Music Appreciation
Concerto Grosso
a small group of soloists pitted against a larger group of players called tutti (all) or ripieno (8-20). Mainly strings and harpsichord.
aria
a song for solo voice with orchestra accompaniment
figured bass
a system of notating the continuo chords in baroque music by means of figures. shorthand with #'s
Recitative
a vocal line that imitates speech. Used for monologue and dialogue
exposition
all voices present when the subject in an orderly fashion. it is over when all the voices have come in. (fugue)
da capo aria
an aria in ABA form in which the singer ornaments and shows off their virtuosity in the last section
program music
an instrumental work associated with a story, event, or idea
organ chorale
an organ composition incorporating a hymn tune.
trill
an ornament consisting of the rapid alteration of two tones
subject entries
appearances of the entire fugue subject after the opening exposition (fugue)
Homophonic Texture of a Madrigal
block chords
Renaissance Period years
(1440-1600)
Baroque Period Years
(1600-1750)
Mass
(Sacred Music) Polyphonic choral composition made up of 5 sections. A total of 20-30 minutes worth of music. (Kyrie, Gloria, Credo, Sanctus, Agnus Dei)
Motet/Anthem
(Sacred Music) Polyphonic choral work set to a sacred latin text other than the ordinary of the mass.
Leonin and Perotin
2 choir masters at the Cathedral of Notre Dame, among the first notable composers known by name.
Counter Point
2 or more voices that are independent in contour and rhythm and are harmonically interdependent
number of cantatas bach wrote vs existence today
295 vs 195
Gregorian Chant/Plainsong/Plain Chant
A melody set to a sacred Latin text and sung without accompaniment. Monophonic in texture.
Characteristics of Baroque Rhythm- Melody- dynamics
Continuity opening melody heard again and again terraced
Cantus Firmus
Fixed melody. A chant that is used as the basis of polyphony
Two Giants of Baroque Composers
George Frideric Handel Johann Sebastian Bach
cantata
German religious text newly written from the bible or hymn. Sermon in music. Chorus, vocal soloist, organ and small orchestra. bach's were 25 min
Secular Music
Love song, regular meter, and a defined beat. Composed in France by (Troubadours and Trouvers) Composed in Germany by (Minnesingers and Meistersingers)
2 Forms of Sacred Music
Mass and Motet/Anthem
Organum
Music that consists of Gregorian chant and one or more additional melodic lines. Polyphonic
Movement
a piece that sunds fairly complete and independent but part of a larger composition
Declamation
The way words are set to music, terms of rhythm and accent. Wanted words to be clearly heard.
Oratorio
Work based on stories or events in the Bible. Chorus, vocal soloist, and small orchestra share the stage. longer than a cantata. 2+ hrs more story line
ritornello form
a baroque musical form based on recurrences of a ritornello
dance suite
a collection of miscellaneous dances written for orchestra, chamber groups, solo instruments, or harpsichord. All dances in same key. Differ in tempo, meter, and character. the last is always fast.
solo concerto
a piece for a single soloist and orchestra. fast slow fast.
Madrigal
a piece several solo voices set to a short poem usually about love. Published by the 1,000's.
Baroque 3 main places composers worked
church, court, opera house
Messiah by George Frederic Handel
composed in 24 days divided into 3 parts by text over 50 movements worlds most famous choral piece 2.5 hrs in length
Opera
drama that is sung to orchestral accompaniment. began during baroque.
Imitative Counterpoint of a Madrigal
ideals of moderation and balance
cadenza
improvised or improvisatory solo passage- soloist only,
castrati
male sopranos and altos with a very high range
Word Painiting
musical illustration of a meaning of a word or short verbal phrase
prelude or overture
orchestral composition that opens an opera, orchestra only
Ritornello
orchestral material at the beginning of a solo concerto or concerto grosso that always returns later in the piece
episodes
passages of music separating later subject entries (fugue)
A Capella (madrigal)
performance by voices alone
Fugue
polyphonic composition for a fixed number of instrumental lines or voices (3 or 4) build on a single principal theme.
opera seria
serious opera, plots based on ancient history
french overture
special preparatory piece that comes before the dances
libretto
text for opera
Ornamentation
the addition of fast notes and trills to a melody.
ground bass
the bass instruments play a single short figure many times throughout the piece
Reciting tone
the pitch on which the text is sung Syllabic (one note per syllable) Melismatic (more than one note per syllable)
subject
theme of the fugue
Passion
work based on the events surrounding the crucifixion of christ
librettist
writes the text of the opera