Art History Survey 1 Midterm
Bull Leaping, from Palace of Knossos (Date)
1400 BCE
Façade, Temple of Ramses II, Abu Simbel (Date)
1450-1000 BCE
Throne of King Tutankhamun (Date)
1450-1000 BCE
Augustus of Primaporta (Date)
1st-2nd c. BCE
Figurine of a Woman (Date)
2500 BCE
Head of an Old Man from Osimo (Date)
2nd-1st c. BCE
Herakles and Telephos (Date)
2nd-1st c. BCE
Dying Warrior, East Pediment, Temple of Aphaia, Aegina (Style)
3 dimensional statue
Laocoőn (Date)
3rd-2nd c. BCE
Battle of Lapiths and Centaurs, Temple of Zeus, Olympia (Date)
5th c. BCE
Kritios Boy (Date)
5th c. BCE
Maidens, Parthenon Frieze (Date)
5th c. BCE
Parthenon (Date)
5th c. BCE
Polykleitos (artist), Doryphoros (Date)
5th c. BCE
Apollo of Veii (Date)
6th c. BCE
Dying Warrior, East Pediment, Temple of Aphaia, Aegina (Date)
6th c. BCE
Euphronios, Herakles and Antaios (Date)
6th c. BCE
Kouros of Anavysos (Date)
6th c. BCE
Amphora with Blinding of Polyphemus (Date)
7th c. BCE
Krater, Dipylon Cemetery (Date)
8th c. BCE
Bull Leaping, from Palace of Knossos (Culture)
Aegean
Figurine of a Woman (Culture)
Aegean
Throne of King Tutankhamun (Style)
Amarna period styles
Dying Warrior, East Pediment, Temple of Aphaia, Aegina (Period)
Archaic
Euphronios, Herakles and Antaios (Period)
Archaic
Kouros of Anavysos (Period)
Archaic
Kritios Boy (Style)
Cantrapasto
Battle of Lapiths and Centaurs, Temple of Zeus, Olympia (Period)
Classical
Kritios Boy (Period)
Classical
Maidens, Parthenon Frieze (Period)
Classical
Parthenon (Period)
Classical
Polykleitos (artist), Doryphoros (Period)
Classical
Battle of Gods and Giants, Pergamon Altar (Style)
Classical, dramatic dynamic poses
Figurine of a Woman (Period)
Cycladic
Battle of Gods and Giants, Pergamon Altar (Icon)
Depicts Olympian gods fighting the giants
Head of an Old Man from Osimo (Icon)
Depicts man of high societal importance
Façade, Temple of Ramses II, Abu Simbel (Icon)
Depicts statues of the pharoahs
Herakles and Telephos (Icon)
Depicts story of Herakles and his son beinf abandoned
Apollo of Veii (Icon)
Depicts the god Apollo
Laocoőn (Icon)
Depicts trojan priest, Laocoőn
Laocoőn (Style)
Dynamic poses, 3 dimensional sculpture
Façade, Temple of Ramses II, Abu Simbel (Culture)
Egypt
Throne of King Tutankhamun (Culture)
Egypt
Kouros of Anavysos (Icon)
Embodies greek ideal of perfect masculinity
Augustus of Primaporta (Period)
Empire
Apollo of Veii (Culture)
Etruscan
Apollo of Veii (Period)
Etruscan
Parthenon (Style)
Features a cotinuous sculpted frieze
Herakles and Telephos (Style)
Foreshortening, 3/4 poses
Throne of King Tutankhamun (Icon)
Found in tomb of king tut to aid him in afterlife
Krater, Dipylon Cemetery (Period)
Geometric
Figurine of a Woman (Style)
Geometric shapes, simplified, rigid, faceless
Amphora with Blinding of Polyphemus (Culture)
Greece
Battle of Gods and Giants, Pergamon Altar (Culture)
Greece
Battle of Lapiths and Centaurs, Temple of Zeus, Olympia (Culture)
Greece
Dying Warrior, East Pediment, Temple of Aphaia, Aegina (Culture)
Greece
Euphronios, Herakles and Antaios (Culture)
Greece
Kouros of Anavysos (Culture)
Greece
Krater, Dipylon Cemetery (Culture)
Greece
Kritios Boy (Culture)
Greece
Laocoőn (Culture)
Greece
Maidens, Parthenon Frieze (Culture)
Greece
Parthenon (Culture)
Greece
Polykleitos (artist), Doryphoros (Culture)
Greece
Kritios Boy (Icon)
Greek ideal of perfect forms
Battle of Gods and Giants, Pergamon Altar (Period)
Hellenistic
Laocoőn (Period)
Hellenistic
Maidens, Parthenon Frieze (Style)
High classical style
Bull Leaping, from Palace of Knossos (Period)
Minoan
Bull Leaping, from Palace of Knossos (Style)
Mosaic fresco style
Façade, Temple of Ramses II, Abu Simbel (Period)
New Kingdom
Throne of King Tutankhamun (Period)
New Kingdom
Amphora with Blinding of Polyphemus (Icon)
Odysseus succeeded in getting Polyphemus the cyclops drunk
Amphora with Blinding of Polyphemus (Period)
Orientalizing
Parthenon (Icon)
Place of worship for the Ancient Greeks
Polykleitos (artist), Doryphoros (Icon)
Polykleitos's design of what he considered the perfectly balanced proportions of the human body.
Augustus of Primaporta (Icon)
Promoted an era of peace
Euphronios, Herakles and Antaios (Style)
Red figure painting
Bull Leaping, from Palace of Knossos (Icon)
Represented an event where figures would jump over bulls
Head of an Old Man from Osimo (Period)
Republic
Herakles and Telephos (Period)
Republic
Façade, Temple of Ramses II, Abu Simbel (Style)
Return to traditional egyptian style
Kouros of Anavysos (Style)
Rigid posture, very defined figure, contrapasto
Augustus of Primaporta (Culture)
Rome
Head of an Old Man from Osimo (Culture)
Rome
Herakles and Telephos (Culture)
Rome
Procession, Ara Pacis (Culture)
Rome
Krater, Dipylon Cemetery (Icon)
Served as grave marker
Euphronios, Herakles and Antaios (Icon)
Shows Heracles wrestling the giant antaios
Dying Warrior, East Pediment, Temple of Aphaia, Aegina (Icon)
Shows Trojan king Laomedon after he was shot by Herakles
Battle of Lapiths and Centaurs, Temple of Zeus, Olympia (Icon)
Shows when centaurs were invited to a wedding
Krater, Dipylon Cemetery (Style)
Simplified geometric style
Maidens, Parthenon Frieze (Icon)
Thought to be wives
Figurine of a Woman (Icon)
To depict fertility and caretaking
Head of an Old Man from Osimo (Style)
Very deep realism
Amphora with Blinding of Polyphemus (Style)
Very dynamic poses, muscle definition, new shading style
Augustus of Primaporta (Style)
boyish features
Apollo of Veii (Style)
cantrapasto, painted terracotta
Polykleitos (artist), Doryphoros (Style)
contrapasto, realism, 3 dimensional sculpture
Battle of Lapiths and Centaurs, Temple of Zeus, Olympia (Style)
three dimensional, archaic smiles
