Chapter 14

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The setting for Pietro Lorenzetti's BIRTH OF THE VIRGIN, which was a ________, represented an advance in worldly realism.

A detailed interior of an upper-class house

Who is the architect for the cathedral of Florence?

Arnolfo di Cambio

The Roman fresco tradition can best be seen in the work of which of the following artists?

Cavallini

Commissioned by the Sienese government, Ambrogio Lorenzetti's frescoes for the Palazzo Pubblico address the ______.

Civic concerns of the Sienese

Historian Giovanni Villani wrote in the 14th century that this city was the "daughter and creature of Rome," suggesting a preeminence inherited from the Roman Empire. Which of the following city-states does this phrase describe?

Florence

A familiar feature in French Gothic art, the loosely curved folds of the female saints in Duccio's VIRGIN AND CHILD ENTHRONED WITH SAINTS (MAESTÀ) is a feature of ______ art.

French Gothic

_______ sought to reconcile the illusion of a weighty three dimensional body and the illusion of space to contain it.

Giotto

Confraternities were _______ who dedicated themselves to strict religious observance.

Laypeople

The facial types, beards, and coiffures of ____ figures reveal the influence of classical relief sculpture.

Nicola Pisano's

Which of the following cities was considered the rightful capital of the Roman Catholic Church?

Rome

The artist ____ was instrumental in creating the International Gothic style.

Simone Martini

The most devastating natural disaster in Europe that broke out in the 1340's was _______.

The black death

Which of the following is a medieval element depicted on the pulpit for the baptistery of Pisa Cathedral?

Trefoil (triple-curved) arches

One of Giotto's innovations that moved away from the Italo-Byzantine style was the introduction of ____.

figures seen from the back

​The ____ of Duccio's figures from the Maestà was/were derived from Byzantine art.

formality and symmetry

Elements of Giotto's new style that appear in the Madonna Enthroned include ____.

statuesque figures that cast shadows

The Italian admiration for classical art resurfaced at ____.

the court of Frederick II

Andrea Pisano's south doors for Florence's baptistery were commissioned by ____.

the guild of wool importers

What did the humanist cult of fame emphasize?

The importance of creative individuals

The imagery of the Triumph of Death served as a warning against ____.

lust and greed


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