ENGL 123 Final Exam Quotes

Her lids had come down half over the silver-grey eyes, her head had tilted back so far that a little pulse showed throbbing in her white throat; her lips were motionless over slightly parted teeth, as the last word had left them. My fingers went deep into the soft white flesh of her shoulders. Her head went further back, her eyes closed, one hand came up to my shoulder... All this while she watched me with wide gray eyes that were calm and tender, but now they clouded a little and a pucker of pain drew her brows together. I yanked my head away and got the car in motion. Just before we swept into Redwood City one of her hands came up to my forearm, rested there for a second, patted the arm twice, and withdrew. I didn't look at her, nor, I think, did she look at me, while she was being booked. She gave her name as Jeanna Delano, and refused to make any statement until she had seen an attorney. It all took a very few minutes. As she was being led away, she stopped and asked if she might speak privately with me. We went together to a far corner of the room. She put her mouth close to my ear so that her breath was warm on my cheek, as it had been in the car, and whispered the vilest epithet of which the English language is capable. Then she walked out to her cell.

Dashiell Hammett, "The Girl With the Silver Eyes"

I took a package of cigarettes out of my pocket and put two of them on the seat between us. "Suppose we play a game. This is just for my own satisfaction. It won't tie anybody to anything-won't prove anything. If you did a certain thing, pick up the cigarette that is nearer me. If you didn't, pick up the one nearer you. Will you play?" "No, I won't," he said emphatically. "I don't like your game. But I do want a cigarette." He reached out his uninjured arm and picked up the cigarette nearer me. "Thanks, Ed," I said. "Now I hate to tell you this, but I'm going to swing you." "You're balmy, my son." "You're thinking of the San Francisco job, Ed," I explained. "I'm talking about Seattle. You, a hotel sneak-thief, were discovered in a room where a man who had just died with a bullet in his head. What do you think a jury will make out of that, Ed?" He laughed at me. And then something went wrong with the laugh. It faded into a sickly grin. "Of course you did," I said. "When you started to work out your plan to inherit all of Mrs. Ashcraft's wealth by having her killed, the first thing you did was to destroy that suicide letter of her husband's. No matter how carefully you guarded it, there was always a chance that somebody would stumble onto it and knock your game on the head. It had served its purpose-you wouldn't need it. It would be foolish to chance it turning up. "I can't put you up for the murders you engineered in San Francisco; but I can sock you with the one you didn't do in Seattle-so justice won't be cheated. You're going to Seattle, Ed, to hang for Ashcraft's suicide." And he did.

Dashiell Hammett, "The Golden Horseshoe"

She came into the room and into the circle of light from the tall lamp; a girl in her early twenties, slender and lithe, and dressed for the street, except that she carried her hat in one hand. A white face beneath a bobbed mass of flame-colored hair. Smoke-gray eyes that were set too far apart for trustworthiness-though not for beauty-laughed at me; and her red mouth laughed at me, exposing the edges of little sharp animal-teeth. She was beautiful as the devil, and twice as dangerous. She laughed at me-a fat man, all trussed up with red plush rope, and with the corner of a green cushion in my mouth-and she turned to the ugly man. "What do you want?" He spoke in an undertone, with a furtive glance at the ceiling, above which soft steps still padded back and forth. "What say we shake him?" Her smoke-gray eyes lost their merriment and became calculating. "There's a hundred thousand he's holding-a third of it's mine. You don't think I'm going to take a Mickey Finn on that, do you?" "Course not! Supposing we get the hundred-grand?" "How?" "Leave it to me, kid; leave it to me! If I swing it, will you go with me? You know I'll be good to you." She smiled contemptuously, I thought-but he seemed to like it. "You're whooping right you'll be good to me," she said. "But listen, Hook, we couldn't get away with it-not unless you get him. I know him! I'm not running away with anything that belongs to him unless he is fixed so that he can't come after it." Hook moistened his lips and looked around the room at nothing. Apparently he didn't like the thought of tangling with the owner of the British drawl. But his desire for the girl was too strong for his fear. "I'll do it!" he blurted. "I'll get him! Do you mean it, kid? If I get him, you'll go with me?" She held out her hand. "It's a bet," she said and he believed her. His ugly face grew warm and red and utterly happy, and he took a deep breath and straightened his shoulders. In his place, I might have believed her myself-all of us have fallen for that sort of thing one time or another-but sitting tied up on the side-lines, I knew that he'd have been better of playing with a gallon of nitro than with this baby. She was dangerous! The was a rough time ahead for Hook!

Dashiell Hammett, "The House in Turk Street"

Then I turned on all the lights in the room, lighted a cigarette (we all like to pose a little now and then), and sat down on the bed to await my capture. I might have stalked my enemies through the dark house, and possibly have nabbed them; but most likely I would simply have succeeded in getting myself shot. And I don't like to be shot.

Dashiell Hammett, "The House in Turk Street"

I took his temperature. 'What is it?' 'Something like a hundred,' I said. It was one hundred and two and four tenth. 'It was a hundred and two,' he said. 'Who said so?' 'The doctor.' 'Your temperature is all right,' I said. It's nothing to worry about.' 'I don't worry,' he said, 'but I can't keep from thinking.' 'Don't think,' I said. 'Just take it easy.' 'I'm taking it easy,' he said and looked straight ahead. He was evidently holding tight onto himself about something. 'Take this with water.' 'Do you think it will do any good?' 'Of course it will.' I sat down and opened the Pirate book and commenced to read, but I could see he was not following, so I stopped. 'About what time do you think I'm going to die?' he asked. 'What?' 'About how long will it be before I die?' 'You aren't going to die. What's the matter with you?' Oh, yes, I am. I heard him say a hundred and two.' 'People don't die with a fever of one hundred and two. That's a silly way to talk.' 'I know they do. At school in France the boys told me you can't live with fortyfour degrees. I've got a hundred and two.' He had been waiting to die all day, ever since nine o'clock in the morning. 'You poor Schatz,' I said. 'Poor old Schatz. It's like miles and kilometers. You aren't going to die. That's a different thermometer. On that thermometer thirtyseven is normal. On this kind it's ninety-eight.' 'Are you sure?' 'Absolutely,' I said. 'It's like miles and kilometers. You know, like how many kilometers we make when we do seventy in the car?' 'Oh,' he said. But his gaze at the foot of his bed relaxed slowly. The hold over himself relaxed too, finally, and the next day it was very slack and he cried very easily at little things that were of no importance.

Ernest Hemingway, "A Day's Wait"

The referee grabbed Walcott. Jack stepped forward. If he went down there went fifty thousand bucks. He walked as though all his insides were going to fall out. "It wasn't low," he said. "It was a accident." The crowd were yelling so you couldn't hear anything. "I'm all right," Jack says. They were right in front of us. The referee looks at John and then he shakes his head. "Come on, you polak son-of-a-bitch," Jack says to Walcott. John was hanging onto the ropes. He had the towel ready to chuck in. Jack was standing just a little way out from the ropes. He took a step forward. I saw the sweat come out on his face like somebody had squeezed it and a big drop went down his nose. "Come on and fight," Jack says to Walcott. The referee looked at John and waved Walcott on. "Go in there, you slob," he says. Walcott went in. He didn't know what to do either. He never thought Jack could have stood it. Jack put the left in his face. There was such a hell of a lot of yelling going on. They were right in front of us. Walcott hit him twice. Jack's face was the worst thing I ever saw—the look on it! He was holding himself and all his body together and it all showed on his face. All the time he was thinking and holding his body in where it was busted. Then he started to sock. His face looked awful all the time. He started to sock with his hands low down by his side, swinging at Walcott. Walcott covered up and Jack was swinging wild at Walcott's head. Then he swung the left and it hit Walcott in the groin and the right hit Walcott right bang where he'd hit Jack. Way low below the belt. Walcott went down and grabbed himself there and rolled and twisted around. The referee grabbed Jack and pushed him toward his corner. John jumps into the ring. There was all this yelling going on. The referee was talking with the judges and then the announcer got into the ring with the megaphone and says, "Walcott on a foul." The referee is talking to John and he says, "What could I do? Jack wouldn't take the foul. Then when he's groggy he fouls him." "He'd lost it anyway," John says. Jack's sitting on the chair. I've got his gloves off and he's holding himself in down there with both hands. When he's got something supporting it his face doesn't look so bad. "Go over and say you're sorry," John says into his ear. "It'll look good." Jack stands up and the sweat comes out all over his face. I put the bathrobe around him and he holds himself in with one hand under the bathrobe and goes across the ring. They've picked Walcott up and they're working on him. There're a lot of people in Walcott's corner. Nobody speaks to Jack. He leans over Walcott. "I'm sorry," Jack says. "I didn't mean to foul you." Walcott doesn't say anything. He looks too damned sick. "Well, you're the champion now," Jack says to him. "I hope you get a hell of a lot of fun out of it." "Leave the kid alone," Solly Freedman says. "Hello, Solly," Jack says. "I'm sorry I fouled your boy." Freedman just looks at him. Jack went to his corner walking that funny jerky way and we got him down through the ropes and through the reporters' tables and out down the aisle. A lot of people want to slap Jack on the back. He goes out through all that mob in his bathrobe to the dressing-room. It's a popular win for Walcott. That's the way the money was bet in the Garden. Once we got inside the dressing-room Jack lay down and shut his eyes. "We want to get to the hotel and get a doctor," John says. "I'm all busted inside," Jack says. "I'm sorry as hell. Jack," John says. "It's all right," Jack says. He lies there with his eyes shut. "They certainly tried a nice double-cross," John said. "Your friends Morgan and Steinfelt," Jack said. "You got nice friends." He lies there, his eyes are open now. His face has still got that awful drawn look. "It's funny how fast you can think when it means that much money," Jack says. "You're some boy, Jack," John says. "No," Jack says. "It was nothing."

Ernest Hemingway, "Fifty Grand"

"You don't wait long when you have an advantage, do you?" "Please let's not talk. I'm so sleepy, darling." "I'm going to talk." "Don't mind me then, because I'm going to sleep." And she did. At breakfast they were all three at the table before daylight and Francis Macomber found that, of all the many men that he had hated, he hated Robert Wilson the most. "Sleep well?" Wilson asked in his throaty voice, filling a pipe. "Did you?" "Topping," the white hunter told him. You bastard, thought MaComber, you insolent bastard. So she woke him when she came in, Wilson thought, looking at them both with his flat, cold eyes. Well, why doesn't he keep his wife where she belongs? What does he think I am, a bloody plaster saint? Let him keep her where she belongs. It's his own fault. "Do you think we'll find buffalo?" Margot asked, pushing away a dish of apricots. "Chance of it," Wilson said and smiled at her. "Why don't you stay in camp?" "Not for anything," she told him. "Why not order her to stay in camp?" Wilson said to Macomber. "You order her," said Macomber coldly. "Let's not have any ordering, nor," turning to Macomber, "any silliness. Francis," Margot said quite pleasantly. "Are you ready to start?" Macomber asked. "Any time," Wilson told him. "Do you want the Memsahib to go?" "Does it make any difference whether I do or not?" The hell with it, thought Robert Wilson. The utter complete hell with it. So this is what it's going to be like. Well, this is what it's going to be like, then. "Makes no difference," he said.

Ernest Hemingway, "The Short Happy Life of Francis Macomber"

He, Robert Wilson, carried a double size cot on safari to accommodate any windfalls he might receive. He had hunted for a certain clientele, the international, fast, sporting set, where the women did not feel they were getting their money's worth unless they had shared that cot with the white hunter. He despised them when he was away from them although he liked some of them well enough at the time, but he made his living by them; and their standards were his standards as long as they were hiring him. They were his standards in all except the shooting. He had his own standards about the killing and they could live up to them or get some one else to hunt them. He knew, too, that they all respected him for this. This Macomber was an odd one though. Damned if he wasn't. Now the wife. Well, the wife. Yes, the wife. Hm, the wife. Well he'd dropped all that. He looked around at them. Macomber sat grim and furious. Margot smiled at him. She looked younger today, more innocent and fresher and not so professionally beautiful. What's in her heart God knows, Wilson thought. She hadn't talked much last night. At that it was a pleasure to see her.

Ernest Hemingway, "The Short Happy Life of Francis Macomber"

Wilson had ducked to one side to get in a shoulder shot. Macomber had stood solid and shot for the nose, shooting a touch high each time and hitting the heavy horns, splintering and chipping them like hitting a slate roof, and Mrs. Macomber, in the car, had shot at the buffalo with the 6.5 Mannlicher as it seemed about to gore Macomber and had hit her husband about two inches up and a little to one side of the base of his skull. Francis Macomber lay now, face down, not two yards from where the buffalo lay on his side and his wife knelt over him with Wilson beside her. "I wouldn't turn him over," Wilson said. The woman was crying hysterically. "I'd get back in the car," Wilson said. "Where's the rifle?" She shook her head, her face contorted. The gun-bearer picked up the rifle. "Leave it as it is," said Wilson. Then, "Go get Abdulla so that he may witness the manner of the accident." He knelt down, took a handkerchief from his pocket, and spread it over Francis Macomber's crew-cropped head where it lay. The blood sank into the dry, loose earth. Wilson stood up and saw the buffalo on his side, his legs out, his thinly-haired belly crawling with ticks. "Hell of a good bull," his brain registered automatically. "A good fifty inches, or better. Better." He called to the driver and told him to spread a blanket over the body and stay by it. Then he walked over to the motor car where the woman sat crying in the corner. "That was a pretty thing to do," he said in a toneless voice. "He would have left you too." "Stop it," she said. "Of course it's an accident," he said. "I know that." "Stop it," she said. "Don't worry," he said. "There will be a certain amount of unpleasantness but I will have some photographs taken that will be very useful at the inquest. There's the testimony of the gun-bearers and the driver too. You're perfectly all right." "Stop it," she said. "There's a hell of a lot to be done," he said. "And I'll have to send a truck off to the lake to wireless for a plane to take the three of us into Nairobi. Why didn't you poison him? That's what they do in England." "Stop it. Stop it. Stop it," the woman cried. Wilson looked at her with his flat blue eyes. "I'm through now," he said. "I was a little angry. I'd begun to like your husband." "Oh, please stop it," she said. "Please stop it." "That's better," Wilson said. "Please is much better. Now I'll stop."

Ernest Hemingway, "The Short Happy Life of Francis Macomber"

"Don't be melodramatic, Harry, please," she said. "Why don't you use your nose? I'm rotted half way up my thigh now. What the hell should I fool with broth for? Molo bring whiskey-soda." "Please take the broth," she said gently. "All right." The broth was too hot. He had to hold it in the cup until it cooled enough to take it and then he just got it down without gagging. "You're a fine woman," he said. "Don't pay any attention to me." She looked at him with her well-known, well-loved face from Spur and Town & Country, only a little the worse for drink, only a little the worse for bed, but Town & Country never showed those good breasts and those useful thighs and those lightly small-of-back-caressing hands, and as he looked and saw her well-known pleasant smile, he felt death come again. This time there was no rush. It was a puff, as of a wind that makes a candle flicker and the flame go tall. "They can bring my net out later and hang it from the tree and build the fire up. I'm not going in the tent tonight. It's not worth moving. It's a clear night. There won't be any rain." So this was how you died, in whispers that you did not hear. Well, there would be no more quarrelling. He could promise that. The one experience that he had never had he was not going to spoil now. He probably would. You spoiled everything. But perhaps he wouldn't. "You can't take dictation, can you?" "I never learned," she told him. "That's all right." There wasn't time, of course, although it seemed as though it telescoped so that you might put it all into one paragraph if you could get it right.

Ernest Hemingway, "The Snows of Kilimanjaro"

"I don't give a damn about the truck." "I do." "You give a damn about so many things that I don't." "Not so many, Harry." "What about a drink?" "It's supposed to be bad for you. It said in Black's to avoid all alcohol. You shouldn't drink." "Molo!" he shouted. "Yes Bwana." "Bring whiskey-soda." "Yes Bwana." "You shouldn't," she said. "That's what I mean by giving up. It says it's bad for you. I know it's bad for you." "No," he said. "It's good for me." So now it was all over, he thought. So now he would never have a chance to finish it. So this was the way it ended, in a bickering over a drink. Since the gangrene started in his right leg he had no pain and with the pain the horror had gone and all he felt now was a great tiredness and anger that this was the end of it. For this, that now was coming, he had very little curiosity. For years it had obsessed him; but now it meant nothing in itself. It was strange how easy being tired enough made it. Now he would never write the things that he had saved to write until he knew enough to write them well. Well, he would not have to fail at trying to write them either. Maybe you could never write them, and that was why you put them off and delayed the starting. Well he would never know, now. "I wish we'd never come," the woman said. She was looking at him holding the glass and biting her lip. "You never would have gotten anything like this in Paris. You always said you loved Paris. We could have stayed in Paris or gone anywhere. I'd have gone anywhere. I said I'd go anywhere you wanted. If you wanted to shoot we could have gone shooting in Hungary and been comfortable." "Your bloody money," he said. "That's not fair," she said. "It was always yours as much as mine. I left everything and I went wherever you wanted to go and I've done what you wanted to do But I wish we'd never come here." "You said you loved it." "I did when you were all right. But now I hate it. I don't see why that had to happen to your leg. What have we done to have that happen to us?" "I suppose what I did was to forget to put iodine on it when I first scratched it. Then I didn't pay any attention to it because I never infect. Then, later, when it got bad, it was probably using that weak carbolic solution when the other antiseptics ran out that paralyzed the minute blood vessels and started the gangrene." He looked at her, "What else'" "I don't mean that." "If we would have hired a good mechanic instead of a half-baked Kikuyu driver, he would have checked the oil and never burned out that bearing in the truck." "I don't mean that." "If you hadn't left your own people, your *******ed Old Westbury Saratoga, Palm Beach people to take me on " *'Why, I loved you. That's not fair. I love you now. I'll always love you Don't you love me?" "No," said the man. "I don't think so. I never have." "Harry, what are you saying? You're out of your head." "No. I haven't any head to go out of." "Don't drink that," she said. "Darling, please don't drink that. We have to do everything we can." "You do it," he said. "I'm tired."

Ernest Hemingway, "The Snows of Kilimanjaro"

She shot very well this good, this rich bitch, this kindly caretaker and destroyer of his talent. Nonsense. He had destroyed his talent himself. Why should he blame this woman because she kept him well? He had destroyed his talent by not using it, by betrayals of himself and what he believed in, by drinking so much that he blunted the edge of his perceptions, by laziness, by sloth, and by snobbery, by pride and by prejudice, by hook and by crook. What was this? A catalogue of old books? What was his talent anyway? It was a talent all right but instead of using it, he had traded on it. It was never what he had done, but always what he could do. And he had chosen to make his living with something else instead of a pen or a pencil. It was strange, too, wasn't it, that when he fell in love with another woman, that woman should always have more money than the last one? But when he no longer was in love, when he was only lying, as to this woman, now, who had the most money of all, who had all the money there was, who had had a husband and children, who had taken lovers and been dissatisfied with them, and who loved him dearly as a writer, as a man, as a companion and as a proud possession; it was strange that when he did not love her at all and was lying, that he should be able to give her more for her money than when he had really loved.

Ernest Hemingway, "The Snows of Kilimanjaro"

The boys had picked up the cot and carried it around the green tents and down along the rock and out onto the plain and along past the smudges that were burning brightly now, the grass all consumed, and the wind fanning the fire, to the little plane. It was difficult getting him in, but once in he lay back in the leather seat, and the leg was stuck straight out to one side of the seat where Compton sat. Compton started the motor and got in. He waved to Helen and to the boys and, as the clatter moved into the old familiar roar, they swung around with Compie watching for warthog holes and roared, bumping, along the stretch between the fires and with the last bump rose and he saw them all standing below, waving, and the camp beside the hill, flattening now, and the plain spreading, clumps of trees, and the bush flattening, while the game trails ran now smoothly to the dry waterholes, and there was a new water that he had never known of. The zebra, small rounded backs now, and the wildebeeste, big-headed dots seeming to climb as they moved in long fingers across the plain, now scattering as the shadow came toward them, they were tiny now, and the movement had no gallop, and the plain as far as you could see, gray-yellow now and ahead old Compie's tweed back and the brown felt hat. Then they were over the first hills and the wildebeeste were trailing up them, and then they were over mountains with sudden depths of green-rising forest and the solid bamboo slopes, and then the heavy forest again, sculptured into peaks and hollows until they crossed, and hills sloped down and then another plain, hot now, and purple brown, bumpy with heat and Compie looking back to see how he was riding. Then there were other mountains dark ahead. And then instead of going on to Arusha they turned left, he evidently figured that they had the gas, and looking down he saw a pink sifting cloud, moving over the ground, and in the air, like the first snow in at ii blizzard, that comes from nowhere, and he knew the locusts were coming, up from the South. Then they began to climb and they were going to the East it seemed, and then it darkened and they were in a storm, the rain so thick it seemed like flying through a waterfall, and then they were out and Compie turned his head and grinned and pointed and there, ahead, all he could see, as wide as all the world, great, high, and unbelievably white in the sun, was the square top of Kilimanjaro. And then he knew that there was where he was going.

Ernest Hemingway, "The Snows of Kilimanjaro"

During Sir Christopher's last visit to Italy with his lady, fifteen years before, they resided for some time at Milan, where Sir Christopher, who was an enthusiast for Gothic architecture, and was then entertaining the project of metamorphosing his plain brick family mansion into the model of a Gothic manor-house, was bent on studying the details of that marble miracle, the Cathedral.

George Eliot, "Mr. Gilfil's Love Story"

In such a home as this parsonage, a nest of comfort, without any of the stateliness that would carry a suggestion of Cheverel Manor, Mr. Gilfil was not unreasonable in hoping that Caterina might gradually shake off the haunting vision of the past, and recover from the languor and feebleness which were the physical sign of that vision's blighting presence. The next thing to be done was to arrange an exchange of duties with Mr. Heron's curate, that Maynard might be constantly near Caterina, and watch over her progress. She seemed to like him to be with her, to look uneasily for his return; and though she seldom spoke to him, she was most contented when he sat by her, and held her tiny hand in his large protecting grasp. But Oswald, alias Ozzy, the broad-chested boy, was perhaps her most beneficial companion. With something of his uncle's person, he had inherited also his uncle's early taste for a domestic menagerie, and was very imperative in demanding Tina's sympathy in the welfare of his guinea-pigs, squirrels, and dormice. With him she seemed now and then to have gleams of her childhood coming athwart the leaden clouds, and many hours of winter went by the more easily for being spent in Ozzy's nursery. Mrs. Heron was not musical, and had no instrument; but one of Mr. Gilfil's cares was to procure a harpsichord, and have it placed in the drawing-room, always open, in the hope that some day the spirit of music would be reawakened in Caterina, and she would be attracted towards the instrument. But the winter was almost gone by, and he had waited in vain. The utmost improvement in Tina had not gone beyond passiveness and acquiescence—a quiet grateful smile, compliance with Oswald's whims, and an increasing consciousness of what was being said and done around her. Sometimes she would take up a bit of woman's work, but she seemed too languid to persevere in it; her fingers soon dropped, and she relapsed into motionless reverie. At last—it was one of those bright days in the end of February, when the sun is shining with a promise of approaching spring. Maynard had been walking with her and Oswald round the garden to look at the snowdrops, and she was resting on the sofa after the walk. Ozzy, roaming about the room in quest of a forbidden pleasure, came to the harpsichord, and struck the handle of his whip on a deep bass note. The vibration rushed through Caterina like an electric shock: it seemed as if at that instant a new soul were entering into her, and filling her with a deeper, more significant life. She looked round, rose from the sofa, and walked to the harpsichord. In a moment her fingers were wandering with their old sweet method among the keys, and her soul was floating in its true familiar element of delicious sound, as the water-plant that lies withered and shrunken on the ground expands into freedom and beauty when once more bathed in its native flood. Maynard thanked God. An active power was re-awakened, and must make a new epoch in Caterina's recovery.

George Eliot, "Mr. Gilfil's Love Story"

In this way Tina wore out the long hours of the windy moon-light, till at last, with weary aching limbs, she lay down in bed again, and slept from mere exhaustion. While this poor little heart was being bruised with a weight too heavy for it, Nature was holding on her calm inexorable way, in unmoved and terrible beauty. The stars were rushing in their eternal courses; the tides swelled to the level of the last expectant weed; the sun was making brilliant day to busy nations on the other side of the swift earth. The stream of human thought and deed was hurrying and broadening onward. The astronomer was at his telescope; the great ships were labouring over the waves; the toiling eagerness of commerce, the fierce spirit of revolution, were only ebbing in brief rest; and sleepless statesmen were dreading the possible crisis of the morrow. What were our little Tina and her trouble in this mighty torrent, rushing from one awful unknown to another? Lighter than the smallest centre of quivering life in the waterdrop, hidden and uncared for as the pulse of anguish in the breast of the tiniest bird that has fluttered down to its nest with the long-sought food, and has found the nest torn and empty.

George Eliot, "Mr. Gilfil's Love Story"

The cocks began to crow; the gate swung; there was a tramp of footsteps in the yard, and Mr. Gilfil heard Dorcas stirring. These sounds seemed to affect Caterina, for she looked anxiously at him and said, 'Maynard, are you going away?' 'No, I shall stay here at Callam until you are better, and then you will go away too.' 'Never to the Manor again, O no! I shall live poorly, and get my own bread.' 'Well, dearest, you shall do what you would like best. But I wish you could go to sleep now. Try to rest quietly, and by-and-by you will perhaps sit up a little. God has kept you in life in spite of all this sorrow; it will be sinful not to try and make the best of His gift. Dear Tina, you will try;—and little Bessie brought you some crocuses once, you didn't notice the poor little thing; but you will notice her when she comes again, will you not?' 'I will try,' whispered Tina humbly, and then closed her eyes. By the time the sun was above the horizon, scattering the clouds, and shining with pleasant morning warmth through the little leaded window, Caterina was asleep. Maynard gently loosed the tiny hand, cheered Dorcas with the good news, and made his way to the village inn, with a thankful heart that Tina had been so far herself again. Evidently the sight of him had blended naturally with the memories in which her mind was absorbed, and she had been led on to an unburthening of herself that might be the beginning of a complete restoration. But her body was so enfeebled—her soul so bruised—that the utmost tenderness and care would be necessary. The next thing to be done was to send tidings to Sir Christopher and Lady Cheverel; then to write and summon his sister, under whose care he had determined to place Caterina. The Manor, even if she had been wishing to return thither, would, he knew, be the most undesirable home for her at present: every scene, every object there, was associated with still unallayed anguish. If she were domesticated for a time with his mild gentle sister, who had a peaceful home and a prattling little boy, Tina might attach herself anew to life, and recover, partly at least, the shock that had been given to her constitution. When he had written his letters and taken a hasty breakfast, he was soon in his saddle again, on his way to Sloppeter, where he would post them, and seek out a medical man, to whom he might confide the moral causes of Caterina's enfeebled condition.

George Eliot, "Mr. Gilfil's Love Story"

While this poor little heart was being bruised with a weight too heavy for it, Nature was holding on her calm inexorable way, in unmoved and terrible beauty. The stars were rushing in their eternal courses; the tides swelled to the level of the last expectant weed; the sun was making brilliant day to busy nations on the other side of the swift earth. The stream of human thought and deed was hurrying and broadening onward. The astronomer was at his telescope; the great ships were labouring over the waves; the toiling eagerness of commerce, the fierce spirit of revolution, were only ebbing in brief rest; and sleepless statesmen were dreading the possible crisis of the morrow. What were our little Tina and her trouble in this mighty torrent, rushing from one awful unknown to another? Lighter than the smallest centre of quivering life in the waterdrop, hidden and uncared for as the pulse of anguish in the breast of the tiniest bird that has fluttered down to its nest with the long-sought food, and has found the nest torn and empty.

George Eliot, "Mr. Gilfil's Love Story"

"What are you doing here?" she asked dully. "The door was open," I said. "The back door." "Have you got a warrant?" she asked. I shook my head. "I'm not the police," I said. I watched as resignation turned to slow anger. "Well, in that case," she said, "I'll call them." She reached across the desk for the phone and picked up the receiver. But the movement seemed to have exhausted her. She stood still, holding it and staring at me. "What do you want?" she asked. The anger was replaced with despair. I walked over and looked behind her. On the desk, I saw, were pieces of paper, scrawled with writing. There was some tracing paper there too, askew on one piece of the writing, but when she saw my eyes light on it she brushed against it, catapulting it to the floor. She stared at me defiantly. "My name's Kate Baeier," I said. "I'm a private detective. A man named Martin Malloy hired me to find you." "Martin?" Her voice rose when she repeated it. "Martin?" "You used to visit him in prison," I said. Her face cleared and she remembered and then it disintegrated again, not in fear, this time, but rather in hilarity. The laughter came slowly at first, from deep inside her, surfacing as a giggle but soon transformed into near hysteria. I stood and waited as she laughed in my face, laughed and laughed until the tears streamed down her cheeks.

Gillian Slovo

They were conveniently seated around the kitchen table when I arrived, all three of them, the ones I had decided were guilty. Sam was doing was he liked best-explaining in layperson's terms a particularly neat solution to the latest space-time continuum problem-while Anna and Daniel were doing what they did best-pretending to understand. Into this cozy scene I strolled. I took a swig from the half bottle of Bell's I'd picked up along the way. "Bad day?" Sam asked. I shoved the bottle into my jacket pocket. It bulged in the linen, but you can't have everything. At least I was suitably crumpled, I thought. I shook my head. "Great day," I said. "I was having problems balancing the books, but Moose solved that for me." They looked at one another, and the first hint of a doubt insinuated itself into my mind. They were given a good impression of confusion, I thought, but then I discarded the thought. Anna and Daniel surely must have picked up some tips from the actors they directed, and as for Sam, well, he'd learned impassivity from years of teaching aspirant Nobel winners. I changed tack. I reached into my bag, pulled out the wad of money, and threw it at them. It landed just where I had wanted it to, plum in Sam's lap. Both Anna and Daniel stretched across the table to get a better look. "Nice crisp notes," Daniel commented. "Did this Moose rob a bank?" "Maybe Sam did," I said. "Let's ask him." Sam look at the notes in that abstracted way he had. "Moose," he said speculatively. "The Big Sleep?" "Farewell, My Lovely," Daniel said impatiently. "I thought mathematicians were literate these days." Sam opened his mouth to defend himself. I decided that it was time to stop playing.

Gillian Slovo, "Looking for Thelma"

Accordingly she entered the bath, which was near the door, against which the wretched merchant was crouched without the city-wall; wherefore she, being therein, heard the weeping and trembling kept up by Rinaldo, who seemed as he were grown a stork, and calling her maid, said to her, 'Go up and look over the wall who is at the postern-foot and what he doth there.' The maid went thither and aided by the clearness of the air, saw Rinaldo in his shirt and barefoot, sitting there, as hath been said, and trembling sore; whereupon she asked him who he was. He told her, as briefliest he might, who he was and how and why he was there, trembling the while on such wise that he could scarce form the words, and after fell to beseeching her piteously not to leave him there all night to perish of cold, [but to succour him,] an it might be. The maid was moved to pity of him and returning to her mistress, told her all. The lady, on like wise taking compassion on him and remembering that she had the key of the door aforesaid, which served whiles for the privy entrances of the Marquis, said, 'Go softly and open to him; here is this supper and none to eat it and we have commodity enough for his lodging.' The maid, having greatly commended her mistress for this her humanity, went and opening to Rinaldo, brought him in; whereupon the lady, seeing him well nigh palsied with cold, said to him, 'Quick, good man, enter this bath, which is yet warm.' Rinaldo, without awaiting farther invitation, gladly obeyed and was so recomforted with the warmth of the bath that himseemed he was come back from death to life. The lady let fetch him a suit of clothes that had pertained to her husband, then lately dead, which when he had donned, they seemed made to his measure, and whilst awaiting what she should command him, he fell to thanking God and St. Julian for that they had delivered him from the scurvy night he had in prospect and had, as he deemed, brought him to good harbourage.

Giovanni Boccaccio The Decameron Story 2.2

She had not long abidden with Gualtieri ere she conceived with child and in due time bore a daughter, whereat he rejoiced greatly. But, a little after, a new thought having entered his mind, to wit, to seek, by dint of long tribulation and things unendurable, to make trial of her patience, he first goaded her with words, feigning himself troubled and saying that his vassals were exceeding ill content with her, by reason of her mean extraction, especially since they saw that she bore children, and that they did nothing but murmur, being sore chagrined for the birth of her daughter. The lady, hearing this, replied, without anywise changing countenance or showing the least distemperature, 'My lord, do with me that which thou deemest will be most for thine honour and solace, for that I shall be content with all, knowing, as I do, that I am of less account than they and that I was unworthy of this dignity to which thou hast advanced me of thy courtesy.' This reply was mighty agreeable to Gualtieri, for that he saw she was not uplifted into aught of pridefulness for any honour that himself or others had done her; but, a little after, having in general terms told her that his vassals could not brook this girl that had been born of her, he sent to her a serving-man of his, whom he had lessoned and who said to her with a very woeful countenance, 'Madam, an I would not die, needs must I do that which my lord commandeth me. He hath bidden me take this your daughter and....' And said no more. The lady, hearing this and seeing the servant's aspect and remembering her of her husband's words, concluded that he had enjoined him put the child to death; whereupon, without changing countenance, albeit she felt a sore anguish at heart, she straightway took her from the cradle and having kissed and blessed her, laid her in the servant's arms, saying, 'Take her and punctually do that which thy lord hath enjoined thee; but leave her not to be devoured of the beasts and the birds, except he command it thee.' The servant took the child and reported that which the lady had said to Gualtieri, who marvelled at her constancy and despatched him with the child to a kinswoman of his at Bologna, praying her to bring her up and rear her diligently, without ever saying whose daughter she was.

Giovanni Boccaccio, The Decameron Story 10.10

The day come that he had appointed for the nuptials, Gualtieri towards half tierce mounted to horse, he and all those who were come to do him honour, and having ordered everything needful. 'Gentlemen,' quoth he, 'it is time to go fetch the bride.' Then, setting out with all his company, he rode to the village and betaking himself to the house of the girl's father, found her returning in great haste with water from the spring, so she might after go with other women to see Gualtieri's bride come. When the marquess saw her, he called her by name, to wit, Griselda, and asked her where her father was; to which she answered bashfully, 'My lord, he is within the house.' Thereupon Gualtieri dismounted and bidding all await him, entered the poor house alone, where he found her father, whose name was Giannucolo, and said to him, 'I am come to marry Griselda, but first I would fain know of her somewhat in thy presence.' Accordingly, he asked her if, an he took her to wife, she would still study to please him, nor take umbrage at aught that he should do or say, and if she would be obedient, and many other like things, to all of which she answered ay; whereupon Gualtieri, taking her by the hand, led her forth and in the presence of all his company and of every one else, let strip her naked. Then, sending for the garments which he had let make, he caused forthright clothe and shoe her and would have her set the crown on her hair, all tumbled as it was; after which, all marvelling at this, he said, 'Gentlemen, this is she who I purpose shall be my wife, an she will have me to husband.' Then, turning to her, where she stood, all shamefast and confounded, he said to her, 'Griselda, wilt thou have me to thy husband?' To which she answered, 'Ay, my lord.' Quoth he, 'And I will have thee to my wife'; and espoused her in the presence of all. Then, mounting her on a palfrey, he carried her, honourably accompanied, to his mansion, where the nuptials were celebrated with the utmost splendour and rejoicing, no otherwise than as he had taken to wife the king's daughter of France.

Giovanni Boccaccio, The Decameron Story 10.10

Thereupon, Gualtieri, seeing she firmly believed that the young lady was to be his wife nor therefore spoke anywise less than well, seated her by his side and said to her, 'Griselda, it is now time that thou reap the fruits of thy long patience and that those who have reputed me cruel and unjust and brutish should know that this which I have done I wrought to an end aforeseen, willing to teach thee to be a wife and to show them how to take and use one and at the same time to beget myself perpetual quiet, what while I had to live with thee; the which, whenas I came to take a wife, I was sore afraid might not betide me, and therefore, to make proof thereof, I probed and afflicted thee after such kind as thou knowest. And meseeming, for that I have never perceived that either in word or in deed hast thou departed from my pleasure, that I have of thee that solace which I desired, I purpose presently to restore thee, at one stroke, that which I took from thee at many and to requite thee with a supreme delight the pangs I have inflicted on thee. Wherefore with a joyful heart take this whom thou deemest my bride and her brother for thy children and mine; for these be they whom thou and many others have long accounted me to have barbarously let put to death; and I am thy husband, who loveth thee over all else, believing I may vaunt me that there is none else who can be so content of his wife as can I.' So saying, he embraced her and kissed her; then, rising up, he betook himself with Griselda, who wept for joy, whereas the daughter, hearing these things, sat all stupefied, and tenderly embracing her and her brother, undeceived her and many others who were there. Thereupon the ladies arose from table, overjoyed, and withdrew with Griselda into a chamber, where, with happier augury, pulling off her mean attire, they clad her anew in a magnificent dress of her own and brought her again to the saloon, as a gentlewoman, which indeed she appeared, even in rags. There she rejoiced in her children with wonder-great joy, and all being overjoyed at this happy issue, they redoubled in feasting and merrymaking and prolonged the festivities several days, accounting Gualtieri a very wise man, albeit they held the trials which he had made of his lady overharsh, nay, intolerable; but over all they held Griselda most sage. The Count of Panago returned, after some days, to Bologna, and Gualtieri, taking Giannucolo from his labour, placed him in such estate as befitted his father-in-law, so that he lived in honour and great solace and so ended his days; whilst he himself, having nobly married his daughter, lived long and happily with Griselda, honouring her as most might be. What more can here be said save that even in poor cottages there rain down divine spirits from heaven, like as in princely palaces there be those who were worthier to tend swine than to have lordship over men? Who but Griselda could, with a countenance, not only dry, but cheerful, have endured the barbarous and unheard proofs made by Gualtieri? Which latter had not belike been ill requited, had he happened upon one who, when he turned her out of doors in her shift, had let jumble her furbelows of another to such purpose that a fine gown had come of it."

Giovanni Boccaccio, The Decameron Story 10.10

Next morning, the lady, taking another lady to bear her company, repaired, by way of diversion, to Federigo's little house and enquired for the latter, who, for that it was no weather for hawking nor had been for some days past, was then in a garden he had, overlooking the doing of certain little matters of his, and hearing that Madam Giovanna asked for him at the door, ran thither, rejoicing and marvelling exceedingly. She, seeing him come, rose and going with womanly graciousness to meet him, answered his respectful salutation with 'Give you good day, Federigo!' then went on to say, 'I am come to make thee amends for that which thou hast suffered through me, in loving me more than should have behooved thee; and the amends in question is this that I purpose to dine with thee this morning familiarly, I and this lady my companion.' 'Madam,' answered Federigo humbly, 'I remember me not to have ever received any ill at your hands, but on the contrary so much good that, if ever I was worth aught, it came about through your worth and the love I bore you; and assuredly, albeit you have come to a poor host, this your gracious visit is far more precious to me than it would be an it were given me to spend over again as much as that which I have spent aforetime.' So saying, he shamefastly received her into his house and thence brought her into his garden, where, having none else to bear her company, he said to her, 'Madam, since there is none else here, this good woman, wife of yonder husbandman, will bear you company, whilst I go see the table laid.' Never till that moment, extreme as was his poverty, had he been so dolorously sensible of the straits to which he had brought himself for the lack of those riches he had spent on such disorderly wise. But that morning, finding he had nothing wherewithal he might honourably entertain the lady, for love of whom he had aforetime entertained folk without number, he was made perforce aware of his default and ran hither and thither, perplexed beyond measure, like a man beside himself, inwardly cursing his ill fortune, but found neither money nor aught he might pawn. It was now growing late and he having a great desire to entertain the gentle lady with somewhat, yet choosing not to have recourse to his own labourer, much less any one else, his eye fell on his good falcon, which he saw on his perch in his little saloon; whereupon, having no other resource, he took the bird and finding him fat, deemed him a dish worthy of such a lady. Accordingly, without more ado, he wrung the hawk's neck and hastily caused a little maid of his pluck it and truss it and after put it on the spit and roast it diligently. Then, the table laid and covered with very white cloths, whereof he had yet some store, he returned with a blithe countenance to the lady in the garden and told her that dinner was ready, such as it was in his power to provide. Accordingly, the lady and her friend, arising, betook themselves to table and in company with Federigo, who served them with the utmost diligence, ate the good falcon, unknowing what they did. Presently, after they had risen from table and had abidden with him awhile in cheerful discourse, the lady, thinking it time to tell that wherefor she was come, turned to Federigo and courteously bespoke him, saying, 'Federigo, I doubt not a jot but that, when thou hearest that which is the especial occasion of my coming hither, thou wilt marvel at my presumption, remembering thee of thy past life and of my virtue, which latter belike thou reputedst cruelty and hardness of heart; but, if thou hadst or hadst had children, by whom thou mightest know how potent is the love one beareth them, meseemeth certain that thou wouldst in part hold me excused. But, although thou hast none, I, who have one child, cannot therefore escape the common laws to which other mothers are subject and whose enforcements it behoveth me ensue, need must I, against my will and contrary to all right and seemliness, ask of thee a boon, which I know is supremely dear to thee (and that with good reason, for that thy sorry fortune hath left thee none other delight, none other diversion, none other solace), to wit, thy falcon, whereof my boy is so sore enamoured that, an I carry it not to him, I fear me his present disorder will be so aggravated that there may presently ensue thereof somewhat whereby I shall lose him. Wherefore I conjure thee,—not by the love thou bearest me and whereto thou art nowise beholden, but by thine own nobility, which in doing courtesy hath approved itself greater than in any other,—that it please thee give it to me, so by the gift I may say I have kept my son alive and thus made him for ever thy debtor.' Federigo, hearing what the lady asked and knowing that he could not oblige her, for that he had given her the falcon to eat, fell a-weeping in her presence, ere he could answer a word. The lady at first believed that his tears arose from grief at having to part from his good falcon and was like to say that she would not have it. However, she contained herself and awaited what Federigo should reply, who, after weeping awhile, made answer thus: 'Madam, since it pleased God that I should set my love on you, I have in many things reputed fortune contrary to me and have complained of her; but all the ill turns she hath done me have been a light matter in comparison with that which she doth me at this present and for which I can never more be reconciled to her, considering that you are come hither to my poor house, whereas you deigned not to come what while I was rich, and seek of me a little boon, the which she hath so wrought that I cannot grant you; and why this cannot be I will tell you briefly. When I heard that you, of your favour, were minded to dine with me, I deemed it a light thing and a seemly, having regard to your worth and the nobility of your station, to honour you, as far as in me lay, with some choicer victual than that which is commonly set before other folk; wherefore, remembering me of the falcon which you ask of me and of his excellence, I judged him a dish worthy of you. This very morning, then, you have had him roasted upon the trencher, and indeed I had accounted him excellently well bestowed; but now, seeing that you would fain have had him on other wise, it is so great a grief to me that I cannot oblige you therein that methinketh I shall never forgive myself therefor.' So saying, in witness of this, he let cast before her the falcon's feathers and feet and beak. The lady, seeing and hearing this, first blamed him for having, to give a woman to eat, slain such a falcon, and after inwardly much commended the greatness of his soul, which poverty had not availed nor might anywise avail to abate. Then, being put out of all hope of having the falcon and fallen therefore in doubt of her son's recovery, she took her leave and returned, all disconsolate, to the latter, who, before many days had passed, whether for chagrin that he could not have the bird or for that his disorder was e'en fated to bring him to that pass, departed this life, to the inexpressible grief of his mother. After she had abidden awhile full of tears and affliction, being left very rich and yet young, she was more than once urged by her brothers to marry again, and albeit she would fain not have done so, yet, finding herself importuned and calling to mind Federigo's worth and his last magnificence, to wit, the having slain such a falcon for her entertainment, she said to them, 'I would gladly, an it liked you, abide as I am; but, since it is your pleasure that I take a [second] husband, certes I will never take any other, an I have not Federigo degli Alberighi.' Whereupon her brothers, making mock of her, said 'Silly woman that thou art, what is this thou sayest? How canst thou choose him, seeing he hath nothing in the world?' 'Brothers mine,' answered she, 'I know very well that it is as you say; but I would liefer have a man that lacketh of riches than riches that lack of a man.'

Giovanni Boccaccio, The Decameron Story 5.9

The following day, the entire crew of the trawler came to bury the severed arm. Side by side, the two brothers headed the procession. The parish sacristan carried the coffin tucked under his arm. Young Javel left the sea and found light work on the harbour. Later, whenever he told the tale, he would confide quietly to his audience: 'If my brother had been willing to cut the net, I'd still have my arm today, that's for sure. But he was what you might call a careful owner.'

Guy de Maupassant, "At Sea"

Madame Carre-Lamadon, much younger than her husband, was the consolation of all the officers of good family quartered at Rouen. Pretty, slender, graceful, she sat opposite her husband, curled up in her furs, and gazing mournfully at the sorry interior of the coach. Her neighbors, the Comte and Comtesse Hubert de Breville, bore one of the noblest and most ancient names in Normandy. The count, a nobleman advanced in years and of aristocratic bearing, strove to enhance by every artifice of the toilet, his natural resemblance to King Henry IV, who, according to a legend of which the family were inordinately proud, had been the favored lover of a De Breville lady, and father of her child—the frail one's husband having, in recognition of this fact, been made a count and governor of a province. A colleague of Monsieur Carre-Lamadon in the General Council, Count Hubert represented the Orleanist party in his department. The story of his marriage with the daughter of a small shipowner at Nantes had always remained more or less of a mystery. But as the countess had an air of unmistakable breeding, entertained faultlessly, and was even supposed to have been loved by a son of Louis-Philippe, the nobility vied with one another in doing her honor, and her drawing-room remained the most select in the whole countryside—the only one which retained the old spirit of gallantry, and to which access was not easy. The fortune of the Brevilles, all in real estate, amounted, it was said, to five hundred thousand francs a year. These six people occupied the farther end of the coach, and represented Society—with an income—the strong, established society of good people with religion and principle. It happened by chance that all the women were seated on the same side; and the countess had, moreover, as neighbors two nuns, who spent the time in fingering their long rosaries and murmuring paternosters and aves. One of them was old, and so deeply pitted with smallpox that she looked for all the world as if she had received a charge of shot full in the face. The other, of sickly appearance, had a pretty but wasted countenance, and a narrow, consumptive chest, sapped by that devouring faith which is the making of martyrs and visionaries. A man and woman, sitting opposite the two nuns, attracted all eyes. The man—a well-known character—was Cornudet, the democrat, the terror of all respectable people. For the past twenty years his big red beard had been on terms of intimate acquaintance with the tankards of all the republican cafes. With the help of his comrades and brethren he had dissipated a respectable fortune left him by his father, an old-established confectioner, and he now impatiently awaited the Republic, that he might at last be rewarded with the post he had earned by his revolutionary orgies. On the fourth of September—possibly as the result of a practical joke—he was led to believe that he had been appointed prefect; but when he attempted to take up the duties of the position the clerks in charge of the office refused to recognize his authority, and he was compelled in consequence to retire. A good sort of fellow in other respects, inoffensive and obliging, he had thrown himself zealously into the work of making an organized defence of the town. He had had pits dug in the level country, young forest trees felled, and traps set on all the roads; then at the approach of the enemy, thoroughly satisfied with his preparations, he had hastily returned to the town. He thought he might now do more good at Havre, where new intrenchments would soon be necessary. The woman, who belonged to the courtesan class, was celebrated for an embonpoint unusual for her age, which had earned for her the sobriquet of "Boule de Suif" (Tallow Ball). Short and round, fat as a pig, with puffy fingers constricted at the joints, looking like rows of short sausages; with a shiny, tightly-stretched skin and an enormous bust filling out the bodice of her dress, she was yet attractive and much sought after, owing to her fresh and pleasing appearance. Her face was like a crimson apple, a peony-bud just bursting into bloom; she had two magnificent dark eyes, fringed with thick, heavy lashes, which cast a shadow into their depths; her mouth was small, ripe, kissable, and was furnished with the tiniest of white teeth.

Guy de Maupassant, "Boule de Suif"

No one looked at her, no one thought of her. She felt herself swallowed up in the scorn of these virtuous creatures, who had first sacrificed, then rejected her as a thing useless and unclean. Then she remembered her big basket full of the good things they had so greedily devoured: the two chickens coated in jelly, the pies, the pears, the four bottles of claret; and her fury broke forth like a cord that is overstrained, and she was on the verge of tears. She made terrible efforts at self-control, drew herself up, swallowed the sobs which choked her; but the tears rose nevertheless, shone at the brink of her eyelids, and soon two heavy drops coursed slowly down her cheeks. Others followed more quickly, like water filtering from a rock, and fell, one after another, on her rounded bosom. She sat upright, with a fixed expression, her face pale and rigid, hoping desperately that no one saw her give way. But the countess noticed that she was weeping, and with a sign drew her husband's attention to the fact. He shrugged his shoulders, as if to say: "Well, what of it? It's not my fault." Madame Loiseau chuckled triumphantly, and murmured: "She's weeping for shame." The two nuns had betaken themselves once more to their prayers, first wrapping the remainder of their sausage in paper: Then Cornudet, who was digesting his eggs, stretched his long legs under the opposite seat, threw himself back, folded his arms, smiled like a man who had just thought of a good joke, and began to whistle the Marseillaise. The faces of his neighbors clouded; the popular air evidently did not find favor with them; they grew nervous and irritable, and seemed ready to howl as a dog does at the sound of a barrel-organ. Cornudet saw the discomfort he was creating, and whistled the louder; sometimes he even hummed the words: Amour sacre de la patrie, Conduis, soutiens, nos bras vengeurs, Liberte, liberte cherie, Combats avec tes defenseurs! The coach progressed more swiftly, the snow being harder now; and all the way to Dieppe, during the long, dreary hours of the journey, first in the gathering dusk, then in the thick darkness, raising his voice above the rumbling of the vehicle, Cornudet continued with fierce obstinacy his vengeful and monotonous whistling, forcing his weary and exasperated-hearers to follow the song from end to end, to recall every word of every line, as each was repeated over and over again with untiring persistency. And Boule de Suif still wept, and sometimes a sob she could not restrain was heard in the darkness between two verses of the song.

Guy de Maupassant, "Boule de Suif"

With wildly trembling hands he undressed quickly by feel and slipped between the cool sheets. He stretched out in bliss and almost forgot his friend as his weary body yielded to the linen's caress. Doubtless enjoying the strain on his patience, still she did not return. He closed his eyes in exquisitely pleasurable anticipation. His most cherished dream was about to come true. Little by little his limbs relaxed, as did his mind, where thoughts drifted, vague and indistinct. He succumbed at last to the power of great fatigue and finally fell asleep. He slept the heavy, impenetrable sleep of the exhausted huntsman. He slept indeed till dawn. Then from a nearby tree through the still half-open window came the ringing cry of a cock. Startled awake, the Baron's eyes flew open. Finding himself, to his great surprise, in a strange bed with a woman's body lying against his he remembered nothing and stammered as he struggled into consciousness: 'What? Where am I? What is it?' At this, she, who had not slept a wink, looked at the puffy, red-eyed and dishevelled man at her side. She answered in the same dismissive tone she took with her husband. 'Nothing,' she said, 'it's a cock. Go back to sleep, Monsieur. It's nothing to do with you.'

Guy de Maupassant, "Cockcrow"

He no longer ventured to speak, keeping his eyes fixed on the table which stood in the center of the room, with three covers laid on it, one of which was for a child. He glanced at the chair which had its back turned to the fire. They had been expecting him. That was his bread which he saw, and which he recognized near the fork, for the crust had been removed on account of Hautot's bad teeth. Then, raising his eyes, he noticed on the wall his father's portrait, the large photograph taken at Paris the year of the exhibition, the same as that which hung above the bed in the sleeping apartment at Ainville. The young woman again asked: "Well, Monsieur César?" He kept staring at her. Her face was livid with anguish; and she waited, her hands trembling with fear. Then he took courage. "Well, Mam'zelle, papa died on Sunday last just after he had opened the shooting." She was so much overwhelmed that she did not move. After a silence of a few seconds, she faltered in an almost inaudible tone: "Oh! it is not possible!" Then, on a sudden, tears showed themselves in her eyes, and covering her face with her hands, she burst out sobbing. At that point the little boy turned round, and, seeing his mother weeping, began to howl. Then, realizing that this sudden trouble was brought about by the stranger, he rushed at César, caught hold of his breeches with one hand and with the other hit him with all his strength on the thigh. And César remained agitated, deeply affected, with this woman mourning for his father at one side of him, and the little boy defending his mother at the other. He felt their emotion taking possession of himself, and his eyes were beginning to brim over with the same sorrow; so, to recover his self-command, he began to talk: "Yes," he said, "the accident occurred on Sunday, at eight o'clock--"

Guy de Maupassant, "Hautot and Son"

He knelt down in front of her. She leaned towards him and with a practised gesture pushed the dark tip of her breast towards his mouth. With the movement she made with both hands to proffer her breast to the man a drop of milk appeared at the crown. He licked it greedily then, as if on a fruit, closed his lips on the heavy breast. Regularly and deeply he began to suck. He put both arms around the woman's waist so as to bring her closer to him and drank in long, slow draughts, making movements with his neck like a baby. Suddenly she said: 'There, that's enough on that side. Take the other now.' Obediently he moved to the other breast. She put her two hands on the young man's back and was now breathing deeply and contentedly, enjoying the fragrance of the flowers mingled with the gusts of air that blew into the carriage as they moved. 'Smells lovely round here,' she said. He made no reply and continued to drink at the human fountain, his eyes closed as if to savour the pleasure of it. Gently, however, she pushed him away. 'That's enough. I feel much better now. It's put new life in me.' He got up, wiping his mouth with the back of his hand. As she replaced insider her dress the two living gourds of her bosom, she said, 'That was a great help, Monsieur. Thanks very much.' Gratefully, he replied, 'My pleasure, Madame, I'll tell you. I've had no food for two days.'

Guy de Maupassant, "Idyll"

Karl was on his knees, his gun to his shoulder watching it eagerly, until it should be within shot. "You have killed the duck," he said, "and the drake will not fly away." He certainly did not fly away; he circled over our heads continually, and continued his cries. Never have any groans of suffering pained me so much as that desolate appeal, as that lamentable reproach of this poor bird which was lost in space. Occasionally he took flight under the menace of the gun which followed his movements, and seemed ready to continue his flight alone, but as he could not make up his mind to this, he returned to find his mate. "Leave her on the ground," Karl said to me, "he will come within shot by and by." And he did indeed come near us, careless of danger, infatuated by his animal love, by his affection for his mate, which I had just killed. Karl fired, and it was as if somebody had cut the string which held the bird suspended. I saw something black descend, and I heard the noise of a fall among the rushes. And Pierrot brought it to me. I put them--they were already cold--into the same game-bag, and I returned to Paris the same evening.

Guy de Maupassant, "Love"

He opened his door and was about to leave when suddenly he stopped in amazement on the threshold of the house. He had rarely in his life seen such magnificent moonlight as now. Like some of the early Christian Fathers, he was blessed with a soul open to rapture and with a poetic disposition. He was suddenly moved, not to say overwhelmed, by the great serenity and beauty of the pale night before him. In this little garden bathed in soft light his rows of fruit trees threw in shadow the shapes of their branches barely in bud; the breath of the huge honeysuckle spreading over the wall of the house wafted its sweet perfume like the soul of fragrance upon the clear and balmy air. He began to breathe deeply himself, drinking it in greedily and slowing down his pace. He was entranced by the scene, so lost in wonder that the thought of his niece all but faded away. As soon as he reached the open country he stopped in order to contemplate the whole plain which was suffused with this caressing glow and basking serenely in the tender, languid charm of the night. The brief, metallic croak of frogs filled the air on which the notes of a distant nightingale fell one by one. Its clear and delicate song was made more for reverie than reflection and its music to accompany kisses in the magic of the moonlight. As the priest took up his walk again he felt something within him, he knew not what, begin to falter. He felt suddenly tired and weak. He needed to sit down and look, to admire the work of God.

Guy de Maupassant, "Moonlight"

A German officer, but speaking French like a son of France, demanded: "Where are your soldiers?" She reached her bony arm toward the red heap of fire which was almost out and answered with a strong voice: "There!" They crowded round her. The Prussian asked: "How did it take fire?" "It was I who set it on fire." They did not believe her, they thought that the sudden disaster had made her crazy. While all pressed round and listened, she told the story from beginning to end, from the arrival of the letter to the last shriek of the men who were burned with her house, and never omitted a detail. When she had finished, she drew two pieces of paper from her pocket, and, in order to distinguish them by the last gleams of the fire, she again adjusted her spectacles. Then she said, showing one: "That, that is the death of Victor." Showing the other, she added, indicating the red ruins with a bend of the head: "Here are their names, so that you can write home." She quietly held a sheet of paper out to the officer, who held her by the shoulders, and she continued: "You must write how it happened, and you must say to their mothers that it was I who did that, Victoire Simon, la Sauvage! Do not forget." The officer shouted some orders in German. They seized her, they threw her against the walls of her house, still hot. Then twelve men drew quickly up before her, at twenty paces. She did not move. She had understood; she waited. An order rang out, followed instantly by a long report. A belated shot went off by itself, after the others. The old woman did not fall. She sank as though they had cut off her legs. The Prussian officer approached. She was almost cut in two, and in her withered hand she held her letter bathed with blood. My friend Serval added: "It was by way of reprisal that the Germans destroyed the chateau of the district, which belonged to me." I thought of the mothers of those four fine fellows burned in that house and of the horrible heroism of that other mother shot against the wall. And I picked up a little stone, still blackened by the flames.

Guy de Maupassant, "Mother Sauvage"

The panther's presence, even asleep, made him experience the effect produced by the hypnotic eyes of a snake on, they say, a nightingale. The soldier's courage failed for a moment before this danger, although he would surely have been exalted facing cannon spewing a hail of shot. However, an intrepid thought blossomed in his soul and halted at its source the cold sweat running down his forehead. Acting like men whom misfortune has pushed to the end of their rope, challenging death to do its worst, he saw a tragedy in this adventure without being conscious of it, and resolved to play his role with honor, even to the final scene. "The day before yesterday, perhaps the Arabs would have killed me," he said to himself. Considering himself a dead man already, he bravely waited with restless curiousity for his enemy to wake. When the sun appeared, the panther silently opened her eyes; then she violently extended her paws, as if to loosen them up and dissipate any cramps. At last she yawned, displaying the fearsome array of her teeth and grooved tongue, as hard as a grater. "She's like a little mistress!" thought the Frenchman, seeing her rolling around and making the gentlest, most flirtatious movements. She licked the blood that stained her paws, wiped her muzzle, and scratched her head with repeated gestures of delicacy. "Good! Make your toilette," the Frenchman thought to himself, recovering his cheer by summoning courage. "We'll wish each other good morning." And he grabbed the short dagger he had taken from the Maghrebris. Just then the panther turned her head toward the Frenchman and stared at him without moving. The rigidity of those metallic eyes and their unbearable clarity made the man from Provence shiver, especially when the beast walked toward him. But he gazed at her caressingly and steadily, as if attempting to exert his own animal magnetism, and let her come near him; then, with a movement as gentle, as amorous as if he had wanted to caress the prettiest woman, he passed his hand over her entire body, from head to tail, using his nails to scratch the flexible vertebrae that ran the length of the panther's yellow back. The beast voluptuously raised her tail, her eyes softened, and when the Frenchman completed this self-interested petting for the third time, she made one of those purring noises by which our cats express their pleasure. But this murmur came from a gullet so powerful and so deep that it sounded in the grotto like the last drones of a church organ. The man from Provence, understanding the importance of his caresses, redoubled his efforts to stun and stupefy this imperious courtesan. When he felt certain of extinguishing his capricious companion's ferocity, remembering that her hunger had been so fortunately satisfied the evening before, he rose to leave the grotto. The panther let him go, but when he had climbed the hill, she leaped with the lightness of monkeys jumping from branch to branch and came to rub herself against the soldier's legs, curving her back like a cat. Then, looking at her guest with an eye whose brightness had become less rigid, she uttered a wild call, which naturalists compare to the noise of a saw.

Honore de Balzac, "A Passion in the Desert"

Toward the end of the day, he had become used to his perilous situation, and he almost enjoyed its anguish. His companion has become used to looking at him when he called in a falsetto voice: "Mignonne." By sunset, Mignonne uttered a deep and melancholy cry several times. "She is well brought up!' thought the cheerful soldier. "She is saying her prayers!" But this unspoken pleasantry came to him only when he had noticed the companion's peaceful attitude. "Go on, my little blonde, I will let you go to bed first," he said to her, counting heavily on escaping by foot as quickly as possible while she slept and finding another shelter for the night. The soldier waited impatiently for the moment of his getaway, and when it came, he walked vigorously in the direction of the Nile, but scarcely had he gone a quarter of a league in the sands than he heard the panther leaping behind him, periodically uttering a harsh cry, still more terrifying than the heavy sound of her leaps. "Come now!" he said to himself. "She's taken a shine to me... Perhaps this young panther never met anyone before, it is flattering to have won her first love!" At this moment the Frenchman fell into one of those quicksand traps travelers so dread and from which it is impossible to extricate yourself. Feeling caught, he let out a cry of alarm, and the panther grabbed him by the collar with her teeth. And jumping powerfully backward, she pulled him from the abyss, as if by magic. "Ah, Mignonne," cried the soldier, caressing her enthusiastically. "We're bound to each other now in life and death. But no practical jokes, all right?" And he retraced his steps. From then on the desert seemed populated. It held one being to whom the Frenchman could talk and whose ferocity was softened from him, although he could not grasp the reason for this unbelievable friendship. However powerful the soldier's desire to remain standing and on the alert, he slept. Upon waking, he could not see Mignonne; he climbed the hill, and in the distance he glimpsed her moving by leaps and bounds according to the habit of those animals for whom running is out of the question because of the extreme flexibility of their spinal column. Mignonne arrived with her chops bloodied and received the necessary caresses from her companion, testifying by several deep purrs how happy she was with him. Her eyes turned with even more sweetness than the evening before on the man from Provence, who spoke to her as a domestic animal.

Honore de Balzac, "A Passion in the Desert"

"'A woman's heart was to me a place of refuge, a fatherland. Have you sisters who resemble you? No. Then die! But no, you shall live. To leave you your life is to doom you to a fate worse than death. I regret neither my blood nor my life, but my future and the fortune of my heart. Your weak hand has overturned my happiness. What hope can I extort from you in place of all those you have destroyed? You have brought me down to your level. To love, to be loved! are henceforth meaningless words to me, as to you. I shall never cease to think of that imaginary woman when I see a real woman.' "He pointed to the statue with a gesture of despair. "'I shall always have in my memory a divine harpy who will bury her talons in all my manly sentiments, and who will stamp all other women with a seal of imperfection. Monster! you, who can give life to nothing, have swept all women off the face of the earth.' "Sarrasine seated himself in front of the terrified singer. Two great tears came from his dry eyes, rolled down his swarthy cheeks, and fell to the floor—two tears of rage, two scalding, burning tears. "'An end of love! I am dead to all pleasure, to all human emotions!' "As he spoke, he seized a hammer and hurled it at the statue with such excessive force that he missed it. He thought that he had destroyed that monument of his madness, and thereupon he drew his sword again, and raised it to kill the singer. Zambinella uttered shriek after shriek. Three men burst into the studio at that moment, and the sculptor fell, pieced by three daggers. "'From Cardinal Cicognara,' said one of the men. "'A benefaction worthy of a Christian,' retorted the Frenchman, as he breathed his last. "These ominous emissaries told Zambinella of the anxiety of his patron, who was waiting at the door in a closed carriage in order to take him away as soon as he was set at liberty."

Honore de Balzac, "Sarrasine"

"He entered and took a seat in the pit, crowded between two unconscionably stout abbati; but luckily he was quite near the stage. The curtain rose. For the first time in his life he heard the music whose charms Monsieur Jean-Jacques Rousseau had extolled so eloquently at one of Baron d'Holbach's evening parties. The young sculptor's senses were lubricated, so to speak, by Jomelli's harmonious strains. The languorous peculiarities of those skilfully blended Italian voices plunged him in an ecstasy of delight. He sat there, mute and motionless, not even conscious of the crowding of the two priests. His soul poured out through his ears and his eyes. He seemed to be listening with every one of his pores. Suddenly a whirlwind of applause greeted the appearance of the prima donna. She came forward coquettishly to the footlights and curtsied to the audience with infinite grace. The brilliant light, the enthusiasm of a vast multitude, the illusion of the stage, the glamour of a costume which was most attractive for the time, all conspired in that woman's favor. Sarrasine cried aloud with pleasure. He saw before him at that moment the ideal beauty whose perfections he had hitherto sought here and there in nature, taking from one model, often of humble rank, the rounded outline of a shapely leg, from another the contour of the breast; from another her white shoulders; stealing the neck of that young girl, the hands of this woman, and the polished knees of yonder child, but never able to find beneath the cold skies of Paris the rich and satisfying creations of ancient Greece. La Zambinella displayed in her single person, intensely alive and delicate beyond words, all those exquisite proportions of the female form which he had so ardently longed to behold, and of which a sculptor is the most severe and at the same time the most passionate judge. She had an expressive mouth, eyes instinct with love, flesh of dazzling whiteness. And add to these details, which would have filled a painter's soul with rapture, all the marvelous charms of the Venuses worshiped and copied by the chisel of the Greeks. The artist did not tire of admiring the inimitable grace with which the arms were attached to the body, the wonderful roundness of the throat, the graceful curves described by the eyebrows and the nose, and the perfect oval of the face, the purity of its clean-cut lines, and the effect of the thick, drooping lashes which bordered the large and voluptuous eyelids. She was more than a woman; she was a masterpiece! In that unhoped-for creation there was love enough to enrapture all mankind, and beauties calculated to satisfy the most exacting critic.

Honore de Balzac, "Sarrasine"

He wore a white waistcoat embroidered with gold, in the old style, and his linen was of dazzling whiteness. A shirt-frill of English lace, yellow with age, the magnificence of which a queen might have envied, formed a series of yellow ruffles on his breast; but upon him the lace seemed rather a worthless rag than an ornament. In the centre of the frill a diamond of inestimable value gleamed like a sun. That superannuated splendor, that display of treasure, of great intrinsic worth, but utterly without taste, served to bring out in still bolder relief the strange creature's face. The frame was worthy of the portrait. That dark face was full of angles and furrowed deep in every direction; the chin was furrowed; there were great hollows at the temples; the eyes were sunken in yellow orbits. The maxillary bones, which his indescribable gauntness caused to protrude, formed deep cavities in the centre of both cheeks. These protuberances, as the light fell upon them, caused curious effects of light and shadow which deprived that face of its last vestige of resemblance to the human countenance. And then, too, the lapse of years had drawn the fine, yellow skin so close to the bones that it described a multitude of wrinkles everywhere, either circular like the ripples in the water caused by a stone which a child throws in, or star-shaped like a pane of glass cracked by a blow; but everywhere very deep, and as close together as the leaves of a closed book. We often see more hideous old men; but what contributed more than aught else to give to the spectre that rose before us the aspect of an artificial creation was the red and white paint with which he glistened. The eyebrows shone in the light with a lustre which disclosed a very well executed bit of painting. Luckily for the eye, saddened by such a mass of ruins, his corpse-like skull was concealed beneath a light wig, with innumerable curls which indicated extraordinary pretensions to elegance. Indeed, the feminine coquettishness of this fantastic apparition was emphatically asserted by the gold ear-rings which hung at his ears, by the rings containing stones of marvelous beauty which sparkled on his fingers, like the brilliants in a river of gems around a woman's neck. Lastly, this species of Japanese idol had constantly upon his blue lips, a fixed, unchanging smile, the shadow of an implacable and sneering laugh, like that of a death's head. As silent and motionless as a statue, he exhaled the musk-like odor of the old dresses which a duchess' heirs exhume from her wardrobe during the inventory. If the old man turned his eyes toward the company, it seemed that the movements of those globes, no longer capable of reflecting a gleam, were accomplished by an almost imperceptible effort; and, when the eyes stopped, he who was watching them was not certain finally that they had moved at all. As I saw, beside that human ruin, a young woman whose bare neck and arms and breast were white as snow; whose figure was well-rounded and beautiful in its youthful grace; whose hair, charmingly arranged above an alabaster forehead, inspired love; whose eyes did not receive but gave forth light, who was sweet and fresh, and whose fluffy curls, whose fragrant breath, seemed too heavy, too harsh, too overpowering for that shadow, for that man of dust—ah! the thought that came into my mind was of death and life, an imaginary arabesque, a half-hideous chimera, divinely feminine from the waist up.

Honore de Balzac, "Sarrasine"

"My brother does know it," was Henry's answer. "Does he? Then why does he stay here?" He made no reply, and was beginning to talk of something else; but she eagerly continued, "Why do not you persuade him to go away? The longer he stays, the worse it will be for him at last. Pray advise him for his own sake, and for everybody's sake, to leave Bath directly. Absence will in time make him comfortable again; but he can have no hope here, and it is only staying to be miserable." Henry smiled and said, "I am sure my brother would not wish to do that." "Then you will persuade him to go away?" "Persuasion is not at command; but pardon me, if I cannot even endeavour to persuade him. I have myself told him that Miss Thorpe is engaged. He knows what he is about, and must be his own master." "No, he does not know what he is about," cried Catherine; "he does not know the pain he is giving my brother. Not that James has ever told me so, but I am sure he is very uncomfortable." "And are you sure it is my brother's doing?" "Yes, very sure." "Is it my brother's attentions to Miss Thorpe, or Miss Thorpe's admission of them, that gives the pain?" "Is not it the same thing?" "I think Mr. Morland would acknowledge a difference. No man is offended by another man's admiration of the woman he loves; it is the woman only who can make it a torment." Catherine blushed for her friend, and said, "Isabella is wrong. But I am sure she cannot mean to torment, for she is very much attached to my brother. She has been in love with him ever since they first met, and while my father's consent was uncertain, she fretted herself almost into a fever. You know she must be attached to him." "I understand: she is in love with James, and flirts with Frederick." "Oh! no, not flirts. A woman in love with one man cannot flirt with another." "It is probable that she will neither love so well, nor flirt so well, as she might do either singly. The gentlemen must each give up a little." After a short pause, Catherine resumed with, "Then you do not believe Isabella so very much attached to my brother?" "I can have no opinion on that subject." "But what can your brother mean? If he knows her engagement, what can he mean by his behaviour?" "You are a very close questioner." "Am I? I only ask what I want to be told." "But do you only ask what I can be expected to tell?" "Yes, I think so; for you must know your brother's heart." "My brother's heart, as you term it, on the present occasion, I assure you I can only guess at." "Well?" "Well! Nay, if it is to be guesswork, let us all guess for ourselves. To be guided by second-hand conjecture is pitiful. The premises are before you. My brother is a lively and perhaps sometimes a thoughtless young man; he has had about a week's acquaintance with your friend, and he has known her engagement almost as long as he has known her." "Well," said Catherine, after some moments' consideration, "you may be able to guess at your brother's intentions from all this; but I am sure I cannot. But is not your father uncomfortable about it? Does not he want Captain Tilney to go away? Sure, if your father were to speak to him, he would go." "My dear Miss Morland," said Henry, "in this amiable solicitude for your brother's comfort, may you not be a little mistaken? Are you not carried a little too far? Would he thank you, either on his own account or Miss Thorpe's, for supposing that her affection, or at least her good behaviour, is only to be secured by her seeing nothing of Captain Tilney? Is he safe only in solitude? Or is her heart constant to him only when unsolicited by anyone else? He cannot think this—and you may be sure that he would not have you think it. I will not say, 'Do not be uneasy,' because I know that you are so, at this moment; but be as little uneasy as you can. You have no doubt of the mutual attachment of your brother and your friend; depend upon it, therefore, that real jealousy never can exist between them; depend upon it that no disagreement between them can be of any duration. Their hearts are open to each other, as neither heart can be to you; they know exactly what is required and what can be borne; and you may be certain that one will never tease the other beyond what is known to be pleasant." Perceiving her still to look doubtful and grave, he added, "Though Frederick does not leave Bath with us, he will probably remain but a very short time, perhaps only a few days behind us. His leave of absence will soon expire, and he must return to his regiment. And what will then be their acquaintance? The mess-room will drink Isabella Thorpe for a fortnight, and she will laugh with your brother over poor Tilney's passion for a month."

Jane Austen, Northanger Abbey

"This will not do," said Catherine; "I cannot submit to this. I must run after Miss Tilney directly and set her right." Isabella, however, caught hold of one hand, Thorpe of the other, and remonstrances poured in from all three. Even James was quite angry. When everything was settled, when Miss Tilney herself said that Tuesday would suit her as well, it was quite ridiculous, quite absurd, to make any further objection. "I do not care. Mr. Thorpe had no business to invent any such message. If I had thought it right to put it off, I could have spoken to Miss Tilney myself. This is only doing it in a ruder way; and how do I know that Mr. Thorpe has—He may be mistaken again perhaps; he led me into one act of rudeness by his mistake on Friday. Let me go, Mr. Thorpe; Isabella, do not hold me." Thorpe told her it would be in vain to go after the Tilneys; they were turning the corner into Brock Street, when he had overtaken them, and were at home by this time. "Then I will go after them," said Catherine; "wherever they are I will go after them. It does not signify talking. If I could not be persuaded into doing what I thought wrong, I never will be tricked into it." And with these words she broke away and hurried off. Thorpe would have darted after her, but Morland withheld him. "Let her go, let her go, if she will go."

Jane Austen, Northanger Abbey

On Henry's arrival from Woodston, she made known to him and Eleanor their brother's safety, congratulating them with sincerity on it, and reading aloud the most material passages of her letter with strong indignation. When she had finished it—"So much for Isabella," she cried, "and for all our intimacy! She must think me an idiot, or she could not have written so; but perhaps this has served to make her character better known to me than mine is to her. I see what she has been about. She is a vain coquette, and her tricks have not answered. I do not believe she had ever any regard either for James or for me, and I wish I had never known her." "It will soon be as if you never had," said Henry. "There is but one thing that I cannot understand. I see that she has had designs on Captain Tilney, which have not succeeded; but I do not understand what Captain Tilney has been about all this time. Why should he pay her such attentions as to make her quarrel with my brother, and then fly off himself?" "I have very little to say for Frederick's motives, such as I believe them to have been. He has his vanities as well as Miss Thorpe, and the chief difference is, that, having a stronger head, they have not yet injured himself. If the effect of his behaviour does not justify him with you, we had better not seek after the cause." "Then you do not suppose he ever really cared about her?" "I am persuaded that he never did." "And only made believe to do so for mischief's sake?" Henry bowed his assent. "Well, then, I must say that I do not like him at all. Though it has turned out so well for us, I do not like him at all. As it happens, there is no great harm done, because I do not think Isabella has any heart to lose. But, suppose he had made her very much in love with him?" "But we must first suppose Isabella to have had a heart to lose—consequently to have been a very different creature; and, in that case, she would have met with very different treatment." "It is very right that you should stand by your brother." "And if you would stand by yours, you would not be much distressed by the disappointment of Miss Thorpe. But your mind is warped by an innate principle of general integrity, and therefore not accessible to the cool reasonings of family partiality, or a desire of revenge." Catherine was complimented out of further bitterness. Frederick could not be unpardonably guilty, while Henry made himself so agreeable. She resolved on not answering Isabella's letter, and tried to think no more of it.

Jane Austen, Northanger Abbey

The advantages of natural folly in a beautiful girl have been already set forth by the capital pen of a sister author; and to her treatment of the subject I will only add, in justice to men, that though to the larger and more trifling part of the sex, imbecility in females is a great enhancement of their personal charms, there is a portion of them too reasonable and too well informed themselves to desire anything more in woman than ignorance. But Catherine did not know her own advantages—did not know that a good-looking girl, with an affectionate heart and a very ignorant mind, cannot fail of attracting a clever young man, unless circumstances are particularly untoward. In the present instance, she confessed and lamented her want of knowledge, declared that she would give anything in the world to be able to draw; and a lecture on the picturesque immediately followed, in which his instructions were so clear that she soon began to see beauty in everything admired by him, and her attention was so earnest that he became perfectly satisfied of her having a great deal of natural taste. He talked of foregrounds, distances, and second distances—side-screens and perspectives—lights and shades; and Catherine was so hopeful a scholar that when they gained the top of Beechen Cliff, she voluntarily rejected the whole city of Bath as unworthy to make part of a landscape. Delighted with her progress, and fearful of wearying her with too much wisdom at once, Henry suffered the subject to decline, and by an easy transition from a piece of rocky fragment and the withered oak which he had placed near its summit, to oaks in general, to forests, the enclosure of them, waste lands, crown lands and government, he shortly found himself arrived at politics; and from politics, it was an easy step to silence. The general pause which succeeded his short disquisition on the state of the nation was put an end to by Catherine, who, in rather a solemn tone of voice, uttered these words, "I have heard that something very shocking indeed will soon come out in London."

Jane Austen, Northanger Abbey

The progress of Catherine's unhappiness from the events of the evening was as follows. It appeared first in a general dissatisfaction with everybody about her, while she remained in the rooms, which speedily brought on considerable weariness and a violent desire to go home. This, on arriving in Pulteney Street, took the direction of extraordinary hunger, and when that was appeased, changed into an earnest longing to be in bed; such was the extreme point of her distress; for when there she immediately fell into a sound sleep which lasted nine hours, and from which she awoke perfectly revived, in excellent spirits, with fresh hopes and fresh schemes. The first wish of her heart was to improve her acquaintance with Miss Tilney, and almost her first resolution, to seek her for that purpose, in the pump-room at noon. In the pump-room, one so newly arrived in Bath must be met with, and that building she had already found so favourable for the discovery of female excellence, and the completion of female intimacy, so admirably adapted for secret discourses and unlimited confidence, that she was most reasonably encouraged to expect another friend from within its walls. Her plan for the morning thus settled, she sat quietly down to her book after breakfast, resolving to remain in the same place and the same employment till the clock struck one; and from habitude very little incommoded by the remarks and ejaculations of Mrs. Allen, whose vacancy of mind and incapacity for thinking were such, that as she never talked a great deal, so she could never be entirely silent; and, therefore, while she sat at her work, if she lost her needle or broke her thread, if she heard a carriage in the street, or saw a speck upon her gown, she must observe it aloud, whether there were anyone at leisure to answer her or not.

Jane Austen, Northanger Abbey

They began their walk, and Mrs. Morland was not entirely mistaken in his object in wishing it. Some explanation on his father's account he had to give; but his first purpose was to explain himself, and before they reached Mr. Allen's grounds he had done it so well that Catherine did not think it could ever be repeated too often. She was assured of his affection; and that heart in return was solicited, which, perhaps, they pretty equally knew was already entirely his own; for, though Henry was now sincerely attached to her, though he felt and delighted in all the excellencies of her character and truly loved her society, I must confess that his affection originated in nothing better than gratitude, or, in other words, that a persuasion of her partiality for him had been the only cause of giving her a serious thought. It is a new circumstance in romance, I acknowledge, and dreadfully derogatory of an heroine's dignity; but if it be as new in common life, the credit of a wild imagination will at least be all my own. A very short visit to Mrs. Allen, in which Henry talked at random, without sense or connection, and Catherine, rapt in the contemplation of her own unutterable happiness, scarcely opened her lips, dismissed them to the ecstasies of another tete-a-tete; and before it was suffered to close, she was enabled to judge how far he was sanctioned by parental authority in his present application. On his return from Woodston, two days before, he had been met near the abbey by his impatient father, hastily informed in angry terms of Miss Morland's departure, and ordered to think of her no more. Such was the permission upon which he had now offered her his hand. The affrighted Catherine, amidst all the terrors of expectation, as she listened to this account, could not but rejoice in the kind caution with which Henry had saved her from the necessity of a conscientious rejection, by engaging her faith before he mentioned the subject; and as he proceeded to give the particulars, and explain the motives of his father's conduct, her feelings soon hardened into even a triumphant delight.

Jane Austen, Northanger Abbey

"If you must know, Crystal," she said, "I popped it. And I bought him a real gold cigarette lighter instead." And she gave me the pawn ticket. She hadn't got much for a solid gold watch. Dawn isn't practical like I am, so the pawnbroker cheated her. Not that it mattered. It wasn't her watch in the first place, and besides, it would cost me less to get back. If I wanted it back. Poor Dawn. She needs me to take care of her. She doesn't think she does because she thinks her boyfriend's doing it. She's not like me. She doesn't want to look after herself. That's not her job. And if I told her what I'd been through today to solve my own problems she'd say I was a fool. But look at it this way-I'd given Detective Sergeant Michael Sussex the slip. I'd dressed up so he wouldn't know me again if I ran slap-bang into him. Nor would Brainy Brian. So he couldn't finger me to the bastards who beat up little Marvin. I'd had a bath and I'd had eggs and potatoes for my tea. I had enough money to sleep in a bed for as many nights as I wanted. And now I had the watch. Or I could have it any time I wanted. But it was safer where it was. I still didn't know why the number was so important but I was sure it would be worth something to me sooner or later. I saw Dawn looking at me. "Don't get too cocky, Crystal," she said. "You might look like a girl from the snob school, but you're still just like me." That's how much she knew.

Liza Cody, "Lucky Dip"

When we first came down to the city, Dawn and me, we relied on each other; we didn't have anyone else to turn to. But after she took up with him and he set her up in business, she didn't need me like she used to, and we drifted apart. The trouble with Dawn is she always needs a man. She says she doesn't feel real without one. Feeling real is important to Dawn so I suppose I shouldn't criticize. But her men have been nothing but a disappointment. You could say I'm lucky to have a sister like Dawn: she's an example to me. I'd rather die than turn out like her. Still, she is my sister, and we've been through a lot together. Especially in this last year when we came down to the city together. And before that, when our mum kicked us out, or rather, kicked Dawn out because of the baby. And after that when Dawn's boyfriend kicked Dawn out because of the baby. I have never been hungrier than I was last year trying to look after Dawn. She lost the baby in the end, which was a bit of a relief to me. I don't know how we would have managed if she'd had it. I don't think she would have coped very well either. It's much harder to get a man when you've got a little baby to look after. Anyway, that's all in the past, and now Dawn has business premises in Paddington.

Liza Cody, "Lucky Dip"

'It is with considerable difficulty that I remember the original era of my being; all the events of that period appear confused and indistinct. A strange multiplicity of sensations seized me, and I saw, felt, heard, and smelt at the same time; and it was, indeed, a long time before I learned to distinguish between the operations of my various senses. By degrees, I remember, a stronger light pressed upon my nerves, so that I was obliged to shut my eyes. Darkness then came over me and troubled me, but hardly had I felt this when, by opening my eyes, as I now suppose, the light poured in upon me again. I walked and, I believe, descended, but I presently found a great alteration in my sensations. Before, dark and opaque bodies had surrounded me, impervious to my touch or sight; but I now found that I could wander on at liberty, with no obstacles which I could not either surmount or avoid. The light became more and more oppressive to me, and the heat wearying me as I walked, I sought a place where I could receive shade. This was the forest near Ingolstadt; and here I lay by the side of a brook resting from my fatigue, until I felt tormented by hunger and thirst. This roused me from my nearly dormant state, and I ate some berries which I found hanging on the trees or lying on the ground. I slaked my thirst at the brook, and then lying down, was overcome by sleep. 'It was dark when I awoke; I felt cold also, and half frightened, as it were, instinctively, finding myself so desolate. Before I had quitted your apartment, on a sensation of cold, I had covered myself with some clothes, but these were insufficient to secure me from the dews of night. I was a poor, helpless, miserable wretch; I knew, and could distinguish, nothing; but feeling pain invade me on all sides, I sat down and wept. 'Soon a gentle light stole over the heavens and gave me a sensation of pleasure. I started up and beheld a radiant form rise from among the trees. I gazed with a kind of wonder. It moved slowly, but it enlightened my path, and I again went out in search of berries. I was still cold when under one of the trees I found a huge cloak, with which I covered myself, and sat down upon the ground. No distinct ideas occupied my mind; all was confused. I felt light, and hunger, and thirst, and darkness; innumerable sounds rang in my ears, and on all sides various scents saluted me; the only object that I could distinguish was the bright moon, and I fixed my eyes on that with pleasure.

Mary Shelley, Frankenstein

'The words induced me to turn towards myself. I learned that the possessions most esteemed by your fellow creatures were high and unsullied descent united with riches. A man might be respected with only one of these advantages, but without either he was considered, except in very rare instances, as a vagabond and a slave, doomed to waste his powers for the profits of the chosen few! And what was I? Of my creation and creator I was absolutely ignorant, but I knew that I possessed no money, no friends, no kind of property. I was, besides, endued with a figure hideously deformed and loathsome; I was not even of the same nature as man. I was more agile than they and could subsist upon coarser diet; I bore the extremes of heat and cold with less injury to my frame; my stature far exceeded theirs. When I looked around I saw and heard of none like me. Was I, then, a monster, a blot upon the earth, from which all men fled and whom all men disowned? 'I cannot describe to you the agony that these reflections inflicted upon me; I tried to dispel them, but sorrow only increased with knowledge. Oh, that I had forever remained in my native wood, nor known nor felt beyond the sensations of hunger, thirst, and heat! 'Of what a strange nature is knowledge! It clings to the mind when it has once seized on it like a lichen on the rock. I wished sometimes to shake off all thought and feeling, but I learned that there was but one means to overcome the sensation of pain, and that was death—a state which I feared yet did not understand. I admired virtue and good feelings and loved the gentle manners and amiable qualities of my cottagers, but I was shut out from intercourse with them, except through means which I obtained by stealth, when I was unseen and unknown, and which rather increased than satisfied the desire I had of becoming one among my fellows. The gentle words of Agatha and the animated smiles of the charming Arabian were not for me. The mild exhortations of the old man and the lively conversation of the loved Felix were not for me. Miserable, unhappy wretch! 'Other lessons were impressed upon me even more deeply. I heard of the difference of sexes, and the birth and growth of children, how the father doted on the smiles of the infant, and the lively sallies of the older child, how all the life and cares of the mother were wrapped up in the precious charge, how the mind of youth expanded and gained knowledge, of brother, sister, and all the various relationships which bind one human being to another in mutual bonds. 'But where were my friends and relations? No father had watched my infant days, no mother had blessed me with smiles and caresses; or if they had, all my past life was now a blot, a blind vacancy in which I distinguished nothing. From my earliest remembrance I had been as I then was in height and proportion. I had never yet seen a being resembling me or who claimed any intercourse with me. What was I? The question again recurred, to be answered only with groans. 'I will soon explain to what these feelings tended, but allow me now to return to the cottagers, whose story excited in me such various feelings of indignation, delight, and wonder, but which all terminated in additional love and reverence for my protectors (for so I loved, in an innocent, half-painful self-deceit, to call them).'

Mary Shelley, Frankenstein

Everyone loved Elizabeth. The passionate and almost reverential attachment with which all regarded her became, while I shared it, my pride and my delight. On the evening previous to her being brought to my home, my mother had said playfully, 'I have a pretty present for my Victor— tomorrow he shall have it.' And when, on the morrow, she presented Elizabeth to me as her promised gift, I, with childish seriousness, interpreted her words literally and looked upon Elizabeth as mine—mine to protect, love, and cherish. All praises bestowed on her I received as made to a possession of my own. We called each other familiarly by the name of cousin. No word, no expression could body forth the kind of relation in which she stood to me—my more than sister, since till death she was to be mine only.

Mary Shelley, Frankenstein

No one can conceive the variety of feelings which bore me onwards, like a hurricane, in the first enthusiasm of success. Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world. A new species would bless me as its creator and source; many happy and excellent natures would owe their being to me. No father could claim the gratitude of his child so completely as I should deserve theirs. Pursuing these reflections, I thought that if I could bestow animation upon lifeless matter, I might in process of time (although I now found it impossible) renew life where death had apparently devoted the body to corruption. These thoughts supported my spirits, while I pursued my undertaking with unremitting ardour. My cheek had grown pale with study, and my person had become emaciate with confinement. Sometimes, on the very brink of certainty, I failed; yet still I clung to the hope which the next day or the next hour might realize. One secret which I alone possessed was the hope to which I had dedicated myself; and the moon gazed on my midnight labours, while, with unrelaxed and breathless eagerness, I pursued nature to her hiding-places. Who shall conceive the horrors of my secret toil as I dabbled among the unhallowed damps of the grave or tortured the living animal to animate the lifeless clay? My limbs now tremble, and my eyes swim with the remembrance; but then a resistless and almost frantic impulse urged me forward; I seemed to have lost all soul or sensation but for this one pursuit. It was indeed but a passing trance, that only made me feel with renewed acuteness so soon as, the unnatural stimulus ceasing to operate, I had returned to my old habits. I collected bones from charnelhouses and disturbed, with profane fingers, the tremendous secrets of the human frame. In a solitary chamber, or rather cell, at the top of the house, and separated from all the other apartments by a gallery and staircase, I kept my workshop of filthy creation; my eyeballs were starting from their sockets in attending to the details of my employment. The dissecting room and the slaughter-house furnished many of my materials; and often did my human nature turn with loathing from my occupation, whilst, still urged on by an eagerness which perpetually increased, I brought my work near to a conclusion.

Mary Shelley, Frankenstein

She left me, and I continued some time walking up and down the passages of the house and inspecting every corner that might afford a retreat to my adversary. But I discovered no trace of him and was beginning to conjecture that some fortunate chance had intervened to prevent the execution of his menaces when suddenly I heard a shrill and dreadful scream. It came from the room into which Elizabeth had retired. As I heard it, the whole truth rushed into my mind, my arms dropped, the motion of every muscle and fibre was suspended; I could feel the blood trickling in my veins and tingling in the extremities of my limbs. This state lasted but for an instant; the scream was repeated, and I rushed into the room. Great God! Why did I not then expire! Why am I here to relate the destruction of the best hope and the purest creature on earth? She was there, lifeless and inanimate, thrown across the bed, her head hanging down and her pale and distorted features half covered by her hair. Everywhere I turn I see the same figure— her bloodless arms and relaxed form flung by the murderer on its bridal bier. Could I behold this and live? Alas! Life is obstinate and clings closest where it is most hated. For a moment only did I lose recollection; I fell senseless on the ground. When I recovered I found myself surrounded by the people of the inn; their countenances expressed a breathless terror, but the horror of others appeared only as a mockery, a shadow of the feelings that oppressed me. I escaped from them to the room where lay the body of Elizabeth, my love, my wife, so lately living, so dear, so worthy. She had been moved from the posture in which I had first beheld her, and now, as she lay, her head upon her arm and a handkerchief thrown across her face and neck, I might have supposed her asleep. I rushed towards her and embraced her with ardour, but the deadly languor and coldness of the limbs told me that what I now held in my arms had ceased to be the Elizabeth whom I had loved and cherished. The murderous mark of the fiend's grasp was on her neck, and the breath had ceased to issue from her lips.

Mary Shelley, Frankenstein

Such were the lessons of my father. But to me the remembrance of the threat returned; nor can you wonder that, omnipotent as the fiend had yet been in his deeds of blood, I should almost regard him as invincible, and that when he had pronounced the words '*I shall be with you on your wedding-night*,' I should regard the threatened fate as unavoidable. But death was no evil to me if the loss of Elizabeth were balanced with it, and I therefore, with a contented and even cheerful countenance, agreed with my father that if my cousin would consent, the ceremony should take place in ten days, and thus put, as I imagined, the seal to my fate. Great God! If for one instant I had thought what might be the hellish intention of my fiendish adversary, I would rather have banished myself forever from my native country and wandered a friendless outcast over the earth than have consented to this miserable marriage. But, as if possessed of magic powers, the monster had blinded me to his real intentions; and when I thought that I had prepared only my own death, I hastened that of a far dearer victim. As the period fixed for our marriage drew nearer, whether from cowardice or a prophetic feeling, I felt my heart sink within me. But I concealed my feelings by an appearance of hilarity that brought smiles and joy to the countenance of my father, but hardly deceived the everwatchful and nicer eye of Elizabeth. She looked forward to our union with placid contentment, not unmingled with a little fear, which past misfortunes had impressed, that what now appeared certain and tangible happiness might soon dissipate into an airy dream and leave no trace but deep and everlasting regret. Preparations were made for the event, congratulatory visits were received, and all wore a smiling appearance. I shut up, as well as I could, in my own heart the anxiety that preyed there and entered with seeming earnestness into the plans of my father, although they might only serve as the decorations of my tragedy. Through my father's exertions a part of the inheritance of Elizabeth had been restored to her by the Austrian government. A small possession on the shores of Como belonged to her. It was agreed that, immediately after our union, we should proceed to Villa Lavenza and spend our first days of happiness beside the beautiful lake near which it stood. In the meantime I took every precaution to defend my person in case the fiend should openly attack me. I carried pistols and a dagger constantly about me and was ever on the watch to prevent artifice, and by these means gained a greater degree of tranquillity. Indeed, as the period approached, the threat appeared more as a delusion, not to be regarded as worthy to disturb my peace, while the happiness I hoped for in my marriage wore a greater appearance of certainty as the day fixed for its solemnization drew nearer and I heard it continually spoken of as an occurrence which no accident could possibly prevent. Elizabeth seemed happy; my tranquil demeanour contributed greatly to calm her mind. But on the day that was to fulfil my wishes and my destiny, she was melancholy, and a presentiment of evil pervaded her; and perhaps also she thought of the dreadful secret which I had promised to reveal to her on the following day. My father was in the meantime overjoyed and in the bustle of preparation only recognized in the melancholy of his niece the diffidence of a bride. After the ceremony was performed a large party assembled at my father's, but it was agreed that Elizabeth and I should commence our journey by water, sleeping that night at Evian and continuing our voyage on the following day. The day was fair, the wind favourable; all smiled on our nuptial embarkation. Those were the last moments of my life during which I enjoyed the feeling of happiness. We passed rapidly along; the sun was hot, but we were sheltered from its rays by a kind of canopy while we enjoyed the beauty of the scene, sometimes on one side of the lake, where we saw Mont Saleve, the pleasant banks of Montalegre, and at a distance, surmounting all, the beautiful Mont Blanc and the assemblage of snowy mountains that in vain endeavour to emulate her; sometimes coasting the opposite banks, we saw the mighty Jura opposing its dark side to the ambition that would quit its native country, and an almost insurmountable barrier to the invader who should wish to enslave it. I took the hand of Elizabeth. 'You are sorrowful, my love. Ah! If you knew what I have suffered and what I may yet endure, you would endeavour to let me taste the quiet and freedom from despair that this one day at least permits me to enjoy.' 'Be happy, my dear Victor,' replied Elizabeth; 'there is, I hope, nothing to distress you; and be assured that if a lively joy is not painted in my face, my heart is contented. Something whispers to me not to depend too much on the prospect that is opened before us, but I will not listen to such a sinister voice. Observe how fast we move along and how the clouds, which sometimes obscure and sometimes rise above the dome of Mont Blanc, render this scene of beauty still more interesting. Look also at the innumerable fish that are swimming in the clear waters, where we can distinguish every pebble that lies at the bottom. What a divine day! How happy and serene all nature appears!' Thus Elizabeth endeavoured to divert her thoughts and mine from all reflection upon melancholy subjects. But her temper was fluctuating; joy for a few instants shone in her eyes, but it continually gave place to distraction and reverie.

Mary Shelley, Frankenstein

The different accidents of life are not so changeable as the feelings of human nature. I had worked hard for nearly two years, for the sole purpose of infusing life into an inanimate body. For this I had deprived myself of rest and health. I had desired it with an ardour that far exceeded moderation; but now that I had finished, the beauty of the dream vanished, and breathless horror and disgust filled my heart. Unable to endure the aspect of the being I had created, I rushed out of the room and continued a long time traversing my bedchamber, unable to compose my mind to sleep. At length lassitude succeeded to the tumult I had before endured, and I threw myself on the bed in my clothes, endeavouring to seek a few moments of forgetfulness. But it was in vain; I slept, indeed, but I was disturbed by the wildest dreams. I thought I saw Elizabeth, in the bloom of health, walking in the streets of Ingolstadt. Delighted and surprised, I embraced her, but as I imprinted the first kiss on her lips, they became livid with the hue of death; her features appeared to change, and I thought that I held the corpse of my dead mother in my arms; a shroud enveloped her form, and I saw the grave-worms crawling in the folds of the flannel. I started from my sleep with horror; a cold dew covered my forehead, my teeth chattered, and every limb became convulsed; when, by the dim and yellow light of the moon, as it forced its way through the window shutters, I beheld the wretch— the miserable monster whom I had created. He held up the curtain of the bed; and his eyes, if eyes they may be called, were fixed on me. His jaws opened, and he muttered some inarticulate sounds, while a grin wrinkled his cheeks. He might have spoken, but I did not hear; one hand was stretched out, seemingly to detain me, but I escaped and rushed downstairs. I took refuge in the courtyard belonging to the house which I inhabited, where I remained during the rest of the night, walking up and down in the greatest agitation, listening attentively, catching and fearing each sound as if it were to announce the approach of the demoniacal corpse to which I had so miserably given life.

Mary Shelley, Frankenstein

When I had attained the age of seventeen my parents resolved that I should become a student at the university of Ingolstadt. I had hitherto attended the schools of Geneva, but my father thought it necessary for the completion of my education that I should be made acquainted with other customs than those of my native country. My departure was therefore fixed at an early date, but before the day resolved upon could arrive, the first misfortune of my life occurred—an omen, as it were, of my future misery. Elizabeth had caught the scarlet fever; her illness was severe, and she was in the greatest danger. During her illness many arguments had been urged to persuade my mother to refrain from attending upon her. She had at first yielded to our entreaties, but when she heard that the life of her favourite was menaced, she could no longer control her anxiety. She attended her sickbed; her watchful attentions triumphed over the malignity of the distemper—Elizabeth was saved, but the consequences of this imprudence were fatal to her preserver. On the third day my mother sickened; her fever was accompanied by the most alarming symptoms, and the looks of her medical attendants prognosticated the worst event. On her deathbed the fortitude and benignity of this best of women did not desert her. She joined the hands of Elizabeth and myself. 'My children,' she said, 'my firmest hopes of future happiness were placed on the prospect of your union. This expectation will now be the consolation of your father. Elizabeth, my love, you must supply my place to my younger children. Alas! I regret that I am taken from you; and, happy and beloved as I have been, is it not hard to quit you all? But these are not thoughts befitting me; I will endeavour to resign myself cheerfully to death and will indulge a hope of meeting you in another world.'

Mary Shelley, Frankenstein

While I watched the tempest, so beautiful yet terrific, I wandered on with a hasty step. This noble war in the sky elevated my spirits; I clasped my hands, and exclaimed aloud, 'William, dear angel! this is thy funeral, this thy dirge!' As I said these words, I perceived in the gloom a figure which stole from behind a clump of trees near me; I stood fixed, gazing intently: I could not be mistaken. A flash of lightning illuminated the object, and discovered its shape plainly to me; its gigantic stature, and the deformity of its aspect, more hideous than belongs to humanity, instantly informed me that it was the wretch, the filthy daemon, to whom I had given life. What did he there? Could he be (I shuddered at the conception) the murderer of my brother? No sooner did that idea cross my imagination, than I became convinced of its truth; my teeth chattered, and I was forced to lean against a tree for support. The figure passed me quickly, and I lost it in the gloom. Nothing in human shape could have destroyed the fair child. He was the murderer! I could not doubt it. The mere presence of the idea was an irresistible proof of the fact. I thought of pursuing the devil; but it would have been in vain, for another flash discovered him to me hanging among the rocks of the nearly perpendicular ascent of Mont Saleve, a hill that bounds Plainpalais on the south. He soon reached the summit, and disappeared.

Mary Shelley, Frankenstein

I pour the water in the pot, arrange the cups, the sugar bowl, carton of half and half, and take the tray in to Rudy. As if he's been thinking about it, Rudy says, I knew a fat guy once, a couple of fat guys, really fat guys, when I was a kid. They were tubbies, my God. I don't remember their names. Fat, that's the only name this one kid had. We called him Fat, the kid who lived next door to me. He was a neighbor. The other kid came along later. His name was Wobbly. Everybody called him Wobbly except the teachers. Wobbly and Fat. Wish I had their picture, Rudy says. I can't think of anything to say, so we drink our tea and pretty soon I get up to go to bed. Rudy gets up too, turns off the TV, locks the front door, and begins his unbuttoning. I get into bed and move clear over to the edge and lie there on my stomach. But right away, as soon as he turns off the light and gets into bed, Rudy begins. I turn on my back and relax some, though it is against my will. But here is the thing. When he gets on me, I suddenly feel I am fat. I feel I am terrifically fat, so fat that Rudy is a tiny thing and hardly there at all. That's a funny story, Rita says, but I can see she doesn't know what to make of it. I feel depressed. But I won't go into it with her. I've already told her too much. She sits there waiting, her dainty fingers poking her hair. Waiting for what? I'd like to know. It is August. My life is going to change. I feel it.

Raymond Carver, "Fat"

Now that's part of it. I think that is really part of it. I make the Caesar salad there at his table, him watching my every move, meanwhile buttering pieces of bread and laying them off to one side, all the time making this puffing noise. Anyway, I am so keyed up or something, I knock over his glass of water. I'm so sorry, I say. It always happens when you get into a hurry. I'm very sorry, I say. Are you all right? I say. I'll get the boy to clean up right away, I say. It's nothing, he says. It's all right, he says, and he puffs. Don't worry about it, we don't mind, he says. He smiles and waves as I go off to get Leander, and when I come back to serve the salad, I see the fat man has eaten all his bread and butter. A little later, when I bring him more bread, he has finished his salad. You know the size of those Caesar salads? You're very kind, he says. This bread is marvelous, he says. Thank you, I say. Well, it is very good, he says, and we mean that. We don't often enjoy bread like this, he says. Where are you from? I ask him. I don't believe I've seen you before, I say. He's not the kind of person you'd forget, Rita puts in with a snicker. Denver, he says. I don't say anything more on the subject, though I am curious. Your soup will be along in a few minutes, sir, I say, and go off to put the finishing touches to my party of four businessmen, very demanding. When I serve his soup, I see the bread has disappeared again. He is just putting the last piece of bread into his mouth. Believe me, he says, we don't eat like this all the time, he says. And puffs. You'll have to excuse us, he says. Don't think a thing about it, please, I say. I like to see a man eat and enjoy himself, I say. I don't know, he says. I guess that's what you'd call it. And puffs. He arranges the napkin. Then he picks up his spoon. God, he's fat! Says Leander. He can't help it, I say, so shut up. I put down another basket of bread and more butter. How was the soup? I say. Thank you. Good, he says. Very good, he says. He wipes his lips and dabs his chin. Do you think it's warm in here, or is it just me? he says. No, it is warm in here, I say. Maybe we'll take off our coat, he says. Go right ahead, I say. A person has to be comfortable, I say. That's true, he says, that is very, very true, he says. But I see a little later that he is still wearing his coat.

Raymond Carver, "Fat"

Bill and Arlene Miller were a happy couple. But now and then they felt they alone among .their circle had been passed by somehow, leaving Bill to attend to his bookkeeping duties and Arlene occupied with secretarial chores. They talked about it sometimes, mostly in comparison with the lives of their neighbors, Harriet and Jim Stone. It seemed to the Millers that the Stones lived a fuller and brighter life. The Stones were always going out for dinner, or entertaining at home, or traveling about the country somewhere in connection with Jim's work. The Stones lived 'across the hall from the Millers. Jim was a salesman for a machine-parts firm and often managed to combine business with pleasure trips, and on this occasion the Stones would be away for ten days, first to Cheyenne, then on to St. Louis to visit relatives. In their absence, the Millers would look after the Stones' apartment, feed Kitty, and water the plants.' Bill and Jim shook hands beside the car. Harriet and Arlene held each other by the elbows and kissed lightly on the lips. Have fun, Bill said to Harriet. "We will," said Harriet. "You kids have fun too." Arlene nodded. Jim winked at her. "Bye, Arlene. Take good care of the old man." "I will," Arlene said. "Have fun," Bill said. "You bet," Jim said, clipping Bill lightly on the arm. "And thanks again, you guys." The Stones waved as they drove away, and the Millers waved too. "Well, I wish it was us," Bill said. "God knows, we could use a vacation," Arlene said. She took his arm and put it around her waist as they climbed the stairs to their apartment. After dinner Arlene said, "Don't forget. Kitty gets liver flavor the first night." She stood in the kitchen doorway folding the handmade tablecloth that Harriet had bought for her last year in Santa Fe.

Raymond Carver, "Neighbors"

He finished the drink and took off the suit. He rummaged through the top drawers until he found a pair of panties and a brassiere. He stepped into the panties and fastened the brassiere, then looked through the closet for an outfit. He put on a black and white checkered skirt and tried to zip it up. He put on a burgundy blouse that buttoned up the front. He considered her shoes, but understood they would not fit. For a long time he looked out the living-room window from behind the curtain. Then he returned to the bedroom and put everything away.

Raymond Carver, "Neighbors"

"Take this, I can't keep my eyes open," she said. He set the can on the floor and then stayed on his side and stared into the dark hallway. She put her arm over his ribs and her fingers stroked his chest. "What's in Alaska?" she said. He turned on his stomach and eased away to the far side of the bed. In a moment she was snoring. Just as he started to turn the lamp off, he thought he saw something in the hall. He kept staring and saw it again, a smaU pair of eyes. His heart turned. He blinked and kept staring. He leaned over to look for something to throw. He picked up one of his shoes. He sat up straight and held the shoe with both hands. He heard her snoring and he set his teeth. He waited. He waited for it to move once more, or make the slightest noise.

Raymond Carver, "What's in Alaska?"

"We should have got more," Helen said. "More what?" Mary said. "More money," Jack said. "No money," Carl said. "Did I see some U-No bars in that sack?" Helen said. "I bought some," Carl said. "I spotted them at the last minute." "U-No bars are good," Jack said. "They're creamy," Mary said. "They dissolve in your mouth." "We have some M and M's and popsicles if anybody wants any," Jack said. "Helen told us," Mary said. "I might have a popsicle. Are you going out in the kitchen?" "Yeah, and I'm going to get the creme soda, too, I just remembered. You guys want a glass?" "Just bring it all in and well decide then," Helen said. "The M and M's too." "Might be easier to move the kitchen out here," Jack said. "Save steps." "When we lived in The City," Mary said, "people said you could see who'd turned-on the night before by looking at their kitchen the next morning. We had a tiny kitchen when we lived in The City," she added after a minute. "We had a tiny kitchen too," Carl said. "I'm going out to see what I can find," Jack said. "Ill come with you," Mary said. Carl watched them walk to the kitchen. He settled back against the cushion and watched them walk, then leaned forward slowly. He squinted. He saw Jack reach up to a shelf in the cupboard. He saw Mary lean against Jack from behind and put her arms around his waist. "Are you guys serious?" Helen said. "Very serious," Carl said. "About Alaska," Helen said. He stared at her. "I thought you said something," she said. Jack and Mary came back. Jack carried a large bag of M and M's and a bottle of creme soda. Mary sucked on an orange popsicle. "Anybody want a sandwich?" Helen said. "We have sandwich materials." "Isn't it funny?" Mary said. "You start with the desserts first and then you move on to the main course." "It's real funny," Carl said. "Are you being sarcastic, honey?" Mary asked. "Who wants creme soda?" Jack said. "A round of creme soda coining up." Carl held his glass out and Jack poured it full. Carl set the glass on the coffee table but a minute later brushed it with his arm, and the soda poured onto his shoe. "God**** it," Carl said as he watched the liquid seep into the soft leather. "How do you like that? I spilled it on my shoe." "Helen, do we have a towel? Get Carl a towel," Jack said. "Those were new shoes," Mary said. "He just got them tonight." "I noticed them," Helen said and handed Carl a towel. "They look comfortable." "That's what I told him," Mary said.

Raymond Carver, "What's in Alaska?"

He ran the water and took off his shoes and clothes. He lay in the tub for a while and then used a brush to get at the lube grease under his nails. He dropped his hands and then raised them to his eyes. She opened the bathroom door. "I brought you a beer," she said. Steam drifted around her and out into the living room. "Ill be out in a minute," he said. He drank some of the beer and looked at her. She sat on the edge of the tub and put her hand on his thigh. "Home from the wars," she said. "Home from the wars," he said. "Lousy wars." She moved her hand through the wet hair on his thigh. Then she clapped her hands. "Hey, I have something to tell you! I had an interview today, and I think they're going to offer me a job in Fairbanks." "Alaska?" he said. She nodded. "What do you think of that?" "I've always wanted to go to Alaska. Does it look pretty definite?" She nodded again. "They liked me. They said I'd hear next week." "That's great. Hand me a towel, will you, I'm getting out." "I'll go and set the table," she said.

Raymond Carver, "What's in Alaska?"

She said, "Ralph, open up, please." He said, "Will you please be quiet, please?" He heard her waiting at the door, he saw the knob turn again, and then he could hear her moving around the kitchen, getting the children breakfast, trying to answer their questions. He looked at himself in the mirror a long time. He made faces at himself. He tried many expressions. Then he gave it up. He turned away from the mirror and sat down on the edge of the bathtub, began unlacing his shoes. He sat there with a shoe in his hand and looked at the clipper ships making their way across the wide blue sea of the plastic shower curtain. He thought of the little black coaches in the tablecloth and almost cried out Stop! He unbuttoned his shirt, leaned over the bathtub with a sigh, and pressed the plug into the drain. He ran hot water, and presently steam rose. He stood naked on the tiles before getting into the water. He gathered in his fingers the slack of flesh over his ribs. He studied his face again in the clouded mirror. He started in fear when Marian called his name. "Ralph. The children are in their room playing. I called Von Williams and said you wouldn't be in today, and I'm going to stay home." Then she said, "I have a nice breakfast on the stove for you, darling, when you're through with your bath. Ralph?" "Just be quiet, please," he said. He stayed in the bathroom until he heard her in the children's room. She was dressing them, asking didn't they want to play with Warren and Roy? He went through the house and into the bedroom, where he shut the door. He looked at the bed before he crawled in. He lay on his back and stared at the ceiling. He had gotten up from the couch, had come into to kitchen, had...sat...down. He snapped shut his eyes and turned onto his side as Marian walked into the room. She took off her robe and sat down on the bed. She put her hand under the covers and began stroking the lower part of his back. "Ralph," she said. He tensed at her fingers, and then he let go a little. It was easier to let go a little. Her hand moved over his hip and over his stomach and she was pressing her body over his now and moving back and forth over him. He held himself, he later considered, as long as he could. And then he turned to her. He turned and turned in what might have been a stupendous sleep, and he was still turning, marveling at the impossible changes he felt moving over him.

Raymond Carver, "Will You Please Be Quiet, Please?"

She went into the living room and turned on the lamp and bent to pick up a magazine from the floor. He watched her hips under the plaid woolen skirt. She moved in front of the window and stood looking out at the streetlight. She smoothed her palm down over her skirt, then began tucking in her blouse. He wondered if she wondered if he were watching her. After her stood the ironing board in its alcove on the porch, he sat down again and, when she came into the kitchen, he said, "Well, what else went on between you and Mitchell Anderson that night?" "Nothing," she said. "I was thinking about something else." "What?" "About the children, about the dress I want Dorothea to have for next Easter. About the class I'm going to have tomorrow. I was thinking of seeing how they'd go for a little Rimbaud," and she laughed. "I didn't mean to rhyme - really, Ralph, and really, nothing else happened. I'm sorry I ever said anything about it." "Okay," he said. He stood up and leaned against the wall by the refrigerator and watched her as she spooned out sugar into two cups and then stirred in the rum. The water was beginning to boil. "Look, honey, it has been brought up now," he said, "and it was four years ago, so there's no reason at all I can think of that we can't talk about it now if we want to. Is there?" She said, "There's really nothing to talk about." He said, "I'd like to know." She said, "Know what?" "Whatever else he did besides kiss you. We're adults. We haven't seen the Andersons in literally years and we'll probably never see them again and it happened a long time ago, so what reason could there possibly be that we can't talk about it?" He was a little surprised at the reasoning quality in his voice. He sat down and looked at the tablecloth and then looked up at her again. "Well?" he said. "Well," she said, with an impish grin, tilting her head to one side girlishly, remembering. "No, Ralph, really. I'd really rather not."

Raymond Carver, "Will You Please Be Quiet, Please?"

To Sherlock Holmes she is always the woman. I have seldom heard him mention her under any other name. In his eyes she eclipses and predominates the whole of her sex. It was not that he felt any emotion akin to love for Irene Adler. All emotions, and that one particularly, were abhorrent to his cold, precise but admirably balanced mind. He was, I take it, the most perfect reasoning and observing machine that the world has seen, but as a lover he would have placed himself in a false position. He never spoke of the softer passions, save with a gibe and a sneer. They were admirable things for the observer excellent for drawing the veil from men's motives and actions. But for the trained reasoner to admit such intrusions into his own delicate and finely adjusted temperament was to introduce a distracting factor which might throw a doubt upon all his mental results. Grit in a sensitive instrument, or a crack in one of his own high-power lenses, would not be more disturbing than a strong emotion in a nature such as his. And yet there was but one woman to him, and that woman was the late Irene Adler, of dubious and questionable memory. I had seen little of Holmes lately. My marriage had drifted us away from each other. My own complete happiness, and the home-centred interests which rise up around the man who first finds himself master of his own establishment, were suf- ficient to absorb all my attention, while Holmes, who loathed every form of society with his whole Bohemian soul, remained in our lodgings in Baker Street, buried among his old books, and alternating from week to week between cocaine and ambition, the drowsiness of the drug, and the fierce energy of his own keen nature. He was still, as ever, deeply attracted by the study of crime, and occupied his immense faculties and extraordinary powers of observation in following out those clues, and clearing up those mysteries which had been abandoned as hopeless by the official police. From time to time I heard some vague account of his doings: of his summons to Odessa in the case of the Trepoff murder, of his clearing up of the singular tragedy of the Atkinson brothers at Trincomalee, and finally of the mission which he had accomplished so delicately and successfully for the reigning family of Holland. Beyond these signs of his activity, however, which I merely shared with all the readers of the daily press, I knew little of my former friend and companion.

Sir Arthur Conan Doyle, "A Scandal in Bohemia"

" 'You have less frontal development that I should have expected,' said he, at last. 'It is a dangerous habit to finger loaded firearms in the pocket of one's dressing-gown.' "The fact is that upon his entrance I had instantly recognized the extreme personal danger in which I lay. The only conceivable escape for him lay in silencing my tongue. In an instant I had slipped the revolver from the drawer into my pocket, and was covering him through the cloth. At his remark I drew the weapon out and laid it cocked upon the table. He still smiled and blinked, but there was something about his eyes which made me feel very glad that I had it there. " 'You evidently don't know me,' said he. " 'On the contrary,' I answered, 'I think it is fairly evident that I do. Pray take a chair. I can spare you five minutes if you have anything to say.' " 'All that I have to say has already crossed your mind,' said he. " 'Then possibly my answer has crossed yours,' I replied. " 'You stand fast?' " 'Absolutely.' "He clapped his hand into his pocket, and I raised the pistol from the table. But he merely drew out a memorandum-book in which he had scribbled some dates. " 'You crossed my path on the 4th of January,' said he. 'On the 23d you incommoded me; by the middle of February I was seriously inconvenienced by you; at the end of March I was absolutely hampered in my plans; and now, at the close of April, I find myself placed in such a position through your continual persecution that I am in positive danger of losing my liberty. The situation is becoming an impossible one.' " 'Have you any suggestion to make?' I asked. " 'You must drop it, Mr. Holmes,' said he, swaying his face about. 'You really must, you know.' " 'After Monday,' said I. " 'Tut, tut,' said he. 'I am quite sure that a man of your intelligence will see that there can be but one outcome to this affair. It is necessary that you should withdraw. You have worked things in such a fashion that we have only one resource left. It has been an intellectual treat to me to see the way in which you have grappled with this affair, and I say, unaffectedly, that it would be a grief to me to be forced to take any extreme measure. You smile, sir, but I assure you that it really would.' " 'Danger is part of my trade,' I remarked. " 'That is not danger,' said he. 'It is inevitable destruction. You stand in the way not merely of an individual, but of a mighty organization, the full extent of which you, with all your cleverness, have been unable to realize. You must stand clear, Mr. Holmes, or be trodden under foot.' " 'I am afraid,' said I, rising, 'that in the pleasure of this conversation I am neglecting business of importance which awaits me elsewhere.' "He rose also and looked at me in silence, shaking his head sadly. " 'Well, well,' said he, at last. 'It seems a pity, but I have done what I could. I know every move of your game. You can do nothing before Monday. It has been a duel between you and me, Mr. Holmes. You hope to place me in the dock. I tell you that I will never stand in the dock. You hope to beat me. I tell you that you will never beat me. If you are clever enough to bring destruction upon me, rest assured that I shall do as much to you.' " 'You have paid me several compliments, Mr. Moriarty,' said I. 'Let me pay you one in return when I say that if I were assured of the former eventuality I would, in the interests of the public, cheerfully accept the latter.' " 'I can promise you the one, but not the other,' he snarled, and so turned his rounded back upon me, and went peering and blinking out of the room.

Sir Arthur Conan Doyle, "The Final Problem"

"The least sound would be fatal to our plans." I nodded to show that I had heard. "We must sit without light. He would see it through the ventilator." I nodded again. "Do not go asleep; your very life may depend upon it. Have your pistol ready in case we should need it. I will sit on the side of the bed, and you in that chair." I took out my revolver and laid it on the corner of the table. Holmes had brought up a long thin cane, and this he placed upon the bed beside him. By it he laid the box of matches and the stump of a candle. Then he turned down the lamp, and we were left in darkness. How shall I ever forget that dreadful vigil? I could not hear a sound, not even the drawing of a breath, and yet I knew that my companion sat open-eyed, within a few feet of me, in the same state of nervous tension in which I was myself. The shutters cut off the least ray of light, and we waited in absolute darkness. From outside came the occasional cry of a nightbird, and once at our very window a long drawn catlike whine, which told us that the cheetah was indeed at liberty. Far away we could hear the deep tones of the parish clock, which boomed out every quarter of an hour. How long they seemed, those quarters! Twelve struck, and one and two and three, and still we sat waiting silently for whatever might befall. Suddenly there was the momentary gleam of a light up in the direction of the ventilator, which vanished immediately, but was succeeded by a strong smell of burning oil and heated metal. Someone in the next room had lit a dark-lantern. I heard a gentle sound of movement, and then all was silent once more, though the smell grew stronger. For half an hour I sat with straining ears. Then suddenly another sound became audible—a very gentle, soothing sound, like that of a small jet of steam escaping continually from a kettle. The instant that we heard it, Holmes sprang from the bed, struck a match, and lashed furiously with his cane at the bell-pull. "You see it, Watson?" he yelled. "You see it?" But I saw nothing. At the moment when Holmes struck the light I heard a low, clear whistle, but the sudden glare flashing into my weary eyes made it impossible for me to tell what it was at which my friend lashed so savagely. I could, however, see that his face was deadly pale and filled with horror and loathing. He had ceased to strike and was gazing up at the ventilator when suddenly there broke from the silence of the night the most horrible cry to which I have ever listened. It swelled up louder and louder, a hoarse yell of pain and fear and anger all mingled in the one dreadful shriek. They say that away down in the village, and even in the distant parsonage, that cry raised the sleepers from their beds. It struck cold to our hearts, and I stood gazing at Holmes, and he at me, until the last echoes of it had died away into the silence from which it rose. "What can it mean?" I gasped. "It means that it is all over," Holmes answered. "And perhaps, after all, it is for the best. Take your pistol, and we will enter Dr. Roylott's room." With a grave face he lit the lamp and led the way down the corridor. Twice he struck at the chamber door without any reply from within. Then he turned the handle and entered, I at his heels, with the cocked pistol in my hand. It was a singular sight which met our eyes. On the table stood a dark-lantern with the shutter half open, throwing a brilliant beam of light upon the iron safe, the door of which was ajar. Beside this table, on the wooden chair, sat Dr. Grimesby Roylott clad in a long grey dressing-gown, his bare ankles protruding beneath, and his feet thrust into red heelless Turkish slippers. Across his lap lay the short stock with the long lash which we had noticed during the day. His chin was cocked upward and his eyes were fixed in a dreadful, rigid stare at the corner of the ceiling. Round his brow he had a peculiar yellow band, with brownish speckles, which seemed to be bound tightly round his head. As we entered he made neither sound nor motion. "The band! the speckled band!" whispered Holmes. I took a step forward. In an instant his strange headgear began to move, and there reared itself from among his hair the squat diamond-shaped head and puffed neck of a loathsome serpent. "It is a swamp adder!" cried Holmes; "the deadliest snake in India. He has died within ten seconds of being bitten. Violence does, in truth, recoil upon the violent, and the schemer falls into the pit which he digs for another. Let us thrust this creature back into its den, and we can then remove Miss Stoner to some place of shelter and let the county police know what has happened." As he spoke he drew the dog-whip swiftly from the dead man's lap, and throwing the noose round the reptile's neck he drew it from its horrid perch and, carrying it at arm's length, threw it into the iron safe, which he closed upon it.

Sir Arthur Conan Doyle, "The Speckled Band"

Alexandra drew her shawl closer about her and stood leaning against the frame of the mill, looking at the stars which glittered so keenly through the frosty autumn air. She always loved to watch them, to think of their vastness and distance, and of their ordered march. It fortified her to reflect upon the great operations of nature, and when she thought of the law that lay behind them, she felt a sense of personal security. That night she had a new consciousness of the country, felt almost a new relation to it. Even her talk with the boys had not taken away the feeling that had overwhelmed her when she drove back to the Divide that afternoon. She had never known before how much the country meant to her. The chirping of the insects down in the long grass had been like the sweetest music. She had felt as if her heart were hiding down there, somewhere, with the quail and the plover and all the little wild things that crooned or buzzed in the sun. Under the long shaggy ridges, she felt the future stirring.

Willa Cather, O Pioneers!

Alexandra reached home in the afternoon. That evening she held a family council and told her brothers all that she had seen and heard. "I want you boys to go down yourselves and look it over. Nothing will convince you like seeing with your own eyes. The river land was settled before this, and so they are a few years ahead of us, and have learned more about farming. The land sells for three times as much as this, but in five years we will double it. The rich men down there own all the best land, and they are buying all they can get. The thing to do is to sell our cattle and what little old corn we have, and buy the Linstrum place. Then the next thing to do is to take out two loans on our half-sections, and buy Peter Crow's place; raise every dollar we can, and buy every acre we can." "Mortgage the homestead again?" Lou cried. He sprang up and began to wind the clock furiously. "I won't slave to pay off another mortgage. I'll never do it. You'd just as soon kill us all, Alexandra, to carry out some scheme!" Oscar rubbed his high, pale forehead. "How do you propose to pay off your mortgages?" Alexandra looked from one to the other and bit her lip. They had never seen her so nervous. "See here," she brought out at last. "We borrow the money for six years. Well, with the money we buy a half-section from Linstrum and a half from Crow, and a quarter from Struble, maybe. That will give us upwards of fourteen hundred acres, won't it? You won't have to pay off your mortgages for six years. By that time, any of this land will be worth thirty dollars an acre—it will be worth fifty, but we'll say thirty; then you can sell a garden patch anywhere, and pay off a debt of sixteen hundred dollars. It's not the principal I'm worried about, it's the interest and taxes. We'll have to strain to meet the payments. But as sure as we are sitting here to-night, we can sit down here ten years from now independent landowners, not struggling farmers any longer. The chance that father was always looking for has come." Lou was pacing the floor. "But how do you KNOW that land is going to go up enough to pay the mortgages and—" "And make us rich besides?" Alexandra put in firmly. "I can't explain that, Lou. You'll have to take my word for it. I KNOW, that's all. When you drive about over the country you can feel it coming."

Willa Cather, O Pioneers!

Carl laughed and pushed back the triangular lock of hair with the edge of his hat. "Of course I don't. I ought to be thankful that this path hasn't been worn by—well, by friends with more pressing errands than your little Bohemian is likely to have." He paused to give Alexandra his hand as she stepped over the stile. "Are you the least bit disappointed in our coming together again?" he asked abruptly. "Is it the way you hoped it would be?" Alexandra smiled at this. "Only better. When I've thought about your coming, I've sometimes been a little afraid of it. You have lived where things move so fast, and everything is slow here; the people slowest of all. Our lives are like the years, all made up of weather and crops and cows. How you hated cows!" She shook her head and laughed to herself. "I didn't when we milked together. I walked up to the pasture corners this morning. I wonder whether I shall ever be able to tell you all that I was thinking about up there. It's a strange thing, Alexandra; I find it easy to be frank with you about everything under the sun except—yourself!" "You are afraid of hurting my feelings, perhaps." Alexandra looked at him thoughtfully. "No, I'm afraid of giving you a shock. You've seen yourself for so long in the dull minds of the people about you, that if I were to tell you how you seem to me, it would startle you. But you must see that you astonish me. You must feel when people admire you." Alexandra blushed and laughed with some confusion. "I felt that you were pleased with me, if you mean that." "And you've felt when other people were pleased with you?" he insisted. "Well, sometimes. The men in town, at the banks and the county offices, seem glad to see me. I think, myself, it is more pleasant to do business with people who are clean and healthy-looking," she admitted blandly. Carl gave a little chuckle as he opened the Shabatas' gate for her. "Oh, do you?" he asked dryly. There was no sign of life about the Shabatas' house except a big yellow cat, sunning itself on the kitchen doorstep. Alexandra took the path that led to the orchard. "She often sits there and sews. I didn't telephone her we were coming, because I didn't want her to go to work and bake cake and freeze ice-cream. She'll always make a party if you give her the least excuse. Do you recognize the apple trees, Carl?" Linstrum looked about him. "I wish I had a dollar for every bucket of water I've carried for those trees. Poor father, he was an easy man, but he was perfectly merciless when it came to watering the orchard."

Willa Cather, O Pioneers!

Frank was the only one, Alexandra told herself, for whom anything could be done. He had been less in the wrong than any of them, and he was paying the heaviest penalty. She often felt that she herself had been more to blame than poor Frank. From the time the Shabatas had first moved to the neighboring farm, she had omitted no opportunity of throwing Marie and Emil together. Because she knew Frank was surly about doing little things to help his wife, she was always sending Emil over to spade or plant or carpenter for Marie. She was glad to have Emil see as much as possible of an intelligent, city-bred girl like their neighbor; she noticed that it improved his manners. She knew that Emil was fond of Marie, but it had never occurred to her that Emil's feeling might be different from her own. She wondered at herself now, but she had never thought of danger in that direction. If Marie had been unmarried,—oh, yes! Then she would have kept her eyes open. But the mere fact that she was Shabata's wife, for Alexandra, settled everything. That she was beautiful, impulsive, barely two years older than Emil, these facts had had no weight with Alexandra. Emil was a good boy, and only bad boys ran after married women.

Willa Cather, O Pioneers!

He crossed the fence into the pasture that was now the Shabatas' and continued his walk toward the pond. He had not gone far, however, when he discovered that he was not the only person abroad. In the draw below, his gun in his hands, was Emil, advancing cautiously, with a young woman beside him. They were moving softly, keeping close together, and Carl knew that they expected to find ducks on the pond. At the moment when they came in sight of the bright spot of water, he heard a whirr of wings and the ducks shot up into the air. There was a sharp crack from the gun, and five of the birds fell to the ground. Emil and his companion laughed delightedly, and Emil ran to pick them up. When he came back, dangling the ducks by their feet, Marie held her apron and he dropped them into it. As she stood looking down at them, her face changed. She took up one of the birds, a rumpled ball of feathers with the blood dripping slowly from its mouth, and looked at the live color that still burned on its plumage. As she let it fall, she cried in distress, "Oh, Emil, why did you?" "I like that!" the boy exclaimed indignantly. "Why, Marie, you asked me to come yourself." "Yes, yes, I know," she said tearfully, "but I didn't think. I hate to see them when they are first shot. They were having such a good time, and we've spoiled it all for them." Emil gave a rather sore laugh. "I should say we had! I'm not going hunting with you any more. You're as bad as Ivar. Here, let me take them." He snatched the ducks out of her apron. "Don't be cross, Emil. Only—Ivar's right about wild things. They're too happy to kill. You can tell just how they felt when they flew up. They were scared, but they didn't really think anything could hurt them. No, we won't do that any more." "All right," Emil assented. "I'm sorry I made you feel bad." As he looked down into her tearful eyes, there was a curious, sharp young bitterness in his own.

Willa Cather, O Pioneers!

On one of the ridges of that wintry waste stood the low log house in which John Bergson was dying. The Bergson homestead was easier to find than many another, because it overlooked Norway Creek, a shallow, muddy stream that sometimes flowed, and sometimes stood still, at the bottom of a winding ravine with steep, shelving sides overgrown with brush and cottonwoods and dwarf ash. This creek gave a sort of identity to the farms that bordered upon it. Of all the bewildering things about a new country, the absence of human landmarks is one of the most depressing and disheartening. The houses on the Divide were small and were usually tucked away in low places; you did not see them until you came directly upon them. Most of them were built of the sod itself, and were only the unescapable ground in another form. The roads were but faint tracks in the grass, and the fields were scarcely noticeable. The record of the plow was insignificant, like the feeble scratches on stone left by prehistoric races, so indeterminate that they may, after all, be only the markings of glaciers, and not a record of human strivings. In eleven long years John Bergson had made but little impression upon the wild land he had come to tame. It was still a wild thing that had its ugly moods; and no one knew when they were likely to come, or why. Mischance hung over it. Its Genius was unfriendly to man. The sick man was feeling this as he lay looking out of the window, after the doctor had left him, on the day following Alexandra's trip to town. There it lay outside his door, the same land, the same lead-colored miles. He knew every ridge and draw and gully between him and the horizon. To the south, his plowed fields; to the east, the sod stables, the cattle corral, the pond,—and then the grass.

Willa Cather, O Pioneers!

The Church has always held that life is for the living. On Saturday, while half the village of Sainte-Agnes was mourning for Amedee and preparing the funeral black for his burial on Monday, the other half was busy with white dresses and white veils for the great confirmation service to-morrow, when the bishop was to confirm a class of one hundred boys and girls. Father Duchesne divided his time between the living and the dead. All day Saturday the church was a scene of bustling activity, a little hushed by the thought of Amedee. The choir were busy rehearsing a mass of Rossini, which they had studied and practised for this occasion. The women were trimming the altar, the boys and girls were bringing flowers. On Sunday morning the bishop was to drive overland to Sainte-Agnes from Hanover, and Emil Bergson had been asked to take the place of one of Amedee's cousins in the cavalcade of forty French boys who were to ride across country to meet the bishop's carriage. At six o'clock on Sunday morning the boys met at the church. As they stood holding their horses by the bridle, they talked in low tones of their dead comrade. They kept repeating that Amedee had always been a good boy, glancing toward the red brick church which had played so large a part in Amedee's life, had been the scene of his most serious moments and of his happiest hours. He had played and wrestled and sung and courted under its shadow. Only three weeks ago he had proudly carried his baby there to be christened. They could not doubt that that invisible arm was still about Amedee; that through the church on earth he had passed to the church triumphant, the goal of the hopes and faith of so many hundred years. When the word was given to mount, the young men rode at a walk out of the village; but once out among the wheatfields in the morning sun, their horses and their own youth got the better of them. A wave of zeal and fiery enthusiasm swept over them. They longed for a Jerusalem to deliver. The thud of their galloping hoofs interrupted many a country breakfast and brought many a woman and child to the door of the farmhouses as they passed. Five miles east of Sainte-Agnes they met the bishop in his open carriage, attended by two priests. Like one man the boys swung off their hats in a broad salute, and bowed their heads as the handsome old man lifted his two fingers in the episcopal blessing. The horsemen closed about the carriage like a guard, and whenever a restless horse broke from control and shot down the road ahead of the body, the bishop laughed and rubbed his plump hands together. "What fine boys!" he said to his priests. "The Church still has her cavalry." As the troop swept past the graveyard half a mile east of the town,—the first frame church of the parish had stood there,—old Pierre Seguin was already out with his pick and spade, digging Amedee's grave. He knelt and uncovered as the bishop passed. The boys with one accord looked away from old Pierre to the red church on the hill, with the gold cross flaming on its steeple. Mass was at eleven. While the church was filling, Emil Bergson waited outside, watching the wagons and buggies drive up the hill. After the bell began to ring, he saw Frank Shabata ride up on horseback and tie his horse to the hitch-bar. Marie, then, was not coming. Emil turned and went into the church. Amedee's was the only empty pew, and he sat down in it. Some of Amedee's cousins were there, dressed in black and weeping. When all the pews were full, the old men and boys packed the open space at the back of the church, kneeling on the floor. There was scarcely a family in town that was not represented in the confirmation class, by a cousin, at least. The new communicants, with their clear, reverent faces, were beautiful to look upon as they entered in a body and took the front benches reserved for them. Even before the Mass began, the air was charged with feeling. The choir had never sung so well and Raoul Marcel, in the "Gloria," drew even the bishop's eyes to the organ loft. For the offertory he sang Gounod's "Ave Maria,"—always spoken of in Sainte-Agnes as "the Ave Maria." Emil began to torture himself with questions about Marie. Was she ill? Had she quarreled with her husband? Was she too unhappy to find comfort even here? Had she, perhaps, thought that he would come to her? Was she waiting for him? Overtaxed by excitement and sorrow as he was, the rapture of the service took hold upon his body and mind. As he listened to Raoul, he seemed to emerge from the conflicting emotions which had been whirling him about and sucking him under. He felt as if a clear light broke upon his mind, and with it a conviction that good was, after all, stronger than evil, and that good was possible to men. He seemed to discover that there was a kind of rapture in which he could love forever without faltering and without sin. He looked across the heads of the people at Frank Shabata with calmness. That rapture was for those who could feel it; for people who could not, it was non-existent. He coveted nothing that was Frank Shabata's. The spirit he had met in music was his own. Frank Shabata had never found it; would never find it if he lived beside it a thousand years; would have destroyed it if he had found it, as Herod slew the innocents, as Rome slew the martyrs. SAN—CTA MARI-I-I-A, wailed Raoul from the organ loft; O—RA PRO NO-O-BIS! And it did not occur to Emil that any one had ever reasoned thus before, that music had ever before given a man this equivocal revelation. The confirmation service followed the Mass. When it was over, the congregation thronged about the newly confirmed. The girls, and even the boys, were kissed and embraced and wept over. All the aunts and grandmothers wept with joy. The housewives had much ado to tear themselves away from the general rejoicing and hurry back to their kitchens. The country parishioners were staying in town for dinner, and nearly every house in Sainte-Agnes entertained visitors that day. Father Duchesne, the bishop, and the visiting priests dined with Fabien Sauvage, the banker. Emil and Frank Shabata were both guests of old Moise Marcel. After dinner Frank and old Moise retired to the rear room of the saloon to play California Jack and drink their cognac, and Emil went over to the banker's with Raoul, who had been asked to sing for the bishop. At three o'clock, Emil felt that he could stand it no longer. He slipped out under cover of "The Holy City," followed by Malvina's wistful eye, and went to the stable for his mare. He was at that height of excitement from which everything is foreshortened, from which life seems short and simple, death very near, and the soul seems to soar like an eagle. As he rode past the graveyard he looked at the brown hole in the earth where Amedee was to lie, and felt no horror. That, too, was beautiful, that simple doorway into forgetfulness. The heart, when it is too much alive, aches for that brown earth, and ecstasy has no fear of death. It is the old and the poor and the maimed who shrink from that brown hole; its wooers are found among the young, the passionate, the gallant-hearted. It was not until he had passed the graveyard that Emil realized where he was going. It was the hour for saying good-bye. It might be the last time that he would see her alone, and today he could leave her without rancor, without bitterness. Everywhere the grain stood ripe and the hot afternoon was full of the smell of the ripe wheat, like the smell of bread baking in an oven. The breath of the wheat and the sweet clover passed him like pleasant things in a dream. He could feel nothing but the sense of diminishing distance. It seemed to him that his mare was flying, or running on wheels, like a railway train. The sunlight, flashing on the window-glass of the big red barns, drove him wild with joy. He was like an arrow shot from the bow. His life poured itself out along the road before him as he rode to the Shabata farm. When Emil alighted at the Shabatas' gate, his horse was in a lather. He tied her in the stable and hurried to the house. It was empty. She might be at Mrs. Hiller's or with Alexandra. But anything that reminded him of her would be enough, the orchard, the mulberry tree... When he reached the orchard the sun was hanging low over the wheatfield. Long fingers of light reached through the apple branches as through a net; the orchard was riddled and shot with gold; light was the reality, the trees were merely interferences that reflected and refracted light. Emil went softly down between the cherry trees toward the wheatfield. When he came to the corner, he stopped short and put his hand over his mouth. Marie was lying on her side under the white mulberry tree, her face half hidden in the grass, her eyes closed, her hands lying limply where they had happened to fall. She had lived a day of her new life of perfect love, and it had left her like this. Her breast rose and fell faintly, as if she were asleep. Emil threw himself down beside her and took her in his arms. The blood came back to her cheeks, her amber eyes opened slowly, and in them Emil saw his own face and the orchard and the sun. "I was dreaming this," she whispered, hiding her face against him, "don't take my dream away!"

Willa Cather, O Pioneers!