Chapter 4
Which song solidified the Rolling Stones' image as rock music's bad boys?
"(I Can't Get No) Satisfaction"
The first Beatles' song to break through to #1 in the United States was:
"I Want to Hold Your Hand"
The Beatles' first original song from their initial 1958 recording was:
"In Spite of All the Danger"
The Beatles' first song released by Parlophone was:
"Love Me Do"
The Beatles arrived in the United States in which year?
1964
The individual responsible for changing the image of the Rolling Stones was:
Andrew Loog Oldham
In the early years of the Rolling Stones, the group was led by:
Brian Jones
The Animals' break in the music industry came after a UK tour with which musical act?
Chuck Berry
Who among the following was NEVER a member of the Beatles?
Cliff Richard
The Animals were fronted by the powerful blues singing of:
Eric Burdon
"Please Please Me" was the song that finally broke the Beatles into the American pop market in late 1963.
False
Beatles-type bands included the Animals and the Yardbirds.
False
The Animals found popularity in the U.S. with the "Manchester Sound."
False
The Beatles played their last public concert at Yankee Stadium in 1966.
False
The music from rock's first wave from the U.S. in the 1950s had only a small impact on British rock in the 1960s
False
Which other Beatles-type Liverpool band was managed by Brian Epstein?
Gerry and the Pacemakers
Peter Noone was the lead singer to which of the following British bands?
Herman's Hermits
All of the following were guitarists for the Yardbirds EXCEPT:
John McLaughlin
The Beatles were formed in which UK city?
Liverpool
Georgie Fame and the Blue Flames featured which future Jimi Hendrix drummer?
Mitch Mitchell
Who among the following was responsible for songwriting for the Who?
Pete Townshend
The Kinks featured the songwriting of:
Ray Davies
The original name for the Beatles was:
The Quarry Men
Both the Kinks and the Who represent bands that defy Stones-type and Beatles-type categorizations.
True
Even though British bands flooded the pop charts in the U.S. during the mid-1960s, American groups still continued to have chart success even after the British arrived.
True
Initially, the Rolling Stones did not write their own music and preferred covering songs.
True
The Rolling Stones typically avoided AABA song forms that the Beatles did frequently use.
True
The first Beatles' hits in the United States were released on independent record labels.
True
The early songs in the Rolling Stones' career were primarily:
blues-inspired cover songs
The subject matter of the Beatles' "Eleanor Rigby" deals with:
existential alienation
"Beatlemania" refers to the:
frenzy created by fans at the Beatles' live performances
"Rave-ups" were:
improvisatory passages performed by the Yardbirds
In the late 1950s and early 1960s, the British music industry was dominated by:
large companies and major labels
From the perspective of American youth, the British invasion was centered on:
nonmusical issues such as a band's image and its members' accents
"Rock Island Line" as recorded by "Lonnie" Donegan is an example of:
skiffle
All of the following describe "Tomorrow Never Knows" as a work of art EXCEPT:
structural format found in American pop
The Beatles were regular performers at which Liverpool venue?
the Cavern Club
The Rolling Stones were regulars at which of the following club?
the Crawdaddy Club
The Detours was the original name of which band?
the Who
All of the following are true regarding Mod culture EXCEPT that followers:
wore leather jackets
