Sl
The effect of the passage's overall structure is to
present Ignatius' thought processes as they oc
In the context of the poem, which image most fully reflects the speaker's disapproval of the nei
"He moves in darkness" (line 41)
In line 6, "them" refers to
"hunters" (line 5)
In the last sentence of the first paragraph, Ignatius' reference to "theology and geometry" conveys which of the following?
His pretentious use of abstract concepts to justify his own preferences
The simile in lines 21-22 ("like...subtitles") primarily serves to illustrate
How crucial the work "like" is to peoples ability to communicate with each other
How does the speaker's repetition of the neighbor's cherished belief about the importance of walls (ines 27 and 45) convey the poem's criticism of an undesirable social pattern?
The speaker treats the neighbor's words about fences as evidence of a world view that is closed-minded in general.
Which of the following best describes how the contrast between Ignatius' and the narrator's perspectives contributes to the portrayal of Ignatius in the passage?
While Ignatius' own thoughts and opinions indicate that he is an unusual narrator's description extends his unconventionality to being n
In lines 1-2, the speaker describes "like" as a "semi-Demi goddess" primarily to emphasize the
almost religious devotion people have to collecting "likes" on social media
The repetition of versions of the word "like" at the end of each line of the poem primarily serves to
create humor through repetition that builds in effect
In the first sentence of the passage, the description of Ignatius' head as a "fleshy balloon" contributes to the n portrayal of Ignatius'
distasteful physical appearance
By juxtaposing the narrator's commentary on Ignatius' appearance with the narrator's account of Ignatius inner thoughts, the first two paragraphs of the passage highlight the inconsistency between Ignatius
judgmental attitude and his questionable clothes and grooming
In the second sentence of the first paragraph ("The green.. once"), the description of Ignatius earflaps as being like turn signals" contributes to the narrator's overall tone of
mockery
Ignatius' actions and thoughts in the final paragraph of the passage most clearly serve to convey hir
self-centered focus on his own needs
In context, Ignatius' observations contrasting his own clothing with that of the people around him (paragraph 3) m clearly serve to emphasize
the unconventional nature of Ignatius' priorities and values
In lines 26-27 ("Displaces.. nest", the metaphor of "endangered hatchlings" suggests that "Like*
threatens to eliminate more sophisticated language
In line 40 ("like.. armed"), the speaker uses a simile to draw attention to the contrast between
two distinct perspectives of the world
In line 40 ("like... armed"), the speaker uses a simile to draw attention to the contrast between
two distinct perspectives of the world
The repetition of line 1 ("Something ... wall") in line 35 most clearly reflects the speaker's
unfulfilled impulse to share his personal reflections with the neighbor