this hour, when I momentarily expect my release, is the only happy one which I have enjoyed for several years. The forms of the beloved dead flit before me, and I hasten to their arms. Farewell, Walton! Seek happiness in tranquillity, and avoid ambition, even if it be only the apparently innocent one of distinguishing yourself in science and discoveries. Yet why do I say this? I have myself been blasted in these hopes, yet another may succeed.' "

Frankenstein - Shelley

"...we may be wafted to a land surpassing in wonders and in beauty every region hitherto discovered on the habitable globe. Its productions and features may be without example, as the phænomena of the heavenly bodies undoubtedly are in those undiscovered solitudes. What may not be expected in a country of eternal light? I may there discover the wondrous power which attracts the needle; and may regulate a thousand celestial observations, that require only this voyage to render their seeming eccentricities consistent for ever. I shall satiate my ardent curiosity with the sight of a part of the world never before visited, and may tread a land never before imprinted by the foot of man. These are my enticements, and they are sufficient to conquer all fear of danger or death, and to induce me to commence this laborious voyage with the joy a child feels when he embarks in a little boat with his holiday mates, on an expedition of discovery up his native river. But, supposing all these conjectures to be false, you cannot contest the inestimable benefit which I shall confer on all mankind to the last generation, by discovering a passage near the pole to those countries, to reach which at present so many months are requisite; or by ascertaining the secret of the magnet, which, if at all possible, can only be effected by an undertaking such as mine."

Frankenstein - Shelley

"During these last days I have been occupied in examining my past conduct; nor do I find it blameable. In a fit of enthusiastic madness I created a rational creature, and was bound towards him, to assure, as far as was in my power, his happiness and well-being. This was my duty; but there was another still paramount to that. My duties towards my fellow-creatures had greater claims to my attention, because they included a greater proportion of happiness or misery. Urged by this view, I refused, and I did right in refusing, to create a companion for the first creature. He shewed unparalleled malignity and selfishness, in evil: he destroyed my friends; he devoted to destruction beings who possessed exquisite sensations, happiness, and wisdom; nor do I know where this thirst for vengeance may end. Miserable himself, that he may render no other wretched, he ought to die."

Frankenstein - Shelley

"His words had a strange effect upon me. I compassionated him, and sometimes felt a wish to console him; but when I looked upon him, when I saw the filthy mass that moved and talked, my heart sickened, and my feelings were altered to those of horror and hatred. I tried to stifle these sensations; I thought, that as I could not sympathize with him, I had no right to withhold from him the small portion of happiness which was yet in my power to bestow. 'You swear,' I said, 'to be harmless; but have you not already shewn a degree of malice that should reasonably make me distrust you? May not even this be a feint that will increase your triumph by affording a wider scope for your revenge?' 'How is this? I thought I had moved your compassion, and yet you still refuse to bestow on me the only benefit that can soften my heart, and render me harmless. If I have no ties and no affections, hatred and vice must be my portion; the love of another will destroy the cause of my crimes, and I shall become a thing, of whose existence every one will be ignorant. My vices are the children of a forced solitude that I abhor; and my virtues will necessarily arise when I live in communion with an equal. I shall feel the affections of a sensitive being, and become linked to the chain of existence and events, from which I am now excluded.' "

Frankenstein - Shelley

"I started from my sleep with horror; a cold dew covered my forehead, my teeth chattered, and every limb became convulsed; when, by the dim and yellow light of the moon, as it forced its way through the window-shutters, I beheld the wretch—the miserable monster whom I had created. He held up the curtain of the bed; and his eyes, if eyes they may be called, were fixed on me. His jaws opened, and he muttered some inarticulate sounds, while a grin wrinkled his cheeks. He might have spoken, but I did not hear; one hand was stretched out, seemingly to detain me, but I escaped, and rushed down stairs. I took refuge in the court-yard belonging to the house which I inhabited; where I remained during the rest of the night, walking up and down in the greatest agitation, listening attentively, catching and fearing each sound as if it were to announce the approach of the demoniacal corpse to which I had so miserably given life. Oh! no mortal could support the horror of that countenance. A mummy again endued with animation could not be so hideous as that wretch. I had gazed on him while unfinished; he was ugly then; but when those muscles and joints were rendered capable of motion, it became a thing such as even Dante could not have conceived."

Frankenstein - Shelley

"If this journey had taken place during my days of study and happiness, it would have afforded me inexpressible pleasure. But a blight had come over my existence, and I only visited these people for the sake of the information they might give me on the subject in which my interest was so terribly profound. Company was irksome to me; when alone, I could fill my mind with the sights of heaven and earth; the voice of Henry soothed me, and I could thus cheat myself into a transitory peace. But busy uninteresting joyous faces brought back despair to my heart. I saw an insurmountable barrier placed between me and my fellow-men; this barrier was sealed with the blood of William and Justine; and to reflect on the events connected with those names filled my soul with anguish."

Frankenstein - Shelley

"It was nearly noon when I arrived at the top of the ascent. For some time I sat upon the rock that overlooks the sea of ice. A mist covered both that and the surrounding mountains. Presently a breeze dissipated the cloud, and I descended upon the glacier. The surface is very uneven, rising like the waves of a troubled sea, descending low, and interspersed by rifts that sink deep. The field of ice is almost a league in width, but I spent nearly two hours in crossing it. The opposite mountain is a bare perpendicular rock. From the side where I now stood Montanvert was exactly opposite, at the distance of a league; and above it rose Mont Blanc, in awful majesty. I remained in a recess of the rock, gazing on this wonderful and stupendous scene. The sea, or rather the vast river of ice, wound among its dependent mountains, whose aërial summits hung over its recesses. Their icy and glittering peaks shone in the sunlight over the clouds. My heart, which was before sorrowful, now swelled with something like joy; I exclaimed —'Wandering spirits, if indeed ye wander, and do not rest in your narrow beds, allow me this faint happiness, or take me, as your companion, away from the joys of life.' "

Frankenstein - Shelley

"It was on a dreary night of November, that I beheld the accomplishment of my toils. With an anxiety that almost amounted to agony, I collected the instruments of life around me, that I might infuse a spark of being into the lifeless thing that lay at my feet. It was already one in the morning; the rain pattered dismally against the panes, and my candle was nearly burnt out, when, by the glimmer of the half-extinguished light, I saw the dull yellow eye of the creature open; it breathed hard, and a convulsive motion agitated its limbs. How can I describe my emotions at this catastrophe, or how delineate the wretch whom with such infinite pains and care I had endeavoured to form? His limbs were in proportion, and I had selected his features as beautiful. Beautiful!—Great God! His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was of a lustrous black, and flowing; his teeth of a pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun white sockets in which they were set, his shrivelled complexion, and straight black lips."

Frankenstein - Shelley

"No one can conceive the variety of feelings which bore me onwards, like a hurricane, in the first enthusiasm of success. Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world. A new species would bless me as its creator and source; many happy and excellent natures would owe their being to me. No father could claim the gratitude of his child so completely as I should deserve their's."

Frankenstein - Shelley

"She left me, and I continued some time walking up and down the passages of the house, and inspecting every corner that might afford a retreat to my adversary. But I discovered no trace of him, and was beginning to conjecture that some fortunate chance had intervened to prevent the execution of his menaces; when suddenly I heard a shrill and dreadful scream. It came from the room into which Elizabeth had retired. As I heard it, the whole truth rushed into my mind, my arms dropped, the motion of every muscle and fibre was suspended; I could feel the blood trickling in my veins, and tingling in the extremities of my limbs. This state lasted but for an instant; the scream was repeated, and I rushed into the room. Great God! why did I not then expire! Why am I here to relate the destruction of the best hope, and the purest creature of earth. She was there, lifeless and inanimate, thrown across the bed, her head hanging down, and her pale and distorted features half covered by her hair. Every where I turn I see the same figure—her bloodless arms and relaxed form flung by the murderer on its bridal bier. Could I behold this, and live? Alas! life is obstinate, and clings closest where it is most hated. For a moment only did I lose recollection; I fainted."

Frankenstein - Shelley

"While I watched the storm, so beautiful yet terrific, I wandered on with a hasty step. This noble war in the sky elevated my spirits; I clasped my hands and exclaimed aloud, 'William, dear angel! this is thy funeral, this thy dirge!' As I said these words, I perceived in the gloom a figure which stole from behind a clump of trees near me; I stood fixed, gazing intently: I could not be mistaken. A flash of lightning illuminated the object, and discovered its shape plainly to me; its gigantic stature, and the deformity of its aspect, more hideous than belongs to humanity, instantly informed me that it was the wretch, the filthy dæmon to whom I had given life. What did he there? Could he be (I shuddered at the conception) the murderer of my brother? No sooner did that idea cross my imagination, than I became convinced of its truth; my teeth chattered, and I was forced to lean against a tree for support. The figure passed me quickly, and I lost it in the gloom."

Frankenstein - Shelley

"I am almost ashamed," said Sissy, with reluctance. "But to-day, for instance, Mr. M'Choakumchild was explaining to us about Natural Prosperity." "National, I think it must have been," observed Louisa. "Yes, it was.—But isn't it the same?" she timidly asked. "You had better say, National, as he said so," returned Louisa, with her dry reserve. "National Prosperity. And he said, Now this schoolroom is a Nation. And in this nation, there are fifty millions of money. Isn't this a prosperous nation? Girl number twenty, isn't this a prosperous nation, and a'n't you in a thriving state?" "What did you say?" asked Louisa. "Miss Louisa, I said I didn't know. I thought I couldn't know whether it was a prosperous nation or not, and whether I was in a thriving state or not, unless I knew who had got the money, and whether any of it was mine. But that had nothing to do with it. It was not in the figures at all," said Sissy, wiping her eyes. "That was a great mistake of yours," observed Louisa. "Yes, Miss Louisa, I know it was, now. Then Mr. M'Choakumchild said he would try me again. And he said, This schoolroom is an immense town, and in it there are a million of inhabitants, and only five-and-twenty are starved to death in the streets, in the course of a year. What is your remark on that proportion? And my remark was—for I couldn't think of a better one—that I thought it must be just as hard upon those who were starved, whether the others were a million, or a million million. And that was wrong, too." "Of course it was." "Then Mr. M'Choakumchild said he would try me once more. And he said, Here are the stutterings——" "Statistics," said Louisa. "Yes, Miss Louisa—they always remind me of stutterings, and that's another of my mistakes—of accidents upon the sea. And I find (Mr. M'Choakumchild said) that in a given time a hundred thousand persons went to sea on long voyages, and only five hundred of them were drowned or burnt to death. What is the percentage? And I said, Miss;" here Sissy fairly sobbed as confessing with extreme contrition to her greatest effort; "I said it was nothing." "Nothing, Sissy?" "Nothing, Miss—to the relations and friends of the people who were killed. I shall never learn," said Sissy. "And the worst of all is, that although my poor father wished me so much to learn, and although I am so anxious to learn, because he wished me to, I am afraid I don't like it."

Hard Times - Dickens

"I am going to take young Mr. Tom back to Coketown, in order to deliver him over to Mr. Bounderby. Sir, I have no doubt whatever that Mr. Bounderby will then promote me to young Mr. Tom's situation. And I wish to have his situation, Sir, for it will be a rise to me, and will do me good." "If this is solely a question of self-interest with you—" Mr. Gradgrind began. "I beg your pardon for interrupting you, Sir," returned Bitzer; "but I am sure you know that the whole social system is a question of self-interest. What you must always appeal to, is a person's self-interest. It's your only hold. We are so constituted. I was brought up in that catechism when I was very young, Sir, as you are aware."

Hard Times - Dickens

"I was to pull through it, I suppose, Mrs. Gradgrind. Whether I was to do it or not, ma'am, I did it. I pulled through it, though nobody threw me out a rope. Vagabond, errand-boy, vagabond, labourer, porter, clerk, chief manager, small partner, Josiah Bounderby of Coketown. Those are the antecedents, and the culmination. Josiah Bounderby of Coketown learnt his letters from the outsides of the shops, Mrs. Gradgrind, and was first able to tell the time upon a dial-plate, from studying the steeple clock of St. Giles's Church, London, under the direction of a drunken cripple, who was a convicted thief, and an incorrigible vagrant. Tell Josiah Bounderby of Coketown, of your district schools and your model schools, and your training schools, and your whole kettle-of-fish of schools; and Josiah Bounderby of Coketown, tells you plainly, all right, all correct,—he hadn't such advantages—but let us have hard-headed, solid-fisted people—the education that made him won't do for everybody, he knows well—such and such his education was, however, and you may force him to swallow boiling fat, but you shall never force him to suppress the facts of his life."

Hard Times - Dickens

"Is it possible, I wonder, that there was any analogy between the case of the Coketown population and the case of the little Gradgrinds? Surely, none of us in our sober senses and acquainted with figures, are to be told at this time of day, that one of the foremost elements in the existence of the Coketown working-people had been for scores of years deliberately set at nought? That there was any Fancy in them demanding to be brought into healthy existence instead of struggling on in convulsions? That exactly in the ratio as they worked long and monotonously, the craving grew within them for some physical relief—some relaxation, encouraging good humour and good spirits, and giving them a vent—some recognized holiday, though it were but for an honest dance to a stirring band of music—some occasional light pie in which even M'Choakumchild had no finger—which craving must and would be satisfied aright, or must and would inevitably go wrong, until the laws of the Creation were repealed?"

Hard Times - Dickens

"It was a town of red brick, or of brick that would have been red if the smoke and ashes had allowed it; but as matters stood it was a town of unnatural red and black like the painted face of a savage. It was a town of machinery and tall chimneys, out of which interminable serpents of smoke trailed themselves for ever and ever, and never got uncoiled. It had a black canal in it, and a river that ran purple with ill-smelling dye, and vast piles of building full of windows where there was a rattling and a trembling all day long, and where the piston of the steam-engine worked monotonously up and down like the head of an elephant in a state of melancholy madness. It contained several large streets all very like one another, and many small streets still more like one another, inhabited by people equally like one another, who all went in and out at the same hours, with the same sound upon the same pavements, to do the same work, and to whom every day was the same as yesterday and to-morrow, and every year the counterpart of the last and the next."

Hard Times - Dickens

"Mrs. Gradgrind," said her husband, who had waited for the achievement of this feat with some impatience, "allow me to present to you Mrs. Bounderby." "Oh!" said Mrs. Gradgrind, "so you have settled it! Well, I'm sure I hope your health may be good, Louisa; for if your head begins to split as soon as you are married, which was the case with mine, I cannot consider that you are to be envied, though I have no doubt you think you are, as all girls do. However, I give you joy, my dear—and I hope you may now turn all your ological studies to good account, I am sure I do! I must give you a kiss of congratulation, Louisa; but don't touch my right shoulder, for there's something running down it all day long. And now you see," whimpered Mrs. Gradgrind, adjusting her shawls after the affectionate ceremony," I shall be worrying myself, morning, noon, and night, to know what I am to call him!" "Mrs. Gradgrind," said her husband, solemnly, "what do you mean?" "Whatever I am to call him, Mr. Gradgrind, when he is married to Louisa! I must call him something. It's impossible," said Mrs. Gradgrind, with a mingled sense of politeness and injury, "to be constantly addressing him and never giving him a name. I cannot call him Josiah, for the name is insupportable to me. You yourself wouldn't hear of Joe, you very well know. Am I to call my own son-in-law, Mister? Not, I believe, unless the time has arrived when, as an invalid, I am to be trampled upon by my relations. Then, what am I to call him?" Nobody present having any suggestion to offer in the remarkable emergency, Mrs. Gradgrind departed this life for the time being, after delivering the following codicil to her remarks already executed: "As to the wedding, all I ask, Louisa, is,—and I ask it with a fluttering in my chest, which actually extends to the soles of my feet,—that it may take place soon. Otherwise, I know it is one of those subjects I shall never hear the last of." When Mr. Gradgrind had presented Mrs. Bounderby, Sissy had suddenly turned her head, and looked, in wonder, in pity, in sorrow, in doubt, in a multitude of emotions, towards Louisa. Louisa had known it, and seen it, without looking at her. From that moment she was impassive, proud and cold—held Sissy at a distance—changed to her altogether."

Hard Times - Dickens

" 'And this also," said Marlow suddenly, "has been one of the dark places of the earth.'

Heart of Darkness - Conrad

"Black shapes crouched, lay, sat between the trees leaning against the trunks, clinging to the earth, half coming out, half effaced within the dim light, in all the attitudes of pain, abandonment, and despair. Another mine on the cliff went off, followed by a slight shudder of the soil under my feet. The work was going on. The work! And this was the place where some of the helpers had withdrawn to die. 'They were dying slowly—it was very clear. They were not enemies, they were not criminals, they were nothing earthly now—nothing but black shadows of disease and starvation, lying confusedly in the greenish gloom. Brought from all the recesses of the coast in all the legality of time contracts, lost in uncongenial surroundings, fed on unfamiliar food, they sickened, became inefficient, and were then allowed to crawl away and rest. These moribund shapes were free as air—and nearly as thin. I began to distinguish the gleam of the eyes under the trees. Then, glancing down, I saw a face near my hand. The black bones reclined at full length with one shoulder against the tree, and slowly the eyelids rose and the sunken eyes looked up at me, enormous and vacant, a kind of blind, white flicker in the depths of the orbs, which died out slowly. The man seemed young—almost a boy—but you know with them it's hard to tell. I found nothing else to do but to offer him one of my good Swede's ship's biscuits I had in my pocket. The fingers closed slowly on it and held—there was no other movement and no other glance. He had tied a bit of white worsted round his neck—Why? Where did he get it? Was it a badge—an ornament—a charm—a propitiatory act? Was there any idea at all connected with it? It looked startling round his black neck, this bit of white thread from beyond the seas."

Heart of Darkness - Conrad

"I gave my name, and looked about. Deal table in the middle, plain chairs all round the walls, on one end a large shining map, marked with all the colours of a rainbow. There was a vast amount of red—good to see at any time, because one knows that some real work is done in there, a deuce of a lot of blue, a little green, smears of orange, and, on the East Coast, a purple patch, to show where the jolly pioneers of progress drink the jolly lager-beer. However, I wasn't going into any of these. I was going into the yellow. Dead in the centre. And the river was there—fascinating—deadly—like a snake."

Heart of Darkness - Conrad

"Now when I was a little chap I had a passion for maps. I would look for hours at South America, or Africa, or Australia, and lose myself in all the glories of exploration. At that time there were many blank spaces on the earth, and when I saw one that looked particularly inviting on a map (but they all look that) I would put my finger on it and say, 'When I grow up I will go there.' The North Pole was one of these places, I remember. Well, I haven't been there yet, and shall not try now. The glamour's off. Other places were scattered about the hemispheres. I have been in some of them, and... well, we won't talk about that. But there was one yet—the biggest, the most blank, so to speak—that I had a hankering after. 'True, by this time it was not a blank space any more. It had got filled since my boyhood with rivers and lakes and names. It had ceased to be a blank space of delightful mystery—a white patch for a boy to dream gloriously over. It had become a place of darkness. But there was in it one river especially, a mighty big river, that you could see on the map, resembling an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country, and its tail lost in the depths of the land. And as I looked at the map of it in a shop-window, it fascinated me as a snake would a bird—a silly little bird. Then I remembered there was a big concern, a Company for trade on that river. Dash it all! I thought to myself, they can't trade without using some kind of craft on that lot of fresh water—steamboats! Why shouldn't I try to get charge of one? I went on along Fleet Street, but could not shake off the idea. The snake had charmed me."

Heart of Darkness - Conrad

"The young man looked at me with surprise. I suppose it did not occur to him that Mr. Kurtz was no idol of mine. He forgot I hadn't heard any of these splendid monologues on, what was it? on love, justice, conduct of life—or what not. If it had come to crawling before Mr. Kurtz, he crawled as much as the veriest savage of them all. I had no idea of the conditions, he said: these heads were the heads of rebels. I shocked him excessively by laughing. Rebels! What would be the next definition I was to hear? There had been enemies, criminals, workers—and these were rebels. Those rebellious heads looked very subdued to me on their sticks."

Heart of Darkness - Conrad

"They approached again, just as the manager was saying, 'No one, as far as I know, unless a species of wandering trader—a pestilential fellow, snapping ivory from the natives.' Who was it they were talking about now? I gathered in snatches that this was some man supposed to be in Kurtz's district, and of whom the manager did not approve. 'We will not be free from unfair competition till one of these fellows is hanged for an example,' he said. 'Certainly,' grunted the other; 'get him hanged! Why not? Anything—anything can be done in this country. That's what I say; nobody here, you understand, here, can endanger your position. And why? You stand the climate—you outlast them all. The danger is in Europe; but there before I left I took care to—' They moved off and whispered, then their voices rose again. 'The extraordinary series of delays is not my fault. I did my best.' The fat man sighed. 'Very sad.' 'And the pestiferous absurdity of his talk,' continued the other; 'he bothered me enough when he was here. "Each station should be like a beacon on the road towards better things, a centre for trade of course, but also for humanizing, improving, instructing." Conceive you—that ass! And he wants to be manager! No, it's—' Here he got choked by excessive indignation."

Heart of Darkness - Conrad

"This simply because I had a notion it somehow would be of help to that Kurtz whom at the time I did not see—you understand. He was just a word for me. I did not see the man in the name any more than you do. Do you see him? Do you see the story? Do you see anything? It seems to me I am trying to tell you a dream—making a vain attempt, because no relation of a dream can convey the dream-sensation, that commingling of absurdity, surprise, and bewilderment in a tremor of struggling revolt, that notion of being captured by the incredible which is of the very essence of dreams.... He was silent for a while. '... No, it is impossible; it is impossible to convey the life-sensation of any given epoch of one's existence—that which makes its truth, its meaning—its subtle and penetrating essence. It is impossible. We live, as we dream—alone....' "

Heart of Darkness - Conrad

" 'So careful of the type?' but no. From scarped cliff and quarried stone She cries, 'A thousand types are gone: I care for nothing, all shall go. 'Thou makest thine appeal to me: I bring to life, I bring to death: The spirit does but mean the breath: I know no more.' And he, shall he, Man, her last work, who seem'd so fair, Such splendid purpose in his eyes, Who roll'd the psalm to wintry skies, Who built him fanes of fruitless prayer, Who trusted God was love indeed And love Creation's final law -- Tho' Nature, red in tooth and claw With ravine, shriek'd against his creed -- Who loved, who suffer'd countless ills, Who battled for the True, the Just, Be blown about the desert dust, Or seal'd within the iron hills? No more? A monster then, a dream, A discord. Dragons of the prime, That tare each other in their slime, Were mellow music match'd with him. O life as futile, then, as frail! O for thy voice to soothe and bless! What hope of answer, or redress? Behind the veil, behind the veil."

In Memoriam - Tennyson

"O somewhere, meek, unconscious dove, That sittest ranging golden hair; And glad to find thyself so fair, Poor child, that waitest for thy love! For now her father's chimney glows In expectation of a guest; And thinking `this will please him best,' She takes a riband or a rose; For he will see them on to-night; And with the thought her colour burns; And, having left the glass, she turns Once more to set a ringlet right; And, even when she turn'd, the curse Had fallen, and her future Lord Was drown'd in passing thro' the ford, Or kill'd in falling from his horse. O what to her shall be the end? And what to me remains of good? To her, perpetual maidenhood, And unto me no second friend.

In Memoriam - Tennyson

"O, yet we trust that somehow good Will be the final goal of ill, To pangs of nature, sins of will, Defects of doubt, and taints of blood; That nothing walks with aimless feet; That not one life shall be destroy'd, Or cast as rubbish to the void, When God hath made the pile complete; That not a worm is cloven in vain; That not a moth with vain desire Is shrivell'd in a fruitless fire, Or but subserves another's gain. Behold, we know not anything; I can but trust that good shall fall At last -- far off -- at last, to all, And every winter change to spring. So runs my dream: but what am I? An infant crying in the night: An infant crying for the light: And with no language but a cry."

In Memoriam - Tennyson

"The wish, that of the living whole No life may fail beyond the grave, Derives it not from what we have The likest God within the soul? Are God and Nature then at strife, That Nature lends such evil dreams? So careful of the type she seems, So careless of the single life; That I, considering everywhere Her secret meaning in her deeds, And finding that of fifty seeds She often brings but one to bear, I falter where I firmly trod, And falling with my weight of cares Upon the great world's altar-stairs That slope thro' darkness up to God, I stretch lame hands of faith, and grope, And gather dust and chaff, and call To what I feel is Lord of all, And faintly trust the larger hope."

In Memoriam - Tennyson

"In the summer of the year 1797, the Author, then in ill health, had retired to a lonely farmhouse between Porlock and Linton, on the Exmoor confines of Somerset and Devonshire. In consequence of a slight indisposition, an anodyne had been prescribed, from the effects of which he fell asleep in his chair at the moment that he was reading the following sentence, or words of the same substance, in Purchas's Pilgrimage: 'Here the Khan Kubla commanded a palace to be built, and a stately garden thereunto. And thus ten miles of fertile ground were inclosed with a wall.' The Author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awakening he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper, instantly and eagerly wrote down the lines that are here preserved. At this moment he was unfortunately called out by a person on business from Porlock, and detained by him above an hour, and on his return to his room, found, to his no small surprise and mortification, that though he still retained some vague and dim recollection of the general purport of the vision, yet, with the exception of some eight or ten scattered lines and images, all the rest had passed away like the images on the surface of a stream into which a stone has been cast, but, alas! without the after restoration of the latter!"

Intro to Kubla Khan - Coleridge

"A damsel with a dulcimer In a vision once I saw: It was an Abyssinian maid And on her dulcimer she played, Singing of Mount Abora. Could I revive within me Her symphony and song, To such a deep delight 'twould win me, That with music loud and long, I would build that dome in air, That sunny dome! those caves of ice! And all who heard should see them there, And all should cry, Beware! Beware! His flashing eyes, his floating hair! Weave a circle round him thrice, And close your eyes with holy dread For he on honey-dew hath fed, And drunk the milk of Paradise."

Kubla Khan - Coleridge

"In Xanadu did Kubla Khan A stately pleasure-dome decree: Where Alph, the sacred river, ran Through caverns measureless to man Down to a sunless sea."

Kubla Khan - Coleridge

"So twice five miles of fertile ground With walls and towers were girdled round; And there were gardens bright with sinuous rills, Where blossomed many an incense-bearing tree; And here were forests ancient as the hills, Enfolding sunny spots of greenery."

Kubla Khan - Coleridge

"With blackest moss the flower-plots Were thickly crusted, one and all; The rusted nails fell from the knots That held the pear to the gable-wall. The broken sheds look'd sad and strange: Unlifted was the clinking latch; Weeded and worn the ancient thatch Upon the lonely moated grange. She only said, 'My life is dreary, He cometh not,' she said; She said, 'I am aweary, aweary, I would that I were dead!' "

Mariana - Tennyson

"The principal object, then, which I proposed to myself in these Poems was to chuse incidents and situations from common life, and to relate or describe them, throughout, as far as was possible, in a selection of language really used by men; and, at the same time, to throw over them a certain colouring of imagination, whereby ordinary things should be presented to the mind in an unusual way; and, further, and above all, to make these incidents and situations interesting by tracing in them, truly though not ostentatiously, the primary laws of our nature: chiefly, as far as regards the manner in which we associate ideas in a state of excitement. Low and rustic life was generally chosen, because in that condition, the essential passions of the heart find a better soil in which they can attain their maturity, are less under restraint, and speak a plainer and more emphatic language; because in that condition of life our elementary feelings co-exist in a state of greater simplicity, and, consequently, may be more accurately contemplated, and more forcibly communicated; because the manners of rural life germinate from those elementary feelings; and, from the necessary character of rural occupations, are more easily comprehended, and are more durable; and lastly, because in that condition the passions of men are incorporated with the beautiful and permanent forms of nature."

Preface to Lyrical Ballads - Wordsworth

"Pile on the brown man's burden To gratify your greed; Go, clear away the "******s" Who progress would impede; Be very stern, for truly 'Tis useless to be mild With new-caught, sullen peoples, Half devil and half child. Pile on the brown man's burden; And, if ye rouse his hate, Meet his old-fashioned reasons With Maxims up to date. With shells and dumdum bullets A hundred times made plain The brown man's loss must ever Imply the white man's gain. Pile on the brown man's burden, compel him to be free; Let all your manifestoes Reek with philanthropy. And if with heathen folly He dares your will dispute, Then, in the name of freedom, Don't hesitate to shoot. Pile on the brown man's burden, And if his cry be sore, That surely need not irk you-- Ye've driven slaves before. Seize on his ports and pastures, The fields his people tread; Go make from them your living, And mark them with his dead. Pile on the brown man's burden, And through the world proclaim That ye are Freedom's agent-- There's no more paying game! And, should your own past history Straight in your teeth be thrown, Retort that independence Is good for whites alone."

The Brown Man's Burden - Labouchere

" 'For all day, the wheels are droning, turning, — Their wind comes in our faces, — Till our hearts turn, — our heads, with pulses burning, And the walls turn in their places Turns the sky in the high window blank and reeling — Turns the long light that droppeth down the wall, — Turn the black flies that crawl along the ceiling — All are turning, all the day, and we with all ! — And all day, the iron wheels are droning ; And sometimes we could pray, 'O ye wheels,' (breaking out in a mad moaning) 'Stop ! be silent for to-day!' "

The Cry of the Children - E. B. Browning

"But the young, young children, O my brothers, Do you ask them why they stand Weeping sore before the bosoms of their mothers, In our happy Fatherland?"

The Cry of the Children - E. B. Browning

"Do ye hear the children weeping, O my brothers, Ere the sorrow comes with years ? They are leaning their young heads against their mothers, — And that cannot stop their tears."

The Cry of the Children - E. B. Browning

"Dear is the memory of our wedded lives, And dear the last embraces of our wives And their warm tears: but all hath suffer'd change: For surely now our household hearths are cold, Our sons inherit us: our looks are strange: And we should come like ghosts to trouble joy. Or else the island princes over-bold Have eat our substance, and the minstrel sings Before them of the ten years' war in Troy, And our great deeds, as half-forgotten things. Is there confusion in the little isle? Let what is broken so remain. The Gods are hard to reconcile: 'Tis hard to settle order once again. There is confusion worse than death, Trouble on trouble, pain on pain, Long labour unto aged breath, Sore task to hearts worn out by many wars And eyes grown dim with gazing on the pilot-stars."

The Lotus Eaters - Tennyson

"For I, methought, while the sweet breath of heaven Was blowing on my body, felt within A correspondent breeze, that gently moved With quickening virtue, but is now become A tempest, a redundant energy, Vexing its own creation."

The Prelude - Wordsworth

"O there is blessing in this gentle breeze, A visitant that while it fans my cheek Doth seem half-conscious of the joy it brings From the green fields, and from yon azure sky. Whate'er its mission, the soft breeze can come To none more grateful than to me; escaped From the vast city, where I long had pined A discontented sojourner: now free, Free as a bird to settle where I will. What dwelling shall receive me? in what vale Shall be my harbour? underneath what grove Shall I take up my home? and what clear stream Shall with its murmur lull me into rest? The earth is all before me. With a heart Joyous, nor scared at its own liberty, I look about; and should the chosen guide Be nothing better than a wandering cloud, I cannot miss my way. I breathe again! Trances of thought and mountings of the mind Come fast upon me: it is shaken off, That burthen of my own unnatural self, The heavy weight of many a weary day Not mine, and such as were not made for me. Long months of peace (if such bold word accord With any promises of human life), Long months of ease and undisturbed delight Are mine in prospect; whither shall I turn, By road or pathway, or through trackless field, Up hill or down, or shall some floating thing Upon the river point me out my course?"

The Prelude - Wordsworth

"One end at least hath been attained - my mind hath been revived - and if this mood Desert me not, forthwith shall be brought down Through later years the story of my life. The road lies plain before me. 'Tis a theme Single and of determined bounds; and hence I choose it rather at this time, than work Of ampler or more varied argument, Where I might be discomfited and lost: And certain hopes are with me, that to thee This labour will be welcome, honoured Friend!"

The Prelude - Wordsworth

"She, in the midst of all, preserved me still A poet, made me seek beneath that name My office upon earth, and nowhere else."

The Prelude - Wordsworth

"Beyond the shadow of the ship, I watched the water-snakes: They moved in tracks of shining white, And when they reared, the elfish light Fell off in hoary flakes. Within the shadow of the ship I watched their rich attire: Blue, glossy green, and velvet black, They coiled and swam; and every track Was a flash of golden fire. O happy living things! no tongue Their beauty might declare: A spring of love gushed from my heart, And I blessed them unaware: Sure my kind saint took pity on me, And I blessed them unaware. The self-same moment I could pray; And from my neck so free The Albatross fell off, and sank Like lead into the sea."

The Rime of the Ancient Mariner - Coleridge

"It is an ancient Mariner, And he stoppeth one of three. 'By thy long grey beard and glittering eye, Now wherefore stopp'st thou me? The Bridegroom's doors are opened wide, And I am next of kin; The guests are met, the feast is set: May'st hear the merry din.' He holds him with his skinny hand, 'There was a ship,' quoth he. 'Hold off! unhand me, grey-beard loon!' Eftsoons his hand dropt he. He holds him with his glittering eye— The Wedding-Guest stood still, And listens like a three years' child: The Mariner hath his will. The Wedding-Guest sat on a stone: He cannot choose but hear; And thus spake on that ancient man, The bright-eyed Mariner. 'The ship was cheered, the harbour cleared, Merrily did we drop Below the kirk, below the hill, Below the lighthouse top. The Sun came up upon the left, Out of the sea came he! And he shone bright, and on the right Went down into the sea. Higher and higher every day, Till over the mast at noon—' The Wedding-Guest here beat his breast, For he heard the loud bassoon. The bride hath paced into the hall, Red as a rose is she; Nodding their heads before her goes The merry minstrelsy. The Wedding-Guest he beat his breast, Yet he cannot choose but hear; And thus spake on that ancient man, The bright-eyed Mariner."

The Rime of the Ancient Mariner - Coleridge

"The naked hulk alongside came, And the twain were casting dice; 'The game is done! I've won! I've won!' Quoth she, and whistles thrice. The Sun's rim dips; the stars rush out; At one stride comes the dark; With far-heard whisper, o'er the sea, Off shot the spectre-bark. We listened and looked sideways up! Fear at my heart, as at a cup, My life-blood seemed to sip! The stars were dim, and thick the night, The steersman's face by his lamp gleamed white; From the sails the dew did drip— Till clomb above the eastern bar The hornèd Moon, with one bright star Within the nether tip. One after one, by the star-dogged Moon, Too quick for groan or sigh, Each turned his face with a ghastly pang, And cursed me with his eye. Four times fifty living men, (And I heard nor sigh nor groan) With heavy thump, a lifeless lump, They dropped down one by one. The souls did from their bodies fly,— They fled to bliss or woe! And every soul, it passed me by, Like the whizz of my cross-bow! 'I fear thee, ancient Mariner!"

The Rime of the Ancient Mariner - Coleridge

"Take up the White Man's burden - Send forth the best ye breed - Go bind your sons to exile To serve your captives' need; To wait in heavy harness On fluttered folk and wild - Your new-caught sullen peoples, Half devil and half child. Take up the White Man's burden - In patience to abide To veil the threat of terror And check the show of pride; By open speech and simple, An hundred times made plain, To seek another's profit, And work another's gain.

The White Man's Burden - Kipling

"For nature then (The coarser pleasures of my boyish days And their glad animal movements all gone by) To me was all in all.—I cannot paint What then I was. The sounding cataract Haunted me like a passion: the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, nor any interest Unborrowed from the eye.—That time is past, And all its aching joys are now no more, And all its dizzy raptures. Not for this Faint I, nor mourn nor murmur; other gifts Have followed; for such loss, I would believe, Abundant recompense. For I have learned To look on nature, not as in the hour Of thoughtless youth; but hearing oftentimes The still sad music of humanity, Nor harsh nor grating, though of ample power To chasten and subdue.—And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused, Whose dwelling is the light of setting suns, And the round ocean and the living air, And the blue sky, and in the mind of man: A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows and the woods And mountains; and of all that we behold From this green earth; of all the mighty world Of eye, and ear,—both what they half create, And what perceive; well pleased to recognise In nature and the language of the sense The anchor of my purest thoughts, the nurse, The guide, the guardian of my heart, and soul Of all my moral being."

Tintern Abbey - Wordsworth

"It little profits that an idle king, By this still hearth, among these barren crags, Match'd with an aged wife, I mete and dole Unequal laws unto a savage race, That hoard, and sleep, and feed, and know not me. I cannot rest from travel: I will drink Life to the lees: All times I have enjoy'd Greatly, have suffer'd greatly, both with those That loved me, and alone, on shore, and when Thro' scudding drifts the rainy Hyades Vext the dim sea: I am become a name; For always roaming with a hungry heart Much have I seen and known; cities of men And manners, climates, councils, governments, Myself not least, but honour'd of them all; And drunk delight of battle with my peers, Far on the ringing plains of windy Troy. I am a part of all that I have met; Yet all experience is an arch wherethro' Gleams that untravell'd world whose margin fades For ever and forever when I move. How dull it is to pause, to make an end, To rust unburnish'd, not to shine in use! As tho' to breathe were life! Life piled on life Were all too little, and of one to me Little remains: but every hour is saved From that eternal silence, something more, A bringer of new things; and vile it were For some three suns to store and hoard myself, And this gray spirit yearning in desire To follow knowledge like a sinking star, Beyond the utmost bound of human thought."`

Ulysses - Tennyson

"This is my son, mine own Telemachus, To whom I leave the sceptre and the isle,— Well-loved of me, discerning to fulfil This labour, by slow prudence to make mild A rugged people, and thro' soft degrees Subdue them to the useful and the good. Most blameless is he, centred in the sphere Of common duties, decent not to fail In offices of tenderness, and pay Meet adoration to my household gods, When I am gone. He works his work, I mine."

Ulysses - Tennyson