SOS test

procreation

A look at sexuality in Holy Scripture--for _________, even before sin entered--for mutual exchange and interdependence to deal with passionate burning for each other--for psychological and spiritual unity--all of the above within God, sanctioned marriage--this is what SOS is all about; what God intended

interdependence

A look at sexuality in Holy Scripture--for procreation, even before sin entered--for mutual exchange and __________ to deal with passionate burning for each other--for psychological and spiritual unity--all of the above within God, sanctioned marriage--this is what SOS is all about; what God intended

psychological

A look at sexuality in Holy Scripture--for procreation, even before sin entered--for mutual exchange and interdependence to deal with passionate burning for each other--for __________ and spiritual unity--all of the above within God, sanctioned marriage--this is what SOS is all about; what God intended

spiritual

A look at sexuality in Holy Scripture--for procreation, even before sin entered--for mutual exchange and interdependence to deal with passionate burning for each other--for psychological and _________ unity--all of the above within God, sanctioned marriage--this is what SOS is all about; what God intended

marriage

A look at sexuality in Holy Scripture--for procreation, even before sin entered--for mutual exchange and interdependence to deal with passionate burning for each other--for psychological and spiritual unity--all of the above within God, sanctioned ___________--this is what SOS is all about; what God intended

wall

Affirmation 8:10, 11--I am a _______ 10; Though marries she has been a wall or closed garden. She has given herself only to Sol., Her breasts give only him great contentment; Solomon's vineyard 11, May be the running of his kingdom Israel; Shulammite's vineyard 12 (1:6) Her's is the freedom in the marriage to give to Solomon

closed garden

Affirmation 8:10, 11--I am a wall 10; Though marries she has been a wall or ______ ______. She has given herself only to Sol., Her breasts give only him great contentment; Solomon's vineyard 11, May be the running of his kingdom Israel; Shulammite's vineyard 12 (1:6) Her's is the freedom in the marriage to give to Solomon

kingdom Israel

Affirmation 8:10, 11--I am a wall 10; Though marries she has been a wall or closed garden. She has given herself only to Sol., Her breasts give only him great contentment; Solomon's vineyard 11, May be the running of his ______ _______; Shulammite's vineyard 12 (1:6) Her's is the freedom in the marriage to give to Solomon

freedom

Affirmation 8:10, 11--I am a wall 10; Though marries she has been a wall or closed garden. She has given herself only to Sol., Her breasts give only him great contentment; Solomon's vineyard 11, May be the running of his kingdom Israel; Shulammite's vineyard 12 (1:6) Her's is the __________ in the marriage to give to Solomon

near

Affirmation 8:13, 14; Solomon' last request 8:13; Se is his source of all kinds of pleasure; She has many friends; Solomon wants her ________ so he can hear her voice; Shulammite's last request 8:14; Come away! Let us go out in nature where we can be alone and enjoy each other

Shulammite's

Affirmation 8:13, 14; Solomon' last request 8:13; Se is his source of all kinds of pleasure; She has many friends; Solomon wants her near so he can hear her voice; __________ last request 8:14; Come away! Let us go out in nature where we can be alone and enjoy each other

mother

Affirmation 8:5--Her leaning=ease, trust, love 5; Focus is now on her whereas Sol before (3:6); Apple tree--place she roused him and place his ________ conceived him and gave birth; She called Sol "apple tree" in 2:3 not literal; So she means his mother was "under" (made love with his father)

apple tree

Affirmation 8:5--Her leaning=ease, trust, love 5; Focus is now on her whereas Sol before (3:6); Apple tree--place she roused him and place his mother conceived him and gave birth; She called Sol "______ ______" in 2:3 not literal; So she means his mother was "under" (made love with his father)

Apple tree

Affirmation 8:5--Her leaning=ease, trust, love 5; Focus is now on her whereas Sol before (3:6); _____ _______--place she roused him and place his mother conceived him and gave birth; She called Sol "apple tree" in 2:3 not literal; So she means his mother was "under" (made love with his father)

commitment

Affirmation 8:6; Her is a love based on _________: Intimate commitment 6 (Seal for ownership and all rights to him and his) 1 Cor 7:1-5; Intense commitment (call of death irresistible and not reversible; so is call of their love); Indestructible commitment 7 (waters and rivers cannot put out fires of love shown in 6b); Invaluable commitment (not for sale)

ownership

Affirmation 8:6; Her is a love based on commitment: Intimate commitment 6 (Seal for ________ and all rights to him and his) 1 Cor 7:1-5; Intense commitment (call of death irresistible and not reversible; so is call of their love); Indestructible commitment 7 (waters and rivers cannot put out fires of love shown in 6b); Invaluable commitment (not for sale)

Invaluable commitment

Affirmation 8:6; Her is a love based on commitment: Intimate commitment 6 (Seal for ownership and all rights to him and his) 1 Cor 7:1-5; Intense commitment (call of death irresistible and not reversible; so is call of their love); Indestructible commitment 7 (waters and rivers cannot put out fires of love shown in 6b); ________ ________ (not for sale)

Indestructible commitment

Affirmation 8:6; Her is a love based on commitment: Intimate commitment 6 (Seal for ownership and all rights to him and his) 1 Cor 7:1-5; Intense commitment (call of death irresistible and not reversible; so is call of their love); _________ ________ 7 (waters and rivers cannot put out fires of love shown in 6b); Invaluable commitment (not for sale)

Intense commitment

Affirmation 8:6; Her is a love based on commitment: Intimate commitment 6 (Seal for ownership and all rights to him and his) 1 Cor 7:1-5; _______ ________ (call of death irresistible and not reversible; so is call of their love); Indestructible commitment 7 (waters and rivers cannot put out fires of love shown in 6b); Invaluable commitment (not for sale)

Intimate commitment

Affirmation 8:6; Her is a love based on commitment: _______ _________ 6 (Seal for ownership and all rights to him and his) 1 Cor 7:1-5; Intense commitment (call of death irresistible and not reversible; so is call of their love); Indestructible commitment 7 (waters and rivers cannot put out fires of love shown in 6b); Invaluable commitment (not for sale)

not to arouse love before it so desires

Affirmation 8:8,9; Is she an open door or closed wall? 8; If court ladies say this, then they are responding to Sculammite's urging _____________________; and so this is how they should treat their little sister; If step-brothers speaking here it is a flashback that explains her vineyard work early, They raised her from her pre-puberty years, If a wall ([urity) a reward; if door (loose) confined

wall

Affirmation 8:8,9; Is she an open door or closed wall? 8; If court ladies say this, then they are responding to Sculammite's urging not to arouse love before it so desires; and so this is how they should treat their little sister; If step-brothers speaking here it is a flashback that explains her vineyard work early, They raised her from her pre-puberty years, If a ______ (purity) a reward; if door (loose) confined

door

Affirmation 8:8,9; Is she an open door or closed wall? 8; If court ladies say this, then they are responding to Sculammite's urging not to arouse love before it so desires; and so this is how they should treat their little sister; If step-brothers speaking here it is a flashback that explains her vineyard work early, They raised her from her pre-puberty years, If a wall ([urity) a reward; if _________ (loose) confined

loose

Affirmation 8:8,9; Is she an open door or closed wall? 8; If court ladies say this, then they are responding to Sculammite's urging not to arouse love before it so desires; and so this is how they should treat their little sister; If step-brothers speaking here it is a flashback that explains her vineyard work early, They raised her from her pre-puberty years, If a wall ([urity) a reward; if door (________) confined

purity

Affirmation 8:8,9; Is she an open door or closed wall? 8; If court ladies say this, then they are responding to Sculammite's urging not to arouse love before it so desires; and so this is how they should treat their little sister; If step-brothers speaking here it is a flashback that explains her vineyard work early, They raised her from her pre-puberty years, If a wall (_______) a reward; if door (loose) confined

made love

Alienation 5:10:6:1: Her answer (5:10-16) to question of 5:9; This description obviously reveals what her eyes have seen the many times they have _____ ______; She has completed the request-denial cycle and now turns to the search-find sequence 6:1-10, court ladies willing to help find him 1

request

Alienation 5:10:6:1: Her answer (5:10-16) to question of 5:9; This description obviously reveals what her eyes have seen the many times they have made love; She has completed the _________-denial cycle and now turns to the search-find sequence 6:1-10, court ladies willing to help find him 1

search

Alienation 5:10:6:1: Her answer (5:10-16) to question of 5:9; This description obviously reveals what her eyes have seen the many times they have made love; She has completed the request-denial cycle and now turns to the _________-find sequence 6:1-10, court ladies willing to help find him 1

court ladies

Alienation 5:10:6:1: Her answer (5:10-16) to question of 5:9; This description obviously reveals what her eyes have seen the many times they have made love; She has completed the request-denial cycle and now turns to the search-find sequence 6:1-10, ______ _______ willing to help find him 1

find

Alienation 5:10:6:1: Her answer (5:10-16) to question of 5:9; This description obviously reveals what her eyes have seen the many times they have made love; She has completed the request-denial cycle and now turns to the search-find sequence 6:1-10, court ladies willing to help _______ him 1

denial

Alienation 5:2-8: Request-_____ sequence 5:2-8; she is in bed and he is outside at night 2; She is indifferent to his advances 3; Discuss 1 Corinthians 7:1-5; A look at four kinds of love we must develop: Phileo (love of friends); eros (erotic, where romance comes from, lovers); Agape (Christians, sacrifices); Storge (love of family, partners); His persistence and her change of heart 4, 5; I arose to open... my lover had left; Her heart sank... she went searching 6; She encounters the watchmen 7; Desperate appeal to daughters of Jerusalem 8

bed

Alienation 5:2-8: Request-denial sequence 5:2-8; she is in ______ and he is outside at night 2; She is indifferent to his advances 3; Discuss 1 Corinthians 7:1-5; A look at four kinds of love we must develop: Phileo (love of friends); eros (erotic, where romance comes from, lovers); Agape (Christians, sacrifices); Storge (love of family, partners); His persistence and her change of heart 4, 5; I arose to open... my lover had left; Her heart sank... she went searching 6; She encounters the watchmen 7; Desperate appeal to daughters of Jerusalem 8

outside

Alienation 5:2-8: Request-denial sequence 5:2-8; she is in bed and he is _______ at night 2; She is indifferent to his advances 3; Discuss 1 Corinthians 7:1-5; A look at four kinds of love we must develop: Phileo (love of friends); eros (erotic, where romance comes from, lovers); Agape (Christians, sacrifices); Storge (love of family, partners); His persistence and her change of heart 4, 5; I arose to open... my lover had left; Her heart sank... she went searching 6; She encounters the watchmen 7; Desperate appeal to daughters of Jerusalem 8

indifferent

Alienation 5:2-8: Request-denial sequence 5:2-8; she is in bed and he is outside at night 2; She is ________ to his advances 3; Discuss 1 Corinthians 7:1-5; A look at four kinds of love we must develop: Phileo (love of friends); eros (erotic, where romance comes from, lovers); Agape (Christians, sacrifices); Storge (love of family, partners); His persistence and her change of heart 4, 5; I arose to open... my lover had left; Her heart sank... she went searching 6; She encounters the watchmen 7; Desperate appeal to daughters of Jerusalem 8

advances

Alienation 5:2-8: Request-denial sequence 5:2-8; she is in bed and he is outside at night 2; She is indifferent to his _________ 3; Discuss 1 Corinthians 7:1-5; A look at four kinds of love we must develop: Phileo (love of friends); eros (erotic, where romance comes from, lovers); Agape (Christians, sacrifices); Storge (love of family, partners); His persistence and her change of heart 4, 5; I arose to open... my lover had left; Her heart sank... she went searching 6; She encounters the watchmen 7; Desperate appeal to daughters of Jerusalem 8

friends

Alienation 5:2-8: Request-denial sequence 5:2-8; she is in bed and he is outside at night 2; She is indifferent to his advances 3; Discuss 1 Corinthians 7:1-5; A look at four kinds of love we must develop: Phileo (love of _________); eros (erotic, where romance comes from, lovers); Agape (Christians, sacrifices); Storge (love of family, partners); His persistence and her change of heart 4, 5; I arose to open... my lover had left; Her heart sank... she went searching 6; She encounters the watchmen 7; Desperate appeal to daughters of Jerusalem 8

eros

Alienation 5:2-8: Request-denial sequence 5:2-8; she is in bed and he is outside at night 2; She is indifferent to his advances 3; Discuss 1 Corinthians 7:1-5; A look at four kinds of love we must develop: Phileo (love of friends); ________ (erotic, where romance comes from, lovers); Agape (Christians, sacrifices); Storge (love of family, partners); His persistence and her change of heart 4, 5; I arose to open... my lover had left; Her heart sank... she went searching 6; She encounters the watchmen 7; Desperate appeal to daughters of Jerusalem 8

erotic

Alienation 5:2-8: Request-denial sequence 5:2-8; she is in bed and he is outside at night 2; She is indifferent to his advances 3; Discuss 1 Corinthians 7:1-5; A look at four kinds of love we must develop: Phileo (love of friends); eros (________, where romance comes from, lovers); Agape (Christians, sacrifices); Storge (love of family, partners); His persistence and her change of heart 4, 5; I arose to open... my lover had left; Her heart sank... she went searching 6; She encounters the watchmen 7; Desperate appeal to daughters of Jerusalem 8

romance

Alienation 5:2-8: Request-denial sequence 5:2-8; she is in bed and he is outside at night 2; She is indifferent to his advances 3; Discuss 1 Corinthians 7:1-5; A look at four kinds of love we must develop: Phileo (love of friends); eros (erotic, where ________ comes from, lovers); Agape (Christians, sacrifices); Storge (love of family, partners); His persistence and her change of heart 4, 5; I arose to open... my lover had left; Her heart sank... she went searching 6; She encounters the watchmen 7; Desperate appeal to daughters of Jerusalem 8

partners

Alienation 5:2-8: Request-denial sequence 5:2-8; she is in bed and he is outside at night 2; She is indifferent to his advances 3; Discuss 1 Corinthians 7:1-5; A look at four kinds of love we must develop: Phileo (love of friends); eros (erotic, where romance comes from, lovers); Agape (Christians, sacrifices); Storge (love of family, ________); His persistence and her change of heart 4, 5; I arose to open... my lover had left; Her heart sank... she went searching 6; She encounters the watchmen 7; Desperate appeal to daughters of Jerusalem 8

persistence

Alienation 5:2-8: Request-denial sequence 5:2-8; she is in bed and he is outside at night 2; She is indifferent to his advances 3; Discuss 1 Corinthians 7:1-5; A look at four kinds of love we must develop: Phileo (love of friends); eros (erotic, where romance comes from, lovers); Agape (Christians, sacrifices); Storge (love of family, partners); His _______ and her change of heart 4, 5; I arose to open... my lover had left; Her heart sank... she went searching 6; She encounters the watchmen 7; Desperate appeal to daughters of Jerusalem 8

change

Alienation 5:2-8: Request-denial sequence 5:2-8; she is in bed and he is outside at night 2; She is indifferent to his advances 3; Discuss 1 Corinthians 7:1-5; A look at four kinds of love we must develop: Phileo (love of friends); eros (erotic, where romance comes from, lovers); Agape (Christians, sacrifices); Storge (love of family, partners); His persistence and her ______ of heart 4, 5; I arose to open... my lover had left; Her heart sank... she went searching 6; She encounters the watchmen 7; Desperate appeal to daughters of Jerusalem 8

open

Alienation 5:2-8: Request-denial sequence 5:2-8; she is in bed and he is outside at night 2; She is indifferent to his advances 3; Discuss 1 Corinthians 7:1-5; A look at four kinds of love we must develop: Phileo (love of friends); eros (erotic, where romance comes from, lovers); Agape (Christians, sacrifices); Storge (love of family, partners); His persistence and her change of heart 4, 5; I arose to ______... my lover had left; Her heart sank... she went searching 6; She encounters the watchmen 7; Desperate appeal to daughters of Jerusalem 8

left

Alienation 5:2-8: Request-denial sequence 5:2-8; she is in bed and he is outside at night 2; She is indifferent to his advances 3; Discuss 1 Corinthians 7:1-5; A look at four kinds of love we must develop: Phileo (love of friends); eros (erotic, where romance comes from, lovers); Agape (Christians, sacrifices); Storge (love of family, partners); His persistence and her change of heart 4, 5; I arose to open... my lover had ______; Her heart sank... she went searching 6; She encounters the watchmen 7; Desperate appeal to daughters of Jerusalem 8

sank

Alienation 5:2-8: Request-denial sequence 5:2-8; she is in bed and he is outside at night 2; She is indifferent to his advances 3; Discuss 1 Corinthians 7:1-5; A look at four kinds of love we must develop: Phileo (love of friends); eros (erotic, where romance comes from, lovers); Agape (Christians, sacrifices); Storge (love of family, partners); His persistence and her change of heart 4, 5; I arose to open... my lover had left; Her heart _______... she went searching 6; She encounters the watchmen 7; Desperate appeal to daughters of Jerusalem 8

searching

Alienation 5:2-8: Request-denial sequence 5:2-8; she is in bed and he is outside at night 2; She is indifferent to his advances 3; Discuss 1 Corinthians 7:1-5; A look at four kinds of love we must develop: Phileo (love of friends); eros (erotic, where romance comes from, lovers); Agape (Christians, sacrifices); Storge (love of family, partners); His persistence and her change of heart 4, 5; I arose to open... my lover had left; Her heart sank... she went ________ 6; She encounters the watchmen 7; Desperate appeal to daughters of Jerusalem 8

watchmen

Alienation 5:2-8: Request-denial sequence 5:2-8; she is in bed and he is outside at night 2; She is indifferent to his advances 3; Discuss 1 Corinthians 7:1-5; A look at four kinds of love we must develop: Phileo (love of friends); eros (erotic, where romance comes from, lovers); Agape (Christians, sacrifices); Storge (love of family, partners); His persistence and her change of heart 4, 5; I arose to open... my lover had left; Her heart sank... she went searching 6; She encounters the ________ 7; Desperate appeal to daughters of Jerusalem 8

Jerusalem

Alienation 5:2-8: Request-denial sequence 5:2-8; she is in bed and he is outside at night 2; She is indifferent to his advances 3; Discuss 1 Corinthians 7:1-5; A look at four kinds of love we must develop: Phileo (love of friends); eros (erotic, where romance comes from, lovers); Agape (Christians, sacrifices); Storge (love of family, partners); His persistence and her change of heart 4, 5; I arose to open... my lover had left; Her heart sank... she went searching 6; She encounters the watchmen 7; Desperate appeal to daughters of ________ 8

Storge

Alienation 5:2-8: Request-denial sequence 5:2-8; she is in bed and he is outside at night 2; She is indifferent to his advances 3; Discuss 1 Corinthians 7:1-5; A look at four kinds of love we must develop: Phileo (love of friends); eros (erotic, where romance comes from, lovers); Agape (Christians, sacrifices); ________ (love of family, partners); His persistence and her change of heart 4, 5; I arose to open... my lover had left; Her heart sank... she went searching 6; She encounters the watchmen 7; Desperate appeal to daughters of Jerusalem 8

Phileo

Alienation 5:2-8: Request-denial sequence 5:2-8; she is in bed and he is outside at night 2; She is indifferent to his advances 3; Discuss 1 Corinthians 7:1-5; A look at four kinds of love we must develop: ________ (love of friends); eros (erotic, where romance comes from, lovers); Agape (Christians, sacrifices); Storge (love of family, partners); His persistence and her change of heart 4, 5; I arose to open... my lover had left; Her heart sank... she went searching 6; She encounters the watchmen 7; Desperate appeal to daughters of Jerusalem 8

slothfulness

Alienation 5:9: A sobering questions to her 9 (what happens in time to almost every relationship?); our natural _________ resulting from familiarity; male and females differences in psyches; men are like microwave ovens, women are like a crockpot; Uncertainty of the other's thinking. Approaching?; variations in each one's life rhythm. Emotions.; Stubborn in changing our preferred patterns; Our own self--preoccupation; Familiarity and time erode tenderness/thoughtfulness?

familiarity

Alienation 5:9: A sobering questions to her 9 (what happens in time to almost every relationship?); our natural slothfulness resulting from ________; male and females differences in psyches; men are like microwave ovens, women are like a crockpot; Uncertainty of the other's thinking. Approaching?; variations in each one's life rhythm. Emotions.; Stubborn in changing our preferred patterns; Our own self--preoccupation; Familiarity and time erode tenderness/thoughtfulness?

psyches

Alienation 5:9: A sobering questions to her 9 (what happens in time to almost every relationship?); our natural slothfulness resulting from familiarity; male and females differences in ________; men are like microwave ovens, women are like a crockpot; Uncertainty of the other's thinking. Approaching?; variations in each one's life rhythm. Emotions.; Stubborn in changing our preferred patterns; Our own self--preoccupation; Familiarity and time erode tenderness/thoughtfulness?

microwave ovens

Alienation 5:9: A sobering questions to her 9 (what happens in time to almost every relationship?); our natural slothfulness resulting from familiarity; male and females differences in psyches; men are like ________ ________, women are like a crockpot; Uncertainty of the other's thinking. Approaching?; variations in each one's life rhythm. Emotions.; Stubborn in changing our preferred patterns; Our own self--preoccupation; Familiarity and time erode tenderness/thoughtfulness?

crockpot

Alienation 5:9: A sobering questions to her 9 (what happens in time to almost every relationship?); our natural slothfulness resulting from familiarity; male and females differences in psyches; men are like microwave ovens, women are like a __________; Uncertainty of the other's thinking. Approaching?; variations in each one's life rhythm. Emotions.; Stubborn in changing our preferred patterns; Our own self--preoccupation; Familiarity and time erode tenderness/thoughtfulness?

thinking

Alienation 5:9: A sobering questions to her 9 (what happens in time to almost every relationship?); our natural slothfulness resulting from familiarity; male and females differences in psyches; men are like microwave ovens, women are like a crockpot; Uncertainty of the other's _______. Approaching?; variations in each one's life rhythm. Emotions.; Stubborn in changing our preferred patterns; Our own self--preoccupation; Familiarity and time erode tenderness/thoughtfulness?

rhythm

Alienation 5:9: A sobering questions to her 9 (what happens in time to almost every relationship?); our natural slothfulness resulting from familiarity; male and females differences in psyches; men are like microwave ovens, women are like a crockpot; Uncertainty of the other's thinking. Approaching?; variations in each one's life _________. Emotions.; Stubborn in changing our preferred patterns; Our own self--preoccupation; Familiarity and time erode tenderness/thoughtfulness?

patterns

Alienation 5:9: A sobering questions to her 9 (what happens in time to almost every relationship?); our natural slothfulness resulting from familiarity; male and females differences in psyches; men are like microwave ovens, women are like a crockpot; Uncertainty of the other's thinking. Approaching?; variations in each one's life rhythm. Emotions.; Stubborn in changing our preferred ________; Our own self--preoccupation; Familiarity and time erode tenderness/thoughtfulness?

tenderness/thoughtfulness

Alienation 5:9: A sobering questions to her 9 (what happens in time to almost every relationship?); our natural slothfulness resulting from familiarity; male and females differences in psyches; men are like microwave ovens, women are like a crockpot; Uncertainty of the other's thinking. Approaching?; variations in each one's life rhythm. Emotions.; Stubborn in changing our preferred patterns; Our own self--preoccupation; Familiarity and time erode ______________?

...

Alienation 5:9: A sobering questions to her 9 (what happens in time to almost every relationship?); our natural slothfulness resulting from familiarity; male and females differences in psyches; men are like microwave ovens, women are like a crockpot; Uncertainty of the other's thinking. Approaching?; variations in each one's life rhythm. Emotions.; Stubborn in changing our preferred patterns; Our own self--preoccupation; Familiarity and time erode tenderness/thoughtfulness?

Familiarity

Alienation 5:9: A sobering questions to her 9 (what happens in time to almost every relationship?); our natural slothfulness resulting from familiarity; male and females differences in psyches; men are like microwave ovens, women are like a crockpot; Uncertainty of the other's thinking. Approaching?; variations in each one's life rhythm. Emotions.; Stubborn in changing our preferred patterns; Our own self--preoccupation; _________ and time erode tenderness/thoughtfulness?

Stubborn

Alienation 5:9: A sobering questions to her 9 (what happens in time to almost every relationship?); our natural slothfulness resulting from familiarity; male and females differences in psyches; men are like microwave ovens, women are like a crockpot; Uncertainty of the other's thinking. Approaching?; variations in each one's life rhythm. Emotions.; ________ in changing our preferred patterns; Our own self--preoccupation; Familiarity and time erode tenderness/thoughtfulness?

consummation

Alienation 6:13B; Root is Shulammite "to give a _________ gift: where as a virgin now "consummated one"; V. 13b "why would you gaze on the Shulammite? The consummated one the one no longer a virgin"; In-effect she says to court ladies: "I'm not a virgin like you anymore I'm married to Solomon's lady."

virgin

Alienation 6:13B; Root is Shulammite "to give a consummation gift: where as a virgin now "consummated one"; V. 13b "why would you gaze on the Shulammite? The consummated one the one no longer a _______"; In-effect she says to court ladies: "I'm not a virgin like you anymore I'm married to Solomon's lady."

married

Alienation 6:13B; Root is Shulammite "to give a consummation gift: where as a virgin now "consummated one"; V. 13b "why would you gaze on the Shulammite? The consummated one the one no longer a virgin"; In-effect she says to court ladies: "I'm not a virgin like you anymore I'm ________ to Solomon's lady."

guilt

Alienation 6:2-4: Her response 2-3 (finally dawns on her); Asking ladies reveals ________-ridden conscience; Divorce not even hinted at; still in-tact; Their eyes meet 4-7; He compliments her with same on on wedding night; However, some are missing. which? why? (no sexual compliments, being cautious, do not want to make the same mistake twice); Tirzah and Jerusalem best cities in his reign; Majestic troops and banners like great parades 4

conscience

Alienation 6:2-4: Her response 2-3 (finally dawns on her); Asking ladies reveals guilt-ridden __________; Divorce not even hinted at; still in-tact; Their eyes meet 4-7; He compliments her with same on on wedding night; However, some are missing. which? why? (no sexual compliments, being cautious, do not want to make the same mistake twice); Tirzah and Jerusalem best cities in his reign; Majestic troops and banners like great parades 4

eyes

Alienation 6:2-4: Her response 2-3 (finally dawns on her); Asking ladies reveals guilt-ridden conscience; Divorce not even hinted at; still in-tact; Their _______ meet 4-7; He compliments her with same on on wedding night; However, some are missing. which? why? (no sexual compliments, being cautious, do not want to make the same mistake twice); Tirzah and Jerusalem best cities in his reign; Majestic troops and banners like great parades 4

same

Alienation 6:2-4: Her response 2-3 (finally dawns on her); Asking ladies reveals guilt-ridden conscience; Divorce not even hinted at; still in-tact; Their eyes meet 4-7; He compliments her with _______ on on wedding night; However, some are missing. which? why? (no sexual compliments, being cautious, do not want to make the same mistake twice); Tirzah and Jerusalem best cities in his reign; Majestic troops and banners like great parades 4

missing

Alienation 6:2-4: Her response 2-3 (finally dawns on her); Asking ladies reveals guilt-ridden conscience; Divorce not even hinted at; still in-tact; Their eyes meet 4-7; He compliments her with same on on wedding night; However, some are ________. which? why? (no sexual compliments, being cautious, do not want to make the same mistake twice); Tirzah and Jerusalem best cities in his reign; Majestic troops and banners like great parades 4

sexual

Alienation 6:2-4: Her response 2-3 (finally dawns on her); Asking ladies reveals guilt-ridden conscience; Divorce not even hinted at; still in-tact; Their eyes meet 4-7; He compliments her with same on on wedding night; However, some are missing. which? why? (no ________ compliments, being cautious, do not want to make the same mistake twice); Tirzah and Jerusalem best cities in his reign; Majestic troops and banners like great parades 4

cautious

Alienation 6:2-4: Her response 2-3 (finally dawns on her); Asking ladies reveals guilt-ridden conscience; Divorce not even hinted at; still in-tact; Their eyes meet 4-7; He compliments her with same on on wedding night; However, some are missing. which? why? (no sexual compliments, being ________, do not want to make the same mistake twice); Tirzah and Jerusalem best cities in his reign; Majestic troops and banners like great parades 4

mistake

Alienation 6:2-4: Her response 2-3 (finally dawns on her); Asking ladies reveals guilt-ridden conscience; Divorce not even hinted at; still in-tact; Their eyes meet 4-7; He compliments her with same on on wedding night; However, some are missing. which? why? (no sexual compliments, being cautious, do not want to make the same _______ twice); Tirzah and Jerusalem best cities in his reign; Majestic troops and banners like great parades 4

Divorce

Alienation 6:2-4: Her response 2-3 (finally dawns on her); Asking ladies reveals guilt-ridden conscience; _________ not even hinted at; still in-tact; Their eyes meet 4-7; He compliments her with same on on wedding night; However, some are missing. which? why? (no sexual compliments, being cautious, do not want to make the same mistake twice); Tirzah and Jerusalem best cities in his reign; Majestic troops and banners like great parades 4

overwhelm

Alienation 6:5-7: Turn eyes..________ me 5; Her beauty, charm, and love irresistible; So do not want to make same mistake twice; Hair like goats descending (long, beautiful flowing in the wind); your teeth, sheep washed pinkish (gums); twined (straight) and none missing)

irresistible

Alienation 6:5-7: Turn eyes..overwhelm me 5; Her beauty, charm, and love ________; So do not want to make same mistake twice; Hair like goats descending (long, beautiful flowing in the wind); your teeth, sheep washed pinkish (gums); twined (straight) and none missing)

mistake

Alienation 6:5-7: Turn eyes..overwhelm me 5; Her beauty, charm, and love irresistible; So do not want to make same _______ twice; Hair like goats descending (long, beautiful flowing in the wind); your teeth, sheep washed pinkish (gums); twined (straight) and none missing)

goats

Alienation 6:5-7: Turn eyes..overwhelm me 5; Her beauty, charm, and love irresistible; So do not want to make same mistake twice; Hair like ______ descending (long, beautiful flowing in the wind); your teeth, sheep washed pinkish (gums); twined (straight) and none missing)

sheep

Alienation 6:5-7: Turn eyes..overwhelm me 5; Her beauty, charm, and love irresistible; So do not want to make same mistake twice; Hair like goats descending (long, beautiful flowing in the wind); your teeth, _______ washed pinkish (gums); twined (straight) and none missing)

twined

Alienation 6:5-7: Turn eyes..overwhelm me 5; Her beauty, charm, and love irresistible; So do not want to make same mistake twice; Hair like goats descending (long, beautiful flowing in the wind); your teeth, sheep washed pinkish (gums); _______ (straight) and none missing)

Turn eyes

Alienation 6:5-7: _______ ______..overwhelm me 5; Her beauty, charm, and love irresistible; So do not want to make same mistake twice; Hair like goats descending (long, beautiful flowing in the wind); your teeth, sheep washed pinkish (gums); twined (straight) and none missing)

praised

Alienation 6:8-12--Her uniqueness 8, 9; better than many queens, concubines, virgins; only daughter and favorite child of her mother; maidens, queens, concubines _______ her; she is fair, bright, and majestic 10; Her excited anticipation 11, 12 (NIV has lover, Solomon; She recalls their chariot rides, parades)

anticipation

Alienation 6:8-12--Her uniqueness 8, 9; better than many queens, concubines, virgins; only daughter and favorite child of her mother; maidens, queens, concubines praised her; she is fair, bright, and majestic 10; Her excited _________ 11, 12 (NIV has lover, Solomon; She recalls their chariot rides, parades)

chariot

Alienation 6:8-12--Her uniqueness 8, 9; better than many queens, concubines, virgins; only daughter and favorite child of her mother; maidens, queens, concubines praised her; she is fair, bright, and majestic 10; Her excited anticipation 11, 12 (NIV has lover, Solomon; She recalls their _______ rides, parades)

court ladies

Alienation 6:8-12--______ ______ want her back 13a; Does Marriage to king take her away? Perhaps their reinforcement of reconciliation; Shulammite has received many explanations: Her proper name, her hometown, name of a war goddess, feminine for solomon (solomoness, "Sol's lady")

feminine for solomon

Alienation 6:8-12--court ladies want her back 13a; Does Marriage to king take her away? Perhaps their reinforcement of reconciliation; Shulammite has received many explanations: Her proper name, her hometown, name of a war goddess, ______ _____ ______ (solomoness, "Sol's lady")

..uniqueness

Alienation 6:8-12: Her ________ 8, 9; Better than many queens, concubines, virgins

Better

Alienation 6:8-12: Her uniqueness 8, 9; ______ than many queens, concubines, virgins

unclothed except for sandals

Alienation 7:1--sexual dance of mahanaim: Solomon's praise of Shulamites beauty; If she's dancing then a natural sequencing; she is _____________ v1; His praise of her beauty moves from bottom to top; she symmetrical, curvaceous and alluring; 1 her feet and legs 7:1 area is from waist to knees --legs, thighs and hips--God created her beauty and Solomon's desire for her

symmetrical, curvaceous and alluring

Alienation 7:1--sexual dance of mahanaim: Solomon's praise of Shulamites beauty; If she's dancing then a natural sequencing; she is unclothed except for sandals v1; His praise of her beauty moves from bottom to top; she _________________ ; 1 her feet and legs 7:1 area is from waist to knees --legs, thighs and hips--God created her beauty and Solomon's desire for her

country

Alienation 7:10-13--Her initiative (con't) She is ________ girl who loves country side; night in villages; benefits of multiple mini-honey moons; "early" in the year or in the morning?; she initiates proposal, place and timing of loving 12; she is innovative in her love making 13 mandrakes--ancient aphrodisiac (gen 30:14-16); door--opportunity? marriage? New and old--familiar and innovative intimate exchange

villages

Alienation 7:10-13--Her initiative (con't) She is country girl who loves country side; night in _______; benefits of multiple mini-honey moons; "early" in the year or in the morning?; she initiates proposal, place and timing of loving 12; she is innovative in her love making 13 mandrakes--ancient aphrodisiac (gen 30:14-16); door--opportunity? marriage? New and old--familiar and innovative intimate exchange

multiple mini-honey moons

Alienation 7:10-13--Her initiative (con't) She is country girl who loves country side; night in villages; benefits of ______________; "early" in the year or in the morning?; she initiates proposal, place and timing of loving 12; she is innovative in her love making 13 mandrakes--ancient aphrodisiac (gen 30:14-16); door--opportunity? marriage? New and old--familiar and innovative intimate exchange

initiates

Alienation 7:10-13--Her initiative (con't) She is country girl who loves country side; night in villages; benefits of multiple mini-honey moons; "early" in the year or in the morning?; she _______ proposal, place and timing of loving 12; she is innovative in her love making 13 mandrakes--ancient aphrodisiac (gen 30:14-16); door--opportunity? marriage? New and old--familiar and innovative intimate exchange

mandrakes

Alienation 7:10-13--Her initiative (con't) She is country girl who loves country side; night in villages; benefits of multiple mini-honey moons; "early" in the year or in the morning?; she initiates proposal, place and timing of loving 12; she is innovative in her love making 13 _________--ancient aphrodisiac (gen 30:14-16); door--opportunity? marriage? New and old--familiar and innovative intimate exchange

ancient aphrodisiac

Alienation 7:10-13--Her initiative (con't) She is country girl who loves country side; night in villages; benefits of multiple mini-honey moons; "early" in the year or in the morning?; she initiates proposal, place and timing of loving 12; she is innovative in her love making 13 mandrakes--_______ _______ (gen 30:14-16); door--opportunity? marriage? New and old--familiar and innovative intimate exchange

genitalia, vulva

Alienation 7:2 2 naval and waist v2 Not naval but _________, namely _________; like rounded goblet for blended wine, his thirst (sexual needs) always fulfilled with her; see proverbs 5:15-20 for same metaphor; waist like mound of wheat encircled by lilies (wheat? color of skin? mound may show her anatomical proportions)

goblet, blended wine

Alienation 7:2 2 naval and waist v2 Not naval but genitalia, namely vulva; like rounded _________ for _______ ________, his thirst (sexual needs) always fulfilled with her; see proverbs 5:15-20 for same metaphor; waist like mound of wheat encircled by lilies (wheat? color of skin? mound may show her anatomical proportions)

fulfilled

Alienation 7:2 2 naval and waist v2 Not naval but genitalia, namely vulva; like rounded goblet for blended wine, his thirst (sexual needs) always _______ with her; see proverbs 5:15-20 for same metaphor; waist like mound of wheat encircled by lilies (wheat? color of skin? mound may show her anatomical proportions)

mound of wheat, lilies

Alienation 7:2 2 naval and waist v2 Not naval but genitalia, namely vulva; like rounded goblet for blended wine, his thirst (sexual needs) always fulfilled with her; see proverbs 5:15-20 for same metaphor; waist like __________ encircled by ________ (wheat? color of skin? mound may show her anatomical proportions)

two or twined, symmetry

Alienation 7:3-4; 3rd breasts v3 beauty and tenderness these animals portray ____________ suggests beauty of _________; the look and softness would be inviting to the touch as one would want to the twin fawns; 4. neck, eyes, nose v4. neck=ivory tower (held high and steady) eyes=gentle, peaceful, calm, and serene;

touch

Alienation 7:3-4; 3rd breasts v3 beauty and tenderness these animals portray two or twined suggests beauty of symmetry; the look and softness would be inviting to the ________ as one would want to the twin fawns; 4. neck, eyes, nose v4. neck=ivory tower (held high and steady) eyes=gentle, peaceful, calm, and serene;

twin fawns

Alienation 7:3-4; 3rd breasts v3 beauty and tenderness these animals portray two or twined suggests beauty of symmetry; the look and softness would be inviting to the touch as one would want to the ______ _______; 4. neck, eyes, nose v4. neck=ivory tower (held high and steady) eyes=gentle, peaceful, calm, and serene;

neck

Alienation 7:3-4; 3rd breasts v3 beauty and tenderness these animals portray two or twined suggests beauty of symmetry; the look and softness would be inviting to the touch as one would want to the twin fawns; 4. neck, eyes, nose v4. _______=ivory tower (held high and steady) eyes=gentle, peaceful, calm, and serene;

ivory tower

Alienation 7:3-4; 3rd breasts v3 beauty and tenderness these animals portray two or twined suggests beauty of symmetry; the look and softness would be inviting to the touch as one would want to the twin fawns; 4. neck, eyes, nose v4. neck=______ ______ (held high and steady) eyes=gentle, peaceful, calm, and serene;

eyes

Alienation 7:3-4; 3rd breasts v3 beauty and tenderness these animals portray two or twined suggests beauty of symmetry; the look and softness would be inviting to the touch as one would want to the twin fawns; 4. neck, eyes, nose v4. neck=ivory tower (held high and steady) ________=gentle, peaceful, calm, and serene;

mt. in a nondescript horizon

Alienation 7:5 Nose is perfectly proportioned; appearance like ________________; 5 head and hair v. 5, head (mt. carmel crown-like mt beauty and most impressive atop a rich land); how her head appeared over her beautiful body; hair (royal tapestry or deep reds stresses see 1 and cor. 11:14, 15 about a women's hair

head

Alienation 7:5 Nose is perfectly proportioned; appearance like mt. in a nondescript horizon; 5 head and hair v. 5, _______ (mt. carmel crown-like mt beauty and most impressive atop a rich land); how her head appeared over her beautiful body; hair (royal tapestry or deep reds stresses see 1 and cor. 11:14, 15 about a women's hair

mt. carmel crown

Alienation 7:5 Nose is perfectly proportioned; appearance like mt. in a nondescript horizon; 5 head and hair v. 5, head (_____________-like mt beauty and most impressive atop a rich land); how her head appeared over her beautiful body; hair (royal tapestry or deep reds stresses see 1 and cor. 11:14, 15 about a women's hair

deep reds stresses, hair

Alienation 7:5 Nose is perfectly proportioned; appearance like mt. in a nondescript horizon; 5 head and hair v. 5, head (mt. carmel crown-like mt beauty and most impressive atop a rich land); how her head appeared over her beautiful body; hair (royal tapestry or ___________ see 1 and cor. 11:14, 15 about a women's _______

Nose

Alienation 7:5 ______ is perfectly proportioned; appearance like mt. in a nondescript horizon; 5 head and hair v. 5, head (mt. carmel crown-like mt beauty and most impressive atop a rich land); how her head appeared over her beautiful body; hair (royal tapestry or deep reds stresses see 1 and cor. 11:14, 15 about a women's hair

overall beauty

Alienation 7:6-9--6 general ________ ______ v6; 7 stature v7 (tall slender palm tree); breasts like clusters of fruit 7, 8, 9; climb my tree... take hold of its fruit its obvious 8; may your breasts be like clusters of vine; fragrance of your breath like apples (text actually says "nose," but "fragrance of nose?"; ugaritic and akkadian coghates used of nipples of breasts; mouth of wine refers to kiss 9a

palm tree

Alienation 7:6-9--6 general overall beauty v6; 7 stature v7 (tall slender ______ _____); breasts like clusters of fruit 7, 8, 9; climb my tree... take hold of its fruit its obvious 8; may your breasts be like clusters of vine; fragrance of your breath like apples (text actually says "nose," but "fragrance of nose?"; ugaritic and akkadian coghates used of nipples of breasts; mouth of wine refers to kiss 9a

breasts

Alienation 7:6-9--6 general overall beauty v6; 7 stature v7 (tall slender palm tree); _______ like clusters of fruit 7, 8, 9; climb my tree... take hold of its fruit its obvious 8; may your breasts be like clusters of vine; fragrance of your breath like apples (text actually says "nose," but "fragrance of nose?"; ugaritic and akkadian coghates used of nipples of breasts; mouth of wine refers to kiss 9a

clusters of fruit

Alienation 7:6-9--6 general overall beauty v6; 7 stature v7 (tall slender palm tree); breasts like ______ ______ ____ 7, 8, 9; climb my tree... take hold of its fruit its obvious 8; may your breasts be like clusters of vine; fragrance of your breath like apples (text actually says "nose," but "fragrance of nose?"; ugaritic and akkadian coghates used of nipples of breasts; mouth of wine refers to kiss 9a

climb my tree

Alienation 7:6-9--6 general overall beauty v6; 7 stature v7 (tall slender palm tree); breasts like clusters of fruit 7, 8, 9; ______ ______ _____... take hold of its fruit its obvious 8; may your breasts be like clusters of vine; fragrance of your breath like apples (text actually says "nose," but "fragrance of nose?"; ugaritic and akkadian coghates used of nipples of breasts; mouth of wine refers to kiss 9a

nose, nose

Alienation 7:6-9--6 general overall beauty v6; 7 stature v7 (tall slender palm tree); breasts like clusters of fruit 7, 8, 9; climb my tree... take hold of its fruit its obvious 8; may your breasts be like clusters of vine; fragrance of your breath like apples (text actually says "______," but "fragrance of ______?"; ugaritic and akkadian coghates used of nipples of breasts; mouth of wine refers to kiss 9a

kiss

Alienation 7:6-9--6 general overall beauty v6; 7 stature v7 (tall slender palm tree); breasts like clusters of fruit 7, 8, 9; climb my tree... take hold of its fruit its obvious 8; may your breasts be like clusters of vine; fragrance of your breath like apples (text actually says "nose," but "fragrance of nose?"; ugaritic and akkadian coghates used of nipples of breasts; mouth of wine refers to _______ 9a

day or next year

Alienation 7:9B-10 My wine gently over lips and teeth of my lover 9b; her words after the long loving kiss in 9a; the lovers at another time later 7:10-8:4; could be next ____________ (see 7:12, 13); I belong ... his desire" 10 She's more secure and free to initiate love-making; they are experienced 3 levels of commitment: 1, 12:16 security "my beloved is mine and I am his" 2, 6:3 submission "I am my beloved's and my beloved is mine; 3, 7:10 stability "I am my beloved's and his desire is for me."

belong

Alienation 7:9B-10 My wine gently over lips and teeth of my lover 9b; her words after the long loving kiss in 9a; the lovers at another time later 7:10-8:4; could be next day or next year (see 7:12, 13); I ______ ... his desire" 10 She's more secure and free to initiate love-making; they are experienced 3 levels of commitment: 1, 12:16 security "my beloved is mine and I am his" 2, 6:3 submission "I am my beloved's and my beloved is mine; 3, 7:10 stability "I am my beloved's and his desire is for me."

initiate

Alienation 7:9B-10 My wine gently over lips and teeth of my lover 9b; her words after the long loving kiss in 9a; the lovers at another time later 7:10-8:4; could be next day or next year (see 7:12, 13); I belong ... his desire" 10 She's more secure and free to _______ love-making; they are experienced 3 levels of commitment: 1, 12:16 security "my beloved is mine and I am his" 2, 6:3 submission "I am my beloved's and my beloved is mine; 3, 7:10 stability "I am my beloved's and his desire is for me."

security

Alienation 7:9B-10 My wine gently over lips and teeth of my lover 9b; her words after the long loving kiss in 9a; the lovers at another time later 7:10-8:4; could be next day or next year (see 7:12, 13); I belong ... his desire" 10 She's more secure and free to initiate love-making; they are experienced 3 levels of commitment: 1, 12:16 ________ "my beloved is mine and I am his" 2, 6:3 submission "I am my beloved's and my beloved is mine; 3, 7:10 stability "I am my beloved's and his desire is for me."

submission

Alienation 7:9B-10 My wine gently over lips and teeth of my lover 9b; her words after the long loving kiss in 9a; the lovers at another time later 7:10-8:4; could be next day or next year (see 7:12, 13); I belong ... his desire" 10 She's more secure and free to initiate love-making; they are experienced 3 levels of commitment: 1, 12:16 security "my beloved is mine and I am his" 2, 6:3 _________ "I am my beloved's and my beloved is mine; 3, 7:10 stability "I am my beloved's and his desire is for me."

stability

Alienation 7:9B-10 My wine gently over lips and teeth of my lover 9b; her words after the long loving kiss in 9a; the lovers at another time later 7:10-8:4; could be next day or next year (see 7:12, 13); I belong ... his desire" 10 She's more secure and free to initiate love-making; they are experienced 3 levels of commitment: 1, 12:16 security "my beloved is mine and I am his" 2, 6:3 submission "I am my beloved's and my beloved is mine; 3, 7:10 __________ "I am my beloved's and his desire is for me."

3 levels of commitment

Alienation 7:9B-10 My wine gently over lips and teeth of my lover 9b; her words after the long loving kiss in 9a; the lovers at another time later 7:10-8:4; could be next day or next year (see 7:12, 13); I belong ... his desire" 10 She's more secure and free to initiate love-making; they are experienced ______________: 1, 12:16 security "my beloved is mine and I am his" 2, 6:3 submission "I am my beloved's and my beloved is mine; 3, 7:10 stability "I am my beloved's and his desire is for me."

affection publicly

Alienation 8:1-4; her wish 1-2: wishes she was free to display ______ _________: married people did not kiss in public in ancient society, but family member of any sex could; Proverbs 7:10-23 (behavior of a harlot) why mention brother nursing at mother's breast?; from outside to inside v. 2; place where she can love him more fully. What has her mother taught her? Behavior has it public and private places

married people

Alienation 8:1-4; her wish 1-2: wishes she was free to display affection publicly: ______ ______ did not kiss in public in ancient society, but family member of any sex could; Proverbs 7:10-23 (behavior of a harlot) why mention brother nursing at mother's breast?; from outside to inside v. 2; place where she can love him more fully. What has her mother taught her? Behavior has it public and private places

court ladies

Alienation 8:3-4 V.3 she has been in this position before and she love it as a married woman v. 4 she has made this statement before see 2:6, 7, 3:5; statement based on experience; now she wants ______ _______ to follow her lead; against premarital and extramarital sex 1 cor. 7:5

premarital and extramarital sex

Alienation 8:3-4 V.3 she has been in this position before and she love it as a married woman v. 4 she has made this statement before see 2:6, 7, 3:5; statement based on experience; now she wants court ladies to follow her lead; against ________________ 1 cor. 7:5

she

Anticipation 1:2-4 NIV: (______)=woman; (he)=Solomon; Friends=court Ladies of harlem; The beloved's (she) two requests 1:2-4. 1. let him kiss me ... with his mouth, she desires but passive, want him to initiate. New English Bible "smother me with kisses"; Love...delightful...wine=frenzy of senses, not sexual intercourse, but better than casual contact. Pleasing..fragrance...perfumes...name, Olive oil base + extractions from exotic plants

woman

Anticipation 1:2-4 NIV: (she)=_______; (he)=Solomon; Friends=court Ladies of harlem; The beloved's (she) two requests 1:2-4. 1. let him kiss me ... with his mouth, she desires but passive, want him to initiate. New English Bible "smother me with kisses"; Love...delightful...wine=frenzy of senses, not sexual intercourse, but better than casual contact. Pleasing..fragrance...perfumes...name, Olive oil base + extractions from exotic plants

he

Anticipation 1:2-4 NIV: (she)=woman; (______)=Solomon; Friends=court Ladies of harlem; The beloved's (she) two requests 1:2-4. 1. let him kiss me ... with his mouth, she desires but passive, want him to initiate. New English Bible "smother me with kisses"; Love...delightful...wine=frenzy of senses, not sexual intercourse, but better than casual contact. Pleasing..fragrance...perfumes...name, Olive oil base + extractions from exotic plants

court Ladies of harlem

Anticipation 1:2-4 NIV: (she)=woman; (he)=Solomon; Friends=_____________; The beloved's (she) two requests 1:2-4. 1. let him kiss me ... with his mouth, she desires but passive, want him to initiate. New English Bible "smother me with kisses"; Love...delightful...wine=frenzy of senses, not sexual intercourse, but better than casual contact. Pleasing..fragrance...perfumes...name, Olive oil base + extractions from exotic plants

she

Anticipation 1:2-4 NIV: (she)=woman; (he)=Solomon; Friends=court Ladies of harlem; The beloved's (______) two requests 1:2-4. 1. let him kiss me ... with his mouth, she desires but passive, want him to initiate. New English Bible "smother me with kisses"; Love...delightful...wine=frenzy of senses, not sexual intercourse, but better than casual contact. Pleasing..fragrance...perfumes...name, Olive oil base + extractions from exotic plants

kiss

Anticipation 1:2-4 NIV: (she)=woman; (he)=Solomon; Friends=court Ladies of harlem; The beloved's (she) two requests 1:2-4. 1. let him ______ me ... with his mouth, she desires but passive, want him to initiate. New English Bible "smother me with kisses"; Love...delightful...wine=frenzy of senses, not sexual intercourse, but better than casual contact. Pleasing..fragrance...perfumes...name, Olive oil base + extractions from exotic plants

initiate

Anticipation 1:2-4 NIV: (she)=woman; (he)=Solomon; Friends=court Ladies of harlem; The beloved's (she) two requests 1:2-4. 1. let him kiss me ... with his mouth, she desires but passive, want him to ________. New English Bible "smother me with kisses"; Love...delightful...wine=frenzy of senses, not sexual intercourse, but better than casual contact. Pleasing..fragrance...perfumes...name, Olive oil base + extractions from exotic plants

wine

Anticipation 1:2-4 NIV: (she)=woman; (he)=Solomon; Friends=court Ladies of harlem; The beloved's (she) two requests 1:2-4. 1. let him kiss me ... with his mouth, she desires but passive, want him to initiate. New English Bible "smother me with kisses"; Love...delightful..._______=frenzy of senses, not sexual intercourse, but better than casual contact. Pleasing..fragrance...perfumes...name, Olive oil base + extractions from exotic plants

perfumes

Anticipation 1:2-4 NIV: (she)=woman; (he)=Solomon; Friends=court Ladies of harlem; The beloved's (she) two requests 1:2-4. 1. let him kiss me ... with his mouth, she desires but passive, want him to initiate. New English Bible "smother me with kisses"; Love...delightful...wine=frenzy of senses, not sexual intercourse, but better than casual contact. Pleasing..fragrance...__________...name, Olive oil base + extractions from exotic plants

exotic plants

Anticipation 1:2-4 NIV: (she)=woman; (he)=Solomon; Friends=court Ladies of harlem; The beloved's (she) two requests 1:2-4. 1. let him kiss me ... with his mouth, she desires but passive, want him to initiate. New English Bible "smother me with kisses"; Love...delightful...wine=frenzy of senses, not sexual intercourse, but better than casual contact. Pleasing..fragrance...perfumes...name, Olive oil base + extractions from _____ ______

Olive oil base

Anticipation 1:2-4 NIV: (she)=woman; (he)=Solomon; Friends=court Ladies of harlem; The beloved's (she) two requests 1:2-4. 1. let him kiss me ... with his mouth, she desires but passive, want him to initiate. New English Bible "smother me with kisses"; Love...delightful...wine=frenzy of senses, not sexual intercourse, but better than casual contact. Pleasing..fragrance...perfumes...name, _____ ______ ______ + extractions from exotic plants

Friends

Anticipation 1:2-4 NIV: (she)=woman; (he)=Solomon; _________=court Ladies of harlem; The beloved's (she) two requests 1:2-4. 1. let him kiss me ... with his mouth, she desires but passive, want him to initiate. New English Bible "smother me with kisses"; Love...delightful...wine=frenzy of senses, not sexual intercourse, but better than casual contact. Pleasing..fragrance...perfumes...name, Olive oil base + extractions from exotic plants

Solomon

Anticipation 1:2-4 NIV: (she)=woman; (he)=_________; Friends=court Ladies of harlem; The beloved's (she) two requests 1:2-4. 1. let him kiss me ... with his mouth, she desires but passive, want him to initiate. New English Bible "smother me with kisses"; Love...delightful...wine=frenzy of senses, not sexual intercourse, but better than casual contact. Pleasing..fragrance...perfumes...name, Olive oil base + extractions from exotic plants

palace

Anticipation 1:2-4 con't: 2. take me away with you-request #2 vs. 4; Get away to a private place. King's ________? Heb 13:4 (bed=koite=Coitus=sexual intercourse), King's chambers, closer to the palace to be together, 4b probably running hand in hand in court of ladies

bed

Anticipation 1:2-4 con't: 2. take me away with you-request #2 vs. 4; Get away to a private place. King's palace? Heb 13:4 (_____=koite=Coitus=sexual intercourse), King's chambers, closer to the palace to be together, 4b probably running hand in hand in court of ladies

sexual intercourse

Anticipation 1:2-4 con't: 2. take me away with you-request #2 vs. 4; Get away to a private place. King's palace? Heb 13:4 (bed=koite=Coitus=________ ________), King's chambers, closer to the palace to be together, 4b probably running hand in hand in court of ladies

palace

Anticipation 1:2-4 con't: 2. take me away with you-request #2 vs. 4; Get away to a private place. King's palace? Heb 13:4 (bed=koite=Coitus=sexual intercourse), King's chambers, closer to the _______ to be together, 4b probably running hand in hand in court of ladies

lily

Anticipation 2:2-4 con't: Solomon: She's like a ______ among thorns 2; In SOS girl speaks in 55 of 117 verses and another 19 possible=74 of 117=63% +. Talkative; He is an apple tree in a forest 3, His banqueting hall and banner over her is love 4, A special place their own, and marking where he is?

thorns

Anticipation 2:2-4 con't: Solomon: She's like a lily among _________ 2; In SOS girl speaks in 55 of 117 verses and another 19 possible=74 of 117=63% +. Talkative; He is an apple tree in a forest 3, His banqueting hall and banner over her is love 4, A special place their own, and marking where he is?

apple tree

Anticipation 2:2-4 con't: Solomon: She's like a lily among thorns 2; In SOS girl speaks in 55 of 117 verses and another 19 possible=74 of 117=63% +. Talkative; He is an _____ ______ in a forest 3, His banqueting hall and banner over her is love 4, A special place their own, and marking where he is?

forest

Anticipation 2:2-4 con't: Solomon: She's like a lily among thorns 2; In SOS girl speaks in 55 of 117 verses and another 19 possible=74 of 117=63% +. Talkative; He is an apple tree in a _______ 3, His banqueting hall and banner over her is love 4, A special place their own, and marking where he is?

banqueting hall

Anticipation 2:2-4 con't: Solomon: She's like a lily among thorns 2; In SOS girl speaks in 55 of 117 verses and another 19 possible=74 of 117=63% +. Talkative; He is an apple tree in a forest 3, His ______ ________ and banner over her is love 4, A special place their own, and marking where he is?

banner

Anticipation 2:2-4 con't: Solomon: She's like a lily among thorns 2; In SOS girl speaks in 55 of 117 verses and another 19 possible=74 of 117=63% +. Talkative; He is an apple tree in a forest 3, His banqueting hall and ________ over her is love 4, A special place their own, and marking where he is?

love

Anticipation 2:2-4 con't: Solomon: She's like a lily among thorns 2; In SOS girl speaks in 55 of 117 verses and another 19 possible=74 of 117=63% +. Talkative; He is an apple tree in a forest 3, His banqueting hall and banner over her is ______ 4, A special place their own, and marking where he is?

special

Anticipation 2:2-4 con't: Solomon: She's like a lily among thorns 2; In SOS girl speaks in 55 of 117 verses and another 19 possible=74 of 117=63% +. Talkative; He is an apple tree in a forest 3, His banqueting hall and banner over her is love 4, A ________ place their own, and marking where he is?

he

Anticipation 2:2-4 con't: Solomon: She's like a lily among thorns 2; In SOS girl speaks in 55 of 117 verses and another 19 possible=74 of 117=63% +. Talkative; He is an apple tree in a forest 3, His banqueting hall and banner over her is love 4, A special place their own, and marking where ______ is?

Talkative

Anticipation 2:2-4 con't: Solomon: She's like a lily among thorns 2; In SOS girl speaks in 55 of 117 verses and another 19 possible=74 of 117=63% +. ______; He is an apple tree in a forest 3, His banqueting hall and banner over her is love 4, A special place their own, and marking where he is?

63

Anticipation 2:2-4 con't: Solomon: She's like a lily among thorns 2; In SOS girl speaks in 55 of 117 verses and another 19 possible=74 of 117=______% +. Talkative; He is an apple tree in a forest 3, His banqueting hall and banner over her is love 4, A special place their own, and marking where he is?

117

Anticipation 2:2-4 con't: Solomon: She's like a lily among thorns 2; In SOS girl speaks in 55 of 117 verses and another 19 possible=74 of _______=63% +. Talkative; He is an apple tree in a forest 3, His banqueting hall and banner over her is love 4, A special place their own, and marking where he is?

74

Anticipation 2:2-4 con't: Solomon: She's like a lily among thorns 2; In SOS girl speaks in 55 of 117 verses and another 19 possible=_______ of 117=63% +. Talkative; He is an apple tree in a forest 3, His banqueting hall and banner over her is love 4, A special place their own, and marking where he is?

weakens

Anticipation 2:5-7 CON'T: Strengthen me, refresh me 5; her strong desire _______ her, sexual consummation in marriage the cure; Embrace me (he thoughts--position), repression and suspension; Don't awaken love 7 (who says this?) if Solomon, don't awaken from her dream, If shulammite, do not stir up sexual passion

sexual consummation

Anticipation 2:5-7 CON'T: Strengthen me, refresh me 5; her strong desire weakens her, _______ ________ in marriage the cure; Embrace me (he thoughts--position), repression and suspension; Don't awaken love 7 (who says this?) if Solomon, don't awaken from her dream, If shulammite, do not stir up sexual passion

marriage

Anticipation 2:5-7 CON'T: Strengthen me, refresh me 5; her strong desire weakens her, sexual consummation in _________ the cure; Embrace me (he thoughts--position), repression and suspension; Don't awaken love 7 (who says this?) if Solomon, don't awaken from her dream, If shulammite, do not stir up sexual passion

cure

Anticipation 2:5-7 CON'T: Strengthen me, refresh me 5; her strong desire weakens her, sexual consummation in marriage the _______; Embrace me (he thoughts--position), repression and suspension; Don't awaken love 7 (who says this?) if Solomon, don't awaken from her dream, If shulammite, do not stir up sexual passion

dream

Anticipation 2:5-7 CON'T: Strengthen me, refresh me 5; her strong desire weakens her, sexual consummation in marriage the cure; Embrace me (he thoughts--position), repression and suspension; Don't awaken love 7 (who says this?) if Solomon, don't awaken from her _________, If shulammite, do not stir up sexual passion

sexual passion

Anticipation 2:5-7 CON'T: Strengthen me, refresh me 5; her strong desire weakens her, sexual consummation in marriage the cure; Embrace me (he thoughts--position), repression and suspension; Don't awaken love 7 (who says this?) if Solomon, don't awaken from her dream, If shulammite, do not stir up ______ _______

Don't awaken love

Anticipation 2:5-7 CON'T: Strengthen me, refresh me 5; her strong desire weakens her, sexual consummation in marriage the cure; Embrace me (he thoughts--position), repression and suspension; ______ _____ _____ 7 (who says this?) if Solomon, don't awaken from her dream, If shulammite, do not stir up sexual passion

desire

Anticipation 2:5-7: Strengthen me, refresh me 5, Her strong _______ weakens her, Sexual consummation in marriage the cure;

weakens

Anticipation 2:5-7: Strengthen me, refresh me 5, Her strong desire _________ her, Sexual consummation in marriage the cure;

marriage

Anticipation 2:5-7: Strengthen me, refresh me 5, Her strong desire weakens her, Sexual consummation in ________ the cure;

cure

Anticipation 2:5-7: Strengthen me, refresh me 5, Her strong desire weakens her, Sexual consummation in marriage the ________;

Sexual consummation

Anticipation 2:5-7: Strengthen me, refresh me 5, Her strong desire weakens her, _______ ______ in marriage the cure;

Strengthen

Anticipation 2:5-7: _________ me, refresh me 5, Her strong desire weakens her, Sexual consummation in marriage the cure;

royal wedding

Background and intro: Interpretations based on 3:6-11--the celebration of a _____ ______--His name here for literary emphasis--allegorical: 1) God and Israel 2) Jesus and church--His name here and elsewhere and editorial add--interpretations of Song of Songs--Allegorical, to say one thing and mean another

allegorical

Background and intro: Interpretations based on 3:6-11--the celebration of a royal wedding--His name here for literary emphasis--_________: 1) God and Israel 2) Jesus and church--His name here and elsewhere and editorial add--interpretations of Song of Songs--Allegorical, to say one thing and mean another

church

Background and intro: Interpretations based on 3:6-11--the celebration of a royal wedding--His name here for literary emphasis--allegorical: 1) God and Israel 2) Jesus and _______--His name here and elsewhere and editorial add--interpretations of Song of Songs--Allegorical, to say one thing and mean another

Allegorical

Background and intro: Interpretations based on 3:6-11--the celebration of a royal wedding--His name here for literary emphasis--allegorical: 1) God and Israel 2) Jesus and church--His name here and elsewhere and editorial add--interpretations of Song of Songs--__________, to say one thing and mean another

Israel

Background and intro: Interpretations based on 3:6-11--the celebration of a royal wedding--His name here for literary emphasis--allegorical: 1) God and _______ 2) Jesus and church--His name here and elsewhere and editorial add--interpretations of Song of Songs--Allegorical, to say one thing and mean another

solomonic authorship

Background and intro: Lloyd Carr in SOS of Tyndale Old Testament Commentaries (7)=10th BC--grammar, themes, geography chronology all agree with ________ __________--Solomon's reign in Israel (971-931 BC)--700 wives, 300 concubines (political arrangements)--some believe woman daughter of Pharaoh of Egypt because "swarthy" dark complexion--Solomon: 1:1,5; 3:7,9,11; 8:11

political arrangements

Background and intro: Lloyd Carr in SOS of Tyndale Old Testament Commentaries (7)=10th BC--grammar, themes, geography chronology all agree with solomonic authorship--Solomon's reign in Israel (971-931 BC)--700 wives, 300 concubines (_________ _________)--some believe woman daughter of Pharaoh of Egypt because "swarthy" dark complexion--Solomon: 1:1,5; 3:7,9,11; 8:11

dark complexion

Background and intro: Lloyd Carr in SOS of Tyndale Old Testament Commentaries (7)=10th BC--grammar, themes, geography chronology all agree with solomonic authorship--Solomon's reign in Israel (971-931 BC)--700 wives, 300 concubines (political arrangements)--some believe woman daughter of Pharaoh of Egypt because "swarthy" _______ _________--Solomon: 1:1,5; 3:7,9,11; 8:11

Pharaoh

Background and intro: Lloyd Carr in SOS of Tyndale Old Testament Commentaries (7)=10th BC--grammar, themes, geography chronology all agree with solomonic authorship--Solomon's reign in Israel (971-931 BC)--700 wives, 300 concubines (political arrangements)--some believe woman daughter of _________ of Egypt because "swarthy" dark complexion--Solomon: 1:1,5; 3:7,9,11; 8:11

300

Background and intro: Lloyd Carr in SOS of Tyndale Old Testament Commentaries (7)=10th BC--grammar, themes, geography chronology all agree with solomonic authorship--Solomon's reign in Israel (971-931 BC)--700 wives, __________ concubines (political arrangements)--some believe woman daughter of Pharaoh of Egypt because "swarthy" dark complexion--Solomon: 1:1,5; 3:7,9,11; 8:11

700

Background and intro: Lloyd Carr in SOS of Tyndale Old Testament Commentaries (7)=10th BC--grammar, themes, geography chronology all agree with solomonic authorship--Solomon's reign in Israel (971-931 BC)--_______ wives, 300 concubines (political arrangements)--some believe woman daughter of Pharaoh of Egypt because "swarthy" dark complexion--Solomon: 1:1,5; 3:7,9,11; 8:11

Israel

Background and intro: Lloyd Carr in SOS of Tyndale Old Testament Commentaries (7)=10th BC--grammar, themes, geography chronology all agree with solomonic authorship--Solomon's reign in _________ (971-931 BC)--700 wives, 300 concubines (political arrangements)--some believe woman daughter of Pharaoh of Egypt because "swarthy" dark complexion--Solomon: 1:1,5; 3:7,9,11; 8:11

10

Background and intro: Lloyd Carr in SOS of Tyndale Old Testament Commentaries (7)=______th BC--grammar, themes, geography chronology all agree with solomonic authorship--Solomon's reign in Israel (971-931 BC)--700 wives, 300 concubines (political arrangements)--some believe woman daughter of Pharaoh of Egypt because "swarthy" dark complexion--Solomon: 1:1,5; 3:7,9,11; 8:11

canonized

Background and intro: SOS not ________ without some dispute--probably due to its intimate/erotic nature--Like Ecclesiastes for its Pessimism--But Solomonic authorship traditionally--Accepted by Rabbis and Christians=canonized--Date If 1:1 is taken at face value as a title then 1000 BC or 950 BC is date of writing--some say 4th or 3rd century BC, may be just a copy--4 fragments of SOS in Dead Sea Scrolls at least before 400 BC

intimate/erotic

Background and intro: SOS not canonized without some dispute--probably due to its ______________ nature--Like Ecclesiastes for its Pessimism--But Solomonic authorship traditionally--Accepted by Rabbis and Christians=canonized--Date If 1:1 is taken at face value as a title then 1000 BC or 950 BC is date of writing--some say 4th or 3rd century BC, may be just a copy--4 fragments of SOS in Dead Sea Scrolls at least before 400 BC

copy

Background and intro: SOS not canonized without some dispute--probably due to its intimate/erotic nature--Like Ecclesiastes for its Pessimism--But Solomonic authorship traditionally--Accepted by Rabbis and Christians=canonized--Date If 1:1 is taken at face value as a title then 1000 BC or 950 BC is date of writing--some say 4th or 3rd century BC, may be just a ______--4 fragments of SOS in Dead Sea Scrolls at least before 400 BC

400

Background and intro: SOS not canonized without some dispute--probably due to its intimate/erotic nature--Like Ecclesiastes for its Pessimism--But Solomonic authorship traditionally--Accepted by Rabbis and Christians=canonized--Date If 1:1 is taken at face value as a title then 1000 BC or 950 BC is date of writing--some say 4th or 3rd century BC, may be just a copy--4 fragments of SOS in Dead Sea Scrolls at least before _______ BC

1000, 950

Background and intro: SOS not canonized without some dispute--probably due to its intimate/erotic nature--Like Ecclesiastes for its Pessimism--But Solomonic authorship traditionally--Accepted by Rabbis and Christians=canonized--Date If 1:1 is taken at face value as a title then _______ BC or ______ BC is date of writing--some say 4th or 3rd century BC, may be just a copy--4 fragments of SOS in Dead Sea Scrolls at least before 400 BC

Accepted

Background and intro: SOS not canonized without some dispute--probably due to its intimate/erotic nature--Like Ecclesiastes for its Pessimism--But Solomonic authorship traditionally--________ by Rabbis and Christians=canonized--Date If 1:1 is taken at face value as a title then 1000 BC or 950 BC is date of writing--some say 4th or 3rd century BC, may be just a copy--4 fragments of SOS in Dead Sea Scrolls at least before 400 BC

Solomonic

Background and intro: SOS not canonized without some dispute--probably due to its intimate/erotic nature--Like Ecclesiastes for its Pessimism--But __________ authorship traditionally--Accepted by Rabbis and Christians=canonized--Date If 1:1 is taken at face value as a title then 1000 BC or 950 BC is date of writing--some say 4th or 3rd century BC, may be just a copy--4 fragments of SOS in Dead Sea Scrolls at least before 400 BC

eternal

Background and introduction: The presuppositions of your instructor: that SOS like all Scripture is inspired of God (2 Timothy 3:16, 17) and is useful--Useful for physical, mental, emotional, social, spiritual needs (_______ nearly non-existent)--That SOS is concerned primarily with our earthly well-being in intimate relationships; i.e., romantic love leading to marriage of 1 + 1 for life--this love will not continue in eternity Mt 22:30

eternal

Background and introduction: The presuppositions of your instructor: that SOS like all Scripture is inspired of God (2 Timothy 3:16, 17) and is useful--Useful for physical, mental, emotional, social, spiritual needs (________ nearly non-existent)--That SOS is concerned primarily with our earthly well-being in intimate relationships; i.e., romantic love leading to marriage of 1 + 1 for life--this love will not continue in eternity Mt 22:30

intimate

Background and introduction: The presuppositions of your instructor: that SOS like all Scripture is inspired of God (2 Timothy 3:16, 17) and is useful--Useful for physical, mental, emotional, social, spiritual needs (eternal nearly non-existent)--That SOS is concerned primarily with our earthly well-being in _______ relationships; i.e., romantic love leading to marriage of 1 + 1 for life--this love will not continue in eternity Mt 22:30

marriage

Background and introduction: The presuppositions of your instructor: that SOS like all Scripture is inspired of God (2 Timothy 3:16, 17) and is useful--Useful for physical, mental, emotional, social, spiritual needs (eternal nearly non-existent)--That SOS is concerned primarily with our earthly well-being in intimate relationships; i.e., romantic love leading to ________ of 1 + 1 for life--this love will not continue in eternity Mt 22:30

not

Background and introduction: The presuppositions of your instructor: that SOS like all Scripture is inspired of God (2 Timothy 3:16, 17) and is useful--Useful for physical, mental, emotional, social, spiritual needs (eternal nearly non-existent)--That SOS is concerned primarily with our earthly well-being in intimate relationships; i.e., romantic love leading to marriage of 1 + 1 for life--this love will ______ continue in eternity Mt 22:30

Useful

Background and introduction: The presuppositions of your instructor: that SOS like all Scripture is inspired of God (2 Timothy 3:16, 17) and is useful--______ for physical, mental, emotional, social, spiritual needs (eternal nearly non-existent)--That SOS is concerned primarily with our earthly well-being in intimate relationships; i.e., romantic love leading to marriage of 1 + 1 for life--this love will not continue in eternity Mt 22:30

Scripture

Background and introduction: The presuppositions of your instructor: that SOS like all ________ is inspired of God (2 Timothy 3:16, 17) and is useful--Useful for physical, mental, emotional, social, spiritual needs (eternal nearly non-existent)--That SOS is concerned primarily with our earthly well-being in intimate relationships; i.e., romantic love leading to marriage of 1 + 1 for life--this love will not continue in eternity Mt 22:30

many

Background: SOS has 8 chapters and 117 verses--Marvin Pope's bibliography of 55 pages, 1300 entries 1975 Market flooded since then--over 500 commentaries in the first 1700 years. That ______ and more in last 400 years--belongs to the Ketubim (writings) of Jews, the 5 scrolls of SOS, Ruth, Lam, Ecc, Esther

Jews

Background: SOS has 8 chapters and 117 verses--Marvin Pope's bibliography of 55 pages, 1300 entries 1975 Market flooded since then--over 500 commentaries in the first 1700 years. That many and more in last 400 years--belongs to the Ketubim (writings) of _______, the 5 scrolls of SOS, Ruth, Lam, Ecc, Esther

Ketubim

Background: SOS has 8 chapters and 117 verses--Marvin Pope's bibliography of 55 pages, 1300 entries 1975 Market flooded since then--over 500 commentaries in the first 1700 years. That many and more in last 400 years--belongs to the ________ (writings) of Jews, the 5 scrolls of SOS, Ruth, Lam, Ecc, Esther

8

Background: SOS has ______ chapters and 117 verses--Marvin Pope's bibliography of 55 pages, 1300 entries 1975 Market flooded since then--over 500 commentaries in the first 1700 years. That many and more in last 400 years--belongs to the Ketubim (writings) of Jews, the 5 scrolls of SOS, Ruth, Lam, Ecc, Esther

1 Corinthians 7:1-5

Concerning Married Life--7 Now for the matters you wrote about: "It is good for a man not to have sexual relations with a woman." 2 But since sexual immorality is occurring, each man should have sexual relations with his own wife, and each woman with her own husband. 3 The husband should fulfill his marital duty to his wife, and likewise the wife to her husband. 4 The wife does not have authority over her own body but yields it to her husband. In the same way, the husband does not have authority over his own body but yields it to his wife. 5 Do not deprive each other except perhaps by mutual consent and for a time, so that you may devote yourselves to prayer. Then come together again so that Satan will not tempt you because of your lack of self-control.

commit

Consummation 3:6-11 What is the point in the mind of God at which he considers two to become one? God joins together in all three ways: Love, The 2 _______ to each other (heart); Law, when law of land is honored (mind), reflects the moral/legal standards of public; Lovemaking, at sexual intercourse (body)

heart

Consummation 3:6-11 What is the point in the mind of God at which he considers two to become one? God joins together in all three ways: Love, The 2 commit to each other (_______); Law, when law of land is honored (mind), reflects the moral/legal standards of public; Lovemaking, at sexual intercourse (body)

mind

Consummation 3:6-11 What is the point in the mind of God at which he considers two to become one? God joins together in all three ways: Love, The 2 commit to each other (heart); Law, when law of land is honored (______), reflects the moral/legal standards of public; Lovemaking, at sexual intercourse (body)

sexual intercourse

Consummation 3:6-11 What is the point in the mind of God at which he considers two to become one? God joins together in all three ways: Love, The 2 commit to each other (heart); Law, when law of land is honored (mind), reflects the moral/legal standards of public; Lovemaking, at ________ _________ (body)

body

Consummation 3:6-11 What is the point in the mind of God at which he considers two to become one? God joins together in all three ways: Love, The 2 commit to each other (heart); Law, when law of land is honored (mind), reflects the moral/legal standards of public; Lovemaking, at sexual intercourse (______)

Lovemaking

Consummation 3:6-11 What is the point in the mind of God at which he considers two to become one? God joins together in all three ways: Love, The 2 commit to each other (heart); Law, when law of land is honored (mind), reflects the moral/legal standards of public; ________, at sexual intercourse (body)

Law

Consummation 3:6-11 What is the point in the mind of God at which he considers two to become one? God joins together in all three ways: Love, The 2 commit to each other (heart); _______, when law of land is honored (mind), reflects the moral/legal standards of public; Lovemaking, at sexual intercourse (body)

Love

Consummation 3:6-11 What is the point in the mind of God at which he considers two to become one? God joins together in all three ways: ________, The 2 commit to each other (heart); Law, when law of land is honored (mind), reflects the moral/legal standards of public; Lovemaking, at sexual intercourse (body)

marriage

Consummation 3:6-11: What constitutes a _________ (5) Gen 2:24, "for this cause shall a man leave his mother and father and be united to his wife, and they will become one flesh."; Parting, loving and trustful commitment, Leaving geographically and relationally; Joining, united (Gen 2:24; 5:2) "stick like glue", 5:2 "and when they were created he called them 'man' NIV; "Adam" KJV; "human beings" CEV and TNIV; Sexuality, "become one flesh" 1 Cor 6:16; Legality Romans 13:1-7; 1 Peter 2:13-25; SOS 3:6-11 Divinity, "therefore what God has joined together, let man not separate" Matthew 19:6

commitment

Consummation 3:6-11: What constitutes a marriage (5) Gen 2:24, "for this cause shall a man leave his mother and father and be united to his wife, and they will become one flesh."; Parting, loving and trustful ________, Leaving geographically and relationally; Joining, united (Gen 2:24; 5:2) "stick like glue", 5:2 "and when they were created he called them 'man' NIV; "Adam" KJV; "human beings" CEV and TNIV; Sexuality, "become one flesh" 1 Cor 6:16; Legality Romans 13:1-7; 1 Peter 2:13-25; SOS 3:6-11 Divinity, "therefore what God has joined together, let man not separate" Matthew 19:6

Divinity

Consummation 3:6-11: What constitutes a marriage (5) Gen 2:24, "for this cause shall a man leave his mother and father and be united to his wife, and they will become one flesh."; Parting, loving and trustful commitment, Leaving geographically and relationally; Joining, united (Gen 2:24; 5:2) "stick like glue", 5:2 "and when they were created he called them 'man' NIV; "Adam" KJV; "human beings" CEV and TNIV; Sexuality, "become one flesh" 1 Cor 6:16; Legality Romans 13:1-7; 1 Peter 2:13-25; SOS 3:6-11 _________, "therefore what God has joined together, let man not separate" Matthew 19:6

Legality

Consummation 3:6-11: What constitutes a marriage (5) Gen 2:24, "for this cause shall a man leave his mother and father and be united to his wife, and they will become one flesh."; Parting, loving and trustful commitment, Leaving geographically and relationally; Joining, united (Gen 2:24; 5:2) "stick like glue", 5:2 "and when they were created he called them 'man' NIV; "Adam" KJV; "human beings" CEV and TNIV; Sexuality, "become one flesh" 1 Cor 6:16; ________ Romans 13:1-7; 1 Peter 2:13-25; SOS 3:6-11 Divinity, "therefore what God has joined together, let man not separate" Matthew 19:6

Sexuality

Consummation 3:6-11: What constitutes a marriage (5) Gen 2:24, "for this cause shall a man leave his mother and father and be united to his wife, and they will become one flesh."; Parting, loving and trustful commitment, Leaving geographically and relationally; Joining, united (Gen 2:24; 5:2) "stick like glue", 5:2 "and when they were created he called them 'man' NIV; "Adam" KJV; "human beings" CEV and TNIV; ________, "become one flesh" 1 Cor 6:16; Legality Romans 13:1-7; 1 Peter 2:13-25; SOS 3:6-11 Divinity, "therefore what God has joined together, let man not separate" Matthew 19:6

Parting

Consummation 3:6-11: What constitutes a marriage (5) Gen 2:24, "for this cause shall a man leave his mother and father and be united to his wife, and they will become one flesh."; _______, loving and trustful commitment, Leaving geographically and relationally; Joining, united (Gen 2:24; 5:2) "stick like glue", 5:2 "and when they were created he called them 'man' NIV; "Adam" KJV; "human beings" CEV and TNIV; Sexuality, "become one flesh" 1 Cor 6:16; Legality Romans 13:1-7; 1 Peter 2:13-25; SOS 3:6-11 Divinity, "therefore what God has joined together, let man not separate" Matthew 19:6

bride

Consummation 3:6-11; Solomon's wedding procession 3:6-11; Wedding, today focused on _______ not groom; Solomon's manly charms given here and in 4:1-7 the girl's; The scene is one from nature not the city of Jerusalem with columns of smoke serving as incense, Couch on long poles carried by 4 to 8 men-Test: He made his own carriage. Test: His mother made him a marital crown, 60 warriors may be for show, protection, etc.

manly

Consummation 3:6-11; Solomon's wedding procession 3:6-11; Wedding, today focused on bride not groom; Solomon's _______ charms given here and in 4:1-7 the girl's; The scene is one from nature not the city of Jerusalem with columns of smoke serving as incense, Couch on long poles carried by 4 to 8 men-Test: He made his own carriage. Test: His mother made him a marital crown, 60 warriors may be for show, protection, etc.

nature

Consummation 3:6-11; Solomon's wedding procession 3:6-11; Wedding, today focused on bride not groom; Solomon's manly charms given here and in 4:1-7 the girl's; The scene is one from _______ not the city of Jerusalem with columns of smoke serving as incense, Couch on long poles carried by 4 to 8 men-Test: He made his own carriage. Test: His mother made him a marital crown, 60 warriors may be for show, protection, etc.

smoke

Consummation 3:6-11; Solomon's wedding procession 3:6-11; Wedding, today focused on bride not groom; Solomon's manly charms given here and in 4:1-7 the girl's; The scene is one from nature not the city of Jerusalem with columns of _________ serving as incense, Couch on long poles carried by 4 to 8 men-Test: He made his own carriage. Test: His mother made him a marital crown, 60 warriors may be for show, protection, etc.

long poles

Consummation 3:6-11; Solomon's wedding procession 3:6-11; Wedding, today focused on bride not groom; Solomon's manly charms given here and in 4:1-7 the girl's; The scene is one from nature not the city of Jerusalem with columns of smoke serving as incense, Couch on _____ _____ carried by 4 to 8 men-Test: He made his own carriage. Test: His mother made him a marital crown, 60 warriors may be for show, protection, etc.

carriage

Consummation 3:6-11; Solomon's wedding procession 3:6-11; Wedding, today focused on bride not groom; Solomon's manly charms given here and in 4:1-7 the girl's; The scene is one from nature not the city of Jerusalem with columns of smoke serving as incense, Couch on long poles carried by 4 to 8 men-Test: He made his own ______. Test: His mother made him a marital crown, 60 warriors may be for show, protection, etc.

mother

Consummation 3:6-11; Solomon's wedding procession 3:6-11; Wedding, today focused on bride not groom; Solomon's manly charms given here and in 4:1-7 the girl's; The scene is one from nature not the city of Jerusalem with columns of smoke serving as incense, Couch on long poles carried by 4 to 8 men-Test: He made his own carriage. Test: His _______ made him a marital crown, 60 warriors may be for show, protection, etc.

marital crown

Consummation 3:6-11; Solomon's wedding procession 3:6-11; Wedding, today focused on bride not groom; Solomon's manly charms given here and in 4:1-7 the girl's; The scene is one from nature not the city of Jerusalem with columns of smoke serving as incense, Couch on long poles carried by 4 to 8 men-Test: He made his own carriage. Test: His mother made him a ______ _______, 60 warriors may be for show, protection, etc.

warriors

Consummation 3:6-11; Solomon's wedding procession 3:6-11; Wedding, today focused on bride not groom; Solomon's manly charms given here and in 4:1-7 the girl's; The scene is one from nature not the city of Jerusalem with columns of smoke serving as incense, Couch on long poles carried by 4 to 8 men-Test: He made his own carriage. Test: His mother made him a marital crown, 60 _______ may be for show, protection, etc.

show

Consummation 3:6-11; Solomon's wedding procession 3:6-11; Wedding, today focused on bride not groom; Solomon's manly charms given here and in 4:1-7 the girl's; The scene is one from nature not the city of Jerusalem with columns of smoke serving as incense, Couch on long poles carried by 4 to 8 men-Test: He made his own carriage. Test: His mother made him a marital crown, 60 warriors may be for ______, protection, etc.

protection

Consummation 3:6-11; Solomon's wedding procession 3:6-11; Wedding, today focused on bride not groom; Solomon's manly charms given here and in 4:1-7 the girl's; The scene is one from nature not the city of Jerusalem with columns of smoke serving as incense, Couch on long poles carried by 4 to 8 men-Test: He made his own carriage. Test: His mother made him a marital crown, 60 warriors may be for show, ________, etc.

60

Consummation 3:6-11; Solomon's wedding procession 3:6-11; Wedding, today focused on bride not groom; Solomon's manly charms given here and in 4:1-7 the girl's; The scene is one from nature not the city of Jerusalem with columns of smoke serving as incense, Couch on long poles carried by 4 to 8 men-Test: He made his own carriage. Test: His mother made him a marital crown, ______ warriors may be for show, protection, etc.

4, 8

Consummation 3:6-11; Solomon's wedding procession 3:6-11; Wedding, today focused on bride not groom; Solomon's manly charms given here and in 4:1-7 the girl's; The scene is one from nature not the city of Jerusalem with columns of smoke serving as incense, Couch on long poles carried by _____ to ______ men-Test: He made his own carriage. Test: His mother made him a marital crown, 60 warriors may be for show, protection, etc.

Couch

Consummation 3:6-11; Solomon's wedding procession 3:6-11; Wedding, today focused on bride not groom; Solomon's manly charms given here and in 4:1-7 the girl's; The scene is one from nature not the city of Jerusalem with columns of smoke serving as incense, _______ on long poles carried by 4 to 8 men-Test: He made his own carriage. Test: His mother made him a marital crown, 60 warriors may be for show, protection, etc.

Solomon's

Consummation 3:6-11; _________ wedding procession 3:6-11; Wedding, today focused on bride not groom; Solomon's manly charms given here and in 4:1-7 the girl's; The scene is one from nature not the city of Jerusalem with columns of smoke serving as incense, Couch on long poles carried by 4 to 8 men-Test: He made his own carriage. Test: His mother made him a marital crown, 60 warriors may be for show, protection, etc.

ownership

Consummation 4:8-11 come with me my bride 8 (_________); Stolen my heart, my sister, my bride 9; Term of endearment showing permanency, with eyes and necklace, her love is delightful as his bride 10, more pleasing than wine, perfume more fragrant than any spice; lips and tongue 11; her garments

sister

Consummation 4:8-11 come with me my bride 8 (ownership); Stolen my heart, my ______, my bride 9; Term of endearment showing permanency, with eyes and necklace, her love is delightful as his bride 10, more pleasing than wine, perfume more fragrant than any spice; lips and tongue 11; her garments

permanency

Consummation 4:8-11 come with me my bride 8 (ownership); Stolen my heart, my sister, my bride 9; Term of endearment showing ________, with eyes and necklace, her love is delightful as his bride 10, more pleasing than wine, perfume more fragrant than any spice; lips and tongue 11; her garments

wine

Consummation 4:8-11 come with me my bride 8 (ownership); Stolen my heart, my sister, my bride 9; Term of endearment showing permanency, with eyes and necklace, her love is delightful as his bride 10, more pleasing than ______, perfume more fragrant than any spice; lips and tongue 11; her garments

perfume

Consummation 4:8-11 come with me my bride 8 (ownership); Stolen my heart, my sister, my bride 9; Term of endearment showing permanency, with eyes and necklace, her love is delightful as his bride 10, more pleasing than wine, _______ more fragrant than any spice; lips and tongue 11; her garments

spice

Consummation 4:8-11 come with me my bride 8 (ownership); Stolen my heart, my sister, my bride 9; Term of endearment showing permanency, with eyes and necklace, her love is delightful as his bride 10, more pleasing than wine, perfume more fragrant than any _______; lips and tongue 11; her garments

romantic, sexual, seductive

Dance of Mahanaim 13b: Sword dance, military victory (out of place here); Wedding celebration "why watch me dance, when so many other beautiful dancers" her modesty; small town where Jacob camped and he saw angels; "don't gaze upon me as if I were an angel"; _______ _________ _______ dance in private for Solomon; compensation for sexual denial earlier?; Fits the mood of the text in light of what happened; This one more credible for lack of evidence of others; some evidence for this suggestion for what follows

private

Dance of Mahanaim 13b: Sword dance, military victory (out of place here); Wedding celebration "why watch me dance, when so many other beautiful dancers" her modesty; small town where Jacob camped and he saw angels; "don't gaze upon me as if I were an angel"; romantic, sexual, seductive dance in _______ for Solomon; compensation for sexual denial earlier?; Fits the mood of the text in light of what happened; This one more credible for lack of evidence of others; some evidence for this suggestion for what follows

Wedding celebration

Dance of Mahanaim 13b: Sword dance, military victory (out of place here); ______ ________ "why watch me dance, when so many other beautiful dancers" her modesty; small town where Jacob camped and he saw angels; "don't gaze upon me as if I were an angel"; romantic, sexual, seductive dance in private for Solomon; compensation for sexual denial earlier?; Fits the mood of the text in light of what happened; This one more credible for lack of evidence of others; some evidence for this suggestion for what follows

beauty, desire

Her ______ and his ______ 4:1-15, Eyes and hair 1 (loyalty, purity, innocence), Teeth 2, Lips and temples 3, Neck 4, Breasts 5, Mountain and hill 6 (compare 2:17 for timing), All beautiful; no flaw 7; Come with me my bride 8 (ownership)

beautiful

Her beauty and his desire 4:1-15, Eyes and hair 1 (loyalty, purity, innocence), Teeth 2, Lips and temples 3, Neck 4, Breasts 5, Mountain and hill 6 (compare 2:17 for timing), All ________; no flaw 7; Come with me my bride 8 (ownership)

my

Her beauty and his desire 4:1-15, Eyes and hair 1 (loyalty, purity, innocence), Teeth 2, Lips and temples 3, Neck 4, Breasts 5, Mountain and hill 6 (compare 2:17 for timing), All beautiful; no flaw 7; Come with me ______ bride 8 (ownership)

ownership

Her beauty and his desire 4:1-15, Eyes and hair 1 (loyalty, purity, innocence), Teeth 2, Lips and temples 3, Neck 4, Breasts 5, Mountain and hill 6 (compare 2:17 for timing), All beautiful; no flaw 7; Come with me my bride 8 (__________)

break

Highlighting, men's complements to the women. Due day back from _______.

away

Interruption 2:11-13: He invites her to come _______ with him 10b, winter and rains gone. Flowers blooming. Time for singing; cooing of doves 11,12, Fig fruit appears, vines spread fragrance 13; Creation of Adam and Eve in scene of nature: for them no sin, no inhibition, start married, no clothing, no shame, just pure divine trust and love for each other. Told to experience sexuality before the fall. Sexuality between husband/wife is a holy act given to them by Almighty God and is to be enjoyed physically and spiritually

nature

Interruption 2:11-13: He invites her to come away with him 10b, winter and rains gone. Flowers blooming. Time for singing; cooing of doves 11,12, Fig fruit appears, vines spread fragrance 13; Creation of Adam and Eve in scene of ________: for them no sin, no inhibition, start married, no clothing, no shame, just pure divine trust and love for each other. Told to experience sexuality before the fall. Sexuality between husband/wife is a holy act given to them by Almighty God and is to be enjoyed physically and spiritually

sin

Interruption 2:11-13: He invites her to come away with him 10b, winter and rains gone. Flowers blooming. Time for singing; cooing of doves 11,12, Fig fruit appears, vines spread fragrance 13; Creation of Adam and Eve in scene of nature: for them no _____, no inhibition, start married, no clothing, no shame, just pure divine trust and love for each other. Told to experience sexuality before the fall. Sexuality between husband/wife is a holy act given to them by Almighty God and is to be enjoyed physically and spiritually

sexuality

Interruption 2:11-13: He invites her to come away with him 10b, winter and rains gone. Flowers blooming. Time for singing; cooing of doves 11,12, Fig fruit appears, vines spread fragrance 13; Creation of Adam and Eve in scene of nature: for them no sin, no inhibition, start married, no clothing, no shame, just pure divine trust and love for each other. Told to experience _______ before the fall. Sexuality between husband/wife is a holy act given to them by Almighty God and is to be enjoyed physically and spiritually

fall

Interruption 2:11-13: He invites her to come away with him 10b, winter and rains gone. Flowers blooming. Time for singing; cooing of doves 11,12, Fig fruit appears, vines spread fragrance 13; Creation of Adam and Eve in scene of nature: for them no sin, no inhibition, start married, no clothing, no shame, just pure divine trust and love for each other. Told to experience sexuality before the _______. Sexuality between husband/wife is a holy act given to them by Almighty God and is to be enjoyed physically and spiritually

holy

Interruption 2:11-13: He invites her to come away with him 10b, winter and rains gone. Flowers blooming. Time for singing; cooing of doves 11,12, Fig fruit appears, vines spread fragrance 13; Creation of Adam and Eve in scene of nature: for them no sin, no inhibition, start married, no clothing, no shame, just pure divine trust and love for each other. Told to experience sexuality before the fall. Sexuality between husband/wife is a ________ act given to them by Almighty God and is to be enjoyed physically and spiritually

physically, spiritually

Interruption 2:11-13: He invites her to come away with him 10b, winter and rains gone. Flowers blooming. Time for singing; cooing of doves 11,12, Fig fruit appears, vines spread fragrance 13; Creation of Adam and Eve in scene of nature: for them no sin, no inhibition, start married, no clothing, no shame, just pure divine trust and love for each other. Told to experience sexuality before the fall. Sexuality between husband/wife is a holy act given to them by Almighty God and is to be enjoyed _________ and ________

Sexuality

Interruption 2:11-13: He invites her to come away with him 10b, winter and rains gone. Flowers blooming. Time for singing; cooing of doves 11,12, Fig fruit appears, vines spread fragrance 13; Creation of Adam and Eve in scene of nature: for them no sin, no inhibition, start married, no clothing, no shame, just pure divine trust and love for each other. Told to experience sexuality before the fall. ________ between husband/wife is a holy act given to them by Almighty God and is to be enjoyed physically and spiritually

Adam and Eve

Interruption 2:11-13: He invites her to come away with him 10b, winter and rains gone. Flowers blooming. Time for singing; cooing of doves 11,12, Fig fruit appears, vines spread fragrance 13; Creation of ____ ____ ____ in scene of nature: for them no sin, no inhibition, start married, no clothing, no shame, just pure divine trust and love for each other. Told to experience sexuality before the fall. Sexuality between husband/wife is a holy act given to them by Almighty God and is to be enjoyed physically and spiritually

hiding-seeking

Interruption 2:14-15: Solomon's intercession 2:14-15, Spring; nature; alone; in love; stimulated 14, Seem to be playing a ______ game, He wants her to come out so he can see her face; Catch the little foxes 15 (SEE vs. 7), Most believe reference to sexual self-control, Vineyards=lives; grapes=ripening relationship; foxes=illicit sex; expresses great respect for each other, for the upcoming marriage, kingdom of God in Israel

out

Interruption 2:14-15: Solomon's intercession 2:14-15, Spring; nature; alone; in love; stimulated 14, Seem to be playing a hiding-seeking game, He wants her to come ______ so he can see her face; Catch the little foxes 15 (SEE vs. 7), Most believe reference to sexual self-control, Vineyards=lives; grapes=ripening relationship; foxes=illicit sex; expresses great respect for each other, for the upcoming marriage, kingdom of God in Israel

sexual

Interruption 2:14-15: Solomon's intercession 2:14-15, Spring; nature; alone; in love; stimulated 14, Seem to be playing a hiding-seeking game, He wants her to come out so he can see her face; Catch the little foxes 15 (SEE vs. 7), Most believe reference to _______ self-control, Vineyards=lives; grapes=ripening relationship; foxes=illicit sex; expresses great respect for each other, for the upcoming marriage, kingdom of God in Israel

lives

Interruption 2:14-15: Solomon's intercession 2:14-15, Spring; nature; alone; in love; stimulated 14, Seem to be playing a hiding-seeking game, He wants her to come out so he can see her face; Catch the little foxes 15 (SEE vs. 7), Most believe reference to sexual self-control, Vineyards=______; grapes=ripening relationship; foxes=illicit sex; expresses great respect for each other, for the upcoming marriage, kingdom of God in Israel

grapes

Interruption 2:14-15: Solomon's intercession 2:14-15, Spring; nature; alone; in love; stimulated 14, Seem to be playing a hiding-seeking game, He wants her to come out so he can see her face; Catch the little foxes 15 (SEE vs. 7), Most believe reference to sexual self-control, Vineyards=lives; ________=ripening relationship; foxes=illicit sex; expresses great respect for each other, for the upcoming marriage, kingdom of God in Israel

ripening relationship

Interruption 2:14-15: Solomon's intercession 2:14-15, Spring; nature; alone; in love; stimulated 14, Seem to be playing a hiding-seeking game, He wants her to come out so he can see her face; Catch the little foxes 15 (SEE vs. 7), Most believe reference to sexual self-control, Vineyards=lives; grapes=______ ________; foxes=illicit sex; expresses great respect for each other, for the upcoming marriage, kingdom of God in Israel

foxes

Interruption 2:14-15: Solomon's intercession 2:14-15, Spring; nature; alone; in love; stimulated 14, Seem to be playing a hiding-seeking game, He wants her to come out so he can see her face; Catch the little foxes 15 (SEE vs. 7), Most believe reference to sexual self-control, Vineyards=lives; grapes=ripening relationship; _________=illicit sex; expresses great respect for each other, for the upcoming marriage, kingdom of God in Israel

illicit sex

Interruption 2:14-15: Solomon's intercession 2:14-15, Spring; nature; alone; in love; stimulated 14, Seem to be playing a hiding-seeking game, He wants her to come out so he can see her face; Catch the little foxes 15 (SEE vs. 7), Most believe reference to sexual self-control, Vineyards=lives; grapes=ripening relationship; foxes=_____ ________; expresses great respect for each other, for the upcoming marriage, kingdom of God in Israel

respect

Interruption 2:14-15: Solomon's intercession 2:14-15, Spring; nature; alone; in love; stimulated 14, Seem to be playing a hiding-seeking game, He wants her to come out so he can see her face; Catch the little foxes 15 (SEE vs. 7), Most believe reference to sexual self-control, Vineyards=lives; grapes=ripening relationship; foxes=illicit sex; expresses great ________ for each other, for the upcoming marriage, kingdom of God in Israel

marriage

Interruption 2:14-15: Solomon's intercession 2:14-15, Spring; nature; alone; in love; stimulated 14, Seem to be playing a hiding-seeking game, He wants her to come out so he can see her face; Catch the little foxes 15 (SEE vs. 7), Most believe reference to sexual self-control, Vineyards=lives; grapes=ripening relationship; foxes=illicit sex; expresses great respect for each other, for the upcoming ________, kingdom of God in Israel

Vineyards

Interruption 2:14-15: Solomon's intercession 2:14-15, Spring; nature; alone; in love; stimulated 14, Seem to be playing a hiding-seeking game, He wants her to come out so he can see her face; Catch the little foxes 15 (SEE vs. 7), Most believe reference to sexual self-control, _______=lives; grapes=ripening relationship; foxes=illicit sex; expresses great respect for each other, for the upcoming marriage, kingdom of God in Israel

Spring

Interruption 2:14-15: Solomon's intercession 2:14-15, ________; nature; alone; in love; stimulated 14, Seem to be playing a hiding-seeking game, He wants her to come out so he can see her face; Catch the little foxes 15 (SEE vs. 7), Most believe reference to sexual self-control, Vineyards=lives; grapes=ripening relationship; foxes=illicit sex; expresses great respect for each other, for the upcoming marriage, kingdom of God in Israel

belonging

Interruption 2:15-17 The girl's response 16, 17; Statement of mutual _______ 16a, His browsing among lilies, Picking her a bouquet of flowers? In 2:1 she referred to self as lily and in 2:2 he also called her a lily among thorns; Turn, my lover, she says 17; Day breaks and shadows flee? A new day? meet again? Be like gazelle/young stage=run away. Let us part?

lilies

Interruption 2:15-17 The girl's response 16, 17; Statement of mutual belonging 16a, His browsing among ______, Picking her a bouquet of flowers? In 2:1 she referred to self as lily and in 2:2 he also called her a lily among thorns; Turn, my lover, she says 17; Day breaks and shadows flee? A new day? meet again? Be like gazelle/young stage=run away. Let us part?

lily

Interruption 2:15-17 The girl's response 16, 17; Statement of mutual belonging 16a, His browsing among lilies, Picking her a bouquet of flowers? In 2:1 she referred to self as ______ and in 2:2 he also called her a lily among thorns; Turn, my lover, she says 17; Day breaks and shadows flee? A new day? meet again? Be like gazelle/young stage=run away. Let us part?

lily

Interruption 2:15-17 The girl's response 16, 17; Statement of mutual belonging 16a, His browsing among lilies, Picking her a bouquet of flowers? In 2:1 she referred to self as lily and in 2:2 he also called her a _____ among thorns; Turn, my lover, she says 17; Day breaks and shadows flee? A new day? meet again? Be like gazelle/young stage=run away. Let us part?

thorns

Interruption 2:15-17 The girl's response 16, 17; Statement of mutual belonging 16a, His browsing among lilies, Picking her a bouquet of flowers? In 2:1 she referred to self as lily and in 2:2 he also called her a lily among _________; Turn, my lover, she says 17; Day breaks and shadows flee? A new day? meet again? Be like gazelle/young stage=run away. Let us part?

gazelle

Interruption 2:15-17 The girl's response 16, 17; Statement of mutual belonging 16a, His browsing among lilies, Picking her a bouquet of flowers? In 2:1 she referred to self as lily and in 2:2 he also called her a lily among thorns; Turn, my lover, she says 17; Day breaks and shadows flee? A new day? meet again? Be like _______/young stage=run away. Let us part?

young stage

Interruption 2:15-17 The girl's response 16, 17; Statement of mutual belonging 16a, His browsing among lilies, Picking her a bouquet of flowers? In 2:1 she referred to self as lily and in 2:2 he also called her a lily among thorns; Turn, my lover, she says 17; Day breaks and shadows flee? A new day? meet again? Be like gazelle/_______ _______=run away. Let us part?

run away

Interruption 2:15-17 The girl's response 16, 17; Statement of mutual belonging 16a, His browsing among lilies, Picking her a bouquet of flowers? In 2:1 she referred to self as lily and in 2:2 he also called her a lily among thorns; Turn, my lover, she says 17; Day breaks and shadows flee? A new day? meet again? Be like gazelle/young stage=_____ _______. Let us part?

Turn

Interruption 2:15-17 The girl's response 16, 17; Statement of mutual belonging 16a, His browsing among lilies, Picking her a bouquet of flowers? In 2:1 she referred to self as lily and in 2:2 he also called her a lily among thorns; _______, my lover, she says 17; Day breaks and shadows flee? A new day? meet again? Be like gazelle/young stage=run away. Let us part?

teach

Interruption 3:1-5; 3:5 and 2:7 exact. Prov 6:27, 28; 1 Cor 7:2; Heb 13:4 all _______ sexual purity; She pleads commitment before exchange; Sex before commitment destroy objectivity by overpowering passion and desire; Will both be able to trust other after marriage; sure this will be the one you will marry? Will you compare partners after marriage? Will wedding day, night, marriage have meaning? Keep hidden from your children? Why? Lie?

commitment

Interruption 3:1-5; 3:5 and 2:7 exact. Prov 6:27, 28; 1 Cor 7:2; Heb 13:4 all teach sexual purity; She pleads _________ before exchange; Sex before commitment destroy objectivity by overpowering passion and desire; Will both be able to trust other after marriage; sure this will be the one you will marry? Will you compare partners after marriage? Will wedding day, night, marriage have meaning? Keep hidden from your children? Why? Lie?

exchange

Interruption 3:1-5; 3:5 and 2:7 exact. Prov 6:27, 28; 1 Cor 7:2; Heb 13:4 all teach sexual purity; She pleads commitment before ________; Sex before commitment destroy objectivity by overpowering passion and desire; Will both be able to trust other after marriage; sure this will be the one you will marry? Will you compare partners after marriage? Will wedding day, night, marriage have meaning? Keep hidden from your children? Why? Lie?

passion, desire

Interruption 3:1-5; 3:5 and 2:7 exact. Prov 6:27, 28; 1 Cor 7:2; Heb 13:4 all teach sexual purity; She pleads commitment before exchange; Sex before commitment destroy objectivity by overpowering _______ and _______; Will both be able to trust other after marriage; sure this will be the one you will marry? Will you compare partners after marriage? Will wedding day, night, marriage have meaning? Keep hidden from your children? Why? Lie?

trust

Interruption 3:1-5; 3:5 and 2:7 exact. Prov 6:27, 28; 1 Cor 7:2; Heb 13:4 all teach sexual purity; She pleads commitment before exchange; Sex before commitment destroy objectivity by overpowering passion and desire; Will both be able to _____ other after marriage; sure this will be the one you will marry? Will you compare partners after marriage? Will wedding day, night, marriage have meaning? Keep hidden from your children? Why? Lie?

marriage

Interruption 3:1-5; 3:5 and 2:7 exact. Prov 6:27, 28; 1 Cor 7:2; Heb 13:4 all teach sexual purity; She pleads commitment before exchange; Sex before commitment destroy objectivity by overpowering passion and desire; Will both be able to trust other after ________; sure this will be the one you will marry? Will you compare partners after marriage? Will wedding day, night, marriage have meaning? Keep hidden from your children? Why? Lie?

Sex

Interruption 3:1-5; 3:5 and 2:7 exact. Prov 6:27, 28; 1 Cor 7:2; Heb 13:4 all teach sexual purity; She pleads commitment before exchange; ______ before commitment destroy objectivity by overpowering passion and desire; Will both be able to trust other after marriage; sure this will be the one you will marry? Will you compare partners after marriage? Will wedding day, night, marriage have meaning? Keep hidden from your children? Why? Lie?

She

Interruption 3:1-5; 3:5 and 2:7 exact. Prov 6:27, 28; 1 Cor 7:2; Heb 13:4 all teach sexual purity; ______ pleads commitment before exchange; Sex before commitment destroy objectivity by overpowering passion and desire; Will both be able to trust other after marriage; sure this will be the one you will marry? Will you compare partners after marriage? Will wedding day, night, marriage have meaning? Keep hidden from your children? Why? Lie?

fear

Interruption 3:1-5; The Shulammite's dream search 3:1-5: A _______-fulfillment dream caused by anxiety, Extremely close in 2:8-17; wedding in 4:6-11; so here in 3:1-5 her desire just short of agony; Dreams of marriage, but he is not in bed with here; She goes searching for her man, but fails to find; Encounters watchman; naive question in 3; Find him; holds him; mother's bed room 4; I charge you by Gazelles and Does (sexually potent animals); Do not arouse/awaken love until it so desires (WAIT!!!)

anxiety

Interruption 3:1-5; The Shulammite's dream search 3:1-5: A fear-fulfillment dream caused by ________, Extremely close in 2:8-17; wedding in 4:6-11; so here in 3:1-5 her desire just short of agony; Dreams of marriage, but he is not in bed with here; She goes searching for her man, but fails to find; Encounters watchman; naive question in 3; Find him; holds him; mother's bed room 4; I charge you by Gazelles and Does (sexually potent animals); Do not arouse/awaken love until it so desires (WAIT!!!)

wedding

Interruption 3:1-5; The Shulammite's dream search 3:1-5: A fear-fulfillment dream caused by anxiety, Extremely close in 2:8-17; ________ in 4:6-11; so here in 3:1-5 her desire just short of agony; Dreams of marriage, but he is not in bed with here; She goes searching for her man, but fails to find; Encounters watchman; naive question in 3; Find him; holds him; mother's bed room 4; I charge you by Gazelles and Does (sexually potent animals); Do not arouse/awaken love until it so desires (WAIT!!!)

agony

Interruption 3:1-5; The Shulammite's dream search 3:1-5: A fear-fulfillment dream caused by anxiety, Extremely close in 2:8-17; wedding in 4:6-11; so here in 3:1-5 her desire just short of _______; Dreams of marriage, but he is not in bed with here; She goes searching for her man, but fails to find; Encounters watchman; naive question in 3; Find him; holds him; mother's bed room 4; I charge you by Gazelles and Does (sexually potent animals); Do not arouse/awaken love until it so desires (WAIT!!!)

marriage

Interruption 3:1-5; The Shulammite's dream search 3:1-5: A fear-fulfillment dream caused by anxiety, Extremely close in 2:8-17; wedding in 4:6-11; so here in 3:1-5 her desire just short of agony; Dreams of _______, but he is not in bed with here; She goes searching for her man, but fails to find; Encounters watchman; naive question in 3; Find him; holds him; mother's bed room 4; I charge you by Gazelles and Does (sexually potent animals); Do not arouse/awaken love until it so desires (WAIT!!!)

bed

Interruption 3:1-5; The Shulammite's dream search 3:1-5: A fear-fulfillment dream caused by anxiety, Extremely close in 2:8-17; wedding in 4:6-11; so here in 3:1-5 her desire just short of agony; Dreams of marriage, but he is not in _______ with here; She goes searching for her man, but fails to find; Encounters watchman; naive question in 3; Find him; holds him; mother's bed room 4; I charge you by Gazelles and Does (sexually potent animals); Do not arouse/awaken love until it so desires (WAIT!!!)

searching

Interruption 3:1-5; The Shulammite's dream search 3:1-5: A fear-fulfillment dream caused by anxiety, Extremely close in 2:8-17; wedding in 4:6-11; so here in 3:1-5 her desire just short of agony; Dreams of marriage, but he is not in bed with here; She goes _______ for her man, but fails to find; Encounters watchman; naive question in 3; Find him; holds him; mother's bed room 4; I charge you by Gazelles and Does (sexually potent animals); Do not arouse/awaken love until it so desires (WAIT!!!)

watchman

Interruption 3:1-5; The Shulammite's dream search 3:1-5: A fear-fulfillment dream caused by anxiety, Extremely close in 2:8-17; wedding in 4:6-11; so here in 3:1-5 her desire just short of agony; Dreams of marriage, but he is not in bed with here; She goes searching for her man, but fails to find; Encounters ________; naive question in 3; Find him; holds him; mother's bed room 4; I charge you by Gazelles and Does (sexually potent animals); Do not arouse/awaken love until it so desires (WAIT!!!)

naive question

Interruption 3:1-5; The Shulammite's dream search 3:1-5: A fear-fulfillment dream caused by anxiety, Extremely close in 2:8-17; wedding in 4:6-11; so here in 3:1-5 her desire just short of agony; Dreams of marriage, but he is not in bed with here; She goes searching for her man, but fails to find; Encounters watchman; _____ ________ in 3; Find him; holds him; mother's bed room 4; I charge you by Gazelles and Does (sexually potent animals); Do not arouse/awaken love until it so desires (WAIT!!!)

mother's bed room

Interruption 3:1-5; The Shulammite's dream search 3:1-5: A fear-fulfillment dream caused by anxiety, Extremely close in 2:8-17; wedding in 4:6-11; so here in 3:1-5 her desire just short of agony; Dreams of marriage, but he is not in bed with here; She goes searching for her man, but fails to find; Encounters watchman; naive question in 3; Find him; holds him; _____ _____ _____ 4; I charge you by Gazelles and Does (sexually potent animals); Do not arouse/awaken love until it so desires (WAIT!!!)

sexually potent animals

Interruption 3:1-5; The Shulammite's dream search 3:1-5: A fear-fulfillment dream caused by anxiety, Extremely close in 2:8-17; wedding in 4:6-11; so here in 3:1-5 her desire just short of agony; Dreams of marriage, but he is not in bed with here; She goes searching for her man, but fails to find; Encounters watchman; naive question in 3; Find him; holds him; mother's bed room 4; I charge you by Gazelles and Does (______ _______ ______); Do not arouse/awaken love until it so desires (WAIT!!!)

arouse/awaken love

Interruption 3:1-5; The Shulammite's dream search 3:1-5: A fear-fulfillment dream caused by anxiety, Extremely close in 2:8-17; wedding in 4:6-11; so here in 3:1-5 her desire just short of agony; Dreams of marriage, but he is not in bed with here; She goes searching for her man, but fails to find; Encounters watchman; naive question in 3; Find him; holds him; mother's bed room 4; I charge you by Gazelles and Does (sexually potent animals); Do not ________ _______ until it so desires (WAIT!!!)

desires

Interruption 3:1-5; The Shulammite's dream search 3:1-5: A fear-fulfillment dream caused by anxiety, Extremely close in 2:8-17; wedding in 4:6-11; so here in 3:1-5 her desire just short of agony; Dreams of marriage, but he is not in bed with here; She goes searching for her man, but fails to find; Encounters watchman; naive question in 3; Find him; holds him; mother's bed room 4; I charge you by Gazelles and Does (sexually potent animals); Do not arouse/awaken love until it so ______ (WAIT!!!)

WAIT

Interruption 3:1-5; The Shulammite's dream search 3:1-5: A fear-fulfillment dream caused by anxiety, Extremely close in 2:8-17; wedding in 4:6-11; so here in 3:1-5 her desire just short of agony; Dreams of marriage, but he is not in bed with here; She goes searching for her man, but fails to find; Encounters watchman; naive question in 3; Find him; holds him; mother's bed room 4; I charge you by Gazelles and Does (sexually potent animals); Do not arouse/awaken love until it so desires (______!!!)

Does

Interruption 3:1-5; The Shulammite's dream search 3:1-5: A fear-fulfillment dream caused by anxiety, Extremely close in 2:8-17; wedding in 4:6-11; so here in 3:1-5 her desire just short of agony; Dreams of marriage, but he is not in bed with here; She goes searching for her man, but fails to find; Encounters watchman; naive question in 3; Find him; holds him; mother's bed room 4; I charge you by Gazelles and _______ (sexually potent animals); Do not arouse/awaken love until it so desires (WAIT!!!)

Gazelles

Interruption 3:1-5; The Shulammite's dream search 3:1-5: A fear-fulfillment dream caused by anxiety, Extremely close in 2:8-17; wedding in 4:6-11; so here in 3:1-5 her desire just short of agony; Dreams of marriage, but he is not in bed with here; She goes searching for her man, but fails to find; Encounters watchman; naive question in 3; Find him; holds him; mother's bed room 4; I charge you by _______ and Does (sexually potent animals); Do not arouse/awaken love until it so desires (WAIT!!!)

Shulammite's dream search

Interruption 3:1-5; The ______ ______ ________ 3:1-5: A fear-fulfillment dream caused by anxiety, Extremely close in 2:8-17; wedding in 4:6-11; so here in 3:1-5 her desire just short of agony; Dreams of marriage, but he is not in bed with here; She goes searching for her man, but fails to find; Encounters watchman; naive question in 3; Find him; holds him; mother's bed room 4; I charge you by Gazelles and Does (sexually potent animals); Do not arouse/awaken love until it so desires (WAIT!!!)

soliloquy

Interruption: Lost and Found 2:8-9; Girls speaks in ________ (talking to self) in this section; her lover's arrival 2:8,9, almost like a modern date, "date" 1st used as romantic encounter 1896, Leaping, bounding, standing, gazing, peering, This shows they are staying in two different locations; His first request 10:-13 (the connection of Spring and "love is in the air" is universal)

self

Interruption: Lost and Found 2:8-9; Girls speaks in soliloquy (talking to ______) in this section; her lover's arrival 2:8,9, almost like a modern date, "date" 1st used as romantic encounter 1896, Leaping, bounding, standing, gazing, peering, This shows they are staying in two different locations; His first request 10:-13 (the connection of Spring and "love is in the air" is universal)

arrival

Interruption: Lost and Found 2:8-9; Girls speaks in soliloquy (talking to self) in this section; her lover's ________ 2:8,9, almost like a modern date, "date" 1st used as romantic encounter 1896, Leaping, bounding, standing, gazing, peering, This shows they are staying in two different locations; His first request 10:-13 (the connection of Spring and "love is in the air" is universal)

date

Interruption: Lost and Found 2:8-9; Girls speaks in soliloquy (talking to self) in this section; her lover's arrival 2:8,9, almost like a modern ______, "date" 1st used as romantic encounter 1896, Leaping, bounding, standing, gazing, peering, This shows they are staying in two different locations; His first request 10:-13 (the connection of Spring and "love is in the air" is universal)

locations

Interruption: Lost and Found 2:8-9; Girls speaks in soliloquy (talking to self) in this section; her lover's arrival 2:8,9, almost like a modern date, "date" 1st used as romantic encounter 1896, Leaping, bounding, standing, gazing, peering, This shows they are staying in two different ________; His first request 10:-13 (the connection of Spring and "love is in the air" is universal)

request

Interruption: Lost and Found 2:8-9; Girls speaks in soliloquy (talking to self) in this section; her lover's arrival 2:8,9, almost like a modern date, "date" 1st used as romantic encounter 1896, Leaping, bounding, standing, gazing, peering, This shows they are staying in two different locations; His first _______ 10:-13 (the connection of Spring and "love is in the air" is universal)

love

Interruption: Lost and Found 2:8-9; Girls speaks in soliloquy (talking to self) in this section; her lover's arrival 2:8,9, almost like a modern date, "date" 1st used as romantic encounter 1896, Leaping, bounding, standing, gazing, peering, This shows they are staying in two different locations; His first request 10:-13 (the connection of Spring and "______ is in the air" is universal)

Spring

Interruption: Lost and Found 2:8-9; Girls speaks in soliloquy (talking to self) in this section; her lover's arrival 2:8,9, almost like a modern date, "date" 1st used as romantic encounter 1896, Leaping, bounding, standing, gazing, peering, This shows they are staying in two different locations; His first request 10:-13 (the connection of ______ and "love is in the air" is universal)

1896

Interruption: Lost and Found 2:8-9; Girls speaks in soliloquy (talking to self) in this section; her lover's arrival 2:8,9, almost like a modern date, "date" 1st used as romantic encounter ______, Leaping, bounding, standing, gazing, peering, This shows they are staying in two different locations; His first request 10:-13 (the connection of Spring and "love is in the air" is universal)

Lost and Found

Interruption: _____ ______ _____ 2:8-9; Girls speaks in soliloquy (talking to self) in this section; her lover's arrival 2:8,9, almost like a modern date, "date" 1st used as romantic encounter 1896, Leaping, bounding, standing, gazing, peering, This shows they are staying in two different locations; His first request 10:-13 (the connection of Spring and "love is in the air" is universal)

garden fountain

Locked garden; spring enclosed; sealed fountain 4:12-5:1; your plants are an orchard 13, 14; you are a ______ ______; a well flowing 15; The consummation at last! 4:16-5:1; "awake... come... blow, come taste" she says; Compare 4:16 with 2:7 and 3:5 for timing; I have come, gathered, eaten, drunk 5:1; eat, o friends, and drink; drink our fill, o lovers." 5:1b

consummation

Locked garden; spring enclosed; sealed fountain 4:12-5:1; your plants are an orchard 13, 14; you are a garden fountain; a well flowing 15; The _________ at last! 4:16-5:1; "awake... come... blow, come taste" she says; Compare 4:16 with 2:7 and 3:5 for timing; I have come, gathered, eaten, drunk 5:1; eat, o friends, and drink; drink our fill, o lovers." 5:1b

awake

Locked garden; spring enclosed; sealed fountain 4:12-5:1; your plants are an orchard 13, 14; you are a garden fountain; a well flowing 15; The consummation at last! 4:16-5:1; "________... come... blow, come taste" she says; Compare 4:16 with 2:7 and 3:5 for timing; I have come, gathered, eaten, drunk 5:1; eat, o friends, and drink; drink our fill, o lovers." 5:1b

timing

Locked garden; spring enclosed; sealed fountain 4:12-5:1; your plants are an orchard 13, 14; you are a garden fountain; a well flowing 15; The consummation at last! 4:16-5:1; "awake... come... blow, come taste" she says; Compare 4:16 with 2:7 and 3:5 for _______; I have come, gathered, eaten, drunk 5:1; eat, o friends, and drink; drink our fill, o lovers." 5:1b

Inward character is more important than outward beauty

Major points on Romantic love: A husband must praise his wife in order to experience romance in his marriage; A wife must respond enthusiastically to her husband's sexual desires; Commitment is essential for lasting sexual satisfaction and contentment; ______________________

Commitment is essential for lasting sexual satisfaction and contentment

Major points on Romantic love: A husband must praise his wife in order to experience romance in his marriage; A wife must respond enthusiastically to her husband's sexual desires; ______________________; Inward character is more important than outward beauty

A wife must respond enthusiastically to her husband's sexual desires

Major points on Romantic love: A husband must praise his wife in order to experience romance in his marriage; _________________; Commitment is essential for lasting sexual satisfaction and contentment; Inward character is more important than outward beauty

sexual pleasure within marriage has the blessing of God

Major points on Romantic love: Sexual pleasure is one of the purposes of marriage; __________________; Premarital sex and extramarital sex are condemned by God; Communication is essential to romantic love

Communication is essential to romantic love

Major points on Romantic love: Sexual pleasure is one of the purposes of marriage; sexual pleasure within marriage has the blessing of God; Premarital sex and extramarital sex are condemned by God; ________________________

Premarital sex and extramarital sex are condemned by God

Major points on Romantic love: Sexual pleasure is one of the purposes of marriage; sexual pleasure within marriage has the blessing of God; __________________; Communication is essential to romantic love

A man's body is to be admired, praised and enjoyed by his wife

Major points on Romantic love: There are no limitations to sexual desires and activities within marriage if agreed; Public legal wedding ceremonies are necessary to confirm the commitments made in marriage; A woman's body is to be admired praised, and enjoyed by her husband; ______________________

A woman's body is to be admired praised, and enjoyed by her husband

Major points on Romantic love: There are no limitations to sexual desires and activities within marriage if agreed; Public legal wedding ceremonies are necessary to confirm the commitments made in marriage;__________________; A man's body is to be admired, praised and enjoyed by his wife

Public legal wedding ceremonies are necessary to confirm the commitments made in marriage

Major points on Romantic love: There are no limitations to sexual desires and activities within marriage if agreed; _______________________; A woman's body is to be admired praised, and enjoyed by her husband; A man's body is to be admired, praised and enjoyed by his wife

God's love is based on strong commitment and is helped produced in us by the Holy Spirit

Major points on Romantic love: We should never use sex with our spouse to manipulate or manage the relationship; There should be no doubt in the minds of other people as to the commitment and love we have toward our spouse; ______________________

There should be no doubt in the minds of other people as to the commitment and love we have toward our spouse

Major points on Romantic love: We should never use sex with our spouse to manipulate or manage the relationship; __________________; God's love is based on strong commitment and is helped produced in us by the Holy Spirit

Sexual pleasure is one of the purposes of marriage

Major points on Romantic love: ______________; sexual pleasure within marriage has the blessing of God; Premarital sex and extramarital sex are condemned by God; Communication is essential to romantic love

We should never use sex with our spouse to manipulate or manage the relationship

Major points on Romantic love: _______________; There should be no doubt in the minds of other people as to the commitment and love we have toward our spouse; God's love is based on strong commitment and is helped produced in us by the Holy Spirit

There are no limitations to sexual desires and activities within marriage if agreed

Major points on Romantic love: ____________________________; Public legal wedding ceremonies are necessary to confirm the commitments made in marriage; A woman's body is to be admired praised, and enjoyed by her husband; A man's body is to be admired, praised and enjoyed by his wife

A husband must praise his wife in order to experience romance in his marriage

Major points on Romantic love:______________________; A wife must respond enthusiastically to her husband's sexual desires; Commitment is essential for lasting sexual satisfaction and contentment; Inward character is more important than outward beauty

encouragement

Solomon's gentle __________ 1:8-11: reinforces her lack of self-confidence, Most beautiful of women, His instructions: vague. A teas as if a king here?, However, last place people would look for a king! (among shepherds); I liken you to a mare (female horse)...Pharaoh's chariots 9. Ancient egypt, mares (female horse) never pulled chariots. Stallions (male horse) pulled the chariots. When you show up in the room, guys go crazy (like a mare in heat that makes the stallions go crazy pulling Pharaoh's chariots), As decorated in parades/ or sexually stimulating,

self-confidence

Solomon's gentle encouragement 1:8-11: reinforces her lack of _______________, Most beautiful of women, His instructions: vague. A teas as if a king here?, However, last place people would look for a king! (among shepherds); I liken you to a mare (female horse)...Pharaoh's chariots 9. Ancient egypt, mares (female horse) never pulled chariots. Stallions (male horse) pulled the chariots. When you show up in the room, guys go crazy (like a mare in heat that makes the stallions go crazy pulling Pharaoh's chariots), As decorated in parades/ or sexually stimulating,

beautiful

Solomon's gentle encouragement 1:8-11: reinforces her lack of self-confidence, Most _________ of women, His instructions: vague. A teas as if a king here?, However, last place people would look for a king! (among shepherds); I liken you to a mare (female horse)...Pharaoh's chariots 9. Ancient egypt, mares (female horse) never pulled chariots. Stallions (male horse) pulled the chariots. When you show up in the room, guys go crazy (like a mare in heat that makes the stallions go crazy pulling Pharaoh's chariots), As decorated in parades/ or sexually stimulating,

teas

Solomon's gentle encouragement 1:8-11: reinforces her lack of self-confidence, Most beautiful of women, His instructions: vague. A ________ as if a king here?, However, last place people would look for a king! (among shepherds); I liken you to a mare (female horse)...Pharaoh's chariots 9. Ancient egypt, mares (female horse) never pulled chariots. Stallions (male horse) pulled the chariots. When you show up in the room, guys go crazy (like a mare in heat that makes the stallions go crazy pulling Pharaoh's chariots), As decorated in parades/ or sexually stimulating,

shepherds

Solomon's gentle encouragement 1:8-11: reinforces her lack of self-confidence, Most beautiful of women, His instructions: vague. A teas as if a king here?, However, last place people would look for a king! (among ___________); I liken you to a mare (female horse)...Pharaoh's chariots 9. Ancient egypt, mares (female horse) never pulled chariots. Stallions (male horse) pulled the chariots. When you show up in the room, guys go crazy (like a mare in heat that makes the stallions go crazy pulling Pharaoh's chariots), As decorated in parades/ or sexually stimulating,

mare

Solomon's gentle encouragement 1:8-11: reinforces her lack of self-confidence, Most beautiful of women, His instructions: vague. A teas as if a king here?, However, last place people would look for a king! (among shepherds); I liken you to a ________ (female horse)...Pharaoh's chariots 9. Ancient egypt, mares (female horse) never pulled chariots. Stallions (male horse) pulled the chariots. When you show up in the room, guys go crazy (like a mare in heat that makes the stallions go crazy pulling Pharaoh's chariots), As decorated in parades/ or sexually stimulating,

female horse

Solomon's gentle encouragement 1:8-11: reinforces her lack of self-confidence, Most beautiful of women, His instructions: vague. A teas as if a king here?, However, last place people would look for a king! (among shepherds); I liken you to a mare (______ ________)...Pharaoh's chariots 9. Ancient egypt, mares (female horse) never pulled chariots. Stallions (male horse) pulled the chariots. When you show up in the room, guys go crazy (like a mare in heat that makes the stallions go crazy pulling Pharaoh's chariots), As decorated in parades/ or sexually stimulating,

chariots

Solomon's gentle encouragement 1:8-11: reinforces her lack of self-confidence, Most beautiful of women, His instructions: vague. A teas as if a king here?, However, last place people would look for a king! (among shepherds); I liken you to a mare (female horse)...Pharaoh's chariots 9. Ancient egypt, mares (female horse) never pulled __________. Stallions (male horse) pulled the chariots. When you show up in the room, guys go crazy (like a mare in heat that makes the stallions go crazy pulling Pharaoh's chariots), As decorated in parades/ or sexually stimulating,

male horse

Solomon's gentle encouragement 1:8-11: reinforces her lack of self-confidence, Most beautiful of women, His instructions: vague. A teas as if a king here?, However, last place people would look for a king! (among shepherds); I liken you to a mare (female horse)...Pharaoh's chariots 9. Ancient egypt, mares (female horse) never pulled chariots. Stallions (_____ _______) pulled the chariots. When you show up in the room, guys go crazy (like a mare in heat that makes the stallions go crazy pulling Pharaoh's chariots), As decorated in parades/ or sexually stimulating,

crazy, crazy

Solomon's gentle encouragement 1:8-11: reinforces her lack of self-confidence, Most beautiful of women, His instructions: vague. A teas as if a king here?, However, last place people would look for a king! (among shepherds); I liken you to a mare (female horse)...Pharaoh's chariots 9. Ancient egypt, mares (female horse) never pulled chariots. Stallions (male horse) pulled the chariots. When you show up in the room, guys go ______ (like a mare in heat that makes the stallions go ________ pulling Pharaoh's chariots), As decorated in parades/ or sexually stimulating,

Stallions

Solomon's gentle encouragement 1:8-11: reinforces her lack of self-confidence, Most beautiful of women, His instructions: vague. A teas as if a king here?, However, last place people would look for a king! (among shepherds); I liken you to a mare (female horse)...Pharaoh's chariots 9. Ancient egypt, mares (female horse) never pulled chariots. _________ (male horse) pulled the chariots. When you show up in the room, guys go crazy (like a mare in heat that makes the stallions go crazy pulling Pharaoh's chariots), As decorated in parades/ or sexually stimulating,

modern

Song of Songs (song of Solomon)--Song of Songs is a more _____ name

shy

The Girl's ______ uncertainty 1:5-7--Dark am I, yet lovely (swarthy)--deep suntan; Fair-skinned was in, court ladies of solomon, city in-doors and she was a country out-door girl (the harlem); But lovely (threatened by feeling of inferiority); Tents of kedar, like curtains of Solomon (they are a black color); 2 do not stare at me 6 (disdain or admiration?), darkened by sun. Forced by her step-brother, Had no vineyard (vineyard=life) of her own (reflecting the past); 3 why should I be like a veiled woman? 7, very inconvenient; prostitute soliciting business; Flock-literal (King Solomon's flock is the people of Israel) or figurative? Her vineyard? figurative, Saw her passion 1:2; here initiative, but cautious

suntan

The Girl's shy uncertainty 1:5-7--Dark am I, yet lovely (swarthy)--deep _______; Fair-skinned was in, court ladies of solomon, city in-doors and she was a country out-door girl (the harlem); But lovely (threatened by feeling of inferiority); Tents of kedar, like curtains of Solomon (they are a black color); 2 do not stare at me 6 (disdain or admiration?), darkened by sun. Forced by her step-brother, Had no vineyard (vineyard=life) of her own (reflecting the past); 3 why should I be like a veiled woman? 7, very inconvenient; prostitute soliciting business; Flock-literal (King Solomon's flock is the people of Israel) or figurative? Her vineyard? figurative, Saw her passion 1:2; here initiative, but cautious

inferiority

The Girl's shy uncertainty 1:5-7--Dark am I, yet lovely (swarthy)--deep suntan; Fair-skinned was in, court ladies of solomon, city in-doors and she was a country out-door girl (the harlem); But lovely (threatened by feeling of ___________); Tents of kedar, like curtains of Solomon (they are a black color); 2 do not stare at me 6 (disdain or admiration?), darkened by sun. Forced by her step-brother, Had no vineyard (vineyard=life) of her own (reflecting the past); 3 why should I be like a veiled woman? 7, very inconvenient; prostitute soliciting business; Flock-literal (King Solomon's flock is the people of Israel) or figurative? Her vineyard? figurative, Saw her passion 1:2; here initiative, but cautiousThe Girl's shy uncertainty 1:5-7--Dark am I, yet lovely (swarthy)--deep suntan; Fair-skinned was in, court ladies of solomon, city in-doors and she was a country out-door girl (the harlem); But lovely (threatened by feeling of inferiority); Tents of kedar, like curtains of Solomon (they are a black color); 2 do not stare at me 6 (disdain or admiration?), darkened by sun. Forced by her step-brother, Had no vineyard (vineyard=life) of her own (reflecting the past); 3 why should I be like a veiled woman? 7, very inconvenient; prostitute soliciting business; Flock-literal (King Solomon's flock is the people of Israel) or figurative? Her vineyard? figurative, Saw her passion 1:2; here initiative, but cautious

black

The Girl's shy uncertainty 1:5-7--Dark am I, yet lovely (swarthy)--deep suntan; Fair-skinned was in, court ladies of solomon, city in-doors and she was a country out-door girl (the harlem); But lovely (threatened by feeling of inferiority); Tents of kedar, like curtains of Solomon (they are a _______ color); 2 do not stare at me 6 (disdain or admiration?), darkened by sun. Forced by her step-brother, Had no vineyard (vineyard=life) of her own (reflecting the past); 3 why should I be like a veiled woman? 7, very inconvenient; prostitute soliciting business; Flock-literal (King Solomon's flock is the people of Israel) or figurative? Her vineyard? figurative, Saw her passion 1:2; here initiative, but cautious

vineyard

The Girl's shy uncertainty 1:5-7--Dark am I, yet lovely (swarthy)--deep suntan; Fair-skinned was in, court ladies of solomon, city in-doors and she was a country out-door girl (the harlem); But lovely (threatened by feeling of inferiority); Tents of kedar, like curtains of Solomon (they are a black color); 2 do not stare at me 6 (disdain or admiration?), darkened by sun. Forced by her step-brother, Had no vineyard (_________=life) of her own (reflecting the past); 3 why should I be like a veiled woman? 7, very inconvenient; prostitute soliciting business; Flock-literal (King Solomon's flock is the people of Israel) or figurative? Her vineyard? figurative, Saw her passion 1:2; here initiative, but cautious

life

The Girl's shy uncertainty 1:5-7--Dark am I, yet lovely (swarthy)--deep suntan; Fair-skinned was in, court ladies of solomon, city in-doors and she was a country out-door girl (the harlem); But lovely (threatened by feeling of inferiority); Tents of kedar, like curtains of Solomon (they are a black color); 2 do not stare at me 6 (disdain or admiration?), darkened by sun. Forced by her step-brother, Had no vineyard (vineyard=________) of her own (reflecting the past); 3 why should I be like a veiled woman? 7, very inconvenient; prostitute soliciting business; Flock-literal (King Solomon's flock is the people of Israel) or figurative? Her vineyard? figurative, Saw her passion 1:2; here initiative, but cautious

veiled

The Girl's shy uncertainty 1:5-7--Dark am I, yet lovely (swarthy)--deep suntan; Fair-skinned was in, court ladies of solomon, city in-doors and she was a country out-door girl (the harlem); But lovely (threatened by feeling of inferiority); Tents of kedar, like curtains of Solomon (they are a black color); 2 do not stare at me 6 (disdain or admiration?), darkened by sun. Forced by her step-brother, Had no vineyard (vineyard=life) of her own (reflecting the past); 3 why should I be like a ________ woman? 7, very inconvenient; prostitute soliciting business; Flock-literal (King Solomon's flock is the people of Israel) or figurative? Her vineyard? figurative, Saw her passion 1:2; here initiative, but cautious

prostitute

The Girl's shy uncertainty 1:5-7--Dark am I, yet lovely (swarthy)--deep suntan; Fair-skinned was in, court ladies of solomon, city in-doors and she was a country out-door girl (the harlem); But lovely (threatened by feeling of inferiority); Tents of kedar, like curtains of Solomon (they are a black color); 2 do not stare at me 6 (disdain or admiration?), darkened by sun. Forced by her step-brother, Had no vineyard (vineyard=life) of her own (reflecting the past); 3 why should I be like a veiled woman? 7, very inconvenient; __________ soliciting business; Flock-literal (King Solomon's flock is the people of Israel) or figurative? Her vineyard? figurative, Saw her passion 1:2; here initiative, but cautious

cautious

The Girl's shy uncertainty 1:5-7--Dark am I, yet lovely (swarthy)--deep suntan; Fair-skinned was in, court ladies of solomon, city in-doors and she was a country out-door girl (the harlem); But lovely (threatened by feeling of inferiority); Tents of kedar, like curtains of Solomon (they are a black color); 2 do not stare at me 6 (disdain or admiration?), darkened by sun. Forced by her step-brother, Had no vineyard (vineyard=life) of her own (reflecting the past); 3 why should I be like a veiled woman? 7, very inconvenient; prostitute soliciting business; Flock-literal (King Solomon's flock is the people of Israel) or figurative? Her vineyard? figurative, Saw her passion 1:2; here initiative, but _________

Israel

The Girl's shy uncertainty 1:5-7--Dark am I, yet lovely (swarthy)--deep suntan; Fair-skinned was in, court ladies of solomon, city in-doors and she was a country out-door girl (the harlem); But lovely (threatened by feeling of inferiority); Tents of kedar, like curtains of Solomon (they are a black color); 2 do not stare at me 6 (disdain or admiration?), darkened by sun. Forced by her step-brother, Had no vineyard (vineyard=life) of her own (reflecting the past); 3 why should I be like a veiled woman? 7, very inconvenient; prostitute soliciting business; Flock-literal (King Solomon's flock is the people of _________) or figurative? Her vineyard? figurative, Saw her passion 1:2; here initiative, but cautious

Fair-skinned

The Girl's shy uncertainty 1:5-7--Dark am I, yet lovely (swarthy)--deep suntan; __________ was in, court ladies of solomon, city in-doors and she was a country out-door girl (the harlem); But lovely (threatened by feeling of inferiority); Tents of kedar, like curtains of Solomon (they are a black color); 2 do not stare at me 6 (disdain or admiration?), darkened by sun. Forced by her step-brother, Had no vineyard (vineyard=life) of her own (reflecting the past); 3 why should I be like a veiled woman? 7, very inconvenient; prostitute soliciting business; Flock-literal (King Solomon's flock is the people of Israel) or figurative? Her vineyard? figurative, Saw her passion 1:2; here initiative, but cautious

complimentary

The couples' ____________ exchange 1:15-2:2 (4 parts): 1. Solomon: her beautiful eyes of Doves 15, Dove=loyalty, peace, purity (stimulating?); 2. Shulamite: handsome, our bed 16, planned bedroom, green?; 3. Solomon: beams of cedars and firs 17, Or not bed, under bed of nature?; 4. Shulammite: I am rose of Sharon, lily of the valleys 2:1;

eyes

The couples' complimentary exchange 1:15-2:2 (4 parts): 1. Solomon: her beautiful ______ of Doves 15, Dove=loyalty, peace, purity (stimulating?); 2. Shulamite: handsome, our bed 16, planned bedroom, green?; 3. Solomon: beams of cedars and firs 17, Or not bed, under bed of nature?; 4. Shulammite: I am rose of Sharon, lily of the valleys 2:1;

handsome

The couples' complimentary exchange 1:15-2:2 (4 parts): 1. Solomon: her beautiful eyes of Doves 15, Dove=loyalty, peace, purity (stimulating?); 2. Shulamite: ________, our bed 16, planned bedroom, green?; 3. Solomon: beams of cedars and firs 17, Or not bed, under bed of nature?; 4. Shulammite: I am rose of Sharon, lily of the valleys 2:1;

bed

The couples' complimentary exchange 1:15-2:2 (4 parts): 1. Solomon: her beautiful eyes of Doves 15, Dove=loyalty, peace, purity (stimulating?); 2. Shulamite: handsome, our _______ 16, planned bedroom, green?; 3. Solomon: beams of cedars and firs 17, Or not bed, under bed of nature?; 4. Shulammite: I am rose of Sharon, lily of the valleys 2:1;

cedars, firs

The couples' complimentary exchange 1:15-2:2 (4 parts): 1. Solomon: her beautiful eyes of Doves 15, Dove=loyalty, peace, purity (stimulating?); 2. Shulamite: handsome, our bed 16, planned bedroom, green?; 3. Solomon: beams of ________ and ________ 17, Or not bed, under bed of nature?; 4. Shulammite: I am rose of Sharon, lily of the valleys 2:1;

rose

The couples' complimentary exchange 1:15-2:2 (4 parts): 1. Solomon: her beautiful eyes of Doves 15, Dove=loyalty, peace, purity (stimulating?); 2. Shulamite: handsome, our bed 16, planned bedroom, green?; 3. Solomon: beams of cedars and firs 17, Or not bed, under bed of nature?; 4. Shulammite: I am _______ of Sharon, lily of the valleys 2:1;

lily

The couples' complimentary exchange 1:15-2:2 (4 parts): 1. Solomon: her beautiful eyes of Doves 15, Dove=loyalty, peace, purity (stimulating?); 2. Shulamite: handsome, our bed 16, planned bedroom, green?; 3. Solomon: beams of cedars and firs 17, Or not bed, under bed of nature?; 4. Shulammite: I am rose of Sharon, _________ of the valleys 2:1;

valleys

The couples' complimentary exchange 1:15-2:2 (4 parts): 1. Solomon: her beautiful eyes of Doves 15, Dove=loyalty, peace, purity (stimulating?); 2. Shulamite: handsome, our bed 16, planned bedroom, green?; 3. Solomon: beams of cedars and firs 17, Or not bed, under bed of nature?; 4. Shulammite: I am rose of Sharon, lily of the __________ 2:1;

Sharon

The couples' complimentary exchange 1:15-2:2 (4 parts): 1. Solomon: her beautiful eyes of Doves 15, Dove=loyalty, peace, purity (stimulating?); 2. Shulamite: handsome, our bed 16, planned bedroom, green?; 3. Solomon: beams of cedars and firs 17, Or not bed, under bed of nature?; 4. Shulammite: I am rose of _________, lily of the valleys 2:1;

Shulammite

The couples' complimentary exchange 1:15-2:2 (4 parts): 1. Solomon: her beautiful eyes of Doves 15, Dove=loyalty, peace, purity (stimulating?); 2. Shulamite: handsome, our bed 16, planned bedroom, green?; 3. Solomon: beams of cedars and firs 17, Or not bed, under bed of nature?; 4. __________: I am rose of Sharon, lily of the valleys 2:1;

Solomon

The couples' complimentary exchange 1:15-2:2 (4 parts): 1. Solomon: her beautiful eyes of Doves 15, Dove=loyalty, peace, purity (stimulating?); 2. Shulamite: handsome, our bed 16, planned bedroom, green?; 3. ___________: beams of cedars and firs 17, Or not bed, under bed of nature?; 4. Shulammite: I am rose of Sharon, lily of the valleys 2:1;

Shulamite

The couples' complimentary exchange 1:15-2:2 (4 parts): 1. Solomon: her beautiful eyes of Doves 15, Dove=loyalty, peace, purity (stimulating?); 2. _________: handsome, our bed 16, planned bedroom, green?; 3. Solomon: beams of cedars and firs 17, Or not bed, under bed of nature?; 4. Shulammite: I am rose of Sharon, lily of the valleys 2:1;

Dove

The couples' complimentary exchange 1:15-2:2 (4 parts): 1. Solomon: her beautiful eyes of Doves 15, __________=loyalty, peace, purity (stimulating?); 2. Shulamite: handsome, our bed 16, planned bedroom, green?; 3. Solomon: beams of cedars and firs 17, Or not bed, under bed of nature?; 4. Shulammite: I am rose of Sharon, lily of the valleys 2:1;

Doves

The couples' complimentary exchange 1:15-2:2 (4 parts): 1. Solomon: her beautiful eyes of _________ 15, Dove=loyalty, peace, purity (stimulating?); 2. Shulamite: handsome, our bed 16, planned bedroom, green?; 3. Solomon: beams of cedars and firs 17, Or not bed, under bed of nature?; 4. Shulammite: I am rose of Sharon, lily of the valleys 2:1;

Solomon

The couples' complimentary exchange 1:15-2:2 (4 parts): 1. _________: her beautiful eyes of Doves 15, Dove=loyalty, peace, purity (stimulating?); 2. Shulamite: handsome, our bed 16, planned bedroom, green?; 3. Solomon: beams of cedars and firs 17, Or not bed, under bed of nature?; 4. Shulammite: I am rose of Sharon, lily of the valleys 2:1;

elaborate

The song as love poetry--material in an "I-you" very personal form--Joy and excitement of lovers in other's presence--________ expression; erotic terms

erotic

The song as love poetry--material in an "I-you" very personal form--Joy and excitement of lovers in other's presence--elaborate expression; ________ terms

I-you

The song as love poetry--material in an "_______" very personal form--Joy and excitement of lovers in other's presence--elaborate expression; erotic terms

final

Thursday Dec. 12th at 1:00

Solomon's Song of Songs

Title: _________

soliloquy

Your Cheeks and neck 10, 11; Anticipation 1:12-14; The girl's __________ (talking to self) 12-14, In 3 erotic similes (2 unlike things compared), My perfume (lit. nard) 12; A sachet of myrrh 13, Cluster of henna blossoms 14;

similes

Your Cheeks and neck 10, 11; Anticipation 1:12-14; The girl's soliloquy (talking to self) 12-14, In 3 erotic ________ (2 unlike things compared), My perfume (lit. nard) 12; A sachet of myrrh 13, Cluster of henna blossoms 14;

perfume

Your Cheeks and neck 10, 11; Anticipation 1:12-14; The girl's soliloquy (talking to self) 12-14, In 3 erotic similes (2 unlike things compared), My _________ (lit. nard) 12; A sachet of myrrh 13, Cluster of henna blossoms 14;

myrrh

Your Cheeks and neck 10, 11; Anticipation 1:12-14; The girl's soliloquy (talking to self) 12-14, In 3 erotic similes (2 unlike things compared), My perfume (lit. nard) 12; A sachet of ________ 13, Cluster of henna blossoms 14;

henna blossoms

Your Cheeks and neck 10, 11; Anticipation 1:12-14; The girl's soliloquy (talking to self) 12-14, In 3 erotic similes (2 unlike things compared), My perfume (lit. nard) 12; A sachet of myrrh 13, Cluster of ______ _______ 14;

Cheeks, neck

Your _____ and _______ 10, 11; Anticipation 1:12-14; The girl's soliloquy (talking to self) 12-14, In 3 erotic similes (2 unlike things compared), My perfume (lit. nard) 12; A sachet of myrrh 13, Cluster of henna blossoms 14;

Dance of Mahanaim

_______ _______ _________ 13b: Sword dance, military victory (out of place here); Wedding celebration "why watch me dance, when so many other beautiful dancers" her modesty; small town where Jacob camped and he saw angels; "don't gaze upon me as if I were an angel"; romantic, sexual, seductive dance in private for Solomon; compensation for sexual denial earlier?; Fits the mood of the text in light of what happened; This one more credible for lack of evidence of others; some evidence for this suggestion for what follows

Locked

_______ garden; spring enclosed; sealed fountain 4:12-5:1; your plants are an orchard 13, 14; you are a garden fountain; a well flowing 15; The consummation at last! 4:16-5:1; "awake... come... blow, come taste" she says; Compare 4:16 with 2:7 and 3:5 for timing; I have come, gathered, eaten, drunk 5:1; eat, o friends, and drink; drink our fill, o lovers." 5:1b

Alienation

________ 5:2-8: Request-denial sequence 5:2-8; she is in bed and he is outside at night 2; She is indifferent to his advances 3; Discuss 1 Corinthians 7:1-5; A look at four kinds of love we must develop: Phileo (love of friends); eros (erotic, where romance comes from, lovers); Agape (Christians, sacrifices); Storge (love of family, partners); His persistence and her change of heart 4, 5; I arose to open... my lover had left; Her heart sank... she went searching 6; She encounters the watchmen 7; Desperate appeal to daughters of Jerusalem 8

Consummation

_________ 3:6-11 What is the point in the mind of God at which he considers two to become one? God joins together in all three ways: Love, The 2 commit to each other (heart); Law, when law of land is honored (mind), reflects the moral/legal standards of public; Lovemaking, at sexual intercourse (body)

Alienation

_________ 5:9: A sobering questions to her 9 (what happens in time to almost every relationship?); our natural slothfulness resulting from familiarity; male and females differences in psyches; men are like microwave ovens, women are like a crockpot; Uncertainty of the other's thinking. Approaching?; variations in each one's life rhythm. Emotions.; Stubborn in changing our preferred patterns; Our own self--preoccupation; Familiarity and time erode tenderness/thoughtfulness?

Solomon

_________ was young, single, king, greatest

Consummation

__________ 3:6-11: What constitutes a marriage (5) Gen 2:24, "for this cause shall a man leave his mother and father and be united to his wife, and they will become one flesh."; Parting, loving and trustful commitment, Leaving geographically and relationally; Joining, united (Gen 2:24; 5:2) "stick like glue", 5:2 "and when they were created he called them 'man' NIV; "Adam" KJV; "human beings" CEV and TNIV; Sexuality, "become one flesh" 1 Cor 6:16; Legality Romans 13:1-7; 1 Peter 2:13-25; SOS 3:6-11 Divinity, "therefore what God has joined together, let man not separate" Matthew 19:6

Alienation

__________ 5:10:6:1: Her answer (5:10-16) to question of 5:9; This description obviously reveals what her eyes have seen the many times they have made love; She has completed the request-denial cycle and now turns to the search-find sequence 6:1-10, court ladies willing to help find him 1

Consummation

___________ 3:6-11; Solomon's wedding procession 3:6-11; Wedding, today focused on bride not groom; Solomon's manly charms given here and in 4:1-7 the girl's; The scene is one from nature not the city of Jerusalem with columns of smoke serving as incense, Couch on long poles carried by 4 to 8 men-Test: He made his own carriage. Test: His mother made him a marital crown, 60 warriors may be for show, protection, etc.

Consummation

___________ 4:8-11 come with me my bride 8 (ownership); Stolen my heart, my sister, my bride 9; Term of endearment showing permanency, with eyes and necklace, her love is delightful as his bride 10, more pleasing than wine, perfume more fragrant than any spice; lips and tongue 11; her garments

allegorical

background and intro: _________: never happened; enlarge and extended metaphore--shows deeper spiritual truth; the historical, and grammatical are not considered; parables--typology: happened; historical but spiritual--drama: triangle of Solomon, Shulamith, and shepherd lover. King takes her for self--Natural/literal: historical; real lover. True meaning of sexuality, intimacy, romance and marriage in a male/female relationship

typology

background and intro: allegorical: never happened; enlarge and extended metaphore--shows deeper spiritual truth; the historical, and grammatical are not considered; parables--__________: happened; historical but spiritual--drama: triangle of Solomon, Shulamith, and shepherd lover. King takes her for self--Natural/literal: historical; real lover. True meaning of sexuality, intimacy, romance and marriage in a male/female relationship

drama

background and intro: allegorical: never happened; enlarge and extended metaphore--shows deeper spiritual truth; the historical, and grammatical are not considered; parables--typology: happened; historical but spiritual--__________: triangle of Solomon, Shulamith, and shepherd lover. King takes her for self--Natural/literal: historical; real lover. True meaning of sexuality, intimacy, romance and marriage in a male/female relationship

Natural/literal

background and intro: allegorical: never happened; enlarge and extended metaphore--shows deeper spiritual truth; the historical, and grammatical are not considered; parables--typology: happened; historical but spiritual--drama: triangle of Solomon, Shulamith, and shepherd lover. King takes her for self--___________: historical; real lover. True meaning of sexuality, intimacy, romance and marriage in a male/female relationship

allegorical

background and intro: oldest commentaries give _________ interpretation--read on 8th day of passover. Why?--God and Israel as husband and wife idea--If SOS found today and examined. What would scholars think?--classify as purely secular. why?--no religion, law, sin, grace, salvation, prayer, temple, synagogue, God, worship, eternals-no quote of allusions in O.T. or N.T. by any writer

passover

background and intro: oldest commentaries give allegorical interpretation--read on 8th day of _________. Why?--God and Israel as husband and wife idea--If SOS found today and examined. What would scholars think?--classify as purely secular. why?--no religion, law, sin, grace, salvation, prayer, temple, synagogue, God, worship, eternals-no quote of allusions in O.T. or N.T. by any writer

secular

background and intro: oldest commentaries give allegorical interpretation--read on 8th day of passover. Why?--God and Israel as husband and wife idea--If SOS found today and examined. What would scholars think?--classify as purely _________. why?--no religion, law, sin, grace, salvation, prayer, temple, synagogue, God, worship, eternals-no quote of allusions in O.T. or N.T. by any writer

no, no

background and intro: oldest commentaries give allegorical interpretation--read on 8th day of passover. Why?--God and Israel as husband and wife idea--If SOS found today and examined. What would scholars think?--classify as purely secular. why?--_______ religion, law, sin, grace, salvation, prayer, temple, synagogue, God, worship, eternals-______ quote of allusions in O.T. or N.T. by any writer

Israel

background and intro: oldest commentaries give allegorical interpretation--read on 8th day of passover. Why?--God and ________ as husband and wife idea--If SOS found today and examined. What would scholars think?--classify as purely secular. why?--no religion, law, sin, grace, salvation, prayer, temple, synagogue, God, worship, eternals-no quote of allusions in O.T. or N.T. by any writer