CPAR EXAM
FERNANDO AMORSOLO
*FIRST NATIONAL ARTIST IN PAINTING* KNOWN FOR HIS LANDSCAPES WHICH *OFTEN PORTRAYED TRADITIONAL FILIPINO CUSTOMS, CULTURE, FIESTAS, AND OCCUPATIONS
ANTONIO J MOLINO
*HE IS THE FIRST NATIONAL ARTIST FOR MUSIC* HE BEGAN HIS MUSIC CAREER AS AN *ORCHESTRAL SOLOIST* MALIKMATA(TRANSFIGURATION)
MARK SALVATUS
*ISSUES OF URBANISM AND EVERYDAY POLITICS* HIS WORKS DEALS FROM USES OF MEDIA SUCH AS DRAWING, PHOTOGRAPHY, VIDEO TO INSTALLATION AND STREET ART IN INTERACTIVE AND PARTICIPATORY PROJECTS
NICANOR ABELARDO
*TRIUMVIRATE OF FILIPINO COMPOSERS* HE DEVELOPED A STYLE THAT *COMBINES EUROPE ROMANTICISM AND CHROMATICISM*
KOKO KAKA
A CHILDRENS PLAY THAT ILLUSTRATED THE VIRTUES OF KINDNESS AND COOPERATION
THEATER
A PERFORMING ARTS *THAT CONSISTS OF ACTING IN FRONT OF AUDIENCE*
GANGSA
A TYPE OF KALINGA GONG
YABING MASALON DULO
AKA FU YABING LIVED AS YOUTH IN MILIEU WITH A DENSITY OF STIMULI THAT ENCOURAGED SKILL AND IMAGINATION
FEDERICO CABALLERO
ALSO CALLED NONG PEDRING EPIC CHANTER HE IS KNOWN FOR HIS WORK ON THE DOCUMENTATION OF THE ORAL LITERATURE, PARTICULARLY THE EPICS OF HIS PEOPLE ALSO MANUGHUSAY *RECOGNIZED AS NATIONAL LIVING TREASURE IN THE YEAR 2000*
NATIONAL LIVING TREASURES AWARD
ALSO KNOWN AS GAMABA
MANUGHUSAY
AN ARBITER WHO HELPS RESOLVES DISPUTES AND CONFLICTS IN THE COMMUNITY
TEOFILO GARCIA
AN ILOCANO CASQUE MAKER KNOWN FOR CRAFTING HEADPIECE CALLED TABUNGHAW LEARNED AT 15
CLASSIC: WOOD STONE BRICK MODERN: CAST IRON STRUCTURAL STEEL REINFORCED CONCRETE
ARCHITECTURAL MATERIALS USED
YAKAN OF BASILAN
ARE KNOWN TO BE AMONG THE FINEST WEAVERS. THEY CREATE EYE CATCHING AND COLORFUL TEXTILES WITH TINY MOTIFS
ABACA FIBERS
BAGOBO FABRICS ARE MADE UP OF
ESTELITA BANTILAN
CALLED BY NICKNAME *PRINCESS* LIGHTNESS OF HEART, GENUINE RESPECTS FROM OTHER MAT WEAVERS
ESTELITAS DEMEANOR
CHARACTERIZED BY ALERTNESS AND FOCUS AND CALM THAT APPEARS TO PERMEATE HER ENTIRE BODY IS KEY TO UNDERSTANDING MAT WEAVING ITSELF
SEPUTANGAN
CLOTH IS A METER SQUARE IN SIZE WITH GEOMETRIC DESIGNS
BASAL
COMPOSED OF THE GIMBAL OR TUBULAR DRUM, SANANG OR PAIR OF SMALL GONGS,A ND ONE TO AGUNGS OR GONGS WITH WIDE TUNES
ORDER OF NATIONAL ARTISTS
CONSIDERED TO BE THE HIGHEST NATIONAL RECOGNITION GIVEN TO FILIPINO INDIVIDUALS WHO AHVE MADE SIGNIFICANT CONTRIBUTIONS TO THE DEVELOPMENT OF PHILIPPINE ARTS
SUWAH BEKKAT
CROSS STITCH LIKE EMBELLISHMENT
SINALU'AN
DESIGN OR CATEGORY OF WEAVE WITH STRIPES OF THE DIAMOND TWILL TECHNIQUE
LAMBERTO V AVELLAN
DIRECTOR FOR THEATER AND FILM, CALLED AS "THE BOY WONDER OF PHILIPPINE MOVIES" AS EARLY 1939 FIRST O USE MOTION PICTURE CAMERA
ILDEFONSO P SANTOS
DISTINGUISHED HIMSELF BY PIONEERING THE PRACTICE OF LANDSCAPE ARCHITECTURE IN THE PHILIPPINES
CONTEMPORARY DANCE
DRAWS ON BOTH CLASSICAL BALLET AND MODERN DANCE, WHEREAS POSTMODERN DANCE WAS A DIRECT AND OPPOSITE RESPONSE TO MODERN DANCE
MORO MORO
EARLIEST PERFORMING THEATER IN THE PHILIPPINES IT DEPICTS *BATTLE BETWEEN CHRISTIANS VS MOROS AS MUSLIMS
DOME POST AND LINTEL ARCH CANTILEVER TRUSS SYSTEM SHELL STRUCTURE
ELEMENTS OF ARCHITECTURE
SUWAH PENDAN
EMBROIDERY LIKE EMBELLISHMENT
ZARZUELA BANATU
EVERY YEAR AS A CELEBRATION OF BANATU FESTIVAL IN CABANATUAN CITY, DIFFERENT SCHOOLS IN THE SAID CITY PARTICIPATE IN A MUSICAL PLAY CALLED ZARZUELA IT IS TO SHOWCASE THEIR TALENTS IN DANCING, SINGING AND DANCING
JUAN NAKPIL
FATHER OF PHILIPPINE ARCHITECTURE
ILDEFONSO PAEZ SANTOS JR
FATHER OF PHILIPPINES *LANDSCAPE ARCHITECTURE*
PLAYS, MUSICAL, OPERA
FORMS OF THEATER
MASINO INTARAY
GAMABA 1993 HE CAME FROM THE INIDIGENOUS COMMUNITY OF SOUTHERN PALAWAN EXPERTISE WERE BASAL, KULIAL AND BAGIT
SAMAON SULAIMAN
GAMABA 1993 MASTER AT PLAYING KUTYAPI HE INFLUENCED AND TAUGHT OTHER COMMUNITY PEOPLE TO PLAY THE KUTYAPI AS WELL WHICH KEPT KUTYAPI ALIVE IN MINDANAO
UWANG AHADAS
GAMABA 2000 EXEMPLARY MUSICIAN OF YAKAN LAMITAN, BASILAN WHOSE EXPERTISE IS PLAYING *KWINTANGAN KAYU* DESPITE HAVING DEFECT IN EYESIGHT AND DIMMING VISION HE MANAGED TO PROMOTE AND PRESERVE THE MUSIC OF YAKAN
GAWAD SA MANLILIKHA NG BAYAN
GAMABA STANDS FOR
REPUBLIC ACT 7355
GAMABA WAS INSTITUTIONALIZED THROUGH
CARLOSS OTT
HE DESIGNED THE PROSCENIUM
ALONZO SACLAG
HE IS A LAINGA MASTER OF DANCE AND PERFORMING ARTS FOUNDER OF KALINGA BUDONG DANCE TROUPE 2000 GAMABA AWARDEE AWICHON
CHARLIE CO
HE IS A PRIDE OF NEGROS AND AN INTERNATIONALLY RENOWNED VISUAL ARTIST WHO HAS LONG BEEN RECOGNIZED AS A CHRONICLER OF OUR TIMES
RONALD VENTURA
HE IS AN AUCTION SENSATION HIS PAINTINGS AND SCULPTURES *FEATURE A COMPLEX LAYERING OF SYMBOLIC IMAGES OF THE NATIONAL IDENTITY OF THE PHILIPPINES*
FRANCIS MAGALONA
HE WAS FEATURED IN 3 STARS AND THE SUN THAT TELLS ABOUT *FILIPINO YOUTH SHOULD BE AWARE OF THE HISTORY OF THEIR COUNTRY AND VALUE THEIR NATIONAL HEROES*
FRANCISCO B. BUENCAMINO SR
HE WAS THE SON OF MUSICALLY INCLINED COUPLE, FORTUNATO BUENCAMINO AND LUISA BELTRAN HE CREATED THE BUENCAMINO MUSIC ACADEMY (1930) HE ALSO WROTE SEVERAL ZARZUELAS AND KUNDIMANS
PACITA ABAD
HER PAINTING IS *CHARACTERIZED BY COLOR, CONSTANT CHANGE AND EXPERIMENTATION* MOST EXTENSIVE BODY OF HER WORK IS HER *MIXED MEDIA PAINTED TEXTILE, ABSTRACT ASSEMBLAGES* AS WELL AS *TRAPUNTON PAINTINGS*
ABEL
HIGH QUALITY ILOCOS TEXTILE
JOSE MARIA V ZARAGOZA
HIS PLACE IN PHILIPPINE ARCHITECTURE HISTORY IS DEFINED BY A SIGNIFICANT BODY OF MODERN EDIFICES THAT ADDRESS SPIRITAL AND SECULAR REQUIREMENTS RELATED TO THE MODERN ECCLESIASTICAL ARCHITECTURE
ANASTIACIO CAEDO
HIS STYLE OF SCULPTURE WAS CLASSICAL REALIST IN THE TRADITION OF HIS MENTOR, GUILLERMO TOLENTINO
CONTEMPORARY DANCE
IS A *GENRE OF DANCE* PERFORMANCE THAT *DEVELOPED DURING THE MID TWENTIETH CENTURY
BUNGA SAMA
IS A DESIGN OR CATEGORY OF WEAVING WITH FLORAN AND BOLD DESIGNS
AMBAHAN
IS A POETIC LITERARY FROM COMPOSED OF SEVEN SYLLABLE LINES USED TO CONVEY MESSAGES THROUGH METAPHORS AND IMAGES IT USUALLY SUNG
PHILIPPINE ARCHITECTURE
IS A REFLECTION OF COUNTRY'S *HISTORICAL AND CULTURAL HERITAGE*
HARBOR POINT
IS A SHOPPING MALL IN SUBIC BAY FREEPORT ZONE IN ZAMBALES, PHILIPPINES OWNED BY PROPERTY OF AYALA LAND,INC
BAGIT
IS AN INSTRUMENTAL MUSIC REFLECTING SOUND AND MOVEMENT OF NATURE
MERCE CUNNINGHAM
IS CONSIDERED TO BE THE FIRST CHOREOGRAPHER TO "DEVELOP AN INDEPENDENT ATTITUDE TOWARDS MODERN DANCE' AND DEFY THE IDEAS THAT WERE ESTABLISHED BY IT
PHILIPPINE SCULPTURE
IS THE MOST FAMILIAR ART FORM AMONG FILIPINOS. FROM THE TRANSITIONAL CARVING OF ANITOS TO THE SANTOS TO CHIRST AND EVEN HEROES
MUSIC OF MINDORO
IT *REFLECTS HOW THE MANGYANS EXPRESS THEIR FEELINGS, ENVIRONMENTS, THEIR HISTORY AND THEIR SUPERNATURAL BELIEFS* THROUGH VOCAL AND MUSICAL INSTRUMENTS
MUSIC OF PALAWAN
IT EXPRESSES REVERANCE FOR THEIR SPIRITUAL AND NATURAL PHYSICAL WORLD THROUGH THE EPICS, CHANTS, NATURE SONGS AND INSTRUMENTS AS WELL HUMAN EXPERIENCE IS ALSO SHOWN IN THEIR LOVE SONGS
LAS CASAS FILIPINAS DE ACUZAR
IT IS A SPRAWLING COMPLEX THAT FEATURES 27 SPANISH ERA HERITAGE HOUSES KNOWN AS BAHAY NA BATO
KWINTANGAN KAYU
IT IS COMPOSED OF FIVE WOODEN LOGS OF DIFFERENT SIZES, ARRANGED FORM SHORTEST TO LARGEST AND HUNG HORIZONTALLY
PHILIPPINE ARENA
IT IS CONSIDERED AS THE WORLDS LARGEST INDOOR ARENA AND HAS BEEN DECLARED AS THE LARGEST MIXED USE INDOOR ARENA BY THE GUINNESS BOOK OF WORLD RECORDS
MUSIC OF THE LOWLANDS OF LUZON
IT REFLECTS THE IMPACT OF SPANISH COLONIATION AND HOW THE CHRISTIANITY AFFECTED THE RELIGIOUS PRACTICES OF THE ETHNOLINGUISTIC GROUP
MUSEO DE BALER
IT WAS CONSTRUCTED TO RE EXPERIENCE SOME IMPORTANT EVENTS IN THE HISTORY OF AURORA SUCH AS THE PHILIPPINE SPANISH FRIENDSHIP DAY AND THE POPULAR SIEGE OF BALER
MAGDALENA GAMAYO
TEXTILE WEAVER ILOCANO MASTER WEAVER EXPERTISE DWELL IN WEAVING HIGH QUALITY ILOCOS TEXTILE STARTED AT 16 FINER, MORE THREAD COUNTS AND MORE INTRICATE DESIGNS WITH UP TO 5 THREAD COLORS
LANG DULAY
TEXTILE WEAVER TNALAK WEAVER MANY CONSUMERS DEMANDED ON NON TRADITIONAL DESIGN OF TNALAK AND WEAVERS BECAUSE MODERN IS MORE EXPENSIVE STILL PRODUCED TRADITIONAL TNALAK TO PRESERVE STORY OF TBOLI AND ITS ART STARTED WEAVING AT AGE OF 12
ROCKING TO THE "ROCK OF AEGIS"
THE *ROCK/COMEDY MUSICAL PLAY HAPPENS TO BE ONE OF PETA'S *LONGEST RUNNING NPRODUCTION*
GAMABA
THE HIGHEST POLICY MAKING AND COORDINATING BODY OF THE PHILIPPINES FOR CULTURE AND THE ARTS AND TASKED WITH THE IMPLEMENTATION
3 STARS AND THE SUN
THE STORY IS ABOUT ENCLOSING THE WHOLE ARCHIPELAGO AS A PROTECTION AND YET IMPRISONING AND ISOLATING ITS CITIZENRY
KIKAY KALAYKAY
THIS PLAY WAS FIRST STAGED AT THE FLEUR DE LIS HALL OF THE SAINT PAUL UNIVERSITY DUMAGUETE CAMPUS
YAKAN
THIS WEAVING TRADITION IS BEST PERSONIFIED BY 73 EAR OLD VIRTUOSO AMBALANG AUSALIN
BAHAY NA BATO
TYPE OF HOUSE WHICH HAVE STONE FOUNDATIONS ON THE FIRST FLOOR AND MADE OF WOOD ON THE SECOND FLOOR
PROSCENIUM
ONE OF THE MOST AWAITED PRE SELLING PROJECTS BY ROCKWELL LAND
FRANCISCO SANTIAGO
KNOWN AS *"THE FATHER OF KUNDIMAN"* AND ONE OF THE *"TRIUMVIRATE FILIPINO COMPOSERS"* HE FINISHED HIS MUSIC SPECIALIZATION AT THE *AMERICAN CONSERVATORY OF MUSIC IN CHICAGO*
PEARL FARM BEACH RESORT
LOCATED IN SAMAL ISLAND OF DAVAO CITY, THE PEARL FARM BEACH RESORT IS BUILD ON WHAT WAS ONCE A FARM FOR CULTURING PEARLS
SM CITY CABANATUAN
LOCATED ON A FOUR HECTARE SITE IN BARANGAY H CONCEPCION ALONG MAHARLIKA HIGHWAY
KULILAL
LYRIC POEM ABOUT LOVE BEING SUNG WITH KUTYAPI
HAJA AMINA APPI
MAT WEAVER MASTER OF MAT WEAVER MADE UP OF PANDAN LEAVES WITH HER INTENSE PASSION FOR THE ART OF MAT WEAVING SHE PRODUCED UNIQUE AND MAGNIFICENT MATS PRESERVES PEOPLE ART
EDUARDO MUTUC
METALSMITH STARTED WOODCARVING AT 29 CREATED NUMEROUS WOOD CARVING AND METAL ART WITH RELIGIOUS AND SECULAR THEMES
BRENDA FAJARDO
MOST OF HER WORK CARRY *STRONG HISTORICAL AND NATIONALIST THEMES* AS WELL AS DEPIC OF FOLK AND MYTHOLOGICAL TALES
KWINTANGAN KAYU
MUSIC COMING FROM THIS IS BELIEVED TO CAUSE BOUNTIFUL HARVEST
NAPOLEON BILLY ABUEVA
NATIONAL ARTIST OF THE PHILIPPINES IN THE FIELD OF VISUAL ARTS
PHILIPPINE EDUCATIONAL THEATER ASSOCIATION
PETA STANDS FOR
JUAN F NAKPIL
PIONEER AND INNOVATOR IN PHILIPPINE ARCHITECTURE GAVE THE PRIVATE FILIPINO ARCHITECTS AND ENGINEERS THE OPPORTUNITY TO PARTICIPATE IN THE DESIGN AND EXECUTION OF GOVERNMENT PROJECTS
PABLO SABERO ANTONIO
PIONEERED MODERN ARCHITECTURE BASIC DESIGN IS GROUNDED ON SIMPLICITY MAXIMUM USE OF NATURAL LIGHT AND CROSS VENTILATION
DARHATA SAWABI
PIS YABIT WEAVER NEVER MARRIED WEAVING ONLY POSSIBLE SOURCE OF INCOME
CONTEMPORARY ARCHITECTURE
REFERS TO PRESENT DAY BUILDING SYLE
GUILLERMO E TOLENTINO
RENOWNED ARTIST KNOWN FOR TRANSFORMING HOPES AND ASPIRATIONS OF FREEDOM INTO ART
LEANDRO V LOCSIN
RESHAPED THE URBAN LANDSCAPE WITH A DISTINCTIVE ARCHITECTURE REFLECTIVE OF PHILIPPINE ART AND CULTURE HIS MAJOR WORKS CONTAIN THEMES OF FLOATING VOLUME, DUALITY OF LIGHT AND HEAVY, BUOYANT AND MASSIVE RUNNING
JULIE LLUCH
SCULPTOR KNOWN FOR HER EXPRESSIVE PORTRAYALS OF WOMEN IN CLAY
GAWAD AWARD
SEARCH FOR THE FINEST TRADITIONAL ARTISTS OF THE LAND ADOPTS A PROGRAM THAT WILL ENSURE THE TRANSFER OF THEIR SKILLS TO OTHERS UNDERTAKES MEASURES TO PROMOTE A GENUINE APPRECIATION OF TRADITIONAL ART AND CRAFT
APUH AMBALANG
SHE IS CALLED BY HER COMMUNITY OF WEAVERS IS HIGHLY ESTEEMED IN ALL OF LAMITAN CAN EXECUTE SUWAH BEKKAT AND SUWAH PENDAN
AMBALANG AUSALIN
SHE POSSESSES THE COMPLEX KNOWLEDGE OF THE ENTIRE WEAVING PROCESS
SURAT MANGYAN
SOUTHEAST ASIAN PRE COLONAL SCRIPT THE GAVE THE AMBAHAN PRESERVATION
SALITA MONON
STARTED AT 12 KNOWN FOR HER BAGOBO FABRICS WHICH IS MADE UP OF ABACA FIBERS BEST WEAVER IN HER COMMUNITY
BALLET, JAZZ, LYRICAL, MODERN
STYLES OF CONTEMPORARY DANCE
HUDHUD
VOCAL MUSIC OF CORDILLERA
FRANCISCO MANOSA
WAS A STRONG ADVOCATE OF INDIGENOUS ARCHITECTURE
GINAW BILOG
WAS HANNUO MANGYAN WHO WAS A NATIVE OF MANSALAY, ORIENTAL MINDORO MASTER OF AMBAHAN POETRY DIED AT AGE OF 50 DUE TO LINGERING ILLNESS
ABDULMARI IMAO
WAS NAMED NATIONAL ARTIST OF THE PHILIPPINES FOR SCULPTURE IN 2006. ALSO THE FIRST MORO TO RECEIVE THE RECOGNITION
RODEL TAPAYO
WEAVES *CONTEMPORARY REALITY WITH FOLK NARRATIVES IN A VIBRANT TABLEAUX* THAT DRAW INSPIRATION FORM HIS RESEARCH REGARDING FOLKTALES AND PRE COLONIAL HISTORY
YOUTH ADVOCATES THROUGH THEATER ARTS
YATTA STANDS FOR
