Compositions
* Verdi's work of this type includes the chorus whispering "Quantus tremor" in the Sequence after four terrifying timpani strikes
REQUIEM MASS
* ascent of Augustus III as Elector of Saxony prompted the composition of another work in this genre.
REQUIEM MASS
* honored Alessandro Manzoni and ends with a (*) "Libera me" segmen
REQUIEM MASS
* lternate name "Kettledrum."
REQUIEM MASS
* mass for the dead" which includes an unfinished one by Mozart.
REQUIEM MASS
* more famous one includes an Agnus Dei written by Franz Sussmayr, and recycles its opening for the Lux Aeterna section
REQUIEM MASS
* musical composition of this kind presented an A, B-flat, A motif in its seventh movement, which ends with the "Hostias."
REQUIEM MASS
* no violins in the orchestra other than a soloist in the "Sanctus" movement. That work by Gabriel Faure
REQUIEM MASS
* one of these works by Gabriel Fauré ends with the words "in paradisum" and received the nickname "lullaby of death" called the "Polish" one
REQUIEM MASS
* organ-accompanied soprano aria for its "Pie Jesu" movement and was written by Gabriel Fauré
REQUIEM MASS
* tenor aria "Ingemisco" and four offstage trumpets in its "Tuba mirum" section
REQUIEM MASS
* sacred work by Pergolesi, a series of twelve solos and duets for voice with accompaniment by strings and organ.
STABAT MATER
* stanzas are traditionally sung between the Stations of the Cross
STABAT MATER
Alban Berg's Lyric Suite originally composed in this form
STRING QUARTETS
Concord ones
STRING QUARTETS
Count Razumovsky, 2 violins, viola, and cello
STRING QUARTETS
Darren Aronofsky's Requiem for a Dream
STRING QUARTETS
Deutschland Uber Alles=Haydn
STRING QUARTETS
Different helicopter
STRING QUARTETS
Erdody and Sun written by Haydn, George Rochberg, Pachelbel's Canon in D
STRING QUARTETS
Esterhazy, Schubert=Death and the Maiden
STRING QUARTETS
Friedrich Holderlin, Diotima, Stefan George poem=Schoenberg
STRING QUARTETS
From My Life=Smetana
STRING QUARTETS
Grosse Fuge, Karlheinz Stockhausen, musicians in a helicopter, Mozart wrote 19, Dissonance=last one
STRING QUARTETS
Holy song of thanksgiving, while another includes Must it be It must be It must be
STRING QUARTETS
Kronos
STRING QUARTETS
Lawrence Dutton and Eugene Drucker as members, Steve Reich's Different Trains
STRING QUARTETS
Mendelssohn Opus 13, Ist es war
STRING QUARTETS
Ruth Crawford Seeger, Scherzo alla bulgarese=Bartok, Mittwoch aus Licht
STRING QUARTETS
Spillville Iowa=American Quartet
STRING QUARTETS
Sustained harmonic E to represent ringing sound of composer's deafness=Smetana From my life
STRING QUARTETS
Theme Russe
STRING QUARTETS
* "ordre" and "partita."
SUITES
* "standard" format of these pieces was established by Froberger.
SUITES
* Bach wrote "French" and "English" collections of these pieces.
SUITES
* Bminor piece in this genre was paired with the (*) Italian Concerto in the second volume of Bach's Clavier Übung
SUITES
* French harpsichord composers like Rameau and Couperin bundled their pieces as works in this genre.
SUITES
* Germany, these pieces were often named for beginning with a French Overture.
SUITES
* One of eight of these pieces Handel published in 1720 ends with "The Harmonious Blacksmith."
SUITES
* Schoenberg's Opus 25 is a semi neo-Baroque work in this genre.
SUITES
* bourée was an optional movement in compositions of this type.
SUITES
* collection of these pieces uses six different kinds of opening movements, last movements in six different time signatures, and six different keys: Bflat major, C minor, A minor, D major, G major, and E minor.
SUITES
* doesn't refer to a specific ensemble, but the sonata da camera followed the same format as this genre.
SUITES
* genre of Baroque music that traditionally included an allemande, a courante, a sarabande, and a gigue as its four standard movements.
SUITES
* genre of six Bach pieces for solo cello.
SUITES
* gigue, a sarabande, a courante, and an allemande.
SUITES
* "Ballade" is the 22nd of Myaskovsky's 27 works in this genre, while a "Volcano" movement concludes a work called "Mount St. Helen's," which is the fiftieth of (*) Alan Hovhanness' 67 works of this type
SYMPHONY
* "Goin' Home," a spiritual, and another, which commemorates the July Revolution, was written by Berlioz and is called "Funeral and Triumphant."
SYMPHONY
* "Queen" and "Miracle" ones are among those nicknamed for Paris and London, which were written by a man who composed (*) 104 of these works.
SYMPHONY
* Arnold Schoenberg's first work in this genre is marked by a rushing cello theme of the whole tone scale in triplets, which follows the horn call that leads to the home key of E major by playing the stack of fourths that pervade the piece.
SYMPHONY
* Beethoven works entitled Pastoral and Eroica
SYMPHONY
* Cesar Franck work in D minor.
SYMPHONY
* Haydn composed over one hundred of them, causing him to become known as the "father" of this musical form. Franz Schubert's final one is known as "the Great," while his eighth is nicknamed "the Unfinished."
SYMPHONY
* Antonio Todaro was an influential teacher of this dance during a revival in its popularity in the mid-1980's. Early styles of this dance include orillero (or-ree-YER-oh), cayengue and salon
TANGO
* "Golden Age," this dance was performed to the songs of Carlos Gardel
TANGO
* Astor Piazzola blended it with jazz and classical music, and it was popularized in the U.S. by Rudolph Valentino in Four Horseman of the Apocalypse
TANGO
* Astor Piazzolla developed the "new" genre of this dance, whose traditional pattern is known as the 8-count basic
TANGO
* International and American styles of this dance are characterized by an 8-count basic step
TANGO
* Perón government, and it originated in the late 19th century in the underworld of Montevideo and Buenos Aires. For 10 points, name this national dance of Uruguay and Argentina.
TANGO
* annual festival devoted to this dance is held in the Finnish town of Seinajoki, which was hit by a worldwide craze over this dance in 1913
TANGO
* ballroom dance that evolved in Argentina
TANGO
* bandoneón, a type of accordion imported from Germany. The French-born Carlos Gardel was its leading vocalist during the early 20th century, and its popular tunes include (*) "El Choclo" and "La Cumparsita," the latter of which is danced by Jack Lemmon in Some Like it Hot
TANGO
* later style of this dance, milonguero, was named after the milongas at which this dance is performed socially. The American version of this dance is most regularly in 2/4 time and employs a (*) slow-slow-quick-quick-slow step sequence
TANGO
* music for this dance is usually played by a bandoneon. Popularized by Rudolph Valentino in The Four Horsemen of the Apocalypse, its main moves include the boleo and sacada
TANGO
* partner dance from Argentina and Uruguay.
TANGO
* Anton Bruckner's could be used to complete his unfinished ninth symphony,
TE DEUM
* Bruckner enjoyed using the key of D minor for tempestuous music, such as in the 'Aeterna Fac' section of this sacred work, which shares some thematic material with the seventh symphony.
TE DEUM
* Handel composed a piece of this type to commemorate the English victory at the Battle of Dettingen
TE DEUM
* Handel composed three settings, including the "Dettigen" and "Utrecht," of this type of piece
TE DEUM
* Handel produced three settings of this hymn, which was apocryphally composed by St. Ambrose for the baptism of St. Augustine.
TE DEUM
* Kodaly composed a setting of this hymn in honor of the 250th anniversary of the liberation of Budapest from the Turks.
TE DEUM
* Marc-Antoine Charpentier wrote six of this type of composition, the most famous of which is a polyphonic version in D major, a
TE DEUM
* Marche en rondeau serves as the prelude to a piece of this type in D major by (*) Marc-Antoine Charpentier
TE DEUM
* Sanctus in the Tibi omnes, or "To thee all Angels cry aloud," section
TE DEUM
* Stravinsky excerpted text from this for use in the chorus of The Flood.
TE DEUM
* Thomas Tallis' version is titled "for meanes."
TE DEUM
* William Walton wrote a setting of this text for the coronation of Elizabeth II.
TE DEUM
* William Walton wrote one of these for the coronation of Elizabeth II,
TE DEUM
* first act of Tosca ends with Scarpia profanely joining the chorus as they sing this hymn.
TE DEUM
* five-movement one in C major was written by Anton Bruckner, who considered using it as the finale of his 9th symphony
TE DEUM
* hymn, attributed to Saint Ambrose, was set to music by Dvorak for the four-hundredth anniversary of Columbus's discovery of the New World.
TE DEUM
* identify this Christian hymn whose opening proclaims "We praise thee, O God."
TE DEUM
* paired with the Jubilate in the Anglican tradition, as in Herbert Howells's Collegium Regale,
TE DEUM
* performance of his own piece of this type, Jean-Baptiste Lully fatally injured himself with his conducting staff.
TE DEUM
* mysterious black line drawn over the two central characters inside a modest Tuscan home. That painting by (*) Fra Angelico
THE ANNUNCIATION
* one by Giotto occurs just on each side just below the culmination of the Chancel Arch in the Arena Chapel,
THE ANNUNCIATION
* painting of this scene includes a cutaway in the floor for a glass vase filled with water, is located in the Martelli Chapel, and was made by Filippo Lippi
THE ANNUNCIATION
* palm tree rests in front of Adam and Eve being driven out from Eden in a version of this scene in Cortona
THE ANNUNCIATION
* panel of a triptych whose right panel shows St. Joseph building a mousetrap in a carpenter's shop.
THE ANNUNCIATION
* rays of light point towards a woman in blue, who is approached by an angel clothed in red and gold inside a tall monastery.
THE ANNUNCIATION
* red bed appears in the centerpiece of a Rogier van der Weyden triptych of this scene,
THE ANNUNCIATION
* red dress folds form a star sits reading on a bench topped by four lions, and a tiny naked man with a cross flies through a window trailing light
THE ANNUNCIATION
* saints flanking it, Margaret and Ansanus, and is the masterwork of (*) Simone Martini.
THE ANNUNCIATION
* top flfloor to Gothic pointed arches on the bottom flfloor
THE ANNUNCIATION
* van Eyck's version of this scene, the angel has rainbow wings,
THE ANNUNCIATION
* white lilies and a common trope is to separate it into two parts by a door or an arch
THE ANNUNCIATION
* white lily and an angel on bended knee.
THE ANNUNCIATION
* wo donors look in on this scene as Joseph works in his tool shop in the right panel in one altarpiece
THE ANNUNCIATION
* word of God literally coming from the mouth of Gabriel on its way to Mary.
THE ANNUNCIATION
* Igor Stravinky made his debut as a conductor premiering his own Octet for Wind Instruments.
VIOLIN CONCERTO
* Introduzione-Fantasia, but later changed to Vorspiel or "Prelude."
VIOLIN CONCERTO
* Isaac Stern and Itzhak Perlman
VIOLIN CONCERTO
* Josef Kotek and transitions without a break from the G minor canzonetta second movement to its D major finale
VIOLIN CONCERTO
* Karel Halir helped popularize a piece in this genre whose Allegro vivacissimo third movement was called "atrociously Russian."
VIOLIN CONCERTO
* Lalo's Symphonie espagnole is considered a work of this kind, which Tchaikovsky, Beethoven, and Brahms all wrote in D major, the latter dedicating his effort in this form to Joseph Joachim
VIOLIN CONCERTO
* Mendelssohn places the cadenza before the recapitulation. Brahms' only work in this genre was written for Joseph Joachim
VIOLIN CONCERTO
* One work of this type opens with the soloist playing a theme from the film Another Dawn. The sections of a work of this type are played unimpeded, with a cadenza leading into its Andante sostenuto second section.
VIOLIN CONCERTO
* Pierre Boulez who said, "Dodecaphony has more pressing duties than to tame a Bach chorale;"
VIOLIN CONCERTO
* Samuel Barber. Another of these works in D major was written for Joseph Joachim by Johannes Brahms.
VIOLIN CONCERTO
* Stravinsky wrote one of these works that was has a toccata, two arias, and a capriccio movement, which was recorded by Hilary Hahn
VIOLIN CONCERTO
* Tchaikovsky and Beethoven both wrote their versions of this kind of work in D major.
VIOLIN CONCERTO
* Chopin's works in this genre was labeled "grand" and "brilliant," while another was dedicated to Countess Delfina Potocka and inspired by a dog (*) chasing its tail
WALTZES
* D-D-F sharp-A-A melody
WALTZES
* Die Fledermaus.
WALTZES
* Dutch violinist Andre Rieu founded an orchestra which specializes in performing these pieces. Schubert wrote sets of "sentimental" and "noble" examples of these pieces, which are likely derived from the German (*) Ländler
WALTZES
* Bach composed one in B minor despite being a Lutheran. They also include settings of the "Gloria," "Sanctus," and the Nicene Creed, and ones for the dead are named "Requiems."
MASSES
* Benjamin Britten is set to lines from poems by Wilfrid Owen, and is known as the "war" one.
MASSES
Alternates episodes in D major and ⅜ time marked with renewed strength with imitative sections in Lydian mode of F,
BEETHOVEN STRING QUARTETS
Cavatine and Heiliger Dankgesang (Holy Song of Thanksgiving,
BEETHOVEN STRING QUARTETS
Dedicated to Joseph Stutterheim,
BEETHOVEN STRING QUARTETS
Harp, Serioso, Grosse Fuge,
BEETHOVEN STRING QUARTETS
Must it be? It must be.
BEETHOVEN STRING QUARTETS
The Great Decision
BEETHOVEN STRING QUARTETS
first 2 of Razumovsky Quartets include a theme russe,
BEETHOVEN STRING QUARTETS
5-29 C major fortissimo chords following a long coda
BEETHOVEN SYMPHONIES
5-Beginning of its 2nd movement alternates 32nd notes and dotted 16th notes played by the cellos and the violas,
BEETHOVEN SYMPHONIES
5-C Minor Symphony
BEETHOVEN SYMPHONIES
5-Evoking V for Victory during WW2 even though composed by German Pair of horns supposed to recapitulate a theme in C major but was replaced by bassoons,
BEETHOVEN SYMPHONIES
5-Fourth movement adds trombones, piccolo and a contrabassoon=first time contrabassoon in symphony
BEETHOVEN SYMPHONIES
5-Opening theme of earlier composition is quoted in all 4 movements of Charles Ives' Concord Sonata
BEETHOVEN SYMPHONIES
5-Short short short long rhythm and fate knocking at the door
BEETHOVEN SYMPHONIES
5-Theme of the scherzo recurs before the recapitulation of the finale,
BEETHOVEN SYMPHONIES
5-final movement begins without pause and ends with 29 C major tonic chords
BEETHOVEN SYMPHONIES
5-premiered in the same concert as its composer's next piece in the same genre
BEETHOVEN SYMPHONIES
5-stormy and heroic
BEETHOVEN SYMPHONIES
5thThird movement cello theme borrowed from Mozart's Symphony No. 40,
BEETHOVEN SYMPHONIES
6-2nd movement= oboe, flute, clarinet, imitate calls of quail, nightingale, and cuckoo= By a Brook
BEETHOVEN SYMPHONIES
6-6/8 final movement represents the thanksgiving song of shepherds after the passing of the storm depicted in the 4th movement
BEETHOVEN SYMPHONIES
6-Andante molto moto movement opens with a string figure representing flowing water in a brook
BEETHOVEN SYMPHONIES
6-Bassoon attempts to accompany a theme played by the oboe
BEETHOVEN SYMPHONIES
6-Cheerful impressions awakened by arrival in the country
BEETHOVEN SYMPHONIES
6-Extra movement between Scherzo and finale,
BEETHOVEN SYMPHONIES
6-F minor 4th movement begins with 2 bars of tremolo D's
BEETHOVEN SYMPHONIES
6-First in the program of a concert at the Theater an der Wien,
BEETHOVEN SYMPHONIES
6-Long coda in final movement= tail that wags the dog Recollections of Country Life ;
BEETHOVEN SYMPHONIES
6-Merry gathering of country people and Shepherd's song separated by 4th movement 6-Thunderstorm Winds to represent birds,
BEETHOVEN SYMPHONIES
6-Pianissimo staccato eighths
BEETHOVEN SYMPHONIES
6-Piccolo, trumpets, trombones, and timpani appear in 4th movement=F minor only movement in minor key
BEETHOVEN SYMPHONIES
6-Premiered in Vienna in 1808 along with his 5th symphony
BEETHOVEN SYMPHONIES
6-Scene by the Brook,
BEETHOVEN SYMPHONIES
6-Second movement=flute, oboe, and 2 clarinets imitate a nightingale, quail and cuckoo= 12/8
BEETHOVEN SYMPHONIES
6-Third movement=2 trio sections in 2/4 time,
BEETHOVEN SYMPHONIES
6-Timpani and piccolo only play in 4th movement=violins use staccato to imitate raindrops, timpani rumbles
BEETHOVEN SYMPHONIES
6-described as more feeling that tone painting,
BEETHOVEN SYMPHONIES
6-only symphony by composer in 5 movements,
BEETHOVEN SYMPHONIES
7-A major
BEETHOVEN SYMPHONIES
7-Allegretto second movement,
BEETHOVEN SYMPHONIES
7-apotheosis of dance,
BEETHOVEN SYMPHONIES
9-3rd movement Fortissimo recapitulation in 1st movement
BEETHOVEN SYMPHONIES
9-3rd movement fanfare in E flat while second is scherzo featuring timpani and D major trombone trio
BEETHOVEN SYMPHONIES
9-4th movement=cellos and basses interrupt themes of each previous movements in sequence
BEETHOVEN SYMPHONIES
9-Adagio molto e cantabile
BEETHOVEN SYMPHONIES
9-Allegro ma non troppo 1st movement D minor
BEETHOVEN SYMPHONIES
9-Bayreuth Festival reopened in 1951 with a performance of this work conducted by Wilhelm Furtwangler
BEETHOVEN SYMPHONIES
9-Begins with movement marked un poco maestoso=horns play pianissimo on A and E
BEETHOVEN SYMPHONIES
9-Daughter of Elysium,
BEETHOVEN SYMPHONIES
9-Fourth horn chromatic solo in 3rd movement,
BEETHOVEN SYMPHONIES
9-Froh, wie seine Sonnen fliegen,
BEETHOVEN SYMPHONIES
9-Melody in D major that was introduced at the beginning of the movement by the celli and double basses
BEETHOVEN SYMPHONIES
9-Originally included movement that became its composers string quartet in A minor
BEETHOVEN SYMPHONIES
9-Pianissimo violin playing only A and E over string tremolo opens
BEETHOVEN SYMPHONIES
9-Second movement= solo timpani, tutti, before a fugal scherzo for strings begins,
BEETHOVEN SYMPHONIES
9-Seid umschlungen Millionen=Be embraced, millions
BEETHOVEN SYMPHONIES
9-Slow movement features prominent solo for the 4th horn,
BEETHOVEN SYMPHONIES
9-Triangle, cymbals and bass drum=Turkish March,
BEETHOVEN SYMPHONIES
9-beautiful spark of the Gods,
BEETHOVEN SYMPHONIES
9-beginning of finale refers to music from previous 3 movements
BEETHOVEN SYMPHONIES
* C Major given the Latin title Solemnis. It includes the movements "Kyrie," "Gloria," "Credo," "Sanctus," and "Agnus Dei."
MASSES
* Catholic liturgy to accompany services every Sunday
MASSES
* Credo, Agnus Dei, and Kyrie.
MASSES
* Durufle wrote one of these works for organ and orchestra ending with the movement "In Paradisum," inspired by an earlier one composed by Gabriel Faure
MASSES
* Glagolitic in one by Leos Janacek.
MASSES
* Guillaume de Mauchaut wrote one of these compositions named for Notre Dame that was the first one of these composed.
MASSES
* Haydn composed one of this kind of piece labeled "for troubled times," which has been nicknamed "Lord Nelson."
MASSES
* Haydn unusually included timpani in the score for a work of this type, giving it the alternate name "Kettledrum."
MASSES
* Haydn's piece in this genre composed "in time of war," another Haydn work in this genre was first performed on the day that news of victory at the Battle of the Nile, leading to its nickname referring to Lord Nelson
MASSES
* Kyrie [keer-ee-ay], Gloria, and Credo [kray-doh], and many works in this genre use Gregorian chant.
MASSES
* Kyrie, Gloria, Credo, Sanctus, and Agnus Dei. For 10 points, name this genre of composition that sets to music the five main parts of the liturgy of the Eucharist.
MASSES
* Morales composed a work in this genre known as the "Mille Regretz
MASSES
* Pope Marcellus. Bach's only complete one of these was in B Minor.
MASSES
* Rutter composed one which includes words from the Book of Common Prayer. Krzysztof Penderecki incorporated the hymn "Swiety Boze" into his "Polish" one, while Luigi Cherubini wrote one in C minor.
MASSES
* composers like Josquin used the cantus firmus L'homme arme
MASSES
* composition of this type exists in three versions, the chamber orchestra version having been rediscovered by John Rutter.
MASSES
* composition of this type named for the city of Tournai was probably used as a model by a developer of "ars nova" who wrote an influential example for four parts
MASSES
* compositions by Giovanni Pierluigi da Palestrina was responsible for preventing a ban on polyphonic music.
MASSES
* cyclic type of this musical composition, a cantus firmus is shared between its five movements. One of these written by Palestrina for Pope Marcellus is said to have saved polyphony, while one in B Minor was written by J. S. Bach.
MASSES
* features the tenor aria "Ingemisco" and four offstage trumpets in its "Tuba mirum" section
MASSES
* gradual, the sequence, and the offertory
MASSES
* non-operatic work of Giuseppe Verdi and one left unfinished by Wolfgang Amadeus Mozart.
MASSES
* organ-accompanied soprano aria for its "Pie Jesu" movement and was written by Gabriel Fauré
MASSES
* religious liturgy to music
MASSES
* "antique" one of these dances for solo piano.
MINUET
* Americans in the 1910s and 1920s turned out in droves to hear Ignace Paderewski play one of these pieces for piano he composed in G
MINUET
* Beethoven replaced the traditional movement consisting of this piece with a scherzo
MINUET
* Boccherini composed the String Quintet in E major noted for this A major third movement, which is a slow dance in ¾ time.: "The Celebrated
MINUET
* Boccherini's String Quintet in E Major contains a famous one of these pieces, a dance in ¾ time often used as the third movement in Classical symphonies.
MINUET
* French courtly dance in three-four time, which was hugely popular in the second half of the eighteenth century.
MINUET
* Handel's Music for the Royal Fireworks ends with two of these pieces
MINUET
9-finale of it contains Turkish March in 6/8 Bass soloist enters on the words O Freunde nicht diese Tone!=O friends, not these notes,
BEETHOVEN SYMPHONIES
9-first movement ostinato rhythm that sounds like funeral march
BEETHOVEN SYMPHONIES
9-made Bramwell Tovey say= instead of a distant nebula, we now see the heavens on fire
BEETHOVEN SYMPHONIES
9-scherzo breaks tradition by being 2nd movement instead of third like Hammerklavier piano sonata
BEETHOVEN SYMPHONIES
9-symphony within a symphony 4th movement
BEETHOVEN SYMPHONIES
9-timpani tuned in octaves on the third scale degree
BEETHOVEN SYMPHONIES
* Paderewski piano piece with this title is the first of his Humoresques de concert and became wildly popular during his American tours
MINUET
* attributed to J. S. Bach is now believed to have been written by Christian Petzold.
MINUET
* classical era, the third movement of symphonies usually consisted of one of these pieces along with a (*) trio.
MINUET
* polystylic example of one of these pieces includes a tango for harpsichord in its fifth movement Rondo, and begins with a quiet passage for prepared piano
CONCERTO GROSSO
* prepared piano solo begins the first of six compositions of this type by Alfred Schnittke
CONCERTO GROSSO
* dance in 3/4 time was the standard choice for the third movement of symphonies until it was supplanted by the scherzo
MINUET
* famous and simple one in G is found in the Notebook for Anna Magdalena Bach.
MINUET
* more famous one may be a simple one for harpsichord composed by J.S. Bach "in G."
MINUET
* symphonies based on the Mannheim School's standard, this type of dance made up the third movement
MINUET
* third movement of Luigi Boccherini's Opus eleven string quartet in E
MINUET
* Basilica of San Vitale contains images of Theodora and Justinian
MOSAICS
* Battle of Issus, was discovered at the House of the Faun in Pompeii.
MOSAICS
* Byzantine works of art were in this form
MOSAICS
* French street artist Invader uses this medium to tag buildings with images from Space Invaders.
MOSAICS
* Marc Chagall for The Four Seasons, which is displayed in Chicago's Chase Building.
MOSAICS
* Priloxenos of Eretria probably inspired one work of this medium that depicts a battle between Alexander the Great and Darius III
MOSAICS
* Rows of flowers, rocks, trees, and sheep surround Saint Apollinaris in one work
MOSAICS
* Sassanian and Byzantine patterns can be seen in the earliest Islamic example of this art form at the Dome of the Rock
MOSAICS
* Federico da Montefeltro, who is dressed in a suit of armor, holds his hands in the same position as this figure in a Piero della Francesca painting
MADONNAS
* Johann Zoffany depicted himself trying to sell a painting of this subject to the 3rd Earl Cowper in The Tribuna of the Uffizi.
MADONNAS
* Leonardo showing this figure with a carnation.
MADONNAS
* Lorenzetto designed a statue of this figure with one foot on a stone, flanked by two purple columns in the Pantheon above the tomb of Raphael.
MADONNAS
* Michelangelo created a relief showing this figure with two children dancing on stairs in the background
MADONNAS
* Parmigianino depicts this figure with a "long neck."
MADONNAS
* St. John while the baby Jesus reaches out to touch it in a painting on this subject, titled "of the Goldfinch," painted by Raphael.
MADONNAS
* Sylvia Daoust created a sculpture of this figure for a cathedral of the same name in Montreal which is a scale replica of St. Peter's Basilica.
MADONNAS
* Three depictions of this figure are displayed side by side in the Uffizi, including Cimabue's one formerly displayed at the Santa Trinita church,
MADONNAS
* Veit Stoss created a work showing twelve scenes from the life of this figure
MADONNAS
* base decorated with sphinxes, which were wrongly identified by Vasari as harpies
MADONNAS
* child holds a red fruit, Botticelli's one "of the Pomegranate."
MADONNAS
* coronation scenes, Michelangelo created a sculpture of Nicodemus assisting her and a sculpture in Bruges that shows an infant leaving her lap
MADONNAS
* da Vinci painted this figure "of the rocks" in a stony grotto.
MADONNAS
* depicted holding her son in Pieta's.
MADONNAS
* entrance porch in Oxford by Nicholas Stone contains a statue of this figure standing up, which was damaged during the English Civil War.
MADONNAS
* figure is sometimes depicted holding a book on the 'seat of wisdom.'
MADONNAS
* figure is surrounded by faces that resemble clouds in a massive painting where part of the sky is gold as a homage to Venetian mosaics.
MADONNAS
* figure sits opposite the angel Uriel, who holds St. John, in Leonardo da Vinci's depiction of this figure (*) "of the Rocks."
MADONNAS
* figures from Greek myth on the pedestal at the bottom and was painted by Andrea del Sarto,
MADONNAS
* loggia, this figure converses with Chancellor Rolin.
MADONNAS
* man in the lower right unfurls a scroll while this woman totes a large baby in a painting by Parmigianino
MADONNAS
* nickname "of the Pinks" to another version of this scene. The same artist created a painting of this subject called La Belle Jardinière.
MADONNAS
* pair of oft- reproduced bored-looking (*) cherubs appear in a painting of this subject that includes St. Sixtus
MADONNAS
* rod against his red pants in a work about her marriage by Raphael.
MADONNAS
* seated and wearing black while surrounded by angels and saints in an altarpiece commissioned by the city of Sienna, the Maesta by Duccio
MADONNAS
* sitting on the ground to show humility
MADONNAS
* six angels on the left crowd this figure as a small St. Jerome gestures in the bottom right;
MADONNAS
* "L'homme armé." Truncated examples of these compositions are referred to as "brevis, "whereas full ones are called "solemnis."
MASSES
* Andrew Lloyd Webber's only complete classical composition is this type of work
MASSES
* B Minor by J.S. Bach.
MASSES
* Huehueteotl rising from a volcano and other gods hovering above the temples of Sun and Moon, in its portrayal of the Coming of Quetzalcoatl.
MURALS
* Jose Orozco worked extensively in this medium, and one work in this form features portraits of Trotsky and Lenin and was originally painted for the Rockefeller Center
MURALS
* first of Shostakovich's two works of this type has romantic overtones, while his second one has a "Jewish" Allegretto movement and is dedicated to a dead friend
PIANO TRIOS
* first of these pieces by Anton Arensky includes a third movement elegia commemorating Karl Davidov. A folk theme from the Yiddish play The Dybbuk inspired the only composition of this type by Aaron Copland, which evokes the shtetl of Vitebsk.
PIANO TRIOS
* genre in A minor opens its Pezzo Elegiaco with a cello solo while Bedrich Smetana wrote his Opus 15 g minor in the wake of his daughter's death.
PIANO TRIOS
* haunting slow music of the second movement of Beethoven's fifth caused Carl Czerny to nickname it the "Ghost."
PIANO TRIOS
* inspired by a similarly atypical E-flat work by Mozart with a title evoking a game of skittles, the "Kegelstatt."
PIANO TRIOS
* musical genre whose examples include Dvorak's Dumky and Beethoven's Archduke, which usually feature violin, cello, and a keyboard instrument.
PIANO TRIOS
dedicated to Karl Lichnowsky,
BEETHOVEN PIANO SONATA
first movement Grave section on a long solid C minor chord,
BEETHOVEN PIANO SONATA
presto agitato c sharp minor arpeggios= Moonlight Sonatas
BEETHOVEN PIANO SONATA
After this what is left for us to write=Schubert,
BEETHOVEN STRING QUARTETS
* monastery of San Marco is home to one of Fra Angelico's versions
THE ANNUNCIATION
A flat major and 2/4 time marked Adagio cantabile appears in the 8th one in C minor
BEETHOVEN PIANO SONATA
A flat major andante cantabile second movement bears strong resemblance to Mozart's C minor 14th composition in the same genre
BEETHOVEN PIANO SONATA
Adras Schiff defended an unliked one,
BEETHOVEN PIANO SONATA
Arietta Movement,
BEETHOVEN PIANO SONATA
Arpeggiated chords and staccato to depict the title storm= The Tempest
BEETHOVEN PIANO SONATA
Bulow described them as The New Testament of music
BEETHOVEN PIANO SONATA
D flat major trio played sforzando,
BEETHOVEN PIANO SONATA
Dedicated to Count Waldstein,
BEETHOVEN PIANO SONATA
E flat major horncall imitation represents the word Lebewohl
BEETHOVEN PIANO SONATA
Easy ones and Anton Schindler's and the Return,
BEETHOVEN PIANO SONATA
Edwin Fischer and Adras Schiff have claimed that parts of this work's first movement are heavily influenced by the Commendatore's death from Don Giovanni=Moonlight Sonata
BEETHOVEN PIANO SONATA
Huge 3 note fugue,
BEETHOVEN PIANO SONATA
Moonlight= C sharp minor triplet arpeggios
BEETHOVEN PIANO SONATA
On the Banks of Allan Water, New Testament compared to the Old Testament of the Well Tempered Clavier
BEETHOVEN PIANO SONATA
Pathetique=Elgar claimed opening of Nimrod Enigma Variation,
BEETHOVEN PIANO SONATA
Patron fled Vienna and includes movements labeled The Absence and The Return, Les Adieux
BEETHOVEN PIANO SONATA
Seven seven note scale figure,
BEETHOVEN PIANO SONATA
Theme with octave intervals with frequent sforzandi nicknamed the Beast Andante favori,
BEETHOVEN PIANO SONATA
Unison arpeggios in F minor in 12/8 time and is marked Allegro assai
BEETHOVEN PIANO SONATA
according to the composer's biographer Anton Schindler was inspired by a Shakespeare play
BEETHOVEN PIANO SONATA
boogie woogie Andante Favori,
BEETHOVEN PIANO SONATA
dedicated to Giulietta Gucciardi
BEETHOVEN PIANO SONATA
2 movement one dedicated to Therese von Brunswick,
BEETHOVEN PIANO SONATA
26th =Lebewohl theme,
BEETHOVEN PIANO SONATA
29th Hammerklavier
BEETHOVEN PIANO SONATA
only one of these pieces in C minor is also the only one to include both oboes and clarinets
PIANO CONCERTO
* Ralph Vaughan Williams's composition of this title is written for three string orchestras of different skill levels
CONCERTO GROSSO
* eighth member of a set of twelve of these pieces ends with a 12/8 time "Pastorale ad libitum" movement
CONCERTO GROSSO
* eighth of Corelli's set of twelve
CONCERTO GROSSO
* genre of orchestral composition that arose during the Baroque period, which features interplay between a ripieno group and a small group of soloists.
CONCERTO GROSSO
* imitates the sound of the zampogna, a bagpipe played by Italian shepherds, in its final movement Pastorale
CONCERTO GROSSO
* larger ripieno group and a smaller concertino group.
CONCERTO GROSSO
* one composed for Christmas
CONCERTO GROSSO
* originated by Alessandro Stradella
CONCERTO GROSSO
* pass music between the ripieno and a small group of string instruments called the concertino.
CONCERTO GROSSO
* piece is the first of the six ones composed by Alfred Schnittke.
CONCERTO GROSSO
* "crab" kind of these pieces was inspired by a theme by Frederick the Great and included in The Musical Offering
CANON
* "perpetual" one of these are among several of these in The Musical Offering, and every sixth variation in the Goldberg Variations is one of these
CANON
* Bach's Art of Fugue includes four of this other type of contrapuntal composition. A simple type of these pieces in which the voices all enter on the same note is called a round.
CANON
* D, A, B, F-sharp, G, D, G, A. For 10 points, "Frere Jacques" and "Row, row, row your boat" are examples of what kind of piece, in which a melody is started at different points in time by different voices, of which Pachelbel wrote a notable example in D?
CANON
* Every movement in Johannes Ockeghem's Missa Prolationum is in this form.
CANON
* Every movement of Johannes Ockegham's Missa prolationum is a "double mensuration" version of this type of musical composition, characterized by parts of music moving at different speeds
CANON
* Fidelio, Marzelline, Leonore, Rocco, and Jacquino sing a quartet in this form, "Mir ist so Wunderbar"
CANON
* Guillaume de Machaut's "Ma fin est mon commencement" is an example of the "crab" variety of this type of composition, which features a voice in retrograde.
CANON
* Musical Offering, J.S. Bach wrote a "crab" version of this type of composition, where one person plays the other person's music backwards, Every third Goldberg variation is one of these types of composition
CANON
* Pachelbel's greatest hit, one "in D" often played at weddings.
CANON
* composition of this type uses a repeated two-measure ground bass of D, A, B, F-sharp, G, D, G, A. and is scored for basso continuo and three violins, each of which plays the same music in sequence
CANON
* most famous of these compositions has an eight note ostinato and violin parts that differ only by a time delay.
CANON
* musical composition whose most famous example is a D major work by Johann Pachelbel.
CANON
* retrograde inversion that can be read upside-down are called "table" varieties of these pieces, and palindromic versions of these pieces are called "crab" varieties
CANON
* third variation in Bach's Goldberg Variations is a piece of this type
CANON
* third variation of the Goldberg Variations is this type of piece
CANON
* two ricercars and a trio sonata, ten of these pieces make up Johann Sebastian Bach's A Musical Offering
CANON
* written over a ground bass with 28 repetitions of the chord progression "1 5 6 3 4 1 4 5".
CANON
* Alfred Schnittke wrote six pieces in this genre
CONCERTO GROSSO
* Arcangelo Corelli invented this Baroque musical form in which music is passed between a small group of soloists and the "ripieno", or the rest of the orchestra, unlike a similar form which uses only one soloist.
CONCERTO GROSSO
* Baroque era, in which multiple soloists are accompanied by the orchestra, which carries the ripieno part.
CONCERTO GROSSO
* Corelli's opus six contains twelve of this type of composition, which was composed for a small group, the concertino, and a string orchestra, the ripieno
CONCERTO GROSSO
* Gottfried Stolzel composed one of these pieces for four choirs
CONCERTO GROSSO
* Handel composed a third movement musette for the sixth of these pieces published as his Opus 6
CONCERTO GROSSO
* Handel wrote one of them to be performed between the parts of Alexander's Feast
CONCERTO GROSSO
* Handel's pieces in this genre were modeled after the twelve published as the Opus 6 of Corelli
CONCERTO GROSSO
* Ralph Vaughan Williams wrote a piece of this type which splits the orchestra into three sections called Concertino, Tutti, and Ad Lib.
CONCERTO GROSSO
* Ralph Vaughan Williams wrote one of these pieces for an orchestra split into sections by skill
CONCERTO GROSSO
* Anton Bruckner's Fifth Symphony combines sonata form with this musical form, beginning when the strings pick up a theme introduced by a clarinet. "Accende lumen sensibus" introduces one of these marking the climax of the first part of Mahler's Eighth Symphony.
FUGUES
* Art of which titles a late masterpiece by Bach.
FUGUES
* Astor Piazzolla's opera Maria de Buenos Aires includes a piece titled for this form and "Misterioso."
FUGUES
* D-minor toccata and wrote a composition on the "art" of this genre.
FUGUES
* Fantasia and was composed by J.S. Bach, who also paired 24 of them with 24 preludes in his The Well-Tempered Clavier.
FUGUES
* Fourteen of these pieces, all but the final of which use the same 13-note D-minor subject,
FUGUES
* J.S. Bach paired these pieces with preludes in his The WellTempered Clavier. For 10 points, name this contrapuntal genre based around imitative entrances of a subject.
FUGUES
* J.S. Bach wrote a composition titled for the "art" of what type of contrapuntal compositions for multiple voices?
FUGUES
* "Revolutionary" one, for 10 points, identify these piano exercises written by Frederic Chopin.
ETUDES
* "transcendental" ones of which were written by Franz Liszt, though Chopin's are more famous.
ETUDES
* Debussy's first book of these pieces is organized by intervals, and the first piece in that book was inspired by Carl Czerny.
ETUDES
* Frederic Chopin's Opus 10 and 25, which include ones nicknamed "Winter Wind" and "Tristesse," as well as a piece supposedly inspired by Poland's November Uprising, which is often called the "Revolutionary."
ETUDES
* Godowsky composed a set of 53 arrangements of these works, the final examples of which are known as the "Three New" ones. An F-natural in the fifth of these works is the only note not played on the titular "Black Keys,"
ETUDES
* Lekeu wrote two symphonic versions of this kind of work, the second of which is known as "Ophelia."
ETUDES
* Liszt wrote "Paysage" and "Feux Follets" as two of his (*) 12 exceedingly difficult "Transcendental" pieces of this type.
ETUDES
* Transcendental ones by Liszt and a series by Chopin
ETUDES
* best-known of them opens with a dramatic C-minor chord and was written after its composer heard of the failure of his home country in the November Uprising
ETUDES
* constitutes the Opus 2 of Adolf von Henselt, while "Aesop's feast" and "In Molossian rhythm" are among the twelve written "in all the minor keys" as the Opus 39 of Charles-Valentin Alkan
ETUDES
* dubbed "Cello" for its unaccompanied lower-register opening, while the use of minor second intervals led another of these to be dubbed "Wrong Note."
ETUDES
* one written for the right hand to play (*) only black keys and one written in reaction to Russia's capture of Warsaw during the November Uprising, the Revolutionary.
ETUDES
* piano piece of this type in A minor begins with a four-bar lento fragment of the main theme before suddenly switching to allegro con brio for the rest of the piece.
ETUDES
* set of 53 of these which are adaptations of a better-known 19th-century set of these; the latter set includes pieces known as the "Winter Wind" and "Revolutionary."
ETUDES
* set of four "great concert" versions of this kind of work is the Opus 111 of Ignaz Moscheles, and includes "La Fougue."
ETUDES
* six of these for left hand include a Bouree and Gigue and were written by Saint-Saens.
ETUDES
* written for a percussionist using a piano. In addition to "[those ones] Boreales" by Cage, a series of especially difficult ones includes a Paysage, Feux Follets, and Wilde Jagd before concluding with a Chasse-Naige
ETUDES
* Mozart combined all five of his previously used themes into a partial one of these pieces concluding the "Jupiter" Symphony. Beethoven's Opus 133 is a piece of this type originally intended as the concluding movement of his B-flat major String Quartet No. 13.
FUGUES
* Ricercares (ry-chur-CAR-ayz) and canzonas (can-ZOH-nuz) were early examples of this musical form
FUGUES
* eighteenth-century work that also includes four canons.
FUGUES
* four-note theme representing the composer's own name. Examples of this type of piece by a certain Baroque composer are usually preceded by a prelude or a (*) toccata, including a spooky one in D minor.
FUGUES
* one component of this kind of piece includes direct skips between dominant and tonic scale degrees, another component will be "tonal" instead of "real."
FUGUES
* one voice stating the theme, and another voice entering later to play the theme in a different key. J. S. Bach (BAHK) wrote "The (*) Art of" this type of music
FUGUES
* paired with "variations" in the title of a Benjamin Britten work using a theme by Purcell.
FUGUES
* second movements of J.S. Bach's sonatas for solo violin are all this type of piece. Twelve of these are interspersed with interludes in Paul Hindemith's Ludus Tonalis.
FUGUES
* sonata in this genre begins with the rising six-note motive G - B-flat - E flat - Fsharp- B-flat - C-sharp, and was purportedly inspired by a cat walking on Domenico Scarlatti's harpsichord
FUGUES
* type of piece was the subject of a 1753 treatise on playing techniques by Friedrich Christian Marpurg.
FUGUES
* unfinished piece of this type follows four canons and thirteen others identified as "Contrapuncti."
FUGUES
* Eduard Hanslick panned Tchaikovsky's work in this genre, which has a second movement Canzonetta.
VIOLIN CONCERTO
* Bach's 5th and 6th cello suites both feature these dances.
GAVOTTE
* François-Joseph Gossec's most famous piece is one of these,
GAVOTTE
* French dance popularized at the court of Louis XIV is usually in 4/4 time and begins on the third beat of a measure. It became an optional component of Baroque suites.
GAVOTTE
* Lully and Rameau are famous for their takes on this dance in simple meter,
GAVOTTE
* celebrated one with variations ends Rameau's Suite in A minor.
GAVOTTE
* like the menuet and the bouree was often placed in the fifth section of the baroque suite, between the sarabande and gigue
GAVOTTE
* third movement of the Holberg Suite is one of these Baroque dances, which usually start on the third of four beats.
GAVOTTE
* During the era of Charlemagne, this style absorbed the Gallican.
GREGORIAN CHANTS
* Maurice Duruflé's Requiem used a number of themes inspired by this style of music,
GREGORIAN CHANTS
* early organum, the upper voice, or vox principalis, was simply one of these monophonic melodies named for a pope.
GREGORIAN CHANTS
* form of plainchant named for a pope was the standard form of monophonic song in the Catholic church.
GREGORIAN CHANTS
* medieval liturgical music, always entirely vocal and monophonic.
GREGORIAN CHANTS
* monophonic plainchant which developed in the medieval Catholic Church
GREGORIAN CHANTS
* notated using neumes
GREGORIAN CHANTS
* sung to the rite of the mass or the canonical hours.
GREGORIAN CHANTS
* written in a notation called "neumes" before Guido of Arezzo introduced staff notation.
GREGORIAN CHANTS
* "maesta" refers to any painting of this subject enthroned.
MADONNAS
* 1949 painting on this subject by Salvador Dali shows a large rectangular gap in the title figure's torso and is titled partly for his home city of Port Ligat
MADONNAS
* Caravaggio's ("CARE"-ah-VAH-jee-ohs) depiction of this figure's death depicts her swollen feet and belly.
MADONNAS
* 6/8, D‐flat major one comrpises the opus 57 of Chopin. One of these works set "at his mother's coffin" was written by Ferruccio Busoni and is entitled (*) Berceuse élégiaque.
LULLABY
* Bertha Faber first sang another work of this type, whcih was published as the Wiegenlied in 1868.
LULLABY
* Debussy's piano suite Children's Corner contains a piece in this form named for Jimbo.
LULLABY
* Mendelssohn's sixth song without words is one of them. Edward Elgar's Dream of Gerontius includes one of these compositions titled "Softly and Gently.
LULLABY
* Wiegenlied, was notably composed by Johann Brahms, and is better known as the "Cradle Song."
LULLABY
* ean Sibelius wrote one of these compositions for violin and kantele
LULLABY
* name this type of soothing composition often used to lull children to sleep
LULLABY
* name this type of work, exemplified by the piece beginning "good evening, good night" composed by Brahms.
LULLABY
* one was revived by harmonica player Larry Adler in the 1960s and re‐arranged from its surviving piano score by Jose Serebrier
LULLABY
* work of this type revolving around a G‐major "dolcissimo" was written for a string quartet by George Gershwin but fell into obscurity
LULLABY
* tiny bare-chested man unfurls a scroll in the corner of Parmigianino's depiction of this figure with a long neck, and Leonardo da Vinci painted this figure in a cave-like setting in depiction "of the rocks."
MADONNAS
* two cherubs in the shadows hang on to this figure's legs as this figure stands on a pillar.
MADONNAS
* two putti grasp at the legs of this figure, who is standing on a pedestal in a work by (*) Andrea del Sarto
MADONNAS
* veil over another person is named for Loreto,
MADONNAS
* woman parodied O'Connor by tearing up a photograph of Joey Buttafuoco during an SNL performance of her song "Bad Girl." Other famous songs by her include "Into the Groove" and "Like a Virgin."
MADONNAS
* "April is in my mistress' face" by Thomas Morley, while Ligeti wrote a set of "Nonsense" ones, but it is better known as an Italian style.
MADRIGALS
* Books of these were written by Carlo Gesualdo and Claudio Monteverdi
MADRIGALS
* Caccini's Le nuove musiche is a collection of solo these. In his introduction to a group of these works, one composer defended a new more dissonant style, which does not follow the strict rules of counterpoint called second pratica, in response to criticism by G. M. Artus
MADRIGALS
* Court composers emulated Arcadelt in works based on poetry by Petrarch or artwork by Michelangelo.
MADRIGALS
* Pisano was the first composer of these, and his light, repetitive rhythmic ballads would later inspire Jacques Arcadelt's First and Second Books
MADRIGALS
* Renaissance singing form usually sung a cappella, the first form of widely published secular music along with the chanson.
MADRIGALS
* advent of this as a popular musical form was the result of the rise of Oltremontani, members of the Dutch School of music who adapted the local forms of frottola and villota into this form
MADRIGALS
* collections is "of War and Love."
MADRIGALS
* composer also introduced the string tremolo in one these works, The Combat of Tancredi and Clorinda, which was included in his eighth book of these pieces, which often include eleaborate word-painting
MADRIGALS
* kind of usually secular, through-composed sung poem most famously composed by Carlo Gesualdo and Claudio Monteverdi.
MADRIGALS
* nineteenth-century example of this form is "Brightly dawns our wedding day," by Arthur Sullivan
MADRIGALS
* often involve word-painting and refrains to words like "Fa la la." For 10 points, name this form of secular vocal music of the Baroque and Renaissance eras
MADRIGALS
* originally polyphonic, some composers developed this form into an accompanied solo piece, with Giulio Caccini's "Amarilli, mia bella" being an example
MADRIGALS
* polyphonic form was later mastered by Monteverdi, who developed a new style of this form, rejecting the chromatic nature of his predecessors and infusing the style with his own basso continuo
MADRIGALS
* published by Nicholas Yonge in his Musica Transalpina which included composers like Luca Marenzio
MADRIGALS
* "King" is John Philip Sousa.
MARCHES
* "breakstrain" section, also called a "dogfight," which typically pits groups of instruments against each other in statement-response fashion
MARCHES
* 2/4 time, these compositions' namesake bands are heavy in brass instruments and percussion. For 10 points, name this type of work exemplified by "The Stars and Stripes Forever" by John Philip Sousa.
MARCHES
* American composer include the Washington Post and The Stars and Stripes Forever
MARCHES
* Julius Fucik's Entry of the Gladiators. Jeremiah Clarke's "trumpet voluntary" is also known as the "Prince of Denmark's" one of these
MARCHES
* Radetzky. Felix Mendelssohn wrote one for the (*) wedding in A Midsummer Night's Dream
MARCHES
* Semper Fidelis and one featuring the piccolo in its trio section. Another work of this type is Julian Fučík's ("foo-CHEEK's") Entry of the Gladiators
MARCHES
* Sir Edward Elgar's most famous compositions are a set of these titled (*) Pomp and Circumstance, and some examples of this include "King Cotton", "The Liberty Bell", and the aforementioned "Stars and Stripes Forever"
MARCHES
* Vienna traditionally clap as a piece in this genre named for Radetzky is performed. The final repeat of the trio of one piece in this genre contains a famous solo for piccolo.
MARCHES
* circus music, and Chopin wrote a funeral one of these compositions.
MARCHES
* instrument similar to a tuba, and that man wrote ones titled "The Washington Post," and "Stars and Stripes Forever."
MARCHES
* musical form features a piccolo obbligato joined by low brass countermelody in the second repeat of the trio section
MARCHES
* musical works makes up the second movement of Beethoven's Eroica Symphony.
MARCHES
* type of musical composition often scored for military bands, and of which John Philip Sousa was the "king."
MARCHES
* variation on this type of work is the Spanish pasodoble dance, which is often played during bullfights
MARCHES
* "Dies irae," and one of these compositions in D minor was completed by Franz Xaver Süssmayr.
MASSES
* "Grant us peace" in the "Agnus Dei," and they open with a "Kyrie." Palestrina wrote one named after Pope Marcellus
MASSES
* St. Vincent or St. Lawrence standing next to a fiery grill and a cupboard of books, and is located near a work in this medium that depicts a beardless Christ as The Good Shepherd
MOSAICS
* benches in Gaudi's Parc Guell.
MOSAICS
* decorate a lizard (*) fountain in Barcelona's Park Güell.
MOSAICS
* depict Jerusalem in the Madaba Map, which is located in the Church of St. George in Jordan.
MOSAICS
* early Christian buildings such as the Mausoleum of Galla Placidia in Ravenna
MOSAICS
* found in Hadrian's villa in Tivoli.
MOSAICS
* goddess rests her head in her hand, which she rests on the back of a chair of a man in a white toga, who holds a scroll=portrait of Vergil.
MOSAICS
* located in the north and south walls of an apse and respectively depict a (*) king and queen with their attendants
MOSAICS
* man in a yellow hood stretches backward to reach toward a man who has pierced a yellow-tuniced man with a spear in another work in this medium; that work in his medium depicts Darius's chariot fleeing at the Battle of Issus from Alexander the Great.
MOSAICS
* medium using a traditional Catalan technique, trencadís
MOSAICS
* medium was used to depict prophets and scenes from the life of Christ in Theodoric the Great's church, Sant'Apollinare Nuovo, in Ravenna, Italy.
MOSAICS
* response to a Zeuxis painting of a creature teasing its suckling children with a lion cub by instead depicting a roaring leopard, which threatens the central figure, a centaur, who stands atop the corpse of a lion, on the verge of using a boulder to crush a tiger, which has just killed a centauress.
MOSAICS
* servant pulls back a curtain behind a fountain on the left side of a work in this medium that centers on a woman holding a chalice of wine, opposite her husband holding the paten, a golden bowl for the Eucharist
MOSAICS
* tesserae
MOSAICS
* Allegri's Miserere and a Mozart piece in this genre are the two pieces transcribed in Liszt's A la Chapelle Sixtine
MOTETS
* Bamberg Codex contains 100 "double" examples of this genre.
MOTETS
* Cantiones sacrae is a collection of these pieces by William Byrd and Thomas Tallis, and one of the last major ones is Mozart's "Ave verum corpus."
MOTETS
* Friedrich Ludwig studied examples of this musical genre that repeated different-length talea and color patterns, coining the term "isorhythm" for themwell-known examples include those of Johannes Ciconia and Guillaume de Machaut
MOTETS
* Henri Dumont established the tradition at the Chapelle royale of composing the "grand" style of this genre, whose Anglican equivalent is the anthem
MOTETS
* Herbert Howells commemorated both the loss of his son and the death of President Kennedy
MOTETS
* Notre Dame school and later by Guillames de Machaut and Dufay, they typically consisted of a discant sung over a cantus firmus
MOTETS
* Orlando di Lasso's pieces in this genre begins with the singers stuttering the open lines, in mockery of inept performers
MOTETS
* developing notation to arbitrarily subdivide the breve, Petrus de Cruce freed its triplum voices
MOTETS
* earliest examples of this genre added (*) upper voices to discant clausulae, a self-contained section of an organum
MOTETS
* exquisite example of this musical genre is Mozart's Ave verum corpus
MOTETS
* isorhythmic piece in this genre, written for the consecration of the dome of the Florence Cathedral, is Guillaume Dufaye's "Nuper Rosarum Flores."
MOTETS
* last great isorhythmic one is called Nuper rosarum flores. The "grande" and "petit" varieties of these pieces were mastered by Jean-Baptiste Lully, who included soloists in them
MOTETS
* musical analogue of anthems written by English composers, these pieces include Mozart's Ave verum corpus
MOTETS
* piece celebrating a gift of a golden rose for the high altar of Santa Maria del Fiore
MOTETS
* piece of this type is only forty six bars long and was written for Anton Stoll while its composer was working on The Magic Flute
MOTETS
* to a cantus firmus tenor whose melody comes from Gregorian chant. For 10 points, name this early sacred, polyphonic genre that isn't entirely distinct from the madrigal
MOTETS
* typically polyphonic setting of a sacred text, one of the most popular forms of medieval music along with madrigals
MOTETS
* "Controller of the Universe" was a recreation of one commissioned by Nelson Rockefeller depicting Vladimir Lenin which was titled Man at the Crossroads.
MURALS
* Baker Library at Dartmouth contains a twenty-part work of this type called The Epic of American Civilization, while another sparked outrage over its depiction of Lenin.
MURALS
* Christ-like child and several laborers toiling together in Detroit Industry. Besides The Epic of American Civilization by Jose (*) Orozco
MURALS
* Controller of the Universe and Detroit Industry, both of which are by Diego Rivera.
MURALS
* Dudley Carter, a proponent of Art in Action, set up his sculpture of the Bighorn Mountain Sheep, and that work also depicts Alcatraz and the Golden Gate Bridge and was made for San Francisco City College
MURALS
* flamethrower in front of many soldiers equipped with gas masks and bayonets. The center of that work of this type depicts a (*) hand gripping a translucent sphere in front of the title figure who sits at the intersection of two huge ellipses
MURALS
* gas masks and Lenin and was originally commissioned by Rockefeller; that work was Man, Controller of the Universe
MURALS
* germs and the galaxies form an X shape in a work of this type which also depicts a hand clutching an orb
MURALS
* multicolored flag and many pink wreaths; that work parallels another, which shows masked figures pulling out a man's heart
MURALS
* parts depicting ancient and modern human sacrifice and Anglo America; that work is titled The Epic of American Civilization and is located at Dartmouth.
MURALS
* skeleton giving birth and is located in the Baker Library at Dartmouth; that work is the The Epic of American Civilization
MURALS
* J. S. Bach wrote three examples of this type of composition near the end of his career, The Ascension, The Easter, and The Christmas.
ORATORIO
* One of these by William Walton contains the movement "Babylon was a great city" and is entitled Belshazzar's Feast
ORATORIO
* Structured as a concert piece, often on sacred topics, for 10 points, name this type of musical composition that features an orchestra and choir, the most famous example of which features the "Hallelujah!" chorus, Messiah
ORATORIO
* Vivaldi's only surviving one is Juditha triuimphans, and other examples include Haydn's The Creations and The Seasons and Mendelssohn's St. Paul and Elijah
ORATORIO
* Zappa's "Absolutely Free" is the first his "Underground" compositions of this type, and Eric Idle worked with John Du Prez to make comedic one based on Monty Python's Life of Brian.
ORATORIO
* includes Bach's Christmas one and Handel's Judas Maccabaeus and Messiah
ORATORIO
* modern example was Paul McCartney's foray into classical music with his Liverpool one of these
ORATORIO
* operas but performed as concert pieces with little interaction between characters
ORATORIO
* title character journeys through death until he is judged by God in one of these by Edward Elgar entitled The Dream of Gerontius, and two by Felix Mendelssohn are entitled St. Paul and Elijah
ORATORIO
his pianist friend Victoire Jenamy lends her name to another, the Jeunehomme ("june ohm")
PIANO CONCERTO
not a piano trio, but Joseph Haydn's D major eleventh piece in this genre ends with a Rondo all'Ungherese (ahloong-guh-RAY-zay).
PIANO CONCERTO
. Mozart's C major twenty-first piece in this genre includes an F major Andante used prominently in the film (*) Elvira Madigan.
PIANO CONCERTO
12th -2nd movement of one of these pieces quotes from the overture to Johann Christian Bach's La calamita de cuori
PIANO CONCERTO
14th -E flat major can be converted to string quartet if get rid of woodwinds musicological study by Cuthbert Girdlestone
PIANO CONCERTO
18th - rondo finale- meter changes from 6/8 to 2/4 in the winds 20th one is the first of them in a minor keyBeethoven wrote cadenza for it, Romance second movement 21st - Elvira Madigan-Danish tightrope walker
PIANO CONCERTO
20th and 24th are the only ones in minor keys
PIANO CONCERTO
23th - A major features F-sharp minor Adagio in 6/8 time for second movement
PIANO CONCERTO
26th - Coronation unfinished parts for left hand Masses - Hosanna section- "Sparrow"-chirping of birds, et homo factus est
PIANO CONCERTO
9th- Jeunehomme, stately minuet in the middle of its 3rd movement
PIANO CONCERTO
Bartok's first work in this genre begins with ominous repeated notes in the timpani.
PIANO CONCERTO
Johannes Brahms notably wrote two works of this type, while one by Beethoven begins with the orchestra playing an E-flat major chord followed by a flourish on the namesake instrument.
PIANO CONCERTO
Mozart also wrote an A major piece in this genre whose second-movement Adagio in F-sharp minor is the only movement that Mozart ever wrote in that key
PIANO CONCERTO
Mozart left out many left-hand parts in one nicknamed Coronation
PIANO CONCERTO
Paul Wittgenstein commissioned Prokofiev's fourth and Ravel's D-minor works in this genre, both of which only use the soloist's left hand
PIANO CONCERTO
Prokofiev's C-major third work in this genre begins with an elegiac clarinet solo
PIANO CONCERTO
Ravel beings with a whip-crack and a snare drum roll,
PIANO CONCERTO
Shostakovich's first one of these works uses an orchestra of only strings and trumpet.
PIANO CONCERTO
That piece begins with three tutti chords, which are each followed by a flourish of sixteenth notes.
PIANO CONCERTO
That piece by Schumann inspired another composer to create a work of this type in A minor which opens with a timpani roll.
PIANO CONCERTO
The hypnotherapist Nikolai Dahl was the dedicatee of a piece in this genre that opens with eight chords representing the tolling of bells. That piece is the second of four pieces composed in this genre by Sergei Rachmaninoff.
PIANO CONCERTO
Wolfgang Amadeus Mozart piece in this genre suddenly interrupts the rondo finale with songlike minuet in the subdominant key of A-flat major.
PIANO CONCERTO
chorus singing lines from Adam Oehlenschläger's Aladdin and was written by Ferruccio Busoni
PIANO CONCERTO
piece in this genre by Beethoven opens with three tutti chords from the orchestra, each followed by a brief cadenza from the soloist. That piece in E-flat major is his fifth and final piece is this genre, nicknamed Emperor.
PIANO CONCERTO
theme for the finale of one of these works is shared by its composer's Sehnsucht nach dem Fruhling
PIANO CONCERTO
yet another was featured in the soundtrack to the 1967 film Elvira Madigan.
PIANO CONCERTO
: Sergei Prokofiev subtitled his third and fourth compositions in this genre "From Old Notebooks;" the seventh of his works in this genre closes with a 7/8 toccata marked Precipitato. That piece is the second of his trilogy of "War" ones.
PIANO SONATAS
A Mozart piece in this genre ends with a "rondo alla turca."
PIANO SONATAS
Adagio sostenuto movement of a piece in this genre in C-sharp minor was compared to nighttime reflections on Lake Lucerne.
PIANO SONATAS
Alexander Scriabin are nicknamed White Mass and Black Mass
PIANO SONATAS
Another piece of this type calls for a 14-inch board to play tone clusters in a movement representing Nathaniel Hawthorne.
PIANO SONATAS
Another work of this kind, which contains exposition and recapitulation segments, opens with fortissimo B-flat major chords.= Hammerklavier
PIANO SONATAS
Beethoven used in pieces nicknamed "Waldstein" and "Moonlight."
PIANO SONATAS
Beethoven wrote a C minor piece in this genre best known for its A-flat major Adagio cantabile second movement; his other pieces of this type include (*) Tempest and Appassionata.
PIANO SONATAS
Brahms's F minor third piece in this genre repeatedly quotes the "fate motif" from Beethoven's fifth
PIANO SONATAS
Charles Ives wrote a work of this kind that included movements named after transcendentalists like Emerson and Thoreau.
PIANO SONATAS
Domenico Scarlatti wrote 555 harpsichord pieces in this genre
PIANO SONATAS
Leos Janacek's work of this type was inspired by the events of October first, 1905, and consists of the movements "Foreboding" and "Death."
PIANO SONATAS
Liszt's only piece in this genre is a key example of "double-function form," since its four sections also function as the exposition, development, and recapitulation of an overarching structure. That B-minor piece
PIANO SONATAS
Mozart's compositions of this type include his K.545, which is his sixteenth in C major, labeled "semplice" or "for beginners,"
PIANO SONATAS
Schumann's Concerto Without Orchestra
PIANO SONATAS
evokes the title concept on Lake Lucerne
PIANO SONATAS
exposition, development, and recapitulation
PIANO SONATAS
form the first thirty entries in the Kirkpatrick catalogue
PIANO SONATAS
* "pezzo elegiaco" highlights an A minor work in this genre memorializing Nikolay Rubinstein, the only exception to Tchaikovsky's notable distaste for this kind of work
PIANO TRIOS
* Aaron Copland's Vitebsk was written for this ensemble, as was a set of variations on Wenzel Müller's song "Ich bin der Schneider Kakadu".
PIANO TRIOS
* Beethoven opens with a spooky theme which inspired its nickname "Ghost," and another of his compositions of this type is a set of variations on Wenzel Muller's song "I am the Tailor Kakadu."
PIANO TRIOS
* Beethoven's "Archduke," and which are scored for a violin, a cello, and a certain keyboard instrument.
PIANO TRIOS
* Beethoven's opus 1 consists of three pieces of this type, and he also wrote one whose eerie slow movement has earned it the nickname (*) "Ghost".
PIANO TRIOS
* Brahms' first work in this genre is in B minor, and Rachmaninoff wrote his second "Elegaic" one in memory of Tchaikovsky, while another of these is based on traditional Ukranian epic ballads and was its composers fourth of the genre
PIANO TRIOS
* Brahms's first composition of this type begins in B major, but unusually ends in the parallel minor
PIANO TRIOS
* Clara Schumann's only piece of this type contains a "Scherzo in tempo di Menuetto" and is in G minor.
PIANO TRIOS
* Dvorak's 4th one subtitled "Dumky," other types of these pieces include one named for the composer's student Rudolph and one whose largo second movement is described as "eerie-sounding"; those works are by Beethoven and known as the "Ghost" and "Archduke" ones.
PIANO TRIOS
* Dvorak's fourth and last piece of this type is called the "Dumky".
PIANO TRIOS
* Pieces of this type by their most notable composer include a blending of early and late styles called the "Kakadu Variations" and a D major work drawing from that man's Second Symphony, nicknamed "Ghost."
PIANO TRIOS
* Shostakovich imitated klezmer music in the final movement of his second one, which is in E minor
PIANO TRIOS
* Toru Takemitsu's Between Tides is this type of composition. A finale that switches between 5/4 and 7/4 ends Ravel's one in A minor, which has a "Pantoum" second movement
PIANO TRIOS
* abbreviation "TSIAJ" marks the second movement of Ives's one, while another one is based on six Ukrainian ballads and is known for its many changes in key and tempo.
PIANO TRIOS
* atypical variant on this type of composition by Bela Bartok was commissioned by Benny Goodman and called Contrasts.
PIANO TRIOS
* only one by Ravel is in A minor, and features a second movement Pantoum. Dvorak's fourth, his opus 90, includes a melancholy melody that transitions into a fast folk dance in each of its six movements
PIANO TRIOS
* scored for violin, cello, and a certain keyboard instrument.
PIANO TRIOS
* six-movement piece written before its composer departed Bohemia for America and a work dedicated to Rudolph of Austria
PIANO TRIOS
* type of piece for three instruments, whose repertoire includes ones nicknamed "Dumky" and "Archduke."
PIANO TRIOS
* "Florentine" one made by the sculptor of the most famous one unusually includes Nicodemus and Mary Magadalen
PIETA
* Jean de Billheres features a figural group atop Golgotha, one of whose thighs are unrealistically shortened
PIETA
* Nicodemus appears in Titian's version of this scene, his final painting. Rogier van der Weyden included this painting in the center panel of his (*) Miraflores Altarpiece
PIETA
* Vesperbild in Germany, appears at the centerpiece of Bronzino's, but not Pontormo's, Deposition
PIETA
* Virgin Mary cradling the body of Jesus, this is FTP, what statue in St. Peter's Basilica, the only work signed by Michelangelo
PIETA
* appears in the first chapel at St. Peter's and shows Mary holding the dead Christ, most associated with Michelangelo
PIETA
* brown businessman and a man in red pants and a white shirt feature in Max Ernst's depiction of this scene, subtitled "Revolution by Night," while Rogier van der Weyden's features a red-clad praying donor and a blue-clad Saint John
PIETA
* buildings in Jerusalem punctuate an entirely gold-leaf sky in a Gothic depiction of this scene painted by Enguerrand Quarton near Avignon
PIETA
* depiction of this scene contains a parapet with an inscription taken from a hymn of Propertius, which reads "When these swelling eyes evoke groans, this work of Giovanni Bellini could shed tears."
PIETA
* exclusively depicted in paintings until 1499, when a rendition of it with thick drapery rendered in Carrera marble was sculpted by Michelangelo
PIETA
* seated figure's abundant drapery distracts from distortions in the other figure but not from her intense gaze
PIETA
* seated figure, depicted as very young to symbolize purity, cradles the shoulder of the other figure while her left hand is held outward in a gesture of submission
PIETA
* specific type of Lamentation scene in which the dead Jesus lies on Mary's lap
PIETA
* unlike the most famous one, the other female figure is not made unnaturally large, young, or triangular as she sits astride Golgotha
PIETA
* "Andante (*) spianato."
POLONAISES
* "Heroic" and "Military".
POLONAISES
* 3/4 time dances which, appropriately, are named after his native country. His most famous pieces of this type are nicknamed "Military" and "Heroic".
POLONAISES
* A-flat major work in this genre has a middle section that supposedly depicts a cavalry charg
POLONAISES
* Anton Rubinstein called two of these pieces symbols of the "glory" and "tragedy" of Poland.
POLONAISES
* Chopin paired an Andante spianato with one work of this type for piano and orchestra. Other works of this genre by Chopin include his "Heroic" one in A-flat major and his "Military" one in A major.
POLONAISES
* E-flat in octaves, and then has the pianist play rapid ascending chromatic fourths in the right hand.
POLONAISES
* Impromptus, but Chopin's last one of these works is a "Fantaisie" one.
POLONAISES
* Wilhelm Kohlberg.
POLONAISES
* alternating four-octave A's and 32nd note flourishes in an F-sharp minor one of these works was described by Charles Rosen as alternating timpani strokes and snare drum rolls.
POLONAISES
* characteristic rhythm of this 3/4 dance is one eighth note, two sixteenth notes, then four eighth note
POLONAISES
* first compositions, written at the age of seven, were two of these pieces. Chopin paired a "brilliant" one with an introduction in his Opus 3 piece for cello and piano.
POLONAISES
* left hand repeatedly plays E, D-sharp, C-sharp, B in octaves in downward staccato 16th-note runs in the middle section of one of these works, its composer's opus 53.
POLONAISES
* middle section of that work in this genre, the left hand repeatedly plays E, D-sharp, C-sharp, B in octaves.
POLONAISES
* nicknames like "Military" and "Heroic."
POLONAISES
* only one of these works with orchestral accompaniment, which is connected to a preceding "Andante Spianato," is an E-flat major "grand" "brilliant" one.
POLONAISES
* opus 60 in F-sharp is one of these pieces, which imitates the songs of Venetian gondoliers: barcarolles
POLONAISES
* posthumously-published B-flat minor one of these works features a D-flat major trio based on the aria "Come into my arms" from Rossini's The Thieving Magpie
POLONAISES
* several of these pieces in three four time,
POLONAISES
* triple-time dance form employed by Chopin is this one, named for Chopin's country of origin.
POLONAISES
* wrote a "Tragic" one of these pieces as his Opus 44 while he dedicated his two Opus 26 pieces of this type to Josef Dessauer. He wrote pieces of this type called the "Heroic" and "Military."
POLONAISES
46 pieces,
PRELUDES
A G sharp C sharp,
PRELUDES
A flat ostinato=Raindrop Prelude,
PRELUDES
A flat through middle section,
PRELUDES
Alberto Ginastera
PRELUDES
Alberto Ginastera composed a set of American pieces of this type which honor Juan Jose Castro and Aaron Copland,
PRELUDES
Allegro Marziale,
PRELUDES
Bach piece of this type is the basis for Charles Gounod's Ave Maria,
PRELUDES
Brouillards,
PRELUDES
C sharp minor by Rachmaninoff,
PRELUDES
Capri, Le Vent dans la plaine,
PRELUDES
Chopin wrote 24 pieces,
PRELUDES
D flat major to C sharp minor,
PRELUDES
Footsteps in the Snow,
PRELUDES
Girl with the Flaxen Hair,
PRELUDES
God Save the Queen,
PRELUDES
Jascha Heifetz transcribed for the violin,
PRELUDES
Kessler,
PRELUDES
Leconte de Lisle and begins in ¾ time,
PRELUDES
Les Preludes,
PRELUDES
Liszt,
PRELUDES
Loie Fuller's Scarf dances,
PRELUDES
Louis Couperin,
PRELUDES
Martin's 6th work,
PRELUDES
Mompou,
PRELUDES
Myth of Ys,
PRELUDES
Pickwick Papers,
PRELUDES
Poetic Meditations of Lamartine,
PRELUDES
Presto con leggierezza,
PRELUDES
Rachmaninoff and Busoni,
PRELUDES
Raindrop,
PRELUDES
Song of the Mad Woman on the Sea Shore,
PRELUDES
Sunken Cathedral=Debussy
PRELUDES
Voiles,
PRELUDES
Well Tempered Clavier,
PRELUDES
What the West Wind has Seen,
PRELUDES
briefly switches to the pentatonic,
PRELUDES
dance variety,
PRELUDES
first and third of three works of this kind by Gershwin,
PRELUDES
whole tone scale except for a six measure diversion to the pentatonic,
PRELUDES
* Krzysztof Penderecki incorporated the hymn "Swiety Boze" into his "Polish" one, while Luigi Cherubini wrote one in C minor.
REQUIEM MASS
* Michael Haydn may have influenced his composition of one for the wife of Count von Walsegg.
REQUIEM MASS
* Trumpets call out in the "Tuba mirum" section of the "Dies Irae" from Verdi's composition of this type
REQUIEM MASS
* "Pie Jesu," "Kyrie," and "Dies Irae."
REQUIEM MASS
* Andrew Lloyd Webber's only complete classical composition is this type of work.
REQUIEM MASS
* Benjamin Britten is set to lines from poems by Wilfrid Owen, and is known as the "war" one
REQUIEM MASS
* D minor had its "Agnus Dei" and "Lacrymosa" movements completed by Franz von Süssmayr upon the composer's death
REQUIEM MASS
* Durufle wrote one of these works for organ and orchestra ending with the movement "In Paradisum
REQUIEM MASS
* Giuseppi Verdi's composition of this type was written for Alessandro Manzoni
REQUIEM MASS
* Hector Berlioz, another composition of this type by Gabriel Faure has a solo soprano in its fourth movement.
REQUIEM MASS
* Krzysztof Penderecki ("KRIS-toff Pin-der-EK-ee") expanded his composition of this type with the "Trisagion" hymn
REQUIEM MASS
* this type of work by Johannes Ockeghem includes a setting of Psalm 42, "Sicut cervus," and one of these works written for Pope Marcellus II by Palestrina is credited with saving polyphonic music
REQUIEM MASS
* three versions, the chamber orchestra version having been rediscovered by John Rutter
REQUIEM MASS
* "Hungarian" pieces by Franz Liszt and a composition "in Blue" by George Gershwin.
RHAPSODY
* "Spanish" one by Ravel, a set of variations based on (*) Paganini's last Caprice by Rachmaninoff, and a set of nineteen Hungarian ones by Liszt
RHAPSODY
* 24 variations on a violin caprice are included in one work of this type by Rachmaninoff, and Liszt included the "Rákóczi March" in his fifteenth work of this type based on folk themes from his home country.
RHAPSODY
* Bartók wrote two of them for violin and piano. Debussy wrote two of these works, one for clarinet and the other for saxophone.
RHAPSODY
* Brahms wrote one as a wedding gift for Schumann's daughter Julie, which used words from Goethe's "Winter Journey in the Harz."
RHAPSODY
* Brahms's last published piano piece has this title, and his Opus 79 consists of two of these works. Brahms also used a Goethe poem as the text of one of these works for alto and orchestra.
RHAPSODY
* Debussy wrote his "First" one of these compositions for clarinet and piano. These one-movement works, like Vaughan Williams' Norfolk one, do not have a rigid structure.
RHAPSODY
* Emmanuel Chabrier, España, is in this form. George Enescu wrote a pair of them inspired by his home country.
RHAPSODY
* Ernst von Dohnányi's final compositions was one in this form incorporating American folksongs.
RHAPSODY
* George Enescu composed two of these pieces titled after his native Romania, and another was composed by Debussy for the Paris Conservatoire's clarinet examinations.
RHAPSODY
* Rachmaninoff combined the Dies Irae with the theme of Paganini's 24th Caprice in one of these works
RHAPSODY
* clarinet glissando begins another for piano and jazz band. Free-flowing structures and highly variable moods characterize, for ten points, what type of musical work, exemplified by one "on a Theme of Paganini" and Gershwin's one "in Blue"?
RHAPSODY
* consists of twenty-four variations on the last of another composer's caprices, while another opens with a two-and-a-half octave clarinet glissando
RHAPSODY
* original score of one of these compositions contained the instructions "wait for nod" to indicate when the orchestra should resume playing. A composition of this type opens with a nine-bar introduction before an A-C-B-A-E motif and presents a D-flat major melodic inversion of one of the works that inspired it.
RHAPSODY
* pieces includes ones subtitled "Héroïde-élégiaque" and "Pesther Carneval." Another work in this form is a piano concerto-like set of variations on Caprice No. 24 by Paganini, and was written by Rachmaninoff. For 10 points, name this single-movement musical form, the most familiar example of which is probably the one "in Blue" by George Gershwin.
RHAPSODY
* two pianos and was premiered by at the Aeolian Hall by Ferde Grofé and Paul (*) Whiteman's orchestra in the concert, An Experiment in Modern Music
RHAPSODY
* works for piano and orchestra begins with the clarinet playing a trill, and then a lengthy glissando.
RHAPSODY
* Beethoven used this musical form in the finales of his piano concertos.
RONDO
* Haydn's 39th Piano Trio ends with a "gypsy" piece in this form, which is often structured ABACABA.
RONDO
* finales for most of Mozart's serenades, concertos, and sonatas are in this form,
RONDO
* one "alla turca" from his eleventh piano sonata.
RONDO
* refrain alternates with contrasting episodes
RONDO
* replacement finale for the first of Mozart's violin concerti is a separately played concert piece of this lively character type
RONDO
* typical piece in this form might be structured: ABACA.
RONDO
* commissioned by the brotherhood of San Luigi di Palazzo to replace another version of this hymn by Alessandro Scarlatti
STABAT MATER
* death of his daughter Josefa
STABAT MATER
* "allegory of painting." Parmigianino created one of these works "in a convex mirror."
SELF PORTRAITS
* Broken Column is one by Frida Kahlo, whose other works of this type feature monkeys, hummingbirds, and a figure with a unibrow.
SELF PORTRAITS
* Gentileschi's painting of this type as an Allegory of Painting shows a woman at a diagonal painting one, and a Rembrandt painting of this type features a man "with Two Circles."
SELF PORTRAITS
* desperate man clutches his long hair with both hands while he stares directly at the viewer in one by Gustave Courbet.
SELF PORTRAITS
* straw hat, a pipe, and a bandaged right ear were painted by Vincent van Gogh. For 10 points, name these artworks that feature the artist themselves.
SELF PORTRAITS
* type featuring a twisted arm was painted by Egon Schiele. Artemisia Gentileschi
SELF PORTRAITS
* Dvorak composed this religious work, a setting of a hymn to the Virgin Mary
STABAT MATER
* Dvorak finished his very long setting of this hymn after his first three children died and much of Giovanni Pergolesi's posthumous fame lies with his setting of it.
STABAT MATER
* Giovanni Battista Pergolesi wrote another famous setting of this hymn in 1736.
STABAT MATER
* Giovanni Pergolesi scored for soprano, alto, and strings
STABAT MATER
* Marian hymn depicts the Sorrows of the Blessed Virgin Mary.
STABAT MATER
* Rossini's setting of this hymn includes an often-excerpted "Cujus Animam."
STABAT MATER
* Scarlatti's composed settings of this medieval text
STABAT MATER
* Vivaldi also composed a setting of this Catholic hymn about the Virgin Mary's sorrows during the crucifixion
STABAT MATER
* Hindemith composed a work called "Pittsburgh" and a B-flat work for concert band in this genre, while Schoenberg composed two "chamber" works of this type and Stravinsky wrote ones "in three movements" and "in C."
SYMPHONY
* Igor Stravinsky's works in this genre has a second movement originally to be used for the film The Song of Bernadette
SYMPHONY
* Miracle and The Clock are two of a dozen works of this type that Joseph Haydn entitled London. Antonin Dvorak wrote one of these works in E Minor From the New World
SYMPHONY
* Tchaikovsky's Pathetique and Dvorak's New World.
SYMPHONY
* composition in this genre uses a 5/4 "limping waltz" and has the marking "pppppp" for extra quietness.
SYMPHONY
* fifth one composed by Gustav Mahler includes a fourth movement Adagietto.
SYMPHONY
* section entitled lento lugubre begins one work of this type named for the Lord Byron poem Manfred. An Episode in the Life of an Artist is the full title of the most famous work of this type by Hector Berlioz.
SYMPHONY
* seventh and final one of these compositions by Jean Sibelius is in the key of C minor, and consists of only one movement.
SYMPHONY
* Bernstein's symphony of this number is dedicated to John F. Kennedy and uses the Kaddish as its text
SYMPHONY NO. 10
* F major by Johannes Brahms.
SYMPHONY NO. 10
* musical work of this type and number ends with six irregularly spaced chords, and that piece's most famous motif was inspired by the sight of sixteen swans taking flight.
SYMPHONY NO. 10
* Brahms' symphony of this number opens with a rising F, A-flat, F motif, representing his motto, "Free but happy,"
SYMPHONY NO. 11
* piece of this type and number begins with two loud E-flat major chords played by the entire orchestra, features a C minor funeral march as its second movement, and is often used to mark the birth of musical Romanticism.
SYMPHONY NO. 11
* work in E-flat major is by Jean Sibelius
SYMPHONY NO. 11
* Mahler's composition of this type and number begins with a funeral march in C-sharp minor and is best known for its Adagietto fourth movement.
SYMPHONY NO. 12
* type of work and number, of which Beethoven's is known as the "Eroica."
SYMPHONY NO. 12
* unlike its predecessors was markedly less (*) Beethovian
SYMPHONY NO. 12
* Heitor Villa-Lobos' symphony of this number is nicknamed "The War," while Honegger's is based on parts of the Requiem Mass
SYMPHONY NO. 13
* Saint-Saens's somewhat erroneously-named "Organ Symphony" and a work that sees a soprano sing Polish text found on a Gestapo cell wall, Gorecki's Symphony of Sorrowful Songs, bear this number, as does Schumann's five-movement "Rhenish" symphony
SYMPHONY NO. 13
* type and number contains an interruption in which a theme from the scherzo returns.
SYMPHONY NO. 13
* Bernstein's symphony of this number is dedicated to John F. Kennedy and uses the Kaddish as its text
SYMPHONY NO. 14
* long Mahler work following the "Resurrection,"
SYMPHONY NO. 14
* piece features a "short-short-short-long" motif that has often been likened to "fate knocking at the door."
SYMPHONY NO. 14
* Brahms' symphony of this number opens with a rising F, A-flat, F motif, representing his motto, "Free but happy,"
SYMPHONY NO. 15
* D minor Shostakovich symphony was written in response to a scathing review that denounced his opera Lady Macbeth of the Mtsensk District as "muddle instead of music."
SYMPHONY NO. 15
* Tchaikovsky "Polish," and a work dedicated to "the memory of a great man" all bear, for 10 points, what symphonic number of Beethoven's "Eroica?"
SYMPHONY NO. 15
* trumpet solo opens the C-sharp minor funeral march, or "Trauersmarch", at the beginning of this Mahler symphony, whose fourth movement contains a famous adagietto.
SYMPHONY NO. 16
* unlike its predecessors was markedly less (*) Beethovian
SYMPHONY NO. 16
* Rostropovich claimed that Shostakovich would have been executed for writing it, had there not been a forty-minute ovation at its premiere.
SYMPHONY NO. 17
* Saint-Saens's somewhat erroneously-named "Organ Symphony" and a work that sees a soprano sing Polish text found on a Gestapo cell wall, Gorecki's Symphony of Sorrowful Songs, bear this number, as does Schumann's five-movement "Rhenish" symphony
SYMPHONY NO. 17
* piece of this type and number was composed during a single summer at Wiesbaden in 1883 and was premiered that year by Hans Richter
SYMPHONY NO. 18
* Tchaikovsky "Polish," and a work dedicated to "the memory of a great man" all bear, for 10 points, what symphonic number of Beethoven's "Eroica?"
SYMPHONY NO. 19
* composer claimed that the opening theme of this work came into his head as the result of stroking oars in a rowboat.
SYMPHONY NO. 20
* second movement features a military rhythm on col legno violins borrowed from the song Revelge, and the last movement takes the form of a rondo with eight variations, including a parody of Lehar's The Merry Widow, and the composer claimed that in writing that movement he wanted to depict the broad light of day
SYMPHONY NO. 21
* grim scherzo, the strings are instructed to play pizzicato at a dynamic of five F's, with the actual footnote "pluck so hard that the strings hit the wood."
SYMPHONY NO. 22
* aforementioned opening theme is played by the tenor horn, and the fourth movement takes the form of an amorous serenade, with a horn solo playing above a guitar and mandolin
SYMPHONY NO. 23
* work is symmetric in structure, with a central scherzo between two Nachtmusik movements
SYMPHONY NO. 24
* identify this symphony by Gustav Mahler, dubiously known as the "Song of the Night," which preceded the "Symphony of a Thousand."
SYMPHONY NO. 25
* famous ostinato from this work's first movement is quoted in the Intermezzo interotto of Bela Bartok's Concerto for Orchestra
SYMPHONY NO. 26
* employing a relief drummer for the 352 bar "little puppet-like tune" in the first movement, which features a C major theme later quoted in the tonic minor as a "requiem."
SYMPHONY NO. 27
* second movement begins with a fugue-like theme in the strings followed by a high variation on the theme played on an oboe
SYMPHONY NO. 28
* theme said to represent the Nazi incursion into Russia. For 10 points, name this symphony by Dmitri Shostakovich named for a city
SYMPHONY NO. 29
* Heitor Villa-Lobos' symphony of this number is nicknamed "The War," while Honegger's is based on parts of the Requiem Mass
SYMPHONY NO. 3
* Schubert's composition of this type and number concludes with a Presto vivace finale that begins pianissimo, and like his first entry in the genre, it is in D major.
SYMPHONY NO. 4
* All of the movements except one in Bruckner's piece of this type and number begin with the strings playing pizzicato
SYMPHONY NO. 5
* piece of this type and number employs a rising F-A-flat-F motif that represents the composer's motto, "frei aber froh,"
SYMPHONY NO. 5
* F major by Johannes Brahms.
SYMPHONY NO. 6
* Mendelssohn's piece of this type and number features the hymn A Mighty Fortress is Our God and was composed for the tricentennial of the Augsburg Confession
SYMPHONY NO. 6
* Mahler began the Trauermarsch first movement with a trumpet solo.
SYMPHONY NO. 7
* long Mahler work following the "Resurrection,"
SYMPHONY NO. 7
* piece of this type and number begins with two loud E-flat major chords played by the entire orchestra, features a C minor funeral march as its second movement, and is often used to mark the birth of musical Romanticism.
SYMPHONY NO. 7
* Schubert's composition of this type and number concludes with a Presto vivace finale that begins pianissimo, and like his first entry in the genre, it is in D major.
SYMPHONY NO. 8
* adagietto fourth movement, and Mahler also paid homage to another work of this type and number that begins with the fate motif.
SYMPHONY NO. 8
* type of work and number, of which Beethoven's is known as the "Eroica."
SYMPHONY NO. 8
* piece of this type and number employs a rising F-A-flat-F motif that represents the composer's motto, "frei aber froh,"
SYMPHONY NO. 9
* piece of this type and number was composed during a single summer at Wiesbaden in 1883 and was premiered that year by Hans Richter
SYMPHONY NO. 9
* type of musical composition of a specific number, of which Beethoven's begins with a short-short-short-long rhythm.
SYMPHONY NO. 9
* piece with this text uses a tape recording of a "wind harp" to evoke the Ison of Byzantine music, calls for an amplified prepared piano with metal screws, and was written by Arvo Pärt.
TE DEUM
* sung by the choir in the second part of Havergal Brian's "Gothic" Symphony
TE DEUM
* "Ecce ancilla domini."
THE ANNUNCIATION
* "enclosed garden" by a colonnade.
THE ANNUNCIATION
* Adam and Eve in the left background of some of his (*) versions of this scene, which he set in a loggia in a garden
THE ANNUNCIATION
* Altdorfer also made a version of this scene
THE ANNUNCIATION
* Andrei Rublev's version of this scene shows the right-hand figure enthroned under a red canopy and the left-hand figure with his front foot above the back foot in a striding-up position
THE ANNUNCIATION
* Aries and Virgo
THE ANNUNCIATION
* Botticelli features a pink floor with white grid lines and is called the Cestello version.
THE ANNUNCIATION
* Deposition, but Pontormo painted a version of this scene split down the middle by an arched stained glass window and a tabernacle.
THE ANNUNCIATION
* El Greco's version he has just flown in on a cloud.
THE ANNUNCIATION
* Fra Angelico and Jan Van Eyck both feature Gabriel on the right and the Virgin Mary on the left.
THE ANNUNCIATION
* Fra Angelico is bestknown for his depictions of this scene.
THE ANNUNCIATION
* Fra Angelico's depiction of this event contains an angel in a pink dress with multi-colored wings standing before a woman in a colonnaded courtyard.
THE ANNUNCIATION
* Gabriel tells Mary that she will become the mother of Jesus.
THE ANNUNCIATION
* Gladzor Gospels show this scene with a fountain between the protagonists.
THE ANNUNCIATION
* God appears diving out of a cloud in the background. In addition to that version by Lorenzo Lotto
THE ANNUNCIATION
* Jan van Eyck painting of the biblical scene
THE ANNUNCIATION
* Latin phrase "Ecce ancilla domini" is written upside down so the Lord can read it from above
THE ANNUNCIATION
* Leonardo version of this scene includes a marble table in the middle and the Botticelli one is nicknamed "Cestello."
THE ANNUNCIATION
* Mérode Altarpiece by Robert Campin
THE ANNUNCIATION
* Painting and Experience, Michael Baxandall analyzed depictions of this scene in terms of five "conditions" including conturbatio and meritatio
THE ANNUNCIATION
* San Marco is divided by two arches, features an angel with multi- colored wings, and, like the one in Cortona, was painted by Fra Angelico.
THE ANNUNCIATION
* Santo Domenico in Fiesole
THE ANNUNCIATION
* Unusually for its artist, a version of this scene features a harbor scene in the background and an ornate marble table copied from Piero de Medici's tomb.
THE ANNUNCIATION
* angel hovers within Mary's halo in Memling's version of this scene.
THE ANNUNCIATION
* circular mass of wings appears at the top center of a version of this scene which is flanked by St. Margaret and St. Ansanus.
THE ANNUNCIATION
* closed, the Ghent Altarpiece depicts this scene above its patrons praying before two grisaille statues; by contrast, this scene occupies the left-most panel of the fully open Isenheim Altarpiece
THE ANNUNCIATION
* depiction of this scene decorates the north hallway in San Marco, which is the first thing you see when you walk up the stairs.
THE ANNUNCIATION
* empty red stool on its lower right-hand corner symbolizes a prepared throne waiting for the main female
THE ANNUNCIATION
* figure in blue shrinks back into her chair beneath a circle of doves in a version of this scene finished by Lippo Memmi.
THE ANNUNCIATION
* first scene in series of the life of Christ
THE ANNUNCIATION
* followed by the nativity.
THE ANNUNCIATION
* gilt sculpture of this scene was Donatello's most famous contribution to Santa Croce.
THE ANNUNCIATION
* hanging brass pot is in the center of the Merode altarpiece
THE ANNUNCIATION
* hortus conclusus style of enclosing the central figure in a garden.
THE ANNUNCIATION
* left of St. Joseph building a mousetrap in the center panel of the Merode Altarpiece.
THE ANNUNCIATION
* left-hand panel shows Joseph building a mousetrap was painted by Robert Campin
THE ANNUNCIATION
* lefthand figure in this scene often holds a white lily.
THE ANNUNCIATION
* main elements of this scene are a figure carrying a lily, a woman reading from Isaiah, and a dove
THE ANNUNCIATION
* main scene of the closed view of the (*) Ghent Altarpiece
THE ANNUNCIATION
* middle row of back panels of the Ghent Altarpiece
THE ANNUNCIATION
* modeled on Isabella of Portugal, the wife of Phillip the Good, and stands beside a crowned angel with rainbow wings inside a church where they seem disproportionately large compared to the scale of the architecture.
THE ANNUNCIATION
* G minor canzonetta second movement that leads directly into the finale. That D major work by Tchaikovsky was its composer's only foray into this genre
VIOLIN CONCERTO
* Glazunov's only work in this genre are meant to be played without breaks in-between. That A minor work of this type was premiered by Leopold Auer.
VIOLIN CONCERTO
* Gubaidulina wrote a work in this form called Offertorium
VIOLIN CONCERTO
* Fellow Utagawa school member Kunisada produced many of these ukiyo-e portraits of beautiful women. Examples include Three Beauties of the Present Age, a work of Kitagawa Utamaro, the leading artist in this genre.: bijin-ga
UKIYO-E
* Harunobu standardized color in the prints of this genre, whose Japanese name means "pictures of the floating world."
UKIYO-E
* Hiroshige and the rest of the Utagawa school produced woodblock prints made in this style,
UKIYO-E
* Japanese woodblock printing practiced by artists like Katsushika Hokusai, whose name means "pictures of the floating world."
UKIYO-E
* Thirty-six Views of Mount Fuji is a work in this genre of woodblock prints. This genre depicts the urban lifestyle of Japan under the Tokugawa shogunate.
UKIYO-E
* Utamaro primarily worked in this genre of woodblock prints, whose name means "pictures of the floating world." Other works in this genre include Hokusai's Thirty-Six Views of Mount Fuji.
UKIYO-E
* depicts a sorceress unfurling a scroll and summoning an extremely large skeleton, which smashes through the wall in the background
UKIYO-E
* first work in a series of works in this genre depicts several pilgrims with baskets congregating between two fences after crossing over a yellow bridge as they prepare to travel on one of the (*) Five Routes
UKIYO-E
* three cargo boats being swallowed up by a foamy sea swell off of Kanagawa Prefecture
UKIYO-E
* two women sitting on the floor shaping silk floss and was included in a series of Eight Parlor Views.
UKIYO-E
* "Body through which the dream flows."
VIOLIN CONCERTO
* "Es ist genug."
VIOLIN CONCERTO
* "La Campanella" by Paganini.
VIOLIN CONCERTO
* "double" one of these works in D minor which only uses a string orchestra
VIOLIN CONCERTO
* "the memory of an angel" while another was dedicated to the composer's friend Joseph Joachim
VIOLIN CONCERTO
* : Each movement of Igor Stravinsky's work of this type begins with a chord spelled D-E-A spanning two and a half octaves
VIOLIN CONCERTO
* A popular work in this form opens with a (*) Vorspiel first movement which flows into the second movement adagio
VIOLIN CONCERTO
* Adolph Brodsky premiered that composition written by Lake Geneva by Pyotr Ilyich Tchaikovsky.
VIOLIN CONCERTO
* Alban Berg wrote one dedicated "to the memory of an Angel."
VIOLIN CONCERTO
* Canzonetta second movement appears in the Tchaikovsky piece in this genre, which was called music that "stinks" by Eduard Hanslick and is in D major.
VIOLIN CONCERTO
* D minor on rising quintuplets; the F major Adagio second movement of that work of this type begins by introducing a theme with a solo oboe, and was the last of its type to leave a cadenza to be improvised. Mikhail Glazunov wrote a piece of this type for (*) Leopold Auer
VIOLIN CONCERTO
* David Oistrakh played a piece in this genre by Prokofiev at Joseph Stalin's funeral.
VIOLIN CONCERTO
* Eduard Hanslick as a (*) "stink one can hear." Another work of this kind opens with four soft timpani taps and holds the record among works of this kind for time elapsed before the soloist gets to play
VIOLIN CONCERTO
* Trumpets and trombones are not included an A minor piece in this genre which unusually contains a third-movement passagalia among its four movements, and which also include a second movement featuring the D-S-C-H motif.
VIOLIN CONCERTO
* Vivaldi compiled twelve works of this type as L'estro Armonico
VIOLIN CONCERTO
* age of 19 which features the "Strassburg" theme. Alban Berg's is dedicated "to the memory of an angel."
VIOLIN CONCERTO
* attacca subito so as to move directly into the D major finale.
VIOLIN CONCERTO
* baton of Hans Richter, Adolph Brodsky premiered that piece in this genre in Vienna.
VIOLIN CONCERTO
* final "Appassionata" movement, which encourages performers to use their own cadenzas
VIOLIN CONCERTO
* piece by Ligeti, another work of this kind had its original slow movement shuttled out and incorporated into its composer's Souvenir d'un lieu cher, and replaced with the "Canzonetta,"
VIOLIN CONCERTO
* published posthumously, and his second composition of this type included an unusual andante tranquillo second movement and was dedicated to Zoltan Szekely
VIOLIN CONCERTO
* timpani on the tonic note of D before the woodwinds enter, and a timpani roll begins the Vorspiel first movement of a work in G minor, Max Bruch's first work of this kind
VIOLIN CONCERTO
* tribute to its dedicatee, Joseph Joachim. For 10 points, name this type of composition for soloist and orchestra, which was exemplified by the D major one by Brahms.
VIOLIN CONCERTO
* twelve-tone one of these compositions was commissioned by Louis Krasner and inspired by the death of (*) Manon Gropius
VIOLIN CONCERTO
* ulius Conus wrote a work of this type in E minor, while A minor is the key of both a one movement work by Jean-Baptiste Accolay as well as the 22nd of the 29 works of this type composed by Giovanni Battista Viotti.
VIOLIN CONCERTO
* A major work in this genre, whose final movement is in the style of a tarantella, was written by Beethoven.
VIOLIN SONATA
* A-major incorporates a Recitativo-Fantasia and was written for Eugene Ysaye by Cesar Franck
VIOLIN SONATA
* Arcangelo Corelli consists of variations on "La Folia," and is the twelfth and final piece in his opus 5.
VIOLIN SONATA
* Beethoven composed ten of them, including one in F major nicknamed "Spring
VIOLIN SONATA
* Beethoven's F-major fifth piece in this genre was nicknamed "Spring."
VIOLIN SONATA
* Cesar Franck's A-major piece of this kind was dedicated to Eugene Ysaye.
VIOLIN SONATA
* Franck wrote one in A major to celebrate the wedding of Eugene Ysaye
VIOLIN SONATA
* Franz von Biber pioneered the use of scordatura in fifteen of these pieces based the life of Jesus, which are known as the "Rosary" or "Mystery"
VIOLIN SONATA
* G major piece in this genre begins with a short trill on B, followed by the notes E-D-B.
VIOLIN SONATA
* George Bridgetower
VIOLIN SONATA
* Robert Schumann wrote the second and fourth movements of a piece in this genre on the letters "F-A-E."
VIOLIN SONATA
* Schumann, Brahms, and Albert Dietrich collaborated on the F-A-E one, and the fifth one by Beethoven is popularly called the "Spring" due to its sunny disposition
VIOLIN SONATA
* Tartini wrote an extremely technically demanding one called "Devil's Trill," while Johann Sebastian Bach paired three of these works with three partitas for the same solo instrument
VIOLIN SONATA
* beginning of the A-minor fast section of a major piece in this genre, the pianist interrupts with a huge C-major arpeggio
VIOLIN SONATA
* by Brahms is based on a theme of three dotted D's, and is in G major.
VIOLIN SONATA
* demanding piece of this kind is Giuseppe Tartini's Devil's Trill.
VIOLIN SONATA
* ends with a 6/8 tarantella in rondo form and was originally dedicated to George Bridgetower, but Bridgetower's drunken remarks convinced the composer to rename it
VIOLIN SONATA
* incorporates a dotted figure from his songs "Regenlied" and "Nachklang," and his three compositions in this genre are in G Major, A Major, and D Minor.
VIOLIN SONATA
* lengthy F major Andante con variazioni is the second movement of an A major piece of this type originally dedicated to the mulatto George Bridgetowe
VIOLIN SONATA
* ninth of Beethoven's ten pieces in this genre is the Kreutzer.
VIOLIN SONATA
* piece in this genre, an oft-cited example of cyclic form, contains a third movement marked "Recitativo-Fantasia."
VIOLIN SONATA
* pieces by Max Reger includes notes that spell the German words for sheep and monkey in order to mock his critics
VIOLIN SONATA
* showcase a solo string instrument
VIOLIN SONATA
* standard repertoire of these pieces includes the ones that J. S. Bach paired with
VIOLIN SONATA
* string instrument, exemplified by Beethoven's "Kreutzer" one
VIOLIN SONATA
* ten Beethoven pieces, including ones nicknamed "Spring" and "Kreutzer," featuring a high-pitched string instrument.
VIOLIN SONATA
* "Hostias," "Recordare," and "Agnus Dei" movements all have this meter, which he also used for most of his Missa Longa and for the Coronation Masses' "Agnus Dei."
WALTZES
* "Minute." Voices of Spring and The Blue Danube
WALTZES
* "Raggy" piece of this kind, while Time Out includes one name for "Kathy", and Bill Evans wrote one titled "for Debby". For 10 points, name these jazz pieces in 3/4 time.
WALTZES
* "Spring in Central Park" and "Autumn in Washington Square" in his Jazz Impressions of New York
WALTZES
* "Wine, Women, and Song" and (*) "Tales From The Vienna Woods".
WALTZES
* "di quarta in quarta."
WALTZES
* "king" of these, Johann Strauss II, like Tales from the Vienna Woods and The Blue Danube, all of which are dance pieces in 3/4 time.
WALTZES
* "oom-pa-pa" rhythm
WALTZES
* "tiny wisp" in Brahms' Piano Concerto No. 2 and the Moonlight Sonata's "Allegretto" second movement
WALTZES
* A major andantino introduction to another work of this type includes a horn solo which plays the first instance of the (*) most famous melody along with the violins. That most famous work of this type depicts an Eastern European waterway.
WALTZES
* Alban Berg used this time signature in the second section of his Violin Concerto's first movement to quote a Carinthian folk dance similar in style to his use in Wozzeck of an Austrian dance.
WALTZES
* Anton Diabelli.
WALTZES
* Aram Khachaturian's Masquerade Suite. Emile Waldteufel became famous for composing one of these pieces inspired by ice skaters
WALTZES
* Beethoven's thirty-three variations on one of these by Anton Diabelli. Maurice Ravel was inspired by Schubert to compose a suite of eight of these pieces entitled Noble and Sentimental [these].
WALTZES
* Blumenfeld created a virtuosic piano arrangement of the first "Concert" one of these by Alexander Glazunov.
WALTZES
* Brahms wrote sixteen of them for piano four hands, and Carl Maria von Weber wrote the first one purely for concert. Joseph Lanner and Ion Ivanovici are both best known for works of this type.
WALTZES
* Brubeck's (*) daughter's name is mis-spelled on a track of this type on Time Out. These pieces include one by Fats Waller named "Jitterbug" and one by Toot Thielemans called "Bluesette"
WALTZES
* Carl Maria von Weber's Invitation to the Dance and Chopin's opus 69, which begins with one nicknamed "Farewell."
WALTZES
* Carl Maria von Weber's Invitation to the Dance was the first concert piece of this type. The third movement of Tchaikovsky's fifth symphony is a piece of this type, and the second movement of his sixth symphony is often described as a "limping" one of these.
WALTZES
* Chopin was allegedly inspired to write one of these pieces after seeing a dog chase its own tail
WALTZES
* Fats Waller's only recording of one of his own works in which he played organ with a backup band was of a piece of this type. Scott LaFaro died shortly after recording an album titled for a piece of this type, which opens with a rendition of "My Foolish Heart"
WALTZES
* German landler and replaced the scherzo in some symphonies. Franz Liszt composed one named for Mephisto. Another composer wrote one representing the Danube River and one entitled Tales from the Vienna Woods
WALTZES
* Johann Strauss Jr.'s The Blue Danube.
WALTZES
* Mahler's ninth symphony, one of these alternates with two landler, which was the peasant dance it originated from. One was written by Franz Lehar for The Merry Widow
WALTZES
* Sibelius composed a "sad" or "triste" piece of this type, 19th century examples of which include one in which a brief flute cadenza is followed by the entrance of a zither, the "Tales from the Vienna Woods"
WALTZES
* Sleeping Beauty includes one of these for Garlands, and one named for Silver and Gold is frequently incorporated into The Merry Widow and was composed by Franz Lehar.
WALTZES
* Strauss was considered the "King" of, for 10 points, what triple-time style of music, exemplified by "On the Beautiful Blue Danube." and Chopin's "Minute?"
WALTZES
* Waldteufel's most popular composition is one of these pieces called "Les Patineurs".
WALTZES
* final pas de deux of The Nutcracker, the flowers perform this type of dance
WALTZES
* iabelli Variations were based on a work of this form by Anton Diabelli, and its ancestor was the Landler (LAND-luhr).
WALTZES
* iece is to be played leggiero at a molto vivace tempo, and it opens with a right hand trill into the running eighth-note melody four measures before the left hand begins playing quarter notes
WALTZES
* main melody is comprised of groups of two quarter notes between ascending long tones on E, B, C, and E; that Romanian work of this type was composed by Iosif Ivanovic
WALTZES
* scherzi, the most notable uses of this meter are in works like von Weber's Invitation to the Dance and Strauss' Blue Danube
WALTZES
* second movement of Dvorak's Serenade for Strings is this type of piece.
WALTZES
* sight of a dog chasing its tail. That D-flat major piece by Chopin is sometimes known as the "Minute" one
WALTZES
* signature tune of a harmonica player who plucked its melody on the guitar while simultaneously whistling it
WALTZES
* so called "Nokia Tune," was derived from one of these pieces written for guitar by Francisco Tárrega
WALTZES
* solo piano that takes more than 60 seconds to perform.
WALTZES
* three-four time was inspired by the sight of a dog chasing its tail, and its nickname means "small," rather than its intended duration
WALTZES
* variations based on one of these compositions quotes the beginning of Mozart's Don Giovanni.
WALTZES
* work of this type includes a flute solo which arpeggiates the five chord in different inversions before a solo zither introduces a new theme.
WALTZES
