AH II: Module 3 Quiz

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Which of the following is NOT a characteristic of Baroque art? an interest in Classicism an appeal to the viewer's intellectual interests heightened dramatic effects different media used in a single work

***different media used in a single work

What was an effect of the Reformation on artists in Northern Europe during the sixteenth century? They began exploring new subject matter for art. All of the above. They produced smaller-scale paintings. They were forced to look for patrons outside the church.

All of the above

Gaulli had worked in his youth for the artist __________. Gentileschi Reni Bernini Caravaggio

Bernini

__________ was appointed Vatican architect in 1629 and was also able to continue accepting outside commissions because of his large workshop. Rubens Bernini Prandtauer Maderno

Bernini

The descriptions of Saint __________ informed Grünewald's paintings for the Isenheim Altarpiece. Clare Agnes Bridget Ann

Bridget

Which Italian artist became known in the Netherlands because of the influence he had on the Dutch painter Hendrick ter Brugghen? Bernini Annibale Carracci Caravaggio Gaulli

Caravaggio

What artist was most influential on George de la Tour and other French artists of the early seventeenth century? Rubens Carvaggio Rosso Fiorentino The Carracci

Carvaggio

The important role of women patrons during the Renaissance is particularly evident at __________. Chenonceau Fontainebleau Augsburg Wittenberg

Chenonceau

The Flemish artist __________ found favor in France as the royal portrait painter. Grünewald Durër Altdorfer Clouet

Clouet

__________ was unusual in that he worked for Protestant patrons and delighted in earthly things. Clouet Fontana Grünewald Cranach

Cranach

__________ was unusual in that he worked for Protestant patrons and delighted in earthly things. Cranach Fontana Clouet Grünewald

Cranach

Which German artist published theoretical writings and manuals on the technical concerns of painting? All of the above Dürer Grünewald Hans Baldung Grien

Dürer

In the seventeenth century after a period of relative autonomy, __________ returned to direct Spanish rule. Florence Paris Austria Flanders

Flanders

Francis I transformed a hunting lodge in __________ into a grand palace. Fontainebleau Augsburg Nantes Wittenberg

Fontainebleau

The use of the sacrificial Lamb of God in the Isenheim Altarpiece recalls the __________. Sistine Chapel Altarpiece in the Siena Cathedral Maestà Ghent Altarpiece

Ghent Altarpiece

The work of ________________in the sixteenth century continued the German tradition of medieval mysticism and emotional spirituality to create extraordinarily moving paintings. Riemenschneider Grünewald Fontana Stoss

Grunewald

How does Bernini's David (Fig. 22-4) distinguish itself from Renaissance images of the same subject? He depicts David at a dramatic moment of quiet contemplation. He based the figure on ancient sculptures of athletes. He captures the action of the figure moving through space. He shows David as a young contemporary man.

He captures the action of the figure moving through space.

How did Dürer contribute to the growth of Nuremberg as a key center of German goldsmithing? He created print advertisements for the Nuremberg metalworkers' guild. He produced a number of small-scale, exquisitely crafted works in gold. He lent his name to a family of goldsmiths who capitalized on his fame. He created designs for metalwork throughout his career.

He created designs for metalwork throughout his career

How did Rubens portray Marie de Medici in the series of portraits she commissioned? He represented her as a powerful Greek goddess in well-known myths. He emphasized her religious convictions by showing her praying and performing good deeds. He depicted her as a powerful presence who physically dominates each composition. He depicted scenes from her life as a continuous triumph overseen by Classical gods and goddesses.

He depicted scenes from her life as a continuous triumph overseen by Classical gods and goddesses.

A painting long thought to be the work of Franz Hals was recently discovered to be the work of ________. Leyste Caravaggio Gentileschi Rembrandt

Leyste

Pope Paul V commissioned __________ to provide Saint Peter's Basilica with a longer nave and a new façade. Borromini Cruyl Maderno Michelangelo

Maderno

The Banqueting House, Whitehall Palace (Fig. 22-57) demonstrates the influence of __________Classicizing style on Inigo Jones in England the Greek's Palladio's Lescot's Michelangelo's

Palladio's

Landscape painting became popular among ____________in the sixteenth century because, although it had no overt religious content, it could be seen as a reflection of God's works on earth. artists romantics Protestants Catholics

Protestants

Bernini's great sculptural grouping Saint Teresa of Ávila in Ecstasy (Figs. 22-1 and 22-5) is located in the Cornaro Chapel, Church of Santa Maria della Vittoria in the city of __________. Vienna Paris Rome Antwerp

Rome

Murillo worked in __________, despite its decline after an outbreak of the plague in 1649. Seville Antwerp Madrid Toledo

Seville

How do the paintings of the LeNain brothers in France differ from genre scenes by Dutch painters? They were bought by aristocrats. They reveal a more classicizing influence. They focus on the simple life of peasants. They emphasize dramatic lighting effects for symbolic purpose.

They focus on the simple life of peasants.

King Manuel I of Portugal commissioned Diogo de Arruda to create a church and sculpture in __________. Madrid Moura Tomar Lisbon

Tomar

Which of the following was NOT an architectural influence on Christopher Wren's design for St. Paul's Cathedral (Fig. 22-59)? Bramante Bernini Hardoin-Mansart Vignola

Vignola

The Hall of Mirrors (Fig. 22-51) at Versailles serves as__________________. a grand entrance meant to awe visitors to the palace a conduit between the King's original hunting lodge and the lateral wings added later a stage-like backdrop for the dramatic spectacle of Louis XIV's court a sacred space where God's presence is symbolized through reflected light all around

a stage-like backdrop for the dramatic spectacle of Louis XIV's court

Scholars believe that Bosch's Garden of Earthly Delights (Fig. 21-17) may be all of the following EXCEPT: a parable of human salvation using the metaphor of alchemy related to the theme of "the power of women" a visualization of a satirical poem by Jacob Cats an image of life in paradise

a visualization of a satirical poem by Jacob Cats

Claude Lorraine is known for his landscapes that typically include ______________. figures all of the above atmospheric lighting effects forms that zigzag through the composition to direct the viewer's eye

all of the above

Although Martin Luther never supported __________, many Protestant zealots destroyed sculpture, stained glass, and religious paintings they felt was idolatrous. empire renaissance legislature iconoclasm

iconoclasm

Hans Holbein is best known for his ________________________. portraits of nobles and diplomats in the Tudor court written survey of art history detailing the lives of artists in Northern Europe polychromed wooden sculptures detailed engravings and woodcuts

portraits of nobles and diplomats in the Tudor court

The text suggests that Dutch artist Caterina van Hemessen probably specialized in paintings of __________. religious subjects flowers and other botanical specimens portraits of women moral allegories

portraits of women

French academicians who favored classical principles of subject and design were known as __________. poussinistes (followers of Poussin) conservatives rubénistes (followers of Rubens) radicals

poussinistes

Genre scenes were popular in the Netherlands for their _______________. detailed depictions of flowers and fruit idealized portrayal of the peasant lifestyle symbolic references to moral virtues biting political satire

symbolic references to moral virtues

Which of the following was responsible for the spread of an Italianate tradition of Mannerism in painting and interior decoration throughout France and Northern Europe? the Cour Carrée at the Louvre the School of Fontainebleau Jean Clouet Francis I

the School of Fontainebleau

Bruegel's Return of the Hunters (page 702) is one of a cycle that included six large paintings focused on the theme of ______________. the months local landscapes peasant life the seasons

the months

What characteristic is common to both Bernini and Caravaggio's artwork? an emphasis on sculptural media all of the above tenebrism theatrical presentation of the subject

theatrical presentation of the subject

How did Riemenschneider's Altarpiece of the Holy Blood differ from earlier German traditions for wooden sculpture? his use of natural finishes his heightened naturalism his use of a Gothic framework for the sculpture his use of bright colors and gilding

use of natural finishes


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