ARH 2051 Chapter 16-18
The ___________was built to houses the bureaucracies of the Medici.
Uffizi
Palladio's Church of San Giorgio Maggiore (17.32) is located in ____________.
Venice
David's Virgin Among Virgins (18.27) was commissioned by ___________.
a Carmelite nunnery
In Raphael's Portrait of Pope Leo X with Cardinal Giulio de' Medici and Luigi de' Rossi (16.25), the pope is represented as _____________.
a collector and connoisseur
Dürer's The Four Horsemen of the Apocalypse (18.14) is a(n) _________.
woodcut
Grien's The Bewitched Groom (18.22) is a __________.
woodcut
Bramante's Tempietto (16.8) is located in ____________.
Rome
The Sistine Chapel (16.17) is located in __________.
Rome
In The Battle of Issos (18.21) the artist adopts a ___________point of view.
omniscient
__________are small medallions in relief.
Cameos
________are effigies of the deceased that express the transient nature of the flesh.
Gisants
Hans Holbein was the court painter to __________.
Henry VIII
Queen Elizabeth's father was ___________.
Henry VIII
What is the meaning of the monogram in Anguissola's Self-Portrait (17.30)?
It is unknown
El Greco was deeply influenced by the art of __________.
Italy
Most of the artists at the School of Fontainebleau worked in the ________style.
Mannerist
Parmigianino worked in the ________ style.
Mannerist
Pontormo's Pietà (17.3) was painted in the ___________style.
Mannerist
The Palazzo del Te (17.24) is located outside the city of ___________.
Mantua
The church of San Lorenzo was the _______family church.
Medici
The figural composition of Raphael's La Belle Jardinière (16.22) was influenced by ___________.
Michelangelo
Raphael was buried in the _____________.
Pantheon
________ commissioned Raphael to paint The School of Athens.
Pope Julius II
Michelangelo's The Last Judgment (17.14) was commissioned by __________.
Pope Paul III
In Dürer's The Four Apostles (18.18), the figures represent four individuals associated with _______doctrine.
Protestant
Marcantonio Raimondi's The Judgment of Paris (16.28) is a(n) ____________.
engraving
When Bologna created The Rape of the Sabine Women (17.13) ___________.
he had no specific theme in mind
Pieter Bruegel the Elder′s genre paintings used ________.
inverted perspective
Joachim Patinir was an early specialist in __________.
landscapes
A vanitas is a reminder that _____________.
life on earth is fleeting
In The Last Supper (17.39) the artist was especially concerned with _________.
making visible the miracle of the Eucharist
Aertsen's The Meat Stall (18.31) might have a ___________meaning.
moralized
Images such as Titian's Rape of Europa (17.36) were referred to as _______.
poesie
Leonardo da Vinci's The Last Supper was commissioned to decorate the _________of the monastery of Santa Maria delle Grazie.
refectory
The title of Veronese's The Feast in the House of Levi (17.38) was changed by the artist after being summoned by the ________.
religious tribunal of the Inquisition
Titian's Madonna with Members of the Pesaro Family (16.32) includes a _____________.
sacra conversazione
What scenes were represented on the ceiling of the Sistine Chapel (16.17)?
scenes from the book of Genesis
Michelangelo's Pietà (16.12) is the only work _________by the artist.
signed
Giorgione specialized in ______________.
smaller-scale paintings
In addition to providing scenic vistas for the residents of the Palazzo Pitti, the Boboli Gardens were often a ___________________.
stage setting for ducal events
The street-level arcade of the Library of St. Mark's (17.31) in Venice was inspired by which monument?
the Colosseum
Who commissioned Michelangelo's David (16.13)?
the Florence cathedral
Titian's Venus of Urbino (17.35) was commissioned by ________.
the duke of Urbino
Michelangelo's Awakening Prisoner (16.16) was originally intended for ____________.
the tomb of Pope Julius II
Which of the following techniques was not used by Leonardo da Vinci in the Mona Lisa (16.7)?
there is no landscape behind the subject
