chapter 14 art history
(Figure 14 -20A) a. Or San Michele b. Orvieto Cathedral c. Florence Cathedral d. Siena Cathedral
a
(Figure 14 -6) a. Cimabue b. Giotto c. Bernardo Daddi d. Pietro Lorenzetti
a
. Simone Martini's rendition of Annunciation may have been inspired by ____. a. the etiquette of chivalric courts b. religious processions c. mystery plays d. public trials
a
A familiar feature in French Gothic art, the loosely curved folds of the female saints in Duccio's Virgin and Child Enthroned with Saints (Maestà) is a feature of ____ art. a. French Gothic b. Byzantine c. Giotto's d. classical
a
The ____ of Duccio's figures from the Maestà was/were derived from Byzantine art. a. formality and symmetry b. expressive movements c. elaborate gestures d. three-dimensionality
a
The facial types, beards, and coiffures of ____ figures reveal the influence of classical relief sculpture. a. Nicola Pisano's b. Giovanni Pisano's c. Berlinghieri's d. Pietro Cavallini's
a
The frontality, stiff poses, and lack of modeling as seen in Berlinghieri's Saint Francis Altarpiece reveals the ____ roots of his style. a. fundamentally medieval b. classical c. Byzantine d. Platonic
a
What did the humanist cult of fame emphasize? a. The importance of creative individuals b. The importance of a superior government c. The importance of strong leadership d. The importance of a good university system
a
Which of the following cities was considered the rightful capital of the Roman Catholic Church? a. Rome b. Avignon c. Florence d. Paris
a
Whose work is best characterized by the use of solid volumes resting firmly on the flat and horizontal surface of this earth? a. Giotto b. Francesco Traini c. Simone Martini d. Nicola Pisano
a
____ was the leading Roman painter at the end of the 13th century. a. Pietro Cavallini b. Duccio di Buoninsegna c. Giotto d. Bonaventura Berlinghieri
a
(Figure 14 -10) a. Cavallini b. Duccio c. Giotto d. Taddeo Gaddi
b
(Figure 14 -5) a. Bernardo Daddi b. Berlinghieri c. Cimabue d. Pietro Cavallini
b
Confraternities are ____ who dedicated themselves to strict religious observance. a. political action groups b. laypeople c. protectors of the king d. papal guards
b
In contrast to his father, Giovanni Pisano worked in a style derived from ____. a. the formalism of Byzantine traditions b. French Gothic art c. classical antiquity d. the medieval style
b
The Italian admiration for classical art resurfaced at ____. a. the Avignon papacy b. the court of Frederick II c. Pisa d. the Florentine Academy
b
The Roman fresco tradition can best be seen in the work of which of the following artists? a. Cimabue b. Cavallini c. Duccio d. Giotto
b
The imagery of the Triumph of Death served as a warning against ____. a. hermits b. lust and greed c. marriage d. diseases
b
(Figure 14 -12) a. Lamentation b. Entry into Jerusalem c. Betrayal of Jesus d. Money -Changer and His Wife
c
(Figure 14 -20) a. Brunelleschi b. Lorenzetti c. Pisano d. Ghiberti
c
(Figure 14-11) a. Giotto b. Simone Martini c. Duccio d. Ambrogio Lorenzetti
c
. Which city was at its height of political and economic power when it employed the talents of the sculptor Nicola Pisano? a. Siena b. Florence c. Pisa d. Ferrara
c
Andrea Pisano's south doors for Florence's baptistery were commissioned by ____. a. the guild of bronze workers b. Enrico Scrovegni c. the guild of wool importers d. the Franciscans
c
Elements of Giotto's new style that appear in the Madonna Enthroned include ____. a. slender and fragile figures b. heavily patterned drapery c. statuesque figures that cast shadows d. floating figures
c
In 1305, the College of Cardinals elected a pope from which of the following countries? a. Poland b. Spain c. France d. Italy
c
(Figure 14 -5A) a. San Giovanni b. San Paulo c. Siena d. San Francesco
d
(Figure 14 -9) a. Duccio b. Cimabue c. Piero Lorenzetti d. Giotto
d
(Figure 14-2) a. Giovanni Pisano b. Orcagna c. Giotto d. Nicola Pisano
d
. ____ sought to reconcile the illusion of a weighty three-dimensional body and the illusion of space to contain it. a. Duccio b. Pietro Cavallini c. Simone Martini d. Giotto
d
Commissioned by the Sienese government, Ambrogio Lorenzetti's frescoes for the Palazzo Pubblico address the ____. a. guild feuds b. the artist's position in society c. the plague d. civic concerns of the Sienese
d
In contrast to other monastic orders, the ____ lived and preached in urban environments. a. Carthusian b. Benedictine c. Cistercian d. Mendicant
d
The artist ____ was instrumental in creating the International Gothic style. a. Ambrogio Lorenzetti b. Cimabue c. Pietro Cavallini d. Simone Martini
d
The most devastating natural disaster in Europe that broke out in the 1340s was ____. a. mad cow disease b. the collapse of the linen market c. the failure of the Medici banks d. the Black Death
d
Which of the following cities established itself as a major shipping power? a. Rome b. Padua c. Siena d. Pisa
d
Who is the architect for the cathedral of Florence? a. Giotto b. Pietro Cavallini c. Orcagna (Andrea di Cione) d. Arnolfo di Cambio
d
