ID 4741 - Exam 3
Eileen Gray, Bilboquet table, wood and lacquer, ca. 1917
(see powerpoint)
Emile Galle, Dining Room for the Hôtel Hannon, Brussels, 1904-1905, molded and sculpted walnut, polychrome marquetry, bronze
(see powerpoint)
Emile Galle, Vitrine with "Wind in the Fields" Decoration, 1900, wood, marquetry, glass
(see powerpoint)
Eugène Printz (interior architect, furniture), Salon of Marshall Lyautey, Palais de la Porte Dorée (Palace of the Golden Gate), Paris, opened 1931
(see powerpoint)
Henry Van de Velde, Oak and Leather Desk with Chair, ca. 1898, wood, leather, bronze
(see powerpoint)
Louis Comfort Tiffany and J. A. Holtzer (designer of dome), Glass Dome of Preston Bradley Hall at the Chicago Cultural Center, opened 1897
(see powerpoint)
Robert Mallet-Stevens, Villa Noailles, Hyères (Var department, France), 1923-28
(see powerpoint)
Émile-Jacques Ruhlmann, Collector's Cabinet, 1927, wood, veneer, bronze repoussé application
(see powerpoint)
Wright
The American Individualist
Eileen Gray
The E-1027
Loos
From the Secession to the Bauhaus Style
Pierre Partout (arch.) and Émile-Jacques Ruhlmann (interior arch.), Hôtel of a Collector, Exposition Internationale des Arts Décoratifs, Paris, 1925
(not exact picture - see powerpoint)
Adolf Loos, Steiner House, Vienna, 1910
(not exact picture)
Louis Comfort Tiffany, Cobweb Lamp, 1900, glass and metal
(not exact picture)
Émile Gallé and Victor Prouvé, Vase "Les Hommes noirs" (The Dark Men), 1900, blown and cased glass, cut, acid-etched, engraved, polished, with silver stain
(not exact picture)
Gabriele d'Annunzio (concept) and Giancarlo Maroni (arch. responsible for remodeling), Towers of the Archives (Torri degli Archivi, left) and The Prioria (below, far right), The Vittoriale degli Italiani, Gardone Riviera (Lake Garda, Italy), begun in 1922
(see powerpoint 17-36)
Gabriele d'Annunzio (concept) and Giancarlo Maroni (arch. responsible for remodeling), Stanza di Cheli (Dining Room), The Vittoriale degli Italiani, Gardone Riviera (Lake Garda, Italy), begun in 1922
(see powerpoint 17-37)
Gabriele d'Annunzio (concept) and Giancarlo Maroni (arch. responsible for remodeling), Music Room (Camera della Musica), The Vittoriale degli Italiani, Gardone Riviera (Lake Garda, Italy), ca. 1930
(see powerpoint 17-38)
Napoleone Martinuzzi, Vase "a dieci anse" (with ten handles), originally designed for the Vittoriale, pulegoso glass, V.S.M. Venini & C., 1930
(see powerpoint 17-38)
Albert Laprade (architect) and Alfred Auguste Janniot (bas-reliefs), Palais de la Porte Dorée (Palace of the Golden Gate), Paris, opened 1931 (incl. Émile-Jacques Ruhlmann (interior architect, furniture)
(see powerpoint)
Carlo Bugatti, Cabinet, 1900, walnut, tin, brass, parchment, ivory and ebony inlay
(see powerpoint)
Edward Brantwood Maufe, Desk, 1925, silver-lacquered mahagony
(see powerpoint)
Victor Horta
Art Nouveau in Belgium
Art Deco
Covers all forms of creative activities: fashion, cinema, photography, architecture (incl. industrial), interior design
Berlage
Expressionism in Architecture
Eileen Gray
High Modernism and Exoticism
McKim, Mead & White
Industrial Architecture
Sullivan
Romanesque References
Parisian
__ culture in particular inspired Art Déco, the last luxury style based on elegant display of surplus labor in privileged objects
"retour à l'ordre" (return to order)
movement, looking for aesthetic models that seem assuring in times of uncertainty
Art Deco
style lasted from ca. 1918-1940, but is principally associated with the 1920s and 1930s
