Art History: Ancient Greece - Chapter 5, Ap Art History MC # 5, AP Art History Chp. 5
Dying Warrior, from the west pediment; Dying warrior, from the east pediment of the Temple of Aphaia, Aegina, Greece, ca. 480 BCE.
1. What two Greek styles are represented by these figures? West pediment - Archaic Period East pediment - Early Classical Period a. Describe the main artistic developments that the lower(East) work represent. ***More effect of gravity on his body, grimace on his face, twisted-less frontal
Black-figure ceramics would most likely be found in conjunction with the art of the
Archaic and Early Classical periods
apotropaic figure
Capable of warding off evil
Doric
One of the two systems (or orders) invented in ancient Greece for articulating the three units of the elevation of a classical building---the platform, the colonnade, and the superstructure (entablature). The Doric order is characterized by, among other features, capitals with funnel-shaped echinuses, columns without bases, and a frieze of triglyphs and meteps.
Severe Style
The Early Classical style of Greek sculpture.
The gigantomachy of the Altar of Zeus, Pergamon alludes to a victory of the Pergamenes over who in the third century BCE.
The Gauls
cornice
The projecting, crowing member of the entablature framing the pediment; also, any crowing projection.
____ is the historical event that ushered in the beginning of the Classical period.
defeat of the Persians
Originally titled the Canon, Polykleitos's "Doryphoros" reflects the artist's belief that a perfect statue _____.
was constructed according to a mathematical formula
Kroisos, from Anavysos, Greece, ca. 530 BCE.
2. Title: Kroisos a. What stylistic elements appear Archaic? **Egyptian stance, frontal pose, hands to the side, the smile b. What stylistic elements appear more naturalistic? **Rounded, muscles fully developed, less triangle, less flattened, less geometric
Approximately how long ago did democratic principles become established in Athens
2500 years ago
Polykleitos, Doryphoros (Spear Bearer), Roman copy from the palaestra, Pompeii, Italy, of a bronze statue of ca. 450-440 BCE.
3. Artisit: Polykleitos a. Style/Period? **High Classical Period b. Why is this titled "Canon"? **Mathematics - harmony/proportion Establishes beauty and balance Balance arm with the leg and vice versa Rule of the ideal men/figure Idealized Rules of Proportion
Philoxenos of Eretria, Battle of Issues, ca. 310 BCE. Roman copy (Alexander Mosaic) from the House of the Faun, Pompeii, Italy, late second or early first century BCE.
4. Title: Battle of Issues a. Is this the original painting or a copy? **Copy b. What is the medium? **Terresa mosaic - little bits of square stone c. What armies are represented here? **Macedonian and Persian (Alexander the Great vs. Darius)
Lysippos, Weary Herakles (Farnese Hercules). Roman statue from the Baths of Caracalla, Rome, Italy, signed by Glykon of Athens, based on a bronze statue of ca. 320 BCE.
5. Title: Weary Herakles a. Artist: Lysippos b. Why is this work considered ironic? How does it represent its historical context? **Ironic because Herakles is the strongest man in the world and is represented here as exhausted. Represents a period where Gods/Demigods are humanized. Looking at a figure representing a Roman Empire exhausted from battle.
Sleeping satyr (Barberini Faun), from Rome, Italy, ca. 230-200 BCE.
6. What style is represented by Sleeping Satyr? How does it represent its cultural context? **Hellenistic Style - latest of Greek Style Express cultural context because there was a state of interest in the state of unconscious. Dream state, sexuality.
chiton
A Greek tunic, the essential (and often only) garment of both men and women, the other being the himation, or mantle.
bronze hollow cast/lost wax process
A bronze-casting method in which a figure is modeled in wax and covered with clay; the whole is fired, melting away the wax (French, cire perdue) and hardening the clay, which then becomes a mold for molten metal. Also called the cire perdue process.
caryatid
A female figure that functions as a supporting column.
Corinthian capitals
A more ornate form than Doric or Ionic; it consists of a double row of acanthus leaves from which tendrils and flowers grow, wrapped around a bell-shaped echinus. Although this capital is often cited as the distinguishing feature of the Corinthian order, in strict terms no such order exists. The Corinthian capital is a substitute for the standard capital used in the Ionic order.
pebble mosaic
A mosaic made of irregularly shaped stones of various colors.
encaustic
A painting technique in which pigment is mixed with melted wax and applied to the surface while the mixture is hot.
peplos
A simple, long, belted garment of wool worn by women in ancient Greece.
triglyph
A triple projecting, grooved member of a Doric frieze that alternates with metopes.
columns
A vertical, weight-carrying architectural member, circular in cross-section and consisting of a base (sometimes omitted), a shaft, and a capital.
In the statue of Athena Parthenos, what did she hold that made an overt reference to the Athenian victory over the Persians in 479 BC.
A winged Nike figure
The origins of the Greeks or Hellenes, as they called themselves, appear to be the product of
Aegeans and Indo-Europeans
himation
An ancient Greek mantle worn by men and women over chiton and draped in various ways.
amphora
An ancient Greek two-handled jar used for general storage purposes, usually to hold wine or oil.
krater
An ancient Greek wide-mouthed bowl for mixing wine and water.
The ___ by Praxiteles was one of the first statues to represent a female nude.
Aphrodite of Knidos
During the Greek Orientalizing period, Greek vase decoration, which consisted of rows of composite creatures and exotic animals, was influenced by ____.
Egyptian and Mesopotamian art
The what? on the Athenian Acropolis has four sides of very different character with each side resting on different ground levels
Erectheion
bilingual vases (painting)
Experimental Greek vases produced for a short time in the late sixth century BCE; one side featured black-figure decoration, the other red-figure.
Later Greeks calculated their chronology from the, what? and despite rivalries and differences; from then on all Greeks regarded themselves as citizens of Hellas.
First Greek Olympiad
The gigantomachy of the Altar of Zeus, Pergamon alludes to a victory of the Pergamenes over the ____ in the third century BCE.
Gauls
tessera mosaic
Greek, "cube." A tiny stone or piece of glass cut to the desired shape and size for use in forming a mosaic.
kouros
Greek, "young man." An Archaic Greek statue of a young man.
kore
Greek, "young woman." An Archaic Greek statue of a young woman.
base
In ancient Greek architecture, the molded projecting lowest part of Ionic and Corinthian columns.
centauromachy
In ancient Greek mythology, a battle between the Greeks and centaurs.
gorgon
In ancient Greek mythology, a hideous female demon with snake hair. Medusa, the most famous gorgon, was capable of turning anyone who gazed at her into stone.
gigantomachy
In ancient Greek mythology, the battle between gods and giants.
pediment
In classical architecture, the triangular space (gable) at the end of a building formed by the ends of the sloping roof above the colonnade; also, an ornamental feature having this shape.
black-figure painting
In early Greek pottery, the silhouetting of dark figures against a light background of natural, reddish clay, with linear details incised through the silhouettes.
red-figure painting
In later Greek pottery, the silhouetting of red figures against a black background, with painted linear details; the reverse of black-figure painting.
A standing nude figure of a young man is known in Greek art as a
Kouros
The earliest known example of the use of contrapposto is the sculpture known as the
Kritios Boy
The earliest known example of the use of contrapposto is the sculpture known as the____.
Kritios Boy
What was a Greek colony in Egypt that brought the Greeks into direct contact with Egyptian monumental architecture.
Naukratis
_____ was a Greek colony in Egypt that brought the Greeks into direct contact with Egyptian monumental architecture.
Naukratis
The chryselephantine statue of Athena Parthenos stands fully armed. No one doubts this figure is a triumphant expression and refers to the Athenian victory over the Persians in 479 BC. What warfare symbol accompanies the Athena Parthenos.
Nike on her hand
Ionic
One of the two systems (or orders) invented in ancient Greece for articulating the three units of the elevation of a classical building: the platform, the colonnade, and the superstructure (entablature). The Ionic order is characterized by, among other features, volutes, capitals, columns with bases, and an uninterrupted frieze.
The ____, which is possibly the subject of the Parthenon's continuous frieze, was a procession held in Athens every four years.
Panathenaia or Panathenaic Procession
Mnesikles created a wide causeway between the central pair of columns on either side of the Propylaia, the gateway to the Acropolis. The causeway was created for the
Panathenaic Festival
Who was the politician most responsible for the re-building of the Athenian Acropolis in the 5th Century BCE
Pericles
Who was the director of the sculptural programs on the Parthenon
Phidias
Upon the death of Attalos III in 133 BCE, the Pergamene kingdom was bequeathed to
Rome, the greatest power in the Mediterranean world.
The earliest known Greek temple with sculptural decoration is
Temple A, Prinias
The earliest known Greek temple with sculptural decoration is _____?
Temple A, Prinias
A good example of a building in the Ionic style is the
Temple of Athena Nike, Acropolis
Unlike their counterparts in the near East, Greek gods assumed human form. What is another characteristic of the Greek gods?
That they were immortals
The Orientalizing period of art is so named because of the exposure of early Greeks to the art of
The Near East and Egypt
Composite monsters were popular in other ancient cultures; however what was a purely Greek invention
The centaur
Cella (naos)
The chamber at the center of an ancient temple; in a classical temple, the room in which the cult statue usually stood.
entasis
The convex profile (an apparent swelling) in the shaft of a column.
What caused the Persians to withdraw from the Aegean in 478 BCE
The defeat of Persian navy
contrapposto
The disposition of the human figure in which one part is turned in opposition to another part (usually hips and legs one way, shoulders and chest another), creating a counter positioning of the body about its central axis. Sometimes called "weight shift" because the weight of the body tends to be thrown to one foot, creating tension on one side and relaxation on the other.
Canon of Polykleitos
The fifth-century BCE sculptor Polykleitos wrote the Canon, a treatise incorporating his formula for the perfectly proportioned statue.
architrave
The lintel or lowest division of the entablature; also called the epistyle.
entablature
The part of a building above the columns and below the roof. The entablature has three parts: architrave, frieze, and pediment.
frieze
The part of the entablature between the architrave and the cornice; also, any sculptured or painted band.
Archaic smile
The smile that appears on all Archaic Greek statues from about 570 to 480 BCE. The smile is the Archaic sculptor's way of indicating that the person portrayed is alive.
metope
The square panel between the triglyphs in the Doric frieze, often sculpted in relief.
shaft
The tall, cylindrical part of a column between the capital and the base.
stylobate
The uppermost course of the platform of a classical Greek temple, which supports the columns.
capital
The uppermost member of a column, serving as a transition from the shaft to the lintel. In classical architecture, the form of the capital varies with the order.
foreshortening
The use of perspective to represent in art the apparent visual contraction of an object that extends back in space at an angle to perpendicular plane of sight.
flutes
Vertical channeling, roughly semicircular in cross-section and used principally on columns and pilasters.
A Dipylon vase would most likely be found in
an Athenian cemetery of the Geometric period
The Geometric krater would most likely be found in which of the following?
an Athenian cemetery of the Geometric period
The warrior sculpture, Riace Bronze, demonstrates natural motion in space in that the
arms are freed from the body
Evident in the absence of a pediment and a roof, the Temple of Apollo, Didyma, reflected the ability of Hellenistic architecture to ___.
be surprising and dramatic
A female figure used as an architectural support was known as a
caryatid
A female figure used as an architectural support was known as a:
caryatid
Evident in the "Three Goddesses" on the Parthenon ____ was one of the main changes that took place in the representation of the female figure in the High Classical period.
clingy drapery that follows the contours of the body
The subject matter of the drinking cup by Onesimos would never have been portrayed publicly in monumental painting or sculpture, only in the private sphere would this subject matter have been acceptable. It was a
genre scene of servant girl of the house bathing
The Athenians perception of themselves based on the Panathenaic Festival frieze from the Parthenon was that they...
had high opinions of their own worth
Which of the following conclusions could be drawn regarding the Athenians perception of themselves based on the Panathenaic Festival frieze from the Parthenon?
had high opinions of their own worth
The figure of the calf-bearer differs from earlier Greek statues as well as Egyptian and Near Eastern statues in that
he has a smile
Pericles stated, "For we are...simple in our tastes, and we cultivate the mind without loss of manliness...." This statement could also refer to
humanistic education and life
A standing nude figure of a young man is known in Greek art as which of the following?
kouros
The Parthenon is a fusion of Doric and Ionic architectural elements. This fusion might also indicate a political fusion as suggested by Pericles and Iktinos. It also...
might suggest that Athens was the leader of all the Greeks
When compared to the Classical style, Greek Hellenistic art could be characterized as
more realistic and emotional
When compared to the Classical style, Greek Hellenistic art could be characterized as:
more realistic and emotional
In the Archaic period the black-figure style of vase painting was replaced by the ___ style.
red-figure
Early Archaic monumental stone statues followed Egyptian style very closely. This style can be described as
rigidly frontal left foot slightly advanced
Early Archaic monumental stone statues followed Egyptian style very closely. This style can be described as ____.
rigidly frontal left foot slightly advanced
In using _____ the pedimental sculptures of the "Temple of Aphaia" at Aegina were better adapted to its triangular shape than those of earlier Archaic temples.
statues of equal size but in different poses
Who is usually given credit for the invention of the red-figure technique as seen in the amphora of "Achilles and Ajax playing a dice game"
the Andokides Painter
The Geometric krater from the Dipylon cemetery is a testimonial to the deceased's wealth and position. What best validates this statement.
the size of the pot