Chapter 19
____ was the most renowned female painter of the 17th century.
Artemisia Gentileschi
José de Ribera influenced the style of ____ to Spain.
Caravaggio
The Roman Catholic response to the Reformation was formulated at which of the following?
Council of Trent
Which of the following Renaissance churches influenced Maderno's design for Santa Susanna in Rome?
Il Gesù, Rome
The aim of much Italian Baroque art was to restore the predominance of ____.
Roman Catholicism
In the Triumph of the Barberini by Pietro da Cortona, the papal tiara and keys announce the accomplishments of ____.
Urban VIII
Pope Paul V converted Saint Peter's from a central-plan church into a basilican-plan church because ____.
central-plan buildings evoked pagan temples
The Spanish painter Velásquez held the titles of first painter to the king and ____.
chief steward of the palace
José de Ribera's brutal themes, such as the Martyrdom of Saint Philip, appealed to the Spanish taste for ____.
courage and devotion
Caravaggio's Calling of Saint Matthew is representative of his mature work in which he injects ____ into the depictions of sacred subjects.
naturalism
To create the illusion of Heaven opening up in the Glorification of Saint Ignatius, Fra Andrea Pozzo ____.
painted the church's actual architecture into the vault so the roof seems to be lifting off
The simulation of easel painting for ceiling design is termed ____.
quadro riportato
The orb and the cross surmounting Bernini's Baldacchino symbolize ____.
the Church's triumph
The ____ of Francesco Borromini's architecture, visible in the facade of San Carlo alle Quattro Fontane, opposed ancient ideas about architecture.
undulating motion and enhanced three-dimensional effect
Bernini's statue of David differed from his predecessors by showing David ____.
in the moment of combat