English 314 Passages - FINAL EXAM
Habits: Mostly expensive, but discreet. Large sexual appetites. Flagellant. Expert driver of fast cars. Adept with small arms and other forms of personal combat, including knives. Carries three Eversharp razor blades, in hat-band, heel of left shoe and cigarette-case. Knowledge of accountancy and mathematics. Fine gambler. Always accompanied by two armed guards, well-dressed, one French, one German (details available). Comment: A formidable and dangerous agent of the USSR, controlled by Leningrad Section III through Paris. (14)
Ian Fleming
He had been told by colleagues who had survived torture by the Germans and the Japanese that towards the end there came a wonderful period of warmth and languor leading into a sort of sexual twilight where pain turned to pleasure and where hatred and fear of the torturers turned to a masochistic infatuation. It was the supreme test of will, he had learnt, to avoid showing this form of punch-drunkenness. Directly it was suspected they would either kill you at once and save themselves further useless effort, or let you recover sufficiently your nerves had crept back to the other side of the parabola. Then they would start again. (113)
Ian Fleming
He looked obstinately at Mathis. 'Well, in the last few years I've killed two villains. The first was in New York — a Japanese cipher expert cracking our codes on the thirty-sixth floor of the RCA building in the Rockefeller centre, where the Japs had their consulate. I took a room on the fortieth floor of the next-door skyscraper and I could look across the street into his room and see him working. Then I got a colleague from our organization in New York and a couple of Remington thirty-thirty's with telescopic sights and silencers. We smuggled them up to my room and sat for days waiting for our chance. He shot at the man a second before me. His job was only to blast a hole through the windows so that I could shoot the Jap through it. They have tough windows at the Rockefeller centre to keep the noise out. It worked very well. As I expected, his bullet got deflected by the glass and went God knows where. But I shot immediately after him, through the hole he had made. I got the Jap in the mouth as he turned to gape at the broken window.' Bond smoked for a minute. (131)
Ian Fleming
He saw her now only as a spy. Their love and his grief were relegated to the boxroom of his mind. Later, perhaps they would be dragged out, dispassionately examined, and then bitterly thrust back with other sentimental baggage he would rather forget. Now he could only think of her treachery to the Service and to her country and of the damage it had done. His professional mind was completely absorbed with the consequences - the covers which must have been blown over the years, the codes which the enemy must have broken, the secrets which must have leaked from the centre of the very section devoted to penetrating the Soviet Union. It was ghastly. God knew how the mess would be cleared up. He ground his teeth. Suddenly Mathis's words came back to him: 'There are plenty of really black targets around,' and, earlier, 'What about SMERSH? I don't like the idea of these chaps running around France killing anyone they feel has been a traitor to their precious political system.' Bond grinned bitterly to himself. How soon Mathis had been proved right and how soon his own little sophistries had been exploded in his face! (177)
Ian Fleming
His features relapsed into a taciturn mask, ironical, brutal, and cold. (7)
Ian Fleming
SMERSH was the spur. Be faithful, spy well, or you die. Inevitably and without any question, you will be hunted down and killed. It was the same with the whole Russian machine. Fear was the impulse. For them it was always safer to advance than to retreat. Advance against the enemy and the bullet might miss you. Retreat, evade, betray, and the bullet would never miss. But now he would attack the arm that held the whip and the gun. The business of espionage could be left to the white-collar boys. They could spy, and catch the spies. He would go after the threat behind the spies, the threat that made them spy. (178)
Ian Fleming
Suddenly he regretted the intimacy of their dinner and of their talk. He felt he had said too much and that what was only a working relationship had become confused. 'Let's consider what has to be done,' he said in a matter-of-fact voice. 'I'd better explain what I'm going to try and do and how you can help. Which isn't very much I'm afraid,' he added. (57)
Ian Fleming
That was the end of the integrity of their love. The succeeding days were a shambles of falseness and hypocrisy, mingled with her tears and moments of animal passion to which she abandoned herself with a greed made indecent by the hollowness of their days. Several times Bond tried to break down the dreadful walls of mistrust. Again and again he brought up the subject of the telephone call, but she obstinately bolstered up her story with embellishments which Bond knew she had thought out afterwards. She even accused Bond of thinking she had another lover. These scenes always ended in her bitter tears and in moments almost of hysteria. Each day the atmosphere became more hateful. It seemed fantastic to Bond that human relationships could collapse into dust overnight and he searched his mind again and again for a reason. He felt that Vesper was just as horrified as he was and, if anything, her misery seemed greater than his. But the mystery of the telephone conversation which Vesper angrily, almost fearfully it seemed to Bond, refused to explain was a shadow which grew darker with other small mysteries and reticencies. (164)
Ian Fleming
There is no one to stage a last-minute rescue and there is no possibility of escape for you. This is not a romantic adventure story in which the villain is finally routed and the hero is given a medal and marries the girl. Unfortunately these things don't happen in real life. If you continue to be obstinate, you will be tortured to the edge of madness and then the girl will be brought in and we will set about her in front of you. If that is still not enough, you will both be painfully killed and I shall reluctantly leave your bodies and make my way abroad to a comfortable house which is waiting for me. There I shall take up a useful and profitable career and live to a ripe and peaceful old age in the bosom of the family I shall doubtless create. So you see, my dear boy, that I stand to lose nothing. If you hand the money over, so much the better. If not, I shall shrug my shoulders and be on my way.' (112)
Ian Fleming
This is just what he had been afraid of. These blithering women who thought they could do a man's work. Why the hell couldn't they just stay at home and mind their pot and pans and stick to their frocks and gossip and leave men's work to the men. And now for this to happen to him, just when the job had come off so beautifully. For Vesper to fall for an old trick like that and get herself snatched and probably held to ransom like some bloody heroine in a strip cartoon. The silly bitch. (97)
Ian Fleming
We have been feeling for some time that Le Chiffre is getting into deep water. In nearly all respects he is an admirable agent of the USSR, but his gross physical habits and predilections are an Achilles heel of which we have been able to take advantage from time to time and one of his mistresses is a Eurasian (No 1860) controlled by Station F, who has recently been able to obtain insight into his private affairs. (9)
Ian Fleming
While he, Bond, had been playing Red Indians through the years (yes, Le Chiffre's description was perfectly accurate), the real enemy had been working quietly, coldly, without heroics, right there at his elbow. He suddenly had a vision of Vesper walking down a corridor with documents in her hand. On a tray. They just got it on a tray while the cool secret agent with a Double O number was gallivanting round the world - playing Red Indians. His finger nails dug into the palms of his hands and his body sweated with shame. Well, it was not too late. Here was a target for him, right to hand. He would take on SMERSH and hunt it down. Without SMERSH, without this cold weapon of death and revenge, the M.W.D. would be just another bunch of civil servant spies, no better and no worse than any of the western services. (177-178)
Ian Fleming
With Mathis gone, her attitude towards him showed a sudden warmth. She seemed to acknowledge that they were a team and, as they discussed the time and place of their meeting, Bond realized that it would be quite easy after all to plan the details of his project with her. He felt that after all she was interested and excited by her role and that she would work willingly with him. He had imagined many hurdles before establishing a rapport, but now he felt he could get straight down to professional details. He was quite honest to himself about the hypocrisy of his attitude towards her. As a woman, he wanted to sleep with her but only when the job had been done. (34)
Ian Fleming
With most women his manner was a mixture of taciturnity and passion. The lengthy approaches to a seduction bored him almost as much as the subsequent mess of disentanglement. He found something grisly in the inevitability of the pattern of each affair. The conventional parabola - sentiment, the touch of the hand, the kiss, the passionate kiss, the feel of the body, the climax in the bed, then more bed, then less bed, then the boredom, the tears and the final bitterness - was to him shameful and hypocritical. Even more he shunned the 'mise-en-scène' for each of these acts in the play - the meeting at a party, the restaurant, the taxi, his flat, her flat, then the week-end by the sea, then the flats again, then the furtive alibis and the final angry farewell on some doorstep in the rain. (146)
Ian Fleming
All the windows of the house were shut, and when he went around to the driveway in front he saw a for-sale sign nailed to a tree. When had he last heard from the Welchers—when, that is, had he and Lucinda last regretted an invitation to dine with them? It seemed only a week or so ago. Was his memory failing or had he so disciplined it in the repression of unpleasant facts that he had damaged his sense of the truth? Then in the distance he heard the sound of a tennis game. This cheered him, cleared away all his apprehensions and let him regard the overcast sky and the cold air with indifference. This was the day that Neddy Merrill swam across the county. That was the day! He started off then for his most difficult portage. (730)
John Cheever
Had you gone for a Sunday afternoon ride that day you might have seen him, close to naked, standing on the shoulders of Route 424, waiting for a chance to cross. You might have wondered if he was the victim of foul play, had his car broken down, or was he merely a fool. Standing barefoot in the deposits of the highway— beer cans, rags, and blowout patches—exposed to all kinds of ridicule, he seemed pitiful. (730)
John Cheever
He dove in and swam the pool, but when be tried to haul himself up onto the curb he found that the strength in his arms and shoulders had gone, and he paddled to the ladder and climbed out. Looking over his shoulder be saw, in the lighted bathhouse, a young man. Going out onto the dark lawn he smelled chrysanthemums or marigolds—some stubborn autumnal fragrance—on the night air, strong as gas. Looking overhead he saw that the stars had come out, but why should he seem to see Andromeda, Cepheus, and Cassiopeia? What had become of the constellations of midsummer? He began to cry. (736)
John Cheever
He saw then, like any explorer, that the hospitable customs and traditions of the natives would have to be handled with diplomacy if he was ever going to reach his destination. He did not want to mystify or seem rude to the Grahams nor did he have the time to linger there. (728)
John Cheever
He stayed in the Levys' gazebo until the storm had passed. The rain had cooled the air and he shivered. The force of the wind had stripped a maple of its red and yellow leaves and scattered them over the grass and the water. Since it was midsummer the tree must be blighted, and yet he felt a peculiar sadness at this sign of autumn. He braced his shoulders, emptied his glass, and started for the Welchers' pool. This meant crossing the Lindleys' riding ring and he was surprised to find it overgrown with grass and all the jumps dismantled. He wondered if the Lindleys had sold their horses or gone away for the summer and put them out to board. He seemed to remember having heard something about the Lindleys and their horses but the memory was unclear. On he went, barefoot through the wet grass, to the Welchers', where he found their pool was dry. (730)
John Cheever
His life was not confining and the delight he took in this observation could not be explained by its suggestion of escape. He seemed to see, with a cartographer's eye, that string of swimming pools, that quasi-subterranean stream that curved across the county. He had made a discovery, a contribution to modern geography; he would name the stream Lucinda after his wife. He was not a practical joker nor was he a fool but he was determinedly original and had a vague and modest idea of himself as a legendary figure. The day was beautiful and it seemed to him that a long swim might enlarge and celebrate its beauty. (726-7)
John Cheever
The only maps and charts he had to go by were remembered or imaginary but these were clear enough. First there were the Grahams, the Hammers, the Lears, the Howlands, and the Crosscups. He would cross Ditmar Street to the Bunkers and come, after a short portage, to the Levys, the Welchers, and the public pool in Lancaster. Then there were the Hallorans, the Sachses, the Biswangers, Shirley Adams, the Gilmartins, and the Clydes. The day was lovely, and that he lived in a world so generously supplied with water seemed like a clemency, a beneficence. His heart was high and he ran across the grass. Making his way home by an uncommon route gave him the feeling that he was a pilgrim, an explorer, a man with a destiny, and he knew that he would find friends all along the way; friends would line the banks of the Lucinda River. (727)
John Cheever
The place was dark. Was it so late that they had all gone to bed? Had Lucinda stayed at the Westerhazys' for supper? Had the girls joined her there or gone someplace else? Hadn't they agreed, as they usually did on Sunday, to regret all their invitations and stay at home? He tried the garage doors to see what cars were in but the doors were locked and rust came off the handles onto his hands. Going toward the house, he saw that the force of the thunderstorm had knocked one of the rain gutters loose. It hung down over the front door like an umbrella rib, but it could be fixed in the morning. The house was locked, and he thought that the stupid cook or the stupid maid must have locked the place up until he remembered that it had been some time since they had employed a maid or a cook. He shouted, pounded on the door, tried to force it with his shoulder, and then, looking in at the windows, saw that the place was empty. (737)
John Cheever
Was he losing his memory, had his gift for concealing painful facts let him forget that he had sold his house, that his children were in trouble, and that his friend had been ill? His eyes slipped from Eric's face to his abdomen, where be saw three pale, sutured scars, two of them at least a foot long. Gone was his navel, and what, Neddy thought, would the roving hand, bed-checking one's gifts at 3 a.m., make of a belly with no navel, no link to birth, this breach in the succession? (734)
John Cheever
I was born into a large peasant family: father, four wives and about twenty-eight children. I also belonged, as we all did in those days, to a wider extended family and to the community as a whole.
Ngugi Wa Thiong'o
The stories, with mostly animals as the main characters, were all told in Gikuyu. Hare, being small, weak but full of innovative wit and cunning, was our hero. We identified with him as he struggled against the brutes of prey like lion, leopard, hyena. His victories were our victories and we learnt that the apparently weak can outwit the strong.
Ngugi Wa Thiong'o
"But they're priceless!" she was saying now, furiously; for she has a temper. "Maggie would put them on the bed and in five years they'd be in rags. Less than that!"
Alice Walker
"Wa.su.zo.Tean.o!" she says, coming on in that gliding way the dress makes her move. The short stocky fellow with the hair to his navel is all grinning and he follows up with "Asalamalakim, my mother and sister!" He moves to hug Maggie but she falls back, right up against the back of my chair. I feel her trembling there and when I look up I see the perspiration falling off her chin.
Alice Walker
"Well," I say. "Dee." "No, Mama," she says. "Not 'Dee,' Wangero Leewanika Kemanjo!" "What happened to 'Dee'?" I wanted to know. "She's dead," Wangero said. "I couldn't bear it any longer, being named after the people who oppress me."
Alice Walker
"You just don't understand," she said, as Maggie and I came out to the car. "What don't I understand?" I wanted to know. "Your heritage," she said, And then she turned to Maggie, kissed her, and said, "You ought to try to make something of yourself, too, Maggie. It's really a new day for us. But from the way you and Mama still live you'd never know it." She put on some sunglasses that hid everything above the tip of her nose and chin. Maggie smiled; maybe at the sunglasses. But a real smile, not scared. After we watched the car dust settle I asked Maggie to bring me a dip of snuff. And then the two of us sat there just enjoying, until it was time to go in the house and go to bed.
Alice Walker
After dinner Dee (Wangero) went to the trunk at the foot of my bed and started rifling through it. Maggie hung back in the kitchen over the dishpan. Out came Wangero with two quilts. They had been pieced by Grandma Dee and then Big Dee and me had hung them on the quilt fames on the front porch and quilted them. One was in the Lone Stat pattern. The other was Walk Around the Mountain. In both of them were scraps of dresses Grandma Dee had worn fifty and more years ago. Bits and pieces of Grandpa Jattell's Paisley shirts. And one teeny faded blue piece, about the size of a penny matchbox, that was from Great Grandpa Ezra's uniform that he wore in the Civil War.
Alice Walker
I have deliberately turned my back on the house. It is three rooms, just like the one that burned, except the roof is tin; they don't make shingle roofs any more. There are no real windows, just some holes cut in the sides, like the portholes in a ship, but not round and not square, with rawhide holding the shutters up on the outside. This house is in a pasture, too, like the other one. No doubt when Dee sees it she will want to tear it down. She wrote me once that no matter where we "choose" to live, she will manage to come see us. But she will never bring her friends. Maggie and I thought about this and Maggie asked me, "Mama, when did Dee ever have any friends?"
Alice Walker
I used to think she hated Maggie, too. But that was before we raised money, the church and me, to send her to Augusta to school. She used to read to us without pity; forcing words, lies, other folks' habits, whole lives upon us two, sitting trapped and ignorant underneath her voice. She washed us in a river of make.believe, burned us with a lot of knowledge we didn't necessarily need to know. Pressed us to her with the serious way she read, to shove us away at just the moment, like dimwits, we seemed about to understand.
Alice Walker
I will wait for her in the yard that Maggie and I made so clean and wavy yesterday afternoon. A yard like this is more comfortable than most people know. It is not just a yard. It is like an extended living room. When the hard clay is swept clean as a floor and the fine sand around the edges lined with tiny, irregular grooves, anyone can come and sit and look up into the elm tree and wait for the breezes that never come inside the house. Maggie will be nervous until after her sister goes: she will stand hopelessly in corners, homely and ashamed of the burn scars down her arms and legs, eying her sister with a mixture of envy and awe. She thinks her sister has held life always in the palm of one hand, that "no" is a word the world never learned to say to her.
Alice Walker
In real life I am a large, big boned woman with rough, man.working hands. In the winter I wear flannel nightgowns to bed and overalls during the day. I can kill and clean a hog as mercilessly as a man. My fat keeps me hot in zero weather. I can work outside all day, breaking ice to get water for washing; I can eat pork liver cooked over the open fire minutes after it comes steaming from the hog. One winter I knocked a bull calf straight in the brain between the eyes with a sledge hammer and had the meat hung up to chill before nightfall. But of course all this does not show on television. I am the way my daughter would want me to be: a hundred pounds lighter, my skin like an uncooked barley pancake. My hair glistens in the hot bright lights. Johnny Carson has much to do to keep up with my quick and witty tongue.
Alice Walker
Sometimes I dream a dream in which Dee and I are suddenly brought together on a TV program of this sort. Out of a dark and soft.seated limousine I am ushered into a bright room filled with many people. There I meet a smiling, gray, sporty man like Johnny Carson who shakes my hand and tells me what a fine girl I have. Then we are on the stage and Dee is embracing me with tears in her eyes. She pins on my dress a large orchid, even though she has told me once that she thinks orchids are tacky flowers.
Alice Walker
"I guess a lot of boys come telling you they're working their way through college," he said, "but I'm not going to tell you that. Somehow," he said, "I don't want to go to college. I want to devote my life to Chrustian service. See," he said, lowering his voice, "I got this heart condition. I may not live long. When you know it's something wrong with you and you may not live long, well then, lady..." He paused, with his mouth open, and stared at her. He and Joy had the same condition! She knew that her eyes were filling with tears but she collected herself quickly and murmured, "Won't you stay for dinner? We'd love to have you!" and was sorry the instant she heard herself say it. (7)
Flannery O'Connor
"Put it back on," she said. She was thinking that she would run away with him and that every night he would take the leg off and every morning put it back on again. "Put it back on," she said. (14) She gave a little cry of alarm but he pushed her down and began to kiss her again. Without the leg she felt entirely dependent on him. Her brain seemed to have stopped thinking altogether and to be about some other function that it was not very good at. Different expressions raced back and forth over her face. (14)
Flannery O'Connor
"Wait," he said. He leaned the other way and pulled the valise toward him and opened it. It had a pale blue spotted lining and there were only two Bibles in it. He took one of these out and opened the cover of it. It was hollow and contained a pocket flask of whiskey, a pack of cards, and a small blue box with printing on it. He laid these out in front of her one at a time in an evenly spaced row, like one presenting offerings at the shrine of a goddess. He put the blue box in her hand. THIS PRODUCT TO BE USED ONLY FOR THE PREVENTION OF DISEASE, she read, and dropped it. The boy was unscrewing the top of the flask. He stopped and pointed, with a smile, to the deck of cards. It was not an ordinary deck but one with an obscene picture on the back of each card. "Take a swig," he said, offering her the bottle first. He held it in front of her, but like one mesmerized, she did not move. (14)
Flannery O'Connor
"You said a mouthful," he said. "Why, I think there aren't enough good country people in the world!" she said, stirred. "I think that's what's wrong with it!" His face had brightened. "I didn't introduce myself," he said. "I'm Manley Pointer from out in the country around Willohobie, not even from a place, just from near a place." (6)
Flannery O'Connor
"You wait a minute," she said. "I have to see about my dinner." She went out to the kitchen and found Joy standing near the door where she had been listening. "Get rid of the salt of the earth," she said, "and let's eat." Mrs. Hopewell gave her a pained look and turned the heat down under the vegetables. "I can't be rude to anybody," she murmured and went back into the parlor. He had opened the suitcase and was sitting with a Bible on each knee. (6)
Flannery O'Connor
During the night she had imagined that she seduced him. She imagined that the two of them walked on the place until they came to the storage barn beyond the two back fields and there, she imagined, that things came to such a pass that she very easily seduced him and that then, of course, she had to reckon with his remorse. True genius can get an idea across even to an inferior mind. She imagined that she took his remorse in hand and changed it into a deeper understanding of life. She took all his shame away and turned it into something useful. (10)
Flannery O'Connor
He didn't get up. He began to twist his hands and looking down at them, he said softly, "Well lady I'll tell you the truth—not many people want to buy one nowadays and besides, I know I'm real simple. I don't know how to say a thing but to say it. I'm just a country boy." He glanced up into her unfriendly face. "People like you don't like to fool with country people like me. "Why!" she cried, "good country people are the salt of the earth! Besides, we all have different ways of doing, it takes all kinds to make the world go 'round. That's life!" (6)
Flannery O'Connor
Joy had been standing in the road, apparently looking at something in the distance, when he came down the steps toward her, bent to the side with his heavy valise. He stopped where she was standing and confronted her directly. Mrs. Hopewell could not hear what he said but she trembled to think what Joy would say to him. She could see that after a minute Joy said something and that then the boy began to speak again, making an excited gesture with his free hand. After a minute Joy said something else at which the boy began to speak once more. Then to her amazement, Mrs. Hopewell saw the two of them walk off together, toward the gate. Joy had walked all the way to the gate with him and Mrs. Hopewell could not imagine what they had said to each other, and she had not yet dared to ask. (8)
Flannery O'Connor
Mrs. Freeman had a special fondness for the details of secret infections, hidden deformities, assaults upon children. Of diseases, she preferred the lingering or incurable. (4)
Flannery O'Connor
One day Mrs. Hopewell had picked up one of the books the girl had just put down and opening it at random, she read, "Science, on the other hand, has to assert its soberness and seriousness afresh and declare that it is concerned solely with what-is. Nothing—how can it be for science anything but a horror and a phantasm? If science is right, then one thing stands firm: science wishes to know nothing of nothing. Such is after all the strictly scientific approach to Nothing. We know it by wishing to know nothing of Nothing." These words had been underlined with a blue pencil and they worked on Mrs. Hopewell like some evil incantation in gibberish. She shut the book quickly and went out of the room as if she were having a chill. (5)
Flannery O'Connor
She sat staring at him. There was nothing about her face or her round freezing blue eyes to indicate that this had moved her; but she felt as if her heart had stopped and left her mind to pump her blood. She decided that for the first time in her life she was face to face with real innocence. This boy, with an instinct that came from beyond wisdom, had touched the truth about her. When after a minute, she said in a hoarse high voice, "All right," it was like surrendering to him completely. It was like losing her own life and finding it again, miraculously, in his. (13-14)
Flannery O'Connor
She urged him to talk about himself and he did. He said he was the seventh child of twelve and that his father had been crushed under a tree when he himself was eight years old. He had been crushed very badly, in fact, almost cut in two and was practically not recognizable. His mother had got along the best she could by hard working and she had always seen that her children went to Sunday School and that they read the Bible every evening. He was now nineteen years old and he had been selling Bibles for four months. In that time he had sold seventy-seven Bibles and had the promise of two more sales. He wanted to become a missionary because he thought that was the way you could do most for people. (7)
Flannery O'Connor
She was to meet the Bible salesman at ten o'clock at the gate. She had thought about it half the night. She had started thinking of it as a great joke and then she had begun to see profound implications in it. She had lain in bed imagining dialogues for them that were insane on the surface but that reached below to depths that no Bible salesman would he aware of. Their conversation yesterday had been of this kind. (9)
Flannery O'Connor
She went all day in a six-year-old skirt and a yellow sweat shirt with a faded cowboy on a horse. She thought this was funny; Mrs. Hopewell thought it was idiotic and showed simply that she was still a child. She was brilliant but she didn't have a grain of sense. (4)
Flannery O'Connor
The girl at first did not return any of the kisses but presently she began to and after she had put several on his cheek, she reached his lips and remained there, kissing him again and again as if she were trying to draw all the breath out of him. His breath was clear and sweet like a child's and the kisses were sticky like a child's. He mumbled about loving her and about knowing when he first seen her that he loved her, but the mumbling was like the sleepy fretting of a child being put to sleep by his mother. Her mind, throughout this, never stopped or lost itself for a second to her feelings. (12)
Flannery O'Connor
The kiss, which had more pressure than feeling behind it, produced that extra surge of adrenalin in the girl that enables one to carry a packed trunk out of a burning house, but in her, the power went at once to the brain. Even before he released her, her mind, clear and detached and ironic anyway, was regarding him from a great distance, with amusement but with pity. She had never been kissed before and she was pleased to discover that it was an unexceptional experience and all a matter of the mind's control. Some people might enjoy drain water if they were told it was vodka. When the boy, looking expectant but uncertain, pushed her gently away, she turned and walked on, saying nothing as if such business, for her, were common enough. (11)
Flannery O'Connor
The large hulking Joy, whose constant outrage had obliterated every expression from her face, would stare just a little to the side of her, her eyes icy blue, with the look of someone who has achieved blindness by an act of will and means to keep it. (2)
Flannery O'Connor
When all of him had passed but his head, he turned and regarded her with a look that no longer had any admiration in it. "I've gotten a lot of interesting things," he said. "One time I got a woman's glass eye this way. And you needn't to think you'll catch me because Pointer ain't really my name. I use a different name at every house I call at and don't stay nowhere long. And I'll tell you another thing, Hulga," he said, using the name as if he didn't think much of it, "you ain't so smart, I been believing in nothing ever since I was born r and then the toast-colored hat disappeared down the hill and the girl was left, sitting on the straw in the dusty sunlight. When she turned her churning face toward the opening, she saw his blue figure struggling successfully over the green speckled lake. (15)
Flannery O'Connor
(3), If one takes an uncharitable attitude towards it, is simply meaningless: probably one could work out its intended meaning by reading the whole of the article in which it occurs.
George Orwell
A newly invented metaphor assists thought by evoking a visual image, while on the other hand a metaphor which is technically 'dead' (e. g. iron resolution) has in effect reverted to being an ordinary word and can generally be used without loss of vividness.
George Orwell
A scrupulous writer, in every sentence that he writes, will ask himself at least four questions: What am I trying to say What words will express it? What image or idiom will make it clearer? Is this image fresh enough to have an effect? And he will probably ask himself two more: Could I put it more shortly? Have I said anything that is avoidably ugly?
George Orwell
Above all, we cannot play ducks and drakes play ducks and drakes with a native battery of with a native battery of idioms which prescribes idioms which prescribes egregious collocations of egregious collocations of vocables as the Basic put up with for tolerate, put up with for tolerate, or put at a loss for or put at a loss for bewilder.bewilder
George Orwell
Adjectives...used to dignify the sordid process of international politics, while writing that aims at glorifying war usually takes on an archaic colour.
George Orwell
All the 'best people' from the gentlemen's clubs, and all the frantic fascist captains, united in common hatred of Socialism and bestial horror at the rising tide of the mass revolutionary movement, have turned to acts of provocation, to foul incendiarism, to medieval legends of poisoned wells, to legalize their own destruction of proletarian organizations, and rouse the agitated petty-bourgeoise to chauvinistic fervor on behalf of the fight against the revolutionary way out of the crisis.
George Orwell
But you are not obliged to go to all this trouble. You can shirk it by simply throwing your mind open and letting the ready-made phrases come crowding in. They will construct your sentences for you — even think your thoughts for you, to a certain extent — and at need they will perform the important service of partially concealing your meaning even from yourself. It is at this point that the special connection between politics and the debasement of language becomes clear.
George Orwell
Consider for instance some comfortable English professor defending Russian totalitarianism. He cannot say outright, 'I believe in killing off your opponents when you can get good results by doing so'. Probably, therefore, he will say something like this: 'While freely conceding that the Soviet regime exhibits certain features which the humanitarian may be inclined to deplore, we must, I think, agree that a certain curtailment of the right to political opposition is an unavoidable concomitant of transitional periods, and that the rigors which the Russian people have been called upon to undergo have been amply justified in the sphere of concrete achievement.' (2617)
George Orwell
Defenceless villages are bombarded from the air, the inhabitants driven out into the countryside, the cattle machine-gunned, the huts set on fire with incendiary bullets: this is called pacification. Millions of peasants are robbed of their farms and sent trudging along the roads with no more than they can carry: this is called transfer of population or rectification of frontiers. People are imprisoned for years without trial, or shot in the back of the neck or sent to die of scurvy in Arctic lumber camps: this is called elimination of unreliable elements. Such phraseology is needed if one wants to name things without calling up mental pictures of them. (2617)
George Orwell
Each of these passages has faults of its own, but, quite apart from avoidable ugliness, two qualities are common to all of them. The first is staleness of imagery; the other is lack of precision. The writer either has a meaning and cannot express it, or he inadvertently says something else, or he is almost indifferent as to whether his words mean anything or not. (2612)
George Orwell
Foreign words and expressions...are used to give an air of culture and elegance. Except for the useful abbreviations.
George Orwell
I am not, indeed, sure whether it is not true to say that the Milton who once seemed not unlike a seventeenth-century Shelley had not become, out of an experience ever more bitter in each year, more alien [sic] to the founder of that Jesuit sect which nothing could induce him to tolerate.
George Orwell
If a new spirit is to be infused into this old country, there is one thorny and contentious reform which must be tackled, and that is the humanization and galvanization of the B.B.C. Timidity here will bespeak canker and atrophy of the soul. The heart of Britain may be sound and of strong beat, for instance, but the British lion's roar at present is like that of Bottom in Shakespeare's A Midsummer Night's Dream — as gentle as any sucking dove. A virile new Britain cannot continue indefinitely to be traduced in the eyes or rather ears, of the world by the effete languors of Langham Place, brazenly masquerading as 'standard English'. When the Voice of Britain is heard at nine o'clock, better far and infinitely less ludicrous to hear aitches honestly dropped than the present priggish, inflated, inhibited, school-ma'amish arch braying of blameless bashful mewing maidens!
George Orwell
In (4), the writer knows more or less what he wants to say, but an accumulation of stale phrases chokes him like tea leaves blocking a sink.
George Orwell
In (5), words and meaning have almost parted company. People who write in this manner usually have a general emotional meaning — they dislike one thing and want to express solidarity with another — but they are not interested in the detail of what they are saying.
George Orwell
In certain kinds of writing, particularly in art criticism and literary criticism, it is normal to come across long passages which are almost completely lacking in meaning
George Orwell
In our time, political speech and writing are largely the defence of the indefensible. Things like the continuance of British rule in India, the Russian purges and deportations, the dropping of the atom bombs on Japan, can indeed be defended, but only by arguments which are too brutal for most people to face, and which do not square with the professed aims of the political parties. Thus political language has to consist largely of euphemism, question-begging and sheer cloudy vagueness. (2617)
George Orwell
Many political words are similarly abused. The word Fascism has now no meaning except in so far as it signifies 'something not desirable'. The words democracy, socialism, freedom, patriotic, realistic, justice have each of them several different meanings which cannot be reconciled with one another.
George Orwell
On the one side we have the free personality: by definition it is not neurotic, for it has neither conflict nor dream. Its desires, such as they are, are transparent, for they are just what institutional approval keeps in the forefront of consciousness; another institutional pattern would alter their number and intensity; there is little in them that is natural, irreducible, or culturally dangerous. But on the other side, the social bond itself is nothing but the mutual reflection of these self-secure integrities. Recall the definition of love. Is not this the very picture of a small academic? Where is there a place in this hall of mirrors for either personality or fraternity?
George Orwell
Political language — and with variations this is true of all political parties, from Conservatives to Anarchists — is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind.
George Orwell
Professor Laski (1) uses five negatives in fifty three words. One of these is superfluous, making nonsense of the whole passage, and in addition there is the slip — alien for akin — making further nonsense, and several avoidable pieces of clumsiness which increase the general vagueness.
George Orwell
The keynote is the elimination of simple verbs. Instead of being a single word, such as break, stop, spoil, mend, kill, a verb becomes a phrase, made up of a noun or adjective tacked on to some general-purpose verb such as prove, serve, form, play, render.
George Orwell
These save the trouble of picking out appropriate verbs and nouns, and at the same time pad each sentence with extra syllables which give it an appearance of symmetry.
George Orwell
Words of this kind are often used in a consciously dishonest way. That is, the person who uses them has his own private definition, but allows his hearer to think he means something quite different [and] are almost always made with intent to deceive.
George Orwell
Words...used to dress up a simple statement and give an air of scientific impartiality to biased judgements.
George Orwell
"I have a personal message from M. He spoke to me himself on the telephone. He simply said to tell you that he is much impressed. I asked if that was all and he said: 'Well, tell him that the treasury is greatly relieved.' Then he rang off." Bond grinned with pleasure. What most warmed him was that M. himself should have rung up Mathis. This was quite unheard of. The very existence of M., let alone his identity, was never admitted. He could imagine the flutter this must have caused in the ultra-security-minded organization in London. (126)
Ian Fleming
"It's a nuisance because M. will probably say I've got to go to hospital again when I get back to London and have new skin grafted over the whole of the back of my hand. It doesn't matter much. I've decided to resign.' Mathis looked at him with his mouth open. 'Resign?' he asked incredulously. 'What the hell for?' Bond looked away from Mathis. He studied his bandaged hands. 'When I was being beaten up,' he said, 'I suddenly liked the idea of being alive. Before Le Chiffre began, he used a phrase which stuck in my mind "playing Red Indians" He said that's what I had been doing. Well, I suddenly thought he might be right. 'You see,' he said, still looking down at his bandages, 'when one's young, it seems very easy to distinguish between right and wrong, but as one gets older it becomes more difficult. At school it's easy to pick out one's own villains and heroes and one grows up wanting to be a hero and kill the villains.' (130)
Ian Fleming
'All right,' he said. 'Take our friend Le Chiffre. It's simple enough to say he was an evil man, at least it's simple enough for me because he did evil things to me. If he was here now, I wouldn't hesitate to kill him, but out of personal revenge and not, I'm afraid, for some high moral reason or for the sake of my country.' (132)
Ian Fleming
'First of all,' and he inhaled a thick lungful of Caporal, 'you will be pleased with your Number Two. She is very beautiful' - Bond frowned - 'very beautiful indeed.' Satisfied with Bond's reaction, Mathis continued: 'She has black hair, blue eyes, and splendid . . . er . . . protuberances. Back and front,' he added. 'And she is a wireless expert which, though sexually less interesting, makes her a perfect employee of Radio Stentor and assistant to myself in my capacity as wireless salesman for this rich summer season down here.' He grinned. 'We are both staying in the hotel and my assistant will thus be on hand in case your new radio breaks down. All new machines, even French ones, are apt to have teething troubles in the first day or two. And occasionally at night,' he added with an exaggerated wink. Bond was not amused. 'What the hell do they want to send me a woman for?' he said bitterly. 'Do they think this is a bloody picnic?' (25)
Ian Fleming
'He's a dedicated man,' her chief had said when he gave her the assignment. 'Don't imagine this is going to be any fun. He thinks of nothing but the job on hand and, while it's on, he's absolute hell to work for. But he's an expert and there aren't many about, so you won't be wasting your time. He's a good-looking chap, but don't fall for him. I don't think he's got much heart. Anyway, good luck and don't get hurt.' All this had been something of a challenge and she was pleased when she felt she attracted and interested him, as she knew intuitively that she did. Then at a hint that they were finding pleasure together, a hint that was only the first words of a conventional phrase, he had suddenly turned to ice and had brutally veered away as if warmth were poison to him. She felt hurt and foolish. Then she gave a mental shrug and concentrated with all her attention on what he was saying. She would not make the same mistake again. (57-58)
Ian Fleming
'I'm behaving like a pig,' she said happily. 'You always give me all the things I like best. I've never been so spoiled before.' She gazed across the terrace at the moonlit bay. 'I wish I deserved it.' Her voice had a wry undertone. 'What do you mean?' asked Bond surprised. 'Oh, I don't know. I suppose people get what they deserve, so perhaps I do deserve it.' She looked at him and smiled. Her eyes narrowed quizzically. 'You really don't know much about me,' she said suddenly. Bond was surprised by the undertone of seriousness in her voice. 'Quite enough,' he said laughing. 'All I need until tomorrow and the next day and the next. You don't know much about me for the matter of that.' He poured out more champagne. Vesper looked at him thoughtfully. 'People are islands,' she said. 'They don't really touch. However close they are, they're really quite separate. Even if they've been married for fifty years.' Bond thought with dismay that she must be going into a 'vin triste'. Too much champagne had made her melancholy. But suddenly she gave a happy laugh. 'Don't look so worried.' She leaned forward and put her hand over his. 'I was only being sentimental. Anyway, my island feels very close to your island tonight.' She took a sip of champagne. Bond laughed, relieved. 'Let's join up and make a peninsula,' he said. 'Now, directly we've finished the strawberries.' (159)
Ian Fleming
'It was a pretty sound job. Nice and clean too. Three hundred yards away. No personal contact. The next time in Stockholm wasn't so pretty. I had to kill a Norwegian who was doubling against us for the Germans. He'd managed to get two of our men captured - probably bumped off for all I know. For various reasons it had to be an absolutely silent job. I chose the bedroom of his flat and a knife. And, well, he just didn't die very quickly. 'For those two jobs I was awarded a Double O number in the Service. Felt pretty clever and got a reputation for being good and tough. A Double O number in our Service means you've had to kill a chap in cold blood in the course of some job. 'Now,' he looked up again at Mathis, 'that's all very fine. The hero kills two villains, but when the hero Le Chiffre starts to kill the villain Bond and the villain Bond knows he isn't a villain at all, you see the other side of the medal. The villains and heroes get all mixed up.(131-132)
Ian Fleming
'My dear boy,' Le Chiffre spoke like a father, 'the game of Red Indians is over, quite over. You have stumbled by mischance into a game for grown-ups and you have already found it a painful experience. You are not equipped, my dear boy, to play games with adults and it very foolish of your nanny in London to have sent you out here with your spade and bucket. Very foolish indeed and most unfortunate for you.' 'But we must stop joking, my dear fellow, although I am sure you would like to follow me in developing this amusing little cautionary tale.' (111-112)
Ian Fleming
'Now,' he turned back to the menu, 'I myself will accompany Mademoiselle with the caviar, but then I would like a very small tournedos, underdone, with sauce Bearnaise and a coeur d'artichaut. While Mademoiselle is enjoying the strawberries, I will have half an avocado pear with a little French dressing. Do you approve?' The maitre d'htel bowed. 'My compliments, mademoiselle and monsieur. Monsieur George,' he turned to the sommelier and repeated the two dinners for his benefit. 'Parfait,' said the sommelier, proffering the leather-bound wine list. 'If you agree,' said Bond, 'I would prefer to drink champagne with you tonight. It is a cheerful wine and it suits the occasion - I hope' he added. 'Yes I would like champagne,' she said. With his finger on the page, Bond turned to the sommelier: 'The Taittinger 45?' 'A fine wine, monsieur,' said the sommelier. But if Monsieur will permit,' he pointed with his pencil, 'the Blanc de Blanc Brut 1943 of the same marque is without equal.' Bond smiled. 'So be it,' he said. 'That is not a well-known brand,' Bond explained to his companion, 'but it is probably the finest champagne in the world.' He grinned suddenly at the touch of pretension in his remark. (52)
Ian Fleming
'Of course,' he added, as Mathis started to expostulate, 'patriotism comes along and makes it seem fairly all right, but this country-right-or-wrong business is getting a little out-of-date. Today we are fighting communism. Okay. If I'd been alive fifty years ago, the brand of conservatism we have today would have been damn near called communism and we should have been told to go and fight that. History is moving pretty quickly these days and the heroes and villains keep on changing parts.' Mathis stared at him aghast. Then he tapped his head and put a calming hand on Bond's arm. 'You mean to say that this precious Le Chiffre who did his best to turn you into a eunuch doesn't qualify as a villain?' he asked. 'Anyone would think from the rot you talk that he had been battering your head instead of your ...' He gestured down the bed. 'You wait till M. tells you to get after another Le Chiffre. I bet you'll go after him all right. And what about SMERSH? I can tell you I don't like the idea of these chaps running around France killing anyone they feel has been a traitor to their precious political system. You're a bloody anarchist.'
Ian Fleming
'This is 007 speaking. This is an open line. It's an emergency. Can you hear me? Pass this on at once. 3030 was a double, working for Redland. 'Yes, dammit, I said "was". The bitch is dead now.'
Ian Fleming
'Well, when you get back to London you will find there are other Le Chiffres seeking to destroy you and your friends and your country. M. will tell you about them. And now that you have seen a really evil man, you will know how evil they can be and you will go after them to destroy them in order to protect yourself and the people you love. You won't wait to argue about it. You know what they look like now and what they can do to people. You maybe a bit more choosy about the jobs you take on. You may want to be certain that the target really is black, but there are plenty of really black targets around. There's still plenty for you to do. And you'll do it. And when you fall in love and have a mistress or a wife and children to look after, it will seem all the easier.' Mathis opened the door and stopped on the threshold. 'Surround yourself with human beings, my dear James. They are easier to fight for than principles.' He laughed. 'But don't let me down and become human yourself. We would lose such a wonderful machine.' (135)
Ian Fleming
'You must forgive me,' he said. 'I take a ridiculous pleasure in what I eat and drink. It comes partly from being a bachelor, but mostly from a habit of taking a lot of trouble over details. It's very pernickety and old-maidish really, but then when I'm working I generally have to eat my meals alone and it makes them more interesting when one takes trouble.' (53)
Ian Fleming
Above all, he liked it that everything was one's own fault. There was only oneself to praise or blame. Luck was a servant and not a master. Luck had to be accepted with a shrug or taken advantage of up to the hilt. But it had to be understood and recognized for what it was and not confused with a faulty appreciation of the odds, for, at gambling, the deadly sin is to mistake bad play for bad luck. And luck in all its moods had to be loved and not feared Bond saw luck as a woman, to be softly wooed or brutally ravaged, never pandered to or pursued. But he was honest enough to admit that he had never yet been made to suffer by cards or by women. One day, and he accepted the fact he would be brought to his knees by love or by luck. When that happened he knew that he too would be branded with the deadly question-mark he recognized so often in others, the promise to pay before you have lost: the acceptance of fallibility. (41)
Ian Fleming
Above all, his imagination had suffered. For an hour in that room with Le Chiffre the certainty of impotence had been beaten into him and a scar had been left on his mind that could only be healed by experience. From the day when Bond first met Vesper in the Hermitage bar, he had found her desirable and he knew that if things had been different in the night club, if Vesper had responded in any way and if there had been no kidnapping he would have tried to sleep with her that night. Even later, in the car and outside the villa when God knows he had had other things to think about, his eroticism had been hotly aroused by the sight of her indecent nakedness. And now when he could see her again, he was afraid. Afraid that his senses and his body would not respond to her sensual beauty. Afraid that he would feel no stir of desire and that his blood would stay cool. In his mind he had made this first meeting into a test and he was shirking the answer. That was the real reason, he admitted, why he had waited to give his body a chance to respond, why he had put off their first meeting for over a week. He would like to have put off the meeting still further, but he explained to himself that his report must be written, that any day an emissary from London would come over and want to hear the full story, that today was as good as tomorrow, that anyway he might as well know the worst. (138)
Ian Fleming
As he tied his thin, double-ended, black satin tie, he paused for a moment and examined himself levelly in the mirror. His grey-blue eyes looked calmly back with a hint of ironical inquiry and the short lock of black hair which would never stay in place slowly subsided to form a thick comma above his right eyebrow. With the thin vertical scar down his right cheek the general effect was faintly piratical. Not much of Hoagy Carmichael there, thought Bond, as he filled a flat, light gunmetal box with fifty of the Morland cigarettes with the triple gold band. Mathis had told him of the girl's comment. (49)
Ian Fleming
Bond closed his eyes and waited for the pain. He knew that the beginning of torture is the worst. There is a parabola of agony. A crescendo leading up to a peak and then the nerves are blunted and react progressively less until unconsciousness and death. All he could do was to pray for the peak, pray that his spirit would hold out so long and then accept the long free-wheel down to the final black-out.
Ian Fleming
Bond frowned. 'It's not difficult to get a Double O number if you're prepared to kill people,' he said. 'That's all the meaning it has. It's nothing to be particularly proud of. I've got the corpses of a Japanese cipher expert in New York and a Norwegian double agent in Stockholm to thank for being a Double 0. Probably quite decent people. They just got caught up in the gale of the world like that Yugoslav that Tito bumped off. It's a confusing business but if it's one's profession, one does what one's told. How do you like the grated egg with your caviar?' (56)
Ian Fleming
Bond sat at the window and gathered his thoughts. Nothing that Mathis had told him was reassuring. He was completely blown and under really professional surveillance. An attempt might be made to put him away before he had a chance to pit himself against Le Chiffre at the tables. The Russians had no stupid prejudices about murder. And then there was this pest of a girl. He sighed. Women were for recreation. On a job, they got in the way and fogged things up with sex and hurt feelings and all the emotional baggage they carried around. One had to look out for them and take care of them. 'Bitch,' said Bond' and then remembering the Muntzes, he said 'bitch' again more loudly and walked out of the room (27)
Ian Fleming
Description: Height 5 ft 8 ins. Weight 18 stones. Complexion very pale. Clean-shaven. Hair red-brown, 'en brosse'. Eyes very dark brown with whites showing all round iris. Small, rather feminine mouth. False teeth of expensive quality. Ears small, with large lobes, indicating some Jewish blood. Hands small, well-tended, hirsute. Feet small. Racially, subject is probably a mixture of Mediterranean with Prussian or Polish strains. Dresses well and meticulously, generally in dark double-breasted suits. Smokes incessantly Caporals, using a denicotinizing holder. At frequent intervals inhales from benzedrine inhaler. Voice soft and even. Bilingual in French and English. Good German. Traces of Marseilles accent. Smiles infrequently. Does not laugh. (13-14)
Ian Fleming
First encountered as a displaced person, inmate of Dachau DP camp in the US Zone of Germany, June 1945. Apparently suffering from amnesia and paralysis of vocal chords (? both feigned). Dumbness succumbed to therapy, but subject continued to claim total loss of memory except associations with Alsace-Lorraine and Strasbourg whither he was transferred in September 1945, on Stateless Passport No 304-596. Adopted the name 'Le Chiffre' ('since I am only a number on a passport'). No Christian names. (13)
Ian Fleming
