Music History Test 2
THe wtier who named two composers of the Notre Dame school was
Anonymous IV
THe Shawm was similar to what modern-day instrument?
oboe
A chansonnier was
a book of songs
The vielle was what type of string instrument?
a five stringed instrument played with a bow.
Cantilena is best devined as
a freely composed, homorhythmic piece
Portative and positive refer to two types of
organs
Renaissance painters achieved realistic effects through the use of
perspective and treatment of light
The Renaissance period of music comprises roughly which centuries?
15th and 16th
The term "temperament" in the 16th century refers to
A system of tuning all pitches of a keyboard instrument to make thirds and sixths sound good.
PHillipus de Caserta is one of the most important representative of this style of music in later 14th century
Ars Subtilor
Relative durations signified by note shapes were first introduced by Franco of Cologne in his treatise
Ars cantus mensurabilis
A collection of more than 400 songs in Gallican-Portuguese in honor of the Virgin Mary, prepared about 1270 in Spain is known as
Cantigas de Santa Maria
For much of the Renaissance, musicians working in Italy had been trained in
France, the Netherlands or Flanders
WHo was the blind composer known for his ballate and had a cadence named after him?
Francesco Landidi
Who composed isorhythmic motets, monophonic secular songs, and a first complete Mass Ordinary setting?
Guillaume de Machaut
One of the earliest composers to use a secular tune as a cantus firmus was
Guillaume du Fay
"Messe de Nostre Dame" was one of the earliest polyphonic settings of the Mass Ordinary and likely the first mass to be composed by a single composer. His name was
Guillume de Machaut
THe Swiss theorist who added four new odes in his book "Dodekachordon" was
Heinrich Glareanus
The two predominant textures of the Renaissance music are
Imitative counterpoint and homophony
A system for notated duration developed by musicians at Notre Dame was described in a 13th century treatise attributed to
Johannes de Garlandia
Which late medieval polyphonic genre could have words in both French and Latin?
Motet
Which composer composed quadruplum, or organa for four voices?
Perotinus
Which French composer wrote the famous treatise The New Art which gave name to the music movement and style in 14th century?
Phillippe de Vitry
Ottavio Petrucci is known for
Publishing music using a three-impression method
A 14th century allegorical narrative poem which used satire to comment on corruption in politics and church in France was
Roman de Fauvel
The two theorists who devised the new rules for counterpoint to include the newly-developed preference for 3rds and 6ths in the late 15th and 16th century were
Tinctoris and Zarlino
Which of these descriptions best characterize English music in the 13th century?
Voice-exchange, canons, and preference for 6-3 chords.
Aeolian and Ionian modes were
added to the modal system by Heinrich Glareanus
Renaissance musicians paralleled these achievements in their use of
all of the above
THe primary audience for printed music was/were
amateur musicians throughout Europe and the Americas
Roman de Fauvel was
an allegorical story interspersed with Ars Nova music.
Music and art of the Renaissance shared which of these characteristics?
an interest in the individual
The idea that music could be a social accomplishment, widely accepted during the Renaissance period, came from
ancient Greece
The renaissance period is marked by an interest in
ancient Greek culture
u Fay's Missa Se la face ay pale borrows its cantus firmus from the bollowing
ballade
A term used for pre-existing melody used in a new work in late medieval and early Renaissance periods was
cantus firmus
The music of Guillaume Du Fay is best described as
compositions that blended musical characteristics from French, Italian, and English traditions, representing a new international style of composition.
The cantus-firmus mass creates coherence between sections by
constructing each of the parts of the Ordinary around the same cantus firmus, normally placed in the tenor
Organum in which all voices sing in measured rhythm is called
discant
A style of organum in which both voices move in modal rhythm is called
discant style
Du Fay's career was spent
entirely in the service of the duke of Burgandy
In this type of English improvised polyphony, a plainchant in the middle voice is joined by an upper voice a perfect 4th above it and a lower voice singing mostly in parallel thirds below
faburden
The term for the technique whwere two or more voices alternate in rapid succession, each resting while the other sings, developed in the 13th century and used in isorhythmic motets is known as
hocket
THe synthesis of compositional elements from English, French, and Italian musical traditions led to this 15th century compositional style
international style
A plainsong mass gained choherence between parts of the Ordinary by employing
liturgically-appropriate, pre-existing chant, which corresponded with the text of each part
Musical instruments of the 14th century were divided into high and low depending on
loudness and softness
The following idea about Renaissance music was not borrowed from Greek thought
mean-tone temperament
Beginning in the 15th century, the following term referred to a polyphonic setting of a Latin text other than a mass cycle
motet
A mass which utilizes the same melodic motive in the beginning of each part of the mass is called a
motto mass
The Squarcialupi Codex is
one of the main sources of Italian Trecento music
In this compositional technique used in the top voice, the melody is given a rhythm and ornamented by adding notes around those of the chant
paraphrase
In English polyphony, a perpetual canon or round at the unison is called a
rota
The Old Hall manuscript contains
sacred polyphony, including works of Dunstable
In an isorhythmic work, the repeating rhythmic pattern is called the
talea
In cantus firmus masses, the borrowed melody is usually found in the
tenor
The "contenance angloise" refers to
the English style of polyphony
The cantus-firmus mass usually derived its name from
the borrowed melody
THe increase during the 15th and 16th centuries in amateur music making for pleasure or social entertainment is a direct result of
the introduction of music printing and the wider dissemination of written music
Court chapels were significant for music history because
they hired musicians for both sacred and secular music
Jongleurs were
travelling entertainers who juggled as well as sang.
Fauxbourdon is best defined as
two composed voices with an improvised 3rd voice, creating 6-3 chords