MUS 127 Listening/Content Quiz 1
Genre
A category of music that refers to the instruments or voices used
Text Setting
A composer finds a suitable text, often a poem, reads it many times, and then determines what sort of music will best suit its sentiments, a procedure called
Diegetic Music
A film music term denoting music whose source (a radio, for example) is part of the plot. Also called source music.
Non diegetic Music
A film music term indicating music used to enhance the plot and characterization but whose source is not identified in the plot
Magical Realism
A flexible, imaginative style in which authors insert elements of fantasy into otherwise realistic plots.
Pogrom
A form of genocide generally initiated by anti-Semitic regimes.
Call-and-Response style
A leader performs phrases of a melody alone, sometimes taking turns with another soloist, and the chorus answers
Public Domain
A legal category that indicates that the intellectual property rights of its creators have expired and that enables the studio to use it with any fee.
Tonal center
A note that serves as a point of reference.
Meter
A regularly recurring pattern of weak and strong beats.
Melody
A series of pitches
Montage
A set of short scenes connected by one piece of music
Plainchant Mass
A setting of the entire mass in plainchant.
Polyphonic Mass
A setting of the entire mass in plainchant.
Vocable
A syllable (often a series of syllables) lacking meaning but employed for expressive or other reasons.
Global South
Africa, parts of Asia, the Middle East, and Latin America *generally more poor
Pitch
Also called notes or tones can be high or low
Bandoneón
An accordion-like instrument in which the player presses buttons while managing the bellows. German Origin. Often featured in tango and is much associated with Argentina.
Theme/Motive
An extended musical idea, often a melody, which a composer takes as a point of departure for further extension or development.
Chekere
An idiophone made from a hollowed-out gourd covered with loosely hung bead netting, which resonates against the shell of the instrument when the gourd is shaken.
Communion
At a predetermined point during the mass, worshipers process to the altar and receive bread, in the form of a wafer, and wine, a practice that has endured for centuries.
Tonality
Depends on tonal center
Batá drums
Double-headed, shaped like an hourglass, and played in sets of three. Imbued with a spiritual force, one that aids communication with the orichas and, according to Cuban tradition, may be played only by men.
Maya
Existed since before 2000 BCE, living in a region that comprised present-day southeast Mexico, the Yucatán peninsula, and parts of Guatemala, Belize, and Honduras. Two main languages have been spoken in this region: Quiche in the south and Yucatec in the north.
Cosmology
Explains how the world and the universe came to be, often emphasizing some act of creation by a deity or deities.
Missions
Focused on spirituality and sustainability. Natives learned Spanish, Latin, reading and writing, new agricultural methods, and, as noted, musical skills.
Encomienda
Forced labor that, many argue, amounted to slavery
Yoruba
From southwestern Nigeria and southern Benin. Religious traditions involve deities called orichas, each known for certain qualities and abilities.
Pentecostal
Have made music part of their message, strategically anticipating the tastes of their target population to ensure that the music heard in the service or in religious broadcasting is the same music people enjoy outside of church.
pan-Latin Americanism
Implies an essential bond among the Latin American republics.
Villancico
In Latin American music, a religious but nonliturgical composition in the vernacular, including indigenous languages such as Nahuatl and Quechua. Sometimes translated as "Christmas carol."
Counter Reformation
Increasing evangelization around the globe, including in Latin America; in Europe, religious wars raged until the mid-seventeenth century.
Nahautl
Indigenous language spoken by Mexica people found in central Mexico by Cortes
Aymara
Indigenous language spoken by people in the Andean region *there were people who rapped in Aymara
Quechua
Indigenous language spoken by the Inca people in the Andean region
Inca
Inhabitants of what is now Peru, worshiped six main gods, among them Viracocha, who created the Earth and all living things; another was Inti, the sun god and the progenitor of Incan rulers
Plainchant
Involves a single melodic line sung without accompaniment, is an example of monophonic texture.
Fieldwork
Involves going to the actual place where a certain type of music is performed (the field), learning how to play this music from local teachers, and interviewing performers and listeners.
Cultural Appropriation
Involves incorporating or adapting the characteristics of a particular culture's music into one's own. *Can be a sign of respect but is also problematic when performers receive royalties and the ordinates do not get credit
Converso
Jews who had converted to Catholicism
Tonal Language
Languages in which the pitch of the speaker's voice affects meaning or grammar.
Mexican Revolution
Lasting from 1910 to 1921, the Revolution brought down the thirty-five-year regime of strongman Porfirio Díaz (1830-1915), ending the span of decades known as the porfiriato, a period characterized by internal peace and economic growth—for the wealthy.
Aztec
Lived around Tenochtitlán, present day Mexico City
Mexica
Lived in what is now central Mexico.
Mestizaje, mesiçagem
Mixing of African and European people
Popular music
Modern, urban, and mass-mediated
Taíno
Most numerous indigenous population in the Caribbean at the time of Bartholomew de las Casas.
Cantorial
Musical settings of prayers and other texts in the Jewish worship service.
Traditional music
Often not written down, although it may be. It is often participatory, without the dividing line that classical and much popular music imposes between performer and public.
Black Legend
Overwhelmingly negative image of Spanish-speaking peoples in the Americas
Presentational versus Participatory
Popular music is generally nonparticipatory or presentational in that a professional artist performs for a ticket-buying public that is separated from the artists on stage.be. Traditional music is often participatory, without the dividing line that classical and much popular music imposes between performer and public.
Foreshadowing
Preparing the viewer for the next scene through music
Classical music
Refers to that of Western Europe, where it was generally written down by a composer.
Yanantin
Refers to the union of two interdependent but different elements.
Oricha
Religion deities each known for certain qualities and abilities
Ethnomusicologist
Research traditional and popular music and are often trained in anthropology.
Mass
Roman Catholic Church celebration
Plot Point
Significant event in the story
Preexisting music
Some film music is not newly composed but already exists
Timbre
Sound quality or color
Shaman
Spiritual Healer
Evangelization
Spreading the message of Catholicism.
Form
Structure The way sections of music unfold in time.
Genocide
Systematic killing of a particular people
Protestant Reformation
Thanks to its leaders Martin Luther (1483-1546) and Jean (John) Calvin (1509-64), many people turned away from Catholicism.
Global North
The US, Canada, Western Europe, and parts of Asia
Florentine Codex
The best-known manuscript of this famous book
Aesthetics
The branch of philosophy concerned with evaluating works of art *Culturally conditioned
Toltec
The deity Quetzalcoatl, the feathered serpent and patron of the powerful priesthood, is actually a god of the Toltec religion, a civilization older than that of the Mexica.
Cabildo
The literal translation of which is "council" but which in practice resembled a support or community group for enslaved Africans of a particular ethnic or language background.
Vernacular
The local language
Arawak
The most prominent group in Cuba.
Film Score
The music the film composer creates is notated
Opening credits
The part before the film proper begins and in which members of the creative team are acknowledged.
End credits
The portion at the very end of a film or television program in which all the collaborators are listed, and which normally involves music.
Antiphonal singing
The practice of singing in alternating choruses, which are often stationed at different areas of the performance space.
Cantor
The principle singer in Jewish worship
Sequence
The repetition of melody or a chord progression at a different pitch level than at which it initially sounded
Musicologist
The study of music history and criticism. Focused on the Western European canon.
Culture
The sum of attitudes, customs, and beliefs that distinguishes one group of people from another, transmitted, through language, material objects, ritual, institutions, and art, from one generation to the next.
Santería
The timbral variety of "talking drums," call-and-response singing, the mixture of languages, and uninhibited movement define this Afro-Cuban expression.
Rhythm
The way in which music is organized in time.
Syncretism
This melding of cultural practices, in which ostensibly conflicting belief systems emerge in new and unexpected ways
Pinkuyullu
Vertical 6 note flute
Selk'nam
Were among the last aboriginal groups in South America to make contact with Europeans. From Tierra Del Fuego
Tempo
musical speed