Art history Ch18-19 test review

En plein air

A French term translating to painting outdoors. Which allows painters to show the fleeing affects of light and became popular when tend to or used to hold oil paint.

Supermatism

A Russian abstract art movement developed by Malevich. In 1915 characterized by simple geometric shapes and associated with ideas of spiritual purity. An example is the supremeatist painting (eight red rectangles) 1915 oil on canvas supreme

Pallete

A handheld support used by artist for storage and mixing the paint during the process of painting. Also: the choice of a range of colors made by an artist any particular work or typical of his or her style. In ancient Egypt and Flatstone used to grind and prepare make up

Watercolor

A painting technique in which pigments suspended in water or reply to absorbent paper creating an image that cannot be corrected or reworked. This technique was used by Homer in the blue boat

Rouen cathedral

A series of paintings by Monet in the Impressionist style during the 19 century where he painted the Cathedral at different times of the day to show the effect of light at different times on the various for sides of the cathedral. This was not Monets first attempt at a series of paintings but it was his most exhaustive. He painted them outside and then re-work to them in his various rented studios throughout Paris.

Painterly

A style of painting in which emphasis is placed on the techniques and surface a fax of the brushwork. Also color light and shade

Collage

A technique in which cut out paper forms often painted are printed and or found materials are pasted onto another surface. Also: an image created using this technique

Avant-garde

A term derived from the French military word meaning before the group or Vanguard. Off on Garden Oaks those artists or concepts of strikingly new, experimental, or radical nature for the time

Violin and palette

Braque. Cubism. 1909-1910 (20th c). Was said to reduce everything in his paintings to little cubes which gateway to the category of cubism. His work pointed Picasso in a new direction and soon B2 began an intimate working relationship that lasted until 1914. The move toward abstraction and simplification continued in a series of still life painting's produced over the next 2 1/2 years. In violin and pallet gradual abstraction of deep space and recognizable subject matter is underway. The still life items are not arranged any measured recession from foreground background but are pushed close to the Pictureplane. He needs a violin and artist palette and some sheet music together in a single shifting surface of forms and colors.

Historical events surrounding paintings

Burgher Of Calais: Rodin. 1884 to 1889 (19th century); bronze; sculpture His status as a major sculpture was confirmed when he won the competition for which this monument was constructed. It was commissioned by the city to commemorate an event from the hundred years war. It is a representation of King Edward the third of England offering to spare this each city if six leading citizens were to surrender themselves for execution The blue boat: depicts science from civil war in France Bottle of Suze: newspaper clippings were of the ten years war that started ww1

The blue boat

Buy American artist home or; although realism is the style that term was not used in the United States; he was in civil war reporter for Harpers bazaar while in France he adapted the realistic style and painted this watercolor. 1892 (19 century)

Monet

Founder of French impressionist painting. It emphasizes the expression of one's perception before nature Impression, sunrise

Renior

French artist who contributed to the development of the Impressionist style. He emphasized beauty and his artwork especially a feminine sensuality Moulin de la galette

Kirchner

German expressionist paneer and printmaker and one of the founders of the bridge a key group in leading the foundation of expressionism in the 20th century Street, Berlin

Bottle of Suze

Pablo Picasso 1912; pasted paper and charcoal; Cubism Represents synthetic cubism because of the way the art is created motives by combining simpler elements as any chemical synthesis. Like many of the works he created between 1912 and 14 this one is a collage or I were composed of separate elements pasted together. Newsprint and construction paper suggested Traer roundtable supporting a glass and a bottle of liquor with an actual label. Around this arrangement the Cosso posted large pieces of newspaper and wallpaper. The elements of the feeling of not only a place but a bar but also nativity: if you were alone with the newspaper enjoying a quiet drink. The newspaper clip making scooter this picture just wrapped up my mood as they refer to the first Balkan war which contributed to the outbreak of World War I.

Cubism

Picasso and Braque. Cubism was the most influential of all of the modernisms. And early 20th century art movement that revolutionize European painting and sculpture and inspired music literature and architecture. Objects are analyze broken up and reassembled in abstracted form instead of depicting objects from one viewpoint the artist the pics the subject from a multiple to viewpoints to represent the subject in greater context. Examples of this work include bottle of Suze and violin and pallet

Olympia

Oil on canvas: realism: Manet 1863 (19 century) reclining nude playing homage to Titans Venis: angular and flat versus round; in different look; cat versus dog in titans paining. She stares down on us as if in a position of power

Slide id: Moulin de la galette

Renoir ; 1876 (19 century) impressionist; oil on canvas. Upper middle-class people enjoying a meal at the pancake mill in Paris. Renoir like to focus on figure painting and his friend Monet taught him to move outdoors with his work

Slide ID:burghers of Calais.

Rodin. 1884 to 1889 (19th century); bronze; sculpture His status as a major sculpture was confirmed when he won the competition for which this monument was constructed. It was commissioned by the city to commemorate an event from the hundred years war. It is a representation of King Edward the third of England offering to spare this each city if six leading citizens were to surrender themselves for execution. Their facial expressions are saturated their arms are lengthened and have very large hands and feet. His willingness to stylize the human body for expressive purposes open the way for subsequent sculptural abstractions. He also removed the sculpture from a pedestal

Kadinsky

Russian art painter who was one of the first to experiment with abstract art improvisation 28

Impasto

Thickly apply paint that gives the quality of a three dimensional surface to a painting

Slide id: Starry night

Vincent van Gogh: 1889 (19 century); Post impressionism Used in Posto or thickly applied pigment giving his pictures a sense of physical energy and texture. Established a commune in France for like-minded artists. Had a violent confrontation with his friend Gaugin. Which led him to leave the commune. Van Gogh suffered psychological crisis ease and finally shot himself and 1890 Starry night was produced during the last year and a half of his life and testify to his heightened emotional state. He completed the painting near the asylum of Saint remy. The sky blazing with exploding stars high above the quiet town a certain Leamoore a record of what he felt than what he saw

Picture plane

The theoretical special plane corresponding with the actual surface of the painting

Analytic versus synthetic cubism

Analytical cubism was the first phase of cubism. The technique involved a close examination analysis of the subject in order to translated into flat geometric shapes angles and lines. Braque used this. The paintings appear to be busy with and interweaving of planes and lines was subjects broken up a fractured making them look rather like the surface of a crystal. They're painted using a limited range of dark colors mainly blacks and grays and there is very little total difference used. You don't see a lot of light and dark In synthetic cubism you see brighter colors, simpler lines and shapes, collages used alongside paint. Artist build up their pictures using collage and simple shape so instead of looking closely at an object such as a bottle in order to analyze it shape and structure they created a bottle like shape from their imagination making the shape from a simple paper cut out or draw online. Pablo Picasso use this in bottle of Suze

Representational

Any art that attempts to depict an aspect of the external natural world in visually understandable way

Non-representational

Art that does not attempt to reproduce the appearance of objects figures are scenes in the natural world. Also called nonobjective art

Postimpressionism

Cezzanne, Seurat, Gauguin, Van Gogh, laurtec Sought to create art with a greater degree of formal order and structure. This goal lead to the post impressionist to develop more abstract and expressive styles that would prove more highly influential for the development of modernist painting in the early 20th century. Some song art as a force for social commentary even as a way to promote social change. This caused it to be termed avant guard. Led to pointillism or divisionism as in a Sunday afternoon on the island of... As well as imposto that van Gogh used in the starry night

Barque

Cubist worked closely with Picasso Violin and pallet

Malevich

Dada movement in Russia Pioneer of geometric abstract art and the originator of the oven guard suprematist movement Supremaist painting (8 rd rectangles)

Summers day

Done by female painter Morist who was married to manets brother. She continued to paint even after marriage and the birth of her child. And dedicated her work to middle-class women. She used the painterly style. In Somers day she adopts the sketch as statics of impressionism dissolving forms into a flurry of Featherly brushstrokes. She saw equality for women and felt men refuse to give way

Van Gogh

Dutch postimpressionist artist his works carry lots of influence in the 20th century due to their portrayal of colors any motions. Used in Posto to create 3-D images on his paintings and texture The starry night

Preferences of the French salon

Early on artist had to first be received by the Academy by submitting an artwork to a jury and only those artists that were excepted by the Academy could show in salons. During the 19 century the salon frequently and cited criticism from artist for the Bland work while radical artist like Manet would not be received our greatly censored. The salon system forced radical and modern artist to seek alternative exhibition sites this is especially true for impressionist and fauvism.

The rehearsal on the ballet stage

Edgar degas; 1874(19c). Impressionist painter who did not work in the Impressionist style. Was a friend of Manet Who he met in 1862 and with A group of realists who eventually led him away from his traditional style of painting into realism. He was especially drawn to the ballet. This is not a factual rehearsal of a ballet but one he carefully choreographed himself. Because ballerinas generally came from lower-class families in the background you will see a proctor of one of the dancers. Ballet was considered low class because middle-class women would not feel it was respectable stew show that much of their bodies in public. The rehearsal is being viewed from an opera box close to the stage creating an abrupt for shortening of the scene emphasized by the darks scrolls that Jack up from the lower left. Also shows two more important influences of the time: the angular viewpoint from above comes from Japanese prints which she collected and the cropping of the figures for example with the ballerina on the left shows the influence of photography which she also practiced

Slide ID: scream

Edward Munch; 1910 (20th c); expressionism. Unforgettable image of modern alienation that radiates expressionist intensity of feeling. It is the stuff of nightmares. The expressive up traction a form in color in the painting reflects the influence of Gauguin

German expressionism

Edward munch. The scream is an example. Focuses on intensity of feeling. The art exaggerated aspects of form to e-book subject of emotions rather than a recent response but my capturing the energy that surrounded him the artist was able to portray this.

Picasso

Experimented with Cubism Bottle of Suze

Degas

Famous French artist regarded as one of the founders of Impressionism though he rejected the term and regarded himself as a real list The rehearsal on the ballet on stage

Morisot

Female friendship Painter married to the brother of Manet Impressionist but also used painterly due to her flurry of feathery brush strokes Summers day

japonism

He style in 19th-century French and American art that was highly influenced by Japanese art

Slide ID: joy of life

Henri Matisse, 1905-1096 (20th c); Oil on canvas; modernism Naked people dance make love communal nature and lounge in their ideal seaside Glade. Long flowing curves of trees and contours of nude body's animate the composition with continual movement and at the same time establish quality of serenity as a relief from the stress of modern-day life. Modernisms tendencies towards obstruction and at times goes as far as nonrepresentational art which communicates exclusively through such formal means as line shape color and texture avoiding any reference to the natural world are narrative subject matter. Modernism also has a tendency to emphasize the physical process of the artistic creation by highlighting the visibility of brushstrokes arches on Marks. Modernism also has a continual questioning of nature of the art itself through the adoption of new techniques and ordinary materials that breakdown distinctions between art and every day life.

Who were the american realists

Homer ( the blue boat). Civil war painter Thomas Eakins: the gross clinic Henry o tanner: the banjo lesson Demonic Lewis: forever free

Manet

Important artist in the transition from realism to Impressionism. Modern life subjects Olympia

Slide ID:Impression sunrise

Impressionist; Monet; 1872 (19 century); oil on canvas Was first shown at the first impressionist art exhibition in Paris in 1874. Exhibits the style of outdoor painting or plein de air

Slide ID: improvisation 28 (second version)

Kandinsky; 1912 (20th century); oil on canvas; expressionism Part of the blue riders Considered the color blue symbolic of spirituality and the mail principal

Street Berlin

Kirchner. 1913 oil on canvas. Die brucke ( the bridge) style which was the German counterpart to fauvism Called t a bridge bc. Civilization is precariously bounce between two contradictory states of being in the evolutionary process; progress and D generation. Street Berlin captures this dynamic paradox in a sharp critique of urban life. Dominating the left half of the painting are two prostitutes their profession by there lavish feathered hats and for trimmed coats driving past well-dressed men who are their potential clients. The immediacy of their hurried movement is conveyed through Kirchner slashing brushstrokes Although crowded together physically the figure seem isolated from one another psychologically. The rock colors tilted perspective an angular lines register Kershner's expressionistic response to the metropolis were Savitri can be masked by seemingly civilized behaviors

Slide ID: self-portrait as a soldier

Kirchner; expressionism, 1905 (2Oth c)

Slight ID: luncheon on the grass

Luncheon on the grass, Manet, realism, 1863 (19th century) oil on canvas

Venice chapel

Matisse From the years 1948 to 1951, legendary French artist Henri Matisse worked tirelessly on plans for the Chapelle du Rosaire de Vence, (the Chapel of the Rosary), designing every element if the building, from the exterior to the details of decoration. A culmination of his long artistic trajectory, it was the first time that a painter had entirely designed every detail of a Chapel in such a comprehensive way, and remains a potent manifestation of Matisse's artistic sensibility in his mature years.

Historical and scientific events at beginning of 20th century

Modern cities and technology were developing which lead to more color being used in class best paintings. Automobiles were being made. The machine age was developing: Ferdinand leger the three woman (19-11) represent this. The dada movement was a result of. The poor mood in Europe due to World War I. Skyscrapers began being built in the United States such as the flat iron building when the modernist movement came to the US

Slide id: les demoisellas d'avignon

Pablo Picasso; 1907 (20th century) oil on canvas ; cubism Cubism was the most influential of the modernist movement. It was the invention of Picasso and Braque and proved a launching pad for both artists allowing them to come in on modern life and investigate how we perceive the world around us. The painting above is considered one of the most powerful and complex paintings of the 20th century. The simplified features and wide almond shaped eyes of the three figures on the left reflect the Iberian influence while the two figures at the right were inspired by African masks. The painting makes its viewers uneasy. The women are shielded by masks flattened and fractured into sharp angular shapes. Also suggest that women are not the gentle passive creatures men would like for them to be. This viewpoint contradiction in during tradition prevalent at least since the renaissance of returning sexual availability in the female nude just as strongly as Picasso's treatment of space shatters their reliance on ordered and linear perspective equally standard since the same period. Most of his friends were horrified by his new work

Impressionism.

Painted in the open air in an effort to record directly the fleeting affects of light on the atmosphere. There aim was to render in pain and instantaneous impression of a fleeting moment. Some of the paintings looks almost like a sketch. Eventually Featherly brushstrokes were adopted as well. Monet, degas, Renoir, morisot

Slide id: monte saints victorie

Paul cezzanne. 1885 to 1887 (19th century) oil on canvas. Expressionism Cezzanne had to goal of. Making impressionism something solid and durable like art of the museums. He was influenced by the Impressionists but dedicated himself to objective transcription of what he called his sensation of nature. He did not try to capture the effect of light and atmosphere instead he created highly structured paintings through a careful and methodical application of color that merge drawing in modeling into a single process.

Slide id: Where do we come from what are we where are we going

Paul gauguin, post Impressionism. 1897 (19th c) Rejected impressionism and called his own style synthetism. His style synthesized observation of the subject in nature with the artist feelings about the subject expressed through the abstract line shape space and colors Gauguin indicated that the painting should be read from right to left, with the three major figure groups illustrating the questions posed in the title. The three women with a child represent the beginning of life; the middle group symbolizes the daily existence of young adulthood; and in the final group, according to the artist, "an old woman approaching death appears reconciled and resigned to her thoughts"; at her feet, "a strange white bird...represents the futility of words." The blue idol in the background apparently represents what Gauguin described as "the Beyond." Of its entirety he said, "I believe that this canvas not only surpasses all my preceding ones, but that I shall never do anything better—or even like it." The painting is an accentuation of Gauguin's trailblazing post-impressionistic style; his art stressed the vivid use of colors and thick brushstrokes, tenets of the impressionists (though the Impressionists focused on quick brushstrokes), while it aimed to convey an emotional or expressionistic strength. It emerged in conjunction with other avant-garde movements of the twentieth century, including cubism and fauvism.

A Sunday afternoon on the island of la grande jette

Post impressionism. Seraut; Oil on canvas; 1884 to 1886 (19th century). Oil on canvas This was one of the first paintings of the postimpressionist era which was considered to be avant-garde. Seraut devoted his life to correcting impressionism what she found two intellectually shallow into a improvisational. He belong to a group of artists and intellectuals who were setting theories of vision light and color and he apply those theories to his painting by juxtaposition of small strokes appear unblended collar and an almost abstract arrangement. This was called pointillism. The entire campus was painted using only 11 colors in three values. One scene from a distance at about 9 feet the picture retest figures in a park but when viewed closer range from about 3 feet the individual marks become more distinct and formerly recognizable form speaking to dissolve into abstraction.

Cezzane

Post impressionist painter who contributed to the transition from 19 century impression is into 20th-century Of artistic style called Cubism Still life with basket of apples

Seurat

Post impressionist painter. Who developed the pointillism approach which was considered a vanguard A Sunday afternoon on the island of....

Gauguin

Prominent French postimpressionist Payner, printmaker writer sculpture and ceramist. Where do we come from what are we where are we going

Expressionism

Styles which aspects of work of art are exaggerated to e-book subjective responses rather than to portray objective reality or seek a rational response

Munch

Symbolist paneer and printmaker an important figure in expressionist art The scream

Salon

The annual display of art by French artist in Paris during the 18th and 19th centuries. Established in the 17th century is a venue to show the work of members of the French Academy, the salon and it's judges establish the excepted official style of the time

For shortening

The illusion created on a flat surface and which figures and objects appear to receipt or project sharply into space. Accomplished cording to the rules of perspective

Fauvism

The style of the wild beasts. It loose group of early 20th century modern artist who works emphasized painterly qualities and strong color over representational or realistic values. Henri Matisse painted in the style. Wildbrush work with strident colors subject matter had a high degree of simplification an abstraction