type 4-6
Most design programs have a default line spacing setting, called auto leading, which is around _______ percent of the point size
120
A general guide is to have in the neighborhood of ____ to ____ characters per line, but there are many exceptions to this rule
45 to 75
A rule of thumb for acceptable justified type is for the text to have a minimum of ______ characters per line, but this guideline varies depending upon how the copy flows, the overall length of words in the text, and the desired hyphenation preferences and settings
65
Assuming you select a font that was designed and intended for smaller settings, the average range for text settings is somewhere between ____ and ____ point and sometimes up to 14 point
8 and 12
______ _______ is the default setting in most design software, and the most common alignment for Latin-based language systems such as English
Flush left
______ _______ text is more difficult to read since our eyes have to follow a wavering left-hand margin when they move to the next line down the column
Flush right
_______ refers to the ease with which the characters, words, and designs as a whole can be read.
Legibility
______ is related to how the type is arranged
Readability
How you _____ your type has a huge effect on the readability and effectiveness of your piece
align
every job requires a different ___________
approach
the color of the type against its intended ___________ should also be taken into consideration when selecting a typeface, especially with text type
background
You should try different sizes of display typefaces and see what looks best and what ________ and complements the rest of your layout
balances
do start with a few ___________ typefaces and type families with all of the features you require (small caps, old style figures, swashes, fractions, etc.) and learn how to use them well
basic
Script and _____ typefaces are often used to invitations, announcements, headlines and initial letters; handwriting fonts are great for informal correspondence as well as for ads, brochures, websites and even motion graphics requiring a more persona, informal look
calligraphic
_______ _________ alignments style can be very effective when used for short blocks of copy, such as titles and headlines, subheads, invitations, announcements, posters and poetry
centered type
While some fonts can be adapted to a broad range of sizes with the help of a bit of tracking or kerning, others will either become hard to read or lose the defining _____ they were initially chosen for
characteristics
A well-designed typeface will have ______ design characteristics throughout
consistent
________ type is arranged in a particular shape for purely aesthetic reasons - it might be in random, geometric shapes or in the shape of an object
contoured
pairing typefaces of varying widths can create a powerful __________ when done thoughtfully
contrast
a ___________ typeface, such as a script, calligraphic, or handwriting font, or any display design that oozes personality, combines best with a more neutral face, oftentimes a sans.
decorative
to focus your design goals and subsequently identify the most appropriate typefaces for a job, start by identifying the age, interests, attention span, and other ___________ of your audience
demographics
the color and texture of a typeface is the overall grayness, or ___________ of a block of type
density
Without _________ characters to worry about, all caps beg to be set tighter than mixed-case settings
descending
Line spacing, to a certain degree, is style-based, having gone from rather open spacing in the days of metal type, to very tight spacing when prototype took its place, and back open again with _________ type
digital
________ type can, and should, generally have less leading, since as type gets larger, the negative spaces associated with line spacing appear progressively too large
display
The legibility of a typeface is related to the characteristics inherent in its design, including its x-height, character shapes, width, stroke contrast, the size of its counters, serifs or lack thereof, and weight, all of which relate to the ability to ___ one letter from another
distinguish
don't __________ your type with the features available in your design software
distort
T/F: A very basic guideline for text would be a maximum of 2 points leading up to 5 points
false
T/F: Combining a heavier with a lighter typestyle or weight is not a successful pairing
false
T/F: Line spacing should never be confused with leading
false
One of the preliminary steps in designing and laying out a page is _____
formatting
Justified text results in a very ________ block of copy that is something desirable
geometric
The first and foremost step in selecting a typeface is knowing your _____
goals
A novel approach is indenting a paragraph's first line or two or three deeper than the usual indent - even to a depth of ________ the column width
half
_______ indent is actually the opposite of an indent in that the first line hangs out to the left of the paragraph into the margin
hanging
A common place to change typefaces is when going from ____ to text
headline
Display, or _______, type is primarily meant to catch the eye quickly and draw the reader into the text.
headline
sometimes a design project cries out for a solution that either blends type with ___________ or creates an illustrative image with type in order to get a concept across in a strong, nonverbal way
illustration
An _______ is a graphic technique used to create a visual separation of thoughts between paragraphs
indent
different papers, surfaces, and finishes take ___________ differently, and can alter the appearance of the type, making it appear heavier or lighter, and in some cases, start to break it up entirely
ink
In _____ text, both the right and left margins align.
justified
even a typeface that is spaced properly has character combinations that are too open or too tight. these character pairs should be adjusted by the type designer in the actual font with the creation of ___________ __________
kern pairs
Line length and point size are interrelated, as line length should be somewhat determined by the point size in order to achieve maximum readability: the _________ the point size, the wider the acceptable line length
larger
____________ is a term from the days when type was set in metal and slugs of lead of varying thicknesses were inserted between the lines of metal type to add space between lines
leading
The _______ of the text should also be considered, as well as any constraints on the column width and depth, such as a preexisting grid or template
length
Display type, on the other hand, can forgo the extreme legibility and readability needed for _____ blocks of text for a stronger personality, elaborate and more expressive shapes, and a more stylish look
long
Make sure you take into consideration the intended printing _____, and what effect it will have on the type - especially the thin stroke and counters
method
combine typefaces when you want to visually emphasize or separate a thought, phrase, or text. A common ___________ is to use two or more faces that are very close in style, weight, or appearance, creating a subtle disturbance that detracts from the cohesiveness of the design
mistake
If the type is to be used in a _____, low resolution environment, be sure to try it out to see how it performs before making your final selection
non-print
When selecting a typeface for print, take into consideration the kind of ____ or surface it will be printing on
paper
Type has the power to make or break a job. Every typeface has a distinct _________ and conveys a different mood, message, or feeling
personality
don't let the way a typeface looks on a proof from your personal ___________ be the deciding factor in your selection, as it can look much heavier than actual printed piece.
printer
do consider __________ issues when selecting text type
production
The primary consideration when setting text is usually ________
readability
the right amount of word spacing allows a typestyle to be read easily without the words either running together or being separated by oversized white spaces that interrupt the color and reduce the overall ___________ of the design
readability
text type is designed to be legible and ___________ at small sizes. this usually implies fairly clean, consistent, uncomplicated design features; more open spacing than a display face; and thin strokes that hold up at smaller sizes
readable
don't tint type with delicate thin strokes; it might break up when ___________
reproduced
The practice of ________ paragraphs with an extra line space instead of an indent is often successfully and appropriately used in correspondence, in short pieces such as advertisements and introductory copy and on the web
separating
as a designer, your primary responsibility is to ________ the client using your design and problem-solving skills. it is not to make their job into your own personal award-winning design statement
serve
Don't "____ to fit"
set
Before beginning your typeface exploration, it is important to know its intended type ____ range
size
do consider how your type will look at the ___________ you are planning to use it
size
a typeface that is well ___________ is neither too tight nor too open at its intended size range, and, most importantly, has optically even spacing between characters throughout the design
spaced
Factors affecting type's readability include type size, line spacing, line length, alignment, letter spacing, and word ______
spacing
Line ______ refers to the vertical space between the lines of type. It is measured from baseline to baseline, and in print is usually measured in points
spacing
the members of type super families and systems usually have the same basic skeletal ___________ but with different finishing details, enabling them to work well together
structure
one of the safest ways to combine typefaces is by using a type ___________ ___________ or system that contains different variations on a theme, so to speak
super family
For some jobs, you might want to consider the use of a font family or ___________ that works for both text and display
system
T/F: A tried and true practice when combining type is to mix a serif with a sans serif
true
T/F: All caps can be set with little to no leading
true
T/F: Flush left is the style that is the most readable, primarily because it is the alignment that our eyes are most used to when reading from left to right
true
T/F: Some jobs require the kind of text treatment and interpretation that cannot be achieved with an existing font
true
T/F: Staying within the same typeface family can create smart pairings that support an effective typographic hierarchy while maintaining a consistent tone and personality
true
T/F: The indent is often omitted in the first paragraph of a page or a section, as there really is no need to separate the beginning of the text from anything other than another paragraph, but this is more a matter of style than correctness
true
T/F: When using a dingbat, the size of the dingbat and the space around it is essential to the success of the treatment
true
There are two main categories of ______: text and display
type
Different _____ attract a different audience - both overly and subliminally
typefaces
Do leave _____ space
white
Text that wraps around an illustration, photo, diagram, pull quote, or other graphic element is referred to as ______-________ text
wrap-around
The ______ of a font affects its legibility and will make different typefaces look larger or smaller at the same point size
x-height