Art, Industry & Revolution
Theo van Doesburg Gerrit Reitveld Piet Mondrian More loosely connected 'movement' abstract philosophical unity and diversity Post WWI the individual and universal consciousness geometric vocabulary Color used to activate space Furniture is sculpture for the interior architecture a walk -in painting 1923 Galerie de L'effort Moderne
De Stijl 1917-1931
total work of art, all embracing art form (commitment to the idea of modern, hierarchy, urban)
Gesamtkunstwerk
Margaret MacDonald Charles Rennie Mackintosh Frances MacDonald Herbert McNair All studied Glasgow School of Art MacDonalds were sisters Mackintosh and McNair met will working at an architects office Their work was unique and influential a mix of arts & crafts inspiration with art nouveau sensibility integrating the individual and local with modern and efficient methods of production local identity organic forms Celtic influences sensuality Exhibited in London 1898 not well received Went to Vienna Secession Exhibition 1900 - well received Exhibited in Turin 1902 -well received Scottish answer to Art Nouveau Early modern ideals Not accepted Part of a network
Glasgow Four
Vienna Secessionist 1897 -1939 Klimt, Olbrich, Moser, Hoffman Wiener Werkstaette 1903 -1933 Hoffman, Moser, Peche Link between art & industry Making art accessible Unifying art with life
Vienna
Otto Wagner Gustav Klimt Josef Hoffman Koloman Moser Josef Olbrich broke free from the Royal Academy wanted a link between arts and crafts ( applied arts) had exhibitions - built their own space - 1898 journal - Vers Sacrum more abstract and purer forms to design - modern natural symbolism
Vienna Secessionist Movement 1897 - 1939
Viennese Workshop Arts & craft & Industry Concern for the craftsman Breaking from the academy Modern, clean design Gesamtkunstwerk
Wiener Werkstaette
1903 Broke away from the Secession to create the 'workshops' Backed by Fritz Warndorfer until Otto Primavesi came in -a unified way of living through art -concern for working conditions -quality and craftsmanship Workshops: Metal glass furniture textiles ceramics jewellery 1907 Moser left due business differences Dagobert Peche came in 1932 last of the workshops - the textile closed
Wiener Werkstätte
28 July 1914 - 11 November 1918
World War I
Date 1 September 1939 - 2 September 1945 (6 years, 1 day)[l]
World War II
