Victorian Identifications

Say not the struggle nought availeth: Clough

(TITLE) The labour and the wounds are vain, The enemy faints not, nor faileth, And as things have been they remain. If hopes were dupes, fears may be liars; It may be, in yon smoke conceal'd, Your comrades chase e'en now the fliers, And, but for you, possess the field. For while the tired waves, vainly breaking, Seem here no painful inch to gain, Far back, through creeks and inlets making, Comes silent, flooding in, the main. And not by eastern windows only, When daylight comes, comes in the light; In front the sun climbs slow, how slowly! But westward, look, the land is bright!

There is no God: Clough

(TITLE) "And truly it's a blessing, For what He might have done with us It's better only guessing." "There is no God," a youngster thinks, "or really, if there may be, He surely did not mean a man Always to be a baby." "There is no God, or if there is," The tradesman thinks, "'twere funny If He should take it ill in me To make a little money." "Whether there be," the rich man says, "It matters very little, For I and mine, thank somebody, Are not in want of victual." Some others, also, to themselves, Who scarce so much as doubt it, Think there is none, when they are well, And do not think about it. But country folks who live beneath The shadow of the steeple; The parson and the parson's wife, And mostly married people; Youths green and happy in first love, So thankful for illusion; And men caught out in what the world Calls guilt, in first confusion; And almost everyone when age, Disease, or sorrows strike him, Inclines to think there is a God, Or something very like Him.

To spend uncounted years of pain: Clough

(TITLE) Again, again, and yet again In working out in heart and brain The problem of our being here, To gather facts from far and near Upon the mind to hold them clear, And knowing more may yet appear Until one's latest breath to fear The premature result to draw - Is this the object, end, and law, And purpose of our being here?

I dreamed a dream: I dreamt that I espied: Clough

(TITLE) Upon a stone that was not rolled aside, A Shadow sit upon a grave—a Shade, As thin, as unsubstantial, as of old Came, the Greek poet told, To lick the life-blood in the trench Ulysses made— As pale, as thin, and said: 'I am the Resurrection of the Dead. The night is past, the morning is at hand, And I must in my proper semblance stand, Appear brief space and vanish,—listen, this is true, I am that Jesus whom they slew.' And shadows dim, I dreamed, the dead apostles came, And bent their heads for sorrow and for shame— Sorrow for their great loss, and shame For what they did in that vain name. And in long ranges far behind there seemed Pale vapoury angel forms; or was it cloud? that kept Strange watch; the women also stood beside and wept. And Peter spoke the word: 'O my own Lord, What is it we must do? Is it then all untrue? Did we not see, and hear, and handle Thee, Yea, for whole hours Upon the Mount in Galilee, On the lake shore, and here at Bethany, When Thou ascended to Thy God and ours?' And paler still became the distant cloud, And at the word the women wept aloud. And the Shade answered, 'What ye say I know not; But it is true I am that Jesus whom they slew, Whom ye have preached, but in what way I know not.'

I Look into My Glass: Hardy

(TITLE) And view my wasting skin, And say, "Would God it came to pass My heart had shrunk as thin!" For then, I, undistrest 5 By hearts grown cold to me, Could lonely wait my endless rest With equanimity. But Time, to make me grieve, Part steals, lets part abide; 10 And shakes this fragile frame at eve With throbbings of noontide.

To seem the stranger lies my lot, my life: Hopkins

(TITLE) Among strangers. Father and mother dear, Brothers and sisters are in Christ not near And he my peace my parting, sword and strife. England, whose honour O all my heart woos, wife 5 To my creating thought, would neither hear Me, were I pleading, plead nor do I: I wear- y of idle a being but by where wars are rife. I am in Ireland now; now I am at a thírd Remove. Not but in all removes I can 10 Kind love both give and get. Only what word Wisest my heart breeds dark heaven's baffling ban Bars or hell's spell thwarts. This to hoard unheard, Heard unheeded, leaves me a lonely began.

Thou are indeed just, Lord: Hopkins

(TITLE) if I contend With thee; but, sir, so what I plead is just. Why do sinners' ways prosper? and why must Disappointment all I endeavour end? Wert thou my enemy, O thou my friend, How wouldst thou worse, I wonder, than thou dost Defeat, thwart me? Oh, the sots and thralls of lust Do in spare hours more thrive than I that spend, Sir, life upon thy cause. See, banks and brakes Now, leavèd how thick! lacèd they are again With fretty chervil, look, and fresh wind shakes Them; birds build - but not I build; no, but strain, Time's eunuch, and not breed one work that wakes. Mine, O thou lord of life, send my roots rain.

The Blessed Damozel: D. Rossetti

(TITLE) leaned out From the gold bar of Heaven; Her eyes were deeper than the depth Of waters stilled at even; She had three lilies in her hand, And the stars in her hair were seven. Her robe, ungirt from clasp to hem, No wrought flowers did adorn, But a white rose of Mary's gift, For service meetly worn; Her hair that lay along her back Was yellow like ripe corn. Herseemed she scarce had been a day One of God's choristers; The wonder was not yet quite gone From that still look of hers; Albeit, to them she left, her day Had counted as ten years. (To one, it is ten years of years. . . . Yet now, and in this place, Surely she leaned o'er me — her hair Fell all about my face. . . . Nothing: the autumn-fall of leaves. The whole year sets apace.) It was the rampart of God's house That she was standing on; By God built over the sheer depth The which is Space begun; So high, that looking downward thence She scarce could see the sun. It lies in Heaven, across the flood Of ether, as a bridge. Beneath, the tides of day and night With flame and darkness ridge The void, as low as where this earth Spins like a fretful midge.

My own heart let me more have pity on: Hopkins

(TITLE) let Me live to my sad self hereafter kind, Charitable; not live this tormented mind With this tormented mind tormenting yet. I cast for comfort I can no more get 5 By groping round my comfortless, than blind Eyes in their dark can day or thirst can find Thirst 's all-in-all in all a world of wet. Soul, self; come, poor Jackself, I do advise You, jaded, let be; call off thoughts awhile 10 Elsewhere; leave comfort root-room; let joy size At God knows when to God knows what; whose smile 's not wrung, see you; unforeseen times rather—as skies Betweenpie mountains—lights a lovely mile.

Patience, hard thing!: Hopkins

(TITLE) the hard thing but to pray, But bid for, Patience is! Patience who asks Wants war, wants wounds; weary his times, his tasks; To do without, take tosses, and obey. Rare patience roots in these, and, these away, 5 Nowhere. Natural heart's ivy, Patience masks Our ruins of wrecked past purpose. There she basks Purple eyes and seas of liquid leaves all day. We hear our hearts grate on themselves: it kills To bruise them dearer. Yet the rebellious wills 10 Of us we do bid God bend to him even so. And where is he who more and more distils Delicious kindness?—He is patient. Patience fills His crisp combs, and that comes those ways we know.

Lift not the painted veil: Shelley

(TITLE) which those who live Call Life: though unreal shapes be pictured there, And it but mimic all we would believe With colours idly spread,--behind, lurk Fear And Hope, twin Destinies; who ever weave Their shadows, o'er the chasm, sightless and drear. I knew one who had lifted it--he sought, For his lost heart was tender, things to love, But found them not, alas! nor was there aught The world contains, the which he could approve. Through the unheeding many he did move, A splendour among shadows, a bright blot Upon this gloomy scene, a Spirit that strove For truth, and like the Preacher found it not.

Music, when soft voices die: Shelley

(TITLE), Vibrates in the memory; Odours, when sweet violets sicken, Live within the sense they quicken. Rose leaves, when the rose is dead, 5 Are heap'd for the belovèd's bed; And so thy thoughts, when thou art gone, Love itself shall slumber on.

I wake and feel the fell of dark: Hopkins

(TITLE), not day. What hours, O what black hoürs we have spent This night! what sights you, heart, saw; ways you went! And more must, in yet longer light's delay. With witness I speak this. But where I say 5 Hours I mean years, mean life. And my lament Is cries countless, cries like dead letters sent To dearest him that lives alas! away. I am gall, I am heartburn. God's most deep decree Bitter would have me taste: my taste was me; 10 Bones built in me, flesh filled, blood brimmed the curse. Selfyeast of spirit a dull dough sours. I see The lost are like this, and their scourge to be As I am mine, their sweating selves; but worse.

No worst, there is none: Hopkins

(TITLE). Pitched past pitch of grief, More pangs will, schooled at forepangs, wilder wring. Comforter, where, where is your comforting? Mary, mother of us, where is your relief? My cries heave, herds-long; huddle in a main, a chief Woe, wórld-sorrow; on an áge-old anvil wince and sing — Then lull, then leave off. Fury had shrieked 'No ling- ering! Let me be fell: force I must be brief."' O the mind, mind has mountains; cliffs of fall Frightful, sheer, no-man-fathomed. Hold them cheap May who ne'er hung there. Nor does long our small Durance deal with that steep or deep. Here! creep, Wretch, under a comfort serves in a whirlwind: all Life death does end and each day dies with sleep.

The Eve of St. Agnes: Keats

(TITLE)—Ah, bitter chill it was! The owl, for all his feathers, was a-cold; The hare limp'd trembling through the frozen grass, And silent was the flock in woolly fold: Numb were the Beadsman's fingers, while he told His rosary, and while his frosted breath, Like pious incense from a censer old, Seem'd taking flight for heaven, without a death, Past the sweet Virgin's picture, while his prayer he saith. His prayer he saith, this patient, holy man; Then takes his lamp, and riseth from his knees, And back returneth, meagre, barefoot, wan, Along the chapel aisle by slow degrees: The sculptur'd dead, on each side, seem to freeze, Emprison'd in black, purgatorial rails: Knights, ladies, praying in dumb orat'ries, He passeth by; and his weak spirit fails To think how they may ache in icy hoods and mails. Northward he turneth through a little door, And scarce three steps, ere Music's golden tongue Flatter'd to tears this aged man and poor; But no—already had his deathbell rung; The joys of all his life were said and sung: His was harsh penance on St. Agnes' Eve: Another way he went, and soon among Rough ashes sat he for his soul's reprieve, And all night kept awake, for sinners' sake to grieve.

Ode to the West Wind: Shelley

(TITLE-ish), thou breath of Autumn's being— Thou from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes!—O thou 5 Who chariotest to their dark wintry bed The wingèd seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o'er the dreaming earth, and fill 10 (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill— Wild Spirit, which art moving everywhere— Destroyer and Preserver—hear, O hear! Thou on whose stream, 'mid the steep sky's commotion, 15 Loose clouds like earth's decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning! they are spread On the blue surface of thine airy surge, Like the bright hair uplifted from the head 20 Of some fierce Mænad, ev'n from the dim verge Of the horizon to the zenith's height— The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, 25 Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst:—O hear! Thou who didst waken from his summer-dreams The blue Mediterranean, where he lay, 30 Lull'd by the coil of his crystalline streams, Beside a pumice isle in Baiæ's bay, And saw in sleep old palaces and towers Quivering within the wave's intenser day, All overgrown with azure moss, and flowers 35 So sweet, the sense faints picturing them! Thou For whose path the Atlantic's level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know 40 Thy voice, and suddenly grow gray with fear And tremble and despoil themselves:—O hear! If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share 45 The impulse of thy strength, only less free Than thou, O uncontrollable!—if even I were as in my boyhood, and could be The comrade of thy wanderings over heaven, As then, when to outstrip thy skiey speed 50 Scarce seem'd a vision,—I would ne'er have striven As thus with thee in prayer in my sore need. O lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chain'd and bow'd 55 One too like thee—tameless, and swift, and proud. Make me thy lyre, ev'n as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep autumnal tone, 60 Sweet though in sadness. Be thou, Spirit fierce, My spirit! be thou me, impetuous one! Drive my dead thoughts over the universe, Like wither'd leaves, to quicken a new birth; And, by the incantation of this verse, 65 Scatter, as from an unextinguish'd hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken'd earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?

Ode on Melancholy: Keats

1. NO, no, go not to Lethe, neither twist Wolfs-bane, tight-rooted, for its poisonous wine; Nor suffer thy pale forehead to be kiss'd By nightshade, ruby grape of Proserpine; Make not your rosary of yew-berries, 5 Nor let the beetle, nor the death-moth be Your mournful Psyche, nor the downy owl A partner in your sorrow's mysteries; For shade to shade will come too drowsily, And drown the wakeful anguish of the soul. 10 2. But when the melancholy fit shall fall Sudden from heaven like a weeping cloud, That fosters the droop-headed flowers all, And hides the green hill in an April shroud; Then glut thy sorrow on a morning rose, 15 Or on the rainbow of the salt sand-wave, Or on the wealth of globed peonies; Or if thy mistress some rich anger shows, Emprison her soft hand, and let her rave, And feed deep, deep upon her peerless eyes. 20 3. She dwells with Beauty—Beauty that must die; And Joy, whose hand is ever at his lips Bidding adieu; and aching Pleasure nigh, Turning to poison while the bee-mouth sips: Ay, in the very temple of Delight 25 Veil'd Melancholy has her sovran shrine, Though seen of none save him whose strenuous tongue Can burst Joy's grape against his palate fine; His soul shall taste the sadness of her might, And be among her cloudy trophies hung.

That there are powers above us I admit: Clough

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Before Parting: Swinburne

A month or twain to live on honeycomb Is pleasant; but one tires of scented time, Cold sweet recurrence of accepted rhyme, And that strong purple under juice and foam Where the wine's heart has burst; Nor feel the latter kisses like the first. Once yet, this poor one time; I will not pray Even to change the bitterness of it, The bitter taste ensuing on the sweet, To make your tears fall where your soft hair lay All blurred and heavy in some perfumed wise Over my face and eyes. And yet who knows what end the scythèd wheat Makes of its foolish poppies' mouths of red? These were not sown, these are not harvested, They grow a month and are cast under feet And none has care thereof, As none has care of divided love. I know each shadow of your lips by rote, Each change of love in eyelids and eyebrows; The fashion of fair temples tremulous With tender blood, and colour of your throat; I know not how love is gone out of this, Seeing that all was his. Love's likeness there endures upon all these: But out of these one shall not gather love. Day hath not strength nor the night shade enough To make love whole and fill his lips with ease, As some bee-builded cell Feels at filled lips the heavy honey swell. I know not how this last month leaves your hair Less full of purple colour and hid spice, And that luxurious trouble of closed eyes Is mixed with meaner shadows and waste care; And love, kissed out by pleasure, seems not yet Worth patience to regret.

England in 1819: Shelley

An old, mad, blind, despised, and dying King; Princes, the dregs of their dull race, who flow Through public scorn,—mud from a muddy spring; Rulers who neither see nor feel nor know, But leechlike to their fainting country cling Till they drop, blind in blood, without a blow. A people starved and stabbed in th' untilled field; An army, whom liberticide and prey Makes as a two-edged sword to all who wield; Golden and sanguine laws which tempt and slay; Religion Christless, Godless—a book sealed; A senate, Time's worst statute, unrepealed— Are graves from which a glorious Phantom may Burst, to illumine our tempestuous day.

The Mask of Anarchy: Shelley

As I lay asleep in Italy There came a voice from over the Sea, And with great power it forth led me To walk in the visions of Poesy. I met Murder on the way— He had a mask like Castlereagh— Very smooth he looked, yet grim ; Seven blood-hounds followed him : All were fat ; and well they might Be in admirable plight, For one by one, and two by two, He tossed them human hearts to chew Which from his wide cloak he drew. Next came Fraud, and he had on, Like Lord Eldon, an ermined gown ; His big tears, for he wept well, Turned to mill-stones as they fell. And the little children, who Round his feet played to and fro, Thinking every tear a gem, Had their brains knocked out by them. Clothed with the Bible, as with light, And the shadows of the night, Like Sidmouth, next, Hypocrisy On a crocodile rode by. And many more Destructions played In this ghastly masquerade, All disguised, even to the eyes, Like Bishops, lawyers, peers, and spies. Last came Anarchy : he rode On a white horse, splashed with blood ; He was pale even to the lips, Like Death in the Apocalypse. And he wore a kingly crown ; And in his grasp a sceptre shone ; On his brow this mark I saw— 'I AM GOD, AND KING, AND LAW!'

As Kingfishers Catch Fire: Hopkins

As kingfishers catch fire, dragonflies draw flame; As tumbled over rim in roundy wells Stones ring; like each tucked string tells, each hung bell's Bow swung finds tongue to fling out broad its name; Each mortal thing does one thing and the same: Deals out that being indoors each one dwells; Selves — goes itself; myself it speaks and spells, Crying Whát I dó is me: for that I came. I say móre: the just man justices; Keeps grace: thát keeps all his goings graces; Acts in God's eye what in God's eye he is — Chríst — for Christ plays in ten thousand places, Lovely in limbs, and lovely in eyes not his To the Father through the features of men's faces.

Nuptial Sleep: D. Rossetti

At length their long kiss severed, with sweet smart: And as the last slow sudden drops are shed From sparkling eaves when all the storm has fled, So singly flagged the pulses of each heart. Their bosoms sundered, with the opening start Of married flowers to either side outspread From the knit stem; yet still their mouths, burnt red, Fawned on each other where they lay apart. Sleep sank them lower than the tide of dreams, And their dreams watched them sink, and slid away. Slowly their souls swam up again, through gleams Of watered light and dull drowned waifs of day; Till from some wonder of new woods and streams He woke, and wondered more: for there she lay.

Natura Naturans: Clough

BESIDE me,—in the car,—she sat, She spake not, no, nor looked to me From her to me, from me to her, What passed so subtly, stealthily? As rose to rose that by it blows Its interchanged aroma flings; Or wake to sound of one sweet note The virtues of disparted strings. Beside me, nought but this!—but this, That influent as within me dwelt Her life, mine too within her breast, Her brain, her every limb she felt We sat; while o'er and in us, more And more, a power unknown prevailed, Inhaling, and inhaled,—and still 'Twas one, inhaling or inhaled. Beside me, nought but this;—and passed; I passed; and know not to this day If gold or jet her girlish hair, If black, or brown, or lucid-grey Her eye's young glance: the fickle chance That joined us, yet may join again; But I no face again could greet As her's, whose life was in me then. As unsuspecting mere a maid As, fresh in maidhood's bloomiest bloom, In casual second-class did e'er By casual youth her seat assume; Or vestal, say, of saintliest clay, For once by balmiest airs betrayed Unto emotions too, too sweet To be unlingeringly gainsaid: Unowning then, confusing soon With dreamier dreams that o'er the glass Of shyly ripening woman-sense Reflected, scarce reflected, pass, A wife may-be, a mother she In Hymen's shrine recals not now, She first in hour, ah, not profane, With me to Hymen learnt to bow. Ah no!—Yet owned we, fused in one, The Power which e'en in stones and earths By blind elections felt, in forms Organic breeds to myriad births; By lichen small on granite wall Approved, its faintest feeblest stir Slow-spreading, strengthening long, at last Vibrated full in me and her. In me and her—sensation strange! The lily grew to pendent head, To vernal airs the mossy bank Its sheeny primrose spangles spread, In roof o'er roof of shade sun-proof Did cedar strong itself outclimb, And altitude of aloe proud Aspire in floreal crown sublime; Flashed flickering forth fantastic flies, Big bees their burly bodies swung, Rooks roused with civic din the elms, And lark its wild reveillez rung; In Libyan dell the light gazelle, The leopard lithe in Indian glade, And dolphin, brightening tropic seas, In us were living, leapt and played: Their shells did slow crustacea build, Their gilded skins did snakes renew, While mightier spines for loftier kind Their types in amplest limbs outgrew; Yea, close comprest in human breast, What moss, and tree, and livelier thing, What Earth, Sun, Star of force possest, Lay budding, burgeoning forth for Spring. Such sweet preluding sense of old Led on in Eden's sinless place The hour when bodies human first Combined the primal prime embrace, Such genial heat the blissful seat In man and woman owned unblamed, When, naked both, its garden paths They walked unconscious, unashamed: Ere, clouded yet in mistiest dawn, Above the horizon dusk and dun, One mountain crest with light had tipped That Orb that is the Spirit's Sun; Ere dreamed young flowers in vernal showers Of fruit to rise the flower above, Or ever yet to young Desire Was told the mystic name of Love.

Andrea del Sarto: Browning

But do not let us quarrel any more, No, my Lucrezia; bear with me for once: Sit down and all shall happen as you wish. You turn your face, but does it bring your heart? I'll work then for your friend's friend, never fear, Treat his own subject after his own way, Fix his own time, accept too his own price, And shut the money into this small hand When next it takes mine. Will it? tenderly? Oh, I'll content him,—but to-morrow, Love! I often am much wearier than you think, This evening more than usual, and it seems As if—forgive now—should you let me sit Here by the window with your hand in mine And look a half-hour forth on Fiesole, Both of one mind, as married people use, Quietly, quietly the evening through, I might get up to-morrow to my work Cheerful and fresh as ever. Let us try. To-morrow, how you shall be glad for this! Your soft hand is a woman of itself, And mine the man's bared breast she curls inside. Don't count the time lost, neither; you must serve For each of the five pictures we require: It saves a model. So! keep looking so— My serpentining beauty, rounds on rounds! —How could you ever prick those perfect ears, Even to put the pearl there! oh, so sweet— My face, my moon, my everybody's moon, Which everybody looks on and calls his, And, I suppose, is looked on by in turn, While she looks—no one's: very dear, no less. You smile? why, there's my picture ready made, There's what we painters call our harmony! A common greyness silvers everything,— All in a twilight, you and I alike —You, at the point of your first pride in me (That's gone you know),—but I, at every point; My youth, my hope, my art, being all toned down To yonder sober pleasant Fiesole. There's the bell clinking from the chapel-top; That length of convent-wall across the way Holds the trees safer, huddled more inside; The last monk leaves the garden; days decrease, And autumn grows, autumn in everything. Eh? the whole seems to fall into a shape As if I saw alike my work and self And all that I was born to be and do, A twilight-piece. Love, we are in God's hand. How strange now, looks the life he makes us lead; So free we seem, so fettered fast we are! I feel he laid the fetter: let it lie! This chamber for example—turn your head— All that's behind us! You don't understand Nor care to understand about my art, But you can hear at least when people speak: And that cartoon, the second from the door —It is the thing, Love! so such things should be— Behold Madonna!—I am bold to say.

Echo: C. Rossetti

Come to me in the silence of the night; Come in the speaking silence of a dream; Come with soft rounded cheeks and eyes as bright As sunlight on a stream; Come back in tears, O memory, hope, love of finished years. O dream how sweet, too sweet, too bitter sweet, Whose wakening should have been in Paradise, Where souls brimfull of love abide and meet; Where thirsting longing eyes Watch the slow door That opening, letting in, lets out no more. Yet come to me in dreams, that I may live My very life again though cold in death: Come back to me in dreams, that I may give Pulse for pulse, breath for breath: Speak low, lean low As long ago, my love, how long ago.

Pied Beauty: Hopkins

GLORY be to God for dappled things— For skies of couple-colour as a brinded cow; For rose-moles all in stipple upon trout that swim; Fresh-firecoal chestnut-falls; finches' wings; Landscape plotted and pieced—fold, fallow, and plough; 5 And áll trádes, their gear and tackle and trim. All things counter, original, spare, strange; Whatever is fickle, freckled (who knows how?) With swift, slow; sweet, sour; adazzle, dim; He fathers-forth whose beauty is past change: 10 Praise him.

The Scholar-Gipsy: Arnold

Go, for they call you, shepherd, from the hill; Go, shepherd, and untie the wattled cotes! No longer leave thy wistful flock unfed, Nor let thy bawling fellows rack their throats, Nor the cropp'd herbage shoot another head. But when the fields are still, And the tired men and dogs all gone to rest, And only the white sheep are sometimes seen Cross and recross the strips of moon-blanch'd green. Come, shepherd, and again begin the quest! Here, where the reaper was at work of late— In this high field's dark corner, where he leaves His coat, his basket, and his earthen cruse, And in the sun all morning binds the sheaves, Then here, at noon, comes back his stores to use— Here will I sit and wait, While to my ear from uplands far away The bleating of the folded flocks is borne, With distant cries of reapers in the corn— All the live murmur of a summer's day. Screen'd is this nook o'er the high, half-reap'd field, And here till sun-down, shepherd! will I be. Through the thick corn the scarlet poppies peep, And round green roots and yellowing stalks I see Pale pink convolvulus in tendrils creep; And air-swept lindens yield Their scent, and rustle down their perfumed showers Of bloom on the bent grass where I am laid, And bower me from the August sun with shade; And the eye travels down to Oxford's towers. And near me on the grass lies Glanvil's book— Come, let me read the oft-read tale again! The story of the Oxford scholar poor, Of pregnant parts and quick inventive brain, Who, tired of knocking at preferment's door, One summer-morn forsook His friends, and went to learn the gipsy-lore, And roam'd the world with that wild brotherhood, And came, as most men deem'd, to little good, But came to Oxford and his friends no more. But once, years after, in the country-lanes, Two scholars, whom at college erst he knew, Met him, and of his way of life enquired; Whereat he answer'd, that the gipsy-crew, His mates, had arts to rule as they desired The workings of men's brains, And they can bind them to what thoughts they will. "And I," he said, "the secret of their art, When fully learn'd, will to the world impart; But it needs heaven-sent moments for this skill." This said, he left them, and return'd no more.— But rumours hung about the country-side, That the lost Scholar long was seen to stray, Seen by rare glimpses, pensive and tongue-tied, In hat of antique shape, and cloak of grey, The same the gipsies wore. Shepherds had met him on the Hurst in spring; At some lone alehouse in the Berkshire moors, On the warm ingle-bench, the smock-frock'd boors Had found him seated at their entering, But, 'mid their drink and clatter, he would fly. And I myself seem half to know thy looks, And put the shepherds, wanderer! on thy trace; And boys who in lone wheatfields scare the rooks I ask if thou hast pass'd their quiet place; Or in my boat I lie Moor'd to the cool bank in the summer-heats, 'Mid wide grass meadows which the sunshine fills, And watch the warm, green-muffled Cumner hills, And wonder if thou haunt'st their shy retreats. For most, I know, thou lov'st retired ground! Thee at the ferry Oxford riders blithe, Returning home on summer-nights, have met Crossing the stripling Thames at Bab-lock-hithe, Trailing in the cool stream thy fingers wet, As the punt's rope chops round; And leaning backward in a pensive dream, And fostering in thy lap a heap of flowers Pluck'd in shy fields and distant Wychwood bowers, And thine eyes resting on the moonlit stream. And then they land, and thou art seen no more!— Maidens, who from the distant hamlets come To dance around the Fyfield elm in May, Oft through the darkening fields have seen thee roam, Or cross a stile into the public way. Oft thou hast given them store Of flowers—the frail-leaf'd, white anemony, Dark bluebells drench'd with dews of summer eves, And purple orchises with spotted leaves— But none hath words she can report of thee. And, above Godstow Bridge, when hay-time's here In June, and many a scythe in sunshine flames, Men who through those wide fields of breezy grass Where black-wing'd swallows haunt the glittering Thames, To bathe in the abandon'd lasher pass, Have often pass'd thee near Sitting upon the river bank o'ergrown; Mark'd thine outlandish garb, thy figure spare, Thy dark vague eyes, and soft abstracted air— But, when they came from bathing, thou wast gone! At some lone homestead in the Cumner hills, Where at her open door the housewife darns, Thou hast been seen, or hanging on a gate To watch the threshers in the mossy barns. Children, who early range these slopes and late For cresses from the rills, Have known thee eyeing, all an April-day, The springing pasture and the feeding kine; And mark'd thee, when the stars come out and shine, Through the long dewy grass move slow away. In autumn, on the skirts of Bagley Wood— Where most the gipsies by the turf-edged way Pitch their smoked tents, and every bush you see With scarlet patches tagg'd and shreds of grey, Above the forest-ground called Thessaly— The blackbird, picking food, Sees thee, nor stops his meal, nor fears at all; So often has he known thee past him stray, Rapt, twirling in thy hand a wither'd spray, And waiting for the spark from heaven to fall. And once, in winter, on the causeway chill Where home through flooded fields foot-travellers go, Have I not pass'd thee on the wooden bridge, Wrapt in thy cloak and battling with the snow, Thy face tow'rd Hinksey and its wintry ridge? And thou has climb'd the hill, And gain'd the white brow of the Cumner range; Turn'd once to watch, while thick the snowflakes fall, The line of festal light in Christ-Church hall— Then sought thy straw in some sequester'd grange. But what—I dream! Two hundred years are flown Since first thy story ran through Oxford halls, And the grave Glanvil did the tale inscribe That thou wert wander'd from the studious walls To learn strange arts, and join a gipsy-tribe; And thou from earth art gone Long since, and in some quiet churchyard laid— Some country-nook, where o'er thy unknown grave Tall grasses and white flowering nettles wave, Under a dark, red-fruited yew-tree's shade. —No, no, thou hast not felt the lapse of hours! For what wears out the life of mortal men? 'Tis that from change to change their being rolls; 'Tis that repeated shocks, again, again, Exhaust the energy of strongest souls And numb the elastic powers. Till having used our nerves with bliss and teen, And tired upon a thousand schemes our wit, To the just-pausing Genius we remit Our worn-out life, and are—what we have been. Thou hast not lived, why should'st thou perish, so? Thou hadst one aim, one business, one desire; Else wert thou long since number'd with the dead! Else hadst thou spent, like other men, thy fire! The generations of thy peers are fled, And we ourselves shall go; But thou possessest an immortal lot, And we imagine thee exempt from age And living as thou liv'st on Glanvil's page, Because thou hadst—what we, alas! have not. For early didst thou leave the world, with powers Fresh, undiverted to the world without, Firm to their mark, not spent on other things; Free from the sick fatigue, the languid doubt, Which much to have tried, in much been baffled, brings. O life unlike to ours! Who fluctuate idly without term or scope, Of whom each strives, nor knows for what he strives, And each half lives a hundred different lives; Who wait like thee, but not, like thee, in hope. Thou waitest for the spark from heaven! and we, Light half-believers of our casual creeds, Who never deeply felt, nor clearly will'd, Whose insight never has borne fruit in deeds, Whose vague resolves never have been fulfill'd; For whom each year we see Breeds new beginnings, disappointments new; Who hesitate and falter life away, And lose to-morrow the ground won to-day— Ah! do not we, wanderer! await it too? Yes, we await it!—but it still delays, And then we suffer! and amongst us one, Who most has suffer'd, takes dejectedly His seat upon the intellectual throne; And all his store of sad experience he Lays bare of wretched days; Tells us his misery's birth and growth and signs, And how the dying spark of hope was fed, And how the breast was soothed, and how the head, And all his hourly varied anodynes. This for our wisest! and we others pine, And wish the long unhappy dream would end, And waive all claim to bliss, and try to bear; With close-lipp'd patience for our only friend, Sad patience, too near neighbour to despair— But none has hope like thine! Thou through the fields and through the woods dost stray, Roaming the country-side, a truant boy, Nursing thy project in unclouded joy, And every doubt long blown by time away. O born in days when wits were fresh and clear, And life ran gaily as the sparkling Thames; Before this strange disease of modern life, With its sick hurry, its divided aims, Its heads o'ertax'd, its palsied hearts, was rife— Fly hence, our contact fear! Still fly, plunge deeper in the bowering wood! Averse, as Dido did with gesture stern From her false friend's approach in Hades turn, Wave us away, and keep thy solitude! Still nursing the unconquerable hope, Still clutching the inviolable shade, With a free, onward impulse brushing through, By night, the silver'd branches of the glade— Far on the forest-skirts, where none pursue, On some mild pastoral slope Emerge, and resting on the moonlit pales Freshen thy flowers as in former years With dew, or listen with enchanted ears, From the dark tingles, to the nightingales! But fly our paths, our feverish contact fly! For strong the infection of our mental strife, Which, though it gives no bliss, yet spoils for rest; And we should win thee from thy own fair life, Like us distracted, and like us unblest. Soon, soon thy cheer would die, Thy hopes grow timorous, and unfix'd thy powers, And thy clear aims be cross and shifting made; And then thy glad perennial youth would fade, Fade and grow old at last, and die like ours. Then fly our greetings, fly our speech and smiles! —As some grave Tyrian trader, from the sea, Descried at sunrise an emerging prow Lifting the cool-hair'd creepers stealthily, The fringes of a southward-facing brow Among the Ægæan Isles; And saw the merry Grecian coaster come, Freighted with amber grapes, and Chian wine, Green, bursting figs, and tunnies steep'd in brine— And knew the intruders on his ancient home, The young light-hearted masters of the waves— And snatch'd his rudder, and shook out more sail; And day and night held on indignantly O'er the blue Midland waters with the gale, Betwixt the Syrtes and soft Sicily, To where the Atlantic raves Outside the western straits; and unbent sails There, where down cloudy cliffs, through sheets of foam, Shy traffickers, the dark Iberians come; And on the beach undid his corded bales.

Soliloquy of the Spanish Cloister: Browning

Gr-r-r — there go, my heart's abhorrence! Water your damned flower-pots, do! If hate killed men, Brother Lawrence, God's blood, would not mine kill you! What? your myrtle-bush wants trimming? Oh, that rose has prior claims — Needs its leaden vase filled brimming? Hell dry you up with its flames! At the meal we sit together; Salve tibi! I must hear Wise talk of the kind of weather, Sort of season, time of year: Not a plenteous cork-crop: scarcely Dare we hope oak-galls, I doubt; What's the Latin name for "parsley?" What's the Greek name for Swine's Snout? Whew! We'll have our platter burnished, Laid with care on our own shelf! With a fire-new spoon we're furnished, And a goblet for ourself, Rinsed like something sacrificial Ere 'tis fit to touch our chaps — Marked with L. for our initial! (He-he! There his lily snaps!) Saint, forsooth! While brown Dolores Squats outside the Convent bank With Sanchicha, telling stories, Steeping tresses in the tank, Blue-black, lustrous, thick like horsehairs, — Can't I see his dead eye glow, Bright as 'twere a Barbary corsair's? (That is, if he'd let it show!) When he finishes refection, Knife and fork he never lays Cross-wise, to my recollection, As do I, in Jesu's praise. I the Trinity illustrate, Drinking watered orange-pulp — In three sips the Arian frustrate; While he drains his at one gulp. Oh, those melons? If he's able We're to have a feast! so nice! One goes to the Abbot's table, All of us get each a slice......

The Garden of Prosperine: Swinburne

Here, where the world is quiet; Here, where all trouble seems Dead winds' and spent waves' riot In doubtful dreams of dreams; I watch the green field growing For reaping folk and sowing, For harvest-time and mowing, A sleepy world of streams. I am tired of tears and laughter, And men that laugh and weep; Of what may come hereafter For men that sow to reap: I am weary of days and hours, Blown buds of barren flowers, Desires and dreams and powers And everything but sleep. Here life has death for neighbour, And far from eye or ear Wan waves and wet winds labour, Weak ships and spirits steer; They drive adrift, and whither They wot not who make thither; But no such winds blow hither, And no such things grow here. No growth of moor or coppice, No heather-flower or vine, But bloomless buds of poppies, Green grapes of Proserpine, Pale beds of blowing rushes Where no leaf blooms or blushes Save this whereout she crushes For dead men deadly wine. Pale, without name or number, In fruitless fields of corn, They bow themselves and slumber All night till light is born; And like a soul belated, In hell and heaven unmated, By cloud and mist abated Comes out of darkness morn. Though one were strong as seven, He too with death shall dwell, Nor wake with wings in heaven, Nor weep for pains in hell; Though one were fair as roses, His beauty clouds and closes; And well though love reposes, In the end it is not well. Pale, beyond porch and portal, Crowned with calm leaves, she stands Who gathers all things mortal With cold immortal hands; Her languid lips are sweeter Than love's who fears to greet her To men that mix and meet her From many times and lands. She waits for each and other, She waits for all men born; Forgets the earth her mother, The life of fruits and corn; And spring and seed and swallow Take wing for her and follow Where summer song rings hollow And flowers are put to scorn. There go the loves that wither, The old loves with wearier wings; And all dead years draw thither, And all disastrous things; Dead dreams of days forsaken, Blind buds that snows have shaken, Wild leaves that winds have taken, Red strays of ruined springs. We are not sure of sorrow, And joy was never sure; To-day will die to-morrow; Time stoops to no man's lure; And love, grown faint and fretful, With lips but half regretful Sighs, and with eyes forgetful Weeps that no loves endure. From too much love of living, From hope and fear set free, We thank with brief thanksgiving Whatever gods may be That no life lives for ever; That dead men rise up never; That even the weariest river Winds somewhere safe to sea. Then star nor sun shall waken, Nor any change of light: Nor sound of waters shaken, Nor any sound or sight: Nor wintry leaves nor vernal, Nor days nor things diurnal; Only the sleep eternal In an eternal night.

Thyrsis: Arnold

How changed is here each spot man makes or fills! In the two Hinkseys nothing keeps the same; The village street its haunted mansion lacks, And from the sign is gone Sibylla's name, And from the roofs the twisted chimney-stacks-- Are ye too changed, ye hills? See, 'tis no foot of unfamiliar men To-night from Oxford up your pathway strays! Here came I often, often, in old days-- Thyrsis and I; we still had Thyrsis then. Runs it not here, the track by Childsworth Farm, Past the high wood, to where the elm-tree crowns The hill behind whose ridge the sunset flames? The signal-elm, that looks on Ilsley Downs, The Vale, the three lone weirs, the youthful Thames?-- This winter-eve is warm, Humid the air! leafless, yet soft as spring, The tender purple spray on copse and briers! And that sweet city with her dreaming spires, She needs not June for beauty's heightening, Lovely all times she lies, lovely to-night!-- Only, methinks, some loss of habit's power Befalls me wandering through this upland dim. Once passed I blindfold here, at any hour; Now seldom come I, since I came with him. That single elm-tree bright Against the west - I miss it! is it goner? We prized it dearly; while it stood, we said, Our friend, the Gipsy-Scholar, was not dead; While the tree lived, he in these fields lived on. Too rare, too rare, grow now my visits here, But once I knew each field, each flower, each stick; And with the country-folk acquaintance made By barn in threshing-time, by new-built rick. Here, too, our shepherd-pipes we first assayed. Ah me! this many a year My pipe is lost, my shepherd's holiday! Needs must I lose them, needs with heavy heart Into the world and wave of men depart; But Thyrsis of his own will went away. It irked him to be here, he could not rest. He loved each simple joy the country yields, He loved his mates; but yet he could not keep, For that a shadow loured on the fields, Here with the shepherds and the silly sheep. Some life of men unblest He knew, which made him droop, and fill'd his head. He went; his piping took a troubled sound Of storms that rage outside our happy ground; He could not wait their passing, he is dead. So, some tempestuous morn in early June, When the year's primal burst of bloom is o'er, Before the roses and the longest day-- When garden-walks and all the grassy floor With blossoms red and white of fallen May And chestnut-flowers are strewn-- So have I heard the cuckoo's parting cry, From the wet field, through the vext garden-trees, Come with the volleying rain and tossing breeze: The bloom is gone, and with the bloom go I! Too quick despairer, wherefore wilt thou go? Soon will the high Midsummer pomps come on, Soon will the musk carnations break and swell, Soon shall we have gold-dusted snapdragon, Sweet-William with his homely cottage-smell, And stocks in fragrant blow; Roses that down the alleys shine afar, And open, jasmine-muffled lattices, And groups under the dreaming garden-trees, And the full moon, and the white evening-star. He hearkens not! light comer, he is flown! What matters it? next year he will return, And we shall have him in the sweet spring-days, With whitening hedges, and uncrumpling fern, And blue-bells trembling by the forest-ways, And scent of hay new-mown. But Thyrsis never more we swains shall see; See him come back, and cut a smoother reed, And blow a strain the world at last shall heed-- For Time, not Corydon, hath conquered thee! Alack, for Corydon no rival now!-- But when Sicilian shepherds lost a mate, Some good survivor with his flute would go, Piping a ditty sad for Bion's fate; And cross the unpermitted ferry's flow, And relax Pluto's brow, And make leap up with joy the beauteous head Of Proserpine, among whose crowned hair Are flowers first opened on Sicilian air, And flute his friend, like Orpheus, from the dead. O easy access to the hearer's grace When Dorian shepherds sang to Proserpine! For she herself had trod Sicilian fields, She knew the Dorian water's gush divine, She knew each lily white which Enna yields Each rose with blushing face; She loved the Dorian pipe, the Dorian strain. But ah, of our poor Thames she never heard! Her foot the Cumner cowslips never stirr'd; And we should tease her with our plaint in vain! Well! wind-dispersed and vain the words will be, Yet, Thyrsis, let me give my grief its hour In the old haunt, and find our tree-topp'd hill! Who, if not I, for questing here hath power? I know the wood which hides the daffodil, I know the Fyfield tree, I know what white, what purple fritillaries The grassy harvest of the river-fields, Above by Ensham, down by Sandford, yields, And what sedged brooks are Thames's tributaries; I know these slopes; who knows them if not I?-- But many a tingle on the loved hillside, With thorns once studded, old, white-blossom'd trees, Where thick the cowslips grew, and far descried High towered the spikes of purple orchises, Hath since our day put by The coronals of that forgotten time; Down each green bank hath gone the ploughboy's team, And only in the hidden brookside gleam Primroses, orphans of the flowery prime. Where is the girl, who by the boatman's door, Above the locks, above the boating throng, Unmoored our skiff when through the Wytham flats, Red loosestrife and blond meadow-sweet among And darting swallows and light water-gnats, We tracked the shy Thames shore? Where are the mowers, who, as the tiny swell Of our boat passing heaved the river-grass, Stood with suspended scythe to see us pass?-- They all are gone, and thou art gone as well! Yes, thou art gone! and round me too the night In ever-nearing circle weaves her shade. I see her veil draw soft across the day, I feel her slowly chilling breath invade The cheek grown thin, the brown hair sprent with grey; I feel her finger light Laid pausefully upon life's headlong train; -- The foot less prompt to meet the morning dew, The heart less bounding at emotion new, And hope, once crush'd, less quick to spring again. And long the way appears, which seem'd so short To the less practised eye of sanguine youth; And high the mountain-tops, in cloudy air, The mountain-tops where is the throne of Truth, Tops in life's morning-sun so bright and bare! Unbreachable the fort Of the long-batter'd world uplifts its wall; And strange and vain the earthly turmoil grows, And near and real the charm of thy repose, And night as welcome as a friend would fall. But hush! the upland hath a sudden loss Of quiet! - Look, adown the dusk hill-side, A troop of Oxford hunters going home, As in old days, jovial and talking, ride! From hunting with the Berkshire hounds they come. Quick! let me fly, and cross Into yon farther field! - 'Tis done; and see, Backed by the sunset, which doth glorify The orange and pale violet evening-sky, Bare on its lonely ridge, the Tree! the Tree! I take the omen! Eve lets down her veil, The white fog creeps from bush to bush about, The west unflushes, the high stars grow bright, And in the scatter'd farms the lights come out. I cannot reach the signal-tree to-night, Yet, happy omen, hail! Hear it from thy broad lucent Arno-vale (For there thine earth forgetting eyelids keep The morningless and unawakening sleep Under the flowery oleanders pale), Hear it, O Thyrsis, still our tree is there!-- Ah, vain! These English fields, this upland dim, These brambles pale with mist engarlanded, That lone, sky-pointing tree, are not for him; To a boon southern country he is fled, And now in happier air, Wandering with the great Mother's train divine (And purer or more subtle soul than thee, I trow, the mighty Mother doth not see) Within a folding of the Apennine, Thou hearest the immortal chants of old!-- Putting his sickle to the perilous grain In the hot cornfield of the Phrygian king, For thee the Lityerses-song again Young Daphnis with his silver voice doth sing; Sings his Sicilian fold, His sheep, his hapless love, his blinded eyes-- And how a call celestial round him rang, And heavenward from the fountain-brink he sprang, And all the marvel of the golden skies. There thou art gone, and me thou leavest here Sole in these fields! yet will I not despair. Despair I will not, while I yet descry 'Neath the mild canopy of English air That lonely tree against the western sky. Still, still these slopes, 'tis clear, Our Gipsy-Scholar haunts, outliving thee! Fields where soft sheep from cages pull the hay, Woods with anemonies in flower till May, Know him a wanderer still; then why not me? A fugitive and gracious light he seeks, Shy to illumine; and I seek it too. This does not come with houses or with gold, With place, with honour, and a flattering crew; 'Tis not in the world's market bought and sold-- But the smooth-slipping weeks Drop by, and leave its seeker still untired; Out of the heed of mortals he is gone, He wends unfollowed, he must house alone; Yet on he fares, by his own heart inspired. Thou too, O Thyrsis, on like quest wast bound; Thou wanderedst with me for a little hour! Men gave thee nothing; but this happy quest, If men esteem'd thee feeble, gave thee power, If men procured thee trouble, gave thee rest. And this rude Cumner ground, Its fir-topped Hurst, its farms, its quiet fields, Here cams't thou in thy jocund youthful time, Here was thine height of strength, thy golden prime! And still the haunt beloved a virtue yields. What though the music of thy rustic flute Kept not for long its happy, country tone; Lost it too soon, and learnt a stormy note Of men contention-tost, of men who groan, Which tasked thy pipe too sore, and tired thy throat-- It failed, and thou wage mute! Yet hadst thou always visions of our light, And long with men of care thou couldst not stay, And soon thy foot resumed its wandering way, Left human haunt, and on alone till night. Too rare, too rare, grow now my visits here! 'Mid city-noise, not, as with thee of yore, Thyrsis! in reach of sheep-bells is my home. Then through the great town's harsh, heart-wearying roar, Let in thy voice a whisper often come, To chase fatigue and fear: Why faintest thou! I wander'd till I died. Roam on! The light we sought is shining still. Dost thou ask proof? Our tree yet crowns the hill, Our Scholar travels yet the loved hill-side.

An August Midnight: Hardy

I A shaded lamp and a waving blind, And the beat of a clock from a distant floor: On this scene enter—winged, horned, and spined— A longlegs, a moth, and a dumbledore; While 'mid my page there idly stands A sleepy fly, that rubs its hands... II Thus meet we five, in this still place, At this point of time, at this point in space. —My guests besmear my new-penned line, Or bang at the lamp and fall supine. "God's humblest, they!" I muse. Yet why? They know Earth-secrets that know not I.

Two in the Campagna: Browning

I I wonder do you feel to-day As I have felt since, hand in hand, We sat down on the grass, to stray In spirit better through the land, This morn of Rome and May? II For me, I touched a thought, I know, Has tantalized me many times, (Like turns of thread the spiders throw Mocking across our path) for rhymes To catch at and let go. III Help me to hold it! First it left The yellowing fennel, run to seed There, branching from the brickwork's cleft, Some old tomb's ruin: yonder weed Took up the floating weft, IV Where one small orange cup amassed Five beetles,—blind and green they grope Among the honey-meal: and last, Everywhere on the grassy slope I traced it. Hold it fast! V The champaign with its endless fleece Of feathery grasses everywhere! Silence and passion, joy and peace, An everlasting wash of air— Rome's ghost since her decease. VI Such life here, through such lengths of hours, Such miracles performed in play, Such primal naked forms of flowers, Such letting nature have her way While heaven looks from its towers! VII How say you? Let us, O my dove, Let us be unashamed of soul, As earth lies bare to heaven above! How is it under our control To love or not to love? VIII I would that you were all to me, You that are just so much, no more. Nor yours nor mine, nor slave nor free! Where does the fault lie? What the core O' the wound, since wound must be? IX I would I could adopt your will, See with your eyes, and set my heart Beating by yours, and drink my fill At your soul's springs,—your part my part In life, for good and ill. X No. I yearn upward, touch you close, Then stand away. I kiss your cheek, Catch your soul's warmth,—I pluck the rose And love it more than tongue can speak— Then the good minute goes. XI Already how am I so far Out of that minute? Must I go Still like the thistle-ball, no bar, Onward, whenever light winds blow, Fixed by no friendly star? XII Just when I seemed about to learn! Where is the thread now? Off again! The old trick! Only I discern— Infinite passion, and the pain Of finite hearts that yearn.

Sudden Light: D. Rossetti

I HAVE been here before, But when or how I cannot tell: I know the grass beyond the door, The sweet keen smell, The sighing sound, the lights around the shore. You have been mine before,— How long ago I may not know: But just when at that swallow's soar Your neck turned so, Some veil did fall,—I knew it all of yore. Has this been thus before? And shall not thus time's eddying flight Still with our lives our love restore In death's despite, And day and night yield one delight once more?

Adonais: Shelley

I WEEP for (TITLE)—he is dead! O, weep for Adonais! though our tears Thaw not the frost which binds so dear a head! And thou, sad Hour, selected from all years To mourn our loss, rouse thy obscure compeers, 5 And teach them thine own sorrow! Say: 'With me Died Adonais; till the Future dares Forget the Past, his fate and fame shall be An echo and a light unto eternity!' Where wert thou, mighty Mother, when he lay, 10 When thy Son lay, pierced by the shaft which flies In darkness? where was lorn Urania When Adonais died? With veilèd eyes, 'Mid listening Echoes, in her Paradise She sate, while one, with soft enamoured breath, 15 Rekindled all the fading melodies With which, like flowers that mock the corse beneath, He had adorned and hid the coming bulk of death. Oh weep for Adonais—he is dead! Wake, melancholy Mother, wake and weep! 20 Yet wherefore? Quench within their burning bed Thy fiery tears, and let thy loud heart keep, Like his, a mute and uncomplaining sleep; For he is gone, where all things wise and fair Descend;—oh, dream not that the amorous Deep 25 Will yet restore him to the vital air; Death feeds on his mute voice, and laughs at our despair. Most musical of mourners, weep again! Lament anew, Urania!—He died, Who was the Sire of an immortal strain, 30 Blind, old, and lonely, when his country's pride, The priest, the slave, and the liberticide, Trampled and mocked with many a loathèd rite Of lust and blood; he went, unterrified, Into the gulf of death; but his clear Sprite 35 Yet reigns o'er earth; the third among the sons of light. Most musical of mourners, weep anew! Not all to that bright station dared to climb; And happier they their happiness who knew, Whose tapers yet burn through that night of time 40 In which suns perished; others more sublime, Struck by the envious wrath of man or god, Have sunk, extinct in their refulgent prime; And some yet live, treading the thorny road, Which leads, through toil and hate, to Fame's serene abode. 45 But now, thy youngest, dearest one has perished, The nursling of thy widowhood, who grew, Like a pale flower by some sad maiden cherished, And fed with true-love tears, instead of dew; Most musical of mourners, weep anew! 50 Thy extreme hope, the loveliest and last, The bloom, whose petals nipt before they blew Died on the promise of the fruit, is waste; The broken lily lies—the storm is overpast. To that high Capital, where kingly Death 55 Keeps his pale court in beauty and decay, He came; and bought, with price of purest breath, A grave among the eternal—Come away! Haste, while the vault of blue Italian day Is yet his fitting charnel-roof! while still 60 He lies, as if in dewy sleep he lay; Awake him not! surely he takes his fill Of deep and liquid rest, forgetful of all ill.

A Better Resurrection: C. Rossetti

I have no wit, no words, no tears; My heart within me like a stone Is numbed too much for hopes or fears. Look right, look left, I dwell alone; I lift mine eyes, but dimmed with grief No everlasting hills I see; My life is in the falling leaf: O Jesus, quicken me. My life is like a faded leaf, My harvest dwindled to a husk: Truly my life is void and brief And tedious in the barren dusk; My life is like a frozen thing, No bud nor greenness can I see: Yet rise it shall--the sap of spring; O Jesus, rise in me. My life is like a broken bowl, A broken bowl that cannot hold One drop of water for my soul Or cordial in the searching cold; Cast in the fire the perished thing; Melt and remould it, till it be A royal cup for Him, my King: O Jesus, drink of me.

The Darkling Thrush: Hardy

I leant upon a coppice gate When Frost was spectre-grey, And Winter's dregs made desolate The weakening eye of day. The tangled bine-stems scored the sky Like strings of broken lyres, And all mankind that haunted nigh Had sought their household fires. The land's sharp features seemed to be The Century's corpse outleant, His crypt the cloudy canopy, The wind his death-lament. The ancient pulse of germ and birth Was shrunken hard and dry, And every spirit upon earth Seemed fervourless as I. At once a voice arose among The bleak twigs overhead In a full-hearted evensong Of joy illimited; An aged thrush, frail, gaunt, and small, In blast-beruffled plume, Had chosen thus to fling his soul Upon the growing gloom. So little cause for carolings Of such ecstatic sound Was written on terrestrial things Afar or nigh around, That I could think there trembled through His happy good-night air Some blessed Hope, whereof he knew And I was unaware.

Audley Court: Tennyson

I spoke, while Audley feast Hummed like a hive all round the narrow quay, To Francis, with a basket on his arm, To Francis just alighted from the boat, And breathing of the sea. "With all my heart," Said Francis. Then we shouldered through the swarm, And rounded by the stillness of the beach To where the bay runs up its latest horn. We left the dying ebb that faintly lipped The flat red granite; so by many a sweep Of meadow smooth from aftermath we reached The griffin-guarded gates, and passed through all The pillared dusk of sounding sycamores, And crossed the garden to the gardener's lodge, With all its casements bedded, and its walls And chimneys muffled in the leafy vine. ....... So sang we each to either, Francis Hale, The farmer's son, who lived across the bay, My friend; and I , that having wherewithal, And in the fallow leisure of my life A rolling stone of here and everywhere, Did what I would; but ere the night we rose And sauntered home beneath a moon, that, just In crescent, dimly rained about the leaf Twilights of airy silver, till we reached The limit of the hills; and as we sank From rock to rock upon the glooming quay, The town was hushed beneath us: lower down The bay was oily calm; the harbour-buoy, Sole star of phosphorescence in the calm, With one green sparkle ever and anon Dipped by itself, and we were glad at heart.

Winter: My Secret: C. Rossetti

I tell my secret? No indeed, not I; Perhaps some day, who knows? But not today; it froze, and blows and snows, And you're too curious: fie! You want to hear it? well: Only, my secret's mine, and I won't tell. Or, after all, perhaps there's none: Suppose there is no secret after all, But only just my fun. Today's a nipping day, a biting day; In which one wants a shawl, A veil, a cloak, and other wraps: I cannot ope to everyone who taps, And let the draughts come whistling thro' my hall; Come bounding and surrounding me, Come buffeting, astounding me, Nipping and clipping thro' my wraps and all. I wear my mask for warmth: who ever shows His nose to Russian snows To be pecked at by every wind that blows? You would not peck? I thank you for good will, Believe, but leave the truth untested still. Spring's an expansive time: yet I don't trust March with its peck of dust, Nor April with its rainbow-crowned brief showers, Nor even May, whose flowers One frost may wither thro' the sunless hours. Perhaps some languid summer day, When drowsy birds sing less and less, And golden fruit is ripening to excess, If there's not too much sun nor too much cloud, And the warm wind is neither still nor loud, Perhaps my secret I may say, Or you may guess.

Don Juan: Byron

I want a hero: an uncommon want, When every year and month sends forth a new one, Till, after cloying the gazettes with cant, The age discovers he is not the true one; Of such as these I should not care to vaunt, I 'll therefore take our ancient friend Don Juan— We all have seen him, in the pantomime, Sent to the devil somewhat ere his time. Vernon, the butcher Cumberland, Wolfe, Hawke, Prince Ferdinand, Granby, Burgoyne, Keppel, Howe, Evil and good, have had their tithe of talk, And fill'd their sign posts then, like Wellesley now; Each in their turn like Banquo's monarchs stalk, Followers of fame, 'nine farrow' of that sow: France, too, had Buonaparte and Dumourier Recorded in the Moniteur and Courier. Barnave, Brissot, Condorcet, Mirabeau, Petion, Clootz, Danton, Marat, La Fayette, Were French, and famous people, as we know: And there were others, scarce forgotten yet, Joubert, Hoche, Marceau, Lannes, Desaix, Moreau, With many of the military set, Exceedingly remarkable at times, But not at all adapted to my rhymes.

A Wife in London: Hardy

I--The Tragedy She sits in the tawny vapour That the City lanes have uprolled, Behind whose webby fold on fold Like a waning taper The street-lamp glimmers cold. A messenger's knock cracks smartly, Flashed news is in her hand Of meaning it dazes to understand Though shaped so shortly: He--has fallen--in the far South Land . . . II--The Irony 'Tis the morrow; the fog hangs thicker, The postman nears and goes: A letter is brought whose lines disclose By the firelight flicker His hand, whom the worm now knows: Fresh--firm--penned in highest feather - Page-full of his hoped return, And of home-planned jaunts by brake and burn In the summer weather, And of new love that they would learn.

La Belle Dame Sans Merci: Keats

I. O WHAT can ail thee, knight-at-arms, Alone and palely loitering? The sedge has wither'd from the lake, And no birds sing. II. O what can ail thee, knight-at-arms! 5 So haggard and so woe-begone? The squirrel's granary is full, And the harvest's done. III. I see a lily on thy brow With anguish moist and fever dew, 10 And on thy cheeks a fading rose Fast withereth too. IV. I met a lady in the meads, Full beautiful—a faery's child, Her hair was long, her foot was light, 15 And her eyes were wild. V. I made a garland for her head, And bracelets too, and fragrant zone; She look'd at me as she did love, And made sweet moan. 20 VI. I set her on my pacing steed, And nothing else saw all day long, For sidelong would she bend, and sing A faery's song. VII. She found me roots of relish sweet, 25 And honey wild, and manna dew, And sure in language strange she said— "I love thee true." VIII. She took me to her elfin grot, And there she wept, and sigh'd fill sore, 30 And there I shut her wild wild eyes With kisses four. IX. And there she lulled me asleep, And there I dream'd—Ah! woe betide! The latest dream I ever dream'd 35 On the cold hill's side. X. I saw pale kings and princes too, Pale warriors, death-pale were they all; They cried—"La Belle Dame sans Merci Hath thee in thrall!" 40 XI. I saw their starved lips in the gloam, With horrid warning gaped wide, And I awoke and found me here, On the cold hill's side. XII. And this is why I sojourn here, 45 Alone and palely loitering, Though the sedge is wither'd from the lake, And no birds sing.

A Forsaken Garden: Swinburne

In a coign of the cliff between lowland and highland, At the sea-down's edge between windward and lee, Walled round with rocks as an inland island, The ghost of a garden fronts the sea. A girdle of brushwood and thorn encloses The steep square slope of the blossomless bed Where the weeds that grew green from the graves of its roses Now lie dead. The fields fall southward, abrupt and broken, To the low last edge of the long lone land. If a step should sound or a word be spoken, Would a ghost not rise at the strange guest's hand? So long have the grey bare walks lain guestless, Through branches and briars if a man make way, He shall find no life but the sea-wind's, restless Night and day. The dense hard passage is blind and stifled That crawls by a track none turn to climb To the strait waste place that the years have rifled Of all but the thorns that are touched not of time. The thorns he spares when the rose is taken; The rocks are left when he wastes the plain. The wind that wanders, the weeds wind-shaken, These remain. Not a flower to be pressed of the foot that falls not; As the heart of a dead man the seed-plots are dry; From the thicket of thorns whence the nightingale calls not, Could she call, there were never a rose to reply. Over the meadows that blossom and wither Rings but the note of a sea-bird's song; Only the sun and the rain come hither All year long. The sun burns sere and the rain dishevels One gaunt bleak blossom of scentless breath. Only the wind here hovers and revels In a round where life seems barren as death. Here there was laughing of old, there was weeping, Haply, of lovers none ever will know, Whose eyes went seaward a hundred sleeping Years ago. Heart handfast in heart as they stood, "Look thither," Did he whisper? "look forth from the flowers to the sea; For the foam-flowers endure when the rose-blossoms wither, And men that love lightly may die—but we?" And the same wind sang and the same waves whitened, And or ever the garden's last petals were shed, In the lips that had whispered, the eyes that had lightened, Love was dead. Or they loved their life through, and then went whither? And were one to the end—but what end who knows? Love deep as the sea as a rose must wither, As the rose-red seaweed that mocks the rose. Shall the dead take thought for the dead to love them? What love was ever as deep as a grave? They are loveless now as the grass above them Or the wave. All are at one now, roses and lovers, Not known of the cliffs and the fields and the sea. Not a breath of the time that has been hovers In the air now soft with a summer to be. Not a breath shall there sweeten the seasons hereafter Of the flowers or the lovers that laugh now or weep, When as they that are free now of weeping and laughter We shall sleep. Here death may deal not again for ever; Here change may come not till all change end. From the graves they have made they shall rise up never, Who have left nought living to ravage and rend. Earth, stones, and thorns of the wild ground growing, While the sun and the rain live, these shall be; Till a last wind's breath upon all these blowing Roll the sea. Till the slow sea rise and the sheer cliff crumble, Till terrace and meadow the deep gulfs drink, Till the strength of the waves of the high tides humble The fields that lessen, the rocks that shrink, Here now in his triumph where all things falter, Stretched out on the spoils that his own hand spread, As a god self-slain on his own strange altar, Death lies dead.

Childe Harold's Pilgrimmage, Canto III: Byron

Is thy face like thy mother's, my fair child! Ada! sole daughter of my house and heart? When last I saw thy young blue eyes, they smiled, And then we parted,—not as now we part, But with a hope.— Awaking with a start, The waters heave around me; and on high The winds lift up their voices: I depart, Whither I know not; but the hour's gone by, When Albion's lessening shores could grieve or glad mine eye.

Youth and Art: Browning

It once might have been, once only: We lodged in a street together, You, a sparrow on the housetop lonely, I, a lone she-bird of his feather. Your trade was with sticks and clay, You thumbed, thrust, patted and polished, Then laughed "They will see some day Smith made, and Gibson demolished." My business was song, song, song; I chirped, cheeped, trilled and twittered, "Kate Brown's on the boards ere long, And Grisi's existence embittered!" I earned no more by a warble Than you by a sketch in plaster; You wanted a piece of marble, I needed a music-master. We studied hard in our styles, Chipped each at a crust like Hindoos, For air looked out on the tiles, For fun watched each other's windows. You lounged, like a boy of the South, Cap and blouse—nay, a bit of beard too; Or you got it, rubbing your mouth With fingers the clay adhered to. And I—soon managed to find Weak points in the flower-fence facing, Was forced to put up a blind And be safe in my corset-lacing. No harm! It was not my fault If you never turned your eye's tail up As I shook upon E in alt, Or ran the chromatic scale up: For spring bade the sparrows pair, And the boys and girls gave guesses, And stalls in our street looked rare With bulrush and watercresses. Why did not you pinch a flower In a pellet of clay and fling it? Why did not I put a power Of thanks in a look, or sing it? I did look, sharp as a lynx, (And yet the memory rankles,) When models arrived, some minx Tripped up-stairs, she and her ankles. But I think I gave you as good! "That foreign fellow,—who can know How she pays, in a playful mood, For his tuning her that piano?" Could you say so, and never say "Suppose we join hands and fortunes, And I fetch her from over the way, Her, piano, and long tunes and short tunes?" No, no: you would not be rash, Nor I rasher and something over: You've to settle yet Gibson's hash, And Grisi yet lives in clover. But you meet the Prince at the Board, I'm queen myself at bals-paré, I've married a rich old lord, And you're dubbed knight and an R.A. Each life unfulfilled, you see; It hangs still, patchy and scrappy: We have not sighed deep, laughed free, Starved, feasted, despaired,—been happy. And nobody calls you a dunce, And people suppose me clever: This could but have happened once, And we missed it, lost it for ever.

On First Looking into Chapman's Homer: Keats

MUCH have I travell'd in the realms of gold, And many goodly states and kingdoms seen; Round many western islands have I been Which bards in fealty to Apollo hold. Oft of one wide expanse had I been told 5 That deep-brow'd Homer ruled as his demesne; Yet did I never breathe its pure serene Till I heard Chapman speak out loud and bold: Then felt I like some watcher of the skies When a new planet swims into his ken; 10 Or like stout Cortez when with eagle eyes He star'd at the Pacific—and all his men Look'd at each other with a wild surmise— Silent, upon a peak in Darien.

A Grammarian's Funeral: Browning

Let us begin and carry up this corpse, Singing together. Leave we the common crofts, the vulgar thorpes Each in its tether Sleeping safe on the bosom of the plain, Cared-for till cock-crow: Look out if yonder be not day again Rimming the rock-row! That's the appropriate country; there, man's thought, Rarer, intenser, Self-gathered for an outbreak, as it ought, Chafes in the censer. Leave we the unlettered plain its herd and crop; Seek we sepulture On a tall mountain, citied to the top, Crowded with culture! All the peaks soar, but one the rest excels; Clouds overcome it; No! yonder sparkle is the citadel's Circling its summit. Thither our path lies; wind we up the heights: Wait ye the warning? Our low life was the level's and the night's; He's for the morning. Step to a tune, square chests, erect each head, 'Ware the beholders! This is our master, famous, calm and dead, Borne on our shoulders. Sleep, crop and herd! sleep, darkling thorpe and croft, Safe from the weather! He, whom we convoy to his grave aloft, Singing together, He was a man born with thy face and throat, Lyric Apollo! Long he lived nameless: how should spring take note Winter would follow? Till lo, the little touch, and youth was gone! Cramped and diminished, Moaned he, "New measures, other feet anon! My dance is finished"? No, that's the world's way: (keep the mountain-side, Make for the city!) He knew the signal, and stepped on with pride Over men's pity; Left play for work, and grappled with the world Bent on escaping: "What's in the scroll," quoth he, "thou keepest furled Show me their shaping, Theirs who most studied man, the bard and sage, Give!" So, he gowned him, Straight got by heart that book to its last page: Learned, we found him. Yea, but we found him bald too, eyes like lead, Accents uncertain: "Time to taste life," another would have said, "Up with the curtain!" This man said rather, "Actual life comes next? Patience a moment! Grant I have mastered learning's crabbed text, Still there's the comment. Let me know all! Prate not of most or least, Painful or easy! Even to the crumbs I'd fain eat up the feast, Ay, nor feel queasy." Oh, such a life as he resolved to live, When he had learned it, When he had gathered all books had to give! Sooner, he spurned it. Image the whole, then execute the parts Fancy the fabric Quite, ere you build, ere steel strike fire from quartz, Ere mortar dab brick! (Here's the town-gate reached: there's the market-place Gaping before us.) Yea, this in him was the peculiar grace (Hearten our chorus!) That before living he'd learn how to live No end to learning: Earn the means first God surely will contrive Use for our earning. Others mistrust and say, "But time escapes: Live now or never!" He said, "What's time? Leave Now for dogs and apes! Man has Forever." Back to his book then: deeper drooped his head: Calculus racked him: Leaden before, his eyes grew dross of lead: Tussis attacked him. "Now, master, take a little rest!" not he! (Caution redoubled Step two abreast, the way winds narrowly!) Not a whit troubled, Back to his studies, fresher than at first, Fierce as a dragon He (soul-hydroptic with a sacred thirst) Sucked at the flagon. Oh, if we draw a circle premature, Heedless of far gain, Greedy for quick returns of profit, sure Bad is our bargain! Was it not great? did not he throw on God, (He loves the burthen) God's task to make the heavenly period Perfect the earthen? Did not he magnify the mind, show clear Just what it all meant? He would not discount life, as fools do here, Paid by instalment. He ventured neck or nothing heaven's success Found, or earth's failure: "Wilt thou trust death or not?" He answered "Yes: Hence with life's pale lure!" That low man seeks a little thing to do, Sees it and does it: This high man, with a great thing to pursue, Dies ere he knows it. That low man goes on adding one to one, His hundred's soon hit: This high man, aiming at a million, Misses an unit. That, has the world here should he need the next, Let the world mind him! This, throws himself on God, and unperplexed Seeking shall find him. So, with the throttling hands of death at strife, Ground he at grammar; Still, thro' the rattle, parts of speech were rife: While he could stammer He settled Hoti's business let it be! Properly based Oun Gave us the doctrine of the enclitic De, Dead from the waist down. Well, here's the platform, here's the proper place: Hail to your purlieus, All ye highfliers of the feathered race, Swallows and curlews! Here's the top-peak; the multitude below Live, for they can, there: This man decided not to Live but Know Bury this man there? Here here's his place, where meteors shoot, clouds form, Lightnings are loosened, Stars come and go! Let joy break with the storm, Peace let the dew send! Lofty designs must close in like effects: Loftily lying, Leave him still loftier than the world suspects, Living and dying.

A Leave-Taking: Swinburne

Let us go hence, my songs; she will not hear. Let us go hence together without fear; Keep silence now, for singing-time is over, And over all old things and all things dear. She loves not you nor me as all we love her. Yea, though we sang as angels in her ear, She would not hear. Let us rise up and part; she will not know. Let us go seaward as the great winds go, Full of blown sand and foam; what help is here? There is no help, for all these things are so, And all the world is bitter as a tear. And how these things are, though ye strove to show, She would not know. Let us go home and hence; she will not weep. We gave love many dreams and days to keep, Flowers without scent, and fruits that would not grow, Saying 'If thou wilt, thrust in thy sickle and reap.' All is reaped now; no grass is left to mow; And we that sowed, though all we fell on sleep, She would not weep. Let us go hence and rest; she will not love. She shall not hear us if we sing hereof, Nor see love's ways, how sore they are and steep. Come hence, let be, lie still; it is enough. Love is a barren sea, bitter and deep; And though she saw all heaven in flower above, She would not love. Let us give up, go down; she will not care. Though all the stars made gold of all the air, And the sea moving saw before it move One moon-flower making all the foam-flowers fair; Though all those waves went over us, and drove Deep down the stifling lips and drowning hair, She would not care. Let us go hence, go hence; she will not see. Sing all once more together; surely she, She too, remembering days and words that were, Will turn a little toward us, sighing; but we, We are hence, we are gone, as though we had not been there. Nay, and though all men seeing had pity on me, She would not see.

The Buried Life: Arnold

Light flows our war of mocking words, and yet, Behold, with tears mine eyes are wet! I feel a nameless sadness o'er me roll. Yes, yes, we know that we can jest, We know, we know that we can smile! But there's a something in this breast, To which thy light words bring no rest, And thy gay smiles no anodyne. Give me thy hand, and hush awhile, And turn those limpid eyes on mine, And let me read there, love! thy inmost soul. Alas! is even love too weak To unlock the heart, and let it speak? Are even lovers powerless to reveal To one another what indeed they feel? I knew the mass of men conceal'd Their thoughts, for fear that if reveal'd They would by other men be met With blank indifference, or with blame reproved; I knew they lived and moved Trick'd in disguises, alien to the rest Of men, and alien to themselves—and yet The same heart beats in every human breast! But we, my love!—doth a like spell benumb Our hearts, our voices?—must we too be dumb? Ah! well for us, if even we, Even for a moment, can get free Our heart, and have our lips unchain'd; For that which seals them hath been deep-ordain'd! Fate, which foresaw How frivolous a baby man would be— By what distractions he would be possess'd, How he would pour himself in every strife, And well-nigh change his own identity— That it might keep from his capricious play His genuine self, and force him to obey Even in his own despite his being's law, Bade through the deep recesses of our breast The unregarded river of our life Pursue with indiscernible flow its way; And that we should not see The buried stream, and seem to be Eddying at large in blind uncertainty, Though driving on with it eternally. But often, in the world's most crowded streets, But often, in the din of strife, There rises an unspeakable desire After the knowledge of our buried life; A thirst to spend our fire and restless force In tracking out our true, original course; A longing to inquire Into the mystery of this heart which beats So wild, so deep in us—to know Whence our lives come and where they go. And many a man in his own breast then delves, But deep enough, alas! none ever mines. And we have been on many thousand lines, And we have shown, on each, spirit and power; But hardly have we, for one little hour, Been on our own line, have we been ourselves— Hardly had skill to utter one of all The nameless feelings that course through our breast, But they course on for ever unexpress'd. And long we try in vain to speak and act Our hidden self, and what we say and do Is eloquent, is well—but 't is not true! And then we will no more be rack'd With inward striving, and demand Of all the thousand nothings of the hour Their stupefying power; Ah yes, and they benumb us at our call! Yet still, from time to time, vague and forlorn, From the soul's subterranean depth upborne As from an infinitely distant land, Come airs, and floating echoes, and convey A melancholy into all our day. Only—but this is rare— When a belovèd hand is laid in ours, When, jaded with the rush and glare Of the interminable hours, Our eyes can in another's eyes read clear, When our world-deafen'd ear Is by the tones of a loved voice caress'd— A bolt is shot back somewhere in our breast, And a lost pulse of feeling stirs again. The eye sinks inward, and the heart lies plain, And what we mean, we say, and what we would, we know. A man becomes aware of his life's flow, And hears its winding murmur; and he sees The meadows where it glides, the sun, the breeze. And there arrives a lull in the hot race Wherein he doth for ever chase That flying and elusive shadow, rest. An air of coolness plays upon his face, And an unwonted calm pervades his breast. And then he thinks he knows The hills where his life rose, And the sea where it goes.

Childe Roland to the Dark Tower Came: Browning

MY 1 first thought was, he lied in every word, That hoary cripple, with malicious eye Askance to watch the working of his lie On mine, and mouth scarce able to afford Suppression of the glee, that purs'd and scor'd 5 Its edge, at one more victim gain'd thereby. What else should he be set for, with his staff? What, save to waylay with his lies, ensnare All travellers who might find him posted there, And ask the road? I guess'd what skull-like laugh 10 Would break, what crutch 'gin write my epitaph For pastime in the dusty thoroughfare, If at his counsel I should turn aside Into that ominous tract which, all agree, Hides the Dark Tower. Yet acquiescingly 15 I did turn as he pointed: neither pride Nor hope rekindling at the end descried, So much as gladness that some end might be. For, what with my whole world-wide wandering, What with my search drawn out thro' years, my hope 20 Dwindled into a ghost not fit to cope With that obstreperous joy success would bring,— I hardly tried now to rebuke the spring My heart made, finding failure in its scope........

Ode to a Nightingale: Keats

My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: 'Tis not through envy of thy happy lot, But being too happy in thine happiness,— That thou, light-winged Dryad of the trees In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease. O, for a draught of vintage! that hath been Cool'd a long age in the deep-delved earth, Tasting of Flora and the country green, Dance, and Provençal song, and sunburnt mirth! O for a beaker full of the warm South, Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stained mouth; That I might drink, and leave the world unseen, And with thee fade away into the forest dim: Fade far away, dissolve, and quite forget What thou among the leaves hast never known, The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last gray hairs, Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs, Where Beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow. Away! away! for I will fly to thee, Not charioted by Bacchus and his pards, But on the viewless wings of Poesy, Though the dull brain perplexes and retards: Already with thee! tender is the night, And haply the Queen-Moon is on her throne, Cluster'd around by all her starry Fays; But here there is no light, Save what from heaven is with the breezes blown Through verdurous glooms and winding mossy ways. I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But, in embalmed darkness, guess each sweet Wherewith the seasonable month endows The grass, the thicket, and the fruit-tree wild; White hawthorn, and the pastoral eglantine; Fast fading violets cover'd up in leaves; And mid-May's eldest child, The coming musk-rose, full of dewy wine, The murmurous haunt of flies on summer eves. Darkling I listen; and, for many a time I have been half in love with easeful Death, Call'd him soft names in many a mused rhyme, To take into the air my quiet breath; Now more than ever seems it rich to die, To cease upon the midnight with no pain, While thou art pouring forth thy soul abroad In such an ecstasy! Still wouldst thou sing, and I have ears in vain— To thy high requiem become a sod. Thou wast not born for death, immortal Bird! No hungry generations tread thee down; The voice I hear this passing night was heard In ancient days by emperor and clown: Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn; The same that oft-times hath Charm'd magic casements, opening on the foam Of perilous seas, in faery lands forlorn. Forlorn! the very word is like a bell To toll me back from thee to my sole self! Adieu! the fancy cannot cheat so well As she is fam'd to do, deceiving elf. Adieu! adieu! thy plaintive anthem fades Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep In the next valley-glades: Was it a vision, or a waking dream? Fled is that music:—Do I wake or sleep?

A Birthday: C. Rossetti

My heart is like a singing bird Whose nest is in a water'd shoot; My heart is like an apple-tree Whose boughs are bent with thickset fruit; My heart is like a rainbow shell That paddles in a halcyon sea; My heart is gladder than all these Because my love is come to me. Raise me a dais of silk and down; Hang it with vair and purple dyes; Carve it in doves and pomegranates, And peacocks with a hundred eyes; Work it in gold and silver grapes, In leaves and silver fleurs-de-lys; Because the birthday of my life Is come, my love is come to me.

Thoughts of Phena: Hardy

Not a line of her writing have I Not a thread of her hair, No mark of her late time as dame in her dwelling, whereby I may picture her there; And in vain do I urge my unsight To conceive my lost prize At her close, whom I knew when her dreams were upbrimming with light And with laughter her eyes. What scenes spread around her last days, Sad, shining, or dim? Did her gifts and compassions enray and enarch her sweet ways With an aureate nimb? Or did life-light decline from her years, And mischances control Her full day-star; unease, or regret, or forebodings, or fears Disennoble her soul? Thus I do but the phantom retain Of the maiden of yore As my relic; yet haply the best of her--fined in my brain It may be the more That no line of her writing have I, Nor a thread of her hair, No mark of her late time as dame in her dwelling, whereby I may picture her there.

Ode to Psyche: Keats

O GODDESS! hear these tuneless numbers, wrung By sweet enforcement and remembrance dear, And pardon that thy secrets should be sung Even into thine own soft-conchèd ear: Surely I dream'd to-day, or did I see 5 The wingèd Psyche with awaken'd eyes? I wander'd in a forest thoughtlessly, And, on the sudden, fainting with surprise, Saw two fair creatures, couchèd side by side In deepest grass, beneath the whisp'ring roof 10 Of leaves and trembled blossoms, where there ran A brooklet, scarce espied: 'Mid hush'd, cool-rooted flowers, fragrant-eyed, Blue, silver-white, and budded Tyrian They lay calm-breathing on the bedded grass; 15 Their arms embracèd, and their pinions too; Their lips touch'd not, but had not bade adieu, As if disjoinèd by soft-handed slumber, And ready still past kisses to outnumber At tender eye-dawn of aurorean love: 20 The wingèd boy I knew; But who wast thou, O happy, happy dove? His Psyche true! O latest-born and loveliest vision far Of all Olympus' faded hierarchy! 25 Fairer than Phoebe's sapphire-region'd star, Or Vesper, amorous glow-worm of the sky; Fairer than these, though temple thou hast none, Nor altar heap'd with flowers; Nor Virgin-choir to make delicious moan 30 Upon the midnight hours; No voice, no lute, no pipe, no incense sweet From chain-swung censer teeming; No shrine, no grove, no oracle, no heat Of pale-mouth'd prophet dreaming. 35 O brightest! though too late for antique vows, Too, too late for the fond believing lyre, When holy were the haunted forest boughs, Holy the air, the water, and the fire; Yet even in these days so far retired 40 From happy pieties, thy lucent fans, Fluttering among the faint Olympians, I see, and sing, by my own eyes inspired. So let me be thy choir, and make a moan Upon the midnight hours; 45 Thy voice, thy lute, thy pipe, thy incense sweet From swingèd censer teeming: Thy shrine, thy grove, thy oracle, thy heat Of pale-mouth'd prophet dreaming. Yes, I will be thy priest, and build a fane 50 In some untrodden region of my mind, Where branchèd thoughts, new grown with pleasant pain, Instead of pines shall murmur in the wind: Far, far around shall those dark-cluster'd trees Fledge the wild-ridgèd mountains steep by steep; 55 And there by zephyrs, streams, and birds, and bees, The moss-lain Dryads shall be lull'd to sleep; And in the midst of this wide quietness A rosy sanctuary will I dress With the wreath'd trellis of a working brain, 60 With buds, and bells, and stars without a name, With all the gardener Fancy e'er could feign, Who breeding flowers, will never breed the same; And there shall be for thee all soft delight That shadowy thought can win, 65 A bright torch, and a casement ope at night, To let the warm Love in!

The Daisy: Tennyson

O LOVE, what hours were thine and mine, In lands of palm and southern pine; In lands of palm, of orange-blossom, Of olive, aloe, and maize and vine. What Roman strength Turbia show'd 5 In ruin, by the mountain road; How like a gem, beneath, the city Of little Monaco, basking, glow'd. How richly down the rocky dell The torrent vineyard streaming fell 10 To meet the sun and sunny waters, That only heav'd with a summer swell. What slender campanili grew By bays, the peacock's neck in hue; Where, here and there, on sandy beaches 15 A milky-bell'd amaryllis blew. How young Columbus seem'd to rove, Yet present in his natal grove, Now watching high on mountain cornice, And steering, now, from a purple cove, 20 Now pacing mute by ocean's rim; Till, in a narrow street and dim, I stay'd the wheels at Cogoletto, And drank, and loyally drank to him. Nor knew we well what pleas'd us most, 25 Not the clipp'd palm of which they boast; But distant color, happy hamlet, A moulder'd citadel on the coast, Or tower, or high hill-convent, seen A light amid its olives green; 30 Or olive-hoary cape in ocean; Or rosy blossom in hot ravine, Where oleanders flush'd the bed Of silent torrents, gravel-spread; And, crossing, oft we saw the glisten 35 Of ice, far up on a mountain head.

Remember: C. Rossetti

O roses for the flush of youth, And laurel for the perfect prime; But pluck an ivy branch for me Grown old before my time. O violets for the grave of youth, And bay for those dead in their prime; Give me the withered leaves I chose Before in the old time.

Home-Thoughts, from Abroad: Browning

O, TO be in England Now that April 's there, And whoever wakes in England Sees, some morning, unaware, That the lowest boughs and the brushwood sheaf Round the elm-tree bole are in tiny leaf, While the chaffinch sings on the orchard bough In England—now! And after April, when May follows, And the whitethroat builds, and all the swallows! Hark, where my blossom'd pear-tree in the hedge Leans to the field and scatters on the clover Blossoms and dewdrops—at the bent spray's edge— That 's the wise thrush; he sings each song twice over, Lest you should think he never could recapture The first fine careless rapture! And though the fields look rough with hoary dew, All will be gay when noontide wakes anew The buttercups, the little children's dower —Far brighter than this gaudy melon-flower!

To E. Fitzgerald: Tennyson

OLD FITZ, who from your suburb grange, Where once I tarried for a while, Glance at the wheeling orb of change, And greet it with a kindly smile; Whom yet I see as there you sit Beneath your sheltering garden-tree, And watch your doves about you flit, And plant on shoulder, hand, and knee, Or on your head their rosy feet, As if they knew your diet spares Whatever moved in that full sheet Let down to Peter at his prayers; Who live on milk and meal and grass; And once for ten long weeks I tried Your table of Pythagoras, - And seem'd at first "a thing enskied," As Shakespeare has it, airy-light To float above the ways of men, Then fell from that half-spiritual height Chill'd, till I tasted flesh again One night when earth was winter-b]ack, And all the heavens flash'd in frost; And on me, half-asleep, came back That wholesome heat the blood had lost, And set me climbing icy capes And glaciers, over which there roll'd To meet me long-arm'd vines with grapes Of Eshcol hugeness- for the cold Without, and warmth within me, wrought To mould the dream; but none can say That Lenten fare makes Lenten thought Who reads your golden Eastern lay, Than which I know no version done In English more divinely well; A planet equal to the sun Which cast it, that large infidel Your Omar, and your Omar drew Full-handed plaudits from our best In modern letters, and from two, Old friends outvaluing all the rest, Two voices heard on earth no more; But we old friends are still alive, And I am nearing seventy-four, While you have touch'd at seventy-five, And so I send a birthday line Of greeting; and my son, who dipt In some forgotten book of mine With sallow scraps of manuscript, And dating many a year ago, Has hit on this, which you will take, My Fitz, and welcome, as I know, Less for its own than for the sake Of one recalling gracious times, When, in our younger London days, You found some merit in my rhymes, And I more pleasure in your praise.

Song 2: C. Rossetti

Oh roses for the flush of youth, And laurel for the perfect prime;

To Wordsworth: Shelley

Poet of Nature, thou hast wept to know That things depart which never may return: Childhood and youth, friendship and love's first glow, Have fled like sweet dreams, leaving thee to mourn. These common woes I feel. One loss is mine Which thou too feel'st, yet I alone deplore. Thou wert as a lone star, whose light did shine On some frail bark in winter's midnight roar: Thou hast like to a rock-built refuge stood Above the blind and battling multitude: In honored poverty thy voice did weave Songs consecrate to truth and liberty,-- Deserting these, thou leavest me to grieve, Thus having been, that thou shouldst cease to be.

To Autumn: Keats

SEASON of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss'd cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For Summer has o'er-brimm'd their clammy cells. 2. Who hath not seen thee oft amid thy store? Sometimes whoever seeks abroad may find Thee sitting careless on a granary floor, Thy hair soft-lifted by the winnowing wind; Or on a half-reap'd furrow sound asleep, Drows'd with the fume of poppies, while thy hook Spares the next swath and all its twined flowers: And sometimes like a gleaner thou dost keep Steady thy laden head across a brook; Or by a cyder-press, with patient look, Thou watchest the last oozings hours by hours. 3. Where are the songs of Spring? Ay, where are they? Think not of them, thou hast thy music too,— While barred clouds bloom the soft-dying day, And touch the stubble plains with rosy hue; Then in a wailful choir the small gnats mourn Among the river sallows, borne aloft Or sinking as the light wind lives or dies; And full-grown lambs loud bleat from hilly bourn; Hedge-crickets sing; and now with treble soft The red-breast whistles from a garden-croft; And gathering swallows twitter in the skies.

Morte d'Arthur: Tennyson

So all day long the noise of battle roll'd Among the mountains by the winter sea; Until King Arthur's table, man by man, Had fallen in Lyonnesse about their Lord, King Arthur: then, because his wound was deep, The bold Sir Bedivere uplifted him, Sir Bedivere, the last of all his knights, And bore him to a chapel nigh the field, A broken chancel with a broken cross, That stood on a dark strait of barren land. On one side lay the ocean, and on one Lay a great water, and the moon was full. ...... So said he, and the barge with oar and sail Moved from the brink, like some full-breasted swan That, fluting a wild carol ere her death, Ruffles her pure cold plume, and takes the flood With swarthy webs. Long stood Sir Bedivere Revolving many memories, till the hull Look'd one black dot against the verge of dawn, And on the mere the wailing died away.

Crossing the Bar: Tennyson

Sunset and evening star, And one clear call for me! And may there be no moaning of the bar, When I put out to sea, But such a tide as moving seems asleep, Too full for sound and foam, When that which drew from out the boundless deep Turns again home. Twilight and evening bell, And after that the dark! And may there be no sadness of farewell, When I embark; For tho' from out our bourne of Time and Place The flood may bear me far, I hope to see my Pilot face to face When I have crost the bar.

Hymn to Intellectual Beauty: Shelley

THE AWFUL shadow of some unseen Power Floats though unseen among us,—visiting This various world with as inconstant wing As summer winds that creep from flower to flower,— Like moonbeams that behind some piny mountain shower, 5 It visits with inconstant glance Each human heart and countenance; Like hues and harmonies of evening,— Like clouds in starlight widely spread,— Like memory of music fled,— 10 Like aught that for its grace may be Dear, and yet dearer for its mystery. II Spirit of BEAUTY, that dost consecrate With thine own hues all thou dost shine upon Of human thought or form,—where art thou gone? 15 Why dost thou pass away and leave our state, This dim vast vale of tears, vacant and desolate? Ask why the sunlight not for ever Weaves rainbows o'er yon mountain-river, Why aught should fail and fade that once is shown, 20 Why fear and dream and death and birth Cast on the daylight of this earth Such gloom,—why man has such a scope For love and hate, despondency and hope? III No voice from some sublimer world hath ever 25 To sage or poet these responses given— Therefore the names of Demon, Ghost, and Heaven, Remain the records of their vain endeavour, Frail spells—whose uttered charm might not avail to sever, From all we hear and all we see, 30 Doubt, chance, and mutability. Thy light alone—like mist o'er mountains driven, Or music by the night-wind sent Through strings of some still instrument, Or moonlight on a midnight stream, 35 Gives grace and truth to life's unquiet dream. IV Love, Hope, and Self-esteem, like clouds depart And come, for some uncertain moments lent. Man were immortal, and omnipotent, Didst thou, unknown and awful as thou art, 40 Keep with thy glorious train firm state within his heart. Thou messenger of sympathies, That wax and wane in lovers' eyes— Thou—that to human thought art nourishment, Like darkness to a dying flame! 45 Depart not as thy shadow came, Depart not—lest the grave should be, Like life and fear, a dark reality. V While yet a boy I sought for ghosts, and sped Through many a listening chamber, cave and ruin, 50 And starlight wood, with fearful steps pursuing Hopes of high talk with the departed dead. I called on poisonous names with which our youth is fed; I was not heard—I saw them not— When musing deeply on the lot 55 Of life, at that sweet time when winds are wooing All vital things that wake to bring News of birds and blossoming,— Sudden, thy shadow fell on me; I shrieked, and clasped my hands in ecstasy! 60 VI I vowed that I would dedicate my powers To thee and thine—have I not kept the vow? With beating heart and streaming eyes, even now I call the phantoms of a thousand hours Each from his voiceless grave: they have in visioned bowers 65 Of studious zeal or love's delight Outwatched with me the envious night— They know that never joy illumed my brow Unlinked with hope that thou wouldst free This world from its dark slavery, 70 That thou—O awful LOVELINESS, Wouldst give whate'er these words cannot express. VII The day becomes more solemn and serene When noon is past—there is a harmony In autumn, and a lustre in its sky, 75 Which through the summer is not heard or seen, As if it could not be, as if it had not been! Thus let thy power, which like the truth Of nature on my passive youth Descended, to my onward life supply 80 Its calm—to one who worships thee, And every form containing thee, Whom, SPIRIT fair, thy spells did bind To fear himself, and love all human kind.

Her Dilemma: Hardy

THE TWO were silent in a sunless church, Whose mildewed walls, uneven paving-stones, And wasted carvings passed antique research; And nothing broke the clock's dull monotones. Leaning against a wormy poppy-head, So wan and worn that he could scarcely stand, --For he was soon to die,--he softly said, "Tell me you love me!"--holding hard her hand. She would have given a world to breathe "yes" truly, So much his life seemed hanging on her mind, And hence she lied, her heart persuaded throughly, 'Twas worth her soul to be a moment kind. But the sad need thereof, his nearing death, So mocked humanity that she shamed to prize A world conditioned thus, or care for breath Where Nature such dilemmas could devise. Read more at http://www.poetry-archive.com/h/her_dilemma.html#3036u26sptVlPZih.99

God's Grandeur: Hopkins

THE WORLD is charged with the grandeur of God. It will flame out, like shining from shook foil; It gathers to a greatness, like the ooze of oil Crushed. Why do men then now not reck his rod? Generations have trod, have trod, have trod; 5 And all is seared with trade; bleared, smeared with toil; And wears man's smudge and shares man's smell: the soil Is bare now, nor can foot feel, being shod. And for all this, nature is never spent; There lives the dearest freshness deep down things; 10 And though the last lights off the black West went Oh, morning, at the brown brink eastward, springs— Because the Holy Ghost over the bent World broods with warm breast and with ah! bright wings.

Ode on a Grecian Urn: Keats

THOU still unravish'd bride of quietness, Thou foster-child of Silence and slow Time, Sylvan historian, who canst thus express A flowery tale more sweetly than our rhyme: What leaf-fringed legend haunts about thy shape 5 Of deities or mortals, or of both, In Tempe or the dales of Arcady? What men or gods are these? What maidens loth? What mad pursuit? What struggle to escape? What pipes and timbrels? What wild ecstasy? 10 Heard melodies are sweet, but those unheard Are sweeter; therefore, ye soft pipes, play on; Not to the sensual ear, but, more endear'd, Pipe to the spirit ditties of no tone: Fair youth, beneath the trees, thou canst not leave 15 Thy song, nor ever can those trees be bare; Bold Lover, never, never canst thou kiss, Though winning near the goal—yet, do not grieve; She cannot fade, though thou hast not thy bliss, For ever wilt thou love, and she be fair! 20 Ah, happy, happy boughs! that cannot shed Your leaves, nor ever bid the Spring adieu; And, happy melodist, unwearièd, For ever piping songs for ever new; More happy love! more happy, happy love! 25 For ever warm and still to be enjoy'd, For ever panting, and for ever young; All breathing human passion far above, That leaves a heart high-sorrowful and cloy'd, A burning forehead, and a parching tongue. 30 Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest? What little town by river or sea-shore, 35 Or mountain-built with peaceful citadel, Is emptied of its folk, this pious morn? And, little town, thy streets for evermore Will silent be; and not a soul, to tell Why thou art desolate, can e'er return. 40 O Attic shape! fair attitude! with brede Of marble men and maidens overwrought, With forest branches and the trodden weed; Thou, silent form! dost tease us out of thought As doth eternity: Cold Pastoral! 45 When old age shall this generation waste, Thou shalt remain, in midst of other woe Than ours, a friend to man, to whom thou say'st, 'Beauty is truth, truth beauty,—that is all Ye know on earth, and all ye need to know.'

My Last Duchess: Browning

That's (TITLE) painted on the wall, Looking as if she were alive. I call That piece a wonder, now: Frà Pandolf's hands Worked busily a day, and there she stands. Will 't please you sit and look at her? I said 'Frà Pandolf' by design, for never read Strangers like you that pictured countenance, The depth and passion of its earnest glance, But to myself they turned (since none puts by The curtain I have drawn for you, but I) And seemed as they would ask me, if they durst, How such a glance came there; so, not the first Are you to turn and ask thus. Sir, 't was not Her husband's presence only, called that spot Of joy into the Duchess' cheek: perhaps Frà Pandolf chanced to say, 'Her mantle laps Over my lady's wrist too much,' or 'Paint Must never hope to reproduce the faint Half-flush that dies along her throat:' such stuff Was courtesy, she thought, and cause enough For calling up that spot of joy. She had A heart -- how shall I say? -- too soon made glad, Too easily impressed; she liked whate'er She looked on, and her looks went everywhere. Sir, 't was all one! My favour at her breast, The dropping of the daylight in the West, The bough of cherries some officious fool Broke in the orchard for her, the white mule She rode with round the terrace -- all and each Would draw from her alike the approving speech, Or blush, at least. She thanked men, -- good! but thanked Somehow -- I know not how -- as if she ranked My gift of a nine-hundred-years-old name With anybody's gift. Who'd stoop to blame This sort of trifling? Even had you skill In speech -- (which I have not) -- to make your will Quite clear to such an one, and say, 'Just this Or that in you disgusts me; here you miss, Or there exceed the mark' -- and if she let Herself be lessoned so, nor plainly set Her wits to yours, forsooth, and made excuse, -- E'en then would be some stooping; and I choose Never to stoop. Oh, sir, she smiled, no doubt, Whene'er I passed her; but who passed without Much the same smile? This grew; I gave commands; Then all smiles stopped together. There she stands As if alive. Will 't please you rise? We'll meet The company below then. I repeat, The Count your master's known munificence Is ample warrant that no just pretence Of mine for dowry will be disallowed; Though his fair daughter's self, as I avowed At starting, is my object. Nay, we'll go Together down, sir. Notice Neptune, though, Taming a sea-horse, thought a rarity, Which Claus of Innsbruck cast in bronze for me!

Mont Blanc: Shelley

The everlasting universe of things Flows through the mind, and rolls its rapid waves, Now dark--now glittering-no", reflecting gloom Now lending splendor, where from secret springs The source of human thought its tribute brings 5 Of waters-with a sound but half its own, Such as a feeble brook will oft assume In the wild woods, among the mountains lone, Where waterfalls around it leap forever, Where woods and winds contend, and a vast river 10 Over its rocks ceaselessly bursts and raves.

After Death: Swinburne

The four boards of the coffin lid Heard all the dead man did. The first curse was in his mouth, Made of grave's mould and deadly drouth. The next curse was in his head, Made of God's work discomfited. The next curse was in his hands, Made out of two grave-bands. The next curse was in his feet, Made out of a grave-sheet. "I had fair coins red and white, And my name was as great light; I had fair clothes green and red, And strong gold bound round my head. But no meat comes in my mouth, Now I fare as the worm doth; And no gold binds in my hair, Now I fare as the blind fare. My live thews were of great strength, Now am I waxen a span's length; My live sides were full of lust, Now are they dried with dust." The first board spake and said: "Is it best eating flesh or bread?" The second answered it: "Is wine or honey the more sweet?" The third board spake and said: "Is red gold worth a girl's gold head?" The fourth made answer thus: "All these things are as one with us." The dead man asked of them: "Is the green land stained brown with flame? Have they hewn my son for beasts to eat, And my wife's body for beasts' meat? Have they boiled my maid in a brass pan, And built a gallows to hang my man?" The boards said to him: "This is a lewd thing that ye deem. Your wife has gotten a golden bed, All the sheets are sewn with red. Your son has gotten a coat of silk, The sleeves are soft as curded milk. Your maid has gotten a kirtle new, All the skirt has braids of blue. Your man has gotten both ring and glove, Wrought well for eyes to love." The dead man answered thus: "What good gift shall God give us?" The boards answered him anon: "Flesh to feed hell's worm upon."

Dover Beach: Arnold

The sea is calm to-night. The tide is full, the moon lies fair Upon the straits; on the French coast the light Gleams and is gone; the cliffs of England stand; Glimmering and vast, out in the tranquil bay. Come to the window, sweet is the night-air! Only, from the long line of spray Where the sea meets the moon-blanched land, Listen! you hear the grating roar Of pebbles which the waves draw back, and fling, At their return, up the high strand, Begin, and cease, and then again begin, With tremulous cadence slow, and bring The eternal note of sadness in. Sophocles long ago Heard it on the A gaean, and it brought Into his mind the turbid ebb and flow Of human misery; we Find also in the sound a thought, Hearing it by this distant northern sea. The Sea of Faith Was once, too, at the full, and round earth's shore Lay like the folds of a bright girdle furled. But now I only hear Its melancholy, long, withdrawing roar, Retreating, to the breath Of the night-wind, down the vast edges drear And naked shingles of the world. Ah, love, let us be true To one another! for the world, which seems To lie before us like a land of dreams, So various, so beautiful, so new, Hath really neither joy, nor love, nor light, Nor certitude, nor peace, nor help for pain; And we are here as on a darkling plain Swept with confused alarms of struggle and flight, Where ignorant armies clash by night.

A Half-Way Pause: D. Rossetti

The turn of noontide has begun. In the weak breeze the sunshine yields. There is a bell upon the fields. On the long hedgerow's tangled run A low white cottage intervenes: Against the wall a blind man leans, And sways his face to have the sun. Our horses' hoofs stir in the road, Quiet and sharp. Light hath a song Whose silence, being heard, seems long. The point of noon maketh abode, And will not be at once gone through. The sky's deep colour saddens you, And the heat weighs a dreamy load.

The Woodspurge: D. Rossetti

The wind flapp'd loose, the wind was still, Shaken out dead from tree and hill: I had walk'd on at the wind's will,— I sat now, for the wind was still. Between my knees my forehead was,— My lips, drawn in, said not Alas! My hair was over in the grass, My naked ears heard the day pass. My eyes, wide open, had the run Of some ten weeds to fix upon; Among those few, out of the sun, The woodspurge flower'd, three cups in one. From perfect grief there need not be Wisdom or even memory: One thing then learnt remains to me,— The woodspurge has a cup of three.

Tithonus: Tennyson

The woods decay, the woods decay and fall, The vapours weep their burthen to the ground, Man comes and tills the field and lies beneath, And after many a summer dies the swan. Me only cruel immortality Consumes: I wither slowly in thine arms, Here at the quiet limit of the world, A white-hair'd shadow roaming like a dream The ever-silent spaces of the East, Far-folded mists, and gleaming halls of morn. Alas! for this gray shadow, once a man— So glorious in his beauty and thy choice, Who madest him thy chosen, that he seem'd To his great heart none other than a God! I ask'd thee, 'Give me immortality.' Then didst thou grant mine asking with a smile, Like wealthy men, who care not how they give. But thy strong Hours indignant work'd their wills, And beat me down and marr'd and wasted me, And tho' they could not end me, left me maim'd To dwell in presence of immortal youth, Immortal age beside immortal youth, And all I was, in ashes. Can thy love, Thy beauty, make amends, tho' even now, Close over us, the silver star, thy guide, Shines in those tremulous eyes that fill with tears To hear me? Let me go: take back thy gift: Why should a man desire in any way To vary from the kindly race of men Or pass beyond the goal of ordinance Where all should pause, as is most meet for all? A soft air fans the cloud apart; there comes A glimpse of that dark world where I was born. Once more the old mysterious glimmer steals From thy pure brows, and from thy shoulders pure, And bosom beating with a heart renew'd. Thy cheek begins to redden thro' the gloom, Thy sweet eyes brighten slowly close to mine, Ere yet they blind the stars, and the wild team Which love thee, yearning for thy yoke, arise, And shake the darkness from their loosen'd manes, And beat the twilight into flakes of fire. Lo! ever thus thou growest beautiful In silence, then before thine answer given Departest, and thy tears are on my cheek. Why wilt thou ever scare me with thy tears, And make me tremble lest a saying learnt, In days far-off, on that dark earth, be true? 'The Gods themselves cannot recall their gifts.' Ay me! ay me! with what another heart In days far-off, and with what other eyes I used to watch—if I be he that watch'd— The lucid outline forming round thee; saw The dim curls kindle into sunny rings; Changed with thy mystic change, and felt my blood Glow with the glow that slowly crimson'd all Thy presence and thy portals, while I lay, Mouth, forehead, eyelids, growing dewy-warm With kisses balmier than half-opening buds Of April, and could hear the lips that kiss'd Whispering I knew not what of wild and sweet, Like that strange song I heard Apollo sing, While Ilion like a mist rose into towers. Yet hold me not for ever in thine East: How can my nature longer mix with thine? Coldly thy rosy shadows bathe me, cold Are all thy lights, and cold my wrinkled feet Upon thy glimmering thresholds, when the steam Floats up from those dim fields about the homes Of happy men that have the power to die, And grassy barrows of the happier dead. Release me, and restore me to the ground; Thou seëst all things, thou wilt see my grave: Thou wilt renew thy beauty morn by morn; I earth in earth forget these empty courts, And thee returning on thy silver wheels.

Drummer Hodge: Hardy

They throw in (TITLE), to rest Uncoffined -- just as found: His landmark is a kopje-crest That breaks the veldt around: And foreign constellations west Each night above his mound. Young Hodge the drummer never knew -- Fresh from his Wessex home -- The meaning of the broad Karoo, The Bush, the dusty loam, And why uprose to nightly view Strange stars amid the gloam. Yet portion of that unknown plain Will Hodge for ever be; His homely Northern breast and brain Grow to some Southern tree, And strange-eyed constellations reign His stars eternally.

Autumn Idleness: D. Rossetti

This sunlight shames November where he grieves In dead red leaves, and will not let him shun The day, though bough with bough be over-run. But with a blessing every glade receives High salutation; while from hillock-eaves The deer gaze calling, dappled white and dun, As if, being foresters of old, the sun Had marked them with the shade of forest-leaves. Here dawn to-day unveiled her magic glass; Here noon now gives the thirst and takes the dew; Till eve bring rest when other good things pass. And here the lost hours the lost hours renew While I still lead my shadow o'er the grass, Nor know, for longing, that which I should do.

Stanzas from the Grande Chartreuse: Arnold

Through Alpine meadows soft-suffused With rain, where thick the crocus blows, Past the dark forges long disused, The mule-track from Saint Laurent goes. The bridge is cross'd, and slow we ride, Through forest, up the mountain-side. The autumnal evening darkens round, The wind is up, and drives the rain; While, hark! far down, with strangled sound Doth the Dead Guier's stream complain, Where that wet smoke, among the woods, Over his boiling cauldron broods. Swift rush the spectral vapours white Past limestone scars with ragged pines, Showing—then blotting from our sight!— Halt—through the cloud-drift something shines! High in the valley, wet and drear, The huts of Courrerie appear. Strike leftward! cries our guide; and higher Mounts up the stony forest-way. At last the encircling trees retire; Look! through the showery twilight grey What pointed roofs are these advance?— A palace of the Kings of France? Approach, for what we seek is here! Alight, and sparely sup, and wait For rest in this outbuilding near; Then cross the sward and reach that gate. Knock; pass the wicket! Thou art come To the Carthusians' world-famed home. The silent courts, where night and day Into their stone-carved basins cold The splashing icy fountains play— The humid corridors behold! Where, ghostlike in the deepening night, Cowl'd forms brush by in gleaming white. The chapel, where no organ's peal Invests the stern and naked prayer— With penitential cries they kneel And wrestle; rising then, with bare And white uplifted faces stand, Passing the Host from hand to hand; Each takes, and then his visage wan Is buried in his cowl once more. The cells!—the suffering Son of Man Upon the wall—the knee-worn floor— And where they sleep, that wooden bed, Which shall their coffin be, when dead! The library, where tract and tome Not to feed priestly pride are there, To hymn the conquering march of Rome, Nor yet to amuse, as ours are! They paint of souls the inner strife, Their drops of blood, their death in life. The garden, overgrown—yet mild, See, fragrant herbs are flowering there! Strong children of the Alpine wild Whose culture is the brethren's care; Of human tasks their only one, And cheerful works beneath the sun. Those halls, too, destined to contain Each its own pilgrim-host of old, From England, Germany, or Spain— All are before me! I behold The House, the Brotherhood austere! —And what am I, that I am here? For rigorous teachers seized my youth, And purged its faith, and trimm'd its fire, Show'd me the high, white star of Truth, There bade me gaze, and there aspire. Even now their whispers pierce the gloom: What dost thou in this living tomb? Forgive me, masters of the mind! At whose behest I long ago So much unlearnt, so much resign'd— I come not here to be your foe! I seek these anchorites, not in ruth, To curse and to deny your truth; Not as their friend, or child, I speak! But as, on some far northern strand, Thinking of his own Gods, a Greek In pity and mournful awe might stand Before some fallen Runic stone— For both were faiths, and both are gone. Wandering between two worlds, one dead, The other powerless to be born, With nowhere yet to rest my head, Like these, on earth I wait forlorn. Their faith, my tears, the world deride— I come to shed them at their side. Oh, hide me in your gloom profound, Ye solemn seats of holy pain! Take me, cowl'd forms, and fence me round, Till I possess my soul again; Till free my thoughts before me roll, Not chafed by hourly false control! For the world cries your faith is now But a dead time's exploded dream; My melancholy, sciolists say, Is a pass'd mode, an outworn theme— As if the world had ever had A faith, or sciolists been sad! Ah, if it be pass'd, take away, At least, the restlessness, the pain; Be man henceforth no more a prey To these out-dated stings again! The nobleness of grief is gone Ah, leave us not the fret alone! But—if you cannot give us ease— Last of the race of them who grieve Here leave us to die out with these Last of the people who believe! Silent, while years engrave the brow; Silent—the best are silent now. Achilles ponders in his tent, The kings of modern thought are dumb, Silent they are though not content, And wait to see the future come. They have the grief men had of yore, But they contend and cry no more. Our fathers water'd with their tears This sea of time whereon we sail, Their voices were in all men's ears We pass'd within their puissant hail. Still the same ocean round us raves, But we stand mute, and watch the waves. For what avail'd it, all the noise And outcry of the former men?— Say, have their sons achieved more joys, Say, is life lighter now than then? The sufferers died, they left their pain— The pangs which tortured them remain. What helps it now, that Byron bore, With haughty scorn which mock'd the smart, Through Europe to the Ætolian shore The pageant of his bleeding heart? That thousands counted every groan, And Europe made his woe her own? What boots it, Shelley! that the breeze Carried thy lovely wail away, Musical through Italian trees Which fringe thy soft blue Spezzian bay? Inheritors of thy distress Have restless hearts one throb the less? Or are we easier, to have read, O Obermann! the sad, stern page, Which tells us how thou hidd'st thy head From the fierce tempest of thine age In the lone brakes of Fontainebleau, Or chalets near the Alpine snow? Ye slumber in your silent grave!— The world, which for an idle day Grace to your mood of sadness gave, Long since hath flung her weeds away. The eternal trifler breaks your spell; But we—we learned your lore too well! Years hence, perhaps, may dawn an age, More fortunate, alas! than we, Which without hardness will be sage, And gay without frivolity. Sons of the world, oh, speed those years; But, while we wait, allow our tears! Allow them! We admire with awe The exulting thunder of your race; You give the universe your law, You triumph over time and space! Your pride of life, your tireless powers, We laud them, but they are not ours. We are like children rear'd in shade Beneath some old-world abbey wall, Forgotten in a forest-glade, And secret from the eyes of all. Deep, deep the greenwood round them waves, Their abbey, and its close of graves! But, where the road runs near the stream, Oft through the trees they catch a glance Of passing troops in the sun's beam— Pennon, and plume, and flashing lance! Forth to the world those soldiers fare, To life, to cities, and to war! And through the wood, another way, Faint bugle-notes from far are borne, Where hunters gather, staghounds bay, Round some fair forest-lodge at morn. Gay dames are there, in sylvan green; Laughter and cries—those notes between! The banners flashing through the trees Make their blood dance and chain their eyes; That bugle-music on the breeze Arrests them with a charm'd surprise. Banner by turns and bugle woo: Ye shy recluses, follow too! O children, what do ye reply?— "Action and pleasure, will ye roam Through these secluded dells to cry And call us?—but too late ye come! Too late for us your call ye blow, Whose bent was taken long ago. "Long since we pace this shadow'd nave; We watch those yellow tapers shine, Emblems of hope over the grave, In the high altar's depth divine; The organ carries to our ear Its accents of another sphere. "Fenced early in this cloistral round Of reverie, of shade, of prayer, How should we grow in other ground? How can we flower in foreign air? —Pass, banners, pass, and bugles, cease; And leave our desert to its peace!"

Smithereens: D. Rossetti

UNCERTAIN-AGED Miss Thereabouts, Tough fossil of her teens, Has lifted up with saving hand The ruined Smithereens. Down the dark steps of debt that hand Sped like an angel's wing, Deep—dowered with gold, and for itself Brought back a golden ring. Ah lovely Lucy Lovandove, 10 That ring's a snake, and means Woe without end: therein lies crushed Thy heart—to smithereens.

Lamia: Keats

UPON a time, before the faery broods Drove Nymph and Satyr from the prosperous woods, Before King Oberon's bright diadem, Sceptre, and mantle, clasp'd with dewy gem, Frighted away the Dryads and the Fauns 5 From rushes green, and brakes, and cowslip'd lawns, The ever-smitten Hermes empty left His golden throne, bent warm on amorous theft: From high Olympus had he stolen light, On this side of Jove's clouds, to escape the sight 10 Of his great summoner, and made retreat Into a forest on the shores of Crete. For somewhere in that sacred island dwelt A nymph, to whom all hoofed Satyrs knelt; At whose white feet the languid Tritons poured 15 Pearls, while on land they wither'd and adored. Fast by the springs where she to bathe was wont, And in those meads where sometime she might haunt, Were strewn rich gifts, unknown to any Muse, Though Fancy's casket were unlock'd to choose. 20 Ah, what a world of love was at her feet! So Hermes thought, and a celestial heat Burnt from his winged heels to either ear, That from a whiteness, as the lily clear, Blush'd into roses 'mid his golden hair, 25 Fallen in jealous curls about his shoulders bare. From vale to vale, from wood to wood, he flew, Breathing upon the flowers his passion new, And wound with many a river to its head, To find where this sweet nymph prepar'd her secret bed: 30 In vain; the sweet nymph might nowhere be found, And so he rested, on the lonely ground, Pensive, and full of painful jealousies Of the Wood-Gods, and even the very trees. There as he stood, he heard a mournful voice, 35 Such as once heard, in gentle heart, destroys All pain but pity: thus the lone voice spake: "When from this wreathed tomb shall I awake! "When move in a sweet body fit for life, "And love, and pleasure, and the ruddy strife 40 "Of hearts and lips! Ah, miserable me!" The God, dove-footed, glided silently Round bush and tree, soft-brushing, in his speed, The taller grasses and full-flowering weed, Until he found a palpitating snake, 45 Bright, and cirque-couchant in a dusky brake.

The Bourne: C. Rossetti

Underneath the growing grass, Underneath the living flowers, Deeper than the sound of showers: There we shall not count the hours By the shadows as they pass. Youth and health will be but vain, Beauty reckoned of no worth: There a very little girth Can hold round what once the earth Seemed too narrow to contain.

The Bishop Orders His Tomb: Browning

Vanity, saith the preacher, vanity! Draw round my bed: is Anselm keeping back? Nephews -sons mine ... ah God, I know not! Well — She, men would have to be your mother once, Old Gandolf envied me, so fair she was! What's done is done, and she is dead beside, Dead long ago, and I am Bishop since; And as she died so must we die ourselves, And thence ye may perceive the world's a dream. Life, how and what is it? As here I lie In this state-chamber, dying by degrees, Hours and long hours in the dead night, I ask "Do I live, am I dead?" Peace, peace seems all. St Praxed's ever was the church for peace; And so, about this tomb of mine. I fought With tooth and nail to save my niche, ye know: — Old Gandolf cozened me, despite my care; Shrewd was that snatch from out the corner South He graced his carrion with, God curse the same! Yet still my niche is not so cramped but thence One sees the pulpit o' the epistle-side, And somewhat of the choir, those silent seats, And up into the aery dome where live The angels, and a sunbeam's sure to lurk: And I shall fill my slab of basalt there, And 'neath my tabernacle take my rest, With those nine columns round me, two and two, The odd one at my feet where Anselm stands: Peach-blossom marble all, the rare, the ripe As fresh-poured red wine of a mighty pulse. - Old Gandolf with his paltry onion-stone, Put me where I may look at him! True peach, Rosy and flawless: how I earned the prize! Draw close: that conflagration of my church - What then? So much was saved if aught were missed! My sons, ye would not be my death? Go dig The white-grape vineyard where the oil-press stood, Drop water gently till the surface sinks, And if ye find...ah God, I know not, I!... Bedded in store of rotten fig-leaves soft, And corded up in a tight olive-frail, Some lump, ah God, of lapis lazuli, Big as a Jew's head cut off at the nape, Blue as a vein o'er the Madonna's breast... Sons, all have I bequeathed you, villas, all, That brave Frascati villa with its bath, So, let the blue lump poise between my knees, Like God the Father's globe on both his hands Ye worship in the Jesu Church so gay, For Gandolf shall not choose but see and burst! ........ And leave me in my church, the church for peace, That I may watch at leisure if he leers - Old Gandolf, at me, from his onion-stone, As still he envied me, so fair she was!

A Match with the Moon: D. Rossetti

WEARY already, weary miles to-night I walked for bed: and so, to get some ease, I dogged the flying moon with similes. And like a wisp she doubled on my sight In ponds; and caught in tree-tops like a kite; And in a globe of film all liquorish Swam full-faced like a silly silver fish;— Last like a bubble shot the welkin's height Where my road turned, and got behind me, and sent My wizened shadow craning round at me, And jeered, "So, step the measure,—one two three!" And if I faced on her, looked innocent. But just at parting, halfway down a dell, She kissed me for good-night. So you'll not tell.

At an Inn: Hardy

WHEN we as strangers sought Their catering care, Veiled smiles bespoke their thought Of what we were. They warmed as they opined 5 Us more than friends— That we had all resigned For love's dear ends. And that swift sympathy With living love 10 Which quicks the world—maybe The spheres above, Made them our ministers, Moved them to say, "Ah, God, that bliss like theirs 15 Would flush our day!" And we were left alone As Love's own pair; Yet never the love-light shone Between us there! 20 But that which chilled the breath Of afternoon, And palsied unto death The pane-fly's tune. The kiss their zeal foretold, 25 And now deemed come, Came not: within his hold Love lingered numb. Why cast he on our port A bloom not ours? 30 Why shaped us for his sport In after-hours? As we seemed we were not That day afar, And now we seem not what 35 We aching are. O severing sea and land, O laws of men, Ere death, once let us stand As we stood then!

Friends Beyond: Hardy

WILLIAM DEWY, Tranter Reuben, Farmer Ledlow late at plough, Robert's kin, and John's, and Ned's, And the Squire, and Lady Susan, lie in Mellstock churchyard now! "Gone," I call them, gone for good, that group of local hearts and heads; Yet at mothy curfew-tide, 5 And at midnight when the noon-heat breathes it back from walls and leads, They've a way of whispering to me—fellow-wight who yet abide— In the muted, measured note Of a ripple under archways, or a lone cave's stillicide: "We have triumphed: this achievement turns the bane to antidote, 10 Unsuccesses to success, Many thought-worn eves and morrows to a morrow free of thought. "No more need we corn and clothing, feel of old terrestrial stress; Chill detraction stirs no sigh; Fear of death has even bygone us: death gave all that we possess." 15 W. D.—"Ye mid burn the wold bass-viol that I set such vallie by." Squire.—"You may hold the manse in fee, You may wed my spouse, my children's memory of me may decry." Lady.—"You may have my rich brocades, my laces; take each household key; Ransack coffer, desk, bureau; 20 Quiz the few poor treasures hid there, con the letters kept by me." Far.—"Ye mid zell my favorite heifer, ye mid let the charlock grow, Foul the grinterns, give up thrift." Wife.—"If ye break my best blue china, children, I sha'n't care or ho." All—"We've no wish to hear the tidings, how the people's fortunes shift; 25 What your daily doings are; Who are wedded, born, divided; if your lives beat slow or swift. "Curious not the least are we if our intents you make or mar, If you quire to our old tune, If the City stage still passes, if the weirs still roar afar." 30 Thus, with very gods' composure, freed those crosses late and soon Which, in life, the Trine allow (Why, none witteth), and ignoring all that haps beneath the moon, William Dewy, Tranter Reuben, Farmer Ledlow late at plough, Robert's kin, and John's, and Ned's, 35 And the Squire, and Lady Susan, murmur mildly to me now.

Neutral Tones: Hardy

We stood by a pond that winter day, And the sun was white, as though chidden of God, And a few leaves lay on the starving sod; - They had fallen from an ash, and were gray. Your eyes on me were as eyes that rove Over tedious riddles of years ago; And some words played between us to and fro On which lost the more by our love. The smile on your mouth was the deadest thing Alive enough to have strength to die; And a grin of bitterness swept thereby Like an ominous bird a-wing.... Since then, keen lessons that love deceives, And wrings with wrong, have shaped to me Your face, and the God curst sun, and a tree, And a pond edged with grayish leaves.

Song 1: C. Rossetti

When I am dead, my dearest, Sing no sad songs for me; Plant thou no roses at my head, Nor shady cypress tree: Be the green grass above me With showers and dewdrops wet; And if thou wilt, remember, And if thou wilt, forget. I shall not see the shadows, I shall not feel the rain; I shall not hear the nightingale Sing on, as if in pain: And dreaming through the twilight That doth not rise nor set, Haply I may remember, And haply may forget.

When I have fears that I may cease to be: Keats

When I have fears that I may cease to be Before my pen has gleaned my teeming brain, Before high-pilèd books, in charactery, Hold like rich garners the full ripened grain; When I behold, upon the night's starred face, Huge cloudy symbols of a high romance, And think that I may never live to trace Their shadows with the magic hand of chance; And when I feel, fair creature of an hour, That I shall never look upon thee more, Never have relish in the faery power Of unreflecting love—then on the shore Of the wide world I stand alone, and think Till love and fame to nothingness do sink.

By the Sea: C. Rossetti

Why does the sea moan evermore? Shut out from heaven it makes its moan, It frets against the boundary shore; All earth's full rivers cannot fill The sea, that drinking thirsteth still. Sheer miracles of loveliness Lie hid in its unlooked-on bed: Anemones, salt, passionless, Blow flower-like; just enough alive To blow and multiply and thrive. Shells quaint with curve, or spot, or spike, Encrusted live things argus-eyed, All fair alike, yet all unlike, Are born without a pang, and die Without a pang, and so pass by.

To Marguerite, Continued: Arnold

Yes! in the sea of life enisled, With echoing straits between us thrown, Dotting the shoreless watery wild, We mortal millions live alone. The islands feel the enclasping flow, And then their endless bounds they know. But when the moon their hollows lights, And they are swept by balms of spring, And in their glens, on starry nights, The nightingales divinely sing; And lovely notes, from shore to shore, Across the sounds and channels pour— Oh! then a longing like despair Is to their farthest caverns sent; For surely once, they feel, we were Parts of a single continent! Now round us spreads the watery plain— Oh might our marges meet again! Who order'd, that their longing's fire Should be, as soon as kindled, cool'd? Who renders vain their deep desire?— A God, a God their severance ruled! And bade betwixt their shores to be The unplumb'd, salt, estranging sea.

A Broken Appointment: Hardy

You did not come, And marching Time drew on, and wore me numb. Yet less for loss of your dear presence there Than that I thus found lacking in your make That high compassion which can overbear Reluctance for pure lovingkindness' sake Grieved I, when, as the hope-hour stroked its sum, You did not come. You love not me, And love alone can lend you loyalty; -I know and knew it. But, unto the store Of human deeds divine in all but name, Was it not worth a little hour or more To add yet this: Once you, a woman, came To soothe a time-torn man; even though it be You love not me.

Caliban upon Setebos: Browning

['Will sprawl, now that the heat of day is best, Flat on his belly in the pit's much mire, With elbows wide, fists clenched to prop his chin. And, while he kicks both feet in the cool slush, And feels about his spine small eft-things course, Run in and out each arm, and make him laugh: And while above his head a pompion-plant, Coating the cave-top as a brow its eye, Creeps down to touch and tickle hair and beard, And now a flower drops with a bee inside, And now a fruit to snap at, catch and crunch,— He looks out o'er yon sea which sunbeams cross And recross till they weave a spider-web (Meshes of fire, some great fish breaks at times) And talks to his own self, howe'er he please, Touching that other, whom his dam called God. Because to talk about Him, vexes—ha, Could He but know! and time to vex is now, When talk is safer than in winter-time. Moreover Prosper and Miranda sleep In confidence he drudges at their task, And it is good to cheat the pair, and gibe, Letting the rank tongue blossom into speech.] Setebos, Setebos, and Setebos! 'Thinketh, He dwelleth i' the cold o' the moon. 'Thinketh He made it, with the sun to match, But not the stars; the stars came otherwise; Only made clouds, winds, meteors, such as that: Also this isle, what lives and grows thereon, And snaky sea which rounds and ends the same.........