ARH-2051 QUIZ 3

22. (Jacques-Louis David, Death of Marat, 1793) The figure in this painting was _______

All of these answers are correct <--- murdered in his bath by Charlotte Corday. Publisher of a Revolutionary paper. a member of the revolutionary extremist group, the Jacobins.

17. (Caravaggio, Conversion of Saint Paul) Which of the following artists was inspired by Caravaggio's use of light and dark?

All of these artists were influenced by Caravaggio's <-handling of light Rembrandt Francisco Zurbaran Artemisia Gentileschi

18. (Gianlorenzo Bernini, baldacchino, Saint Peter's, Vatican City, Rome, Italy, 1624-1633) The pope's family emblem is sculpted onto the columns in the form of ____

Bees

2. (Vatican City, Rome, Italy. Piazza designed by Gianlorenzo Bernini, 1656-1667) The architect/designer and location of this image is ________

Bernini, St Peter's, Rome

20. The majority of the bronze for the construction of the Baldacchino was appropriated from _____________

The Pantheon

19. The construction of the baldacchino was commissioned by Pope ______

Urban VIII

10. (Jan Vermeer, Allegory of the Art of Painting) According to your text, to depict opulent 17th century Dutch domestic interiors, the artist of this painting used _______

both the camera obscura and mirrors

1. (Vatican City, Rome, Italy. Piazza designed by Gianlorenzo Bernini, 1656-1667) The gesture of the two colonnades symbolizes ________

the catholic churches welcoming embrace to heretics

6. (Antoine Watteau, Pilgrimage to Cythera, 1717) Watteau's painting belongs to a genre known as ____

the fête galante

24. (Anthony Van Dyck, Charles I Dismounted, ca. 1635) This portrait breaks with the tradition of royal portraiture because ____________

the king is portrayed as a gentleman/nobleman

15. (Caravaggio, Conversion of Saint Paul) Which of the following is NOT a characteristic of Caravaggio?

these are ALL characteristics of Caravaggio <--- playing out historic dramas in the dingy settings use of ordinary people as models dramatic use of light and dark

14. (Francisco de Zurbarán, Saint Serapion, 1628) According to the text, in order to evoke empathy from a wider audience, the artist depicted the figure_____________

with the course or rough features of a common man.

25. (Anthony Van Dyck, Charles I Dismounted, ca. 1635) The man in the picture is identified as ______________

Charles I of England

7. Which two schools of painting dominated French painting in the 18th century __ and__

Rubenistes and the Poussinests

23. (Anthony Van Dyck, Charles I Dismounted, ca. 1635) The painter in of this piece was a former assistant in the studio of ________

Rubens

12. (Francisco de Zurbarán, Saint Serapion, 1628) This image best exemplifies the characteristics of ________

Spanish Baroque

8. (Jan Vermeer, Allegory of the Art of Painting) The best known and most highly regarded of the Dutch interior scene painters was ______

Vermeer

13. (Francisco de Zurbarán, Saint Serapion, 1628) This image originally functioned as _________

a devotional image

21. (Jacques-Louis David, Death of Marat, 1793) The artist presents the figure in the bathtub as __________

a tragic martyr

4. This (Peter Paul Rubens, Arrival of Marie de' Medici at Marseilles) was one of a series of paintings commissioned to__________

all of the above <--- glorify the career of Marie de' Medici reinforce her authority and right to rule hang in the queen's new palace at Luxembourg

3. Baroque imagery such as this (Peter Paul Rubens, Arrival of Marie de' Medici at Marseilles) can best be described as_________

all of the above <--- magnificence and splendor historical and allegorical lavish spectacle

9. (Jan Vermeer, Allegory of the Art of Painting) The Dutch Republic was notable because _________

all of these answers are correct<--- its system of patronage was dominated by a wealthy middle class it represented a change in patronage that included neither a monarch or the papacy the provinces had won their independence from Spain

5. (Peter Paul Rubens, Arrival of Marie de' Medici at Marseilles) The winged figure above the Queen represents________

fame

11. (Jan Vermeer, Allegory of the Art of Painting) The costumed young girl in this painting is meant to represents Clio, the allegorical figure of _________

history

16. (Caravaggio, Conversion of Saint Paul) Tenebrism is defined in your text as _____________

painting in the dark or shadowy manner