Eng 201 Test 1
Maat
the ancient Egyptian concept of truth, balance, order, law, morality, and justice. Maat was also personified as a goddess regulating the stars, seasons, and the actions of both mortals and the deities, who set the order of the universe from chaos at the moment of creation. Her ideological counterpart was Isfet.
The Liad Major Themes:
Race, Heroics, Honor, & Mortality
Thetis
a sea nymph or known as the goddess of water, one of the fifty Nereids, daughters of the ancient sea god Nereus.
Flood
...
Jason
Medea's husband
Nestor
the son of Neleus and Chloris and the King of Pylos. He became king after Heracles killed Neleus and all of Nestor's siblings. His wife was either Eurydice or Anaxibia; their children included Peisistratus, Thrasymedes, Pisidice, Polycaste, Stratichus, Aretus, Echephron, and Antilochus.
Agamemnon
the son of king Atreus and queen Aerope of Mycenae, the brother of Menelaus, the husband of Clytemnestra and the father of Iphigenia, Electra or Laodike (Λαοδίκη), Orestes and Chrysothemis. Mythical legends make him the king of Mycenae or Argos, thought to be different names for the same area. When Helen, the wife of Menelaus, ran off with Paris of Troy, Agamemnon commanded the united Greek armed forces in the ensuing Trojan War. Upon Agamemnon's return from Troy, he was murdered (according to the oldest surviving account, Odyssey 11.409-11) by Aegisthus, the lover of his wife, Clytemnestra. In old versions of the story, "[t]he scene of the murder, when it is specified, is usually the house of Aegisthus, who has not taken up residence in Agamemnon's palace, and it involves an ambush and the deaths of Agamemnon's followers too". In some later versions Clytemnestra herself does the killing, or they do it together, in his own home.
Philosophy
the study of general and fundamental problems, such as those connected with reality, existence, knowledge, values, reason, mind, and language
Hera
the wife and one of three sisters of Zeus in the Olympian pantheon of Greek mythology and religion. Her chief function was as the goddess of women and marriage. Her counterpart in the religion of ancient Rome was Juno. The cow, lion and the peacock were considered sacred to her. Hera's mother is Rhea and her father Cronus
Andromache
the wife of Hector, daughter of Eetion, and sister to Podes. She was born and raised in the city of Cilician Thebe, over which her father ruled. The name means "battle of a man", from ἀνδρός (andros) "of a man" and μάχη (machē) "battle". During the Trojan War, Hector was killed by Achilles, and the Greek herald Talthybius threw Astyanax, son of Hector and Andromache, from the city walls. Neoptolemus took Andromache as a concubine and Hector's brother, Helenus, as a slave. By Neoptolemus, she was the mother of Molossus, and according to Pausanias, of Pielus and Pergamus. When Neoptolemus died, Andromache married Helenus and became Queen of Epirus. Pausanias also implies that Helenus' son, Cestrinus, was by Andromache. Andromache eventually went to live with Pergamus in Pergamum, where she died of old age.
Invocation
The summoning of a deity or the supernatural, or someone for assistance.
Ninsun
a goddess, best known as the mother of the legendary hero Gilgamesh, and as the tutelary goddess of Gudea of Lagash. Her parents are the deities Anu and Uras.
Misogynistic
a person who hates or doesn't trust women.
The City Dionysia
ancient dramatic festival in which tragedy, comedy, and satyric drama originated; it was held in Athens in March in honour of Dionysus, the god of wine.
Muses
in Greek mythology, poetry and literature, are the goddesses of the inspiration of literature, science, and the arts. They were considered the source of the knowledge, related orally for centuries in the ancient culture, that was contained in poetic lyrics and myths.
Hubristes
one who, uplifted with pride, either heaps insulting language upon others or does them some shameful act of wrong
Polytheism
the belief in or worship of more than one god
Patroclus
the son of Menoetius, grandson of Actor, King of Opus, and Achilles's beloved comrade and brother-in-arms.
hieroglyphics
were a formal writing system used by the ancient Egyptians that combined logographic and alphabetic elements. Egyptians used cursive hieroglyphs for religious literature on papyrus and wood. Less formal variations of the script, called hieratic and demotic, are technically not hieroglyphs.
Arete
"excellence of any kind". The term may also mean "moral virtue". In its earliest appearance in Greek, this notion of excellence was ultimately bound up with the notion of the fulfillment of purpose or function: the act of living up to one's full potential.
2500 BC.
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Amunenshi
local ruler who gives Sinuhe his daughter in marriage and land in a place called Yaa
Chorus
a homogeneous, non-individualised group of performers in the plays of classical Greece, who comment with a collective voice on the dramatic action.
Helen
also known as Helen of Sparta, was the daughter of Zeus and Leda, and was a sister of Castor, Pollux, and Clytemnestra. In Greek myths, she was considered to be the most beautiful woman in the world, a representation of ideal beauty. By marriage she was Queen of Laconia, a province within Homeric Greece, the wife of King Menelaus. Her abduction by Paris, Prince of Troy, brought about the Trojan War.
Mimesis
representation or imitation of the real world in art and literature.
Monotheism
the doctrine or belief that there is only one God.
Skene
the skene was the background building to which the platform stage was connected, in which costumes were stored and to which the periaktoi (painted panels serving as the background) were connected.
Hathor
is an Ancient Egyptian goddess who personified the principles of joy, feminine love, and motherhood. She was one of the most important and popular deities throughout the history of Ancient Egypt. Hathor was worshiped by royalty and common people alike in whose tombs she is depicted as "Mistress of the West" welcoming the dead into the next life. In other roles she was a goddess of music, dance, foreign lands and fertility who helped women in childbirth, as well as the patron goddess of miners.
Titans
ruled the earth before the Olympians overthrew them. The ruler of the Titans was Cronus who was de-throned by his son Zeus. Most of the Titans fought with Cronus against Zeus and were punished by being banished to Tartarus.
Zeus
rules the Olympians of Mount Olympus, according to the ancient Greek religion. He is the god of sky and thunder in Greek mythology. Zeus is etymologically cognate with and, under Hellenic influence, became particularly closely identified with Roman Jupiter.
Oikonomia
"handling" or "disposition" or "management" or more literally "housekeeping" of a thing, usually assuming or implying good or prudent handling (as opposed to poor handling) of the matter at hand. In short, economia is discretionary deviation from the letter of the law in order to adhere to the spirit of the law and charity. This is in contrast to legalism, or akribia (Greek: ακριβεια)—strict adherence to the letter of the law of the church. As such, the word "economy", and the concept attaching to it, are utilized especially with regard to two types of "handling": (a) divine economy, that is, God's "handling" or "management" of the fallen state of the world and of mankind—the arrangements he made in order to bring about man's salvation after the Fall; and (b) what might be termed pastoral economy (or) ecclesiastical economy, that is, the Church's "handling" or "management" of various pastoral and disciplinary questions, problems, and issues that have arisen through the centuries of Church history.
Paris
son of Priam, king of Troy, appears in a number of Greek legends. Probably the best-known was his elopement with Helen, queen of Sparta, this being one of the immediate causes of the Trojan War. Later in the war, he fatally wounds Achilles in the heel with an arrow, as foretold by Achilles's mother, Thetis. The name Paris is probably Luwian and comparable to Pari-zitis attested as a Hittite scribe's name.
Epic of Gilgamesh Major Themes:
Companionship, Mortality. Pride, & Civilization
Tale of Sinuhe Themes
Forgiveness, Loyalty, and Honor
5 Ages
Gold, Silver, Bronze, Heroic, Iorn
Masks
In a large open-air theatre, like the Theatre of Dionysus in Athens, the classical masks were able to create a sense of dread in the audience creating large scale panic, especially since they had intensely exaggerated facial features and expressions. They enabled an actor to appear and reappear in several different roles, thus preventing the audience from identifying the actor to one specific character. Their variations help the audience to distinguish sex, age, and social status, in addition to revealing a change in a particular character's appearance, e.g. Oedipus after blinding himself. Unique masks were also created for specific characters and events in a play, such as The Furies in Aeschylus' Eumenides and Pentheus and Cadmus in Euripides' The Bacchae. Worn by the chorus, the masks created a sense of unity and uniformity, while representing a multi-voiced persona or single organism and simultaneously encouraged interdependency and a heightened sensitivity between each individual of the group. Only 2-3 actors were allowed on the stage at one time, and masks permitted quick transitions from one character to another. There were only male actors, but masks allowed them to play female characters.
logographic
In logographic writing systems, glyphs represent words or morphemes (meaningful components of words, as in mean-ing-ful), rather than phonetic elements. Note that no logographic script is composed solely of logograms. All contain graphemes that represent phonetic (sound-based) elements as well. These phonetic elements may be used on their own (to represent, for example, grammatical inflections or foreign words), or may serve as phonetic complements to a logogram (used to specify the sound of a logogram that might otherwise represent more than one word). In the case of Chinese, the phonetic element is built into the logogram itself; in Egyptian and Mayan, many glyphs are purely phonetic, whereas others function as either logograms or phonetic elements, depending on context. For this reason, many such scripts may be more properly referred to as logosyllabic or complex scripts; the terminology used is largely a product of custom in the field, and is to an extent arbitrary.
The Tale of Sinuhe
Sinuhe is an official who accompanies prince Senwosret I to Libya. He overhears a conversation connected with the death of King Amenemhet I and as a result flees to Upper Retjenu (Canaan), leaving Egypt behind. He becomes the son-in-law of Chief Ammunenshi and in time his sons grow to become chiefs in their own right. Sinuhe fights rebellious tribes on behalf of Ammunenshi. As an old man, in the aftermath of defeating a powerful opponent in single combat, he prays for a return to his homeland: "May god pity me..may he hearken to the prayer of one far away!..may the King have mercy on me..may I be conducted to the city of eternity!". He then receives an invitation from King Senwosret I of Egypt to return, which he accepts in highly moving terms. Living out the rest of his life in royal favour he is finally laid to rest in the necropolis in a beautiful tomb.
Sarpedon
son of Zeus and Europa, and brother to Minos and Rhadamanthys. He was raised by the king Asterion and then, banished by Minos, his rival in love for the young Miletus or Atymnius, he sought refuge with his uncle, Cilix. Sarpedon conquered the Milyans, and ruled over them; his kingdom was named Lycia, after his successor, Lycus, son of Pandion II. Zeus granted him the privilege of living three generations.
Gilgamesh
a king of Uruk, Mesopotamia, who lived sometime between 2800 and 2500 BC. He is the main character in the Epic of Gilgamesh, a Mesopotamian poem that is considered the first great work of literature. In the epic, Gilgamesh is a demigod of superhuman strength who built the city walls of Uruk to defend his people and travelled to meet the sage Utnapishtim, who survived the Great Deluge. According to the Sumerian King List, Gilgamesh ruled his city for 126 years. In the Tummal Inscription, Gilgamesh and his son Urlugal rebuilt the sanctuary of the goddess Ninlil in Tummal, a sacred quarter in her city of Nippur.
Ishtar
the East Semitic Akkadian, Assyrian and Babylonian goddess of fertility, love, war, and sex. She is the counterpart to the Sumerian Inanna, and is the cognate for the Northwest Semitic Aramean goddess Astarte.
Achilles
a Greek hero of the Trojan War and the central character and greatest warrior of Homer's Iliad. His mother was the nymph Thetis, and his father, Peleus, was the king of the Myrmidons. Achilles' most notable feat during the Trojan War was the slaying of the Trojan hero Hector outside the gates of Troy. Although the death of Achilles is not presented in the Iliad, other sources concur that he was killed near the end of the Trojan War by Paris, who shot him in the heel with an arrow. Later legends (beginning with a poem by Statius in the 1st century AD) state that Achilles was invulnerable in all of his body except for his heel. Because of his death from a small wound in the heel, the term Achilles' heel has come to mean a person's point of weakness.
Aristotle
a Greek philosopher and scientist born in the Macedonian city of Stagira, Chalkidice, on the northern periphery of Classical Greece. His father, Nicomachus, died when Aristotle was a child, whereafter Proxenus of Atarneus became his guardian. At eighteen, he joined Plato's Academy in Athens and remained there until the age of thirty-seven (c. 347 BC). His writings cover many subjects - including physics, biology, zoology, metaphysics, logic, ethics, aesthetics, poetry, theater, music, rhetoric, linguistics, politics and government - and constitute the first comprehensive system of Western philosophy. Shortly after Plato died, Aristotle left Athens and, at the request of Philip of Macedon, tutored Alexander the Great starting from 343 BC. According to the Encyclopædia Britannica, "Aristotle was the first genuine scientist in history ... [and] every scientist is in his debt."
Hesiod
a Greek poet generally thought by scholars to have been active between 750 and 650 BC, around the same time as Homer. His is the first European poetry in which the poet regards himself as a topic, an individual with a distinctive role to play. Ancient authors credited Hesiod and Homer with establishing Greek religious customs. Modern scholars refer to him as a major source on Greek mythology, farming techniques, early economic thought (he is sometimes identified as the first economist), archaic Greek astronomy and ancient time-keeping.
The Republic
a Socratic dialogue, written by Plato around 380 BC, concerning the definition of justice (δικαιοσύνη), the order and character of the just city-state and the just man—for this reason, ancient readers used the name On Justice as an alternative title (not to be confused with the spurious dialogue also titled On Justice). The dramatic date of the dialogue has been much debated and though it might have taken place some time during the Peloponnesian War, "there would be jarring anachronisms if any of the candidate specific dates between 432 and 404 were assigned". It is Plato's best-known work and has proven to be one of the most intellectually and historically influential works of philosophy and political theory. In it, Socrates along with various Athenians and foreigners discuss the meaning of justice and examine whether or not the just man is happier than the unjust man by considering a series of different cities coming into existence "in speech", culminating in a city called Kallipolis (Καλλίπολις), which is ruled by philosopher-kings; and by examining the nature of existing regimes. The participants also discuss the theory of forms, the immortality of the soul, and the roles of the philosopher and of poetry in society
Prometheus
a Titan In Greek mythology, best known as the benefactor who brought fire to mankind. Prometheus sided with Zeus and the ascending Olympian gods in the vast cosmological struggle against Cronus and the other Titans. Prometheus was therefore on the conquering side of the cataclysmic war of the Greek gods, the Titanomachy, where Zeus and the Olympian gods ultimately defeated Cronus and the other Titans.
Hector
a Trojan prince and the greatest fighter for Troy in the Trojan War. As the first-born son of King Priam and Queen Hecuba, who was a descendant of Dardanus and Tros, the founder of Troy, he was a prince of the royal house and the heir apparent to his father's throne. He was married to Andromache, with whom he had an infant son, Scamandrius (whom the people of Troy called Astyanax). He acted as leader of the Trojans and their allies in the defense of Troy, "killing 31,000 Greek fighters," offers Hyginus. During the European Middle Ages, Hector figures as one of the Nine Worthies noted by Jacques de Longuyon, known not only for his courage but also for his noble and courtly nature. Indeed Homer places Hector as peace-loving, thoughtful as well as bold, a good son, husband and father, and without darker motives. James Redfield writes of Hector as a "martyr to loyalties, a witness to the things of this world, a hero ready to die for the precious imperfections of ordinary life."
Enkidu
a central figure in the Ancient Mesopotamian Epic of Gilgamesh. Enkidu was formed from clay and saliva by Aruru, the goddess of creation, to rid Gilgamesh of his arrogance. In the story he is a wild man, raised by animals and ignorant of human society until he is bedded by Shamhat. Thereafter a series of interactions with humans and human ways bring him closer to civilization, culminating in a wrestling match with Gilgamesh, king of Uruk. Enkidu embodies the wild or natural world, and, though equal to Gilgamesh in strength and bearing, he acts in some ways as an antithesis to the cultured, urban-bred warrior-king. Enkidu then becomes the king's constant companion and deeply beloved friend, accompanying him on adventures until he is stricken with illness and dies. The deep, tragic loss of Enkidu profoundly inspires in Gilgamesh a quest to escape death by obtaining godly immortality. Older sources sometimes transliterate his name as Enkimdu, Eabani, or Enkita. Enkidu is a modern variant.
Lugulbanda
a character found in Sumerian mythology and literature. His name is composed of two Sumerian words meaning "young/fierce king" (lugal: king; banda: young, junior, small; but also fierce). Lugalbanda is listed in the postdiluvian period of the Sumerian king list as the second king of Uruk, saying he ruled for 1,200 years, and providing him with the epithet of the Shepherd. Whether a king Lugalbanda ever historically ruled over Uruk, and if so, at what time, is quite uncertain. Attempts to date him in the ED II period are based on an amalgamation of data from the epic traditions of the 2nd Millennium with unclear archaeological observations. Lugalbanda prominently features as the hero of two Sumerian stories dated to the Ur III period (21st century BCE), called by scholars Lugalbanda I (or Lugalbanda in the Mountain Cave) and Lugalbanda II (or Lugalbanda and the Anzu Bird). Both are known only in later versions, although there is an Ur III fragment that is quite different than either 18th century version[5] These tales are part of a series of stories that describe the conflicts between Enmerkar, king of Unug (Uruk), and Ensuhkeshdanna, lord of Aratta, presumably in the Iranian highlands. In these two stories, Lugalbanda is a soldier in the army of Enmerkar, whose name also appears in the Sumerian King List as the first king of Uruk and predecessor of Lugalbanda. The extant fragments make no reference to Lugalbanda's succession as king following Enmerkar. Lugalbanda appears in Sumerian literary sources as early as the mid-3rd millennium, as attested by a mythological text from Abu Salabikh that describes a romantic relationship between Lugalbanda and Ninsun.
Utanapshtim
a character in the epic of Gilgamesh who is tasked by Enki (Ea) to abandon his worldly possessions and create a giant ship to be called The Preserver of Life. He was also tasked with bringing his wife, family, and relatives along with the craftsmen of his village, baby animals and grains. The oncoming flood would wipe out all animals and humans that were not on the ship, and is believed to have inspired the Noah's Ark story. After twelve days on the water, Utnapishtim opened the hatch of his ship to look around and saw the slopes of Mount Nisir, where he rested his ship for seven days. On the seventh day, he sent a dove out to see if the water had receded, and the dove could find nothing but water, so it returned. Then he sent out a swallow, and just as before, it returned, having found nothing. Finally, Utnapishtim sent out a raven, and the raven saw that the waters had receded, so it circled around, but did not return. Utnapishtim then set all the animals free, and made a sacrifice to the gods. The gods came, and because he had preserved the seed of man while remaining loyal and trusting of his gods, Utnapishtim and his wife were given immortality, as well as a place among the heavenly gods.
Troy
a city well-known to both history and legend (as well as archaeology), and was situated in northwest Anatolia in what is now Turkey (but which was known in Classical sources as Asia Minor), located south of the southwest end of the Dardanelles/Hellespont and northwest of Mount Ida at Hisaronu. It is best known for being the setting of the Trojan War described in the Greek Epic Cycle and especially in the Iliad, one of the two epic poems attributed to Homer. Metrical evidence from the Iliad and the Odyssey seems to show that the name Ἴλιον (Ilion) formerly began with a digamma: Ϝίλιον (Wilion). This was later supported by the Hittite form Wilusa. A new capital called Ilium[note 2] was founded on the site in the reign of the Roman Emperor Augustus. It flourished until the establishment of Constantinople and declined gradually during the Byzantine era.
Mechane
a crane used in Greek theatre, especially in the 5th and 4th centuries BC. Made of wooden beams and pulley systems, the device was used to lift an actor into the air, usually representing flight. This stage machine was particularly used to bring gods onto the stage from above, hence the Latin term deus ex machina ("god out of the machine"). Euripides' use of the mechane in Medea (431 BC) is a notable use of the machine for a non-divine character. It was also often used by Aeschylus. It was used to allow actors playing gods to fly through the air.
Creon
a figure in Greek mythology best known as the ruler of Thebes in the legend of Oedipus. He had four sons and three daughters with his wife, Eurydice (sometimes known as Henioche): Henioche, Pyrrha, Megareus (also called Menoeceus), Lycomedes and Haemon. Creon and his sister, Jocasta, were descendants of Cadmus and of the Spartoi. He is sometimes considered to be same person who purified Amphitryon of the murder of his uncle Electryon and father of Megara, first wife of Heracles.
Tragedy
a form of drama based on human suffering that invokes in its audience an accompanying catharsis or pleasure in the viewing. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it.
Ea
a god in Sumerian mythology, later known as Ea in Akkadian and Babylonian mythology. He was originally patron god of the city of Eridu, but later the influence of his cult spread throughout Mesopotamia and to the Canaanites, Hittites and Hurrians. He was the deity of crafts (gašam); mischief; water, seawater, lakewater (a, aba, ab), intelligence (gestú, literally "ear") and creation (Nudimmud: nu, likeness, dim mud, make beer). He was associated with the southern band of constellations called stars of Ea, but also with the constellation AŠ-IKU, the Field (Square of Pegasus). Beginning around the second millennium BCE, he was sometimes referred to in writing by the numeric ideogram for "40," occasionally referred to as his "sacred number."The planet Mercury, associated with Babylonian Nabu (the son of Marduk) was in Sumerian times, identified with Enki.
Menelaus
a king of Mycenaean (pre-Dorian) Sparta, the husband of Helen of Troy, and a central figure in the Trojan War. He was the son of Atreus and Aerope, brother of Agamemnon, king of Mycenae and, according to the Iliad, leader of the Spartan contingent of the Greek army during the War. Prominent in both the Iliad and Odyssey, Menelaus was also popular in Greek vase painting and Greek tragedy; the latter more as a hero of the Trojan War than as a member of the doomed House of Atreus.
Theogony
is a poem by Hesiod (8th - 7th century BC) describing the origins and genealogies of the Greek gods, composed circa 700 B.C. It is written in the Epic dialect of Homeric Greek.
Phoenix
a long-lived bird that is cyclically regenerated or reborn. Associated with the sun, a phoenix obtains new life by arising from the ashes of its predecessor. The phoenix was subsequently adopted as a symbol in Early Christianity. While the phoenix typically dies by fire in most versions of the legend, there are less popular versions of the myth in which the mythical bird dies and simply decomposes before being born again. According to some legends, the phoenix could live over 1400 years before rebirth. Herodotus, Lucan, Pliny the Elder, Pope Clement I, Lactantius, Ovid, Isidore of Seville, Rabbi Yannai, and Rashi are among those who have contributed to the explanation, retelling, and transmission of the phoenix motif. In the historical record, the phoenix could symbolize long life, "renewal in general as well as the sun, time, the empire, metempsychosis, consecration, resurrection, life in the heavenly Paradise, Christ, Mary, virginity, the exceptional man, and certain aspects of Christian life".
Shamash
a native Mesopotamian deity and the Sun god in the Akkadian, Assyrian and Babylonian pantheons. Shamash was the god of justice in Babylonia and Assyria, corresponding to Sumerian Utu.
Plato
a philosopher, as well as mathematician, in Classical Greece. He is considered an essential figure in the development of philosophy, especially the Western tradition, and he founded the Academy in Athens, the first institution of higher learning in the Western world. Along with Socrates and his most famous student, Aristotle, Plato laid the foundations of Western philosophy and science. Alfred North Whitehead once noted: "the safest general characterization of the European philosophical tradition is that it consists of a series of footnotes to Plato." Plato's dialogues have been used to teach a range of subjects, including philosophy, logic, ethics, rhetoric, religion and mathematics. His lasting themes include Platonic love, the theory of forms, the five regimes, innate knowledge, among others. His theory of forms launched a unique perspective on abstract objects, and led to a school of thought called Platonism. Plato's writings have been published in several fashions; this has led to several conventions regarding the naming and referencing of Plato's texts
Chryses
a priest of Apollo at Chryse, near the city of Troy. According to a tradition mentioned by Eustathius of Thessalonica, Chryses and Briseus (father of Briseis) were brothers, sons of a man named Ardys (otherwise unknown). During the Trojan War (prior to the actions described in Homer's Iliad), Agamemnon took Chryses' daughter Chryseis (Astynome) from Moesia as a war prize and when Chryses attempted to ransom her, refused to return her. Chryses prayed to Apollo, and he, in order to defend the honor of his priest, sent a plague sweeping through the Greek armies, and Agamemnon was forced to give Chryseis back in order to end it. The significance of Agamemnon's actions lies not in his kidnapping Chryseis (such abductions were commonplace in ancient Greece), but in his refusal to release her upon her father's request.[1] Chryses, with help from Orestes, was also responsible for the death of Thoas. He killed Thoas after finding out that the son of Chryseis, called "younger Chryses", was also the son of Agamemnon. After he killed Thoas, Chryses went to Mycenae.
Anu
a sky-god, the god of heaven, lord of constellations, king of gods, spirits and demons, and dwelt in the highest heavenly regions. It was believed that he had the power to judge those who had committed crimes, and that he had created the stars as soldiers to destroy the wicked. His attribute was the royal tiara. His attendant and minister of state was the god Ilabrat. He was one of the oldest gods in the Sumerian pantheon and part of a triad including Enlil (god of the air) and Enki (god of water). He was called Anu by the later Akkadians in Babylonian culture. By virtue of being the first figure in a triad consisting of Anu, Enlil, and Enki (also known as Ea), Anu came to be regarded as the father and at first, king of the gods. Anu is so prominently associated with the E-anna temple in the city of Uruk (biblical Erech) in southern Babylonia that there are good reasons for believing this place to be the original seat of the Anu cult. If this is correct, then the goddess Inanna (or Ishtar) of Uruk may at one time have been his consort.
Sophists
a specific kind of teacher in both Ancient Greece and in the Roman Empire. Many sophists specialized in using the tools of philosophy and rhetoric, though other sophists taught subjects such as music, athletics, and mathematics. In general, they claimed to teach arete ("excellence" or "virtue," applied to various subject areas), predominantly to young statesmen and nobility. There are not many writings from and about the first sophists. The early sophists' practice of charging money for education and providing wisdom only to those who could pay, resulted in the condemnations made by Socrates through Plato in his Dialogues, as well as by Xenophon in Memorabilia and Aristotle. Author of The History and Theory of Rhetoric: An Introduction James A. Herrick wrote, "In De Oratore, Cicero blames Plato for separating wisdom and eloquence in the philosopher's famous attack on the Sophists in Gorgias." The classical tradition of rhetoric and composition refers more to philosophers like Aristotle, Cicero, and Quintilian than to the sophists. Despite these criticisms, however, many sophists flourished in later periods, especially during the era of Roman history known as the Second Sophistic.
Odysseus
also known by the Latin name Ulysses (/juːˈlɪsiːz/; Latin: Ulyssēs, Ulixēs), was a legendary Greek king of Ithaca and a hero of Homer's epic poem the Odyssey. Odysseus also plays a key role in Homer's Iliad and other works in that same epic cycle. Husband of Penelope, father of Telemachus, and son of Laërtes and Anticlea, Odysseus is renowned for his brilliance, guile, and versatility (polytropos), and is hence known by the epithet Odysseus the Cunning (mētis, or "cunning intelligence"). He is most famous for the ten eventful years he took to return home after the decade-long Trojan War
Retjenu
an Ancient Egyptian name for Canaan and Syria. It covered the region from the Negev Desert north to the Orontes River. The borders of Retjenu shifted with time, but it generally consisted of three regions. The southernmost was Djahy, which had about the same boundaries as Canaan. Lebanon proper was located in the middle, between the Mediterranean and the Orontes River. North of Lebanon was designated Amurru, the land of the Amorites. The earliest attestation of the name occurs in the Tale of Sinuhe, inscribed on a piece of limestone in 14th century BC. The suggestion that Retenu is an Egyptian transliteration of the Hebrew term `arzenu, meaning "our land", was first made by Immanuel Velikovsky
Sehotepibre
an Egyptian pharaoh of the 13th Dynasty during the early Second Intermediate Period, possibly the fifth or tenth king of the dynasty.
Satyr Play
an ancient Greek form of tragicomedy, similar in spirit to the bawdy satire of burlesque. They featured choruses of satyrs, were based on Greek mythology, and were rife with mock drunkenness, brazen sexuality (including phallic props), pranks, sight gags, and general merriment.
Aegeus
an archaic figure in the founding myth of Athens. The "goat-man" who gave his name to the Aegean Sea was, next to Poseidon, the father of Theseus, the founder of Athenian institutions and one of the kings of Athens.
The Epic of Gilgamesh
an epic poem from ancient Mesopotamia. Dating from the Third Dynasty of Ur (circa 2100 BC), it is often regarded as the first great work of literature. The literary history of Gilgamesh begins with five Sumerian poems about 'Bilgamesh' (Sumerian for 'Gilgamesh'), king of Uruk. These independent stories were later used as source material for a combined epic. The first surviving version of this combined epic, known as the "Old Babylonian" version, dates to the 18th century BC and is titled after its incipit, Shūtur eli sharrī ("Surpassing All Other Kings"). Only a few tablets of it have survived. The later "Standard" version dates from the 13th to the 10th centuries BC and bears the incipit Sha naqba īmuru ("He who Saw the Deep", in modern terms: "He who Sees the Unknown"). Approximately two thirds of this longer, twelve-tablet version have been recovered. Some of the best copies were discovered in the library ruins of the 7th-century BC Assyrian king Ashurbanipal. The first half of the story discusses Gilgamesh, king of Uruk, and Enkidu, a wild man created by the gods to stop him oppressing the people of Uruk. After an initial fight, Gilgamesh and Enkidu become close friends. Together, they journey to the Cedar Mountain and defeat Humbaba, its monstrous guardian. Later they kill the Bull of Heaven, which the goddess Ishtar sends to punish Gilgamesh for spurning her advances. As a punishment for these actions, the gods sentence Enkidu to death. In the second half of the epic, Gilgamesh's distress at Enkidu's death causes him to undertake a long and perilous journey to discover the secret of eternal life. He eventually learns that "Life, which you look for, you will never find. For when the gods created man, they let death be his share, and life withheld in their own hands". However, because of his great building projects, his account of Siduri's advice, and what the immortal man Utnapishtim told him about the Great Flood, Gilgamesh's fame survived his death. His story has been translated into many languages, and in recent years has featured in works of popular fiction.
Comedy
any discourse or work generally intended to be humorous or to amuse by inducing laughter, especially in theatre, television, film and stand-up comedy. The origins of the term are found in Ancient Greece. In the Athenian democracy, the public opinion of voters was influenced by the political satire performed by the comic poets at the theaters. The theatrical genre of Greek comedy can be described as a dramatic performance which pits two groups or societies against each other in an amusing agon or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old", A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions that pose obstacles to his hopes. In this struggle, the youth is understood to be constrained by his lack of social authority, and is left with little choice but to take recourse in ruses which engender very dramatic irony which provokes laughter. Satire and political satire use comedy to portray persons or social institutions as ridiculous or corrupt, thus alienating their audience from the object of their humor. Parody subverts popular genres and forms, critiquing those forms without necessarily condemning them.
Homer
best known as the author of the Iliad and the Odyssey. He was believed by the ancient Greeks to have been the first and greatest of the epic poets. Author of the first known literature of Europe, he had a lasting effect on the Western canon. Whether and when he lived is unknown. Herodotus estimates that Homer lived 400 years before his own time, which would place him at around 850 BCE. Pseudo-Herodotus estimates that he was born 622 years before Xerxes I placed a pontoon bridge over the Hellespont in 480 BCE, which would place him at 1102 BCE, 168 years after the fall of Troy in 1270 BCE. These two end points are 252 years apart, representative of the differences in dates given by the other sources. The importance of Homer to the ancient Greeks is described in Plato's "Republic", which portrays him as the protos didaskalos, "first teacher", of the tragedians, the hegemon paideias, "leader of Greek culture", and the ten Hellada pepaideukon, "teacher of [all] Greece".[3] Homer's works, which are about fifty percent speeches,[4] provided models in persuasive speaking and writing that were emulated throughout the ancient and medieval Greek worlds.[5] Fragments of Homer account for nearly half of all identifiable Greek literary papyrus finds in Egypt.[6]
Socrates
credited as one of the founders of Western philosophy. He is an enigmatic figure known chiefly through the accounts of classical writers, especially the writings of his students Plato and Xenophon and the plays of his contemporary Aristophanes. Plato's dialogues are among the most comprehensive accounts of Socrates to survive from antiquity, though it is unclear the degree to which Socrates himself is "hidden behind his 'best disciple', Plato". Through his portrayal in Plato's dialogues, Socrates has become renowned for his contribution to the field of ethics, and it is this Platonic Socrates who lends his name to the concepts of Socratic irony and the Socratic method, or elenchus. The latter remains a commonly used tool in a wide range of discussions, and is a type of pedagogy in which a series of questions is asked not only to draw individual answers, but also to encourage fundamental insight into the issue at hand. Plato's Socrates also made important and lasting contributions to the field of epistemology, and the influence of his ideas and approach remains a strong foundation for much western philosophy that followed.
Glauce
daughter of Creon. She married Jason. She was killed, along with her father, by Medea, who either sent her a peplos steeped in flammable poison or set fire to the royal palace. In the local Corinthian tradition, Glauce threw herself into a well in a vain attempt to wash off Medea's poison; from this circumstance the well became known as the Well of Glauce. Also known by the name Creusa, predominantly in Latin authors, e.g. Seneca (Medea) and Propertius (2.16.30). Hyginus (Fab. 25) uses both names interchangeably.
The Academy
founded by Plato (428/427 BC - 348/347 BC) in ca. 387 BC in Athens. Aristotle (384 BC - 322 BC) studied there for twenty years (367 BC - 347 BC) before founding his own school, the Lyceum. The Academy persisted throughout the Hellenistic period as a skeptical school, until coming to an end after the death of Philo of Larissa in 83 BC. Although philosophers continued to teach Plato's philosophy in Athens during the Roman era, it was not until AD 410 that a revived Academy was re-established as a center for Neoplatonism, persisting until 529 AD when it was finally closed down by Justinian I.
The Iliad
is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Set during the Trojan War, the ten-year siege of the city of Troy (Ilium) by a coalition of Greek states, it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles. Although the story covers only a few weeks in the final year of the war, the Iliad mentions or alludes to many of the Greek legends about the siege; the earlier events, such as the gathering of warriors for the siege, the cause of the war, and related concerns tend to appear near the beginning. Then the epic narrative takes up events prophesied for the future, such as Achilles' looming death and the sack of Troy, prefigured and alluded to more and more vividly, so that when it reaches an end, the poem has told a more or less complete tale of the Trojan War. The Iliad is paired with something of a sequel, the Odyssey, also attributed to Homer. Along with the Odyssey, the Iliad is among the oldest extant works of Western literature, and its written version is usually dated to around the eighth century BC.[2] Recent statistical modelling based on language evolution has found it to date to 760-710 BC.[3] In the modern vulgate (accepted version), the Iliad contains 15,693 lines; it is written in Homeric Greek, a literary amalgam of Ionic Greek and other dialects.
Poseidon
is one of the twelve Olympian deities of the pantheon in Greek mythology. His main domain is the ocean, and he is called the "God of the Sea". Additionally, he is referred to as "Earth-Shaker" due to his role in causing earthquakes, and has been called the "tamer of horses". He is usually depicted as an older male with curly hair and beard.
The Allegory of the Cave
is presented by the Greek philosopher Plato in his work The Republic (514a-520a) to compare "...the effect of education (παιδεία) and the lack of it on our nature". It is written as a dialogue between Plato's brother Glaucon and his mentor Socrates, narrated by the latter. The allegory is presented after the Analogy of the Sun (508b-509c) and the Analogy of the Divided Line (509d-513e). All three are characterized in relation to dialectic at the end of Books VII and VIII (531d-534e). Plato has Socrates describe a gathering of people who have lived chained to the wall of a cave all of their lives, facing a blank wall. The people watch shadows projected on the wall by things passing in front of a fire behind them, and begin to designate names to these shadows. The shadows are as close as the prisoners get to viewing reality. He then explains how the philosopher is like a prisoner who is freed from the cave and comes to understand that the shadows on the wall do not make up reality at all, as he can perceive the true form of reality rather than the mere shadows seen by the prisoners. Socrates remarks that this allegory can be taken with what was said before, namely the Analogy of the Sun and the Analogy of the Divided Line. In particular, he likens our perception of the world around us "to the habitation in prison, the firelight there to the sunlight here, the ascent and the view of the upper world is the rising of the soul into the world of the mind" (517b).
Enil
is the God of breath, wind, loft and breadth (height and distance). It was the name of a chief deity listed and written about in Sumerian religion, and later in Akkadian (Assyrian and Babylonian), Hittite, Canaanite and other Mesopotamian clay and stone tablets. The name is perhaps pronounced and sometimes rendered in translations as "Ellil" in later Akkadian, Hittite, and Canaanite literature. In later Akkadian, Enlil is the son of Anshar and Kishar.
Achilles' shield
is the shield that Achilles uses in his fight with Hector, famously described in a passage in Book 18, lines 478-608 of Homer's Iliad. In the poem, Achilles has lost his armour after lending it to his companion Patroclus. Patroclus has been killed in battle by Hector and his weapons taken as spoils. Achilles' mother Thetis asks the god Hephaestus to provide replacement armour for her son. The passage describing the shield is an early example of ekphrasis (a literary description of a work of visual art) and influenced many later poems, including the Shield of Heracles once attributed to Hesiod.[1] Virgil's description of the shield of Aeneas in Book Eight of the Aeneid is clearly modelled on Homer. The poem The Shield of Achilles (1952) by W. H. Auden reimagines Homer's description in 20th century terms.
Drama
is the specific mode of fiction represented in performance. The term comes from a Greek word meaning action (Classical Greek: δρᾶμα, drama), which is derived from the verb meaning to do or to act (Classical Greek: δράω, draō). The enactment of drama in theatre, performed by actors on a stage before an audience, presupposes collaborative modes of production and a collective form of reception. The structure of dramatic texts, unlike other forms of literature, is directly influenced by this collaborative production and collective reception. The early modern tragedy Hamlet (1601) by Shakespeare and the classical Athenian tragedy Oedipus the King (c. 429 BC) by Sophocles are among the masterpieces of the art of drama. A modern example is Long Day's Journey into Night by Eugene O'Neill (1956). The two masks associated with drama represent the traditional generic division between comedy and tragedy. They are symbols of the ancient Greek Muses, Thalia and Melpomene. Thalia was the Muse of comedy (the laughing face), while Melpomene was the Muse of tragedy (the weeping face). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
Irkalla
is the underworld from which there is no return. It is also called Arali, Kigal, Gizal, and the lower world. Irkalla is ruled by the goddess Ereshkigal and her consort, the death god Nergal. Irkalla was originally another name for Ereshkigal, who ruled the underworld alone until Nergal was sent to the underworld and seduced Ereshkigal (in Babylonian mythology). Both the deity and the location were called Irkalla, much like how Hades in Greek mythology is both the name of the underworld and the god who ruled it. The Sumerian netherworld was a place for the bodies of the dead to exist after death. One passed through the seven gates on their journey through the portal to the netherworld leaving articles of clothing and adornment at each gate, not necessarily by choice as there was a guardian at each gate to extract a toll for one's passage and to keep one from going the wrong way. The living spirits of the dead are only spoken of in connection with this netherworld when someone has been placed here before they are dead or wrongly killed and can be saved. The bodies of the dead decompose in this afterlife, as they would in the world above. As the subterranean destination for all who die, Irkalla is similar to Sheol of the Hebrew Bible or Hades of classic Greek mythology. It is different from more hopeful versions of the afterlife, such as those envisioned by the contemporaneous Egyptians and the later in Platonic philosophy, Judaism, and Christianity. However, Irkalla also differs from the Greek Tartarus and the Christian perspective of hell. Irkalla had no punishment or reward, being seen as a more dreary version of life above, with Erishkigal being seen as both warden and guardian of the dead rather than a sinister ruler like Satan or death gods of other religions.
Priam
king of Troy during the Trojan War and youngest son of Laomedon.
Cuneiform
one of the earliest known systems of writing, distinguished by its wedge-shaped marks on clay tablets, made by means of a blunt reed for a stylus. The name cuneiform itself simply means "wedge shaped", from the Latin cuneus "wedge" and forma "shape," and came into English usage probably from Old French cunéiforme. In use in Sumer as early as the late 4th millennium B.C.E. (the Uruk IV period), cuneiform writing began as a system of pictographs. In the third millennium, the pictorial representations became simplified and more abstract as the number of characters in use grew smaller, from about 1,000 in the Early Bronze Age to about 400 in Late Bronze Age (Hittite cuneiform). The system consists of a combination of logophonetic, consonantal alphabetic and syllabic signs.
Horus
one of the oldest and most significant deities in ancient Egyptian religion, who was worshipped from at least the late Predynastic period through to Greco-Roman times. Different forms of Horus are recorded in history and these are treated as distinct gods by Egypt specialists. These various forms may possibly be different perceptions of the same multi-layered deity in which certain attributes or syncretic relationships are emphasized, not necessarily in opposition but complementary to one another, consistent with how the Ancient Egyptians viewed the multiple facets of reality. He was most often depicted as a falcon, most likely a lanner or peregrine, or as a man with a falcon head.
Euripides
one of the three great tragedians of classical Athens, the other two being Aeschylus and Sophocles. Some ancient scholars attributed ninety-five plays to him but according to the Suda it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete (there has been debate about his authorship of Rhesus, largely on stylistic grounds) and there are also fragments, some substantial, of most of the other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly due to mere chance and partly because his popularity grew as theirs declined he became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes and Menander.
The Greek Dark Ages
period of Greek history from the presumed Dorian invasion and end of the Mycenaean palatial civilization around 1100 BC, to the first signs of the Greek poleis in the 9th century BC. The archaeological evidence shows a widespread collapse of Bronze Age civilization in the eastern Mediterranean world at the outset of the period, as the great palaces and cities of the Mycenaeans were destroyed or abandoned. Around this time, the Hittite civilization suffered serious disruption and cities from Troy to Gaza were destroyed. Following the collapse, fewer and smaller settlements suggest famine and depopulation. In Greece the Linear B writing of the Greek language used by Mycenaean bureaucrats ceased. The decoration on Greek pottery after ca 1100 BC lacks the figurative decoration of Mycenaean ware and is restricted to simpler, generally geometric styles (1000-700 BC). It was previously thought that all contact was lost between mainland Hellenes and foreign powers during this period, yielding little cultural progress or growth; however, artifacts from excavations at Lefkandi on the Lelantine Plain in Euboea show that significant cultural and trade links with the east, particularly the Levant coast, developed from c. 900 BC onwards, and evidence has emerged of the new presence of Hellenes in sub-Mycenaean Cyprus and on the Syrian coast at Al Mina.
Works and days
poem of some 800 lines written by the ancient Greek poet Hesiod around 700 BCE. At its center, the Works and Days is a farmer's almanac in which Hesiod instructs his brother Perses in the agricultural arts. Scholars have seen this work against a background of agrarian crisis in mainland Greece, which inspired a wave of colonial expeditions in search of new land. In the poem Hesiod also offers his brother extensive moralizing advice on how he should live his life. The Works and Days is perhaps best known for its two mythological aetiologies for the toil and pain that define the human condition: the story of Prometheus and Pandora, and the so-called Myth of Five Ages.
pictographic
representing concepts or ideas, rather than a specific word in a language), and pictographic scripts (in which the graphemes are iconic pictures) are not thought to be able to express all that can be communicated by language, as argued by the linguists John DeFrancis and J. Marshall Unger. Essentially, they postulate that no full writing system can be completely pictographic or ideographic; it must be able to refer directly to a language in order to have the full expressive capacity of a language. Unger disputes claims made on behalf of Blissymbols in his 2004 book Ideogram. Although a few pictographic or ideographic scripts exist today, there is no single way to read them, because there is no one-to-one correspondence between symbol and language. Hieroglyphs were commonly thought to be ideographic before they were translated, and to this day Chinese is often erroneously said to be ideographic. In some cases of ideographic scripts, only the author of a text can read it with any certainty, and it may be said that they are interpreted rather than read. Such scripts often work best as mnemonic aids for oral texts, or as outlines that will be fleshed out in speech.
Xenia
the ancient Greek concept of hospitality, the generosity and courtesy shown to those who are far from home and/or associates of the person bestowing guest-friendship. The rituals of hospitality created and expressed a reciprocal relationship between guest and host expressed in both material benefits (such as the giving of gifts to each party) as well as non-material ones (such as protection, shelter, favors, or certain normative rights). The Greek god Zeus is sometimes called Zeus Xenios in his role as a protector of travelers. He thus embodied the religious obligation to be hospitable to travelers. Theoxeny or theoxenia is a theme in Greek mythology in which humans demonstrate their virtue or piety by extending hospitality to a humble stranger (xenos), who turns out to be a disguised deity (theos) with the capacity to bestow rewards. These stories caution mortals that any guest should be treated as if potentially a disguised divinity and help establish the idea of xenia as a fundamental Greek custom. The term theoxenia also covered entertaining among the gods themselves, a popular subject in classical art, which was revived at the Renaissance in works depicting a Feast of the Gods.
Ur-Shanbi
the ferryman of the Hubur, river of the dead in Mesopotamian mythology. His equivalent in Greek Mythology was Charon.
Pandora
the first human woman created by the gods, specifically by Hephaestus and Athena on the instructions of Zeus. As Hesiod related it, each god helped create her by giving her unique gifts. Zeus ordered Hephaestus to mold her out of earth as part of the punishment of humanity for Prometheus' theft of the secret of fire, and all the gods joined in offering her "seductive gifts". Her other name—inscribed against her figure on a white-ground kylix in the British Museum—is Anesidora, "she who sends up gifts (up implying "from below" within the earth). According to the myth, Pandora opened a jar (pithos), in modern accounts sometimes mistranslated as "Pandora's box" (see below), releasing all the evils of humanity—although the particular evils, aside from plagues and diseases, are not specified in detail by Hesiod—leaving only Hope inside once she had closed it again. She opened the jar out of simple curiosity and not as a malicious act. The Pandora myth is a kind of theodicy, addressing the question of why there is evil in the world.
Aruru
the goddess of creation
Athena
the goddess of wisdom, courage, inspiration, civilization, law and justice, strategic war, mathematics, strength, strategy, the arts, crafts, and skill in ancient Greek religion and mythology. Minerva is the Roman goddess identified with Athena.
Shamhat
the old Babylonian version of Gilgamesh".) is the name of a female character who appears in Tablets I/and II of the Epic of Gilgamesh and is mentioned in Tablet VII. She is a sacred prostitute who plays a significant role in bringing the wild man Enkidu into contact with civilization.
Aetiology
the philosophy or study of causation
Ouranos
the primal Greek god personifying the sky. His equivalent in Roman mythology was Caelus. In Ancient Greek literature, Uranus or Father Sky was the son and husband of Gaia, Mother Earth. According to Hesiod's Theogony, Uranus was conceived by Gaia alone, but other sources cite Aether as his father. Uranus and Gaia were the parents of the first generation of Titans, and the ancestors of most of the Greek gods, but no cult addressed directly to Uranus survived into Classical times, and Uranus does not appear among the usual themes of Greek painted pottery. Elemental Earth, Sky and Styx might be joined, however, in a solemn invocation in Homeric epic.
Catharsis
the process of releasing, and thereby providing relief from, strong or repressed emotions.
Senwosret
the second pharaoh of the Twelfth Dynasty of Egypt. He ruled from 1971 BC to 1926 BC, and was one of the most powerful kings of this Dynasty. He was the son of Amenemhat I and his wife Nefertitanen. His wife and sister was Neferu. She was also the mother of the successor Amenemhat II. Senusret I was known by his prenomen, Kheperkare, which means "the Ka of Re is created." He continued his father's aggressive expansionist policies against Nubia by initiating two expeditions into this region in his 10th and 18th years and established Egypt's formal southern border near the second cataract where he placed a garrison and a victory stele. He also organized an expedition to a Western Desert oasis in the Libyan desert. Senusret I established diplomatic relations with some rulers of towns in Syria and Canaan. He also tried to centralize the country's political structure by supporting nomarchs who were loyal to him. His pyramid was constructed at el-Lisht. Senusret I is mentioned in the Story of Sinuhe where he is reported to have rushed back to the royal palace in Memphis from a military campaign in Asia after hearing about the assassination of his father, Amenemhat I.
Humbaba
was a monstrous giant of immemorial age raised by Utu, the Sun. Humbaba was the guardian of the Cedar Forest, where the gods lived, by the will of the god Enlil, who "assigned [Humbaba] as a terror to human beings." He is the brother of Pazuzu and Enki and son of Hanbi.
Medea
was the daughter of King Aeëtes of Colchis, niece of Circe, granddaughter of the sun god Helios, and later wife to the hero Jason, with whom she had two children, Mermeros and Pheres. In Euripides's play Medea, Jason leaves Medea when Creon, king of Corinth, offers him his daughter, Glauce. The play tells of Medea avenging her husband's betrayal by slaying their children. The myths involving Jason have been interpreted as part of a class of myths that tell how the Hellenes of the distant heroic age, before the Trojan War, faced the challenges of the pre-Greek "Pelasgian" cultures of mainland Greece, the Aegean and Anatolia. Jason, Perseus, Theseus, and above all Heracles, are all "liminal" figures, poised on the threshold between the old world of shamans, chthonic earth deities, and the new Bronze Age Greek ways. Medea figures in the myth of Jason and the Argonauts, a myth known best from a late literary version worked up by Apollonius of Rhodes in the 3rd century BC and called the Argonautica. However, for all its self-consciousness and researched archaic vocabulary, the late epic was based on very old, scattered materials. Medea is known in most stories as an enchantress and is often depicted as being a priestess of the goddess Hecate or a witch. The myth of Jason and Medea is very old, originally written around the time Hesiod wrote the Theogony. It was known to the composer of the Little Iliad, part of the Epic Cycle.
