Chapter 5-8 Art Appreciation

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Drawings can mean many things (107)

1.Sketches that record an idea or provide information about something the artist has seen. 2. Plans or preparatory studies for other projects, such as buildings, sculptures, crafts, paintings, plays, and films. 3. Fully developed and autonomous works of art

conte crayon

A square stick composed of compressed powdered graphite or charcoal mixed with a wax or clay base, square in cross-section.

Crayon

Any drawing material in stick form

kathe kollwitz "Self Portrait (1924)"

Black and white drawing of an old man doing a hand sign symbol of an o. German expressionist.

Gentile de Fabriano "Adoration of the Magi"

Catholic scene, wood. Baby Jesus and everyone else

Claudio Bravo "Package (1969)"

Charcoal, pastel, Sanguine. Its a Blue paper package tied in sting. No indication of dusty quality to the work.

zhao Xiaomo "Family by the lotus pond"

Chineese print maker uses blocks to create a complex, energetic compositions that stimulate oil paintings. Uses Shades of blue and white background.

Carol Prusa "Whirl" (108)

Complex intertwining and repetitive patterns of silverpoint, graphite, white acrylic paint across the acrylic domed surface.(Sketch)

Photograph of Ms. Mary Lou Furcrons House

Describes her way of living/life.

Why was pencil silverpoint preferred over pencil?

Egyptians ruled in favor of metallic lead

Miriam Schapiro "Maid of Honour"

Fabric and acrylic pigment. Celebration of women's experiences with sewing, quilting, needlework and decoration. Floral design

Roger Shimomura "untitled (1984)"

Famous cartoon characters all mingled together. Amusing clash of American and Japaneese pop cultures.

Roy Lichtenstein "George Washington"

Focused on paints clarity and perscision. Patterns, grays, lines.

mezzo tint

Half tint

Ando Hiroshige "Sudden rain at atake and ohashi"

Japaneese artist, achieved the finest detail in his works by choosing a close grained wood and by tightly controlling the movement of his carving tools. Clean-cut, uniform lines define the steady rain. Its a photo of people walking across a wooden bridge in the rain.

katsushika hokusai "boy playing flute"

Japaneese artist, painting of a young boy. emphasis on his clothes

Fang Lijun "Ink and wash painting #3"

Looks like an old man praising god walking on water.

Marc Brandenburg "untitled (2004)"

Micheal Jackson. emulates a photographic negative in its merticulous execution and sharp tonal contrasts. (pencil)

Giotto "Lamentation"

Mural of mary holding jesus on the ground angels, saints and people crowd around as jesus came off the cross.

Beverly Buchanan "Henriettes Yard"

OIl Pastel. Lovely constructed, light brush strokes. (shack, chicken, country, vibrant colors)

Acrylic Paint

Offers many of the advantages of oil paint, but without mess.

Gilbert Stuart "George Washington"

Painting of the one on the US dollar.

Lucas Samaras "Head #12"

Pastel on black paper (pure and intense). Arabian Face, black beard, greenish tint to face.

Dr. Suess "Cages cost money"

Political Cartoon. Nazi sign on animal in the cage. During WWII

Elizabeth Peyton "Marc (april)"

Realistic drawing of young man leaning on couch armrest (colored pencil)

Michealangelo "Studies for the Lybian Sybil"

Red Chalk. Portrait of a naked man hoping, with floating random body parts around him

Beverly Buchanan "Hometown shotgun shack" (wood/mixed media)

Represented organic and ever evolving structure.

Ralph Goings "Rock Ola"

Retro chrome surface at a diner interior.

gilding

The application of thinly hammered sheets of gold to the panel surface

Fresco

The art of painting on plaster

squeegee

The artist forces paint or ink through open areas of stencil with a flat rubber blended implement.

Kay walkingstick "solstice"

acrylic and wax on canvas. Native american symbol of a canoe, can also be viewed as a abstraction signifying shifting of seasons from autumn to winter.

water color

any painting medium that employed water as a solvent.

lithography

artist draws an image with a greesy crayon directly on a flat stoned slab.

Cheyney Tompson "Ink on paper, untitled (2003)" (106)

black on white, lots of shading, hard to make out what it is. (ink)

Adrian Piper "Self-portrait Exaggerating my negroid features"

black/white female. allows focus on genetic features. Challenges to confront prejustice about differences in race (pencil)

Beverly Buchanan & Mary lou Fucron

both builders of sculptures

Gino Severini "Dancer (1912)"

clean contours, distinct shapes evoke fragmented glimpses of a dancer wiring in space. Vibrant colors contrast with the black paper.

Helen Oji "Mount st. Hellens"

color and texture stimulates unbridled power of one of the worlds few active volcanoes

Georges pierre-seurat "at the concert europeen"

contrast of tones. looks like smudges for people on a stage with a conductor. white paper seems to illuminate the stage

Franz Gertruz "Silvia"

contrasting textures, sharp realism. Portait of a young hispanic woman.

George Condo and Mark Bardenburg

contrasting works, pencil can be manipulated to achieve dramatically different effects that compliment the subject.

George Condo "Study for the Jester"

cross hatching, wavy/ curly lines, quick zigzag scribbles comprise facial features. Looks like a scary disconfigured portrait of a man/robot.

CAI GUO-Qiang "Drawing for transcient rainbow"

dark brown dots in one circular patter on tinted brown paper.

Wash

diluted ink that typically is applied with a brush

Egyptian papyrus

drawings and ancient scrolls

wood engraving

effects differ significantly from those of woodcuts.

softground etching

employs a ground of softened wax, and can be used to render the effects of crayon or pencil drawings.

graphite

encased within wood or paper. Composed of ground dust mixed with clay that is baked until hardened.

Drypoint

engrazing with a simple twist.

Buon Fresco

executed on damp, lime plaster

David Hockney "Punchnello with block"

exercised gouching. Looks like a weird puppet next to a block looking off into the distance.

glaze

finishing coat over the tempera painting

charcoal

first used by cave men. Smudged or rubbed to create hazy effect.

Tempera

ground pigments mixed with a vehicle of egg yolk, to look thick and gooey.

gesso

ground was generally a combination of powdered chalk or plaster and animal glue.

Emil Nolde "Still life, Tulips"

he turned to water color when he was forbidden to pain by NAZIS in WWII

burin/graver

incision tools.

gauffrage

inkless intaglio.

intaglio

intaglio prints are created by using metal plates in which lines have been incised.

nib

mass produced metal tip

cartoon

means paper in italian

etching

minimal pressure is exerted to determine the depth of a line.

Karin Davie "Between my eyes and heart no.12"

oil pant. Warm colors, doesn't really look like anything just a bunch of curved lines.

silverpoint

oldest drawing medium (middle ages-1950s). Created by dragging a silver tipped implement over a surface that has been coated with a ground.

Encaustic

one of the first methods of applying color to a surface. Its pigment in a wax vehicle that has been heated to a liquid state.

Howardena pindell "Water/ancestors/Middle passage/family ghosts"

paint and fabric construction. Blue background with random bits of fabric and a center piece of a person.

Fresco Secco

painting on dry plaster

Quills

plucked from live birds

Magna artwork ex. japaneese print cartoons

realistic, looks like pop art with written expressions and dots on paper.

Jean Dubuffet "Garden"

scribbles of varying thickness outlying organic shapes. Looks like a man sitting on a bunch of trash

rosemarie trockel "untitled (1992)"

sculpture looking, but on paper (handprint piece)

Garry Kelly "Promotion for the Mississippi Delta Blues festival" mimics Archibald J. Motley Jr.'s Harlem jazz age. (107)

sensual and arithmetic pastel drawing, zigzag composition contributes to life and movement. Contrasts harsh suit with curvy woman in response to his music. (pastel)

Drawings

served artists as a kind of shorthand method for recording ideas.

Chen Xuhai "Golden Autumn"

signature landscape of an aging face. Wood cuts with short lines varying directions.

ground

sort of base layer-of bone dust-or chalk mixed with gum, water, and pigment.

John Matos "arcadia revisited"

spray paint on canvas. Parody of his own subway style in a complex canvas work.

serigraphy/silkscreen printing

stencils are used to create the design or image.

liftground

the artist creates the illusion that brush and ink drawing by actually brushing sugar and water onto a resin coated plate.

hatcher

the entire metal plate is worked over with a curved, multi toothed implement.

carication

the gross exaggeration and distortion of natural features

relief printing

the matrix is carved with knives or gouges.

woodcut

the oldest form of printmaking. Ancient Chinese stamped patterns onto textiles and paper using carved blocks.

aquaint

the subtle tonal graduations achieved by the mezzotint process can be duplicated with a much easier and quicker etching technique.

stylus

the wooden part of the pencil

Follower of Rebrandt van riji "Head of st. Matthew"

thick brush strokes, face. Big beard

Print

transferred image

aquarelle

transparent films of paint are applied to white, absorbent surface.

calligraphy

type of fancy writing

Dry Mediums (definition)

used in drawing include silverpoint, pencil, charcoal, chalk, pastel, and wax crayon.

engrazing

used to decorate metal surfaces. The depth of the line corresponds to the amount of force used to push or puller draw over a surface.

Fluid medium

used to make a drawing in ink

Photorealism

uses transparent watercolor ingeniously.

Honore Daumier "Council for the Defense"

variety of things used to make this piece. Taunting illustration of the theatrics employed by a defense attorney to win sympathy for his client.

Gouache

watercolor mixed with a high concentration of vehicle and an opaque ingredient such as chalk

Colored Pencil

wax like cores mixed with pigment and other substances surrounded.

Gabriel Orozco "Untitled (handprints)"

way of putting ink on paper

A Painting

work in which the primary aspect is liquid material applied to a surface with an implement.

Matrix

working surface, varies according to the printmaking technique.

Giovanni Battista Tiepolo "Hagar and Ishmael in the wilderness" v. Dubuffets Garden

you see the difference in the added areas of subtly washed tones.


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